I took a poke at the bot.

Theresa is not happy about leaving Tesla to her own devices, and the only excuse Seele has is "She didn't seem worried." Unsurprisingly, the death of literally everyone outweighs the possible death of a few dozen crew, even if she'd prefer to avoid the latter.

What I'm trying to say is... I'm not going to override that conversation, because she makes sense. You ought to provide an in-character explanation, not just a meta-level one.

Keep in mind, there seems to be a murderer on the loose. Maybe. Tesla isn't defenseless, but... it's a thing.

Anyway, here's some bonus content:

= = =

"Vel, do you like puns?"
you ask.

"What do you think?" Vel says.

"I don't know. Do you?"

Vel just gives you a withering glare.

"I thought of a good one," you say, undaunted. "Why do they call it the sea of quanta?"

"Because it sounds cooler than the sea of not-really-there."

"Yeah, but there's another reason. Think about it."

The sea of not-really-there.

It's not really there. It's not a sea, made of water. It's not really a sea, because there is no such thing as quantum foam. It's a misnomer, at best.

But it is there. The SEA of not-really-there. See what I did there?

You can't see it, because it's not really there.

"You quan't sea it," you say. "Because it's not there. Get it?"

Vel looks at you with an irritated expression, and gives you a long-winded sigh. She really is a good sport about this stuff.
 
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Hmm.

She sort of has a point, even if she lacks our enlightened perspective regarding the nature of the narrative.

Which I guess leads to an alternative, easier-to-justify-to-our-boss plan of "Seele and Vel go guard/help Tesla, Kiana paves a route to Engineering, and we accept however many crew losses we take as the cost of doing business"

I should hope, and will likely provoke via write-in, that this also gets us some productive Tesla time - either progress towards her science experiment, or at least, more time on the doom clock before the balancer burns out.

Hmm hmm hmm.

I'll think it over for a bit, unless someone has a good pitch for saving the crew.
 
Tesla has her bots around. They might not be the best, but they're better than nothing.

If there's a murderer who can get to her on the ship then that means they're getting around on the ship.

At worst they have as much influence over the area as Kiana, at best they're just like us and can only slip through the boundaries of reality breaking instead of getting cut to shreds on the color ulop.

Yes, that's not a word, that's the point.

If we are dealing with someone like that any fight we have with them will be something that probably breaks the local reality around us and make Tesla suffer a critical existence failure anyway.

If its a quantum honkai beast then... well, we're not even real enough for it to care about us tbh. That's the only thing that would really need our presence.

And the crew we found... I wouldn't call what happened to them as someone killing them. Theresa can go argue with the not!dead crew in that room if she wants to see how someone killed them.

My point is, we have no evidence she even is in danger at all. Or that she will be in danger.

She's also not stupid.

tbh I kinda want to give Theresa a "are you fucking kidding me" stare because she's arguing with the only person in the room with actual experience in dealing with the Sea.

We trust Tesla not to stick her finger into the broken geometry and turn inside out, I can't say the same for the mooks we need to run the infrastructure.
 
Scheduled vote count started by Baughn on Oct 22, 2020 at 7:12 PM, finished with 10 posts and 5 votes.

  • [X] Plan 17 hours and this was the best name I could come up with
    - [X] [Kiana] Clear a path to Engineering. Tesla needs minions, security, and to not be alone; and everyone else needs to not abruptly blip out of existence.
    - [X] [Seele&Vel] Search the ship for survivors. Reassure them that help is coming and tell them to stay put - traversing the ship is not safe.
 
Seele Quest: 3.5
"There are... how many people on the Hyperion?"

"Five hundred and twenty-eight," Theresa says. "Including whoever has died."

Five hundred twenty-eight. That's the sum total of humanity now, less the few you know are dead. When you think about it, that's a lot more people than you thought would be alive. It's far less than the hundred thousand living in Japan, or the billions who used to live on Earth before the war, but it's far, far more than you expected to be living.

You look back out at the sea of quanta. You wonder if there are other pockets where people live, even if they're not as big as this one. The answer, you suspect, is no. Places like Yvette's... she'd be dead by now, even if you hadn't come. If there were no ripples in the sea at all, then she might have lived another week at most. Maybe.

That means there are no more pockets, no more survivors, no more life. Whoever is left on the Hyperion is *it*. Humanity. The last ones left alive in this reality. Not the only version of your friends, but the ones who need you most.

