Doom's Day Has Come! (Let's Read Marvel's Doctor Doom)

2099 - Doom 2099 A.D. #31 - American Dream
Doom 2099 A.D. #31 (July 1995)



Cover

Today's cover is nice and cheery, ain't it? Lady Liberty, now bearing the mask of Doom to cover up her skeletal features, stands among the flaming ruins of a city - apparently they moved her inland at some point - while planes drop bombs from overhead. The most striking detail I noticed is the barbed wire between the spokes of her crown, giving her something like a halo but, you know, for the dark side. The proportions on that left hand seem a bit off, but I think the message comes across loud and clear. WAR IS HELL, FOLKS. Never mind that this technically depicts events from two issues ago…

Story Overview

American Dream

Picking up right where we left off, we witness Avatarr reeling back from getting shot in the eye by Doom - and this time around his features are decidedly more alien than the fairly ambiguous shot at the end of last issue. Green rows of scales are visible where the camouflaging mask has failed, and green blood sprays everywhere. The comic notes that an 'avatar' in classical times was an embodiment of a deity on earth, a god in the flesh. This Avatarr, broken-faced with acid streaming from his destroyed eye, must then be the god of money! A stench rises from the wound that has no right coming from a human body, and the assembled CEOs of the other megacorporations - who apparently stayed in the room to watch - back away from the thing they called their colleague and rival. Doom does not.



Doom calmly observes that the laser he fired into Avatarr's head was obviously an underestimation of what he'd need to kill the man - he concludes that the stress Avatarr is currently experiencing has less to do with the severity of his wound, and more to do with the 'neural regelation' that his scanners are picking up on - Avatarr's brain is literally melting over the hole. Those same scans also disprove Doom's initial theory for the CEO's nature - he's not a mutant at all. Indeed, there is actually nothing remotely human in Avatarr's DNA structure at all. He's an alien! Tyler Stone recoils at the suggestion that Avatarr is a creature from space, admitting he's about to be sick, and I am once again reminded that everyone in this world apparently forgot Earth was at the center of a dozen fighting space empires just a century ago



Doom comments that Stone's response is 'arachnid reaction' - instinctive revulsion towards the alien. Jake Gallows, the Punisher, offers to fire a spray of bullets into the thing's skull to splash his brains everywhere, but Doom tells him that there are certain things this administration ought to tend to personally. Avatarr, gathering himself, asks the 'monkey' facing him to come at him, if he thinks he can manage. Doom admits to himself that he has a slight doubt about his ability to defeat Avatarr - his imaging system shows him that Avatarr is of no alien species he's ever encountered, and while the light bone structure recalls the Shi'ar and the bionics in his gut resembles those of the Phalanx, but the full picture is a total mystery to him.

Avatarr spits at Doom, launching a glob of acid into his armor which is mixed with a potent hallucinogen according to his scanning arrays. Still, it's not actually very potent acid, as it doesn't manage to bite through even the surface layer of his metal breastplate. In response, Doom launches himself forward and lands a devastating punch to the alien's sternum, smashing him into a wall as blood flies from the site of impact.



Through the hole he ripped in the alien's chest, Doom can see his lungs grow spikes to protect the destroyed tissue, and his momentary fascination at the bizarre biology on display costs him. Avatarr grabs him by the arm and then forces the spikes in his chest to jut outward, growing several feet within moments and stabbing viciously at his attacker.



Doom reels back as he narrowly avoids getting skewered by the razor-sharp spines, but one of them manages to pierce through the faceplate of his armor and squirts a helping of hallucinogenic compounds directly into his face. Avatarr, now far more smug, announces that Doom can now see the world as he sees it - that drug he's just been dosed with is one of the building blocks of life on his world! How dare Doom call himself the superior of the two of them, how dare he? The world suddenly goes full technicolor rainbow-land to depict Doom getting blasted with new sensory perceptions, and Avatarr calls him a mere lungfish, a wet and unevolved thing gulping in the oxygen of power he was never meant to know. Does he not see the richness with which Avatarr sees the world? And still, Doom dared to claim he was greater?



Avatarr takes advantage of Doom's altered state and launches a devastating super-punch into his face, a blow which manages to shatter parts of the adamantium-compound his helmet is made of and sends him crashing to the ground, unconscious.



Avatarr winces at the impact as his knuckles bleed, but he barely stops to consider his wounds. He turns towards Jake Gallows and tells him to lower his gun - he works for a new president now, Avatarr himself! First order of business is to execute the other CEOs in the room, so they can be replaced with people who know less about him. Later, they'll quietly burn Doom on the lawn, since the country's seen enough dubious icons without adding a martyr to the mix. When nobody moves in response to his orders, Avatarr insists that they jump to it - now that this President Doom nonsense is over, they have a disguised autocracy to restore! To business, gentlemen! This is, of course, the moment that Doom rises from his apparent defeat and launches himself forward in a calculated assault, landing a heavy blow of his own in the middle of Avatarr's back.

Doom seems rattled after being knocked down earlier, but he thanks the paralyzed Avatarr for loaning him his perception enzymes, since the enhanced sensory data allowed him to determine that within the bionics hidden in the alien's gut lays his central nervous system - and also that it was accessible from right behind his spine. That one vicious blow was targeted straight at Avatarr's version of his brain. Even as they speak, Doom proclaims, nanobots in his blood are flushing out his hallucinogenic excretions. Doom surmounts all. With the CEO laying unmoving on the floor in front of him, Doom then goes completely berserk. For the next full page all we see is Doom violently smashing something just off panel beneath him as green blood is splattered everywhere and CEOs look on in horror and wince at the loud cracking noises of bones being broken. Jake Gallows approves, though, the only one who's smiling.



After Doom is done with his very thorough murder and mutilation of Avatarr he asks Jake for a little help walking, since the nanoids in his blood do their work by drawing on Doom's own metabolism. They've left him without strength. He proclaims that he needs the help of Indigo, and asks to be taken to her, telling the other guards in the room to take the cadaver of Avatarr to the White House's newly expanded Communications Suite as well. The CEOs are horrified by what happened, with Tyler Stone reflecting that all this time he didn't know the truth about Avatarr - sure, they were all afraid of him, but that's the way it is in their executive lifestyle. The alien thing can't be true though, right? There's no such thing as space aliens! Just like all those old Heroic Age tales about blind vigilantes in red leotards, or magicians on Bleecker Street - those never happened either. This has to be fake. Doom has to be crazy!



Indigo comes rushing into the Communications Suite and witnesses Jake help Doom into a chair. She asks what's going on, and Jake explains briefly that Avatarr turned out to be some kind of disgusting Martian or something, a claim which utterly baffles her. Doom tells her that he'll explain later - for now he needs full access to American TV, much like she arranged during the coup. Doom would do it himself, but he's still a little… incapacitated. We see a momentary flicker of what he's seeing, and Doom is still tripping a lot of balls, seeing Indigo as a flurry of colors and shapes. Doom requests that he cadaver of Avatarr be brought over as they'll need it within the camera's field of vision, and Indigo wonders if he's really twisted enough to put a corpse on everyone's television…



Soon enough a transmission pops up on every communication frequency and media provider in the nation, and it includes a warning that going offline during the address is illegal. Doom opens his broadcast with his royal seal, followed immediately by a gruesome image of Avatarr's corpse, his alien features exposed across one half of his face while the other still looks human. Doom then starts raving at the camera, proclaiming on open air that the CEO of Alchemax Corporation, who styled himself as Avatarr, was not of this world! Look! He points at the carapace beneath false skin, the eye which is capable of enhanced perception and 'timesense.' He's not Kree, or Shi'ar, or Mephisitoid (boy, that's a deep pull!) but he is an alien with drugs for blood and… Doom seems to lose track of what he's saying for a moment, and behind him Indigo stares in horror and tries to convey that this is a terrible idea, that the people won't understand him. Hell, she doesn't even understand!



Doom soldiers on, declaring angrily that Avatarr, this thing, has controlled one of the country's largest megacorps for over a decade! Do they not understand what has happened? Their lives have been given to a thing with hallucinogens for blood! But that doesn't absolve the people - no, no… Doom won't allow them to point their finger at an alien corpse and blame them for the problems of today's America. They let Avatarr rule them, so it is their fault! They all had a choice! Doom demands restitution for this horror they have perpetrated, and declares that their incomes will be tithed to a federal fund in reparation for their ignorance. Martial law is increased, there will be more curfews! To the devil with you all!



As the gibbering Doom trails off, the transmission is cut off and a message declares that communication was lost with the White House due to a temporary fault. In reality Doom has passed out cold, the alien drugs finally overwhelming his system.

Over the next several days, the first of Doom's major changes begin to appear across the nation. Dive booths built using Cynex funds, garnished from megacorps, pop up all over the place and make America truly online. The EMP America project is achieved, and a national network of airborne maintenance platforms begin scouring the air clean of decades of abuse. Black card privileges are removed from the affluent, and there's a temporary jump in crime. The drop of the crime rate that follows is accompanied by a rise in the death rate. And the President? The President is silent…

We catch up with Doom some days later, having finally recovered from his ordeal to some extent. It was the drugs, he states to an empty Oval Office, trying to justify his own actions. He simply wanted to show the American people the terrible extent of their stupidity, their blindness in allowing an alien to assume authority in a megacorporation, but the drug-addled enzymes that hijacked his perception centers overwhelmed him utterly… and he lost control of himself. Did things, said things, he didn't mean to. Doom stares at the disembodied skull of Avatarr mounted on his desk and tells it that he did not intend to kill the CEO in the end there - the being held far too many secrets beneath his chitinous shell for that to be a good decision. He just… lost control.



Outside, Morphine Somers meets up with Indigo, who's dithering indecisively just outside the door to Doom's office. Morphine wonders if she's eavesdropping, but Indigo admits she's not just how and if she should tell Doom something he doesn't want to hear. Morphine assumes it's about the public address Doom gave while drug-addled, and Indigo points out that Doom has the alien's head in his office right now - and he talks to it. Doom lost it on a blanket national broadcast, so his credibility went down the toilet fast. Morphine figures credibility doesn't matter - what about Doom's mind? Sure, he jabbered on about aliens like he was mad, but it seems to have escaped people's attention that he tightened martial law at the same time. Perhaps when she finds a way to tell Doom that America thinks he's crazy, she can also ask him whether this alien brain juice drove him mad - or simply removed the façade…



Elsewhere, Sharp Blue has been dealing with affairs of state during the President's period of silence - she enjoyed it because it's nonlethal work, and a welcome change from her previous career as a hired gun. Today she doesn't want the job, because things have gone wrong at Hellrock. She desperately calls up the White House, demanding to speak with Doom about something very important - for if they don't deal with it Hellrock will come knocking on the Oval Office door! Behind her, the screen shows the raging hero Ravage combatting her troops…

Switching back to the Oval Office, Doom puts a hand on Avatarr's skull and wonders why the alien was on Earth - did he have an American dream? Did he help orchestrate the corporate-run America that Doom has come to end, or did he merely arrive to feed off the bloated corpus? What's in his deadhead? The technology of 2099, Doom muses, has often felt too advanced to him. Did Avatarr bring it with him? How much still remains in vaults, waiting to be released? Doom angrily accuses the alien of touching him where he is most vulnerable - his intellect. He perverted Doom's perception of the world, and stole his self-control. Even in death, he cripples Doom with endless questions. Doom grabs a flag off a nearby pole and tosses it over the skull to remove it from view, wondering once more if Avatarr has his own American dream…



Outside the White House, the enormous silhouette of Libera Cielo looms overhead, and cold chemical rain falls down on it like gunfire. There is the faint hint of screams among the martial drum rolls of thunder. Something is coming under the cover of the storm, starting in the next mainline Doom 2099 issue. The final quote is ominous: 'Every dream is a piece of suffering torn out of us by other beings.' - Antonin Artaud

Instead of going straight into Doom 2099's next issue after this and the final two comics which cap out the arc, I'll be covering a slew of tie-in issues which take place during the status quo of Doom's takeover of America circa issues #29 through #31. There's some Ghost Rider, X-Men, Punisher, Ravage, Spider-Man, and a surprising amount of Hulk. We get our first clear indications that 2099 as a whole is slowly wrapping up too, since two or three of those series straight-up end during this event, and some of the others are on their last legs. Doom himself has a little life left in him, and he'll make it to the final hurrah of the line. Or to its final whimper, depending on who you ask...

Rating & Comments



After the first issue of One Nation Under Doom chronicled Doom's grand success in taking the White House, and the next covered Doom manipulating everyone quite effectively, here we see some of the first cracks begin to show - quite literally in the case of our main character's helmet. Doom underestimates Avatarr and he pays for it, coming face to face with an entity that's a lot more powerful and capable than anyone really assumed, who manages to get the better of Doom even in death. Even if the tin-plated despot managed to come out on top in the end, his victory was pyrrhic - it came at the cost of his dignity and a fair amount of his credibility in the eyes of the public, which probably won't help him much going forward, and he's still no further to understand what's going on than before this conflict occurred.

Avatarr has been a background menace for a long time, this mysterious leading figure in the Alchemax company. He tended to be far more of a corporate danger than a physical threat, but here it's revealed that he was a supremely powerful and capable monster in sheep's clothing all along, working on his own plans which we're not privy to. At least that resolves some previous statements of his about his 'star friends' - clearly he was talking about other aliens, possibly other members of his own species. Regardless, we get no real answers to most of the questions we could ask - maybe we know some details about the biological nature of his species, but nothing about his goals or motives is made clear.

That, I think, is on purpose. It's unsatisfying in one way, of course, to have this ominous threat depart without ever laying bare its secrets. On the other hand, that observation is exactly what Doom struggles with in the latter part of this comic. He acted rashly while under the influence of the alien's hallucinogens and destroyed the only source of information he had on the subject, murdering his only lead. Doom lost control of himself, and the truth about Avatarr was lost in the shuffle, remaining a long-standing mystery that might never get a good answer. Even Doom himself has trouble accepting that fact, talking to the CEO's bare skull as if it'll give him any more insight. Whether Avatarr was the cause or a symptom of the societal diseases of 2099 is left a question mark, and might never be resolved.

This comic relies fairly heavily on the presumption that the people around Doom have no independent thought and will go along with anything he says, even if it doesn't make sense. Even if Doom is a force of nature, both Indigo and Jake are right there and neither do much more than urgently whisper that he's making a mistake - they just let him get on the radio while rip-roaring drunk on alien psychotics and spew his Giorgio Tsoukalos speech onto the airwaves. It's simultaneously a critique of autocratic systems as having a single point of failure, but it's also a bit of a betrayal of Doom 2099 as a series, since one major difference between him in the mainline comics and 2099 is that Doom actually has allies in this one, people who stand by him and are sometimes willing to tell him he's wrong. I am dearly missing Fortune's presence right now…

The key scene in this comic, though, is unassuming and doesn't have Doom in it at all. It's near the end when Indigo and Morphine Somers have a frank conversation in front of Doom's office where the President has hidden himself away from prying eyes. Somers sums up the crux of things pretty succinctly - it's all well and good that Doom got an eye full of weird drugs and started ranting about aliens on the radio, but while he was busy doing that he increased martial law, curfews, taxes on everyone, and threatened them all to boot. How much of what happened there was just crazy talk, and how much was Doom with the filters off…? Indigo can't really answer, and I feel like Somers has something of a point…

While this issue has rather little to do with the larger context of Doom's takeover, it's a pretty good bit of action, a final confrontation with Avatarr that was a long time coming, and it gives Doom his first loss in a good while - something that'll galvanize opposition against him since it makes him look like a raving lunatic to a populace that's largely been kept ignorant of the larger universe and history. It's also… a little confusing in terms of the timeline. See, in reality these issues come out once a month, so various tie-in issues come out concurrently across those months as well which take place in that status quo. But in-story only a few days have passed since this storyline got started, and Doom is only very recently President before he makes this gaffe and ruins his credibility to a large extent. How do the tie-in issues which rely on a longer Presidency work if he only had complete power so very briefly? Perhaps they'll just ignore it until it's convenient? Timelines are confusing.

Quotations from President Doom

"There are certain things this administration should tend to personally."

"Doom… surmounts… all."

"This doesn't absolve you! No! I won't allow you to point your finger at the alien corpse and say: 'It was him that did it! America today is not my fault!' You let him rule you! It is your fault! You all had a choice!"

"You have touched me where I am most vulnerable, Avatarr. My intellect. You perverted my perception of the world. You stole my control from me. And, even in death, you cripple me with questions. Did you have an American dream?"

Art Spotlight



This image of Doom laying in the Punisher's arms like he's Jesus in the arms of Mary in Michelangelo's Pietà is hysterical and I kind of want to frame it now!
 
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honestly, I feel this is kind of wak for DOOM. He's coped under greater adversity before - heck, the Purple Man couldn't mind control him when DOOM was completely unprotected and Zebadiah was strapped to a giant power amplifier. I just don't think some LSD or whatever should be able to stumble DOOM that much.

It also sort of undermines DOOM, in that if he does fail to control America as a result of this, I feel like it would be better if it was actually DOOM's fault, his own (and many) blind spots and folibiles causing his downfall, not just... some alien drug.
 
honestly, I feel this is kind of wak for DOOM. He's coped under greater adversity before - heck, the Purple Man couldn't mind control him when DOOM was completely unprotected and Zebadiah was strapped to a giant power amplifier. I just don't think some LSD or whatever should be able to stumble DOOM that much.

It also sort of undermines DOOM, in that if he does fail to control America as a result of this, I feel like it would be better if it was actually DOOM's fault, his own (and many) blind spots and folibiles causing his downfall, not just... some alien drug.

One thing I observe here is that Doom 2099 explicitly calls out his mind as one of his greatest vulnerabilities, rather than strengths. Why would that be? An obvious answer here lies in 2099's divergence from mainline Doom - the mindwipe he suffered at the hands of Margaretta in the past which ruined large parts of his memories. We already know from mainline comics that such holes in one's memory can be problematic since Doom goes out of his way to get them back from actual cosmic beings in 'Secret Wars III' that I've covered before. 2099's Doom lost control of his magic due to his memory problems too, and he's suffered a fair bit of danger due to being unprepared for the rigors of cyberspace, another unfamiliar mental battlefield.

What I'm guessing is that 2099's Doom has a different set of strengths and weaknesses compared to the OG model, and that might be responsible. But, yes, I do hope that the actual cause of Doom's inevitable defeat is something other than going on a rant because someone dosed him. That'd be pretty lame!
 
Doom's subordinates are still closer to him than his old lackeys back in 20th century Latveria (except for Boris) since most of his ministers in Latveria wouldn't even dare tell him he was making a mistake, for fear of death.

I think Somers is right. More and more we are seeing Doom return to his old ways. He wanted to be the beloved savior of America, but his reforms are still mixed with tyranny, and he still ends up ruling through fear, just like in Latveria. I doubt this will cripple his regime however. In Latveria, Doom often threatens his people, imposes punishments without warning or reason, and has even threatened to destroy whole Latverian cities as part of his plan. Yet, the population remains divided between the people who love him for the good things he has done for them, and the people who are too afraid to object to anything.
 
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2099 - Punisher 2099 A.D. #28 - Truth and Lies
Punisher 2099 A.D. Agent of Shield #28 (May 1995)



Cover

That sure is a Punisher cover. Jake Gallows is on the cover holding two massively oversized guns which he is firing in random directions while shell casings fly all around him. What's notable about this cover isn't really who's on it, but what he's wearing - and the title change, of course. Jake seems to have picked up a swanky new uniform with fancy Punisher-themed accessories and a long, really weirdly shaped cape of some sort. Gone is the giant skull on his chest and codpiece - he's with the law now! He's now an Agent of SHIELD!

Story Overview

Truth and Lies

The comic starts in-medias-res with two men in chairs - one of them is sitting loose with electrodes on his temples, the other is strapped down with manacles on his wrists, ankles, and a band around his middle as well. It's a 'rush factory' where poor people are kidnapped off the streets, the ones nobody cares about except for other poors, and tortured for the enjoyment of the paying client. See, those electrodes on their heads make it so all emotions - their fear and pain - is transferred to the client and experienced like the ultimate horror movie. The acting is so good it's like you're really there! You get the rush, the fear, the adrenaline but no real pain, and your body remains intact. Pity about the victims - but they're only poors anyway…

A torture session is interrupted when one of the technicians notices a creaking outside the door and determines someone's there. He calls out to ask who it is, and the answer is simple - it's the punishment police! 'Who?' PUNISHMENT POLICE! Smashing through the door with a giant spiked mace, a masked cop with the symbol of the Punisher on his breast pocket.



He activates his 'power-bat' to maximum setting and goes to swing, but the client intervenes and waves a black card around. He declares that he heard about these police changes, but he doesn't really care whether they're Public Eye or the replacement - a black card will buy them all. They'll be out of there in five minutes!

The masked cop muses that he's pretty sure his boss would like to meet him - which is when Jake Gallows, the Punisher walks into the frame - as the new Head of SHIELD! He announces that he's always wanted to execute a black carder - legally, that is. The client realizes his predicament and quickly proclaims that he was actually next in line to be tortured by these psychos around them, and Jake comments that they'll see with the result of his lie detector. He slaps the man in the forehead with a pocket-sized polygraph and asks him to answer questions. First, he's asked if he was the client of this rush factory, and the man argues he wasn't - the gizmo on his head says that's a lie.



