I imagine that the central part of the city where all the important government buildings and such might have been redesigned but the outer neighborhoods are still the narrow, winding streets.

"It was the gutting of old Paris," Haussmann wrote with satisfaction in his Memoires: "of the neighborhood of riots, and of barricades, from one end to the other."
 
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London did not do what Paris did. I don't believe cities in the Netherlands did. There is a distinction between modernising your cities, including slum clearances, and what was done in Paris, which

Like, the man who did the work in Paris made explicit reference to his intention being to prevent revolution. I don't know why you're so resistant to this, it's a matter of documented historical fact.
Because what I'm resisting is the idea that Paris was modernized only as a counter-revolutionary move. Or that absent the counter-revolutionary pressure, Paris would not have been modernized and would have retained the ancien regime architecture and layout up to 1870 and beyond.

I'm not resisting the point that counter-revolutionary mindset played a major role in the specific details of Haussmann's program for rebuilding Paris. I'm resisting the point that removing the counter-revolutionary mindset would result in Paris not being rebuilt as a modern city.

I imagine that the central part of the city where all the important government buildings and such might have been redesigned but the outer neighborhoods are still the narrow, winding streets.
I'd have to look at a map of Paris but I'm not sure that would actually be possible. Remember that Paris (like lots of other cities) grew rapidly during the 19th century; the "outer neighborhoods" of the historic medieval city probably ARE part of the city center by the mid-1800s.

I mean, you might end up with an urban renewal program implemented more gradually and only tearing down, say, 40% or 50% of the old city instead of Haussmann's 60%, but as I've noted there's a reason very few European cities still have large chunks of their medieval architecture in place. To us today it seems quaint and picturesque and we have sentimental attachment to revolutionaries manning the barricades, but to them those neighborhoods were grossly overcrowded slums and there was active political pressure to do something about them. And reformers who genuinely believed, often with reason, that they were on the side of the working class sometimes pushed for these changes.

Because the buildings getting torn down were owned by slumlords half the time anyway, and it meant that while the working class might be less able to riot and revolt successfully, they were more able to not get typhus, to breathe relatively less shitty air, and to actually see a tree once in a while. Decent people came down on both sides of that tradeoff, even if Haussmann wasn't one of the decent people which I'm not even debating here.

"It was the gutting of old Paris," Haussmann wrote with satisfaction in his Memoires: "of the neighborhood of riots, and of barricades, from one end to the other."
I mean yes. This was definitely one of his big priorities.

Haussmann was a smug motherfucker, and urban renewal is very much a mixed bag, and often functions as BOTH a tool of tightening down state control over urban society, AND as a genuine improvement of the living conditions of the general populace.
 
C5P1: An Opportunity for Change
An eventful night can change an entire dynamic, creating a revolution just large enough to flip the worlds of two people on their heads. When you wake the morning after that eventful night that is certainly how it feels.

Dim light pierces the blinds. Her arm is warm where it is draped across you, her skin hot to the touch where it presses against yours. She breathes softly, long hair tangled about her face and tickling your shoulder. You smile and kiss the top of her head. Nothing feels the same. Everything is more real, suddenly. Everything about her, and you. Being together. Finding unity in each other and each others bodies.

Eventually you have to move, if only to go to the bathroom if not for any of the other pressing issues which you are facing in the coming days. Travel documents have to be arranged, passes and tickets must be bought - and at some point you have to fit in a return to the Counts gigantic house in order to discover exactly what it is he's being so mysterious about.

It takes more than one attempt to leave the cosy bed where you finally consummated your relationship. It feels strange that it was not the creaking steel framed one in your apartment nor the threadbare mattress in Sasha's. Is it a betrayal or is this somehow your illicit honeymoon, snatched from the jaws of violence and offered up like a healing gift on the heels of a storm. Was that too melodramatic, was it too intense, was it too heartachingly tragic to think of this as a honeymoon? You were travelling, after all, with the one woman you had ever consented to spending your nights and your days with. You might not be married but then that's a laughable idea. Where in the world could you marry another woman, after all.