"We have to prioritize rescuing them," you say. "Theresa, there might be hundreds stuck in safe pockets like this one. You had Kiana to help, but they don't. If they leave... wandering the corridors is suicide."

"I know," she says grimly. "... You're right, of course. How about Tesla?"

"She... didn't seem worried," you say, slowly. "I think it'd be fine to leave her by herself for at least a little while. I don't want to, but..."

"But there are hundreds who might die if we don't help right now?" she says. "I know. However, Seele, I'd like to be very clear on this: If Tesla is hurt, or dies, because we left her alone, then we're all dead. We need to be very careful."

"Okay," you say. "Then... then what do we do? What should we do?"

Theresa smiles at you. "Well, first of all I'd like you to argue back against me. I should have been clearer on this, but I'm not doing this to upset you. Normally we're always in radio contact, correct?"

"Yes, but... oh." You see where she's going. "Radios don't work here."

"Exactly. So I can't order you around. You're going to have to make your own choices, and I can't second-guess your decisions in the field, or give you advice. Also, between you and Kiana--" She gives Kiana a rueful glance, pausing for a second. Kiana looks like she's about to say something, but she doesn't.

"You're already a lot more experienced acting on your own. I'm going to bet on that experience, and hope you'll do the right thing."

You and Kiana exchange glances.

Kiana sighs. "I'll be in your care, Seele," she says, getting up from her seat.

No pressure.

Vel squeezes your shoulder. She's being strangely silent. It's almost eerie.

"So," Theresa says. "I've told you why we shouldn't leave Tesla alone. Now you should tell me why it's the best choice anyway, if it is, then make a decision."

You feel a knot of panic in your stomach. Is this a trick question? What are some of the reasons you might go against her orders, exactly? You can't think of any.

Are they orders? They aren't, are they? Does she want you to be equal partners? No, she just wants you to... to not run back to her every time something happens.

Does... does this mean she trusts you?

"Vel," you say, finally. "What do you think we should do?"

She smiles. "You know what, Seele? I think you should do whatever you want. It doesn't matter to me." She heads to the door. "I'm going to go see what Kiana's been up to."

Whatever you want, huh?

...she can do that?

You glance suspiciously at the door, and sure enough, she's peeking through the opening.

"Come on, Vel," you say, exasperated. "Help me out here."

"I told you, Seele, it's up to you." She winks. "I'll catch you later, though." With that, she slips through the door and heads down the corridor.

She can do that. You don't even feel strained. That's a huge load off your mind. You've been so used to working as part of a pair for so long, it's almost surreal to have the choice.

But, that doesn't matter at the moment. What matters is what's the best thing to do, right?

It's not an easy decision.

Part of you wants to grab Kiana and run away. To take the only person you're properly friends with in this place, and just leave. It'd be just like when you were trapped in the quantum sea, except you'd have a goal in mind and Kiana would be there this time. That's what Vel would want you to do, you think, maybe... you're not sure about her anymore.

You've tried it before, though, remember? It didn't work. You'd be crazy to do it again

And Theresa trusts you.

She took you in when you had nowhere else to go.

She lets you go where you like, instead of keeping you locked up in a cage somewhere.

She gave you a home.

She gave you a family.

...actually, that last one isn't true. You had one of those before you came here, and it didn't work out. And now, you've found a new one. A strange one, granted, but a family nonetheless.

And Bronya would hate you if you did that. You feel ashamed of even thinking about it for a moment.

But you're still... weak. You're still you. You still have doubts about everything.

No, you have to do this. Or else you'll end up betraying her.

You briefly run through your memories of the layout of this ship, and a plan begins to form in your head. Tesla's in engineering, in the center of the ship; usually that's the fastest way to get from anywhere to anywhere, if you can avoid getting thumped by riled-up engineers complaining about your effect on their tools.

Right now there's no fast paths at all, but she's still in the largest, most solid safe zone of all... you think. The largest you know about, not counting Kiana's island.

So, you'll ask Kiana to... connect the two, first of all. That'll get Tesla the help she needs, and safety, and it'll give you somewhere you can guide survivors once you've found some.

Tesla is smart, and important, and without her everyone but you and Kiana will die in a few days, but that might even include the killer, if it isn't a quantum beast. A quantum beast wouldn't be subtle, though. And you could fight one, but if you fought one while defending Tesla then you'd probably kill Tesla by accident. Even if you didn't, you'd certainly wreck the machinery.