Jake continues by asking if he arranged for the 'decreds' - the victims - to be kidnapped and tortured, and the man argues he did not, which once again proves to be a lie. Jake pulls out his gun and aims it straight at the guy, asking him if he's frightened, and the man blurts a panicked: 'Yes, yes!' which he uses to check the system - truth confirmed! The client decides the cops caught him - but he still has rights! A ridiculous lie detector like this would never hold up in a court of law! Jake angrily declares there's no more courts or law for him to hide behind - only justice and punishment! He swings his gun around and knocks the client down in a spray of blood.

Jake asks if the people are assembled, and one of the cops agrees that he got the residents out of their apartments and collected them in the street. He'll have a big audience. The client is confused, wondering what the audience is supposed to be for, and Jake explains that he's taking justice onto the streets, doing what Public Eye should have been doing all along. He's going to shoot the guy like a dog, and he wants everyone around to see what happens to scum like him, to send a message. Jake fires, and the cop next to him informs him that a clean-up squad will take care of the corpse. Where to next? Jake says they'll head for Manhattan next, the business district. He was never able to reach mob lawyers when he was a lone Punisher - they were too heavily protected by corrupt cops. Not anymore…



Jumping back in time a while, we see how Jake's dreams - and everyone else's nightmares - finally came true. While a bunch of cops watch, the news pops up to announce an important update on the Doom takeover. It's only just been announced that Doom has been sworn in as the President of the newly reformed United States of America, and they're now switching over live for a Presidential broadcast. Doom introduces himself and announces that the rule of corrupt corporations is over, and democracy has been re-established under Doom's benign supervision. Among the many changes he's introducing will be a new, honest and effective police force which he calls SHIELD in honor of that past and great organization. He promises that SHIELD will make a difference, and stand with him together in one nation under Doom! (Title drop!)



Over at the police station, the Chief - Jake's superior - comments that this doesn't look good - and he's only six months from retirement! He doesn't have pride, he admits - they can promote him upwards, downwards, or sideways, or put him on latrine duty, just as long as he gets his pension! One of the other cops figures they could impress this new guy, Doom, and keep their job. Jake figures you can't impress someone like Doom - and besides, everyone knows he feels that Public Eye sucks at its job! Someone wonders if they could get a job in SHIELD, and Jake agrees that they might really need guys who sit on the corners of desks drinking coffee and discussing sports all day. One of the cops responds that Jake has been on the Punisher case for two years and the guy is still shooting people out there…

The Chief thinks that might actually be a good trick to pull - find some street punk, dress him up like the Punisher, then shoot him while he's trying to escape and present the body to Doom. That would really impress the new boss! Jake doesn't know what to say to that idea - it's very Chief, at least. Chief figures it could look good on Jake's record - you know, being the guy who finally catches the Punisher! At that very moment, however, a ball of energy forms in the middle of the room and resolves into a familiar form as President Doom teleports into the room, announcing that Jake Gallows will never catch the Punisher… because he is the Punisher! Well, that's one way to blow that secret wide open…



The Chief figures that, well, Doom is the President - even if he doesn't really buy this claim he'll go along with it. He grabs a gun and aims it at Jake while arresting him for, you know, being the Punisher! He also hits a red button on the desk behind him, and tells a couple of cops to take Jake away to a maximum security hold cell. He asks the two cops assigned to him to do the smart thing and walk away until everything is sorted out, but they say they can't do that. They can do this the easy way, or the hard way - it's Jake's choice. Jake opens fire and blasts them both out of the room, declaring that as his choice!

Jake raises his gun towards Doom next and calls him a dirtbag for betraying him like this - they worked together to save the city when the Aesir mess happened, and now he blows his secret identity? Chief finally accepts that Jake really is the Punisher, and Doom notes that this is why he teleported in, as for too long Public Eye has been a nest of corruption and brown-nosing yes men! Chief tries to ingratiate himself with Doom, but the President tells him to shut up - he's here to replace Public Eye with SHIELD, and its head is to be a man who has proven himself to be both ruthless and incorruptible - the Punisher! Jake knows that Doom is serious about the offer, but admits he's no desk-jockey and wants to be out there in the world making a difference. He'll head SHIELD, but he wants his own personal force in return - an elite hand-picked squad who are driven like him. Doom swiftly agrees, and says they should wear a uniform that people recognize and fear - the outfit of the Punisher.



Four weeks later, on the other side of the city, purple-haired Jillian Wong is watching the news which covers the latest actions of the Punishment Police, which includes six more prominent crime figures taken from their homes and executed. The Punisher announced a city-wide curfew every night until, and they quote, 'the scum has been wiped off the streets for good.' Wong's parents are aghast at New York becoming a horrible police state, and Jillian points out that it already was - the cops are just actually effective now. The Punisher knows how to get things done! Her parents remind her the Punisher was a terrorist, but she responds that when a bunch of black-card bikers were terrorizing their neighborhood it was the Punisher who took them out, not Public Eye. Would they have still called him a terrorist if those bikers had attacked her? Who is she kidding? They probably would.



Her parents tell her not to be so harsh to them, and remind her they worked hard to get a parent permit - is this how she repays them? They then ask her to get a job in law if she's interested in that instead of watching TV all day, but Jillian tells them that the law is useless, and the Punisher is right when he says they need street justice and punishment for the guilty. Now, if the two of them are quite finished, she has videos to watch - they are her only connection to the real world! Just then a broadcast comes on from the Punisher, who announces that only the guilty need to fear him, and to help him in his work SHIELD needs strong and idealistic young people in its ranks. He asks people who didn't fit in with old corporate America to come forward and make a difference, and Jillian decides she's just foreseen her future career. She's going to join SHIELD, she'll be a Punisher!

We see a lawyer, Jerv, speaking to a client who he's recently gotten out of a jam - it seems that Public Eye had the evidence to convict but failed to follow proper procedure, which gave him enough wiggle room to creatively use the law and get the case thrown out. The only consequence that his client - the Cyber-Nostra - will suffer are legal fees. The gang agrees to pay - ten percent of their haul, as promised. Right then the door gets blown in as the Punishment Police arrive. Jerv polishes his glasses, undeterred, and tells them that his clients have all charges against them dropped so they're in the clear. Jake responds that they're not there for the Cyber-Nostra gang - not yet. They're here for him.



The law, Jake explains, has been changed - if a lawyer defends a Cyber-Nostra, he is guilty of aiding and abetting a known criminal now. The biggest loophole in the law is the lawyer, he argues, and he's here to close the loop! There's another editing gaffe here where text boxes are switched around, but it's not too hard to parse. By the power invested in him by the President of the United States, Jake announces, Jerv is hereby sentenced to death, his execution immediate! The lawyer quickly tells the Cyber-Nostra people that he'll waive his ten percent if they take the Punisher down for him, and they immediately open fire with a spray of armor-piercing ammunition which takes down a couple cops. Jake responds with high-tech ammunition of his own which impacts on the Nosta guys with soft thunks - before exploding violently and taking them both out in an instant.

Jake turns towards Jerv, only to find him standing in the middle of a circular force field surrounding his desk. The lawyer explains that a man in his profession isn't just going to sit there and be shot, he always has a Plan B. His is an impenetrable floor-to-ceiling force shield which'll keep every bullet out. Now, he wants to get real - he's seen the Punisher boasting about his incorruptibility on the TV, but he doesn't buy it. Everyone is for sale, so what's his price? Jake responds that he does have a price, there is something that'll make him go away… and it's his death! With that, Jake opens fire on the ceiling and destroys the supporting beams around the force field until a chunk of the roof gives way and slams down onto the lawyer, crushing him to death inside his force field prison. As he looms over the wreckage he muses that he doesn't have to listen for police sirens this time - he is the Police this time! It's beyond his wildest dreams, and he could keep doing this forever. He's finally achieved what he and his old friend Matt Axel set out to do!



Matt Axel, meanwhile, watches what's going on and declares Jake a traitor for selling out, for toeing the corporate line, going for the gold watch and the handshake. How long before he starts shooting poor people and showing up at the right parties? Doom probably gave him a black card too, didn't he? Well, to him Jake is no longer the real Punisher, so he will need someone that won't let him down. Someone he can control! He commands his Punisher to auto-assemble as he puts a robot head on a body, declaring that this new Punisher will be someone who knows as much about crime and punishment as Jake, but be truly incorruptible. He's taken the Gold Heart chip from Jake's bike - the soul of a robot that Jake saved from death before - and combined it with the physique of a battle robot, adding some deadly programming of his own. He activates the towering skull-faced android and declares he doesn't need Jake any longer - he's just made the real Punisher!



Aftermath:

In subsequent issues Jake goes about his new job with characteristic zeal, recruiting Jillian Wong as something of a personal aide who he coaches through her first kill of a criminal. Officer Saffron, his second in command, keeps employing a surveillance drone which secretly makes recordings of Jake on the job, and it turns out she's Doom's inside-woman, allowing the President to keep an eye on his investment. When Jake starts a personal witch-hunt for his former friend Matt Axel and his Punisher robot, he tells Saffron to stop recording him and forcibly reroutes troops to back him up on his crusade instead of allowing them to take care of various food riots and other important tasks, while Doom pensively watches the proceedings from afar.

Later, Saffron reports to Doom that approval polls are slipping due to Jake Gallows' recent actions, which include his aforementioned hunt of Matt Axel and his robot, as well as going on live television to declare everyone guilty of unforgivable sins before starting a shootout right in the middle of them. Yeah. Suffice to say he's unpopular and his grip on reality is tenuous at best. Doom concludes that Jake's time in the big chair may be over, and Saffron tells him that according to instant polling, there will never be a better chance to eliminate him than right now, when his ratings are way down. Doom decides that's enough incentive to act and orders Gallows' demise, stating that Jake must be discredited and then eliminated. He asks to be informed when it's all over, since he's a little preoccupied at the moment…

Rating & Comments



The Punisher's part in 'One Nation Under Doom' is representative of several heroic characters during their period - if such a label applies to an antihero, of course. Doom's latest plan seems to be to essentially deputize various existing feared outlaws and conscript them into an actual hierarchy under himself, depending on their power and fearsome reputation to keep people in line. The Punisher is the first, but we'll see similar patterns play out with Ghost Rider, an X-Men character, and even Spider-Man. The Punisher, as an actual cop in his daily life, is appointed to be the top dog at SHIELD though, presumably because Doom expects him to be able to apply both his skillsets to this new role, finally uniting them into a single cohesive purpose.

Jake Gallows, the Punisher of 2099, revels in this shit. While he's pressured into making a decision by Doom revealing his identity to his colleagues, he gets into the whole Punishment Police thing with gusto, immediately employing his own brand of brutal street justice to a whole new league of criminals he was never able to touch before. He's certainly not a good guy, but you can see why someone who's been fighting this endless shadow war for ages might really like being able to use the full force of the law on his side, for once. Which is, of course, why the comic immediately sets up his foil in the form of an old ally who is sufficiently skeptical of the government in general to believe that Jake sold out to the Man, losing track of his original mission. Matt Axel is no more objective about it than Jake is, though, so it's hard to know who to root for here.

The Punisher's storyline largely veers away from actually featuring Doom after his appointment here, but it becomes fairly obvious that Jake lets the power go to his head really quick and follows down personal vendettas, particularly drawing a hard line against Matt's illegal activities and basically starting a war between the two of them. This focused crusade, in which he begins to abuse the resources he's been entrusted with, ultimately leads Doom to cut him loose, instructing some of his minions to discredit and then kill Jake to bury the embarrassing mistake of his appointment. Jake manages to escape the latter fate in a story which, for some reason, features a space gun - we'll be back to check on him after One Nation Under Doom has ended.

While I'm not a big Punisher fan as a whole, and I don't really read the 2099 version at all, this issue was still pretty interesting in how it kind of gives him everything he ever wanted through the medium of Doom just needing someone who can kick ass. Seeing his brand of vigilante justice institutionalized is kind of interesting, though I was uncomfortably reminded of Nazi-era killing squads going door to door finding people to murder - which is hardly a crazy parallel to draw given the megalomaniac dictator currently in charge. One thing that is doubtlessly polarizing here is the art - the squinty blockheads all look similar and more like they come from Gears of War than reality, but some of the other designs are actually pretty sweet. The capes are Spawn-levels of nuts, and Doom looks menacing as hell in some of these depictions…

Quotations from President Doom

"I promise you, SHIELD will make a difference. Stand with me together in… ONE NATION UNDER DOOM!"

"Jake Gallows will never catch the Punisher… for Jake Gallows is the Punisher!"

"Gallows must be discredited and then eliminated. Let me know when it's over, Saffron. I'm… preoccupied at the moment."

Art Spotlight

How can I not comment on the capes? I'm not entirely sure if I like the insane Spawn-style cape fashion going on in this comic, but it's at least more appealing than the horribly squinty faces full of lines everywhere. Look at this stuff!



Jake occasionally just loses the cape entirely for no explained reason and goes without for a page or two before he has it back again, which is just odd. And it changes size a lot, too! Doom has the same Dracula nonsense going on but at least he's known to wear voluminous cloaks already! This is excessive though:

 
I think we've hit the point in the narrative arc where we see that many of the people we were rooting for in 2099 to take down the villains running the world are, themselves, villains, just easier to root for when they weren't the ones in power.

I really like the hallucinatory version of Avatarr, with his internal cybernetics rendered as clockwork.
 
2099 - Ghost Rider 2099 A.D. #14 - Under New Management
Ghost Rider 2099 A.D. #14 (June 1995)



Cover

This is actually a fairly badass cover, though that's almost entirely down to the slick artstyle that's being used in this piece of art by Jan Anton Harps. He has not, it appears, made many covers over the years and they don't really share this art-style either, but I appreciate this one. Also it's got a mix of oranges and blues going in which, I am told, makes any cover somehow better. Bonus points for the reflected image of an American flag and Doom's face on the body of Zero's motorcycle, by the way!

Story Overview

Under New Management

We've returned to the pages of Ghost Rider, so we once again visit Bar Code, the same location where much of the last issue took place. We see a contingent of Doom's brand new SHIELD troopers smashing their way inside the place, blowing away C-Gram the robot bartender. They furiously declare that Central Security Systems might have let the customers waste their time, but those days are over! SHIELD will not tolerate anything less than full cooperation on demand, so they shouldn't make the same mistake as that smart-mouthed bartender! They want the Ghost Rider, and they want him now! Answer up!

Anesthesia Jones watches the commotion and curses creatively when she concludes that somebody must have started talking for SHIELD to invade the place like this. The new version of cops have been coming down on people hard recently, so it had to happen sometime, she figures. She decides to skip the intercom since she assumes that the system is compromised and instead sends off a quick email to Zero, warning him that the heat is on him and he should escape through the back exit - she'll deal with things on her end and keep SHIELD busy.



SHIELD announces that they know Ghost Rider is around since they have verified intelligence reports placing him here. Anesthesia responds that they can't be too intelligent, because he clearly ain't present. Indeed, she claims she kicked Ghost Rider's chrome-plated butt out since she didn't want his kind of trouble in her bar! If that's the case, the Cop argues, she surely wouldn't mind him carrying out his orders and searching every inch of her property, right? All she has to do is stand back and hope they don't find him! Nearby, some of the other regulars think this sort of crackdown is only the beginning…

Switching over the Central Security Systems building, the corporation SHIELD supplanted in Transverse City, we see Sterling - the former CEO of the company - panicking about the end of all things. Half his staff has been fired, and stock prices have plummeted! What has been done to them!? The company is ruined! Ever helpful, President Doom answers him by telling him they've been rightsized. He explains that CSS's payroll was bloated by nepotism, and its hierarchy consisted of egocentric division heads without any accountability for their failures. Any public credibility the company once had has long since been squandered before Doom ever came along. Sterling retorts that Doom won't get away with this, threatening to go to the stockholders over this!

Doom responds to this rather empty threat by smashing his fist on a desk and declaring that Sterling will do absolutely nothing. He then plays around with a Newton's cradle desk ornament before ripping off one of the balls while stating that as of that morning Sterling has been forcibly disemployed.



That fact alone is not sufficient to atone for the mockery he has made of the firm, of course, and so restitution must be made as well. Sterling's personal assets, properties, and possessions are hereby forfeited to CSS as partial remuneration! The only power Sterling now retains, Doom observes, is the ability to bore him! The President then tells some of his SHIELD underlings that since Sterling is currently without credits, housing, or employment, he ought to be arrested for vagrancy. Ouch.

While a desperate and despondent Sterling is dragged away by the cops, Doom turns towards a former employee of CSS, the armored mercenary Coda, and says that while his contract is now void, Doom is willing to offer him a full commission with SHIELD instead. Coda turns the offer down but thanks Doom for it, noting that joining a big outfit like SHIELD is not his kind of operation since he likes to do things his own way. Doom allows this decision but warns Coda that there is very little latitude for freelancers in the new regime. Coda tells him he'll keep that in mind and leaves just as Doom's next appointment arrives. He's Willis Adams, a reporter who has frequently covered the Ghost Rider in the past.



Over in cyberspace we see the digital image of Zero Cochrane, the Ghost Rider, flying around the place - he looks like a mohawked merman in the VR realm rather than his robotic self. Zero reflects on the amazing hack that Doom used to take down the White House and its protections - it's taken him three days and a ton of memory just to reconstruct the dataflow, and he still can't figure out Doom pulled it off. He's not sure why anyone who's good enough to do that would bother taking over the White House of all places, but as far as he's concerned anyone who can crunch these kinds of numbers can live anywhere they want! The joyful surfing is interrupted when Zero gets a very retro 'You've got mail!' popup - it seems Anesthesia's warning has arrived. Zero decides that Anesthesia can go 'byte him' with her message. He doesn't give a rip what she says, Bar Code is his place and is filled with his people, so there's no way he's going to bug out to save his own skin. If SHIELD wants to have a fight with him on his own turf, then that's what they'll get! It's their funeral…



Doom tells Adams that he's seen some of his work, and found it refreshing - he brings a certain passion and conviction to journalism which is sadly lacking in his profession in this century. He states that he needs someone with such talents for a new operation, and suspects Adams may have a personal interest in the assignment as well. He is, after all, familiar with D/Monix company's ill-advised propaganda campaign against the Ghost Rider - it was Adams' own footage of Ghost Rider which was used to tar and feather him, as Doom recalls. Adams admits it was, and that he was none too happy with that. Doom tells him that he wants that propaganda neutralized and reversed, and he intends to have Adams oversee the project. Adams is baffled to hear that he's being asked to make pro-Ghost Rider propaganda, and wonders why. Doom simply tells him that it suits his needs, and any further details are not his concern. He's led out of the room by SHIELD troops after that, and told he may begin his work immediately. Son of a glitch!

Back in Bar Code one of the SHIELD troopers asks Anesthesia what's downstairs, and she tells him it's storage. The cop goes to have a look and finds the door locked, but before he can do anything else a raging Ghost Rider smashes straight through it and lands a heavy punch into his abdomen, causing his gun to discharge into the ceiling. 'Hnnghk!'



While Ghost Rider taunts the SHIELD troopers some more and they pepper the room with gunshots, Anesthesia yells at Zero that this kind of shit is exactly what she wanted to avoid, since she's not insured for it. Take it outside! A dozen more SHIELD troopers open fire on an impatient Ghost Rider, he just tells her: 'Yeah, yeah, yeah, whatever…' as he steamrolls the cops sent after him without issue. CSS didn't have what it took to take him down, and neither does SHIELD!



When he finally reaches the outside of the bar through use of force, a voice on a loudspeaker tells Ghost Rider to take a good look around and think about his options. Zero finds himself surrounded by a small army of SHIELD troops, including tanks and other vehicles armed with rockets and dozens more troops with guns. He's not dealing with CSS anymore, they announce - this will end with him in custody, or in pieces! Ghost Rider muses that perhaps they can take him, or perhaps they can't - but if they wanna find out, it's gonna cost them!



The SHIELD group leader responds that it doesn't seem worth it - if it was up to him, he'd just nuke Ghost Rider from orbit and be done with him. Unfortunately he has an appointment with the President, and it's his job to see him keep it! Ghost Rider pauses at this, and comments that he didn't know this had anything to do with Doom. Why didn't they say that to begin with? Anybody who can pull off a hack like he did is someone he wants to meet! What are they waiting for, let's go! In the background, Anesthesia muses that Zero never did have much sense. It says 'Doom' on it, you know it's got to be bad business!

Very bad business, one CEO comments from an array of video connections that Doom currently has open on his screen. Ghost Rider is a dangerous public menace, an antisocial criminal capable of defeating a small army, and people are afraid of him - what Doom is suggesting, they argue, would cause mass panic!



Doom notes that he's well aware of Ghost Rider's capabilities and public status, and considers them assets rather than detriments. He asks for backup from Dyson Kellerman, who obediently agrees as the mind control tells him he should. Doom explains that Ghost Rider possesses the two indispensable prerequisites for effective action: power, and the fear of the masses. That makes him an ideal choice for the role he has in mind. Besides, he didn't ask for opinions - this decision has already been made by executive order, and this conversation is over! Doom turns his screen off when Ghost Rider swaggers into his office in Transverse City and compliments the President on his White House hack - that was some nice business.

He asks Doom what's up, and Doom tells him that what's up is the time of the old regime! Corruption has festered in Transverse City for decades, going up to the very highest levels in the hierarchy. This industrial region of the country is vital for Doom's national renewal program, so he cannot allow that to continue. He has concluded that SHIELD alone will not be sufficient to rectify that problem, since the imposition of order does not necessarily ensure the eradication of social decay. As the two wander onto the balcony, Doom explains that what he needs is an independent operator who is empowered to interpret the law on a situational basis - and Ghost Rider will be that agent. He wants to make Zero a federal marshal!