The two days between waking up in that perfect moment and steppin into the Count's villa once more are hardly jam packed. You spend most of them drifting through the cities warm streets, eating and lounging in the tired little hotel you are staying in. It's the only place that you can safely take her hand and hold it in your own, though a few times you dare to go as far as to stand, arm in arm, on the little balcony where you enjoy to smoke in the shining sun or under the stars.

"Do you think you still want to go to the capital?" Sasha asks in a quiet moment on the first afternoon, leaning against the doorframe with a cigarette in hand. She is framed by sunlight, shadow cast across where you lay on the bed.

"Do you know, I think it might be worth finding another part of Europa. One with a few less people who are quite so invested in us." You think back over the four people who've tried to encourage some course of action from you over the past twenty-four hours and how you actually only trust one of them to be at least threatening to use you for good. Between the spy on the airship and the traitor at the party you have a newfound impatience with anyone who seems to know anything about you. You'd rather be invisible, given your stated intent of getting away from the stressor that your home had become.

"I'll admit, I'm already tired of speaking Dyske. Where would you like to see? I'll take you anywhere you like, Koshka, anywhere at all." she said, and you know it is true, you feel it deep down in the way your heart flutters.

"What about Gallia? I've read so many stories about the vineyards and the restaurants and the tower of ayefulls-"

"The what?" her head snaps around, a big smile plastered across her face.

"The big metal tower in Lutetia, the triangle- what?" You say, confused as Sasha tries to hold in a laugh with only limited success. "What is it, what's so funny?"

"My sweet, sweet girl." She bites her lip, shaking her head, "Le tour eiffel, the Eiffel Tower."

She walks across the room, catching your jaw with her hand and kissing you softly on the lips. You're still pouting when she pulls away and she smiles again.

"Well whatever it's called."

"Lutetia then. We can do that. La Ville de Lumière, the city of lights. It'll be magical."

"I hope so." You say and take another drag from your cigarette in the early afternoon of a summer's day.



Walking up the path towards Count von Zeppelins house would feel like dejavu if it wasn't for the blazing sunshine and the lack of formalwear about your person. Equally you, once more, don't have Sasha by your side and while it does not feel as fear-inducing as it did that night in the Count's great ballroom it's still a little unsettling. But you have your cane, and your ideas and a confidence when climbings the stone steps which feels entirely unearned.

His office is much as you remember it, all dark wood and high backed chairs though a little less smokey than it was the other evening. Less heavy. The atmosphere isn't oppressive with the heavy curtains tied back and bright sunlight streaming in. It's almost beautifully designed, in its own Dyskelandic way.

Von Zeppelin himself sits in his chair, puffing away at another cheroot, looking both more comfortable and happier than he did that night when the party was in full swing.

"Valentina-" he says, pausing to take a long drag. He offers his lighter but you shake your head, "you said the other evening that you are not a woman of war."

"Yes. I stand by it." you respond despite the lack of a question.

"And I said that I had a potential offer of work for you, yes?" It's an actual question, but it's no more helpful. If he intends to simply go over the same conversation all over again, perhaps you should have started on that cigarette. At least you would have had plenty of time in which to smoke it.

"Yes, sir, you did. Asked me to come back and here I am." Crossing your legs, you lace your fingers in front of you. You're nervous, more nervous than perhaps you should be but the problem is that you just don't know.

"And here you are." he takes another long drag, blows the smoke in a billowing cloud into the air, "There is a gathering of the worlds nations being organised in October of this year, a congress if you will. It is intended that there will be negotiations on an unprecedented scale with the intention of working towards a worldwide network of trade and travel. I have been invited, of course."

"You airships? Surely ships, naval vessels-" You start to ask but he interrupts.

"They have their uses, yes, and they can certainly transport more than any of my airships currently can. But they are slow! If you want to travel from Varnmark to Otrusia in a matter of days then you take a von Zeppelin special, not a boat, don't you?"

You almost laugh. You most certainly would not, given the price of an especially chartered international airship flight but perhaps those who could, would.

"Certainly, I can see that. How does this relate to the congress?"

"Expanded trade, girl, expanded travel! The weakening of borders and the strengthening of bonds between people. My airships will change the ways in which people will relate to each other entirely. They will change the world, of that I am very certain."

