One More Normal Christmas
Christmas 1986, London England

It was quiet, all things considered.

The city of London felt almost asleep as the last hours of Christmas day came to a close. Yes, the day was filled with singing and partying and all that reputation destroying shit, but the night was turning out to be rather tame. Then again, Michael had taken a room in the part of town that was a good walk away from the closest bar.

A blessing and a curse, considering the thoughts plaguing him.

The apartment wasn't huge, but it wasn't small either. A single door leading into a small kitchen with an adjoining living room where Michael sat on one of two couches, putting his feet up on the coffee table. There's a small tv was propped up, always on and tuned into the local news stations. A set of stairs in the corner lead to the bedrooms. It wasn't what he was used to, but it had been his home for a while now.

The thought sent a shiver down his spine.

How long had he been here?

Two months, maybe a little more?

If he was still in his old profession, his peers would laugh at him. He always had complained about not seeing enough of the world when he was busy researching. Yet, here he was, in the city that held so much history that he couldn't even begin to study it all.

All that he'd done with his time here was memorize rotation patterns, buy the occasional snack, and pick his place to stay when everything happens.

Now, that's not to say as it was impossible for him to learn while he was here, it's just that his field lay elsewhere. In the numbers that most didn't like working with.

Yes, new technology can sweep through, and generations can raise and fall, but money would always retain its value. A long, complicated list of rules that shifted and changed almost as quickly as money moved between hands.

He didn't need to look far to see the first part of his contract. Stacks of paper stamped with dozens of different federal seals, organized into a dozen equal piles on the end of the coffee table. More was in one of the two other rooms the small apartment offered, totalling almost half a billion in US currency.

Enough money to buy a country.

Or start a war.

Michael let his head lean back against the cushion of his seat, but he still couldn't feel it. He hadn't been able to feel much, not for the last two years. He still could feel, he just needed to put more effort into making himself feel it.

And that effort would probably bring down the building and half the street.

That would have the triple effect of one; giving him a headache as the cops came in and started to blare their annoying sirens. Second; Richard would kill him for getting the money dirty while he was out working.Third and possibly worst of all, he'd wake Oliva.

Michael risks a small glance over his shoulder to the main bedroom. The door was open just enough for him to see black locks of hair hanging off the edge of a bed.

Still asleep, and without a single thing getting set on fire.

Thank the Lord for the small miracles.

And then curse him when you remember that those miracles didn't need to happen if things had played out just a little differently. If he hadn't walked out of that crash, and she hadn't been left on the street, neither of them would be here.

But that's how the world worked now.

Those that didn't deserve to keep going were given a reason without asking for it. Those that did ask for it got more than they bargained for.

It would continue, more and more until the world exploded.

Something needed to happen, some semblance of control had to be established. If not… then Michael would rather not think about the outcome.

The door to the apartment swung open, and Michael saw Richard. He gave him a wide grin, almost blinding Michael from the reflection off his teeth. He swaggered into the apartment, a bottle in one hand and two glasses in the other.

"Who's today's company?" Michael asks.

Richard set the two glasses down, popped the cap off the bottle and poured.

"Someone with a Strongbow," Richard jokes, "Hammond found it while he was buying supplies."

"So we're going even cheaper," Michael drawls, picking up his glass.

If it was possible, Richard's smile doubled in size.

"We have to prepare my friend, we can't afford any extra expenses."

Michael slowly looks over the pile of money not three feet from him.

"Sure," he says facetiously.

Richard keeps grinning like normal, passing a drink over to Michael, letting a few drops of alcohol drip onto the small coffee table. Michael gingerly picks up the glass, lazily raising it into the air. Richard raises his as well, only to down it in one gulp a second later.

Michael held himself back, looking out the window to the snowy streets below. A young couple was walking down the street. He couldn't tell, but they were probably smiling as they held one another close, keeping themselves warm through the snow.

"Not having second thoughts, are you Michael?"

Michael shakes his head.

"No, but certain details still aren't sitting too well with me."

Despite the heavy tone, Richard shrugs off his worry.

"We're doing what's necessary Michael, don't forget that."

"Hiroshima and Nagasaki were labelled as necessary back then," Michael reminds him, "but we're still wasting time arguing if it really was."

"I don't think anyone's going to argue whether or not this is necessary," Richard says, his voice going low.

Michael found himself shaking his head.

"History isn't black and white."

"And the Nazis did nothing wrong?"

Michael actually winced, in surprise, not pain. Richard set his glass down, gets off his seat and takes a few small steps towards the window. He presses his hand against the glass, watching his breath collect on the sheen. He let his eyes wonder eventually landing on the couple that Michael had seen earlier.

Michael indulged him, watching the two as they waited for the double-decker bus. The woman nearly trips on the wet staircase, but she's caught by her partner. The close call draws gasps from everyone on the first floor of the bus. Someone claps, the bus driver extends a helping hand, but everyone gets on the ride. The doors close and the metal machine makes its way to the next stop to pick up the next freezing passenger.

As they leave, Richard barks out a laugh.

"Look at them," he says, awe and disgust mixing their way into his voice, "Something as simple as falling to the ground is worth the commotion and comment of everyone within earshot. It's rather pathetic, isn't it?"

Michael shrugs.

"Normal people can have normal problems. It's the world we live in."

"But we don't live in a normal world anymore, do we?"

Michael gently let his gaze shimmy up towards Richard. The man leans against the window, letting his arms cross over one another. His smile is gone, a knowing sneer taking over.