Ghost Rider instantly rejects the idea of working on the side of the law, proclaiming there's no shocking chance he'd ever go along with that. Doom responds by speaking a code phrase which freezes Ghost Rider's systems, leaving the renegade helpless. Doom clarifies matters, then - choice on Zero's part is not an option here. Doom already struck a deal with his GhostWorks masters, and they decided that expediting Doom's plans would further their own goals as well. As such they provided Doom with keywords which enable certain blocks of hidden code in Ghost Rider's operating system. He should consider himself fortunate, really - without that control factor he would be far too dangerous to Doom's agenda to stay free, and he would have to be destroyed. Doom then observes that for similar reasons he can't be allowed to remember this conversation either…



Doom erases the last two minutes of Ghost Rider's memory and instructs his systems to reset back to the moment he rejected Doom's offer and try again, but choose the other part of the decision tree this time. Zero begins moving again as if nothing happened, proclaiming that working for the law - that'd be a trip after all those years of being hassled by the blackbooted thugs of the corporations. Okay, yea, he's sold! He'll do it! Doom is pleased and tells him that he knew he would, of course. He then presents Zero with a gun and tells him that his mandate is to bring justice to Transverse City by whatever means he sees fit. His commission will allow him access to SHIELD resources while placing him outside their authority, answering only to the Minister of Punishment - Jake Gallows, the Punisher - as well as Doom himself. Beyond that, his only rules are his own!

Raising a hand to his masked face, Doom muses that he would suggest that Ghost Rider should put on a less casual uniform while on the job, and an enthusiastically peppy Zero activates his solid hologram's image parameters and switches his clothes out for something less edgy - and decidedly more Star-Lord. It's time for Ghost Rider, Marshal of Transverse City to take the stage…!



Rating & Comments



Continuing on from the Punisher issue, Doom visits Transverse City with similar goals - to conscript a local vigilante into working with his new regime as a special 'outside the law' specialist. In this case, Doom makes sure that the previous security organization in town is dismantled and its CEO fired, the local anti-Ghost Rider propaganda arm defanged, and that Zero Cochrane himself is persuaded to go along with the new order. Unlike the Punisher, though, Ghost Rider is far too much of a free spirit to ever willfully work with the law - and thus this form of persuasion leans more towards Dyson Kellerman's - mind control through technology. With help of the GhostWorks no less, the shadowy masters which have been backing the vigilante from the start! Treachery!

I haven't read a ton of Ghost Rider, I admit, but I'm noticing a trend that a lot of the 2099 'heroes' are actually brainless tryhards who rush in where more sensible people might think about their options a little bit. Zero gets a warning to leave and avoid conflict, but instead of just doing that and avoiding a fight, he puts everyone in danger by starting a fight inside on purpose, before basically goading an entire army to fire on him, despite not even knowing why they're there. And then he spins on a dime and immediately wants to hear Doom out because he heard the guy did something cool recently, and that's literally the only thing he can think about right then. Weird. It's also some indication that the special '2099 A.D.' comic might be non-canon, since Ghost Rider would have at least some awareness of Doom if those events had really happened. That comic never did make much sense, temporally speaking…

Doom continues his trend of just co-opting existing power structures and replacing the people running them with ones loyal to him, openly admitting that if not for the mind control he had access to, he probably would have just had Ghost Rider killed. This issue also represents a second explanation for Doom's negotiations with the GhostWorks to get access to their special envoy, as something more than just a justification for the '2099 A.D.' special. It's a better reason too, since the 'Federal Marshal' shtick stays in place for six issues after this. That said, Ghost Rider's storylines during this period don't actually have much to do with Doom at all, or even the government in general - it's more that Zero's allies catch on to something weird going on with him to account for his atypical behavior. They don't actually address it until after One Nation Under Doom though, and I'm sure we'll cover it in the post-Presidency wrapup post I'm planning.

This issue is nothing too special, but I was amused at Doom symbolically emasculating a man while robbing him of all his stuff - ripping balls of the man's Newton's cradle, really? Firing Chekhov's gun of Doom contacting the GhostWorks is also nice, since that particular plot-beat had gone unresolved for a while. Doom gets a surprising amount of screentime in this, too, for such a minor concern - I'm honestly surprised he found the time to personally show up, though he has been teleporting around a bit more ever since he arrived in America. Must be juggling a lot of different projects!

Quotations from President Doom

"So you see, Sterling, the only power you retain - is the ability to bore me."

"It suits my needs. The details beyond that are not your concern."

"[Ghost Rider] possesses the two indispensable prerequisites for effective action - power, and the fear of the masses. He is the ideal choice. Furthermore, you forget I have not asked for your opinions. This decision has already been made by executive order. And this conversation… is terminated."

Art Spotlight

I'm not sure what's going on with the art in this panel, but Doom has become weirdly Simian or a werewolf all of a sudden and developed a muzzle…

 
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There is clearly a certain type of superhero who thrives in a von Doom world.

Also, Doom the Mind Control expert strikes again! Seriously, after robots, I suspect mind control may be one of Doom's most frequently used technologies. It says a lot that his top two forms of technology both involve creating mindless servants.
 
Zero activates his solid hologram's image parameters and switches his clothes out for something less edgy - and decidedly more Star-Lord.
Looks a bit Judge Dredd to me, especially with the enormous pauldrons. Which is appropriate, considering Judges are also police and on the spot juries and executioners in that setting.
 
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I haven't read a ton of Ghost Rider, I admit, but I'm noticing a trend that a lot of the 2099 'heroes' are actually brainless tryhards who rush in where more sensible people might think about their options a little bit. Zero gets a warning to leave and avoid conflict, but instead of just doing that and avoiding a fight, he puts everyone in danger by starting a fight inside on purpose, before basically goading an entire army to fire on him, despite not even knowing why they're there. And then he spins on a dime and immediately wants to hear Doom out because he heard the guy did something cool recently, and that's literally the only thing he can think about right then. Weird.
Circling back to this, I think a lot of the 2099 stuff suffers from the worst excesses of the '90s. To the point where I'm pretty sure that Doom is their most nuanced lead character. Who I'll remind you is a fascist dictator who wears spiked armor.

Well, to be fair Spider-Man 2099 wasn't as bad as the others, though he was also kind of a meathead sometimes. But that's it. You've got Doom and Spider-Man on one hand and everyone else: Punisher, Ghost Rider, X-Men, Ravager, they can just be thrown in the garbage. And even Doom and Spider-Man suffer from a lot of 90's issues, inconsistent art, plots that drag and often don't seem to go anywhere, etc.
 
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2099 - Hulk 2099 A.D. #7-8 - Metal Guys Make Me Nervous / What Goes Up...
Hulk 2099 A.D. #7-8 (June-July 1995)



Cover

We're tackling a Hulk-sized helping of content today, by reading the first two of no less than four Hulk-related tie-in issues under the larger One Nation Under Doom umbrella. Most of these tie-in issues don't really have a ton of Doom in them, but they tend to be pretty heavily reliant on elements of his takeover, so they are relevant anyway. Hulk actually gets more Doom-involvement in his storyline than pretty much anyone else, so we'll be revisiting him a little later.

Actually, we haven't really seen Hulk 2099 beyond a single special issue, but here he is in his questionable glory - he looks less human than the regular edition but is otherwise fairly similar in concept as a weird Gamma-monster that works off rage. The first cover here is generic as all hell, but the second one is fairly neat - Giant Cover Doom returns and grasps the Hulk between his metal fingers. It does seem like his hands are a bit disproportionate to his face, though - look at that right fist, it's as big as his head! His coloring is also weird, but I almost prefer the mismatched look he's sporting here over his usual design.

Story Overview

#7 - Metal Guys Make Me Nervous

Welcome to the New World Order! We open with a broadcast of President Doom to America's greatest entertainment producers, as he requests their assistance in making this great nation what it once was… and can be again! Quirk listens to his pronouncements and comments that this new development makes their mission even more important - before this they were using virtual reality programming to show people what bad actions the corporations were up to, but now they've got an actual dictator to fight! Hollywood Exec Keisha isn't convinced, telling Quirk that she's being an adolescent about this - America is in such disorder that it could only benefit from a strong-handed leader. She asks John Eisenhart, our headliner, if he agrees, and he's hesitant to answer. John might agree with Keish's sentiment to some degree, but his brutish green alter-ego, well… metal guys make him nervous!



Quirk asks how Keisha could defend someone like Doom given that he's basically another Hitler, but she just waves that comparison off as random historical trivia. She knows how to survive in the real world, in the now, and Doom is now! Quirk wonders if she should sell that to Doom as a campaign slogan. Producer Angel Zamora observes that whether Doom makes things easier or harder for them - the important thing is that they're ready for it. Keisha has the finances straightened out, Quirk's got some great story material, and John has some independent distributors lined up who are willing to gamble on Lotusland Creations that defy the corporate power brokers. They'll need to get some creations to them soon, however, in case Doom starts tightening up on free speech rights.

Zamora comments that it's lucky that he's about to go into production on their first project, then - the story of Rosa Palumbo! Keisha doesn't recognize that name, and Zamora points out that this proves how completely the megacorporations control everything they know about the past. Quirk discovered the story in the course of collecting some old video magazines, and that's how the idea began. Rosa Palumbo, it turns out, is the name of a woman who led a popular movement early in the twenty-first century against consumerism. She exposed the mind-control tricks of corporations and got people asking if a world that valued goods more than good was really making them happy. It was an old theme, but people listened to her. Rosa showed them that a truly global economy which put people first could maintain a stable and fair prosperity.

Retail sales were hurting due to the movement, however, so corporate-owned politicians got nervous. The biggest retail monster of the time invited Rosa and the leaders of her movement to an idea-sharing summit at their headquarters, where a convenient fire broke out and killed them all in one fell swoop. That fire also took out some of the company's executives, but perhaps those were simply the ones considered expendable… Regardless, the movement lost momentum after its headliners were killed, and within a few decades the corporate-government complex was able to make people forget any of it had ever even happened…



Keisha wonders if Quirk really thinks they'll beat the corporations and Doom with a corny story like that, but Quirk insists that they can show people how to take control of their own lives by relaying how others managed to do it in the past. Just discovering Palumbo made her look at herself in a whole new light! John argues that Keisha has a point, and Quirk is annoyed that lately he keeps agreeing with her - he used to see through her! He responds that they can't work slowly to make people question things, since the arrival of Doom has raised the stakes. They have to hit hard and strong to make a difference! Keisha agrees with this, telling them that they should get Doctor Apolonio's mind-influencing gamma-tech up to speed and use it to make people see what they want to! Wow, okay, that went there real quick!

Zamora declares that doing such a terrible thing would be selling out everything Lotusland stands for, but Keisha says that if they're not prepared to go extreme, they'll be crushed. If Doom wants to shut them down, he's going to be every bit as extreme as he has to be! John is not sure about what to do, and Quirk is baffled that any of her friends are even considering such brazen action. John finally decides to go along with Quirk and says they'll start making VR programs telling the truth about Doom, and he asks Quirk to join him in looking up anything they can find about his 20th century exploits. Zamora decides they can use some of the period designs from the Palumbo project, and Quirk says she loves his visuals. Zamora comments: 'it's mutual' and when a puzzled quirk notes she only did the music, Zamora smiles and says: 'I know…' Cue bedroom eyes?

Keisha sees this going on and asks John if it's like a knife in his heart to see Zamora and Quirk flaunting their whatever-they've-got-going-on. John says he can't worry about it - not if he's going to get any work done. He has to find indie distributors willing to take on anti-Doom programming now! Keisha is weirded out by his reaction and says that she was under the impression that Quirk meant something to him once. John thinks to himself that she did, once upon a time, but now she's just someone else to help get the job done. What happened to change all that…? What happened to him?

The scene switches over to a collection of overdesigned villains, headlined by the mechanically inclined cyborg-guy Draco and a genetically 'perfect' Übermensch, the Golden One, with his army of mutated monstrosities. The Golden One mentions their Hulk-busting plans are progressing nicely, but Draco tells him to save his breath. The new President is such a threat to all of Draco's designs for taking power in California that they might as well apply for civil service jobs unless they can avoid his grasp. He asks if the Golden One can take the Hulk down right this minute, determining that their only hope to seize Lotusland Studios is to immediately take control of Los Angeles before Doom can consolidate his power in the West. The Golden One replies that it can't be done, and that he will have to find a way to stall Doom. Disappointed in this new alliance already, Draco wonders if he made a mistake in joining forces.



The heated discussion between villains is interrupted when one of the mutates rushes in to tell Draco that something just appeared in L.A. airspace - a whole bunch of things, actually! The being projects an image of an unfamiliar looking device hovering in the air, and Draco decides it has to be Doom's work. But what is Doom doing, exactly? He commands the preparation of some probes so he can figure out what precisely he's dealing with...

John Eisenhart walks outside and muses that nothing is scarier than acting in a way you don't think is you. Nothing, except maybe not even knowing which you it doesn't feel like. You try to repress these things, but that just gives the thoughts more power. Leaning towards Keisha's side in the gamma-tech argument - was that the John Eisenhart he knows? Maybe. Maybe it's the one he used to be before everything that turned him into the Hulk. The thought feels comfortable, powerful, but there's a big deep, green voice in him that says: 'If you start thinking like that, I'm gonna have to kill you.' And John is finding himself thinking that he'd better kill the other guy first. Soon, a civilian points up into the sky and wonders what the hell he's looking at, and a surprised John spots a fleet of EMPs spreading overhead.

John concludes they have to be spy drones or weapons, a clear move on Dooms part to take control, and declares it's not going to happen. Not in Lotusland, not while he is there! He rushes off towards a secluded alley and allows the Hulk to take control, transforming through a more classic Hulk look and then onwards towards the snarling, mohawked beast from the cover. He doesn't care what the hell that thing in the sky is, or how high it is - nor that he has to jump higher than he's ever done. He's gonna get there and Doom will wish he'd never set foot in his backyard!



Hulk lands on one of the EMPs and smashes it to bits, air-surfing the remains away from Lotusland and towards some barren hills on the edge of town. He sees more EMPs moving into place before a spray of missiles erupts from somewhere in the area. It seems someone else is firing at one of the flying boxes too! Suddenly those missiles are gone without an explosion or sign of impact, like they just disappeared. He wonders about it - but only for a second, since the EMP he's on impacts the ground and violently explodes around him.

At the White House, Doom prepares his broadcast explaining the Environmental Maintenance Platforms, and instructs some robotic minions to use the EMPs to end tornado activity that's building over Wisconsin, and to make sure that the Mexican President has smooth air currents for his state visit. He next turns to Baltimore, but is interrupted when a robot drone warns him that one of the EMPs over LA was destroyed by an unknown attacker. Doom is troubled, observing that the island-state of California is the area in the United States which is least under control of the federal power structure, and he has no military buildup there yet. It'll be a tough nut to crack.

The drone continues its report, noting that there are reports of glitches in other EMPs as well, but those might be related to the destruction of the first. Doom isn't pleased with the uncertainty and orders investigators to the site immediately - he must have Los Angeles under control before the situation there gets out of hand! The city may prove invaluable to him, since by taking command of the opinion-shaping power of the entertainment industry there he could forge the public support he needs to make his control of America absolute!



Zamora notices that Quirk is brooding, and he is surprised - he thought she'd be bursting with new anti-Doom ideas. Quirk admits that she's a little weirded out by Zamora just dropping the Palumbo idea as fast as he did. He shouldn't give up too much of their original mission just to fight Doom - plenty of reform movements have turned fascist out of 'strategic necessity' in the past. Zamora belittles Quirk a little, then jokingly assures her she shouldn't fret - he's not going to turn into Doctor Doom with a goatee!

Quirk responds that she's been telling the truth as a way of life ever since she left home at fourteen - that she was running for her life and fighting the people in power already while Zamora was still doing pretty pictures for the old, crooked Lotusland. She's seen much tougher guys than him broken down by fear! She asks him to stop being so condescending towards her, and he admits that he's always been too flexible in his morals. He wants to believe he can just change on his own, but maybe he needs someone to teach him how to toughen up, to get firm. Quirk laughs at his phrasing, and tells him that she can probably help him with that last part, before kissing him passionately.

Hulk arrives back at Lotusland after getting blown up, relieved that his legs held up after the crash, though he still maintains that destroying the EMP was something he had to do. He goes to warn Zamora and Quirk about what he did, only to see the two of them passionately embracing. For a split second he wants to explode through the wall and pound Zamora to jelly, but then he corrects himself and declares that's to be the Hulk's thought. But isn't his own thought, too? Isn't that the person he wants to be? Isn't it? Clutching his head, the Hulk nearly falls off the building.

We catch back up with Draco in his lair, and the villain reveals that the spray of missiles earlier were probes. With the Hulk providing an unwitting distraction, Draco managed to hijack the EMPs within his immediate broadcast area and employ them for his own purposes. While Doom has done a fine job conquering cyberspace throughout America, Draco still has ways of cloaking his activities, and he can recalibrate the platforms to force the hands of both his enemies. It will kill many thousands of citizens, he admits, but mostly just children and the elderly. It's well worth the price. In the sky overhead, the silhouette of Draco's enormous head looms…



The next day is hot, and the day after it is hotter still. Doom tells everyone that his EMPs are there to fix the environment, but in Los Angeles they're not buying it. Zamora decides to go fact-finding, to see if Doom's really doing the overheating on purpose, while John watches to ensure that no more EMPs show up right over Lotusland. He doesn't want to provoke a fight with Doom until he has all the facts, but he doesn't want anybody peeking down his blouse either! The third day, it's not just heat - smog envelops the city. The fourth day it's not smog - it's poison. City officials get right to work doing what they do best - blaming somebody else. They lay the blame on the federal government and ask everyone to trust the city government to make things right. Quirk records a soundtrack for a VR program telling people they have to rise up and take command. Nobody's sure why Doom would be doing this…

Over in the White House, Doom is informed that his subordinates still haven't been able to retake control of the EMPs. Doom isn't sure who would be able to do this level of hacking, and he's also not sure why this 'Lotusland' is defying not just him and the local government, but the entire corporate establishment as well with their reporting. What's happening in Los Angeles, exactly? Doom asks after his investigators, and it turns out that due to the heavy smog both flying cars switched to computer-navigation, and promptly flew themselves into the side of a building. The same building. No survivors. Maybe they were on drugs…? Sure.

By the end of the fourth day, the cracks are showing. Keisha angrily shouts at Zamora that she's done with him and his Lotusland - this 'idealistic' approach won't get them anything but pretty tombstones! Zamora tries to convince her to stay, but Keisha puts on a gas mask and leaves the room, determined to join Dr. Apolonio. They can use the gamma-tech together, with or without the rest of them! Doom complains that after four days he still can't crack the algorithms that would give him control of the data-systems of California, which means he has a formidable opponent on his hands there. He must get around this enemy, and to do that he needs an ally on location - at Lotusland. Draco muses that the game nears conclusion, that the pieces fall into place. The Hulk, furious about all the fruitless waiting he's been doing while things get worse, snaps and decides to take matters into his own hands…



At Apolonio's lab, Keisha tries to convince him that the gamma-tech is their only hope. If they don't use his mind-shaping technology, then… She's interrupted when the Hulk shows up and asks her to finish her sentence. When she stammers something, he tells her to put a sock in it - if what he's about to do doesn't work, it won't matter what they're planning. He grabs Apolonio and tells him that he needs some technical wizardry to pull off his plan, and warns Keisha to sit tight and behave herself before jumping away. Keisha waves him off and shouts that she has faith in the Hulk, only to wonder to herself where Apolonio keeps his gamma-tech so she can get to it herself…

It's a tougher jump to reach the EMPs this time, Hulk thinks - perhaps Doom moved them a little higher, or maybe Hulk's legs are still messed up from getting blown up before. Or maybe Apolonio has eaten too many carbs. It doesn't matter, he makes it up there, grabbing onto one of the engines to swing on top of the large machine. Hulk asks Apolonio to check it out, arguing that they can't realistically take down these EMPs one by one, but they might be able to figure out how they work and turn them off all at once. Apolonio agrees and gets to work, observing that while the technology is impressive, it's not terribly arcane, and he quickly finds a control panel. He hits a button, and a little light turns on in warning. 'Uh-oh,' he states nervously. Doom is warned by his drone that they've lost contact with all of the Los Angeles EMPs just as Draco shouts: 'Now!', and the propulsion system of the EMP that the Hulk and Apolonio are presently messing with suddenly blasts to full, launching them straight upwards, and fast.



They're already too far up to jump off - even if the Hulk might survive, Apolonio certainly wouldn't! They're trapped! Taking advantage of the Hulk's absence, Draco's troops bulldoze their way into Lotusland at the same time, interrupting Quirk and Zamora while they're having some alone-time together again.

#8 - What Goes Up…

Quirk and Zamora run away from the armor-clad goons that Draco sent over, and the latter yells at Quirk to get the Hulk. When she incredulously asks where to find him, he doesn't know what to say. She's her friend, not his!



As the two find some cover, the goons inform them that the Hulk is no longer an issue at all. They then tell Zamora to come out, stating that Draco would like to deal with him honorably as the now former leader of a rebellion that tried to deprive him of his studio. Zamora asks Quirk for a brief distraction, and she throws a chunk of debris at one of the goons even though she's not sure what good it'll do. Zamora uses the moment to pull a gun, much to Quirk's shock. He was always about non-violence, about being an artist, but now he's packing heat? Zamora tells her that he's learning that when you're fighting a war for freedom, sometimes you have to do things you never thought you'd do. With that he opens fire!

