Somehow, I was expecting a Lizard (I was reminded of the omake where Saurial was summoned to Ankh-Morpork). I didn't know where you were going until the reveal.

Romans they go the house. Beetlejuice.
 
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There was only one thing she considered turning back for, and the sudden sound of ticking and the gleaming of unnatural gears told her that Jacqueline Colere had no intention of leaving the thing free to attack the rest of them from behind.
Such a brave hero willing to fight horrors of the beyond by twisting and turning the future and the past.
 
""Canis Latinicus," Jacqueline began." -- I knew things would get good going forward after this. Points for The Life of Brian references. Why can't I leave two likes?
 
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Somehow, I was expecting a Lizard (I was reminded of the omake where Saurial was summoned to Ankh-Morpork). I didn't know where you were going until the reveal.
Aw, I was hoping Beetlejuice would actually turn up XD
I try to keep the April Fool's content limited to things that could plausibly happen in Orderly's version of Earth Bet, including keeping them in-character, not including actual crossovers, and, ever since the first, being vauge enough about when they're happening that they can be slotted in with as few issues as possible. It does restrict how far things can go, but I think having to work within those limitations helps the comedy.
Such a brave hero willing to fight horrors of the beyond by twisting and turning the future and the past.
She is technically a professional superhero

Romans they go the house. Beetlejuice.
""Canis Latinicus," Jacqueline began." -- I knew things would get good going forward after this. Points for The Life of Brian references.
"Canis Latinicus" is where I was sure that Shenanigans were Afoot. And then "Oh what a goose I am", at the end! Hee hee.
That's three out of nine (specific) references caught. (Not counting the dog latin, that's kinda a generic thing even if it's very much Jacqueline being cheeky.) I have to admit, I wasn't expecting Life of Brian to be the first one people noticed, even if it is the only one Jacqueline's being sneaky about that the others would have a reasonable chance of getting.
 
She is technically a professional superhero
Oh, I forgot that she is practically a professional cop who sold out for safety. Now I'm wondering if the horror from beyond was actually a innocent immigrant who came to America for a better future, as is the American way.

Seriously Jacqueline! perpetuating harmful stereotypes by telling the girls to run, just because they look a bit different.
And after calling them up as well, seriously some ACAB stuff you are doing there you ICE cold Bastard!
 
Oh, I forgot that she is practically a professional cop who sold out for safety. Now I'm wondering if the horror from beyond was actually a innocent immigrant who came to America for a better future, as is the American way.

Seriously Jacqueline! perpetuating harmful stereotypes by telling the girls to run, just because they look a bit different.
And after calling them up as well, seriously some ACAB stuff you are doing there you ICE cold Bastard!
Given she's effectively a child soldier who got conscripted by virtue of not having any parent to tell the state "no", your description is... lacking accuracy.

Also, telling people to run when confronted with a meme made manifest is just good sense. Have you even been on the internet? It's full of eldritch horrors. :p
 
44-3 Intimates
"Hey Amy."

"Don't you 'hey Amy' me, Jacqueline."

It was not, perhaps, the most auspicious beginning to a difficult conversation. In hindsight, however, it did work out for the best, and that's probably more important than being auspicious. What do birds know, anyway?

I looked at her kinda judgingly, but just a little sympathetically, my heart full of sass and glitter.

"Amy, is that any way to talk to your best friend?"


I was careful about the way I said it. Affectionate enough to make it clear that I was a friend, but light enough to not presume on actually being her best friend or actually making demands, and definitely not actually accusing or lecturing. And laying down that while I was prepared to let myself be pushed a bit, I was letting myself be pushed, and she should be aware of that.

And, of course, that she was doing it in the first place. Our one big conversation to date did involve a lot of regretted and apologised-for harshness, after all, and I knew she considered her own part the worse even if I didn't agree. If she wanted to push, I could take it, but if she just wasn't thinking about it and was going to regret it later I'd rather she not. If nothing else, I knew full well that she already had more than enough problems with self-recrimination.

That part wasn't what caught me off guard.


In all honesty, I didn't expect what I said to be a particularly big deal. Either she'd take it as a gentle rebuke and stop, maybe with a quick "sorry", or she'd shoot something just a little cutting back and I'd take it as a gentle rebuke and stop. And presumably apologise in whatever fashion seemed best.