"People can't just walk to their place of work these days, they can fly. And what's the point of having the newest car or tv when some kid can make the Manhattan Project look like something out of a second-grade science fair? Soon, people are going to accept that. It's kind of exciting, isn't it?"

"Even if it is, we can still wait like everyone else."

Richard doesn't hold back his laugh, making Michael sink back into his chair and take a drink. He watches as Richard reaches into his jacket, and pulls out the Book.

You'll seldom hear anyone within their little group talk about the journal under any kind of name. No one had seen the contents except for Richard himself. Every day, without fail, the man was looking through, reading and memorizing the contents. He must have read through the entire book a dozen times, and that was just for how long Michael had known him.

Apparently, he got the book after a grateful donation from a friend of his. Michael had never met this friend, nor had he gotten anything out of Richard about him other than that he could be trusted with what he gave.

Whatever it is that he wrote down in that journal, it was what managed to keep everything going smoothly for these last few months. Finding Michael, Olivia, Hammond, Elizabeth, Jason, acquiring funds, moving to London without a fuss.

Everything was done because of that little Book.

Michael takes another sip of his drink as Richard skims through the pages. He gets to the back and snaps the book closed.

"Well, what's the fun in waiting?"

He puts the Book back in his jacket and after a few quick steps set himself back down on the couch. He pours himself another glass and smiles.

"So I'm going to be moving our little party forward a few days."

Michael grips his glass to the point that it nearly shatters.

"You're joking," he breathes.

Richard shakes his head, his expression serious for once.

"Not this time."

Michael slowly nods as he lets himself look towards the small pocket in Richards jacket. He puts a hand protectively over the spot and winks.

"Don't worry, this wasn't written down," he says.

He takes his glass, and downs the liquid faster than a shot, only to pour himself another drink seconds afterwards.

"Isn't that a bad thing?" Michael stresses.

Richard stops pouring, his drink only half full.

"Probably," he admits, "But waiting around isn't going to help anyone."

Michael shakes his head solemnly.

"They won't like you going off script."

Richard lets out another laugh.

"Tell me something I don't know," he chuckles.

He takes in the half glass of liquid, blinking away the buzz and letting his head fall back on the couch cushion.

"They'll complain, worry, then they'll go along with it like they always were going to."

Then, he reaches into his jackets other pocket and pulls out a conductor's baton. Richard lazily swings it in the air, bringing it down to tap out a four beat rhythm.

The tapping stops, and Richard raises one finger off the baton.

"But then there's you… and you're not going to just sit back and roll over like the rest of them, are you?"

The tip of his finger hums and the light in the back of the room begins to flicker. A second later, the edge of his finger starts to glow gold. Michael let his free hand grip his seat a little tighter, his knuckles going red and white as the glow gets brighter.

And brighter.

And Michael's armrest snaps under the pressure of his grip.

Then, the colour of Richard's finger just blinks out, and Michael let out a breath he didn't remember holding in.

The hand and baton fall to the cushion with the rest of Richard's arm. He leans forward, sighs, and forces out another laugh.

"So what's it going to take to get you to play along?"

Michael grips his glass a little tighter. If Richard notices, he didn't react. Not that he would, there wasn't much that Michael could do to the man. Not when his other hand is still hidden by his jacket, and the light behind him still hadn't stopped flickering.

Michael let his eyes wander, and eventually, they settle on an open door and a few strands of black hair.

It didn't take long for a price to worm its way into him.

"If things go south, we're out," Michael says, "Both of us, no questions."

Richard gave the open doorway a side glance. His baton tapping against the seat cushion as he hums to himself.

For a brief moment, the lights go out entirely.

Then they come back and stay on.

"Done," Richard promises.

Michael lets out another breath as Richard moves the bottle a little closer to him.

"I didn't know you hated the idea that much."

"It's not that," Michael says quickly.

Richard waits and Michael shrugs.

"It's not that I don't think it should happen, it should. I'd just rather have a life afterwards."

Richard purses his lips and shrugs for the millionth time tonight.

"Fair enough," Richard admits.

He pours one last glass, lifting the small container for a toast. Leaning as far as he dared, Michael accepts the toast.

For the first time tonight, Richard smiles a grateful smile.

"Merry Christmas Michael," Richard says, tipping an imaginary hat to him.

Michael raises his glass and throws it down with a single gulp.

"And happy new year," Michael whispers.
 
I know it's not the chapter, and trust me I'm working on it. (It's just making me bang my head against a wall, but I'm getting to it)

Either way, I know it might be too late for some of you, but have a small little Christmas gift on me. With this, I'm going to be rolling out a lot of different content for this story coming out in the coming days.

Sort of as a nice little thank you for keeping with this story for so long as we get into the new year.

I know I haven't been the best in terms of updates and schedules, but even so, you guys have been great. So I hope you guys have had a fantastic holiday season, and you're heading towards a Happy New Year.

Again, thanks for everything, and yes, I do include the memes. Hope more are on the way. :D
 
0.5: A little Notebook
Christmas 1986, London England

Tap. Tap. Tap.

A young man, no older than 20, sits at a desk. In front of him is a small stack of papers, covered in immaculate print. Held in one hand is an engraved pen, tapping the desk beside the papers in a rhythmic fashion.

Tap. Tap. Tap.

Violet eyes burn in the dim light. Would this work? Would this be enough? Had his calculations been correct? Would-

Tap. Tap-

"Mr. Oracle?"