"So this… this negotiation, it's a business opportunity? You had me sold on noble dreams, not money-making."

His smile is much broader than you thought it would be, given what you have just said.

"I knew you were not a naive woman, Valentina. Of course I will make money, but such is life. Such is the world. But that is not my purpose and I can swear by the nobility of my goals." Another pause. Another drag. Another cloud. "If people can travel, they will learn. If they learn, then they will understand one another. And if they understand one another then perhaps we will achieve unity on an unmatched scale. I wish to stop war, Valentina, a purpose that I know you believe in. That unity will end war, I know it."

The end of war? Folly, surely, to end something to central to the formation of everything you know. All the people, all the nations, all are twisted by war. But it's certainly a dream that you can get behind.

"I hope so. I truly, truly hope so. I imagine there are those who would give up everything to make that a reality."

"And there are those who would give up everything to stop it, knowing they could make it all back in the next stupid war. This congress will either be our our best hope for peace… or it will be the thing that sets us on the road to a war unlike any we have ever seen." He shakes himself back to the room, blinking until his eyes focus, "I would like you to speak at that congress on my behalf. You experiences in you home nation will be just the thing to convince the delegates that peace is the future, not war."

What do you say?
[ ] I would be honoured to speak on such a noble endeavour.
[ ] I can't possibly agree to this. I'm no speaker.
[ ] I can't give you an answer now. I need time.
 
Oh gosh. Great update. Sasha and Valya are so sweet!

Also I'm actually torn on the choice for this because I can see any of them fitting her.
 
I sometimes like to imagine that there was a process latent in the evolution of society in the Belle Epoque, the tail of the 19th and dawn of the 20th centuries, that genuinely could have led to the kind of peace and amity that people hoped for in those days.

And that World War One did not refute that such a thing could ever happen; it merely cut the process short before it could achieve critical mass.

It may be an idealistic fancy, but it's mine, and I cherish it.

...

Also I figured out a simple way to make the Eiffel Tower in the Gayaverse more awesome than the real one.

Don't change the size or the aesthetic. Just make it older. Someone did it earlier, and while it may have imitators in the monumental architecture form, that's only in the sense that the Mona Lisa has imitators as a painting. They don't displace the one true success.
 
It's sad that he's wrong, I think.

He is so wrong. He is the wrongest. Far more often than not, the people who make the wars do it because they have something to gain, not because they hate or don't understand who they go to war with. What he has to offer might help convince the ordinary people to oppose it, but they can't afford the tickets and would need independent mass political organizations or parties to do much about it, which is out of scope for his proposal. Instead, all his Zepellins do is make it easier to put bombs where you want them or effectively manage distant colonies. And yet it's an entirely ubderstandable impulse that I am completely sympathetic to, and one we still see mirrored in by astronauts talking about the overview effect. I suspect in the end he'll end up looking like a bit of a tragic figure, a dreamer with his head in the clouds too optimistic about the character of humanity to understand how it all went wrong as he unintentionally comes to enable what he had sought to prevent.
 
He is so wrong. He is the wrongest. Far more often than not, the people who make the wars do it because they have something to gain, not because they hate or don't understand who they go to war with. What he has to offer might help convince the ordinary people to oppose it...
Much as the 1913-era socialists historically thought, I think Zeppelin may hope here that if the masses can be convinced not to hate, that they won't follow leaders who start wars for personal gain.

[This is not to say he's a socialist, but the socialists aren't the only ones who can believe that if the masses would just understand that there is no good reason for them to follow a war leader, then there would be no wars]

but they can't afford the tickets and would need independent mass political organizations or parties to do much about it, which is out of scope for his proposal.
I think he's sort of working on that part. At least the first half.
 
Much as the 1913-era socialists historically thought, I think Zeppelin may hope here that if the masses can be convinced not to hate, that they won't follow leaders who start wars for personal gain.

[This is not to say he's a socialist, but the socialists aren't the only ones who can believe that if the masses would just understand that there is no good reason for them to follow a war leader, then there would be no wars]
Fair. He's in distressingly good company on this one. Unfortunately, it's a lot easier to end a war on that basis than it is to prevent it in the first place in the face of the full weight of propaganda that can be brought out to promote a war. The Second Internationale's betrayal of their principles was partially because of the perils of being changed by the electoral system you are trying to work inside of, but too many people went along with it for that to be all that was happening.
 
