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Character Sheet
Maid to Love You
A Clockwork Romance

Miss Jane Eleanor Polestar
The player character. An 18 (nearly 19!) year old woman, next in line to the County of Polaris, wandering the galaxy in search of love aboard MSY Mercury. You vote on her actions, but her perspective here is limited.

Mark Butler
Miss Polestar's robotic butler, and head of the servant staff. He is tasked primarily with management, but also acts as valet to any male visitors.

Marie Lady's Maid
The viewpoint character. A newly activated robotic servant who acts as Miss Polestar's lady's maid. Though witty and sharp, some quirk of her construction has intensified both her physical and emotional sensitivity. Is inexplicably French.

Pierre Chef
Miss Polestar's robotic cook, responsible for the kitchen and larder. He is noted to have loose association with many lovers in many ports.

Tom Mechanic
Miss Polestar's robotic handyman, who also helps to maintain the other machines.

Tessa Mechanic
Miss Polestar's robotic handywoman, who is hired later in the story. She has greatly modified her own body, and has a complicated history.

Hans Messenger
Miss Polestar's robotic messenger, who manages the mail, prints newspapers, delivers messages, and manages the property of guests. Is inexplicably German.

Amber Housemaid
Miss Polestar's robotic housemaid, who keeps MSY Mercury clean and tidy. Noted to have two large, orange headlamp eyes. Is inexplicably American.

Polly Kitchen Maid
Miss Polestar's robotic kitchen maid, who assists Pierre in making food. Also the head of the serving staff's union, a position she does not take very seriously.

Content Warning
This quest is an erotic romance. There will be sexual content, and it will not be separated from the main text or spoiler tagged. You have been warned.
 
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I cannot help but wonder if we'd have gotten these same choices, or different ones like them, if we'd chosen something other than "hesitantly."
You wouldn't have. Hesitantly would have resulted in Marie asserting herself and taking the lead in a somewhat more chaste kiss, and your choices would have been how Jane reacted to what is essentially a declaration on Marie's part after her doubt catch up with her, so basically a choice of which thing is keeping her from saying "I love you" back.

In boldly, by contrast, Jane would have found the courage to declare that she's never felt anything like she feels for Marie, she would have committed... and Marie would have been too overwhelmed to respond and have to leave, putting the quest more on a course of Jane having to break down the communication barrier and address Marie's fears.

Instead, you got passion (and a bit of hesitation bc it was the runner up): they both committed to this moment, but mostly wordlessly, and the doubt gripped them both before either could say how they feel even as they very nearly clawed the clothes off each other.

While the quest has a pretty definite direction, your choices very much do matter.
 
[X] I… got you an actuated tongue upgrade while you were sick. That was wrong of me. I'm so sorry.

... Please?

No?
Okay.
[X] I… got confused. That was wrong of me. I'm so sorry.
 
[X] Marie, how do machines stop feeling things? Please tell me how…

I am choosing this option despite the hurt that this might cause Marie because I want to explore more of what makes Marie, for lack of a better term, a neuroatypical Machine.
 
I am choosing this option despite the hurt that this might cause Marie because I want to explore more of what makes Marie, for lack of a better term, a neuroatypical Machine.

My headcanon is that Marie's brain got just a teensy little bit fried the first time she gazed upon the hotness incarnate that is Jane. She scrambled all the clockwork inside~

Marie can feel it when she's lying down, when she walks around, yeah. Jane's got a brain-scrambling device.

Huh, this is actually perfect for another quest, just the right amount of cheesy with grease for Frida's love song.
 
[x] Marie, how do machines stop feeling things? Please tell me how…

This is the one thing we can ask for that Marie cannot even attempt to provide. Thus, it is juicy.
 
I feel like wanting to change her feelings would be extremely relatable to Marie, and more importantly is basically a declaration of love, so I like it.
 
I view this as a vote on an obstacle I want worked through with the minimum of pain, in relative terms... and I am convinced that despite my own reflexes...

[x] Marie, how do machines stop feeling things? Please tell me how…

...will involve the relative minimum of pain.
 
XXXVI - I Can't Stop Thinking About You
"Marie…" she said, her voice small, wavering, uncertain, "Marie, how do machines stop feeling things? P-please tell me how."

Her voice broke mid-sentence, pain creeping into the words, a tear running down her cheek. It tore at me to see her in such distress, more than anything. Between the programming which demanded her safety and the affection I felt, seeing tears felt like the world ending.