A woman's voice. Flowing, rich, not a natural English speaker. He doesn't turn to look at her, whoever she is, just continues staring down at the papers.

And then he sighs, placing the pen on top of the small stack.

"Merry Christmas."
 
More conspiracies crawling out of the woodwork.

Honestly, you'd think Earth Bet was projecting an Illuminati field or something.
 
So with the Sidestory. What's up with that?

Future anti parahuman terrorists?
Early Empire gang?

Overall it's painting villains as people quite effectively. Well done.
 
It was quiet, all things considered.

Not a creature was stirring, not even a mouse.

Not quite as good as the original. Merry christmas.
In other news I think I've pinned down why I can have trouble following your interludes. You don't take time to actually introduce people as new characters so I spend most of the start trying to look for where we've met them before.
 
Not quite as good as the original. Merry christmas.
In other news I think I've pinned down why I can have trouble following your interludes. You don't take time to actually introduce people as new characters so I spend most of the start trying to look for where we've met them before.
I think that's a good thing. The chapters feel like they've come out of other people's stories, which they should do, they're a peak into the lives of others in this world. The fact that we don't have all the context and that we don't know much about the characters fits with what these interludes are supposed to be in my opinion.
 
So with the Sidestory. What's up with that?

Future anti parahuman terrorists?
Early Empire gang?

Overall it's painting villains as people quite effectively. Well done.

Thanks man, glad you liked it.

Not quite as good as the original. Merry christmas.

I knew I was messing something up somewhere. :V

In other news I think I've pinned down why I can have trouble following your interludes. You don't take time to actually introduce people as new characters so I spend most of the start trying to look for where we've met them before.

I think that's a good thing. The chapters feel like they've come out of other people's stories, which they should do, they're a peak into the lives of others in this world. The fact that we don't have all the context and that we don't know much about the characters fits with what these interludes are supposed to be in my opinion.

McLuvin kind of hit it on the nose. At the core of the quest, I'm doing this for fun. I make notes, I make characters, and as I wait for the editing process of the actual chapters to be finished or you guys to vote, I write about them. The characters in the interludes have their own stories, but they're not the focus, Alex and Cauldron are.

So I give brief snippets of their lives to sort of introduce them before they get into the story proper, or just show that they exist because since this is a quest, you might never interact with them in the story but others will because this is a world of parahuman's testing the waters. These are meant to be glimpses into a character from their perspective, like the Interludes of WORM in canon.
 
3.3: The First Steps Of Atlas
"To be honest with you, I didn't really have a stake in this until this morning,"

The masked man stiffens, probably blinks from behind his mask but you couldn't tell. His back straightens, and his head tilts to the side ever so slightly. Despite all that, you push forward.

"I've had powers for three days, and..."

The words catch themselves in your throat, cutting off anything you might say and forcing you to take a step back. Your heel hits a crack and you feel yourself start to tip, only for a wave to push you back to your feet.

Once again, your power activating without a thought.

It's crazy, and a little scary.

Because as the waves fade away, two words echo through your head.

Three days.

Waking up in Cauldron, meeting Matthew, learning about Cauldron, reminiscing with Rebecca training with David, the man with the shadow hands and the fall.

Everything's happened in three days.

A wave blares in your vision, snapping you out of your thoughts like the world's worst alarm. The man looks you over and almost laughs at your situation.

"You're still getting used to the change, aren't you?"

"...Yeah," you agree, your voice hoarse, "and it hasn't been the best time either."

"It never is," the man agrees.

His voice was barely a whisper and slowly he reaches up and grips the edge of his mask. Pulling it off, you see that the voice actually matched the face.

Not that you wanted to be right here.

He really is just a kid, smudges on his cheeks and the beginnings of acne of all things. Despite that, his eyes had an age and authority to them. It kind of scares you, like you're looking at Contessa. Someone who just… knows. It might not exactly be what's going to happen or what someone is going to say, but just something. Something that's so complicated you couldn't begin to understand what it was.

And he knew exactly what it was without thinking.

"But you're not stopping."

You nod your head, and somehow your lips slip into a smile. The kid gives you a sideward glance but he leans in, expectancy written all over his face.

"I could, but I won't, too much has happened," you say.

You raise a hand and let waves dance around your fingers, making them glow the ethereal gold that's slowly becoming normal to you. You glance at a rock and with a twitch of your finger, the rock peels itself free from the ground. Your will extends through your hand, showering the rock in waves and sending it towards the kid with nothing more than a thought. The kid's hand snaps out, grabbing the rock the second that it comes within reach. You let your hand fall to the side and the waves to leave it as he turns it around in his fingers, leaving no spot unseen.

He takes another moment then discards the rock without a second thought. He looks at you expectantly and you rub the back of your head.

"I mean… I've never had the chance to really think about it," you admit, "What I want from this I mean."

The kid frowns, his fingers drumming on the hood of the car. You glance away, towards the town, old, run down and literally brimming with the potential to fall from underneath your feet.

Not the best spot to have a conversation in, but it's the only spot you have.

"But if you wanted something out of me…" you start.

Your stake in this would be… huh, you don't really know.

Power? You don't know, but maybe?

You've never had the chance to do any of the things that you wanted to. You didn't even have the spine to stand up to anyone until this morning. If you had power, you wouldn't have had to put up with all that.

But what about David? He's got all the power in the world, but he's got nothing that you would want.