Instead I got an instant of stunned revelation, several seconds of processing, and a horrified outburst I'm gonna pretend was considerably less profane than it actually was.

"Oh bleep, you actually are my best friend."


At first, I had absolutely no idea how to respond to that. Individually, the sudden promotion and the sheer horror in her voice would have each been difficult enough, let alone put together and with the implicit insult thrown in. I won't deny that part of me wanted to be offended.

"You!"

Like, seriously, I got it the first time. She didn't need to rub it in. But, in getting it, I got it.


Amy and I were friends, in a general sense. We liked each other well enough. We'd shared some nice moments, even more not-so-nice moments, and a few earth-shattering secrets. I cared about her, and I like to think she cared about me.

But we'd also met for the first time almost exactly a week ago. It had been roughly two days since we'd first had a real conversation. It wasn't even a particularly pleasant conversation, for all that it ended about as well as it possibly could have. We were, in a general sense, friends, but our friendship was still young and growing, even if it wasn't exactly untested.

What we had was a good start. I'd even go so far as to call it good. But it really shouldn't have been the best. Even assuming she was overblowing it a bit, and discounting Victoria and their cousins out of familial ties rather than anything else, it wasn't great. Especially considering Amy was in a high-stress profession at an awfully young age.

Some people can do pretty well without other people, and quite a few more can do just fine with just their family, but I sincerely doubted Amy was one of them, no matter what she had probably been telling herself.

Not that my own situation was much better, and in a lot of ways it was worse, but still.


And the thing was, Amy and I were friends. I cared about her. And honesty, consideration, and forthrightness are rarely a bad answer to an interpersonal problem, so long as you remember the consideration part. So, even if she was being a little rude about her issues, I was going to try and do my best to be understanding.

And also I hugged her. Because I was still me.

"I'm sorry it's like that, Amy. I like to think I'm not so bad, but you should have more and better friends than a random girl with a vaguely similar powerset you met two days ago. I'm doing my best here, but…"

I didn't actually have a "but". The dangers of rushing ahead without planning things all the way through. But she did seem to get my point, and I was, in fact, hugged back. Then she stepped back, looked at me in an enigmatic but definitely not hostile fashion, and apologised in turn.

"... it's not your fault, Jacqueline. And I'm sorry for being so harsh about all this. I promised myself I'd try and do better, but here I am almost punching you in the face again."

I really hoped she meant that metaphorically, or at least exaggerating a bit. Not so much for my own sake, (I was pretty sure I could take a punch to the face, at least from her,) but because resorting to physical violence that quickly would not speak well of her general mental state.

"... metaphorically speaking," she quickly added. Something about my discomfort must have shown, though judging by what she said next I don't think she quite got the context of it. But since it was a metaphor I could let it stand. Particularly with more pressing concerns.

"And I really shouldn't have used that metaphor after what happened. I must be the densest, stupidest, most callous excuse for a person who ever lived."

And of course I couldn't let that stand.


"No you're not."

Amy blinked at me, apparently not expecting to be contradicted so blatantly. Well too bad, I wasn't stopping. And if she was going to cede the momentum so easily, that just meant I had plenty of opportunity to show her how wrong she was.

Because that, apparently, is what friends do.
 
Good to see that Jacqueline is immediately taking up her newly claimed Bestie duties.
Honestly, I don't think Jacqueline really understands the whole "best friend" thing. There's a lot of difficulties with the prospect of ranking one's friends that I doubt she wants to get involved in. But for all that, she's also a very good friend to have when you need one, and that comes first.
"I mean, have you met Assault?"
Even if she somehow hasn't, we do know she's met Brandish. And if we're being honest, Vicky. But yeah, Assault right now is both the most obvious and the most persuasive point of comparison.
 
44-4 Indisputable
"Amy, trust me, you're not the worst. Maybe you didn't respond as well as you could have, but I was the one who announced my civilian identity on national television without warning you or even stopping to consider that you had no way of knowing what I was planning or why. This is at least eighty percent on me."