They'll all die in a couple of days without Tesla, but Tesla can't do everything by herself and it's not like Theresa or Kiana or you or... Otto... are trained engineers, and you don't know about the man who looks so much like Kiana, but you don't think he is either. He looks like a soldier. So she'll need crew, and, and... and every crewmember who dies, is one crewmember less. Permanently.

You don't want any more people to be killed.

You want everyone to live.

You hate the way Theresa is making you think.

You don't say it, though. You just look up from your thoughts, look her in the eyes, and explain what you've figured out. It's probably not the best of ideas, but you can't just stand by while people die for no reason. Not when you can do something about it.

It takes you a little while.

"Well," she says, "You've certainly thought a lot about this." She squints at you. "Nice speech. I think you've almost convinced me. So, what do you want from me? While we're stuck here."

She looks into your eyes, and smiles. Her eyes are so big and blue and innocent-looking that you can't help but wonder if all of this is a trick.

"Do you want to play a game?" she asks.

"W, what kind of game?" you stammer.

"A, hm, how should I put it, a game to see if you're as smart as I think you are."

"O... okay..."

She smiles.

"I have a story for you. I want you to tell me what happens at the end. No peeking," she says. "Once upon a time there was a girl named Seele. She..."

She looks at you expectantly, her eyes shining. Right then, she looks more like the Theresa you know than she has since you first laid eyes on her.

"She... what?" you ask.

"That's all I'm telling you," she says, sticking out her tongue. "What do you want her to do? Think about it. You can tell me the ending... tomorrow, maybe. Or next week. Whenever you like."

She grins at you.

"You're going to take your time thinking about this, aren't you?" she asks.

You nod, jerkily.

"I thought so. Well, you have a few days to think about it. It'll come to you when you least expect it. And, for what it's worth... good luck. We'll go with your plan; it's pretty much what I had in mind anyway."

It takes every ounce of willpower you have to keep from shouting at her. You feel like you've fallen down a well.

"So, does that mean I'm in charge of the mission?" you ask.

"Of course," she says. "I'm putting you in charge of everything so long as I'm not around. Don't break the ship, 'kay?"

Well, it's already pretty broken.

"You'll be okay?" you ask, double-checking.

"Teri-teri will be fine, Seele. Don't worry about me," she says, then clicks her tongue. "And Siegfried's here. You two haven't met, have you?"

She motions to the grizzled old guy standing next to Kiana. He's about a head taller than her, with a confident smile and a bandolier across his chest. He nods at you.

"I haven't had the pleasure," he says in a accented Japanese. "But I'd recognize one of Kiana's friends anywhere. My daughter's mentioned you before, Seele."

He extends a hand, which you quickly shake.

"I'm... honored to meet you, sir," you say.

As he shakes your hand, you feel the callouses on his hands, impossible to avoid for a warrior. He's powerful. And he's Kiana's... *dad?*

"The pleasure's all mine, kid. Kiana's told me so much about you. I didn't think she'd ever shut up about you," he says with a laugh. You surreptitiously glance at his face, but if he's been slapped, there's no mark left by now. You're not sure how serious Kiana was about that anyway.

Kiana gives him an unfriendly look.

"Enough of this, let's go," she says. "I'll need you to show me the fastest route to engineering, Seele. Things are a little..."

Yes. Yes, they are.

You meet up with Vel on the beach, and the three of you head out. Vel's leading the way, unfortunately.

"Hey, Seele," she says.

"What?" you ask tiredly, trudging through the sand.

"Thanks for what you did earlier," she says. "I was worried about you."

"You were? Why?" you ask.

She shrugs.

"I dunno. You've been a little... never mind, I'm not sure how to put it. It's probably fine."

You look at her, trying to assess her mood. She's biting her lip nervously as she walks, kicking at the sand.

"Well... thanks," you say. "I'm fine though."

She smiles. It's bright and happy, like the sun breaking through the clouds. It's un-Vel. It makes you feel warm, and you can't help but smile too.

"You sure?" she asks.

"Yeah, why wouldn't I be?"

Vel stops walking and grabs your hands. You stop, and look at her quizzically. She looks into your eyes, and her own are full of worry.

"Just don't turn into me," she says.

Then she shakes her head, and keeps walking. You stare at her back as you walk.