He's frustrated, angry, and worried. All the power in the world isn't going to stop that. Then you look at Rebecca, she barely had enough power to stand up to him, but all that did was lead to a fight that didn't need to happen in the first place.

A fight over you of all things, but a fight that you had to stop.

Then again, you wouldn't have needed to do anything if you just knew what you did now. If you could have looked at a few things differently, made a few different choices and stopped just accepting everything, then it would have changed.

It was a mistake not to see those things, and you sure as hell won't be repeating them.

In the end, you couldn't stop it from happening to you, but what about everyone else?

"…I'd say that I want to set an example, if that makes any sense to you."

Another frown plasters itself over the boy's feature, but this time confusion is the chief reason.

"Why do that?" he asks.

Again, the million dollar question.

Why?

You look out towards the gas station, where Contessa was working and waiting. She, the woman with the path, but without the means to act human anymore.

But she had to at one point.

She wouldn't have wanted to change her name if she didn't care.

"Were you born with your powers?" you ask.

He shakes his head.

"Neither was I," you tell, "and neither was anyone, but that doesn't change that they're still people."

The boy gives you an almost deadpanned look. Kneading his temple with his knuckles he forces out a groan.

"You're one of those people, aren't you?"

You feel yourself do a double take.

"Sorry?"

He looks at you, a kid probably only 12, gives you a look of disappointment that your mother couldn't match.

"I find it hard to believe that people will be able to maintain normalcy knowing that there are people out there who can destroy buildings with a glance," he says, "Speaking truthfully, I doubt that normal people will be able to see themselves as anything close to them."

"But they will," you say, "Everyone just has to work for it."

The kid scoffs at you, but you actually don't mind.

"You sound so sure."

At that moment nothing can stop you from smiling. It might sound crazy, stupid, so far out there that it belongs in a fucking comic book.

But some of the greatest things in the world are crazy, so this isn't any different.

At the start of this, you were just some kid in a cancer ward. You were just some written off problem that was slowly wasting away while modern day medicine did nothing more than keep you breathing, even when you didn't want to.

Then someone came into your life, offered you the chance to get out of that hellhole and be so much more than the middle child who could never measure up. A single vial was all it took to change you from that kid into a man who could throw mountains.

Despite all of that, you were still Alex.

Matthew didn't see an unstoppable war machine when he first met you. He saw just another guy trying to cope with what happened to him. Manton? A kid that he had to work with despite wanting to focus on something else, not some god to respect or fear.

Clint? Scared out of his mind with what you've gotten yourself into. But that's only because just because he was scared that you were getting in over your head. The power to control gravity didn't stop you from being his little brother.

Even after the man with the hands, it didn't change.

Both Charles and Matthew were just trying to help you through a hard time, the same thing that any friend would want to do. They made it sound so simple, helping you see that just because you did it, doesn't mean that you suddenly became something that you didn't choose to be.

Then there's Rebecca.

Where to begin with her?

You fell into a coma, and she was waiting for you. You changed, but she joked as she always did.

You… killed, and she did everything to protect you. Holding you, helping you, fighting against David.

All to keep you safe, secure.

Human.

She really was your best friend, in more ways than one.

"If it can happen to me, it can happen to anyone," you declare, "Even if it's just a small chance, everyone deserves to be accepted. By their friends, family, it doesn't matter, nothing needs to change just because they have powers now. If I can show that it's possible using mine… it'll be worth it."

The kid stays perfectly still, taking in everything you say without letting a single thing slip. His brow creases and his fingers uncurl from one another. Then the edges of his mouth threaten to twitch upwards.

"You've got the chance to have anything in the world, and instead of something sensible, you want peace?"

"Well, I mean you can call it that," you say scratching the back of your head.

The kid shook his head, his eyes clouding over as he reminisces, staring straight through you.

"Jacob would've loved you,"

He steps off the hood of the car, taking a few steps towards where you saw Contessa go, he stops to gives you a humourless knowing look.

"Your friend is some form of precog, isn't she?"

"How could you tell?" you ask.

He points a finger at you and continues walking.

"Because she was right, you are interesting."

With that, he turns back to the way he was and kept on walking. You know what, you're getting tired of people just walking off and expecting you to follow.

Is it too hard to ask you if you wanted to come along?

You push off the car and trot after the kid as close as you could manage. It's about ten feet, but if the kid was either disappointed or annoyed, he didn't show it. Then again he didn't even glance around. It takes all of two seconds to make your way to the gas station. Once you're around the wall, you see Contessa leaning down next to a set of police cars.

Or actually, she was leaning inside of them. The door is thrown open and you see her rummage through the glove compartment and whatever small pockets of she could find.

Do all cars have a compartment stored between the front two seats? Or have you just never been in a front seat long enough to notice?

"Uhh, should you be doing that to a cop car?" you ask.

Contessa leans out of the car and shuts the door with a flick of her heel. She spins in place and tosses the kid something black. He catches it with one hand and you catch the light glinting off the metal.

Right before he pulls out his gun, drops the clip and loads in the one that Contessa just threw him. He loads a bullet into the chamber just like you saw in movies without a second thought.

"…Contessa?" you ask.

"Yes?"

"Why are you-"

"Handing someone we just met ammunition to his weapon using police resources?" she finishes.

You just gawk at her, because God, you are never going to be able to watch her do that with a straight face, are you?

Having failed already, you point an accusing finger at the two of them.

"Yes!" you shout, "And why!?"