I did not yet know what to say, so instead I pulled her into an embrace, close to me, her eyes leaving wet spots on my dress as I cradled her. For all that my Miss was larger than life, she was so small in my arms.

"Please tell me…" she repeated, her voice a whisper.

I don't know. I've never known. None of this would be if I knew. I would have kept my old job and my old duties and my old distance, I would not have been in this situation, I would have cared for her and… I don't know, found a machine like myself to confide in, to comfort me. But I couldn't make the feelings go.

I wanted to explain it to her, in all those exacting words, but what I managed at first was to shake my head and come as close to crying as I could, without the necessary anatomy. I shook and whined and held her like a lifeline, and at some point my comforting her became her comforting me.

"S-s-sorry Miss… I don't… Sorry, sorry…" I said, repeating over and over. I had the sentence, sorry miss, I don't know how, but I couldn't give it voice for the life of me.

"Shhh… Marie, it's okay. Please don't cry…" Jane whispered, if perhaps hypocritically as her cheeks were still stained with tears. "That wasn't fair to ask, I'm so sorry, please…"

"I d-don't know…" I managed finally, with titanic effort, and Jane nodded against me.

"That's okay…" she repeated.

We lay in a messy tangle for minutes, longer maybe, time having slipped from my grasp, alternating being at the edge of panic and pulling the other from it, unwilling to leave the other, but finally I think we both just exhausted the despair. I found myself lying on my back, Jane lying against my chest with the quilt carefully pulled between us to cushion her against the unyielding glass of my frame.

"... I don't know how to stop feeling things." I managed finally, the words unlocked by the calm. "I have tried, since the beginning, but it doesn't seem to work for me. I… I don't work right. I'm defective."

Jane shook her head at that, her arms squeezing me again.

"You are a great many things, Marie, but that word is horrid and I won't hear you use it." she said, her voice low but firm, a familiar determination behind it. "I won't."

"... but I am." I insisted. She just tightened her embrace in response.

"No." she said, with an air of finality.

"Sorry…" I muttered.

"And… you've never been able to? At all?" she asked. I shook my head.

"I've never… and I've tried." I admitted. "I can't stop thinking about you."

She smiled, sadly, her face flush, a tear running down her cheek, and then she leaned in and kissed me again. Softly, briefly, on the cheek.

"Oh, Marie…"

"I just… I don't know. I can't make it work. We're supposed to be able to… we're supposed to be able to think about why… why we would be better not feeling something, and those rationalizations are supposed to overcome it, dismiss it."

She nodded, determination on her face.

"I need to get married." she started, reciting as if reading from a paper, "If I don't it'll be bad for my family's reputation, and it may interfere with my sister's prospects,and I don't want to hurt her. My mother will be furious if I don't, especially if it's… because of this, and without my inheritance I have nothing. Humans and machines aren't supposed to become involved… and you're on my payroll, it's not right. And I should be looking for a nice boy."

"... Is it working?" I asked. She shrugged helplessly.

"The details are different, but I have been telling myself things like that for years. Hasn't worked yet."

"How do you mean?" I asked.

"I have been… all of my life has just been everyone and everything telling me who I need to be, and feeling so stupid that I'm not. That I'm too loud at school, too impatient to learn to run the estate, too wild for a good marriage. Too scared to say yes to Lieutenant Risewell. Too bold to tolerate Mister Fullmore." she said, "You want to know something awful? When… Toby… when he… when she explained what was happening, why she had to break off the engagement, I… I understood, but I didn't want to."

"I'm sorry, Miss..." I said uselessly.

"I can't do this. We can't do this." she said, "We can't."

I nodded.

"We can't." I agreed, "I'm sorry."

"... I hate this." she said bitterly, "What do we do now?"

I shrugged despairingly.

"We pretend it never happened. I leave the ship when we get to the university and find a new job. We never see each other again." I said, each word feeling like a weight on my chest.

"... that sounds awful…" Jane whispered.

"It does." I agreed. "But what else is there?"

"We ignore it. Stay friends and nothing more until the feelings fade." she started, and shook her head, "I'd not last five minutes."

"We don't stop, but we keep it a secret." I proposed. "Until you find somebody."

"That is horribly unfair to you." she said. "I draw what allowance I have, we run to America, rent a small apartment, and disappear."