Admittedly, I was highballing it as much as I thought I could get away with. I knew full well that Amy would try and take as much of the blame as possible if I let her, and in the event that my other plan didn't work I wanted a lot of wriggle room in any haggling. But I didn't actually want to haggle, not least because Amy shoving blame on herself was exactly what I was trying to avoid, and I did want to vent, preferably about something Amy would find at least as bad, so…

"And even if it was all on you, which it isn't, you still wouldn't even come close to being the most inconsiderate person I've dealt with in the last half-hour."

I went for a win-win scenario.


I was, of course, baiting her. There was no way she could let a straight line like that lie. And, sure enough, I was being pressed (surprisingly gently) for an explanation almost right away.

All according to plan. Or at least the basic skeleton of a plan I'd mentally sketched out. Now I just had to pull on the good parts of my big rhetorical gambit last time we'd talked, and demonstrate to Amy that she wasn't the worst by showing her the depths she wouldn't dare sink to.

And lucky me, I just so happened to have a perfect example.


"... maybe six capes for an escort was a bit much, but they were just looking out for you, right?"

"So were you. And that's not actually the bad part."

I exhaled sharply. More for dramatic effect than any real necessity, I'll admit, and for that purpose it served admirably.

"Of course, I told them I wasn't about to bring an entire team's worth of combat capes to a hospital of all places, and most of them didn't argue. Most. Assault, however, had a whole big incoherent rant about how it was important to make as big a splash as possible here. Like he was the one who'd come up with the whole "big show" he was insisting I carry on."


"Okay, that was bad. But I can't really say I was any better."

"Trust me, you were. You were a little sharp, but you had excellent reasons to question my decision-making, and you didn't throw in fifty ways of saying exactly the same thing to badger me into submission."

I noticed Amy looked a little relieved at that. I considered stopping there, but she deserved the full truth.

"And that's still not the bad part."

Amy looked distinctly less relieved.


"So I just stand there stupidly, trying to process what I'm hearing, when he tells me to, and I quote, 'sex it up'"

Amy's palm met her face with an ease that indicated a lot of practice, but she didn't say anything. Evidently, she'd hit the point where even she couldn't pretend that comparing herself and the Brute reflected badly on her. Good.

There are worse people than Assault out there, I knew that even right after what he said. Some of them make the man look like a saint in comparison. But Amy wasn't one of them. And her thinking otherwise wasn't going to help anybody.


"So I ask him what 'sex' is, cause I figure if anything was gonna get him to shut up and watch his language in the future that'd be it, right?"

I got the impression that Amy was trying to shove her palm in her face even harder. I don't think it helped.

"Let me guess: he proceeded to explain in graphic fashion."

"Oh, no, no, no, no, no."

A slight release of tension, a slight relaxation of the muscles. Something I wouldn't have noticed if I hadn't specifically been looking for it.

"It was worse than that."

The sudden ratcheting up of tension, on the other hand, I would have picked up on immediately if I happened to be so much as glancing in her direction, let alone the level of attention I was actually applying. And she was definitely trying to shove her palm in her face even harder, and it definitely wasn't helping. And for my part, I fully intended to make it worse.

"So I ask Assault what sex is, fully expecting him to evade the question. And the Brute, in all his glorious wisdom, tells me to ask my mother."


It was over a minute before I got a response, and more than two before I got one that wasn't a rhetorical question with a 33.33% profanity content. But when I did it was the response I wanted.

"What a massive jerkface."

Well, one of them. And I might (emphasis on "might") have preferred if she'd actually said "massive jerkface" instead of the words she actually used. But I could certainly understand the sentiment.

I wasn't about to cuss the man out, but that was because of the lines I've drawn for myself, not any sense that he didn't deserve it. I hadn't crossed them for Purity, I wasn't about to cross them for him of all people.

He wasn't worth it. But I was hardly about to hold anybody else to my self-imposed standards on the matter.


"Yeah. You're better than that, and it's not close. Maybe you can be a little abrasive, and if you wanna work on that I'll support you all the way, but you're not that bad. You've been under a lot of very understandable stress both times you've been harsh, you apologised for both of them, and you've been plenty sensitive to, at a minimum, those of my issues you've actually known about."