You don't know what she meant. You don't really think about it too much, though. Put it on the pile. Maybe this is what Theresa meant.

"Vel," you say, quickly catching up. You throw her a smile. "Do you like puns?"

She gives you a disgusted look.

= = =

They kept talking, and talking, and talking. I can't even say any of it's inappropriate. In any event, that went... places... I guess Theresa trusts you a little more than she trusts Kiana, which is surprising, though it might just be from lack of choice.

You can assume Kiana will be busy on her own, and we're on search and rescue duty. There's still a couple of ways you could go about this. Pick one option from each section.

[ ] Ask Kiana to start from the bridge

Plus: She'll have support if anything happens.

[ ] Ask Kiana to start from the middle
Plus: She'll be done slightly faster; nothing important nearby when she starts.
Minus: Nobody at all to help, if something happens.

[ ] Ask Kiana to start from engineering
Plus: She'll be closer to Tesla. (I'm a little surprised nobody suggested this, but then Kiana did. In an alternate timeline.)
Minus: She might attract bad guys, and it'll take an extra hour. Are there bad guys? Who would they even be?

------

[ ] Center your search-and-rescue operation on Engineering.
Plus: Highest chance of finding engineers; starts with a visit to Tesla.
Minus: Lowest overall chance of finding living people who need rescue.

[ ] Center your search-and-rescue operation on the living quarters / office section.
Plus: Highest overall chance of finding people. Highest variety of people, too.
Ambivalent: ...in the most wrecked section of the ship.
Minus: A moderate percentage won't be directly useful without retraining.

[ ] Search the outer areas. Hull, engines, turrets, etc. etc.
Plus: This area is most exposed, and survivors here will be the first to die.
Minus: Many may already have died.

[ ] Write-in
 
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[X] Ask Kiana to start from engineering
[X] Center your search-and-rescue operation on the living quarters / office section


If Kiana begins in engineering, she might find more engineer. Odds are well find people in general starting in the living quarters, too.
 
I'll remind people that while Theresa retired from murderizing Honkai beasts, it's not because she aged out of her prime or anything, since, um, she can't. It wasn't injury or Honkai corruption, like ultimately causes lots of Valkyries to die young.

It was partially because her best friend died. It was partially because Otto decided to take her goddaughter as a hostage to ensure Theresa's good behavior. But in large part?

Theresa retired from active combat to teach.

Theresa spent fourteen years as an educator, before Cocolia forced her back into fighting by kidnapping, mind-controlling, and murdering - Wendy was a St. Freya's graduate - her students; before Otto decided to follow suit in some sort of twisted atrocity arms race.

(Cocolia wins that one, because Otto - for all that he is a colossal jackass - has yet to pointlessly and brutally murder one of Theresa's students while laughing and mocking her loved ones; and for that matter, has yet to surgically implant hardware into the brains of children to enforce their obedience.

Seele I'm sorry but your adoptive mom-figure is awful and basically a walking blasphemy against morality and mad science both; who really should not have been allowed to run a lemonade stand, much less an orphanage. Or a lab. Or half of Anti-Entropy.

Fuck Cocolia.)


I guess my point is -

I don't actually know, sorry.

Just-

It's nice to see that, because canon, between being a fight-y action game and also just having crisis after crisis in its main plot, doesn't spend a lot of time showing the audience Theresa the teacher.

Theresa the warrior, Theresa the leader, sure. Teri the child, when she has time free. But we don't really get a lot of Principal Theresa, and I think that's a shame.

It's really nice to see it here.
[X] Ask Kiana to start from engineering
[X] Center your search-and-rescue operation on the living quarters / office section
 
[X] Ask Kiana to start from engineering
[X] Center your search-and-rescue operation on the living quarters / office section
 
[X] Ask Kiana to start from engineering
[X] Search the outer areas. Hull, engines, turrets, etc. etc.


I'm in agreement with Kiana starting from engineering being the best idea. As for Seele, gonna toss a vote at starting at the exterior based on the premise that if there's likely to be any hope of saving anyone still out there we'll need to act sooner rather than later. It may well be too late if we save it for later in our search. I'm concerned about the possible emotional toll of Seele coming across people who didn't make it but unfortunately I think that's likely to be the case wherever we focus - even Engineering had the not-dead crew members.
 
"Do you know how much a discerning deer weighs?" Vel asks.

"A burdensome amount?"