The exchange of bullets doesn't go great, since Zamora is blasted off his feet and lands against a wall. Quirk is relieved that he survived the ordeal, but warns him that sometimes when you do the things you hate to survive, you end up destroying yourself. Zamora tells her not to lecture him now, but to get the hell away! That's when one of the armored goons breaks through the wall and grabs her, announcing that Draco has need for her. Zamora yells after her as they fly off, and swears that he'll get her out of this. Somehow, however he has to, she'll get us out of this mess!



On another level of the building, Keisha hears the mess going on upstairs but decides not to let it distract her, since she's still looking for Apolonio's mind-shaping gadget. Unbeknownst to her, a door behind her starts ominously smoking. Keisha thinks the gamma-tech is the most powerful tool she'll ever have a shot at obtaining, and she's got to get it before the Hulk returns and catches her. She finds a digital entry about Gamma research, confident that she found what she's looking for, but then the door blasts open and several heavily armored troops tell her that Draco has need for her…



On top of the rocketing EMP, Hulk can hear Apolonio gasping as he works at figuring out their ride - he's either more excitable than he looks, or the air is getting thin. Apolonio announces that he's beginning to make sense of how this machine operates, but not enough sense. He has to get under a floor panel to understand more, and Hulk helpfully rips it off. Apolonio thanks him nervously, but admits that he'd be doing better if things weren't getting so cold, and if his fingers moved better, and if he didn't feel do - woah - lightheaded. Hulk muses that the air can't be that thin yet, only to look up and see stars appearing in the middle of the day. A few more minutes and they'll be in near-vacuum! Not that they'll be around to notice…



Quirk punches one of the armored goons of Draco in the face, declaring that if she wanted to be jerked around, held prisoner, and abused she'd have taken a regular office job! She runs off through the smog-laden halls as the armored goon alerts security to bring her in. Quirk is soon surrounded by armed personnel, but she notices something big comes towards her through the smog and for a moment she's relieved that the Hulk has arrived to help her - only for Draco to step out of the pollution instead. He apologizes for Hulk's absence, telling her he's gone, and Lotusland is now his! Lotusland is the final piece which will allow him to take firm control of California and its information industry, and should be able to fend off even President Doom - with her help, of course. Quirk rejects this idea utterly, but Draco tells her she has no choice in the matter - she'll help or die.



On top of the EMP, Apolonio sinks through his knees and can't even stand up anymore. Hulk irritably tells him to keep going, only for the Hulk himself to get woozy too. They're running out of options. Hulk has to do something - anything. Since he has a bit of a one-track mind, his solution is smashing down onto the EMP and ripping out the power system, sending the pair into free fall. A panicking Apolonio starts to calculate how long they'll have to live, only for Hulk to demand if he can calculate whether they have enough time to fix the damn thing enough to break their fall. With a scream they start to descend…

Back at Lotusland, goons scour the building for Zamora, who's still hiding out. Unless he can crawl through a hole in the wall and drop outside before they catch him, though, he probably only has seconds left. He manages to sneak through a broken wall only to spot Draco and a host of minions just outside, with Quirk suspended in a force field behind the leader. Zamora is about to act on that when he suddenly gets a phone call. Who would be calling his private line, now of all times? Nobody uses that except Lotusland people, and they don't exactly seem like they'd be calling him up. He answers, and is baffled to hear who is on the other side. Why would this person ever want to talk to him?

Still falling to their death, Apolonio berates the Hulk for his lack of finesse, since it'd be a lot easier to reconnect partial thrust if everything wasn't smashed to bits. Hulk tells him that if he wanted finesse, he shouldn't have called for the Hulk! Apolonio replies that anybody else would have just brought data to his lab and asked him how to stop the pollution problem, but the Hulk just had to prove how high he could jump! Hulk states that he and everyone else would have asphyxiated waiting for that precious data. Apolonio shouts back that at least he'd have made a better-looking corpse than as a smear of jelly on the thru-way!



Hulk yells at him to get the machine fixed, and Apolonio instructs the giant green monster to slam a rocket system onto an open conduit - and they'll have to pray the tube casing doesn't crack. Unfortunately the device does shutter on impact, so if they run any thrust through it, the entire EMP will go up in a giant fireball. Unless, the Hulk observes, his nigh-invulnerable hands are tough enough to hold the explosion in - and if they're not, well, they're no worse off than before!

Some of Draco's minions bring Zamora to him, and Draco describes him as the artist-leader of an illegal exercise in subversive propaganda, but Zamora suggests they're just trying to tell the truth about who runs the world, and the truth is that Draco is the greatest evil they face! He swears that they'll somehow find a way to defeat Draco, only to get distracted by something high up in the sky. Draco is aghast to realize it's an EMP that's falling straight towards them and quickly drags his captives out of the way. Guess who's here!? The jury-rigged rockets on the EMP kick in about fifty feet off the ground and smash the entire area to bits in a giant explosion, just in time to break the fall. Moments later the Hulk tears his way out of the wreckage, even more monstrous than usual, with a living Apolonio in his hand.



Draco orders his troops to kill the Hulk while he's weakened and they open fire, but the Hulk rushes forward and informs them that he isn't weakened at all! Draco argues that he's not weakened either, for while the Hulk may have beaten his little trick with the EMP, he still has enough raw power to… Whatever else he was going to say is irrelevant, as a laser-blast from off-panels tears into Draco with a 'Shoxxx!' sound effect. Hulk turns in bafflement to see who was responsible, only to witness rows upon rows of Doom's shock-troopers rushing in on board flying vehicles armed with heavy-duty weaponry. By order of the President, Draco is ordered to relinquish his claim on Lotusland Studios!



Draco, furious, shouts Doom's name and declares that he knew the day would come when they would have to clash. That day, however, is not yet! Draco decides he cannot afford to start the war here, unprepared and with his security forces battered, so he withdraws. Soon enough, however, Doom and the Hulk will be holding a contest to see who regrets thwarting him the most! With Draco leaving, Hulk turns towards the arriving troops and wonders if they think they can take the studio in the villain's stead. Well, he's got news for the government - he won't stand for it! The troops, however, inform him that they're actually here at Lotusland's request!

An image of President Doom resolves in the sky, announcing that they're there simply to collect a gamma-powered mind-influencing technology which was promised to Doom in exchange for his protection. Hulk is shocked that Doom even knows about Apolonio's creation, and wonders who agreed on this sort of lopsided deal. He immediately jumps to the conclusion that Keisha must have done it, since she went sniffing around in the lab earlier, but she promises him she's not responsible. Before Hulk can smash her over his suspicion, Zamora calls out that actually, he was the person responsible. He traded the device to Doom!



Zamora explains that Doom agreed to allow Lotusland freedom in sending the messages they want, declaring that censoring art isn't his concern. Draco would have turned them into nothing but a for-profit machine, and he'd have ended all their dreams, so Doom is the lesser of two evils here. He tells Quirk that if she thinks about it she must realize he did the right thing. He then informs Doom that Dr. Apolonio can lead his men to the designs he offered up. Quirk lashes out, punching Zamora for his betrayal, declaring that he was supposed to have faith. He was supposed to be willing to live and die for their dream, but he sold out instead! Does he really think keeping the studio alive is worth this? What good is any of this without their dream? She tells Zamora he can do whatever he wants - but she won't be around to see it. Even though Hulk calls after Quirk, she walks off into the smog and disappears from view…

Rating & Comments



Hulk of 2099 is a fascinating character in some ways - his civilian self is pretty much an asshole judging from the comics I've read, but there's a background dynamic going on where John Eisenhart was already a terrible person before the accident which gave him his powers, and became more empathetic and heroic afterwards, saving people and carrying forward Quirk's dreams in his bigger, greener form. But in these more recent issues it seems like he begins to revert, with John losing much of his personal character growth - to his own confusion, even. But Hulk? Hulk retains everything, even if he's an impulsive airhead, and perhaps becomes ever more his own person. Hulk cares, even if his civilian self doesn't, and there's friction there - like all the true heroism is packaged into the transformation, not the host. Maybe the only reason John ever became a hero was because the Hulk was really the one with the spirit for it...

The supporting cast of Hulk is a bit unbalanced, in my opinion, since most of them are not exactly great people either. Quirk is an exception, as she's the idealistic type who fights for truth even if everything seems grim, and though she's a bit naïve she's something of the moral heart of the operation. Zamora is… questionable, but seems willing enough to go along with the idealists if given the opportunity. As for Keisha and John - who I am considering something of a supporting cast member to the headliner here - they both seem pretty morally compromised, especially Keisha who really just wants to steal the mind-control tech for herself. Hulk is a bit of an idiot with barely any emotional control, but he's the closest thing this story has to a hero aside from Quirk, and despite stupid decisions he seems to have benevolent intentions. Not that this helps anyone very much in a setting like 2099, but there we go!

Draco is the true overarching villain, but much of the plot is actually driven by Doom's invasion of the United States which has large ripple effects even this far West. The deployment of the EMPs is a significant factor of his new rule, and Hulk's first reaction to their appearance is a natural one for him - if shortsighted. He assumes the worst about the EMPs, namely that they're spy devices or weapons, and immediately sets out for their destruction. Now, I would not be remotely shocked if they were just that, since this is Doom we're talking about, but there's no actual indication in any comic I've read that the EMPs are anything more than what they're claiming to be, especially since they're copies of a device Doom snagged the designs for in Wakanda in Doom 2099 #12. Regardless, destroying that first EMP actually served as inadvertent cover for Draco's hijacking plot of the others, and Hulk accidentally put the entire city in danger through his clueless actions.

Hulk compounds his errors through his next attempt at dealing with the EMPs, this time snagging Dr. Apolonio from his labs and dragging him up into the sky to try and figure out how to shut the things down. This move was predictable enough that Draco nearly manages to kill them by setting up a trap. The reason the two went up there in the first place - beyond just hating Doom's stuff - is because the machines had been bugging out for days at that point. This makes it a little strange that Doom never saw a reason to teleport over there for a personal inspection, which he definitely does in other contemporary comic books around this period where much less serious issues are being addressed. After several inspectors are killed on the way there in pretty obvious staged accidents, you'd think that would ring alarm bells and shove this higher on the to-do list. Doom seems aware that there's a malevolent intelligence behind the events and still doesn't intervene later on, so presumably he's just too busy juggling all his new duties to take care of the relatively minor matter of some sputtering EMPs. Even if it means leaving lots of people to die from toxic fumes and a heat wave. Maybe Doom just didn't really care enough until some more attractive bait was placed in front of him…

Speaking of that bait, Zamora's betrayal is foreshadowed pretty early when he pulls out a gun despite his pacifist notions - there's some false flagging about Keisha, but she never really gets the opportunity or motive to contact outsiders. Zamora is practical rather than some moral crusader, and it seems he joined up with the new Lotusland mission because of the people he worked with, rather than any real conviction of his own. He admits to being pliable in the right situation, unlike Quirk or Hulk (but not John.) The fact that he was willing to trade mass mind-control technology for protection from Draco makes total sense if you understand that he just wants to make sure they all survive intact, while Quirk understandably can't stomach kowtowing to a dictator and giving him the means to puppeteer people just so they can sleep safely at night. The fact that Doom is interested in acquiring that technology, though? That's not a surprise to anyone at all. Mind-controlling is the main thing he's been doing in recent issues, and being able to employ such strategies on a massive scale seems entirely on brand.

The storyline isn't over here, clearly, since the ending leaves open what exactly happens when Doom gets that technology, or what the Hulk is going to do in response to Quirk leaving or the rest of what just happened on that roof. He pretty much lost his only ally now, and the one who was wavering signed up with Doom. Those events, however, are ones I'll be tackling in a separate post down the line. For now, I'm summarizing these issues as... okay, but kind of underwhelming and relying pretty heavily on everyone being either evil or stupid. It's 2099 though, and it seems that's a bit of a trend at the moment...

Quotations from President Doom

"By taking command of the opinion-shaping power of the entertainment industry, I can forge the public support to make my control of America... absolute!"

"Four days - four days - and we cannot crack the algorithms that would give me control of the data-systems of California! Clearly I have a formidable opponent there... playing his data-games... concealing himself. I must get around him. I need an ally there. Lotusland."

Art Spotlight

Hulk 2099 gets some wild art, and sometimes he just kinda shifts forms, so it's sometimes hard to see if he's off-model intentionally or not. This mouth area is a special kind of what the hell, though:

 
You know I never read much Hulk 2099, but it looks like it might be the third best series in the setting.

As for Doom not showing up in person, maybe he's busy doing all that other stuff we saw him doing in person in the last few comics, this might be set around the same time.
 
You know I never read much Hulk 2099, but it looks like it might be the third best series in the setting.

As for Doom not showing up in person, maybe he's busy doing all that other stuff we saw him doing in person in the last few comics, this might be set around the same time.
He needs new Doombots! This is exactly what they were designed for, to represent Doom when he is too busy. Actually, I'm surprised Doom hasn't re-created them yet
 
2099 - X-Men 2099 A.D. #21 - Unreality Bites
X-Men 2099 A.D. #21 (June 1995)



Cover

Meet the man of the hour, the one and only clown prince of crime, harlequin of hate, ace of knaves, jester of genocide! Yes, there is only one single supervillain who fits this description - Halloween Jack! Never mind the other guy from the competition, it's definitely this guy with his big rictus grin! …Yeah. This lame Joker-copy is back, but at least I'm pretty sure it's his last outing on our particular readthrough. Or maybe I should be comparing him to the Green Goblin instead? Loki is a bit on the nose, perhaps, given his history…

Story Overview

#21 - Unreality Bites

We open up with a status quo establishing narration courtesy of the Ministry of Signal, which announces that a new force has taken control of the nation! A blond lady cheerily introduces Libera Cielo, the floating headquarters of the new administration, and promises that it isn't just full of empty promises - this is an administration of action! Already Environmental Maintenance Platforms are being launched in all states in an effort to undo the damage caused by pollution, and since this administration is no tool of the corporate elite, the privileges of the wealthy black-card aristocracy are abolished. And who's responsible for these amazing and exciting changes? There's only one man with the vision and means to reunite a broken United States, and it's the new President, Doom!



Over in Las Vegas, at the Synge Hotel and Casino, an incredulous Jordan Boone is watching the broadcast on TV. He's styling himself as Halloween Jack these days, colored all in green with a tattered black costume. He wonders who the hell Doom thinks he is, and his friend from the currently disbanded X-Men, Meanstreak, reminds him that Doom was the guy who shut down Alchemax's Aesir project back when he was still masquerading as Loki. Jack snarks that it was a rhetorical question since he obviously remembers the Latverian spoilsport, and declares that the tin-plated despot bit off more than he can chew this time. Meanstreak wonders if it's professional jealousy he's hearing, but the ribbing is interrupted when two more people enter the room.

One of those, a peon at the casino, apologizes for the delay and explains that his companion Celestia Amberlyn refused to come voluntarily, and has to be coerced. Celestia complains that even if Pope Theresa Maria herself requested a private audience she would not comply - she doesn't do personal appearances! She claims to be the biggest star the casino has, and thus demands to be treated like it!



Jack tells her to stifle the outrage since she's talking to him now, not one of her sycophantic entourage. He demands to know why he just saw her face on live television - she was the woman doing the narration for Doom's political propaganda broadcast. Jack reminds her she has an exclusive contract with the casino, but Celestia points out that her contract concerns live performances, but the Ministry of Signal only licensed her holographic likeness. They couldn't afford anything more.

Jack decides to let Celestia off on a technicality, but spots her little drone flying around and wonders if that thing is on. Celestia confirms that it's taping her twenty-four hours per day, and the footage is later edited and replayed on the Celestia Channel - her life is her art! Okay, so she's a streamer, gotcha. Jack sarcastically comments that she must be terribly selfless to offer the average Joe a window on her world of celebrity and glamor, and that they stand in the presence of an absolute angel! Meanstreak comments that Jack's laying it on a bit thick, and he agrees that sarcasm can be easily misinterpreted, so he'll make his point more clearly. He pulls out a gun and blasts the drone to pieces, announcing that he's the only star of this show! Celestia calls Jack a clown-faced jerk and warns him she's a close personal friend of Indigo Eshun, Minister of Signal, and she can have the new administration make his life very difficult!

Jack warns Celestia to watch her temper, and tells her he'll show her why neither Doom nor his cabinet threaten him in the least. They travel up to the roof of the casino, where a large device full of Kirby Krackles has been installed. Jack describes it as a Virtual Unreality Projector, guaranteed to transform and transmogrify the world around you in ways that will delight and amaze! He designed it himself! Celestia comments that a guy she used to date at Alchemax once told her that their Virtual Unreality program proved to be a total disaster. They blamed some egghead eccentric called Jackson Boone for the project's failure, as she recalls. Jack darkly mutters that it was actually Jordan Boone, and he was a genius, thank you! His work went sorrowfully unappreciated by the pea-brains at Alchemax!

Now riled up, Jack announces that he'll turn the device on in a few moments and overturn the natural laws of physics throughout the entire city of Las Vegas, replacing them with the wildly unpredictable reality of another dimension. Celestia is amused at the thought of using an entire city as a guinea pig - how wonderfully twisted!



Jack wonders if Meanstreak is hearing the same thing he is in her tone of voice - she likes him! Meanstreak is more interested in the machine itself, stating that while the hardware checks out, he's not comfortable with the margins of error they're working with. Jack declares that they're in Vegas - everything's a crap-shoot! Let's fire this baby up and see what happens! Viva Las Vegas, whatever it may become! The Virtual Unreality Projector activates and a wave of purple energy flows up and across the entire city.



Over in Reno we see Krystalin, formerly of the X-Men, pausing at a roadblock and wondering what's going on - she has to get to Vegas! The construction crews in her way tell her that they shouldn't be blamed for the holdups - blame the new President! Only a couple days in office, that Latverian cowboy's lit a fire under everyone's ass! The first thing he did is give the EPA martial powers, and the next thing everyone knows there's these giant EMP machines being launched all across the state. Supposedly they'll clean up the atmosphere and rebuild the ozone layer, ostensibly working off previous success in Wakanda of all places. The worker tells her to cover her ears, since when these puppies go up into the sky they make a hell of a noise. With a 'FA-WHOOM!' Another EMP joins others in the sky above…



In the high desert of South Nevada we find Desdemona Synge and her roided-up brother Lytton, who were left there to die of exposure and thirst in a previous issue by Halloween Jack. Desdemona is pretty out of it due to dehydration, but Lytton is more awake and decides he won't help her survive this mess since she's the one who turned him into the muscle-bound freak and stole the casino from him. Besides, he won't need her scrawny ass to deal with the green-skinned hyena that abandoned them here - he's bigger and better than ever! Lytton sets off towards a purple-hued Las Vegas in the distance while leaving his sister behind to die…



Krystalin makes it to the Las Vegas strip eventually, and reflects that from the incoming road she had assumed the weird light throughout the city was the result of one of Doom's new EMPs malfunctioning, but up close it actually seems to be radiating from the Synge casino. Meanstreak called her in, telling her that things were getting out of hand - she hopes this isn't what he meant by that! Suddenly the road and buildings around her seem to warp and twist as cars go flying and the road buckles, and Krystalin crashes her bike as the street writhes like a snake beneath her. What the hell is going on? The heroine spots a couple people running, and realizes they are unaware of the collapsing signage right over their heads. She quickly uses her crystal-creating powers to divert a giant sign in the shape of a hand from squashing the pair.



One of the grateful civilians explains that ever since that crazy Halloween man took over, the city's gone crazy - and not in a good way! Just look at what he did to the Synge casino, it used to be so nice! The woman complains that they're going to lose her business over this, but Krystalin muses that they won't lose hers - she has reservations…

Halloween Jack meanwhile, dances in joy as he celebrates how well his machine works.



Celestia comments that Meanstreak doesn't look too happy considering he was a willing accomplice in this surreal spectacle. He explains that he only signed on to help Boone run off the Synges and the syndicate, but he's worried about the consequences of this Virtual Unreality Projector. It's ripping the city apart! Jack explains that's the point of this thing - to turn the festering bastion of decadence and greed upside down. He argues that it's endangering the innocent, but Jack doesn't see the problem with that. Meanstreak takes off after that, realizing there's no talking to Jordan Boone anymore in his current state of mind, and he rushes through the building at super-speed as he considers his options.

He thinks back to previous issues, reflecting that after the X-Men fell apart he immediately got involved with the psychotic games of his old friend Jordan Boone, whose sanity is rather in question these days. Could he have been more irresponsible? I mean, he just helped alter the fundamental physical fabric of reality without a thought to the long term effects! He passes a bunch of people desperately gathering coins from a gambling machine that's disgorging an impossible amount of prizes due to the physics-warping going on, and the entire floor is covered in coins. Suddenly something resembling a dolphin made of light flies by Meanstreak even at superspeed - some kind of other-dimensional creature? They seem benign, but the next thing that appears might not be! They've opened Pandora's Box, there's no telling what'll happen next!



Krystalin and a host of other people have gathered near the casino to try and figure out what all this world-warping craziness is about, but a couple bouncers are keeping anyone from seeing Jack. Krystalin tells them she's not interested in speaking with the green loony - she's here to speak to Henri Huang, Meanstreak! The bouncer is not convinced, but when Krystalin starts complaining she's suddenly whisked away from the conversation by a blur of movement. Henri drops her off a little ways away and asks what happened on her end since they last met, but Krystalin wants to know what's up here in Vegas first. Who's Halloween Jack, exactly?