"You're extremely loud when you get out of the loop, have you noticed?" the kid asks, pocketing his pistol.

"He will," Contessa says, bringing out her own Glock, "Once Rebecca points it out to him."

You close your eyes, and you feel the waves shining around your forehead. They fail to stop a headache, but they at least let you ask.

"Can you just answer the question?"

Contessa ignores you, scanning the horizon. Then, she points to the gas station. You follow her finger to the wall. On the side, a series of cracks ran down the paint, all of them stemming from a single crater hole in the center. Contessa lowers her finger, and you see a chunk of concrete that's smashed to dust like someone took one good swing with a pickaxe.

It looks like…

"Bullet holes?" you guess.

Contessa nods and gently inclines her head to the kid as she approaches the wall.

"He did say he had to use everything he had to keep him off of them."

"Incubus," you remember.

Contessa nods again, and leans down, poking at the small hole with her Glock.

"Ok, but that doesn't exactly tell us much," you say.

"Wrong," Contessa chides, "This one place tells us everything that we need to know."

She leans down, running a finger along the ground.

"Take a look at the bullet holes, the ground, the information gathered from him, and everything can come together quite easily."

She stops as she picks up a small rock along the ground.

"He and another superhuman were involved in an organization or some sort of group. In this group, one superhuman tried to leave for reasons, only to be followed by another from the same group."

The kid is as stiff as they come, but just at the edge of his knees, waves start breaking out. He's moving, just a little. Noticing or not, Contessa continues.

"They get into some sort of disagreement, and it leads them to this small town. The first tries to dissuade the second-."

"But it's not enough," the kid growls, his knuckles going white as his fingers wrap themselves around his arm.

"It is when you realize that you've given us time," Contessa says pointing back at the cop car.

"Back to the matter at hand," she pauses, and the kid lets his fingers go slack again.

Contessa lets a second pass by, then she lowers her hand.

"There's a battle between two different superhumans begins. At least one has a firearm, uses it, and even in a town as small as this one someone hears it. They hear it, they get scared, and they do what any sensible person would do."

"They call the cops," you say, picking up the trail.

"Correct," Contessa agrees, then actual emotion breaks through the black exterior with her eyes narrowing dangerously, "But it wouldn't help. Two more normal men with small firearms won't do anything but make things worse."

The kid's lip twitches and you see Contessa give a small smile.

"Then someone gets a lucky shot."

The deputy director turns around the rock that she picked up, and you see the unmistakable shine of crimson red along the surface.

…Oh.

You feel your hair stand on end, and your fingers clench as they start to glow gold.

"What happened?"

The kid sees the gold in your eyes and for a second, the confidence vanishes. He shakes himself free, clearing his throat with a quick cough.

"Incubus… he had been tracking me for quite some time after I left. After a few days of running and fighting, I ended up in his town. After a few test shots, I managed to lose him. I hid in a house and waited for a chance to make a break for it. Then the cops arrived," he explains, his eyes quickly taking a glance at your hand.

Forcing something down his throat, he soldiers on.

"The second he saw them, he opened fire. The two of them took cover, but they didn't know what he could do. Incubus got close to them and managed to get a hand on them. They dropped and as he was savouring his prize, I took a chance that he'd been depowered, and it worked. But while he lost his durability, he got something to alter his speed. He moved just enough for me to miss his head and hit his right shoulder instead. He grabbed the two policemen and disappeared in a flash of green. "

He stops himself as the golden glow of your hand gets just a little bit too bright. You look down and force the waves to return back to wherever they hid when you weren't looking at them. The glow fades away, and the kid relaxes just a little.

"I was out of ammo, he already dodged a shot, and I wasn't going to risk anything else when he had his 'generators' close at hand. I thanked my lucky stars that he didn't decide to stay and twenty minutes later I tried my luck when I heard a car, and then I ran into you two."

Contessa nods in understanding, but there's something that doesn't sit right.

"Wait, hold on," you say, throwing your hands into a t-shape, "Backup, generators?"

The kid crosses his arms, letting his finger go into a rhythmic tapping on his arm. All the while his head remains on a constant swivel.

"To put it as simply as possible, his power is dependent on those that he comes into contact with. If he manages that, then things can get troublesome rather quickly."

"What happens when he touches someone?" you ask.

The kid's finger stops tapping as his gaze hardens at the area around him.

"He violates their mind, or that's what he says he does. Whatever it is, a single touch is enough to make someone fall unconscious. Once that happens, his power allows him to… create a different power using the people he's touched as living batteries. I don't know what he can get, but I've seen him touch a little girls head and suddenly have the ability to throw fire. He took an elderly woman and somehow turned his finger into a pressure cutter."





You know, on second thought, controlling gravity is a pretty good power to have. Forget wanting to know how to write laws, whatever makes it impossible not to get touched by that kind of guy is an upside.

"And if that wasn't enough," the kid continues, "he's not limited to just one power at a time."

Oh come on!

"How many can he maintain at once?" Contessa asks.

"He never told me," the kid admits, his eyebrow actually twitches "If I had to guess, I would say about two, but no more than four."

He actually looks relieved at that, but you're still shaking your head.

"Even if he's only got three or four powers, he's still got two cops with him," you say.

The kid takes your concern and just nods.

"Fair enough, but we do have one advantage."

"That being?" you ask.

"If he's gotten a power that can get through your shield, he's only just managed to get it."

You wait for the explanation and when none comes you shake your head.

"And how does this help us?" you ask.