[X] I would be honoured to speak on such a noble endeavour.

Do we know where and when? This is the sort of thing that both preparing for and keeping our exact words secret are important. The first to do well, the second because we will be pressured to include other sorts of statements, and no one knowing what we are actually going to say will keep us from being an actual obstacle to other agendas.
 
C5P2: Lutetia
"I'd be honoured, truly. It's a noble endeavour and a noble request you make of me. But I must admit my hesitation in accepting." You answer and without a single lie. It would truly be an honour to be able to do such a thing for him. Ending war has been your dream ever since the one that tore apart your home came to such an abrupt close. Indeed, whenever you try to imagine the future you cannot see a way for things to improve without such an important step being taken.

But why you? Why now? What experience do you have, what credentials? Sure, you have a few medals buried deep in your luggage and a missing limb and the garish nightmares that wake you screaming - but what are they compared to a diplomats silver tongue or a lawmakers witty penmanship.

"Oh yes? I thought you might have a couple." He has a glint in his eye as if he already knows how this conversation will go. If you're honest with yourself so are you. But it wouldn't do to bite his hand off too eagerly.

"I'm no orator, my Lord, nor do I have much insight into the affairs of nations. Surely you have better people in mind than me?"

"There are those I can think of who may be more eloquent. And those who may know the tides of national interest are also within my grasp. But none of them have seen the world as you and I have. None of them have been thrown headlong into the vile butchery of war right down there amongst the blood and the powder-smoke. I do not trust them to speak with the vehemence that perhaps you or I would be able to. And as I said before, you do not carry the same burden of expectation that I do."

"I see your point," You say, though you do not quite agree that you have seen war in the same way if his description of his service was accurate. Despite that you cannot see any reason to answer in the negative, "I cannot promise that I will be the best spoken nor the best presented person at your conference, but I will promise that I will speak. It is not often anyone gets such an opportunity. It would be foolish to turn it down."

"I can't say I'd disagree," the glint turns into a smile under his walrussy moustache, "Splendid though, absolutely splendid that you're deciding to accept."

"Well quite. Just when is it, however? I have some plans, you see."

"So you said, so you said. Travelling wasn't it?" he asks though he barely waits for your nod before he continues, "Well, you'll have time enough for that. The congress isn't to be formally opened until mid-october, though I imagine there will be a few months of diplomatic wrangling prior to that. That gives you twelve weeks or so to see Europa with your, uh-" he clears his throat with a knowing look, "travelling companion."

"That's plenty I imagine. My companion and I can surely only stand so much continental cuisine until we'll be missing the simple fare of the North." Your joke at your own peoples expense is just a ploy to hide your nerves. Not over Sasha, no, you know the Count is perfectly comfortable with that particular idea. But instead your anxiety comes over your apparent destiny of becoming increasingly enmeshed in the future of the continent. You will not be anyone's pawn, you swore, but thus far remaining aloof has proved remarkably difficult.

"Then I shall see you in Stralsten in October, dear lady." He rises, gesturing at the door which opens without a word. You nod your thanks and make your goodbyes, itching to be outside all of a sudden. Itching for freedom.

Sasha meets your by the gate, leaning casually on a stone pillar and looking for all the world like an itinerant hoodlum out hunting for an easy mark. It's funny, the dichotomy she cuts between lady of leisure, with self-coiffed hair and beautiful dresses, and something akin to a street rat. You love her for it. So far all you've managed to become is a limping nobody with utility only when needed.

"Hello sweetheart. Productive meeting?" She asks, cocking an eyebrow and only managing to make herself look even more rakish than she already did. You have a sudden an intense desire to see her on the deck of an old sailing ship with a cutlass in one hand.

"I suppose. Do you know where Stralsten is?"

"Vaguely. Somewhere in Helvetica, isn't it? Why?"

You look back at the villa with a growing sense of unease forming in your belly.

"The Count has asked me to speak at an event there in October." You shake yourself, forcing a smile and looking into the eyes of the love of your life, "Which gives us plenty of time for our own adventures. Lutetia, my darling?"