Henri explains it's yet another one of Boone's alter-egos, and Krystalin wonders if he's responsible for the chaos. Henri admits to partial blame himself - but he says he's also the one who's going to stop it before someone dies from this science experiment! Nearby, Lytton Synge has managed to make it into the city even though he's blistered to hell and back, and he looks up the side of the casino building to the purple-spewing rooftop and declares that he knows Jack is up there. He must think he's above it all, that he's immune. Not from him, though! He's coming! Tearing his super-strong hands into the side of the building, Lytton starts scaling the façade from the outside..

Meanstreak and Krystalin take the elevator up to meet with Jack again, and the green weirdo immediately jokes about their mutual sexual tension and wonders if they'll ever get over their platonic foolishness. Henri isn't interested in the humor, telling Jack that he's going to shut the Projector down, though Jack doesn't want to end the extravaganza. He uses super-speed to circumvent him and go for the buttons himself, but in response Jack quickly uses his shapeshifting powers to entangle Krystalin, and threatens to hurt the woman if Henri continues. Pained, the former X-Men declares that this is just between the two of them… Or is it?



At that moment, with a noise like a sonic boom, a stealth transportation vehicle decloaks right above the tower and releases its sole occupant - and it's President Doom! Took him a while to get here, huh? Doom descends from on high and announces that everyone should step away from the Projector. That's an executive order! Jack thinks Doom is being very rude, but the others are just stunned seeing him again - his armor is different than during X-Men 2099 #5, the Fall of the Hammer, but there's no mistaking that swagger and the imperious tone of voice!

Jack sarcastically apologizes that he has no red carpet to roll out, but still goes: 'Hail to the Chief and all that.' He transforms into a silly Uncle Sam parody, but Doom tells Jordan Boone to stop wasting his time with stupid shapechanging antics. Jack angrily declares that he's not Jordan Boone, but Doom responds that he's not interested in his personality disorder. He's here because Jack's sophomoric application of dimensional interface technology threatens the environmental balance he's so painstakingly trying to restore.



Jack wonders why he's being such a snit about it when it's only Vegas that's affected, but Doom insists that Boone has miscalculated his numbers and the anomalous effect will not diminish with distance. Jack references the works of Reed Richards to justify his side, and Doom is rather incensed at the reply. He's the last person to whom he should quote Richards of all people!

Lytton Synge climbs over the edge of the building and screams Halloween Jack's name as he rushes in for an attack, interrupting the spirited scientific debate between geniuses. Before Jack can even say anything more than: 'Huh?' Doom raises one gauntleted hand and fires a beam of intense lasers at the new arrival, declaring that he will not be interrupted, and he blows Lytton to smithereens. He is reduced to a cinder, and Jack looks over the edge in disbelief to see where it lands.



Doom, having already forgotten the interruption, points out that if left unchecked the other-dimensional projection will create a chain reaction that will transform the entire planet in the same way it's warping the city of Las Vegas. Jack mutters that it's not like he intended to keep the Projector running non-stop, and reluctantly tells Meanstreak to go ahead and shut it off.

Henri admits that he's been trying to do so, but he can't seem to close the interdimensional lens, and the Virtual Unreality wave has rendered the various failsafes inoperative. Jack sarcastically states that he feels really bad about this, but there's nothing to do except sit back and watch the planet plunge into madness! Eh, the world needed a good swift kick in the pants anyway! Doom, his eyes flaming in fury, declares that Jack has squandered his intellect in a juvenile manner, which is a pity since he might have found a place in the Ministry of Science once upon a time. Doom decides that Jack has forced him to take extreme measures to prevent the anomalous effect from spreading further, and the green-skinned weirdo wonders warily what he means by extreme.

Doom raises a hand to the dozens of EMPs flying high above the city, and says that minutes earlier he gave the command to launch another phalanx of EMPs around the greater Las Vegas area which have been specifically programmed to create a containment field which will keep the Virtual Unreality wave within its borders.



From this moment on, he's closing the city of Las Vegas! Jack wonders if Doom thinks a Presidential decree will run him out of town, but the President tells Jack he can be a petty lord over the city he has tainted if he wishes, but if he undertakes his mischief anywhere else in Doom's America he will most certainly be killed. With that warning, Doom departs from the story again…

Jack mutters that Doom is a spoilsport once more, then turns to Henri, glad that they at least still have each other - oh what fun they'll have! And there's Krystalin too, he supposes. Meanstreak puts his foot down, however, and says that this is where he gets off. He and Krystalin are leaving to reconnect with the other X-Men. Jack asks them not to go, because they should help him blast those EMPs out of the sky and knock Doom off his high horse! A tired Meanstreak just tells him to give it a rest, that clown time is over. Realizing his former friends won't change their minds, Jack furiously yells at them to run off with the rest of those mundane mutants! Halloween Jack doesn't need them. He doesn't need anyone! The two X-Men soon drive out of Las Vegas while the construction worker from earlier returns to place a sign at the edge of the city: 'Danger. Las Vegas Anomalous Zone ahead. Enter at your own risk.'

#22 - Gauntlet of Pain

While another plot happens on other pages of this comic, we get a brief glimpse of a helicopter approaching New Mexico - it's flying towards the Sangre de Cristo mountains to be precise, the location of a previous battle site involving the X-Men. Inside the vehicle are a SHIELD pilot and a rather bored Minister of Humanity, Morphine Somers, who has come to inspect the site of a recent thermionic detonation. The place looks like a fallout zone, and no lifeforms dead or alive are detected within a five klik radius. Somers frowns at the wasteland and wonders if he should have called ahead.

Later, after docking the helicopter on board a classic blimp-style airship in the skies of southern Arizona, Morphine meets with Doom and is asked where the other mutants are that he was sent to retrieve. Somers admits that they scattered to the wind before he arrived - so much for the unified strength of the so-called X-Men! At least they managed to scrape one of them out of that bombed-out place down there, Somers muses. Doom asks if the one they found will serve their needs, and Somers says that he will - after a little attitude adjustment. Of course, they'll have to put him back together first! We then see a shot of Junkpile, a mutant who is more machine-like than biological, and currently shattered into discrete bits. Doom tells Somers to reassemble the tin man and put him to work…



#23 - Junkpile: Agent of SHIELD

After Junkpile is reassembled, he asks Morphine Somers if the job offer from SHIELD is a joke. The Minister of Humanity tells him that he needs muscle to clean up a red market in Death Valley, and while Junkpile isn't his first choice, he's nevertheless eminently qualified for the job. Junkpile isn't sure he wants to be some police goon, but Morphine tells him he'll work for the nation's elite security force as an autonomous agent, with full administrative sanctions and great medical coverage. Junkpile tosses the badge he receives back at Somers and tells him he doesn't need some stupid insignia to kick butt! Doom catches the badge in mid-air and states that in his United States, Junkpile certainly does need sanction to do his heroics!

Junkpile yells at Doom some more, declaring that he's nobody's errand boy - not even for the guy who buzzbombed the capital with a bunch of Wakandans. Doom reminds Junkpile that were it not for Somers' faith in Junkpile's abilities he would still be fused to the decimated remains of a destroyed bunker, unable to remove himself from a ton of metal his techno-organic body couldn't metabolize. Gratitude, therefore, would be a far more appropriate response. Junkpile pauses and admits that maybe Doom has a bit of a point there, and asks if he really meant total autonomy. Doom agrees that he'll only respond to Somers and himself, and Junkpile decides that he likes the sound of being the law. Somers tells him he's got his work cut out for him…



#25 - Final Curtain

Still on board the airship, now flying over California to deal with the events of Hulk 2099 #10's events, Morphine Somers tells Doom that as his Minister of Humanity he suggests they just bury their plans for the X-Men and move on. Xi'an's little mutant cadre fell apart almost as quickly as it was assembled, he argues, and they don't need such a collection of misfits to be humanity's standard-bearers. They can do better! Doom dryly points out that Somers doesn't appear an ideal choice for a cabinet minister on the surface either, but Doom recognized the talent he was wasting in Transverse City. He sees the same in the current generation of X-Men, plenty of untapped potential. He thus orders Somers to keep looking for them, and let him know when they're found…

Later, after the X-Men have had their final cataclysmic clash with the Theater of Pain in which they rescue their brainwashed former leader Xi'an, their happy team reunion is interrupted when an army of SHIELD troops rush into the Slaughterhouse, the main building of the local pain-cult where most of its membership has now been defeated. They declare that on order of the President the facility is closed, and everyone there is now under arrest. The X-Men conclude this must be Junkpile's backup, fashionably late as ever, and quickly try to convince the newcomers that they're not with the Theater of Pain!

Somers arrives and tells his SHIELD troops to be at ease - these are the good guys, the X-Men! Skullfire wonders who the hell this new guy is, which is when a giant hologram of Doom pops up and introduces his Minister of Humanity, explaining that he hopes to employ the X-Men to clean up the red markets, since the Slaughterhouse is only the most obscene example of the exploitation of the underclass. Indeed, it was only recently that Doom learned the Theater of Pain was even involved in the trade! Somers explains that they would have been there sooner, but the enemy was waiting at their door and killed fifteen before a neural attack took them down. The Ministry of Signal, he explains, has a phalanx of net-divers who are currently tracking down the theater's clientele, figuring that the audience is equally guilty for supporting this horrible mess!

Shakti, the mutant Cerebra, asks what will happen to all the victims of this horrible butcher shop. There are thousands of people whose lives have become so desperate that they were literally willing to sell their hearts and souls for some meager credits. Doom announces that he's made arrangements for them - and for the X-Men themselves. You see, to the West he's built a city that will welcome the Slaughterhouse's refugees regardless of their race or gene classification, and the X-Men will be that city's guardian angels!



Bloodhawk thinks that sounds like the empty platitudes of politicians, but Skullfire argues that they can't expect to be handed a world where humans and mutants coexist peacefully - they have to build it brick by brick. Maybe this city could be the place where they can make such a dream reality. What do they have to lose? Let's go to Halo City!

Rating & Comments



Jordan Boone is an aggravating character from the start - he's ostensibly people's friend or colleague, but he just comes across as an insane troll who can't stick to a single code name for too long before moving on to the next. We saw him in his Loki guise and now as Halloween Jack, and in both cases he was pretty far down the crazy spectrum already, and only getting worse with time. In this issue he does some of his most Joker-ish stuff yet, basically condemning a city (and possibly the world) to dimensional transformation which makes everything weird and dangerous purely for the sake of fermenting chaos. He's pretty open about his motives, enthusiastically poking at reality with yet another version of Virtual Unreality which we've seen in several less than stellar issues in the past. I suppose it's small mercies that Genghis Khan and Caesar didn't show up this time.

Stranger than Jack, though, is Henri Huang - Meanstreak. This guy is really attached to his friendship with Jordan Boone, to the point that he goes along with and even helps with the technical details of a plan to mess with physics on a city-wide scale as a test run. He questions his own motives in this comic, and I really don't get why it took the near-destruction of the freaking Earth by a runaway plan of his 'pal' to shake him awake to the insane lengths Boone is now willing to go. Krystalin is a little more morally stable since she's pretty much against all this bullshit right away, so I'll give her a pass. With those being the only characters to really appear in this comic, you can't really speak of the X-Men at the moment more than 'scattered random mutants: the comic.'

Doom is a relatively minor player here, since he only shows up when things go really out of whack. Interestingly he frames his presence as it relates to the job of the EMPs, since the radical physics changes that Jack's machine generates interfere with Doom's greater plan to fix the environment. Judging by how things develop afterwards though, Doom soon realized that the danger is much broader than that and reuses his existing assets to mitigate that - he programs some EMPs to instead keep in the crazy of Las Vegas while it's an anomalous zone. I'm not sure if my comparison here should be to the Zone from S.T.A.L.K.E.R. or if the entirety of Vegas should now be replicated in miniature in Jesse Faden's basement, but either way it's a neat fate for the city which I'm not sure is ever followed up on.

One great moment, though, is when Doom and Jack end up in a spirited scientific debate about the latter's invention, slinging scientific jargon around until Jack has the temerity to cite Reed Richards to Doom's face. Then a minor villain shows up to make a fuss after several panels presaging their arrival, and Doom just… blows them to smithereens with a distracted gesture because was interrupting the debate! It's my favorite Doom moment in a good while, and you have to love how he just keeps talking right afterwards, completely ignoring the full-on murder he just committed. Not even Jack really gives a shit, just kinda looking over the edge in disbelief as the burned-up corpse smacks to the ground somewhere at the bottom of the tower. If not for that moment, I think I'd like the issue considerably less, but you gotta take what you can get.

While subsequent issues have minimal Doom involvement, they're not actually irrelevant - much like Ghost Rider, we see Junkpile get recruited as a special SHIELD agent with superior powers, though apparently without mind control being involved. Morphine Somers is also sent over to deal with mutant issues, which is one of the reasons Doom first recruited him, and he does eventually track down the X-Men. The reason, Doom finally reveals at the tail end of X-Men 2099 #25, is that he's built a city where every genetic status is accepted, a mutant enclave, and he wants the X-Men to run the place. Halo City is a recurring location we'll see more down the line, but here is some of the very limited setup for it just suddenly existing. Doom works quick!

Quotations from President Doom

"I am Doom. I am the President. Step away from the Projector - that is an executive order."

"Your personality disorder is of no concern to me."

"I will not be interrupted!"

"To the west, I have built a city that will welcome the Slaughterhouse's refugees - regardless of their race or gene classification. You and the X-Men are going to be that city's guardian angels."

Art Spotlight

This shot of Jack is actually pretty solid on the horror vibe, though it's also pretty damn Jokery. I guess there's overlap...

 
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Honestly Halloween Jack reminds me of original, ultraviolent, comic book Mask crossed with the Joker. The way he stretches and contorts, the green skin, that chin, even that inhumanly wide grin of his, it's all there.

Meanstreak is a bit of a moron here, yes, if you have reservations about suddenly altering the laws of physics over an inhabited city maybe the time to discuss them is before you finish and turn on the machine to do so?

I do remember Krystalin being one of the most reasonable of the 2099 X-men, just suffering from the fact she was boring in most of her appearances.

Doom probably missed being able to chat about mad science with other superbeings-- even if he hated Reed they could always debate science.
 
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2099 - Ravage 2099 A.D. #33 - Doomsday
⚠ Warning: This issue contains depictions of Genocide. ⚠

Ravage 2099 A.D. #33 (August 1995)



Cover

We return today to the pages of Ravage 2099, quite a while after those early Fall of the Hammer issues. The status quo has changed quite a bit since that time - instead of maintaining his secret identity, Paul-Philip Ravage has gone full beastman in the interim and is something of a ruler these days of a diseased, polluted rot-island in the Atlantic called Hellrock. Not a pleasant place, filled with mutated people who were exiled there for one reason or another. Note on the cover that besides Ravage, we can also spot Tiana, or 'Hela' again, the last of the Aesir project aside from Jordan Boone. Behind them is the bat-creature Ferra, an intelligent Alchemax military creation who teamed up with Ravage later. Don't get attached, trust me.

Story Overview

Doomsday

We open with a shot of Doom looming over a live satellite feed of a current battle going on between Hellrock inhabitants and a weird tentacle-monster called the Mindrot. Doom despises loose ends, and the mechanisms of violence that Doom employed to seize America for himself cauterized all of those loose ends except one - Paul-Philip Ravage. This would-be monarch of Hellrock is too occupied with matters like the monster to detect a critical energy buildup taking place below his domain, and he does not realize that the resultant explosion will saturate the ecosystem with toxic filth, contaminating America for centuries to come. Doom will not permit it!



Switching over to Hellrock, we open to a panel in which the bat-creature Ferra from the cover - a guest character for nearly a dozen issues - is unceremoniously crushed and killed by the Mindrot's tentacle, and promptly eulogized by Ravage. Told you not to get attached! Ravage declares he will mourn Ferra's passing once he avenges them and turns this sea-floor slimebag he's fighting into sushi! Before dying, the captions helpfully say, Ferra mindlinked with him and told him about the creature's nature as an alien space-borne parasite which devours the consciousnesses of living beings, lying dormant for eons under the surface until awakened by pollution, the effluent of intelligent civilizations which they can chow down on. Ravage declares that it'll find him a meal it will definitely disagree with!

The former Alchemax employee Crisp fires his heavy guns into the alien creature but doesn't get much done - their ordinance isn't making a dent! He wonders what Ravage could possibly do with his bare hands, and Hela comments that he'll do what he's always done - fight against the odds no matter what! He's a true warrior! Crisp wonders who wants to live forever anyway, and shouts that it's time to go! It's dying time! Pour it on! He and every other Alchemax Marine and Mutroid around fire at the creature which barely seems to notice.



Then a stray tentacle manages to snag Crisp, who yells at his men to keep firing and ignore his situation. I'm pretty sure a couple text boxes were switched around, as it seems momentarily like Tiana is the one captured, but it's Crisp who gets crushed to death by the tentacle. Some mismatch between art and text going on there, it's weird.

Ravage tells Tiana that he's sorry he got her into this, as he didn't imagine things would end this way. Tiana responds that he always did know how to give a girl a good time, and says she'll see him in Valhalla. At that moment, like a literal bolt from the blue, an enormous laser descends from the sky and strikes down the alien creature in a single devastating blast, scorching its skin brown and black. Ravage wonders if this means someone up there likes them, while Tiana observes that the creature was cooked like it was hit with a microwave cannon - and she thought they were as good as dead! 'No one dies, unless I will it!' Doom states as he descends from on high.



Ravage sarcastically wonders if he should be all courteous towards 'Mister President' now, commenting that he has an uncanny knack for being in the right place at the right time, doesn't he? Doom states that he makes a point of it. However, his disposal of that alien abomination was just a fortunate coincidence - fortunate for them, since he is here on a matter of state. He is here, in fact, to wipe Hellrock and everything upon it from the face of the Earth. Ravage, outraged, demands an explanation and tells Doom to elaborate. Quickly.

Doom takes this as Ravage's last request, and agrees to expound on his presence here. He explains that the ion induction field which attracts pollution to the shores of Hellrock like a magnet has been sabotaged recently, and the resulting explosion would terminally contaminate the atmosphere of the planet. Fortunately, Doom claims he has deactivated the device so it's no longer a threat, but the same cannot be said for Hellrock. The island is an incurable environmental cancer, one that even his EMPs can't cure, and radical surgery is necessary to remove this blight. Hellrock and all upon it must go, and steps to make this happen are already underway. Ravage demands to know by what right he would destroy the island, and Doom responds that he is Doom - and that is right enough!



Ravage throws himself at Doom, declaring that he'll shred the tin man, but Doom responds with blasts of pink energy - too much of that is dangerous, you know! Tiana joins in the fight as well, promising pain the likes of which he's never endured, as he'll beg for release from the dark kiss of her death rake! Doom responds with a simple: 'Wrong.' He grabs Tiana by the throat and observes that she is the last of the Alchemax Aesir - the others have crawled back beneath whatever stone Avatarr found them aside from Jordan Boone, who is quite mad. Doom has access to the Aesir Project's data, including all the emergency failsafe code words for reversing the metamorphosis. He's never been able to test them - until now. He states the word 'Yggdrasil' - a rather unsafe codeword if you're pretending to be a Norse Pantheon, I'd argue. Tiana loses her powers and Doom simply lets her go, upon which she plummets from the sky and falls to her death on the shore below still begging for Ravage's help.



Ravage lets out a furious cry of grief and rage while Doom unleashes a renewed assault on him, and the President declares that he is an anachronism, a throwback whose extinction is long overdue. His endeavors will not be thwarted by the likes of Ravage, or anyone else! Distracted by his monologuing, Doom doesn't notice the tentacle of the alien reviving and reaching out to entangle him, and he's almost in danger of being impressed that the creature still survives!



His internal energy systems fluctuate, and Doom realizes the alien is siphoning electrical energy straight from his armor, and fanged ganglia are raspng against his helmet, trying to bore through to his skull. He concludes that the creature must survive by devouring cerebral electrical energy - the energy of the human consciousness. It hungers for his intellect, his mind! It will learn as others have, to their cost, that Doom is no one's prey! Doom fires his lasers into the corpse again, splattering its remains everywhere.



Rising up from combat with the creature, Doom realizes that some of his armor's core systems were knocked offline by the assault - they'll reboot shortly, but perhaps not soon enough, as he notices a small army of Mutroids rushing in to fight him. Dozens of them attack with primitive weapons like clubs or axes, hacking at him and crying out that they should rip Doom open, see what meat is inside that can. Doom tells them to get back and opens fire, blasting them aside while boasting that it will be a dark day indeed when he cannot scrap the likes of them from his boots!



'Enough!' shouts Ravage from off-panel, revealing that in his absence he's mutated yet further than before, inflating to hilariously overcompensating dimensions. Even Doom notices and tells him he looks ridiculous - like a steroid-induced slab of beef! Ravage snarls that he should say that again just before he tears Doom's head off and spits down his neck! Ravage lashes out with Hela's death-rake scythe-thing and knocks Doom's attacks off target, concluding that Mindrot slowed him down - and he promises that whatever it did, Ravage has something twice as nasty in store for him. He's about to make history as the man who assassinated President Doom! He looms over the prone Doom, easily four times his size now and many times the mass.

Doom simply states that his life is not for the likes of Ravage to take, then lashes out with an intense blast of lasers from his palm and sets the beastman's head on fire. As Ravage reels from the attack, Doom admits that he briefly contemplated allowing Ravage to leave the island alive to replay a debt of honor for his assistance during the Aesir affair. Doom is glad he did not, now, since Ravage clearly belongs in this place - the worthless, pathetic monarch of an empire of effluent!



