Winners: Gwen Poole, Monica Rambeau/Spectrum
Number of voters: 5
Winner: Dexter Mungo/Ectokid
Number of voters: 3
Sleep is wonderful; you get up on time... well, on time for the weekend anyhow. You feel rested. You feel... determined. Memories of talking to Tony Stark keep you vibrant through the morning, and practically carry you skipping out to the bus stop. Felix insisted you dine off-campus, but... honestly, you could use the break from eating in the cafeteria. It's lovely, really, but it's always there or takeout at the dorm. He's waiting for you at the bus stop.
"Ah, Vilina!" he's not using his Felix voice, syrupy and warm. There's still that thickness to it, but the accent is... unmistakable. "Wonderfully punctual."
"Felix," you smirk, "glad you could make it."
He makes a strange gesture with his hand, sort of a flourish. "I'm sure you'll forgive me for the... half-illusion. It's so nice to act myself for once, even if I can't look the part."
"Well, we reap what we sow."
He sighs at that, dipping his head. "Yes. Well... I..." he looks out at where the bus should be, but it's not quite as punctual as either of you. "I... cannot begin to explain how much of a different person I am now. So... I will have to settle for showing you."
"Well, I aim to give you an opportunity to do exactly that. I'm sure you assumed I had ulterior motives to inviting you--"
"Please, don't." He closes his eyes and holds up a hand. "I'm sure. I'm sure you wanted something and I'm sure you needed to check up on me, but... for now, let's just act like we're actually two friends getting lunch. Shall we?"
You find it hard to argue with that. Something about his tone and his gestures is so genuinely... remorseful, and frustrated. Patient, but tired. You give him a sympathetic look, but he returns a very frank and toothless smile, and you end up smiling back. The bus arrives and the pair of you board, finding a pair of somewhat cramped seats next to each other. The ride starts in relative silence, but eventually Felix digs into his pocket and produces his phone.
"So," he begins briskly, "I've come into possession of a trial subscription to Spotify." The pair of you catch eyes and concurrently reach an understanding about how needlessly awkward the following conversation is going to be. He nods, you nod, and he proceeds. "It's hard for me to ask my squadmates for recommendations, but I've always had a visceral reaction to music and I'd very much like to see if I can build a collection of tunes. But I'm not sure where to start."
"Well," you begin carefully, "that's sort of a difficult thing to suggest to someone..."
"Oh. Of course, sorry." He begins to put his phone away, but you gently touch his wrist to stop him.
"No, I mean... without knowing what you're into it's hard to know where to start."
A soft half-smile forms on his scruffy face. "Well, I'm not certain what I'm 'into'. Music here is a bit... different than it is where I come from. We don't exactly have 'bangers'. Nothing 'slaps'."
"Please," and you put this as gently as you can, "never say either of those things ever again."
"I'll do my level best," he chuckles.
"Have you tried to find something on your own? Did you come across anything you liked?"
"Well... yes, actually. I wasn't sure where to begin so I saw this playlist 'The Most Beautiful Songs in the World'. What better place to start, yes?"
"That makes sense."
"I came across this one song almost immediately, let me see if I can find it... ah! Here it is; Howl by Jake Houlsby. Have you ever heard that one?"
"I... can't say that I have," you're honestly surprised by that. You wouldn't call yourself up on all kinds of music, but this just dropped last year apparently? And you haven't even heard of it.
"Oh, well, you should give it a listen! Here," he offers you his earbuds, waving a hand over them to render them sparkling clean.
"O... kay," you eye him carefully and gently put them in, tapping 'play'. You listen for a few seconds, and Felix watches you intently, gauging your reaction.
"Is it playing?" he asks in a respectfully hushed tone, moving his lips so they're more easily read, "have the lyrics started yet?"
You can't suppress an amused smile, pulling out the left earbud and handing it to him to plug in. Realization dawns on his face as you restart the song, and the two of your share his phone, listening to the moody lyrics, the gentle rhythm, and the soft thunder of the drums. You can see why he enjoys the tune; it's very emotional and moving. Your mind searches for songs with a similar vibe, and for some reason Garbage's Not Your Kind of People comes to mind. He seems to dig the vibe, nodding his head in time with the beat and smiling softly as he listens. He has a similar reaction to Vance Joy's Riptide. You look for something a bit different to test how modern he might like his music, settling on The Weeknd. The two of you dive deeper into his music, and there are some songs Felix really likes and some he skips past in impatient distaste. He seems to particularly like Pray For Me and Starboy, and that's when you ask him if he's seen the video.
"There's a video?" Four minutes and thirty-three seconds later, his mouth is agape and he's practically applauding. "That was phenomenal. It was like a little film, right there, fitting in with the song!" You smile at his wonder and amusement, looking around to make sure the bus is ignoring you as usual. They are, thankfully. A guy for all appearances in his late teens marveling at the existence of music videos is a little... odd. Even for New York. "Are there any more of these?" he asks, with absolute innocence.
"Yes," you smile, "there are a lot. Here's another one by The Weeknd." You queue up the video for I Feel It Coming and he watches with a decidedly different kind of amusement.
"I like this song," he comments, "it's... sweet."
"It's about sex," you explain, concerned he somehow missed the point.
"Of course it's about sex!" he seems slightly offended, "but that doesn't mean it can't be sweet. Lovemaking is the most... deeply personal one individual can become with another. And... in contrast to some of his other songs, this is... it's gentle. There's much less ego, no bitterness. It's not about his own needs or his own mistakes, it's about his partner's. It's about safety, and pleasure. It's quite beautiful."
