Fate/Reach Out
Fuyuki Gaiden 3: Shoot for
The Moon
The Mitsuzuri clan; a family with a strong history of martial arts and collected weapons. For generations, our clan has been known to have men and women with strong physical fitness and peerless stamina. Our family tree goes back as far as one of the many samurai clans around the Heian Period before branching out to martial arts.
It's an honor to be a Mitsuzuri. To be a strong leader, a capable fighter, to preserve the talent for ages to come. To be a Mitsuzuri is to be a warrior pushing your limit to be the strongest. My father, a retired police officer, is a master of taiho-jutsu. My mother, a traditional Yamato Nadeshiko, has practiced naginatado so long that she named her polearm like a pet. My younger brother is a quick study and is intent to learn kyudo.
…and then there's me.
"Shout~ friends! / Just those words you'll feel that you'll need/
And let your / voice be heard all over the world /
Stand up / when you hear the knock on the door -"
A knock on my door interrupted my singing, and ruined my focus on the music. "Ayako! Time for practice!"
"Okay, mom!"
I'm the daughter and heir apparent of the Mitsuzuri clan; Ayako. Second year student of Homurahara High, Captain of the school's Archery Club, all around competitive girl… with a girly streak.
I feel I need to emphasize that because no one seems to take me seriously when I show them my CD collection, let alone my copy of Risette's newest single.
I turn off the music player and open my closet, exchanging my girly clothes for my martial uniform. Considering it was a white undershirt and black front guard, it was a bit hard to find through all the other dresses and cute clothes I've bought. So many colors, frills, designs… and I haven't worn all of them yet!
It's a dilemma all girls have, I'm certain. Even Rin.
<><><>
My family dojo is nothing special; it's not as pristine and well maintained as the one in Emiya's house (or so I've heard), and it's a dwarf in comparison to the archery dojo at Homurahara. But it has an entire closet full of weapons. Mostly swords and polearms, with the odd exotic weapon like a chain knife, but it's a treasure trove of weapons all around.
But I know a handful of styles. There's archery that I picked up on my own naturally. I would have said I'm proud to be a master of it, but I can't say that in good confidence after seeing Emiya use a bow and arrow. He took to it as naturally as a fish to water. I'd love to learn more from him, but he quit the club last year, and is now visiting his relatives in the rural country town of Inaba.
Then there's kendo. I just started it recently this year, so I'm not so skilled in that one. It's kind of hard to get better when your teacher, opponent, rival, and above all worst enemy is Taiga Fujimura. Mind of a child, body of a… big vicious carnivore. It makes for a dangerous combination, and while I'm learning through her, she's still leagues above any student in Homurahara High. I would say she's worthy to be the best of the best, but she hasn't reached any level higher than five-dan lately.
Last but not least is proficiency of the naginata. A beautiful weapon, really, used back in the age of samurai as their bladed polearm. There are different naginatas meant for men and women (but mostly women), usually in a smaller blade to compensate for the heavy thick pole you swing around. I've always used the o-naginata to try and compensate for my girlish figure, but I'm not sure if it's working.
Tonight's exercise is just my mom and me swinging our weapons. Strike, turn, parry, repeat. The basics are important in any martial art, and once you have them down pat, you can focus better in fights. It's like training to level up, but using the long and hard way instead.
Strike, turn, parry, repeat.
I was about to do my next set when my mom stopped and looked at me. "Something's troubling you, dear."
I blink. "What do you mean? I'm following this routine like clockwork."
"That's just it," she told me. "Fighting and training is about more than routine. You need to have passion in your art, and a reason to pursue it."
I could tell what she was saying, but it's not like we live in an anime or video game. Having a martial arts skill set isn't going to make you become a magical girl or save the world from some ancient evil. Modern warfare and technology has come a long way since the age of the samurai, and the act of aiming and shooting with a gun makes any extension of martial arts next to useless. But even so…
"I'm doing this because this dojo is kind of a big deal. You and dad want it to keep going, don't you?"
"Not if it means you giving up on just enjoying yourself."
"But I do have fun and enjoy myself."
"With swinging a naginata? Or a kendo sword? Or firing an arrow?"
I frown. "I want to keep doing martial arts, mom. Really. It's okay if I don't like doing it, right? It's more of a job to keep it going on. I don't have to like a job to do it."
Because seriously, a lot of people would tend to do work even if it sucks. The reasons vary, like a big payoff or something honorable or rewarding. Maybe not in money, but in something else…
Mom still looked upset with me though. "If you keep thinking like that, Ayako, you'll never reach master status." She walked across the dojo to set her weapon back on the closet rack. "We'll end early tonight. Take this time to reflect on what you really want."