Doom suddenly gets a call from the biohazard containment vessel Lazarus, who announce that they are on the way as per his orders and are inbound in exactly five minutes. Doom acknowledges the message, just as Ravage manages to gather his wits and put out his face. He wonders if Doom really is just going to murder everyone in cold blood. And people call him a monster!

A now thoroughly mutilated and burning Ravage decides to tell Doom about these people he's going to kill - they were just ordinary folks with lives and families, hopes and ambitions. Until the day they were exiled to Hellrock. Thousands died, but some survived to become twisted travesties of humanity - and like them, Ravage is not afraid to die. Some welcome that release, and none are afraid of it here. If they're to die at Doom's hands, fine… but Doom sure as hell will be coming with them!



Doom was right, he says, to call Hellrock a cesspit and those who live there biological trash. They're nothing compared to him, their lives have little worth, but that also means he can't threaten them, as he has no power over them. But they can take something from him, and that's his life! Doom's grand schemes will end here, in Hellrock. How about that, Mister President?

Ravage's impassioned plea, it turns out, took him exactly five minute to get out. There's a rumbling in the sky and the clouds part to reveal an enormous pillar-like rocket vehicle in the sky, and dozens of airships around it. Doom looks up and notes that it took them five minutes, exactly. Excellent, he does like punctuality. The biohazard containment vessel Lazarus contacts Doom to announce that they're in position and are ready to commence liquid Adamantium feed on his mark…



Doom rises into the sky using his reactivated boot propulsion and tells Ravage that he does not intend to physically destroy the rancid pustule he calls home, since it's no longer a true island but more like a knot of filth. Risk of global contamination is far too great, so instead Hellrock and all upon it will be encased in a layer of liquid Adamantium, which will be solidified with an electron pulse. The entire island will subsequently be fitted with low-gravity lifters and propelled into space. Starting now. Doom gives the order, and as mutroids rush up to Ravage and ask what to do, their leader isn't sure what he can answer…



Liquid Adamantium begins rushing down the titanic vehicle's central column and rushes across the island's surface like a tidal wave, engulfing everything and everyone in liquid death. Mutroids tell others to run for their lives, since hard rain is coming for them, and Ravage tells everyone to get to high ground fast - only to realize that at the rate that stuff is flowing down from the sky, even the highest peaks will be submerged within a minute at best. They're all going to die down here!



Doom muses that the mortal cost of this undertaking is cheap considering the alternatives - to show mercy would be a global suicide. Doom scoffs at the fact that while he is saving the world, he is chastised for it. Cretins! Ravage cries out that Doom won for now, but he'll be back! He swears it on the life of every soul on Hellrock. He'll have his revenge on Doom and his heirs! Even as the Adamantium engulfs him, he keeps crying out Doom's name in fury until it finally finishes him off.



Doom wishes Ravage farewell, then commands the initiation of the electron pulse array and turns the entire island into a solid block of metal. He rises up into the sky as the Lazarus activates its low-gravity lift and begins pulling the island out of the sea and towards space. The end. In the most literal sense - Ravage, his supporting cast, and his entire storyline meet their end here in one cataclysmic finale. The final quote is this: 'Let us sit upon the ground and tell sad stories of the death of kings.' - Shakespeare.



Rating & Comments



Well. Holy shit. What the hell was all that? Talk about a cataclysmic, apocalyptic ending to your comic, and to your character! Ravage was never a fan favorite of 2099 characters, being one of the rare original heroes of the future rather than a reimagined version of a classic character like Hulk or Spider-Man - or Doom for that matter. His storyline went into some weird directions, but he ended up with something of a status quo on Hellrock - which gets violently uprooted in a final story which is pretty obviously a rush job. How do I know? Because it ditches a bunch of buildup from the previous issue, most notably the presence of a ticking time bomb on the island which will blow the whole place sky high unless dealt with. While this is set up, Doom never actually deals with it beyond a stray line mentioning it as already handled by the time he interacts with Ravage, making it utterly irrelevant.

That said, what we get in this comic is still death and carnage on a grand scale. First, Ravage loses a bunch of people to the alien monster that they inadvertently attracted due to being an island of dumped toxic waste on a globally dangerous scale. Then their salvation arrives to effortlessly remove that insurmountable threat… which solution proves to be President Doom. Actually, it proves to be their doom. In this issue Doom is the most militant environmentalist ever, since he has come to personally scour the physical incarnation of pollution from the Earth alongside all the misfits and monsters that called the place home. Hellrock was no pleasant place even in Ravage's eyes - people there barely had the will to continue, much less thrive - but they survived there nonetheless, and Doom is here to rob them of even that.

The ensuing conflict is brutal, and while the art is frequently a little muddled and kind of gross in how misshapen everything is, that sort of fits with the tone - the mutant inhabitants of Hellrock are meant to look that way, and Ravage is the worst of the lot. He physically transforms during this issue to become even more inhuman and bloated than ever before, at one point losing his hair and horns in the conflict and ending up looking more demon than man as he faces his foe. Doom is merciless in cutting the mutroids down, only for all of that to merely be a distraction - a delaying tactic to allow for destined death to arrive in the form of the Lazarus. It's a wonderfully cynical name, isn't it, for what amounts to a weapon of genocide? I have no idea if Doom invented that vessel, but it's impressive as hell.

Since this is a very 'end of the world' type issue, it reads very much like one of those 'What If' stories we've covered before, where everything just goes the worst possible way because the writers were having fun. Doom turning Hela back into her human form so she can die from falling is very intentional since her ability to fly was one of the biggest parts of her Aesir identity that Tiana liked. The conflict with Doom also involves Ravage mutating into a Hulk-like shape and then getting terribly maimed, which probably wouldn't have happened in a continuing series where continuity is preserved. It all feels rather non-canon, though I admit I enjoyed the sheer scale of Doom's mendacity enormously. He doesn't often get to permanently murder entire titles!

Oh, and I shit-talked the art a little before, but I have to go back and correct myself a little - I actually thoroughly enjoyed a bunch of moments in this issue, though the scans are sometimes somewhat muddled and the colors questionable, but there's some great poses and splash pages, and it's basically always clear what's going on even in the more chaotic panels. Grand moments like the arrival of the Lazarus or Doom's various flying poses are rendered pretty nicely, and even Ravage gets one or two good shots - even if he stays an ugly bastard throughout.

Ravage ends here as a character and as a comic line - as far as I am aware none of his supporting cast survive to show up elsewhere, and 2099 didn't last long enough to actually feature a story about Ravage returning to get his promised revenge. That does mean that, if you consider the Hellrock mutroids to be a race of their own, that Doom straight-up commits genocide in this issue. He justifies it as part of his larger environmental agenda - which he does seem pretty insistent upon, to be fair - and he did have reason to actually go there and prevent the island from exploding as was set up in the previous issue, but what he actually ends up doing is extreme. Where did he get that much liquid adamantium, anyway? And shooting it into space seems excessive when solid adamantium is basically unbreakable. What harm is the island going to do just sitting there…?

Look, what do I give this issue as a score? It's basically a big period at the end of the Ravage story - or an exclamation mark - but basically all the enjoyment is found in how unpopular characters meet terrible fates. If you care about Ravage and his crew, I imagine this is a difficult pill to swallow. That said, since I'm an unapologetic Doomstan and I'm writing this, I'll give this comic bonus points for displaying Doom at his most badass yet in 2099, and allowing him to make a permanent mark on the 2099-verse even outside taking the Presidency and destabilizing the status quo. Doom killed off Ravage, long live Doom! Four stars, get out of here before I reconsider. Also, RIP Ferra the Bat, we hardly knew ye.

Quotations from President Doom

"No one dies… unless I will it!"

Ravage: "You dare! By what right?!"
Doom: "I am DOOM! That is right enough!"

"I am almost in danger of being impressed."

"It hungers for my intellect! My mind! It will learn as others have to their cost… Doom is no one's prey!"

"It will be a dark day when I cannot scrape the likes of you from my boots!"

"My life is not for the likes of you to take!"

"The mortal cost of this undertaking is cheap given the alternative - to show mercy would be global suicide. I have saved the world and they chastise me for it! Cretins!"

Art Spotlight

Firstly, here's that odd mixup with text boxes:



On the good side, gotta appreciate this shot of Doom and his cloak rising up in final farewell - dramatic!

 
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Well, let's just say this is not actually the bleakest ending of the lot.
I need a "Wow" rating. Because, WOW. That's pretty surprising to hear.

The entire cast except maybe some of the villains that might live on the mainland just got killed in a genocide and their home was thrown into space
.... and it gets DARKER.
 
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2099 - Spider-Man 2099 A.D. #34-35 - Mr. O'Hara Goes to Washington / Blood from a Stone
Spider-Man 2099 A.D. #34-35 (August-September 1995)



Cover

We haven't seen Spider-Man since the days of Fall of the Hammer, save for a random one-shot, but it seems like Doom and Miguel will actually face each other again after all this time! That first cover is pretty sweet, honestly, with a giant Doom fist grabbing onto a bunch of webs which belong to him, at least according to the tagline. The other comic is just a shot of Spidey and a futuristic Venom 2099 fighting, and unfortunately said villain's design is not one of his better ones. It's a pretty awful one, actually, but at least he exists!

Story Overview

#34 - Mr. O'Hara Goes to Washington

A car drives down a desert road in a gorge, while the reader slowly zooms in until the textboxes are readable. Xina Kwan is driving, a good friend of her passenger Miguel O'Hara, who is Spider-Man in 2099. Miguel argues that with everything they've gone through lately - corporate raiders, bizarre dreams, and a whole mess while they were visiting Mexico for the Day of the Dead celebration - he feels entitled to be paranoid, to feel that someone's out to get him. Speaking of weirdness, Xina mentions that she's been thinking about Spider-Man a lot recently, admitting that at first she was just angry, blaming him for everything. But maybe she was being too hard on him, maybe he should be viewed in a societal context. Alchemax was suffocating them all with its regimentation, and then Spidey plunged them into a whole new era of weirdness. That's not really that bad, she realizes now - after all, what's wrong with feeling like anything could happen in 2099? Right? She turns to glance at Miguel, only to realize that her passenger has suddenly disappeared into thin air! She looks up and sees a pair of fully-uniformed and masked SHIELD troopers on a flying vehicle dragging Miguel off with them into the sky.



Miguel angrily shouts that he doesn't know who the hell they are, but they'd better put him down or they're going to regret it! One of the SHIELD troopers calmly tells him that he will not be harmed, since his presence has been requested at the White House… by Tyler Stone! Miguel is shocked to hear that name spoken, since he's only recently discovered that he's actually Stone's biological son.

We move over to Dana D'Angelo's home next, Miguel's brother Gabriel's girlfriend - there's a whole thing with cheating on his brother in there too, don't ask. She holo-calls her roommate Tyler Stone and asks him if he's going to be working late again - she doesn't know anyone in Washington, so it gets a little lonely here! Tyler comments that he's got a great deal to sort out, and admits that he was concerned at first about his latest job in Doom's administration, but after meeting the man, seeing the possibilities… Dana tells him she understands and tells him to be home as soon as possible before hanging up. She sighs to herself, only for a shadowy figure to sneak up on her from behind and knock her unconscious with a single punch.

Over at the White House, Tyler Stone walks up to the door of the Oval Office and knocks, and swiftly gets called in by the President, who is sitting in the big chair staring out the large windows at the lawn outside. Stone says he's not even going to ask how Doom knew who was at the door, instead mentioning that Miguel has been located and is currently being escorted to the White House. Doom is pleased, stating that he expected nothing less from his operatives - nothing less than obedience, nothing more than loyalty. Anything else is of little relevance to him.



Downtown in New York, we see that Gabriel O'Hara and Kasey Nash have made their way back to New York from their sojourn in Mexico just like Miguel and Xina, though they're a little stunned that a freaking coup d'etat happened while they were away. Kasey wonders what they're going to do about it, but Gabriel points out they're talking about Doom here, and the federal government. They're way up there, while the two of them are down in the gutter. They can't do anything! Kasey insists that he can - Gabriel can! She's pissed that he's still pretending he's powerless.

Some thugs soon drag Gabriel into a dim alleyway and Kasey angrily shouts that he should fight back, that they're just mangy Fenris thugs - he can take them! When Gabriel fails to do the superhuman feats she expects from him, Kasey rushes in to assist and tells him to stop screwing around and do something. She gets smashed into a wall for her trouble, but a couple of Doom's SHIELD troops show up to chase down the gang members and they scamper. Kasey isn't sure what the hell just happened here, staring down Gabriel in disbelief.



Miguel gets brought into the White House, swearing to himself that if Tyler Stone is behind all this, he'll kill him! He's gone too far in yanking him around so much! He's had it, it's time for the final show…down? He enters the Oval Office to see Doom sitting at the desk, and Tyler Stone mentions that it might be a lot to take in, but this… this is President Doom. Doom greets Miguel and says Stone spoke highly of him, even describing him as one of the brightest minds at Alchemax. Miguel mutters that he wouldn't say 'One of…' Doom stares at Miguel and wonders if they've ever met before, and we see a flash of Spidey's mask as Miguel sarcastically replies that he's lousy at remembering faces, so he doesn't remember off-hand.



Doom seems amused and comments that Miguel is a droll fellow, which is a nearly lost art these days. That, and he's not easily fazed, which will serve him well in his future endeavors. Miguel comments that he's flattered, and sarcastically wonders if he can list Doom as a reference, before asking why exactly Tyler Stone is here. Doom explains that Stone is his current Corporate Minister, and all negotiations and terms now flow through him. It's a way to get the nation's corporations to work together instead of against each other. Miguel wonders who is running R&D at Alchemax if Stone is so busy, and Stone explains that's why he is here. He'd really like Miguel to take over his old position!

In a cutaway page without dialogue, we see Dana wake up from being knocked unconscious. It seems she's been tied up on her bed, with her mouth taped over to keep her from calling out. Her captor, of whom we only see as a set of strong arms wielding a pistol, closes the door and seals her inside her own bedroom…

On a rooftop, Spider-Man is chuckling to himself, before bursting into laughter at the total absurdity of getting handed control of Alchemax in his civilian persona. Alchemax, him? Taking over Stone's position overseeing Research and Development? He's supposed to turn into Stone? It's insane to even think about! So… why did he tell Stone he'd think about it? Hmmm…



His incredulous mirth is interrupted when he spots a bunch of people in Spider-Man costumes protesting on the street below, loudly calling for Doom's downfall, and several SHIELD troops who are driving those protesters back. Spidey drops down towards the ground to start a fistfight with the cops, and gets a couple of them on the ground before he's called out.

Doom arrives on a floating platform and asks Spider-Man if these protesters are friends of his. The people in costume declare they are Spider-ites, true believers in the cause, but Spidey just hisses at them to shut up. Doom turns towards the spokesperson for the Spider-ites and asks if they can express their opinions without violence and without barbaric behavior, and when the man in question reluctantly agrees Doom gives him an executive permit for assembly and demonstration. Doom declares that they may protest, peaceably and unarmed, between normal business hours of 10 to 4 as long as they have that permit. He then turns to Spider-Man and tells him straight-up that he's interested in offering him a cabinet position as Minister of Supernormal Affairs. He asks Spider-Man to think on the offer and let him know his answer later, before flying off again.



Spidey doesn't understand why he's being offered this job and jumps up to Doom's platform before he can depart. Doom wonders what aspect he doesn't get - that Doom would allow protesters against him to exist? Doom points out that he already took control of the country, and fears no man or force on the planet. Does Spidey seriously think he's afraid of something as ephemeral as ideas? The best idea is a loaded weapon, and he has plenty of those! Doom wishes to accomplish great things, and Spider-Man's aid would be useful, so if humoring a handful of frustrated fools in costumes contributes to appeasing him, then so be it. Now, are they through here? Spidey swings away, admitting that it seems like they are.



Later, while walking in a park, Kasey demands to know why Gabriel didn't take down those random thugs earlier. In response, Gabriel angrily shouts that it's because he's not him, alright? It's just a weird fixation of hers, and he's not sure if that one time he bounced a bullet off her skull permanently scrambled her brain or something, but he's not freaking Spider-Man! He's just Gabriel, that's all! Kasey pauses for a moment, then grins and decides Gabriel must be trying to throw her off his track, but she gets it! She sees through his tricks! Gabriel grabs Kasey by the shoulders and tells her he'd like to toss her off a cliff. Before, he let her believe the Spider-nonsense because he wanted her to look at him the way she does at Spider-Man, and playing along was his way in… but he's not that guy! And if he never sees the costume again it'll be too soon. He angrily walks off, only to run straight into the protesting Spider-ites. Oof.



Tyler Stone returns home only to find the door open, and calls out to Dana that they've talked about this before - she should always remember to activate the security locks! Without those, just anyone could walk into their place! He removes his jacket and begins loudly recapping his day, stating that they accomplished a lot - although he admits his personal life suffers from the overwork. He didn't expect things to drag out this long! Suddenly there is a loud bang as a bullet smashes into Tyler's chest, and the Alchemax exec looks down in surprise in the instant before a second shot sends him crumpling to the floor and fainting dead away. Standing over his body, gun smoking in her hand, is Conchata O'Hara - Miguel's mother - who declares that it's even later than he thinks. Rot in hell, Tyler!



#35 - Blood From a Stone

Dana manages to wiggle herself free from her bindings and carefully makes her way towards the door, worried that whoever knocked her out might still be around. She thought she heard her husband's voice, though, so she wonders if he left again. She manages to get out of the bedroom, only to gasp in horror at what she finds in the hallway. Skipping forward exactly six minutes and twenty-three seconds, we watch medical personnel rushing over to a severely wounded Tyler Stone with a stretcher, stabilizing him for movement to a hospital while a SHIELD goon holds Dana back from the carnage. He's still alive, for the moment.



Over in New York a web-swinging Spider-Man is called out by some flying SHIELD troops, and he's about to start a fight when they tell him they were only warning him he was in their flightpath and they wanted to avoid a collision. Apparently his mind was elsewhere! Perhaps on that offer Doom gave him for a cabinet position, huh? Spidey tells the SHIELD trooper that it's none of his business… but yes, that was what he was focused on. The SHIELD guy reminds him that the President has ordered him to be left completely alone during the next 72 hours while he considers the offer. Spider-Man asks what happens after that, and he's told in a menacing tone that he can find out if he turns it down!



Over in Washington, a SHIELD inspector interrogates Dana about what happened, summarizing that she doesn't know who tied her up and shot Mr. Stone - that's the story she's sticking with, really? Works out conveniently for her, doesn't it? Dana is enraged that the inspector is implying she had something to do with the attack, and he's about to escort her to the police station when Doom arrives on the scene personally. He comments that Tyler Stone trusted Dana, and he himself believes her concern and fear to be genuine. That, plus her lack of motive to commit this crime, make her involvement unlikely. Since that's Doom's belief, he proclaims, it shall also be the inspector's! His subordinate salutes and quickly leaves.

Dana thanks Doom profusely for his assistance and asks if Stone is going to be alright, and the President tells her that Tyler has been flown over to a hospital in New York for treatment, since he considers local facilities inadequate. He also tells her he'll arrange for Dana's transport to his side immediately. Dana, overjoyed by the good news, throws her arms around Doom and hugs him, telling him he's wonderful, much to Doom's consternation. Still with her hands around him, Dana asks Doom if he's ever considered changing his name to something else - it's so threatening! Doom bemusedly comments that he'll take it under advisement. Okay, that's just fantastic.



In New York, a bunch of Fenris thugs are discussing the latest hot news - somebody attacked Tyler Stone, and he's at St. Teresa's hospital as they speak with tubes everywhere! Now might be the time for them to strike! One vaguely familiar-looking thug comments that he can lead the group against a leaderless Alchemax, but the other mentions that the Fenris don't listen to him anymore ever since his career as Bloodhammer came to an end. The first replies loudly that the name Bloodhammer should never be spoken again, for he is now and forever Bloodmace! The comedy routine is interrupted when a weird black slime leaks out of a nearby grate and slowly forms in a humanoid shape.

The slime creature asks Bloodmace about the downfall of Tyler Stone, asking for more details. Bloodmace, ever a cool and collected fellow, raises his holy weapon instead and swears that he shall smite the foul creature vomited up from the pits of hell! He swings in its direction with all his might, only for his weapon to get subsumed by the black substance which rushes along its surface. Then the slime moves on to Bloodmace's body and engulfs him, and he yells in horror at the burning sensation, screaming 'Get it off!' in increasing volume until all he can manage is an inarticulate scream.



He dies horribly as loose bits of armor and chewed-up bones fall to the ground, after which the black creature reforms with some white bone-like highlights, and asks the other thug if he's going to force him to do that again. That thug promises, in a tiny voice, to tell him anything he wants to know…

Miguel finally comes home to Lyla the hologram, who mentions he has 93 new messages. He tells her to punt them all into the bin. Then he asks for a direct link to Xina's car, since she's got an identical clone of Lyla in the computer of that vehicle. Xina is very relieved to hear from Miguel since he got kidnapped from their car last issue, but she's a little weirded out by his holographic appearance. It seems that Lyla decided to play a little prank on him and displayed him with her own voluptuous female body. Annoyed, Miguel tells Xina not to go anywhere while he deals with this, and promises to call right back. 'Don't go anywhere,' Xina mutters as she looks around at the empty desert canyon around her. Not a big ask.