"Wherever you desire." She half-purrs, before setting off in the direction of the station.



The train from Dyskelande to the capital of Gallia is a beautiful red machine trailed by a whole cavalcade of scarlet passenger wagons, crimson baggage cars and a few mismatched mail carriers. You realise you're excited as you take a seat by the window, flanked by the indelibly soothing form of Sasha, and look forward to seeing the changing scenery.

Of course you fell asleep within the first few minutes, the rocking carriage almost forcing your eyelids to droop and your head to slump onto Sasha's remarkably comfortable shoulders. That's all you remember of the first half of the journey, until you reach the border and everything takes a turn for the confusing.

The first thing you remember is blinking slowly as the train slowed to a halt with a hiss and asking whether you'd arrived. Sasha shakes her head slowly, gesturing to the window and the grim view beyond it. The station - more of a stopping point - is occupied almost entirely by soldiers in the gaudy uniforms of Gallia, a few officers in a similar uniform to that of the impolite Varnmarkian from the party amongst them. Beyond the few squat buildings is an unending line of entrenchments, earthworks and rolls of metal wire. Everywhere you look is a man with the gun or truck pulling a gun or… well, the specifics don't imprint themselves very closely on a mind. It is terrifying enough to see what appears to be the border of a Europan nation preparing to receive the charge of the golden hordes. It is terrifying enough to see the first signs of an oncoming war.

A man in a civilian suit walks the length of the train, checking papers in the company of two women with rifles in their hands (not on their backs, as you believe they should be) and wicked looking bayonets in their belt loops. He, despite his suit, has a pistol strapped to his belt and the air of someone who has not long since left military service. Police, you would guess, or perhaps part of the Gallian intelligence service. He takes your papers and chatters rather animatedly in their language with Sasha, then the people across from you. With a smile he stamps off down the carriage and leaves silence in his wake.

"What did he ask you?" you ask Sasha in hushed tones, nervous, excited.

"Where we are going, why, who we are to each other?"

You fight the urge to blush as the answer to that questions jumps unprompted into your head along with several images of the past few nights.

"What did you say?"

"I told him I was your bodyguard, that you're on a business trip, and then i slipped him twenty francs with our travel papers. He didn't ask many questions after that, for some reason." She says without a hint of irony or shame.

"You bribed him?"

"Of course I did. How else do I make sure he doesn't look too closely at the two unrelated women travelling together between major cities in the arch-rivals of continental Europa?" She smiles and slings an arm around your shoulders, "Plus, I like the idea of being your bodyguard."

"I do not need a bodyguard," You huff and return to staring out the window.

As much as the stop is relatively painless for you, it is not so for some of the other passengers. More than one, either alone or in pairs, are pulled from the train and harassed down the platform and into one of the low buildings that line it. They do not return before the train pulls away.



Lutetia is everything you dreamed it could be. Glittering lights. The smell of baked goods. Architecture, art, and oh so many fashionable people. It is glorious. It is beautiful. It is a stark change when you take a bus to the suburbs to find a cheaper hotel and see why it is that it is only the centre for which the city is remembered. Nonetheless, you make do and within a couple of days you have settled into a comfortable routine of lazy breakfasts, balcony lounging, bus and tram rides and wandering for hours in the company of a beautiful woman who continues to tease you about her potential as a 'garde du corps' as she informs you it is said in the local language. But it is listless, this idle wandering. You are here to see sights, not just soak in the atmosphere, however easy that is in the blazing sun.

What will you do?
[ ] Climb the Eiffel Tower! Visit a Gallery! Get some culture.
[ ] Visit a coffee shop, they are the fashion here
[ ] Visit the palaces that belonged to a long dead Queen.
[ ] Find somewhere a little more… to your tastes.
 
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[X] Visit a coffee shop, they are the fashion here

Coffee shops are where the politics are!

Seriously, it is. We should listen in there and see if there's any useful information (revanchism hint hint) we can work into what we say at the conference.
 
[X] Climb the Eiffel Tower! Visit a Gallery! Get some culture.

Eiffel should still be alive, I think. Did a lot of aerodynamic research. Also, art.
 
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