Hmm, lets see what has my Maker done.
Authored the Soul and its function, Humanity and their garden homeland, the Questing Beast, and Legend Cultivation.
It also described the functioning of the World Tree.
Not really seeing a unified thematic right now.
The World Tree and the soul are connected through their relationship with the Unseen. Humanity also lived in the Unseen, their garden was inside the World Tree, so all together you could be something like a god of imagination or something. The Questing Beast and Legend Cultivation are narrative oriented acts though, so it's not a perfect fit.
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So I'm mostly satisfied with the current draft of my next act, does anyone feel up to giving feedback? I wanted to make a magic system that drew on the relationship between Seen and Unseen for a while now, and the Law of Unseen Awakening makes it even easier to justify. Does my explanation for how both of them work seem thematic enough? Should I make it more clear they're both different sides of the same coin, just coming at the problem from opposite directions?
I chose the Umbrals as the ones to teach it to because they haven't been given much in the way of magic or cultural developments compared to other intelligent races. I don't want them to be left behind or to fall into obscurity, and this felt fitting for a species of natural empaths with bad eyesight and their peculiar culture of outcasts.
Develop and teach the magics of Vividry and Refutation to the Umbrals
Vividry: The magic of Vividry is to peer into the Unseen with one's soul and find wisdom and knowledge in pure imagination, drawing inspiration from chaos and learning lessons within fantasy. After death every mortal reawakens through their soul into the Unseen, but even while alive a connection remains. From this, they might reach out from both sides towards other, manipulating the barrier that separates the realms through push and pull.
Using Vividry, the strength of one's creativity begets power beyond material things, and passion alone can be wielded to bring dreams form and grant life to spirits. Ideas and concepts themselves may be imposed onto the world through great effort, with the skill of one's artistry being what makes them linger. Only a working of creation so perfect as to completely capture the essence of an Unseen thing may solidify it within reality. Of course there are always unpredictable results, as one can never be entirely sure of what they might find in the Unseen if they go looking too deeply, or what might find them in turn should they lack the prudence to avoid notice.
A neophyte in the art may do nothing more than stare into the absurd realm unreal hoping in vain to discover some dark secret or brilliant insight that hasn't already been uncovered by others countless times before, while a master may find the barrier between Seen and Unseen as thin as air, with as much or more control over that place on the other side than they have over their own body. Those who use Vividry should take care not to lose themselves in madness, for to witness the impossible is to believe in the impossible. The greater one's comprehension of the Unseen, the farther one's common sense diverges from ordinary people, and the easier it is to convince oneself that reality is a falsehood of their own delusions.
To some degree this is unavoidable. No one can come away entirely unaffected by the things a practitioner encounters, and experiencing so many new things outside of normality naturally changes a person. This is not the result of supernatural power, it is a coping mechanism to deal with having their expectations for how things should work subverted over and over again. With help and therapy, a practitioner of Vividry can maintain their sense of reality enough that they only come off as quirky and unusual, even as their mind struggles to contain the sheer depth of emotions and spontaneous impulses they experience every moment waking or dreaming.
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Refutation: To command Refutation is to understand the visible reality as it is, the basic common sense of the world, and leverage the weight of natural law against the unnatural through Argument. The better the practitioner's logic, the more powerful their Refutation will be. It is the counterpoint of Vividry because it uses the power of the Seen, and the barrier that separates it from the Unseen, to enact its effects. Without Refutation, that barrier might as well be made of rotting wood, as full of holes as it is. It is such that Refutation does not merely wield the barrier as a bludgeon to manipulate the world, but instead reinforces it as the basic rules of reality are imposed and affirmed through it.
Refutation is not a powerful form of magic. Perhaps a master of the art could compose a single statement that rings with such truth that anything which comes before it must not be real. However, they would only be able to do so if that were already basically the case. Practitioners of Refutation alone will never wield the incredible mystical authority to move heaven and earth that some mages might possess. By contrast, Refutation excels in negating the effects manifest by those very same magi, for all that they do is contrary to the order of the world.
The study of Refutation is something inclined towards those of an academic nature, but also of leaders who guide others by the strength of their words and deeds. To master Refutation is to have confidence in oneself and in one's worldview, for everything they do and say to be self evidently correct. Refutation does not exist in opposition to Vividry or any other magic, and for that matter, it might be impossible to call themselves a master in any field of magic if one is not also a master of Refutation.
The means to cancel all magic opposed to the common sense of Seen reality naturally lends itself to also supporting those very same arts, amplifying their effects and hardening them to the Arguments of other practitioners. It is through the practice of Refutation that any wielder of Vividry could firmly ground themselves into reality, and even surpass their previous heights.