Miguel demands to know what that weird little prank was about, and Lyla mentions that the last thing Miguel told her to do before he left for Mexico was to amuse herself. So since that time she's made a thorough study of humor, and that just now was an example of a humorous juxtaposition! Next, would he like her to attempt a limerick? Miguel rubs his forehead and tells her not to screw around with transmissions again, before wondering what else could go wrong today…

That is, of course, when President Doom comes waltzing into his apartment to ask for Miguel's decision regarding his new role at Alchemax. Lyla cheerfully offers Doom his choice of coffee, tea, or lubricant, then begins to play-act a meeting of tiny holographic hand-puppets in the shape of Miguel and Doom - it's kind of hilarious.



The President ignores the byplay and tells Miguel that given the grave condition of Tyler Stone, filling the man's old position is a matter of some importance. Miguel asks what happened to Tyler, and Doom is honestly surprised he isn't aware of the shooting yet. Meanwhile, just outside Washington, we see Conchata O'Hara pass a metal recycling bin and toss her pistol in to be crushed before moving on without a word.

Elsewhere in town, Gabriel visits Kasey at her apartment and tells her they need to talk about their earlier disagreement. Kasey is angry at Gabriel for deceiving her into believing he was Spider-Man, and he explains that he tried to tell her the truth, but she kept being all over him. She wanted to believe it so much that he kept it up for her sake - but he can't live a lie anymore. Kasey shouts that he'll have to live without her, then! She doesn't want to hear from him, doesn't want to know from him. They're through! Gabriel bangs on the door after Kasey slams it in his face, telling her she made a big mistake, before leaving while muttering vaguely threatening phrases to himself. Well, that doesn't sound good…



Dana is already at an unconscious Tyler Stone's bedside when Miguel arrives. Elsewhere in the building, a construction worker visits the bathroom and is assaulted by black goop that leaks out of a faucet. Miguel tells Dana that he couldn't believe it when Doom told him about what happened - it's awful! Dana is glad to see he cares for Tyler on some level, but Miguel responds that what's awful isn't the shooting -it's that Dana moved in with Tyler! How could she? He knows it ended badly between himself and Dana, but is she really trying to get back at him by moving in with Stone? Dana calls him out for being shockingly egotistical, that her world doesn't actually rise and set around him - not anymore, at least!

Dana tells Miguel that if she ever meant anything to him, or if she means anything to him now, he should pray with her. She knows it's not fashionable to most people anymore in this day and age, but it still means something to her. Miguel muses to himself that if the Lord had known Miguel would have to deal with the secret of Tyler being his real father, he might have rethought that whole 'honor thy father and mother' thing. Their moment of silence is interrupted by a new arrival - the black creature enters the room and cackles. As he lives and breathes - or whatever he does - he's found Miguel O'Hara and Tyler Stone together in the same room! Well, the creature announces, now he gets to kill them both at the same time. How awfully considerate! To show his appreciation for the convenience, he'll kill them slowly!



A startled Miguel asks how the hell killing them slowly counts as appreciation, and it responds that it was planning to do it real slow instead. The creature then lashes out but Miguel ducks under the blow and smashes his fist into his stomach, while Dana cries out that he should get the hell away from the thing. Miguel finds that his fist hurts from something like an acid excretion on the creature's skin, and after the next attack misses, he runs out of the room while the monster calls after him, accusing him of cowardice. Dana guards Tyler with her body, warning the monster to stay back, but he just lashes out at her and smacks her aside without effort. This isn't her concert - it's Tyler's! Goodbye, old man. He raises a fist and transforms it into a mace - a holdover from consuming Bloodmace, I'm sure - but before he can harm Tyler the arm is caught by a webline.

The creature turns to face Spider-Man and muses that he knows how this goes - and he knows Spider-Man! Back when he was someone else and Spidey was someone else, they knew each other! The players might have changed, but the game is still the same. Who wins, who dies, that can change. This time the winner will be Venom!

Aftermath

While Doom has minimal involvement after these two issues, the plots started here continue on. Miguel ends up accepting the offer of filling in for Tyler Stone at Alchemax despite his misgivings, and becomes its new head of research. In a subsequent shootout between SHIELD troopers and Venom, Dana ends up an accidental victim of a stray shot and dies, leading a vengeful Miguel to go on a rampage against Venom to try and kill him. When he manages to rediscover the symbiote's weakness to sound, though, the host turns out to be the supposedly-dead son of Tyler Stone, Kron - Miguel's half-brother. Conchata O'Hara briefly prepares to commit suicide over her attempted murder of Tyler Stone, but ultimately stops herself, and becomes the best supporting cast member of the rest of the Spider-Man 2099 series..

Several issues later, the manipulative actions of the Goblin of 2099 - who is either a secret identity of his brother Gabriel, a random shapechanger, or Dana D'Angelo's sister depending on retcon - cause people to lose trust in Spider-Man and he's essentially fired from his position as protector of Downtown. The hero who never wanted idolization winds up regretting the loss of something he never even wanted. Thinking about the irony of his life, Miguel wonders to himself if maybe Doom has the right idea after all, and you shouldn't care about what people say. Just take power and and do what you want, when you want, and everything will be just… fine. That is, of course, when Spidey spots one of Doom's EMPs crashing down from the sky…

Rating & Comments



Spider-Man 2099 is almost certainly the best out of the series under the imprint - especially since it's essentially the only one that would get revivals in later decades. Here, we see that on display since there's several far more competently executed conflicts playing out side-by-side with characters who have complicated and evolving relationships which actually bring to mind Peter Parker's chaotic disaster of a life. Fitting, for another Spider-Man! Miguel is a significantly different character than Peter - even if some writers forget that - but he's one of the only proper heroes of 2099. Even if he occasionally dips into the same malaise and nihilism that seems to infect the entire setting, especially when it comes to his biological father, that asshole, Tyler Stone.

The first issue of these two is the most heavily Doom-related, and quite ironic in that it features Doom offering a job to Miguel, and then separately offering a different job to Spider-Man. I'm not sure how much of this is actually Tyler Stone's doing and how much is the President's since they're both at least partially involved, but I'm generally assuming Doom is doing most of the work since Stone was shown to attach himself to whoever has the most power at the moment. Miguel actually ends up accepting the offer to run Alchemax in Stone's place, and though I didn't cover it here, it leads to a pretty fantastic face-off between him and Stone down the line, when Tyler is in a position to retake his place. Suffice to say Miguel is a stone-cold badass even outside the suit. Spider-Man also gets an offer, but that goes down a different road.

The scene featuring Spidey, Doom, and the protesters feels to me like it's an almost exact parallel to those scenes of Doom inviting the Fantastic Four to see how much the Latverian people love him and celebrate him in the streets, while he personally forced those people to smile and wave on pain of punishment beforehand, from way back in the day old days. These Spider-ite semi-religious protesters might well be the real thing, but Doom is putting up a less than convincing performance of tolerating them in order to convince the heroic Spidey to play along with him. He pretends like he's not afraid of mere trifles like ideas, waving that off as irrelevant, but we know he's full of shit there. Doom is quite willing to censor problematic opinions, send net-divers to disperse cyberspace rebels, mind-control those who would disagree with his political views, and manipulate the public on a mass scale through propaganda or yet more mind-control technology. And all that's before we get to the military jackboots of SHIELD and threatening everyone on live television.

These comics continue a couple unrelated Spider-Man plots, like the one between Kasey and Gabriel, which is probably not too relevant to actually bring up here beyond the fact that it's a big can of worms. There's a fair bit of family drama involving one brother sleeping with the other's girlfriend, and their mom shooting their bio-dad… it's a mess. If you're into that Days of Our Lives soap opera nonsense you'll certainly get your fill in this series, though! Especially when Kron Stone shows up as the host of Venom, and now Tyler is keeping his son in a test-tube while occasionally mentioning that they should probably kill him to the kid's half-brother, who is running the company. I did say this reminded me of a Peter Parker plot, didn't I? Heh. Lyla also makes a couple appearances again, and as always she's the most hilarious part of the entire series and possibly the whole of 2099. Offering Doom lubricant while playing with a hand-puppet wearing his mask? Gotta love it. Pfft.

The first issue's ending is, of course, where things get really interesting, story-wise - after a bit of setup earlier in the issue, we see a major antagonist and cast member of Spider-Man 2099, and a major political figure in Doom's cabinet, get shot in his own home by Spider-Man's mom, Conchata O'Hara. The subsequent issue covers the immediate reaction, which includes an absolute priceless scene between Doom and Dana in which the latter hugs the President and asks him to change his name to something more kid-friendly. It's kind of delightful. Tyler himself is unconscious for a while after the shooting, so most of the rest of this issue takes places at the hospital, with a less than enthusiastic Miguel nevertheless showing up, only to run straight into a supervillain attack. Most of Venom's deal picks up after these issues, though, so I won't really discuss him here. Technically some of the events here take place after the next mainline Doom 2099 issue I will cover soon, so we'll see a bit more of Tyler Stone before he gets ganked - the perils of publishing in parallel, I suppose.

One part I am not a big fan of is the way Bloodswo- Bloodhamm- Bloodmace is treated. As a recurring joke character who gets his ass handed to him on several occasions, he felt like a bit of a background staple of the series, and we've actually run into him before during Fall of the Hammer. He's a pastiche of edgy 90's superhero cliches who was published at the same time that those were prevalent, and it feels like this issue turns him from a joke to just… an example. Bloodmace gets horrible butchered to establish the bona fides of a new edgy murder-villain, and that's a fate that seems out of keeping with his nature as a bit of meta-commentary. It's like killing off the cabbages guy in Avatar, it's Not Done.

These two issues are fine - the plot thickens with the assasination attempt on Tyler Stone, Doom giving separate promotion offers to both of Miguel's identities is fun and unexpected, and there's a fair bit of actually great humor sprinkled in between Dana and Lyla as different brands of adorkable airhead. That said, since these issues don't really do much more than a lot of setup for the future, it's hard to give them a high grade. Yes, there's some fun stuff that comes out of putting Miguel in charge of the company he's been opposing for most of the run, but we don't see that here. There's more that comes out of Venom showing up too - but we don't see that here either. Ah well… still a respectable score here, especially for those humor bits.

Quotations from President Doom

"I expected nothing less from my operatives, Mr. Stone. Nothing less than obedience, nothing more than loyalty. Anything else is of little relevance."

"You're a droll fellow, Mr. O'Hara. A nearly lost art these days. Plus, you're not easily fazed. That will serve you well in future endeavors."

"What aspect do you not 'get?' That I sanctioned the protesters? I took control of this country, and fear no man or force on the planet. Do you seriously think I fear something as ephemeral as ideas? The best idea is a loaded weapon, and those I have aplenty. I wish to accomplish great things, and your aid would be useful. If humoring a handful of frustrated fools contributes to that, then so be it."

"If that is my belief, it will be yours as well."

Dana: "Have you ever considered changing your name to something other than 'Doom' ? It's so... threatening."
Doom: "I'll take it under advisement."

Art Spotlight



There's a certain artistic flourish going on in the second half of #35, where pages with Venom get progressively more squiggly black goo lines in the borders until the panels are entirely surrounded when the creature shows up. It mostly just looks odd, but its' there!
 
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Yeah, Miguel O'hara can be kind of an asshole sometimes but the writers at least usually acknowledge that. And it's not entirely his fault. His ex-girlfriend isn't aware that the guy she's moved in with is actually his absentee father, so she doesn't realize how deep that cuts.
 
2099 - Hulk 2099 A.D. #9-10 - As the Faces of Men / All For Nothing After All
Hulk 2099 A.D. #9-10 (August-September 1995)



Cover

Well, that first cover looks promising! Doom Meets Hulk, huh? Despite sharing a couple of comics, I don't think they've ever actually done that before so that'll be a nice change - especially since these are Hulk 2099's final issues! It seems Hulk is protecting a very Liefeldian Quirk from Doom trying to blast her, so I guess she comes back in this issue. The second cover is much more generic, showing the hyper-roided animalistic Hulk of the 2099 era jumping at the reader with a bunch of purple lightning behind him. Oh, and a big ol' nuclear explosion, but that's pretty much a given with a nuke-generated monstrosity…

Story Overview

#9 - As the Faces of Men

We start in Hollywood, which left an archeology of costumes, props, and sets behind across the century it was in use. Electronics got so advanced that images are now simply conjured up out of thin air rather than requiring embroidered silk or painted wood, so there is no more use for classical filmmaking, but people still want the remnants of the past. In a world of illusions there is nothing to yearn for but the seemingly-real, so people want these relics from the past, reminders of fake worlds. This is how the Locusts live, swarming the unpoliced streets of Los Angeles and scavenging relics to pawn off, and enshrouding themselves in what they can't sell, nursing their envies and their frustrations because they all want more. It's like a cult to pop cultures of the past, living in the unused remnants of the same.

We spot a trio of looters - Locusts - in mismatched period costumes standing over a dead body, discussing an old hat they retrieved from the corpse of a courier and marveling over their discovery. They decide the hat might net them as much as three million bucks, but two of them get into a fight over which one deserved the money more, the one who killed the man carrying it or the one who found him. One then stabs the other in the heart and takes the hat for himself, telling the third of their number - a woman in a rather revealing corset - that he'll milk the rich studio-pigs for all they've got. None of them deserve to have these relics anyway. They don't deserve anything they've got - not money, not fame! Like the Hulk!

There are still people who continue the idea of Hollywood - actors for virtual reality templates, graphics designers, writers of a sort. Plenty of accountants and lawyers, too. They are artists of the unreal, sculptors without stone, but there are never enough places for all the people who want to be there. Our narrator, the female looter Marian, was one of those who couldn't find a place in the business. She was an 'actress' to survive, and stretched that definition to its degrading limits. She knew her brother would have taken her in, sure, but that didn't feel right to her - she wanted to give acting another shot, try to break into the business without relying on charity. She couldn't accept that, not after she'd nearly gotten him killed for money. No, she was going to do it alone - except she'd always been afraid of being alone, so she'd ended up falling in with the wrong people…

Marian joined an 'actors support group', one with a really charismatic top dog - that's what they said, anyway. He proved to be the leader of the Locusts, and once you're in with them, they don't let you back out. You hear too much, like how that film-collecting VR star got dismembered for example. You're caught, caught by him. Marian enters a building to face her boss, who turns out to be an enormous green Hulk-like being who calls himself Lord Adonai. She knows she can't ever leave his side, but she won't tell him what he needs to know either. She owes that much, at least, to her long-lost brother - her brother, the Hulk!



Elsewhere, a handful of airships fly in towards Lotusland and call up local security on behalf of President Doom. They are welcomed in to meet with the leadership council in the plaza, and as the ships land we see that the Hulk is there along with his major supporting cast, sans Quirk. Doom's people have arrived to make the exchange of the mind-shaping gamma-tech that Zamora offered him in exchange for protection in the last issue. Hulk isn't happy about it, sympathizing with Quirk, who stood by her ideals instead of playing political footsie with a guy in steel boots. Zamora insists that Doom is the only one who can stop Draco and his corporate people-eaters, and is the lesser of two evils. Hulk figures that if you're facing two evils, you really ought to fight 'em both. Zamora instead welcomes Doom's troopers and asks who he will be dealing with, and they tell him that unless the negotiations turn sour they'll be dealing directly with the big man - with President Doom!

Doom pops up in hologram form once again, announcing that given the importance and secrecy of the technology that's at question, he'll have to come inspect it personally at a later time. He asks after Dr. Apolonio, who calls attention to himself and tells Doom that he believes the prototype device he's been tinkering with can be adjusted to shape human thoughts and perceptions, though he cautions they'll need time and resources to finish the development of the device. Hulk looks on with growing fury as the most powerful political tool anybody's ever had is traded away for short-term protection, reflecting that he promised he'd protect the studio and its dream of making VR programs for freedom instead of profit. He doesn't want to go against his allies, but the more smug Doom looks, the tougher it becomes to hold himself back… When Doom promises that he'll provide both time and resources aplenty, the Hulk snarls angrily and declares that nobody will be controlling the studio but the people who took it away from the last bunch of bloodsuckers!



He then lashes out at Doom's troopers and smashes two of them to paste. Doom calls urgently to 'Neutralize!' and the other troopers open fire at him, but Hulk thinks to himself that he just needs the rest of his friends to rise up with him like the last time around and calls out to Zamora for assistance. Doom, still watching as a hologram, raises a hand and commands for the airship's weapons to fire at the studio towers, blasting a huge hole in it as an example of how far he'll go.

Zamora desperately calls out for Hulk to stop, but he is still caught up in his battle fury and simply yells back that they have to break Doom! Doom inquires if he even can. Can he shatter his forces completely…? Keisha copies the question, smugly asking him if he can. If not - he should just get out! Doom threatens that any further attacks will be answered by a full assault, not just by the military but through all legal, financial, and cybernetic channels he controls. The studio will cease to exist. Hulk is furious at the threat, but Zamora tells Doom that if he cares about the Lotusland experiment, he'd better leave now. Hulk stalks off, defeated, telling Zamora to enjoy his lesser of two evils. He then leaps into the distance, vanishing from view.



The fight is on, Hulk decides, but he knows he can't fight stupidly - he has to know some things first, has to take a chance and cram himself back into the doughy little body that can find those things out - transform back into his human self. John Eisenhart returns to his apartment to see if there are any messages from Quirk, but there are none to be found. What is surprising, though, is what's laying on his table. There's an old T-shirt there, a 49'ers cap, an authentic copy of Myst, an old political button from a century ago, a tongue ring… They're all relics, fossils from the 20th century which Quirk risked her life to collect, and now she left them behind. What happened to her? What is she doing out there…? He doesn't know.

We see Quirk running through the back alleys of the city, without all her stuff. She feels strangely naked without them, but also lighter - like she shed a suit of armor. The armor was thinking that all that stuff mattered, that she could keep alive a world that was more heroic and fun than the one she's in. That's consumer culture for you, right? Believing that music and VR shows and stuff can give you a piece of something you're missing. Quirk used to think her music mattered enough to die for, and the corporate types thought it mattered enough to kill for. They all filled up on so much VR that they thought it mattered. Well, she figures it's time to get back down, now - back to reality. She hears footsteps behind her, and reaches into her backpack for her gun.

Quirk spins and presses her gun to the head of the guy rushing up to her, threatening 'Kwame' to freeze. He is surprised to see her, even though she apparently sent a message to invite him over. She demands to know what he feels about Doom, and he's not sure how to answer that. She might be opposing him or been pressed into service, and any answer he gives might mean his life! Quirk agrees and tells her there is no point in saying anything but the truth. In a callback to a previous storyline, he nervously admits that his former allegiance to the 'cybershaman' was a fraud - his tribe has now dissolved, but he still believes they should rise against tyranny. Quirk lowers his gun and tells him that's a good answer, especially since she wouldn't have had the nerve to pull the trigger. They share a few barbs about that previous storyline in which Kwame's tribe kidnapped her, before Quirk gets to the point - the two of them have an army to build!



We visit Draco, who is reflecting that he has long swum the electronic seas, coursed rivers of information, yet now he finds the rivers dammed for the first time, the pathways constricting, and he ends his plunges into the information pools with a smack as rude as the bottom of a dry swimming pool. Doom is outflanking him in cyberspace, closing gates before him and keeping him from data-channels he used to enter with ease. Doom is the first opponent Draco has ever met who could do this to him, and he rages. Somewhere beneath the rage, though, he hears a sigh of relief. There, a tired man dreams of rest, a man who once hungered for a competitive edge so badly that he merged himself with the ultimate business-administration software. It worked, but it was a Faustian upload - twenty years of acquisition later, of getting richer and richer and more powerful, of no stopping and no sleep, that man is stretched and worn and rubbed away by the program. By Draco. Until the thought of his defeat is nearly preposterous, until he is incapable of defeat, and each frustration is only a spur to new effort. Yes, Draco is now ready for his guest…

Draco meets with a Dr. Phil - no relation - who has information for him. Phil explains that he is a 'morale enhancement expert' at Lotusland which enabled him to learn many useful things about the executives, and is willing to share that knowledge for a price. Draco seems bored, acknowledging that Phil wants an enormous amount of money and quite a bit of power at Lotusland, the usual. He decides that it would be far more economical to simply threaten Phil with death if he doesn't elaborate on what he knows, before reaching out and electrocuting Phil until he talks. He does, and among the choice details Phil has to share is the secret identity of the Hulk - John Eisenhart. Draco should tap Lotusland security to learn when he's there, and he's easy pickings!



Back with Marian and Lord Adonai, the Hulk-like monster interrogates her about her knowledge, stating that their way of life is threatened, whether by Doom or some other dictator who gains control of California - they'll take their freedom away. Adonai explains that the Hulk, who has all the fame and power the Locusts want and deserve, actually fought them when they tried to take over all of Hollywood. All Locusts should hate the Hulk - and yet Marian looked after him with longing and sympathy - he could see it in her eyes! Just as he sees nervousness every time his name is mentioned - he means something to her. Does she mean something to him too, perhaps? Marian tries to deny this, and Adonai makes his questions even simpler - would the Hulk care if she was killed…? Knowing the Locusts want to use her, Marian bites into the arm of the beast and beats herself free somehow, running through the streets towards the Chinese Theater - there should be any of them there. Unfortunately, as she slams open the door, there's more inside. She's sort of found their base, actually…

John Eisenhart looks over the city from his apartment, concluding that with Quirk gone, he's alone. The dream of Lotusland is dissolving… and so what? Doom is the future, right? The Hulk might be stupid enough to throw everyting away for rebellion, liberty, and some mad passion for Quirk - but he's not the Hulk. Not anymore. He's about to head back to Lotusland when he gets an incoming emergency call. The caller is naturally Marian who tells him that something's going to happen with the Locusts at the old Chinese Theater, and that they've got her. She cries out his name before the call cuts off. John's eyes flash green as he realizes the Hulk could be there in minutes and tear the city apart until he found her, and nothing could stop him - nothing could dampen his rage. Yes, the Hulk could - the madman, the fool, but not him. The Hulk is not him! He beats back the green and returns to humanity. Deciding he can't afford to be caught up in anything that's not his business, John tries to ignore his sister's distress call and focus on getting back to Lotusland, which still has a shot at power and influence if they deal with Doom cleverly. He's just glad he came to his senses in time!