"A butt of bucks! Get it? Because deer have horns and they can butt with them, and..."

Wanted: Functional puns.
Also wanted: Functional vote counter.


Scheduled vote count started by Baughn on Oct 24, 2020 at 8:29 PM, finished with 459 posts and 28 votes.

  • [X] [Event] Your sister storms into the room, looking you up and down
    [X] [Remember] You enjoy reading fanfiction on Sufficient Velocity, that's why you haven't trained yet.
    [X] [Do] Ask Mai if either "Ulivik", "Rose", or "Dampening Field" mean anything to her.
    [X] [Contemplate] The voice's objective.
    [X] Ask Kiana to start from engineering
    [X] Center your search-and-rescue operation on the living quarters / office section
    [X] Plan 17 hours and this was the best name I could come up with
    - [X] [Kiana] Clear a path to Engineering. Tesla needs minions, security, and to not be alone; and everyone else needs to not abruptly blip out of existence.
    - [X] [Seele&Vel] Search the ship for survivors. Reassure them that help is coming and tell them to stay put - traversing the ship is not safe.
    [X] [Event] "Wolves come in packs Arisen!"
    [X] [Event] Give half the likes in this quest to Datcord.
    [X] [Event] A flat blue box appears before you on it are written the words: Congratulations you have gained the skill <Contemplate>.
    [X] [Event] It turns out that a member of the Death Leopard secret society has put Fizz-Wizz in the showerhead. Your sister blames you for this.
    [X] [Remember] Baughn lies.
    [x] [Remember] You have spent the whole week thinking about the strange, unexplained powers you manifested, and how to hide them
    [x] [Remember] You have spent the past week thinking about the changes inflicted by that wizard you encountered, both to your body and life
    [X] [Do] Ask Mai if she needs help with anything.
    [X] [Do] Study
    [X] [Do] Break the shackles that hold you limited; seek the freedom you were denied. You are no slave to the machine of sheep. You are free to think.
    [X] [Do] Awaken from the nightmare of being a drone. Realize you just fell asleep while trying to study. Notice there's an update on your favorite fanfiction on Sufficient Velocity!
    [X] [Do] Listen to the girl with long, black hair
    [X] [Do] Load a basic, low-level template onto your laptop. You describe your dream to the template and let it analyze the dream for clues.
    [X][Do] Check SV to see if your favorite quest actually updated or if it was also part of the dream
    [X] [Contemplate] Your sudden inability to think
    [X] Focus on the ship. Remember it. Be present there.
    [X] Nowhere, slowly
    [X] Free her
    [X] Pull off an insane yet amusing fix using conceptual anti-fire weaponry, aka. what used to be fire extinguishers
    [X] This is Velonia, my imaginary friend. We used to fight a lot, but we both grew up, and now we're friends.
 
Seele Quest: 4.1
You should never have asked that. It set the mood for the whole trip, and Vel constantly made terrible pun after terrible pun. They got so bad that you started to crack up at them, which made Vel even more eager.

"Do you know what sea-monkeys are?" she asks.

"I don't think I want to," you say.

"Sea-monkeys are a bunch of tiny little creatures that live in saltwater. They're also called brine shrimp, and they're technically not monkeys."

You stare at her. She stares back.

"And?" you say.

"And?" she asks. She steps in front of you, walking backwards while talking.

"Where's the pun?"

"I don't see one," you say.

"Neither do I, which is disappointing."

She falls silent, and you rack your brain for a new topic. You could talk about the situation... nah. You've talked with Vel for long enough that you can read her moods, and this one just now is joy. It's rare, and not something you want to spoil.

"Remember Kiana's last birthday party?" you ask.

"How could I forget? I never thought she'd stop eating. I was worried I'd have to roll her home."

"She inhaled six pieces of cake! I counted."

"I know. It was both impressive and disgusting." Vel winks at you. "I think she was mad she couldn't get drunk, though. She moped for the rest of the day. Poor kid."

You keep talking, and time passes quickly. Neither of you have forgotten why you're here, but a little happiness can't hurt.

You reach the gravimetric scanner room, and find it... empty? You were hoping to find crew there, arguing over the consoles as usual. Instead, there's a massive black sphere in the middle. It's about two meters in diameter, and looks like a globe made of tar. The surface is smooth and glossy. It doesn't reflect the light; it seems to absorb it. You stare at it, completely still, as you often do when seeing something beautiful.