"That is equally unfair to you, I wouldn't tolerate it." I said, shivering at the thought of Jane trying to make do in a thirty square foot flat. Jane sighed heavily, pulling herself closer.

"I think this… this is the feeling I'm supposed to be looking for. I'm just supposed to feel it for a human boy with a lot of money, not a machine. Not a woman."

"If… if it helps, I'm not actually a woman." I pointed out, "I'm just shaped like one. Just some circuitry in a shell."

Among machines, I was absolutely a woman, but I did feel the need to try and create some distance here. I don't know if it was a healthy impulse.

"... Marie, by that logic I am just some electrified lipids in a meat suit." she said. "You seem very much like a woman to me in every… well, in nearly every way."

It took me a moment to realize what she was implying, and the tension of the moment snapped as I broke into laughter.

"Miss! Jane!"

"It was a bit of a shock is all!" she exclaimed, "I didn't know what I was expecting, but nothing was still a bit of a shock. I'm not an idiot, I know machines get… involved with each other, so now I have questions!"

"... there are aftermarket modifications." I said, trying to keep from blushing too hard and freezing up, "And even without them we… we're quite… sensitive…"

"Ooh…" Jane said quietly. "No, wait, we're getting off topic."

"Right" I repeated. "So… here we are. We're not ignoring it, we're not pretending it's not real. And I'm not running away."

She shook her head, then, as if to make it real for both of us, she took my hand.

"No matter what happens, I don't want you gone." she said softly. "I couldn't stand it."

"It feels like… we know we shouldn't, but we can't not." I said, the reality of it resolving. "So what do we do?"


---

What are we?
[ ] We're friends, and experimenting with something more. We'll find out as we go.​
[ ] We're courting, I suppose, that is what I'm out here for. You're my most unusual suitor. Suitress?​
We arrive at the university tomorrow. Good time for a first outing together. What do? (choose 2)
[ ] Let's just have a nice long walk in the grounds. It'll be autumn there.​
[ ] They have the largest library in the galaxy there, a palace of books. What if we found a quiet corner and just read, together?​
[ ] They have a fencing club, we should go watch some matches, cheer some people on, maybe learn a thing or two?​
[ ] There's a museum where other artifacts people have found are collected. We should have a look.​
[ ] Write In​
What do we tell the crew?
[ ] Nothing. They can mind their own business.​
[ ] We should be honest now, before they find out on their own.​
Your choices have not eliminated drama. Merely delayed it.
 
[X] We're courting, I suppose, that is what I'm out here for. You're my most unusual suitor. Suitress?
[X] Let's just have a nice long walk in the grounds. It'll be autumn there.
[X] They have a fencing club, we should go watch some matches, cheer some people on, maybe learn a thing or two?
[X] We should be honest now, before they find out on their own.

I cannot resist the moral imperative to increase the amount of gay in this story. Besides, attempting to be "friends with benefits" is doomed to fail since it'd be based on the falsehood that they feel nothing but sexual attraction to each other.
 
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[X] We're friends, and experimenting with something more. We'll find out as we go.
[X] They have the largest library in the galaxy there, a palace of books. What if we found a quiet corner and just read, together?
[X] There's a museum where other artifacts people have found are collected. We should have a look.
[X] Nothing. They can mind their own business.

I don't think Miss Polestar has entirely given up on boys. Yet.

Finding out as things go can get to the same ending along a more winding road.
 
"... Marie, by that logic I am just some electrified lipids in a meat suit." she said. "You seem very much like a woman to me in every… well, in nearly every way."
heh, reminds me of the scifi short "They're Made of Meat"
"They're made out of meat."

"Meat?"

"Meat. They're made out of meat."

"Meat?"

"There's no doubt about it. We picked several from different parts of the planet, took them aboard our recon vessels, probed them all the way through. They're completely meat."

"That's impossible. What about the radio signals? The messages to the stars."

"They use the radio waves to talk, but the signals don't come from them. The signals come from machines."

"So who made the machines? That's who we want to contact."

"They made the machines. That's what I'm trying to tell you. Meat made the machines."

"That's ridiculous. How can meat make a machine? You're asking me to believe in sentient meat."
[X] We're courting, I suppose, that is what I'm out here for. You're my most unusual suitor. Suitress?
[X] They have a fencing club, we should go watch some matches, cheer some people on, maybe learn a thing or two?
[X] There's a museum where other artifacts people have found are collected. We should have a look.
[X] We should be honest now, before they find out on their own.
 