Amy nodded, seeming to accept it, and I pretended not to notice the slight hint of tears in her eyes as I hugged her again.
 
Amy, to herself:
"Oh, great, now I'm as bad as Assault?"
"Well, that's bad, but..."
"Oh no..."
"Dammit, I physically can't facepalm any hard... ... ... He said what?"
*Amy.exe has paused, output now coming from profanity.txt*


On the other hand, she got a perfectly acceptable excuse to exercise her command of profanity for several minutes. And I expect that, having spent as much time in earshot of nurses as she has, she probably has a pretty extensive list...
 
On the other hand, she got a perfectly acceptable excuse to exercise her command of profanity for several minutes. And I expect that, having spent as much time in earshot of nurses as she has, she probably has a pretty extensive list...
Honestly, I don't see it like that. Amy doesn't spend a lot of time "behind-the-scenes" in hospitals, when she's there she's pretty much always dealing with patients. Unlike, say, Jacqueline, she can't just use her powers and do normal nurse stuff at the same time. And with how valuable she is, most of the time she'd probably be handled by the "important" people, as well as being very important herself, so the nurses generally have to watch their mouths, even at a place like BBGH.

In the rest of her life, the same pattern kinda applies. She's from an important, and decently if not extraordinarily wealthy, family, her mother is strongly if hypocritically moralising, and she really doesn't have any social ties of her own besides Vicky and now Jacqueline. Any swearing she's picked up is presumably from Carol, Vicky, or various media, and the last surreptitiously. I don't see her as having a particularly broad array of swear words, even if her personality means she uses the ones she does have mercilessly when she's not worried about being judged for it.
 
44-5 Intentionality New
"So you're safer unmasked?"

"You know, that's exactly what Vista said."

Harshness did not, in fact, ensue, so I decided to push my luck a little further. Prove a point, both to Amy and to myself.

"Like, word for word. All four of them. Or five. However you wanna count it."

Amy Dallon could, in fact, refrain from being sharp, even when I was being kinda frustrating. She even seemed slightly amused. I was proud of her, even if I wasn't particularly surprised.

I knew she could do it. In all likelihood, so did she, at least in her head. But it was still good to see. And there was something to be tactfully left unsaid for letting her see for herself that she wasn't so bad.


On the other hand, I also knew I should probably get on with it.

"I do, in fact, believe that unmasking like I did will be a net benefit for me, safety-wise. I won't pretend that it's completely safe, but for a broad slew of reasons I'm considerably safer unmasked and less safe trying to keep up a secret identity than a lot of capes."

"The uhhh handholding thing you showed me last time?"

That was one way to put it, I guessed. A remarkably obtuse one. But unless somebody already knew or could read minds it was tremendously unlikely for an eavesdropper to figure out what she was referring to, so I suppose there was sense to it.


"I mean, if the Imps find out about that they're not going to be happy, but mostly I mean the more apparent stuff. Even if I'm mostly not homeless anymore, there's plenty of people in Brockton Bay who wouldn't hesitate to do something unpleasant to a random mixed-race orphan for one reason or another. And unlike, say, Aegis, my powerset wouldn't exactly do me a whole lot of good if I got jumped."

In this town, the obvious comparison was actually Glory Girl, but, well, I remembered our last conversation too. In particular, how it started. As far as I know, Victoria's powerset would be more useful defensively than Aegis' in the vast majority of situations, but I'd seen the state of her after Barracuda's bombing spree. Now was not the time to imply she was safe from surprise attacks, no matter how much closer to the truth it was for her than for me.

Especially not to a sister who loved her very much, however complicated that love was.


"Unmasked, well, there's more the PRT can do to protect me. Anybody who's considering taking a shot at me is going to know that the Protectorate will come down on them in force if they do, and they can provide a lot more security if they don't have to be discreet about it."

I don't think Amy was entirely satisfied. She nodded, to be sure, but that grimace hadn't gone away. Considering her family history, I could hardly blame her.

"And, on top of that, there's a number of things about my powerset and career choices that should help keep me safe as an open cape. I'm a Ward, and while villains sometimes get away with murdering Independents, very few capes can withstand the heat the PRT as a whole brings down on people who mess with Wards as a matter of explicit and carefully adhered to policy. Furthermore, I'm a healer, and even the relatively few villains who don't appreciate how valuable and necessary us healers are know that the rest of the community takes it extremely seriously."