It's giving off a faint buzzing sound. It's not particularly loud, but you definitely wouldn't want it next to your bed.

The sphere is sitting on what looks like an altar made of polished wood.

Dipping into your more esoteric senses, you find it's not really there. The sphere itself is a border, a demarcation, between here and... somewhere else, a different way of being, a different way the world could have been made. You're not sure if that difference is something survivable, or if maybe the sphere is there because, if there wasn't such a border, you'd be gone.

There's a lot of that in the quantum sea, and for someone like you, an otherwise fatal timeline is more like a hot stove than a death trap. Dangerous, sure; you could burn yourself. You're not going to. Someone like Theresa, however...

You take the time, and make sure the future where it cracks open on its own is an infinitesimal one. The sphere doesn't resist.

The altar is real. It's solid, substantial, and a little too convenient. Someone put it there for a reason.

It's also pretty and has a nice shine to it, so you give it a rub and find your reflection looking back at you. You're exactly as young-looking as you feel.

Someone put this here...

"Let's move on," you say. Veliona follows you without complaint.

Apart from the sphere, space here is fairly benign. If someone had been here, you think they could easily survive. Until they die of thirst, anyway, and...

The sight of an empty cola can interrupts that thought. Someone could have been here. They might still be around.

You turn to Veliona, who nods. It's worth a look.

"Hey!" you holler. "Anyone here?"

You get no response, so the two of you start searching the area. It's not too bad in the scanner section, all things considered. It smells horrible, and the whole area is covered in dust. You don't see anyone at first...
Wait! There's a footprint in the dust! And it's fresh.

You take Veliona's hand, and the two of you follow the tracks. They lead to a small, ad-hoc tent, with an open flap. There's no one inside. You carefully look around the tent, and find some canned food. You also find a lot of empty bottles, and other trash.

"There's no source of water," Veliona sighs. "I went to have a look at the mess hall, but there's a fault in-between. No way anyone's made it past it."

"We'll find someone eventually," you say, trying to be positive.

There's a brief silence.

"Vel," you say, concerned. "You know what day it is, right?"

"Yeah," Vel says, frowning. "The bridge had a calendar. February eight. World ended a week ago."

There's a big pile of empty MREs here. Eighty, at least.

"How many people do you think were here?" you ask.

She frowns. The tent has two sleeping bags, but that doesn't really mean much. How much emergency equipment would there be in here, anyway? What's the chance someone made it here from their bunks before things got really bad?

"I don't remember seven days passing," you say, testing the words. "I mean, we were dead for a lot of it, but still... I was dreaming, sort of. I think I'd remember at least a little."

Either there were more than two people here, or...

No, it doesn't really matter.

"I'm not sure it matters," Vel says, echoing your thoughts perfectly. You nod.

"You didn't see any sign that anyone has died?" you say, almost hopefully.

"Nothing," Vel says, shaking her head. "So, assuming they didn't evaporate, they'd be in..."

You look back to the central scanner room, with the sphere.

"I hate ghost stories," you say.

ooOOoo

The sphere is... it's a border. You can't tell what's on the other side, but with a bit of work you're able to confirm that, at least, going inside it won't kill you.

That's all, and if you open it up there's every chance that whatever's inside can come out. It was closed to begin with, and you've already locked it tight; it has to be open for you to get inside. Of course, if it's your missing crewmembers in it, then that's exactly what you want.

But what if it isn't?

Vel's at your side, and she's unusually quiet. As you move around the altar holding up the sphere, you realize that no matter what happens, it'll be your choice.

Whatever the repercussions, they'll be yours to bear.

= = =

AI Dungeon is really good at making up strange, outlandish artifacts. Doesn't that make you happy?

On a different note: I always put hints in my stories, and catching said hints always helps get better outcomes. That's something I usually mention earlier, but there hasn't been as much opportunity while an AI was doing much of the writing. I probably should have mentioned it a few updates ago, though.

No matter.

[ ] Go inside.
[ ] Search elsewhere, for now.
[ ] Write-in
 
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"Remember Kiana's last birthday party?" you ask.

"How could I forget? I never thought she'd stop eating. I was worried I'd have to roll her home."

"She inhaled six pieces of cake! I counted."

"I know. It was both impressive and disgusting."
*looks at his own cake binge recently, where he ate half a cake over roughly 6 hours*
I know the feeling.