His lips slowly twitch upwards.

"Despite what he wants others to believe, he's lucky if he even ends up with something that he can use," he says.

You let the confusion slow on your face and the kid takes a deep breath in.

"Whatever power he ends up with doesn't come with instructions. He'll know to activate it, but the ins and outs will be beyond him. Along with that, he doesn't choose what powers he gets or loses. The second that he touches someone's skin, the switch happens. If he's touched the other cop, then he'll lose one power, and be left with only one power that we don't know about."

"Can he only get one power per person?" Contessa asks.

The kid nods.

"He's tried before, but all it did was give him a migraine that didn't leave him for three days."

He stops, and for a second he smiles at the memory. A second later, the smirk and gleam in his eyes leaves.

"That being said, even without being bulletproof, he kept himself in a position where I could only manage a few shots at a time. He's probably found a place where he can bottleneck us."

"Any guesses where?" you ask.

"The mine," the kid says immediately.

Contessa raises an eyebrow, and the kid holds his hands in surrender.

"At a guess," he admits, "I just calculated the odds."

"You say that, but it's still impressive," Contessa notes, but her voice was so dry it makes both you and the kid give her sideways looks.

She stays as robotic as ever, her hands loading her Glock as she looks out across the town.

"He requires physical contact with someone to manifest his powers?" she asks.

The kid nods.

"Does it need to be a set period of time before it can manifest?"

"Not that I'm aware of."

Contessa waits, then the edges of her lips twitch upwards.

"Then we have nothing to fear, Alex," she demands, her voice becoming harder than steel.

You're straightening to attention before you can stop yourself. A snicker escapes the kid and you glare at him with golden eyes which stops him easily enough. Not that it really helps you feel any better about this. One word, one word and you're playing soldier. You quickly stick your hands in your pockets, but that just makes the kid snicker more.

"What's the plan?" Contessa asks you.

You stop, and the kid stares at both of you in bewilderment. Contessa looks on with her same robotic monotone, either utterly oblivious or uncaring about the silence that's insured.

You however, can't help but ask.

"What?"

Contessa stares at you without so much as a flinch.

"I simply asked how the three of us are going to handle this situation."

… ok, so you actually heard her right. It doesn't make you feel any better if anything it makes you take a step back.

"Uh… Contessa, I've never-."

"Been in charge of a real team, or in a firefight, or in a situation so utterly foreign to you that you can barely understand what's going on?" she asks.

If your mouth would obey you, you would have said All of the above. But in an act of defence and resilience, you start shrugging.

"You know what I mean."

Contessa shakes her head at your plight.

"It's not a problem."

"Not a-!" you force down the yell, gritting your teeth so hard you start to see stars. Slowly, you pry your jaw apart and take a deep breath.

"Contessa, there are lives at stake here. They're the priority and you've got the path, so make one where we can save them without anything bad happening."

Contessa cocks an eyebrow at you.

"And who would that help tomorrow?"

You stare at her and Contessa inclines her head towards the kid, and then to you.

"Following the plan that you set forth to Doctor Mother, this is what you need to be doing." Contessa reiterates, "You won't need me, or have me on hand whenever a problem goes your way. But you'll be right here, making choices, helping people and becoming an example."

She pauses and lets a small smile take over.

"And people only believe in an example if they can see just how bright it truly is."

She takes a step and gently places a hand on your shoulder. Waves shine around any area her fingers touch, and you can barely feel the pressure on the cloth.

"Life is never going to hold your hand, you know that better than most," Contessa whispers, "Everything I've done, everything that I might do, it's done with the same kindness that every one of your enemies will show you."

A part of you tries to argue, but you can't, not really.

Doctor Mother asked you if you would take up a leadership role, and what was your answer again?

"If I have to."

Looking around, you don't have much chance to back out now. Contessa is forcing you, and the kid is expecting something out of you after everything you've said. Neither of them would take the reins even if you gave them the chance.

Rebecca's not here, neither is Clint.

Just you.

You force a breath, stopping your knees from shaking. Bringing your hands to bare, you quickly stretch your arms.

"Fine then, first things first, we need to find this guy and get to the cops. Contessa," Immediately, the deputy stands at attention, "Can you take us to him?"

She nods and you nod along with her.

"Good, then with Contessa giving directions, I'll be in front. Contessa will watch the right side, and kid," the blond gunman raises an expecting eyebrow, "You'll watch our left. Everyone watches out for everyone else and if anyone sees anything, they call out."

"And if we start getting shot at?" the kid asks.

"Get behind me," you say, "I'm the only one here who's bulletproof, and if something happens to any of us, I'll get you out."

The kid stares at you as something resembling respect escapes him.

Which is good, because you honestly don't know if anything you just said was right.

But he looked ready, raising his pistol and gets into a ready stance. It looked off on someone so young, but he seems like he knows what he's doing. Contessa on the other hand just waits.

You nod once, and Contessa points towards the treeline. There's no need to ask if everyone was ready. Once you start, the two of them keep up. It's a slow jog, faster than a march but slow enough that everyone could keep track of everything around them. You pass through a bush, your waves pushing the leaves and branches out of your path only to close behind you as the kid and Contessa make their way through. They don't say anything, their eyes narrowed in concentration as your feet slam against the soft earth.