You round out the rest of the trip splitting time between songs and music videos, looking into Daft Punk and David Bowie, Queen and Ed Sheeran. He seems very grateful for your input by the time you reach your stop, and his mood is both light and high as he escorts you down into a subway tunnel of all things... to the TurnStyle Underground Market. He makes a bee-line for the Chick'nCone; a food truck-style restaurant where you get chicken and sauce in a waffle cone. It's delicious, and a fun experience. So is walking through the shops, checking out the other places to eat, and just enjoying an air-conditioned subway that... looks nothing like any of the subways you've been in recently. It still amazes you that you've lived in New York your whole life and haven't seen things like this; that there's so much you've yet to experience. It's later in the evening before either of you even consider going home, each of you with a delicious bubble tea in hand. The bus is much quieter when you finally board it, and you find a place in the back, away from everyone else. You're getting closer to the Philip J. Coulson Memorial Academy, and Felix finally breaks the lighter conversation.
"So," he begins, his tone immediately turning wistful, "as much fun as this has been, you had another reason to talk to me today."
"I... did. I do. But... please don't think that doesn't mean I had fun today. This has been... a lot of fun."
Felix nods, spooning the last few stray boba from his tea. "I'm glad. But... business is business. I don't think you would've arranged a meeting if it wasn't important."
"There's..." you drop your voice to a whisper just in case someone might hear. "There's an anti-mutant rally next week and a group of people who want to cause... trouble. I'd like your help to stop them, if you're willing to give it."
He nods, "of course. I can only do so much given... well, you know. Circumstances." He gestures to himself, his shapeshifted form. "But I will do my utmost. Whatever you ask." You eye him for a moment, sipping at your tea. He turns to you and smiles, briefly putting a friendly hand on your knee as the bus stops. "This has been a delight. Thank you for the musical recommendations."
"Sure," you respond, "anytime. Goodnight, Felix."
"Adieu!" he smirks.
He seems in an awful hurry to get off the bus before you, and you let him if only to have a few moments to watch him leave and try to scrutinize his motives. You want to trust him. You want to... but he's been acting so... unusual. It would be foolish not to have your guard up. You gather your bag up and make your own exit, and by the time you dismount the bus he's long gone.
The week that follows is nothing but busy; you talk to Gwen first thing Monday morning and she's as willing to help you as you thought she'd be. She also does you the favor of talking to Other Gwen and Dexter. Poole is happy enough to help, but Dexter isn't sure how much his powers will be of benefit in the fight. Unwilling to put it off, you shoot a text to Monica Monday night, and she agrees to help you as well. You get this gathered information to Quentin, who finds time to relay it to Callisto when you're nose-deep in your studies. The weekend promises to be at least as full as the week itself, and if anything happens... if anything happens you'll need plenty of time to rest, at the very least. As much as you can do for your schoolwork through the week is that much less you have to accomplish around the fight. As the week goes by you discover Callisto has enhanced senses and physique, and Maggott's worm-things can consume a lot of matter fast and return its power to him to grant him an enhanced physique and psychometric powers. Other Gwen is more cagey about her abilities and says they're hard to describe, but she should be very helpful in a pinch and that keeping the two of you too close together is probably redundant. Thursday night you make time to meet with Callisto, Maggott, and Quentin to plan a strategy you intend to convey to everyone else. There's only one subway route they could possibly take to get from where they are to Central Park quickly; a path of least resistance. Going overland is too risky that they'll get caught before they can actually cause any damage; it's not much of a gamble to assume this is the path they'll take. You know the time. You know the place. All that remains is...
Where Do You Position the Ambush?
[ ] Near the Marauders' base in the subway.
- The Marauders will have quick access to reinforcements.
- Effects on civilians will be minimized; nobody is likely to know the fight is even happening.
- Iron Man will take longer to come as backup.
[ ] In the subway, between the Marauders' base and Central Park.
- The Marauders may have access to reinforcements.
- Low-traffic subway points mean very few citizens will be in danger.
- Iron Man will take a bit to come as backup.
[ ] In the subway, just before the exit to Central Park.
- The Marauders are unlikely to have reinforcements.
- High-traffic subway means more citizens will be in danger.
- Iron Man should be able to come as backup more easily.
[ ] Just outside the subway exit to Central Park.
- The Marauders will have no reinforcements.
- The highest number of citizens will be in danger; the rally may be in danger.
- Iron Man can already be in position to intervene the second things start to go poorly.
What's The Plan?
[ ] Write-In.
OOC: I know traditionally asking for a full write-in can slow things down to a halt, but I want to see you guys flex your creative muscles and I want to make sure you're getting what you want out of this fight. Don't be afraid to make individual suggestions, minor changes to plans others propose, or completely different plans entirely. You have yourself, Callisto, Maggott, Kid Omega, Shadowcat, Rage, Speedball, Spectrum, Spider-man, Ghost Spider, Gwen Poole, 'Fate', and potentially Iron Man's backup at your disposal. Heavily-armed mutants with unknown abilities are going to be looking to kill Graydon Creed and otherwise cause as much havoc as possible. YOU are giving the orders; who should focus on what problems? Should you separate into smaller squads, appointing other leaders to those squads? Are you trying to talk them down first, or go for an all-out assault? The options are very diverse, and I want the power in your hands as much as possible. Look back at the strategies suggested in the truck heist during Dexter's birthday party for a good guideline.
I'm leaving this vote open until my typical "evening" post; there will be no "morning" post tomorrow.