[X] Go inside.

Let us venture within the strange orb, in search of our colleagues. It hasn't killed us so far, unlike what it'd do to most folk, so we're probably fine.
 
You know what isn't creepy? Weird quantum sphere thingies that act as logical separations between bubbles. Cool, but whatever.

You know what is creepy?
The sphere is sitting on what looks like an altar made of polished wood.
[...]
The altar is real. It's solid, substantial, and a little too convenient. Someone put it there for a reason.
Intentionality where it shouldn't be.

Clean things are, in many ways, scarier than messy things - because cleanliness is unnatural. Cleanliness doesn't just happen. A clean environment means someone has come through and cleaned things - and if there are still creepy or horrifying things in the environment, then someone came through, cleaned, but left the creepy stuff there on purpose.

A random jumble of severed limbs implies a massacre. A neatly laid-out row of severed limbs implies malice afterthought, implies some strange and nefarious purpose; implies that someone came through and decided to sort the damn limbs oh god why.

Likewise, a random quantum thingamabob is weird ... but a clearly manufactured thing is creepy. Someone made it. Someone left it, for a reason. Its not a random happenstance, there is someone here who made and maintained this altar for some unknown reason and it's kind of freaking me out.
"You didn't see any sign that anyone has died?" you say, almost hopefully.

"Nothing," Vel says, shaking her head.
A corpse? Scary, sure.

The conspicuous absence of a corpse, when there is no reasonable excuse for how that corpse could be absent? Substantially creepier.

There clearly were crew members here. At least two - since if it were only one, why lay out a second sleeping bag?

There is no way out of this room for anyone that can't navigate the Sea unaided.

There are no mangled corpses of people who tried to navigate the Sea unaided.

There are no corpses of people who have died of dehydration, starvation, monster attacks, or murder.

Therefore, there must still be two people, at least, inside this room.

Obviously they're in the sphere.

But so is whoever made that altar.
The room is dusty.

There is a layer of dust, thick enough that footprints are visible in it.

Dust comes from a couple sources. Dirt. Crumbling stone. That sort of thing.

Or prolonged habitation. Dead skin cells, shed hairs, random bits and bobs of stuff wearing down with use.

This is a room full of computing equipment. It is a sensor station on a military ship. It is a room that is in use all the time, and was presumably kept pretty clean.

It is not connected to a garden, desert, extremely messy bakery, or other area full of particulate matter.

And it has been one week since the world ended.

So my question is ... where is all this dust coming from?
"Vel," you say, concerned. "You know what day it is, right?"

"Yeah," Vel says, frowning. "The bridge had a calendar. February eight. World ended a week ago."

There's a big pile of empty MREs here. Eighty, at least.
There's only two sleeping bags.

That, as Seele points out, doesn't necessarily mean anything.

But taken together with the dust, it makes me wonder.

Two people at three meals a day? That pile is two week's worth of meals eaten.

At two meals a day? Three weeks.

If they're only eating one MRE a day, and canned goods for their other meals ... that's approaching a month and a half of meals.

A week isn't a lot of time for dust to build up.

But two weeks? Three? Six?
And of course, there are no comms, so Seele and Vel are completely out of contact with everyone. There's no way to tell if something weird and wibbly with time is happening, except to hope Seele could sense it.

...
...

Lock it down and leave. The potential time dilation risk is my official reasoning; my unofficial, actual reasoning is it's creeping me out and if running away from it makes me a coward, well, I don't fucking care.

[X] Search elsewhere, for now.

I'm going to go put on Cooking With Valkyries and attempt, unsuccessfully, to ignore the acute sensation of being watched because it is the result of me overanlyzing and creeping myself out and that's honestly a pretty brutal self-own that I've managed here.
 
I'm going to go put on Cooking With Valkyries and attempt, unsuccessfully, to ignore the acute sensation of being watched because it is the result of me overanlyzing and creeping myself out and that's honestly a pretty brutal self-own that I've managed here.
I'm going to be nice, then, and tell you you weren't overanalyzing.

In fact, you've caught nearly everything I put in this chapter. The one remaining element isn't important, so you can have it as a freebie:

It's also pretty and has a nice shine to it, so you give it a rub and find your reflection looking back at you. You're exactly as young-looking as you feel.
That is, indeed, exactly what she is.

Now think of Kiana eating a birthday cake. :)
 
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