In front of you, there's little more than trees, dead leaves and branches on the ground and tall grass. Nothing menacing, but nothing really telling either. Out of the corner of your eye, you see Contessa start to drift to the left. You slowly change the direction of your jog, and the kid follows suit. You veer to the left, heading straight towards a fallen tree. You vault over it in a single bound, your body as light as a feather as you made your way over the four-foot hurdle. The kid dived over it, rolling in the dirt and returning to his position so fast he might as well have just been running the entire time. Contessa placed a single hand over it, the other holding her glock as she scanned the treeline, her aim barely even changing when she hits the ground again.

You keep the pace for another minute or so before the treeline parts, revealing a worn dirt trail. At the side of the road, you see skidmarks drawn into the ground. This time, you don't need Contessa to explain where you need to go. You head down the road, feeling your pace slowly speed up as the path starts to tilt downward. It's gradual, but soon you can make out a small hill behind you.

Eventually, the dirt gives way to gravel as the path in front of you slowly transforms into what you expected out of a 'mining town'. A metal power box was propped up next to the mouth of a cave on the side of a huge boulder. Power lines were plastered to the ceiling of the cave, with a flickering and old line of lights that barely let you see two feet in front of you. You check back with Contessa, and the living path points down to the ground of the entrance.

Where two distinct blood marks were drying in the sun.

You feel something cold making its way up your throat, but you throw it down and force your legs to keep moving. You hit a rough patch, almost stumbling before Contessa catches you with her off hand. You shoot her a look of thanks as you head down.

The low light makes you squint to see, barely letting you make out wooden support beams and old intercom systems. Both look ready to fall apart, and the wooden supports even groans slightly as you walk pass.

You try not to shiver at the implications, forging ahead as quickly as you could. One step after the other you head down the mine without even a single turn to mess you up.

Finally, the path cuts to the right. You take a step around it before Contessa grabs hold of your off hand. She pulls you back and puts a finger over her mouth. Somehow, your big mouth manages to stay shut. She points to her eyes, and then points to the corner, then gestures to the space beyond.

You nod and slowly glance around the corner. Thankfully, all you can see is a few feet of the path before the cave cuts to the left. With nothing wrong, you step out of cover.

And the second you do, you hear something click.

Thoughts of David and the Man throw you into autopilot. Your hand goes behind you, sending a wave crashing into Contessa and the kid, stopping them in their tracks and keeping them behind the wall. There's a flash, and you feel something hit you on the head as the bang echoes through the tunnel. It stings for a second, but you throw up a hand as another shot cracks through the cave.

You feel something hit your palm. This time, it doesn't even sting Another two shots ring out, and you throw together dozens of waves as your hand flies in front of you. A shield of golden light explodes into existence, and two bullets hit it without a sound. You don't feel a weight on your head, or even a breeze as the bullets fall to the ground.

Keeping the waves together and ignoring the buzzing in your ears, you hear a laugh from down the hallway, just around the bend.

A second later, something blurs as it jumps out of cover. You catch a dark-skinned bald man with a black leather jacket with white fingerless gloves. His jeans were in shambles with holes dotting them, and his jacket looked ready to fall apart. His eyes were two different colours, an emerald green in one, and a crimson red in the other. His shoulder was dyed a dark red with a trail slowly making its way down the inside of his jacket, but he didn't seem to care. He flashes a smile, revealing a row of black and yellow teeth.

This must be Incubus.

He raises his empty hand, not the hand with his pistol in it, but that hardly matters when you see red energy gather around his fingertips.

Your head jerks as someone pulls you back around the corner by your shoulder. A gun goes off just above your head, making your ears ring, but somehow you manage to keep your eyes open. you see Incubus blur to the side in an aura of green. There's a spark in the wall behind him as the bullet misses, but his hand twists, sending the blast sailing above you. It hits the wall, melting the rock and making the cave groan ever louder.

Your back hits the ground and Contessa gives one last pull to put you back behind the wall. You see another flash of green come towards you, but then the kid steps out of cover. He raises his gun faster than you can blink, and the green flash goes back behind the bend. With that, Contessa lets you go, letting you drop to the ground with a quick thunk.

"Is this what you were waiting for, Harbinger?" Incubus calls out, "Someone who can do what you can't?"

"I would have left you alone, Incubus," the kid, Harbinger apparently, calls back from behind the bend behind you, "But this guy's too moral to ignore someone like you."

"Ha!" a voice barks, "Then let's have a party!"

Adrenaline and waves shot you to your feet, and the second you're up Contessa quickly pushes you against the wall. Ignoring the manhandling for a second, you slowly peak your head around Contessa and the corner.

Incubus is smiling, but this time it's for a different reason. It's strained but still deserves to be there as he reveals that he wasn't alone behind that bend. Incubus is holding one of the cops in a one-handed choke hold. The poor man has a bad cut on his forehead, and even in the low light, you can tell that he's really pale. Incubus moves a little behind what little cover he has, leaning the cop against the corner of the wall as he hides behind him. He pokes a hand out, and you see a pistol. Slowly, he puts the barrel of the gun against the cops head.

Suddenly, you can barely breathe.

"You know how this goes, all of you!" he calls, "You can't hit me, and if I hear or see anything funny, I paint the wall with this guys head!"

He sounds so confident, so in control of everything.

It makes you want to puke.

But instead, you scream.

"Then what do you want!?"

The kid's head twists towards you so fast you're surprised he didn't get whiplash. Contessa just eyes you and nods.

"Here's how this is going to go kid! Harbinger is going step out, unarmed!" he calls, "He and I have some unfinished business. Or someone else can step out, and I can have some fun with them before I find a reason to paint the walls with this guys head!"