She blinked. I don't think she was necessarily unaware of that fact, she probably couldn't be in her position, but I don't think she'd really internalised it. Then again, it's exactly the sort of thing you didn't want to rely on too hard, just in case.


"And I intend to be just a healer. I mean, I guess there's plenty of other non-violent stuff I intend to have a hand in, but I have no interest in doing conventional hero work. It's not in my skillset, my power is grossly unsuited to it, and I can do a lot more good in other ways. And no matter how much PR damage I may be doing, or how much my helping people is going to undermine the gangs, it's going to be awfully difficult to justify a violent response to that."

"... and just in case somebody doesn't get the memo, you laid it all out in front of an entire crowd of reporters."

"Exactly," I smugged at her. I really am proud of that one. I don't think she intended for me to hear her snort with suppressed laughter, but I totally did. Even if I very carefully didn't call her on it.


"So that's why you unmasked yourself in front of the entire country."

"Oh no. Don't get me wrong, they wouldn't have let me if they thought it was going to put me in huge danger, but today is about sending a message."

Amy paused. "... that sounds surprisingly ominous."

"It should put a spike in the Crazy 88s' wheel, to be sure, and I'm not gonna pretend that wasn't the initial impetus or that a lot of what I said wasn't designed to make them look bad. But, at the end of the day, I'm here to help. And nothing's gonna stop me."


A look met my eyes, cautious and hopeful and suffering and kind all at once.

"I know you are. And I hope nothing does," Amy Dallon told me in absolute sincerity that didn't quite manage to hide that said hope was hope. Because, you see, the thing about hope is that you don't hope for what you know is coming. You don't hope for what is, or what is certain to be. You hope for what should be, because you know it might not.

"I hope so too," I replied, very carefully not hiding that I felt the same way.

What a pair we made.
 
44-6 Insomnia (Interlude: "Vince") New
"Vince":

Julius Quentin "Jules" Brown, the man known to Jacqueline Colere as "Vince", was very nearly at the end of his rope.

It had been nearly three days since he'd been home, and longer since he'd last slept. Even if the thing that had killed Coil hadn't taken his keys, his apartment was undoubtedly being watched. And without his wallet, and more importantly the stuff he kept in his wallet, he had no way to access his bank account except the emergency setup on his phone.

He also didn't have his phone. The brazen nightmare who'd oh so casually ruined his life did. Which meant that not only did he have no way to contact most of his contacts, he couldn't even risk getting in touch with the few who were in town and wouldn't have gone down with Coil's shattered organization. And the bills he kept in his boot for exactly this situation hadn't gotten him nearly as far as he'd like, not once he'd realized the only long-distance bus-terminal in town was an obvious place to keep an eye on.

Which was why he found himself here. Holed up at the far side of the bar from the door in what was quite possibly the most rundown back-alley watering hole he'd ever laid eyes upon, next to a dusty TV that looked to have been manufactured sometime around the middle of the last century. The stupid thing probably didn't even work, or the staff would have turned it on to distract from the rest of the dump. The least alcoholic, most watered-down "ale" he'd ever tasted lingered unpleasantly on his tongue as he tried and failed to figure out what the [fun] he was going to do. He certainly couldn't carry on like this.


Getting out of town was obviously the most important thing, but that was easier said than done. There was, of course, only one long-distance bus terminal within city limits, and the monster of monsters he'd gotten the attention of was bound to have something watching the place, if it wasn't waiting there itself. Sea travel hadn't been a thing in Brockton Bay for decades, and passenger rail had all the same problems as long-distance bussing as well as being far less frequent and significantly more expensive. If it even still visited. He honestly wasn't sure about that, it was the kind of thing he'd usually look up on his phone.

That left the highways. Which meant acquiring a car, seeing as his own was at the apartment he didn't dare return to and he didn't have the keys. And he barely remembered how hotwiring was supposed to work even under ideal conditions, let alone in the wild by a man who'd never actually done it before.