Back at Lotusland, Doom's hologram orders all power and resources from the studio complex to be rerouted to Apolonio's lab - nothing can slow this work! While Apolonio notes that they had to work here since the gamma-components are too volatile to just fly East, the others gather around. Zamora seems to have grown a conscience as he asks himself what he's done. Keisha tells him that he's ensured Lotusland will be a major player in the New Order, and he should be proud. Zamora figures they'll be a major puppet - they'll never be anything but fuel for Doom's power-machine! Doom asks if there's a problem, since he believes he's held up his part of the bargain, and Keisha agrees, explaining that Zamora is just a temperamental artist. She's the more reliable type, you know?



As the others wonder what she's trying to pull, Keisha goes on to describe her background in production, budgets and the like - so if Doom needs to get anything done, she'll be there! Zamora angrily decides that John was right about her, and everything really is about personal power.He reminds her this was all about freedom, but she responds that it's about being smart. Having heard enough, Doom orders Zamora to be arrested and in his absence he'll deal exclusively with Keisha. The heated debate is interrupted when John enters the room, and Zamora is glad to see him, confident that John will back him in countering Keisha and Doom, but he instead argues that Zamora will be a great source of ideas for use of the gamma technology… as long as Keisha and him are given full administrative control of the studio. Keisha, balling her first, hears only the part where John gets partial control.

Zamora furiously accosts John for his treachery, declaring that he was trying to do the right thing, and everyone backed him - everyone except Quirk. But now he realizes why, that all they ever wanted was power…! John, furious, pulls a gun from his jacket and fires, shooting Zamora in the head. He leans over the corpse, gun smoking, and tells Zamora that he never did understand what it took to survive in the real world. John stands up again and turns to Doom's hologram, wondering if they have any further business to attend to…



Elsewhere, done with torture, Draco tells Dr. Phil that he can get his rest now - one thing he'll find is that the medical benefits of working for him are wonderful. Draco turns into metal goop and transports himself elsewhere, visiting the Golden One and telling him that it's about time for his promise of a new bio-engineered underling to be fulfilled. The Golden One tells Draco that 'he' will live up to that promise and that the brain-encoding is complete. His latest creation will have no thought but to destroy his target, and the regulators are in place - now it's gamma time! Yes, it's coming, it's here! The only creature guaranteed to be able to destroy the Hulk - it's the Anti-Hulk!

#10 - All For Nothing After All!

We pick back up with Quirk's new gang, a newly formed 'tribe' styled after Kwame's old group. It's to symbolize they're a grassroots group countering the cold technocracy of President Doom - a bit of theater that might be problematic if they're trying to be sneaky, but this is show-biz after all. Kwame isn't sure if it will make a difference to have half a dozen people running around against the powers they face. To build a real army they need something more, but he's not sure what. The group suddenly hears someone moaning nearby and aims their guns, and they nearly fire when Quirk shoves one of her new warriors aside and tells them that it's not an enemy - it's… Zamora?! It's her old partner from Lotusland! Zamora is relieved to find Quirk, telling her that he's been searching for her for days, tracking her old rebel-music network. He heard she was out here somewhere, and had to find her. Kwame is worried that if he can find their group, then they're in great danger, but Quirk just tells him to shut up. Zamora laments that it's all gone - that Quirk's the last one left. He should have listened to her, since they're all gone now - even John! He explains that Keisha teamed up with Doom, and then John came in and joined him too! Zamora tried to stop them but… John shot him! In the head!

Quirk doesn't believe it, but John insists it happened. Still, he explains that John did him one favor - he put his gun on its lowest setting, so all he has from the experience is a stiff headache and partial blindness. When he woke up in the infirmary John was there, and said he messed with the building's security systems. He'd told Zamora that it would be smart if he got out, no matter how weak he was. Quirk muses that John sounds conflicted given his actions, and she might have caught onto what he's thinking. Kwame again insists they should leave for their safety, and Quirk hushes him once more, admitting she can understand what John's been going through, and she knows what she has to do!

The Mind-Shaper is almost finished, the gamma device that Dr. Apolonio built to shape the perceptions of people on a mass scale. Doom is counting on it to solidify his political power in America, and it's the bargaining chip that keeps Keisha and John in charge of Lotusland. Doom has actually shown up in person at this point to study the device, warning Apolonio that he's already three days behind his promised delivery time. The doctor insists that he cannot move any quicker with such volatile materials - they're tremendously radioactive, so he has to be careful. Wouldn't want to cause a meltdown! Doom tells him to find a balance between care and speed, then teleports out again. John observes that it's pretty obvious what Doom is focused on, and that makes Keisha wonder what value they will have once the device is finished. Where will this all lead? Where else but death, the narration wonders. Order, control, power - isn't it all about death? Uh, sure, fatalistic narrator...



Draco, meanwhile, has finally cracked through the security codes of Lotusland, though his progress was complicated by Doom's interference. But he's confirmed now that John Eisenhart is at the studio right that moment, which means he knows exactly where to target his latest weapon - his Anti-Hulk! The Golden One has programmed the creature to target both Eisenhart and the Hulk if he comes across them, and attack whichever he finds with equal fervor. The Anti-Hulk is then unleashed into the world…

Over at the Chinese Theater where the Locusts are holed up we see Adonai again - who has somehow dramatically shrunk to be person-sized in between issues. Okay? At least it's a little more plausible that someone could harm this tiny guy and run from him, I suppose. Adonai announces to a handful of his minions that his greatest piece of scavenging yet will allow them to dictate terms to the city - it's his terrifying monkeywrench bomb! It's actually the last of the explosives that eco-terrorists once used to turn California into an island, and now they've planted it deep within the Earth, in the very heart of the seismic fault beneath the state! Okay, uh, that's abrupt and came right out of nowhere, but I suppose that's what you get in the final issue of your canceled title…



Marian Eisenhart cries that Adonai can't do this, but he figures if the world is sensible enough to bend to their demands, he won't have to do anything at all! Nobody wants such destruction, so they'd be stupid not to negotiate! The only one reckless enough to try might be the Hulk, and Adonaid is gambling that he won't do a thing with Marian strapped to the bomb's trigger…!

Marian glares and decides he can't allow this to continue - all her life she's let people do horrible things to her and others, telling herself there was nothing she could do. Her brother John always fought back - even before he had powers, when everything was just for himself. He fought. Why can he do what she can't? They're the same flesh and blood, right? They grew up with the same garbage, right? It's just because he makes himself do it, and she doesn't. He's not afraid of pain… and for once in her life, Marian resolves to be like her brother. She's going to go down fighting! Marian manages to wiggle her hands free from her bindings - they used classic rope, not exactly cyberpunk around here - and bowls over Adonai on her way to the door. The green guy orders his men to wound her, to stop her, even as Marian forcibly tries to drag herself out of the building, running towards the streets outside. No matter what she has to get to Lotusland, to her brother!



Quirk shows up at the front gate of Lotusland and is let through to talk to Keisha and John, who are surprised to see her again. Keisha wonders if the big bad world was too scary for her, but Quirk snaps that Keisha doesn't know anything about the world, and the same goes for John. They're just sellouts and liars who feel warm and safe inside their cozy fortress. John tells her to shut up, and Quirk wonders if he doesn't like being called a traitor, a crook, or a sleazy little power-grabber! What, does that make him mad? John struggles to keep the Hulk in as his fury grows. Keisha asks if Quirk thinks she's accomplishing anything with insults, and she responds that she's just warming up for the main event. She then pulls a gun and holds it to her own temple, threatening to fire. She swears she'll do it - John knows she will, because he knows how much she believes in her cause. If this is the only way to send a message, it's how she'll do it!

Keisha doesn't seem bothered by the idea, and says that if John ever had any infatuation for Quirk at all, it's long since over. They'd both be glad to see her dead! Quirk asks if Keisha is right about that, and John visibly sweats. What is he feeling as he watches that gun against her head, exactly? Keisha reaches out to the gun to try and help Quirk fire, which is what finally triggers John to react - by turning huge, green, and Hulkish right in front of them and snatching her by the neck. The Hulk compliments Quirk for her little trick - to push his buttons until he changes. He guesses she figured out that Hulk and John have been developing rather different personalities lately, and that the green version of him might actually be an ally. Quirk just tells him that they need the Hulk out there, helping with her personal resistance group, so they have to leave now! Hulk tells her that he knows what they need - and it's actually in Apolonio's lab! He grabs Quirk under one arm and slams through the walls towards his destination…

Hulk smashes into the laboratory, and Doom's troopers watch in shock as he snatches the gamma-based mind control device and jumps off with it. Hulk tells Quirk that hopefully he won't set the gamma device off while he's holding it, but Quirk figures that'd still be better than letting Doom use it for himself. As Hulk makes his way outside with Quirk hanging off his back, a hologram of Doom appears to order his troops around - he warns them to stop the Hulk but not to damage the gamma device. Apolonio looks on and wishes Hulk and Quirk good luck, as he's glad they at least have courage. Draco is also watching these events through surveillance footage and notices the Hulk is getting away - but not soon enough! The Anti-Hulk cries out in fury as it goes in pursuit…



Hulk jumps down to the streets to avoid Doom's troopers in their flying vehicles, and tells Quirk they have to reach the desert quickly - once they're there, nobody can stop him. Quirk responds that they have to get word to Kwame and Zamora first, but they're interrupted when Hulk suddenly spots an unconscious woman lying in the streets - it's Marian, his sister! Quirk tells Hulk to keep going, and so do his beastly instincts - but Marian is still his sister. He can't leave her like this, not when he realizes she's still breathing. Her eyes flutter open, and for a moment Marian thinks she's dreaming. Hulk demands to know who did this to her, and she explains that it was the Locusts, who have a bomb over at the Chinese Theater - one which can set off a huge earthquake! They're going to ransom the whole state with it, so they have to be stopped! Hulk has to stop them!

Quirk tells Hulk that they don't have time for this complication, but Hulk is extremely worried about the thought of an earthquake hitting this crowded and rotting city, since it would destroy basically everything. Quirk tells him they can warn somebody to deal with it - even someone like Doom! But if Hulk tries to do everything all at the same time, he could end up getting nothing done. Hulk hears what she's saying, and somebody like John Eisenhart would go with that logic, be all practical about it - but the green hero can't ignore the vision of millions dead. Hulk is no John! He grabs both women and jumps off to save the city, scaling the Chinese Theater to get at the bomb.

Adonai spots the Hulk approaching and arms his bomb - presumably the 'bomb' here is actually the trigger device for the one buried in the Earth's core. He tells his minions that they should warn the Hulk that if he enters the building, California will rock! Through surveillance, Draco determines that events are getting out of his control, now that additional complications have been added to his plans - he wants Hulk out of the way, sure, but he doesn't want to destroy the very city he's worked so hard to control! Hulk, ignorant of all the factors arrayed against him, just shouts at the Locusts that they've always been stupid - but are they really stupid enough to think they're not gonna suffer more from a quake than the people they hate? Adonai figures they'll suffer anyway with Doom taking over, so their lives are finished. There's nothing left for them but this! Hulk promises that he's going to take that tin woodsman Doom down with his own two hands, and is about to share his plans when - to compound his problems - the Anti-Hulk throws himself onto the roof and starts punching the Hulk in the face and through walls.



Adonai gets knocked over a railing and cries out in desperation that the fighting behemoths should get away from the bomb. The freaking bomb! Hulk is distracted by his doppelganger and barely pays attention to what's going on, while the holographic specter of Doom demands to know where the gamma device ended up. Where is it? Doom's troopers aren't sure, but Quirk spots it and rushes closer to the melee of green giants, since she has to fetch the device before things go wrong.

Hulk realizes that the Anti-Hulk has his strength, his speed, and even his moves. But it doesn't have much in the way of brains in that head, does it? He tries to tell the copy that they have to get the fight out of this location, but he can't get through to it - it's not really sapient. Hulk decides he has to leave, pull out of the fight even if it delivers him straight to Doom, and hope that the copy follows him to relative safety. He makes a quick feint to one side to distract the Anti-Hulk, then tries to rush past and towards the edge of the roof. As the Hulk does this, however, the gap he opens up to run through is suddenly filled by Draco, who has arrived to command the Anti-Hulk to stop its assault. The interruption makes the Hulk falter, and the Anti-Hulk gets a cheap shot in during that moment - which sends our hero rolling across the roof and straight into Adonai's bomb trigger.



There is a blast, far below. A rumble. For a moment there's… nothing. Hulk grabs the gamma device under one arm and goes to run, to flee from the combat zone - but then the second rumble hits, and the earth begins to shake under his feet.



It's like this, in a quake - you're only aware of the ground bouncing under your feet - and you begin to notice whatever's right over your head as it falls. You know distantly, somewhere in your head, that it has to be big, but you can't even think about the scale yet. It's a long time before you even know how big it really was. Just how nasty the old Earth can be. And it's not just what the quake does directly that can hurt you. It takes a while for your head to come out of the here and now and bend around to the next thoughts. What happens now? Who are we after this? …What's left?



Hulk cries out in horror as he sees a chunk of wall smash into Quirk, and he drops the gamma device while Lotusland crumbles around him. Adonai yells out in horror that it's over - it's all over - before he is crushed by collapsing debris. Draco receives emergency signals from everywhere, from San Francisco, from the desert, from the Sierras - it's not just local, it's happening across the whole state! The whole of California is going to buckle! The Earth splits under his feet before he can finish his thought, and the last we see of him is two feet disappearing into a fiery fissure.

The city breaks, buildings tilt, bridges fall. The entirety of a titanic landmass is drowned in the sea. To add insult to injury, the collapsing rubble of the building falls on top of the gamma device, still intact through all of this chaos, and finally sets it off. The Big One is joined by a sudden nuclear detonation in the heart of the city, two feet away from a surviving Quirk, who is vaporized in the subsequent blast along with anyone else still nearby, including the entirety of Lotusland and Hulk's supporting cast.



In the wake of everything there is only a gamma-riddled wasteland, a nuclear apocalypse. And what's left alive in that waste of destruction… is only the Hulk. There is no indication which of the two it might be, no clue how much intelligence might remain in its bestial head, for his mutations have far exceeded any previous ones, rendering him yet more monstrous. California is history, and so is Lotusland, and the Hulk series. There is only the end.



Rating & Comments



You know, after that Ravage issue, you'd think we'd get a bit of a breather on the huge disaster finales. Nope! We go from that cataclysmic apocalypse ending to another, and this one is actually significantly worse in some ways - and quite a bit more ridiculous in others. Instead of a logical but utterly callous 'environmental clean-up' of Ravage, where Doom comes by to willfully commit genocide, here we're dealing with the idiot ball end of the world instead. This series ended because the writers threw every single unresolved plot-thread into the mixer at the same time and then had them all collide in the most fatal way possible. It's a Rube Goldberg machine of doomsday dominoes, and it comes down to a complete idiot villain accidentally interfering with the plans of an entirely separate complete idiot villain, until they trigger the freaking doom of their entire state and murder each other and everyone else in the process. The slaughter in the final issue here is actually worse than in Ravage by a fair margin - and still not the worst 2099 has to offer.

Before we get to the actual finale there's more to discuss. Firstly, issue #9 is more straightforward in its narrative and reintroduces the Locusts, who had a major role in an issue early in the Hulk 2099 run which also featured Marian, though we never covered that one. Adonai appeared there first, but is treated very strangely in this issue since the art now depicts him as an enormous Hulk-like monstrosity with weird mandibles - this despite the fact that the entirely mundane Marian manages to free herself from his superhuman abilities by just kind of pushing against his arm and biting him. I'm not even sure if that would work on a human-sized gamma mutate, but it's even weirder here. A much smaller version of Adonai appears in the subsequent issue which makes that scenario a lot more plausible, and also makes him look dumb enough to fit with his complete dumbass plan. Plus it helps that there's not three Hulk-like characters running around anymore, it just gets confusing.

Besides all the stuff surrounding the Locusts, though, most of the issue concerns interpersonal issues within the supporting cast of Hulk, with Keisha trying to work herself up the ladder, Zamora developing a conscience at the last possible minute, and John just straight up going full separate personality from the Hulk. This has been building since before the issues we've covered here, but here the moment the Hulk turns back, he begins to reconsider his anti-Doom views and even if he doesn't then go on to kill Zamora, he's not exactly working to overthrow the dictator anymore either, not like he was when big and angry. Quirk seems to imply there was a bigger plan at play, but from what I can tell it would be the Hulk's plan to allow his human alternate personality to bring himself within range of the information he needs and his targets, like Doom. John would still be an asshole in that context.

Adonai is a cartoon supervillain of the silly kind who somehow lucks his way into owning superweapons, while Draco represents a more straightforward threat - but they both act rashly in these two issues. I'm not sure what happened since the previous two-parter, though, to allow the Golden One to suddenly complete his grand project in time. Last time around it was mentioned that they'd never be ready in time to take the Hulk out before Doom showed up, and they needed to stall him. Draco then proceeded to do absolutely nothing that would actually stall Doom, so how come he gets a finished Anti-Hulk for his trouble anyway? Perhaps the implication is that Doom got so distracted with the gamma-device he took too long establishing his rule, and that's why there was enough time to build the reinforcements? It sounds pretty flimsy, and I presume it's because originally One Nation Under Doom was supposed to last longer, so the writers must have thought they had more time to handle it…

John's relationship with his sister Marian is not exactly a great and healthy one, as becomes pretty clear here - he's quite willing to ditch her entirely after she calls for help, focusing more on handling the Doom situation instead. It's interesting that Marian's early conviction is that her brother would come to her aid if she called, but she's simply resistant to doing it. When she actually decides to go for it, though, it's actually the Hulk and not his human self who attempts to help her out even at the expense of other matters. Marian also gets a bit of a character development moment where she gets out of her helpless, scared shell and uses sheer willpower to bulldoze through both a supervillain and his minions in a desperate bid to prevent what, unfortunately, still ended up happening anyway. At least she tried!

Returning now to said unfortunate events - we should consider the clash between Draco's plot to send an Anti-Hulk after the Hulk, and Adonai's plot to hold the state of California hostage using the last of the planet-cracking bombs buried in the San Andreas fault. For much of the comic the Hulk is actually aware of neither of these plots, and is dealing with a third threat - Doom arriving to take a mass mind control device. The solution, apparently, is to just run off with the unstable nuclear machine at full speed - and the Hulk presumably could have made it if he didn't get pulled into a sidequest by Marian, and then forced into another one by the Anti-Hulk showing up. The entire affair is a comedy of errors in which the Hulk tries to do the right thing, but in juggling three different issues without any real backing, everything goes to shit. As the comic's title puts it, it was all for nothing after all…

That goes for a bunch of other stuff too. Even aside from the fact that everyone dies here, these two comics set up various events that never pay off - never could pay off. Why did Quirk end up gathering a new 'tribe' that we get introduced to if they never matter? Why did Zamora survive his gunshot wounds if he just gets nuked a few pages later? Marian does her brave escape, but gets vaporized shortly after - was her only role really just to facilitate the final confrontation? I almost have to give the comic credit here for how realistic that actually is. Everyone is acting, until the last moment, like things aren't ending. The Hulk goes to run off with the gamma device even after the worst has happened, presumably to prevent that disaster - he wasn't planning on what actually went down. It's like the events of the comic are a metaphor for the comic series itself getting abruptly canceled and thus orphaning all those dangling plot threads forever.

Incidentally, Doom is fairly inconsequential in these issues in terms of actually personally interfering, but he has an outsized background presence. Doom is a major catalyst of the events of these issues - Draco was spurred into rushed action due to his Presidential takeover, Adonai got his fatalism due to foreseeing the inevitable end of his way of life at the hands of this new tyrant and went for the actual nuclear option, and naturally Zamora made a deal with Doom himself over the gamma device. It all just went south real quick after the new guy came in power. Sure, Doom might only be here in spirit in all but two or three panels, but for a tie-in this is actually a pretty neat one since it explores unintended consequences of Doom's reign which even he could not have predicted. Pretty sure getting an entire state nuked because you were impatient and spooked some bad guys is a significant gaffe on Doom's part, heh. Might hurt him in the elections.

While the Hulk survives this issue, he does not ever appear to speak again as far as I know, and he dies in a relatively unspectacular manner later on - so honestly the ending of this issue is the better one for him to go out on. Whether it's the real Hulk or the Anti-Hulk, having the only survivor of the nuclear annihilation be an animalistic mutant remnant of the Hulk seems pretty fitting. Like Godzilla, a reminder of the terrible consequences of hubris. Or, in this case, of holding too many idiot balls.

Quotations from President Doom

"Further attack will be answered by a full assault. Not only through the military, but through all the legal, financial, and cybernetic channels I control. This studio will cease to exist."

Art Spotlight

Well, I'm not sure how this is remotely convincing as a way of escaping from a giant green monster, but this woman has the bite force of a T-Rex apparently:



The enormous size change for Adonai goes unexplained and is pretty bizarre...
 
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So, is the 'genetically perfect' Golden One any relation to Adam Warlock? Because he's the outcome of a project to create genetic perfection and he's certainly golden.
 
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