Your throat goes dry and the kid scowls. He grips his pistol and there's another click down the hallway.

"And if you try your bullet bouncing bullshit Harbinger, you might make me flinch, and who knows what could happen to this guy!"

Harbinger grips the pistol ever tighter and Contessa just shakes her head. Slowly, he lowers his weapon and follows her gaze.

Your finger twitch, your leg stops shaking, and you see Contessa looks down at you.

With nothing but expectation in her eyes.

[] Get out of cover and surrender yourself. Incubus wants someone to see for his troubles, and you're the only one here that can really take a bullet. Even if he touches you… those cops need to get out.

[] Stay in cover and use your power. You can control gravity, all it would take is a thought for you to rip the gun out of his hand and trap him against the wall. You might not have the control, but that's not what's important here. Just help those cops.

[] Have Contessa step out of cover. Incubus wants someone to see, and Contessa's power is the best to get in close, and get the man out of the way so you or Harbinger can do something.

[] Have Harbinger step out. He's the one that Incubus wants, and with him distracted, you can cover him with waves and make sure that nothing can touch him. All that's left is hoping that Contessa can find space to shoot.

[] Throw caution to the wind, have everyone jump out. Catch Incubus by surprise, shield the cop with your waves and have Contessa and Harbinger take him down.
 
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No matter what guys we cannot let him touch us. The damage he could do with our powers is immense. We cannot let a power like ours be taken and we cannot allow ourselves to be defeated here, we are th heavy firepower, we go down the whole team loses
 
No matter what guys we cannot let him touch us. The damage he could do with our powers is immense. We cannot let a power like ours be taken and we cannot allow ourselves to be defeated here, we are th heavy firepower, we go down the whole team loses
He doesn´t steal powers, he just gets random powers by using humans as batteries. There is distinct possibility that all he would get from us is paper plane folding skillz. That said, i think we can shield a policeman, we threw a mountain once, as David said. A bullet should be nothing.
 
"I could, but I won't, too much has happened," you say.
I thought you said you'd had powers for three days.
They were long days!

"Take a look at the bullet holes, the ground, the information gathered from him, and everything can come together quite easily."
How does gathering information work with PtV.
If Contessa had a path that said 'Tell Doc Mom IKnowNothing's favourite book'.
Would it go
  1. Hack sufficient velocity forums to find out his personal email.
  2. Hack that to get his details.
  3. Go to the his house.
  4. Ask what his favourite book is.
  5. Report back to the Doctor.
or would it be able to predict what Contessa would say in the final step and just go:
  1. He pretends it is high brow and fancy but its actually Justin Biebers Autobiography.
"And people only believe in an example if they can see just how bright it truly is."
... You're baiting.
You are absolutely baiting us.
One step after the other you head down the mine without even a single turn to mess you up. Honestly, you expected to see something. An old pickaxe or a hammer, something of tools around here.
Also an old prospector panning for gold because Alex doesn't know what a modern mine looks like if its not in a cartoon.
No matter what guys we cannot let him touch us. The damage he could do with our powers is immense. We cannot let a power like ours be taken and we cannot allow ourselves to be defeated here, we are th heavy firepower, we go down the whole team loses
I don't think he'd get our powers because he got powers off the cops and they're unpowered. So its not copying.
 
Um, we have gravity powers?

Just crush his hand/forearm that has the gun, no gun to shoot the cop, problem solved.

If we want him alive we can just hold his blood in his body or something.

Honestly I'd have no problem popping his head like a grape, but we're doing this the right way and that means the bad guy has to live to stand trial.
 
Um, we have gravity powers?

Just crush his hand/forearm that has the gun, no gun to shoot the cop, problem solved.

If we want him alive we can just hold his blood in his body or something.

Honestly I'd have no problem popping his head like a grape, but we're doing this the right way and that means the bad guy has to live to stand trial.
While your cheerful psychopathy is noted and will given due consideration, the fine control any part of your plan requires is almost certainly beyond Alex, not to mention wildly out of character.
 
While your cheerful psychopathy is noted and will given due consideration, the fine control any part of your plan requires is almost certainly beyond Alex, not to mention wildly out of character.

A man can dream can't he?

Oh well, second best option, take the hostages out of the equation and then beat the shit out of him.

[X] Throw caution to the wind, have everyone jump out. Catch Incubus by surprise, shield the cop with your waves and have Contessa and Harbinger take him down.
 
Can we keep the trigger still? Like, no matter how much pressure he uses it simply wouldn't move?
 
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Would it go
or would it be able to predict what Contessa would say in the final step and just go:
The latter, from what we saw in canon.
29.x (Interlude; Fortuna) said:
I want to find out how the Doctor is.

There was only fog. She was blind, which meant the Doctor was somewhere beyond that wall.

I want to find where Number Man is.

He was on the east end of the facility, with the Harbingers.
Contessa can just ask her Shard for information and she'll get it. No need to write it down, no need to take the Steps to figure it out, she can just ask and the Path provides it, instantaneously.

The only blind spots are Eden, Zion, Eidolon, the Endbringers, Mantellum's aura, and trigger events (though the Path can compensate for those once they happen). It really is that broken.
 
[x] Stay in cover and use your power. You can control gravity, all it would take is a thought for you to rip the gun out of his hand and trap him against the wall. You might not have the control, but that's not what's important here. Just help those cops.

Until here's a better plan, this have my vote.
 
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