So he'd need money. Considerably more money than he'd kept in his boot even before he'd spent most of it keeping himself alive and uncaught in the past days. And he couldn't exactly work a "real" job with his name and face known to the PRT, even if he somehow managed to find one in a town with an economy like Brockton Bay's. And the alternatives he could think of were, in a great many ways, less than ideal.


Following some unknowable impulse, he reached over and hit the power button on the ancient device in front of him. Maybe it would give him a better idea. To his surprise, the thing actually worked. The image quality wasn't good, and the sound was worse, but he knew exactly what he was looking at.

"Good morning Brockton Bay, my name is Jacqueline Colere," proclaimed the saccharine voice of the thing that would haunt his nightmares forevermore. Before he knew it his hand was through the screen. His arm hurt, and without the armor he still wore under his coat the blood loss might very well have been fatal. He didn't notice, because the horror was still talking. He didn't catch everything…

"Evil is real…"

"... hunt you down…"

"I'm still here."

… but he caught more than enough. Evil was real. And it was coming for him.


Later, he wouldn't remember getting thrown out. He wouldn't remember why all his remaining cash was gone. He wouldn't remember where exactly he'd gotten that black eye, or the state he'd left the proverbial "other guy" in.

All he'd remember was the fear. And the thing that caused it.

And that was enough.
 
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There was, of course, only one long-distance bus terminal within city limits, and the monster of monsters he'd had gotten the attention of was bound to have something watching the place,

You could either remove the apostrophe and the d or the word 'had'. As written, it's effectively saying "he had had gotten...".
 
45-1 Interrupted New
My impending arrival at the Pleasant Meadows Hospice was met with a level of fanfare that really didn't suit it. Either it.

There was, to be clear, nothing wrong with the place in a physical sense. There was actually a decent amount of well-tended greenery around, and though none of it was particularly exotic or exciting, that was very much on purpose. The decor was understated and obviously chosen with an eye for practicality as much as style, but there was a quiet dignity about it. And the building itself wasn't exactly an architectural or interior design masterpiece, but it did its job without just doing its job, and there were plenty of windows and open spaces.

All in all, Pleasant Meadows, as a physical location, lived up to the first part of its name reasonably well. There was a quiet, undisturbed, kind of grace to it that I honestly hadn't realised existed in Brockton Bay, for all that it was tremendously generic in a "here's where we keep the old people with a decent amount of money" sort of way.


Sadly, Pleasant Meadows wasn't a retirement home. In theory, it was a place of healing, a quiet sojourn where the sick and the injured could take some away from the hustle and bustle and everyday atrocities of Brockton Bay life to recover. For a fortunate few patients, that was what happened. Once upon a time, that had genuinely been the primary purpose of the facility.

But in this day and age, if you could afford Pleasant Meadows' prices and there was still hope you'd live through whatever it was you had, you wouldn't be at Pleasant Meadows. You'd be at home, or at an actual hospital, or out of the city entirely. Somewhere more familiar, or somewhere nicer still and farther away from Brockton Bay's many problems, or with considerably greater levels of medical treatment at least theoretically available.

In practice Pleasant Meadows was mostly just a place to die a little better than you otherwise would have. Quieter and more dignified than BBGH, conveniently located for relatives and loved ones to grab what time with the soon to be deceased they could, and with just enough medical expertise on hand to extend the timer a little longer or make sure somebody's passing was an easy one as needed or wanted.

A kind purpose, to be sure, but a somber one.


Pleasant Meadows served a worthy role, I have no doubt, and by all accounts they did it at least serviceably well. And when the city was rent asunder in a Tinkertech nightmare, they stepped up and provided what aid they could, free of charge. Even now, a considerable portion of their capacity was filled with Barracuda's victims. I won't judge them harshly.

But it was exactly the wrong sort of place for a media circus. There was a reason why it was picked to be the first place I visited on this tour, with the least amount of time for the information to potentially leak, and everyone on the PRT end had been told to keep this quiet until I was long done and gone. Presumably, Pleasant Meadows had done the same.


Clearly, though, the information had leaked somehow, because the media was here. Maybe it was on our end, maybe it was on theirs. The PRT ENE did have its problems in that regard, and while the Pleasant Meadows administration were the ones to request it be kept quiet in the first place there were an awful lot of people who they would have had to tell. Staff, patients, "surrogate decision makers", their lawyers, and I don't even know who else.