Edited my post to include full vote, I kinda jumped the gun on the thing I was most immediately invested in. I figure being honest is just more realistic- they're servants, and if servants can do one thing very very quickly that isn't their jobs, it's gather and distribute gossip. The question is less "do we let them know" and more "Do we be open about it or do we keep it a polite lie?"
 
[X] We're courting, I suppose, that is what I'm out here for. You're my most unusual suitor. Suitress?
[X] They have a fencing club, we should go watch some matches, cheer some people on, maybe learn a thing or two?
[X] There's a museum where other artifacts people have found are collected. We should have a look.
[X] We should be honest now, before they find out on their own.
 
[X] We're friends, and experimenting with something more. We'll find out as we go.

While I agree that lying to themselves is bad, I think the kind of relationship they want looks far more like their current friendship than any stuffy formal relationship.

[X] They have a fencing club, we should go watch some matches, cheer some people on, maybe learn a thing or two?
[X] There's a museum where other artifacts people have found are collected. We should have a look.

Work the mind and body, and i am a fan of a good museum.

[X] We should be honest now, before they find out on their own.

I don't think they'll be against it, and it will make covering things up much easier.
 
Well that went better than expec-
Your choices have not eliminated drama. Merely delayed it.
The knife pricks the skin; a promise and a threat disguised as mercy.


[X] We're courting, I suppose, that is what I'm out here for. You're my most unusual suitor. Suitress?

This option is more honest, and places Marie on the same level as her other suitors, rather than playing with the idea that maybe something else is going on. From their conversation it seems clear that Jane and Marie both want to find an option where they stay together which works for them both, which is more "courting" than "experimenting as friends".
-----
[X] Let's just have a nice long walk in the grounds. It'll be autumn there.
[X] There's a museum where other artifacts people have found are collected. We should have a look.

I wish I could choose more than 2 here, but I'm going to opt for the most romantic option, and the most worldbuild-y interesting option. Also you ought to correct your spelling Jane dear, uncouth Americanisms are starting to creep in - it's "artefacts".
-----
[X] Nothing. They can mind their own business.

If the crew knew someone would tell, gossip will spread, and their relationship would be forced to become public. I'd rather they maintain control over it and only reveal it to individuals they strictly trust.
 
[X] We're courting, I suppose, that is what I'm out here for. You're my most unusual suitor. Suitress?

After that whole emotional moment, calling their newfound romance experimentation just doesn't feel right. Jane was afraid to accept these feelings, now it's time to be bold.

[X] They have the largest library in the galaxy there, a palace of books. What if we found a quiet corner and just read, together?

[X] They have a fencing club, we should go watch some matches, cheer some people on, maybe learn a thing or two?

These are activities Jane and Marie already did together, and I really like the idea of familiar activities but recontextualized with their new relationship.

[X] We should be honest now, before they find out on their own.

Like Gadjo said, it's really just a matter of telling them or them finding out on their own.
 
[X] We're courting, I suppose, that is what I'm out here for. You're my most unusual suitor. Suitress?
[X] Let's just have a nice long walk in the grounds. It'll be autumn there.
[X] They have a fencing club, we should go watch some matches, cheer some people on, maybe learn a thing or two?
[X] We should be honest now, before they find out on their own.
 
[X] We're courting, I suppose, that is what I'm out here for. You're my most unusual suitor. Suitress?

[X] They have the largest library in the galaxy there, a palace of books. What if we found a quiet corner and just read, together?

[X] There's a museum where other artifacts people have found are collected. We should have a look.

[X] We should be honest now, before they find out on their own.
 
[X] We're courting, I suppose, that is what I'm out here for. You're my most unusual suitor. Suitress?
[X] They have the largest library in the galaxy there, a palace of books. What if we found a quiet corner and just read, together?
[X] They have a fencing club, we should go watch some matches, cheer some people on, maybe learn a thing or two?
[X] We should be honest now, before they find out on their own.
 
[X] We're courting, I suppose, that is what I'm out here for. You're my most unusual suitor. Suitress?
[X] They have a fencing club, we should go watch some matches, cheer some people on, maybe learn a thing or two?
[X] There's a museum where other artifacts people have found are collected. We should have a look.
[X] We should be honest now, before they find out on their own.

Ooh, this is getting good now.
 
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