It might not even have been direct: I could think of at least one group that would like to see this go poorly in a very public fashion, and they were not to be underestimated in the spy game.

Not that the how of it really mattered. The secret was out, the media was here. The rest of us just had to live with it.


There weren't as many reporters as there were at my debut, fortunately. This crowd was smaller by roughly an order of magnitude. That was still more than enough to be a massive disturbance in a place like this, and judging by the looks on the staff's faces they weren't amenable to being turned away.

We weren't completely caught off guard, of course. It was a possibility that had been considered, albeit mostly on the hospice's end, and thanks to the marvels of modern communication devices we'd been warned en-route. There was a plan to deal with this, and it was working about as intended.


You see, in Pleasant Meadow's advertising, one feature held pride of place: a supposedly authentically Greek amphitheatre. In reality, it didn't serve much purpose a lot of the time: there wasn't much of a theatre scene in Brockton Bay even when the weather was nice enough to bring sick and dying people outside to see a play, and most of the patients weren't in a good state to enjoy one even when management managed to make it work. But it did make the place look a lot classier in the brochures.

More importantly, at least for my purposes, it was an open space that the staff were familiar with getting some of the patients to without disturbing the rest. It was far enough from the main building that the remaining patients shouldn't be bothered too much. And, crucially, it was a nice spring day in Brockton Bay, weather-wise.

The reporters could be sidelined to the area above the amphitheatre itself easily enough, while the patients could rest among the stands: there were plenty of places for beds and such among them. I could stand on the stage or walk among the rows as I saw fit. It was a good plan, for a backup, one that I will take exactly none of the credit for. That's all on the Pleasant Meadows people.

It still wasn't exactly ideal, of course, but "ideal" for this sort of thing is predicated on a certain level of privacy and considerably fewer interlopers. (And probably an entirely different paradigm in regards to patient concentration and the importance of mobility.)

It was as good as we were going to get at short notice.


The sun was shining, birds were singing, and the reporters were just out of earshot when Amy stopped me.

"Jacqueline," she whispered, "are you going to be okay? I know this has to be hard on you, especially after last time."

I smiled with more sincerity than I had before she asked: it was nice to see her show care.

"It's the patients I'm worried about, Amy. And maybe the staff. This was going to be hard enough for them before it became a media circus."

My smile took on a wry angle. "As long as we don't get interrupted by superpowered Nazis again, I'll be fine."


Somehow, that didn't seem anywhere near as funny as I hoped, but Amy accepted it nonetheless. She's nice like that. We walked not quite hand-in-hand, but still obviously close, into the arena and onto the stage as my aura flared and my skin turned to brass. Despite the intrusion of the press, it was a good start to my first deliberate, non-testing, non-emergency healing.

And then we got interrupted by superpowered Nazis again.
 
It occurs to me that Taylor would be perfect for making the reporters unable to get any useful footage or sound bites. But perhaps they're for the best, given that last line, unless the Empire notified just their own sympathizers.
 
It occurs to me that Taylor would be perfect for making the reporters unable to get any useful footage or sound bites. But perhaps they're for the best, given that last line, unless the Empire notified just their own sympathizers.
Meanwhile, with Atemporal Engine: "Why are those people mad? Their equipment not working is an objective improvement to this event."
 
It occurs to me that Taylor would be perfect for making the reporters unable to get any useful footage or sound bites. But perhaps they're for the best, given that last line, unless the Empire notified just their own sympathizers.
The problem wasn't any particular story the reporters might find, the problem was them making a nuisance of themselves looking for one. A media circus can be very loud and flashy, and Pleasant Meadows is a place where loud and flashy are things a lot of very vulnerable people do not need. Damaging their equipment would only make things worse in that regard, especially since even if Taylor managed to hide that she was doing it (which, at this stage in her career, is unlikely), such a phenomenon would draw plenty of attention in and of itself.
I hope that the PRT has a extraction plan in place to evacuate the girls quickly.
Probably, but if it comes to that they've already lost: there's no way they can get the patients and all the other civilians out of there at the same speed. So, you know, hopefully it doesn't come to that.
 
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