What was that supposed to mean?
<><><>
I'm not an official Kendo club member, because there's no Kendo club for women in school.
It just happened one day after watching a couple shows that had the main characters use wooden swords to save the day. The idea was cool, and the practice behind it was sound too. You swing a wooden, weighted weapon enough, and you'll build muscle to learn the motions. Then you can use real weapons based off their wooden counterparts and deal a lot more damage.
Of course, I've practiced with a naginata and bow for so long that I already have the necessary upper body strength, so the real challenge is muscle memory. While a discipline in kendo sounds like the perfect art to add to my repertoire, I'm not an official kendo club member, so I had to… improvise.
"HA!"
Luckily there's Taiga Fujimura. English teacher, supervisor of Archery, the living proof that scientists have it wrong about the perpetual motion machine… and a total brat.
The situation for the Kendo club is tricky, as Fujimura-sensei is old enough to be captain but is regularly a member. I think everyone just calls her captain and lets her take all the important planning because she's a teacher and highly skilled at the art. She certainly cares more about getting the club into regional contests than spending funds on superficial equipment, for starters.
"YAY! I win again!"
Not that it excuses her for acting like a kid more frequently than her own age. Standing in the arena circle, the taller kendoka was jumping and cheering. She had earned her final point striking the shorter kendoka on the crown of his head, and judging how he was crouching and rubbing it, the helmet did little to buffer the pain.
Sitting in the back with the other official members, I hear them grumbling among themselves. "There she goes again, acting as if the fight wasn't that serious."
"Yeah, but it's amazing how far off she is compared to the rest of us. Shouldn't she be higher than five-dan by now?"
"If you ask me, it's better this way. Otherwise she'll get famous!"
The boys nodded in agreement. I didn't quite follow their logic as to why this was bad. If Fujimura-san was famous and a master of kendo, wouldn't that be a good thing?
…if we overlooked her childish antics of course.
"Besides," they started up again, and spoke more softly. "We all know her shinai seeks out the blood of those that she duels against."
"Such a deadly weapon can only be described as cursed!"
I found their claim ridiculous, but it's not really my place to ask. A kendoka is supposed to give respect to senior members, as well as always pay attention in practice. Not that I'm really an official member but still…
"Okay, Moto-kun. You can go rest for today," Fujimura-sensei told her latest victim as he more or less fled. She turned to the rest of us sitting at the side of the dojo. "Now, who's up next?"
No one stepped forward or raised their hands. They still squirmed and flinched at the idea of having to go up against Fujimura-sensei.
"This is all your fault, you know," one of them whispered.
"My fault?!" A kendoka asked incredulous. Even I was surprised by with the claim.
"You had to blab out loud that Fujimura-sensei is a kendoka, and now she's running us ragged in these sessions!"
"Well, sensei was upset about our last match and really wanted us to shape up. I didn't think the rumors around 'The 'T' of Fuyuki' were true!"
Ah, so that's what happened. It did seem weird that Fujimura-sensei was spending so much time with these guys. Well, if no one else was stepping up…
"I will, sensei."
Sensei turned to me, and I can barely make out the smile behind her mask. "Ayako-chan, perfect! Come on up then!"
I nodded and slipped my helmet on as I carried my shinai over. Some of the boys sighed in relief at not having to fight. I don't see why they keep coming to this club if they don't try to better themselves. Friendly spars among club members could only go so far before they stagnate. Only by facing stronger, more skilled fighters could they learn more and get additional experience. Any gamer would understand that logic; it's how you "level up" in video games.
And Fujimura-sensei is the best there is in kendo. She is even better than me. At least right now. We bowed to each other as custom dictates, the calm before the storm.
Okay, review time. In Kendo, you can only strike at four points; the crown of the head, the side of either wrist guard, the abdomen, and a small space for the throat. Each strike there counts as a point, and the first to get best out of three points wins.
What's more, the strikes don't count unless they have the energy, the accuracy, or the proper stance all at once. Usually matches last up to five minutes, but the matches can go by very quickly if you don't even have time to count the score.
Sensei seems to prefer the straight approach, and her preferred target is the head. As long as I can parry and thrust at her neck, I'll get ahead with a point.
The referee signaled us to begin, and like always, sensei is off like a bullet, and her shinai even faster. I swear I saw her lucky tiger bangle tied to it. "HOOOA!"
From my standing position, I raised my own bamboo sword to a diagonal slant. It wasn't enough to stop her swing, but did divert her enough to hit my shoulder pad. A miss, and the match will keep going until an official hit is registered.
With my sword in position, I quickly thrust at her throat guard. She all but vaults backwards to avoid it, but I press forward in chase. She shifts her arms back into position and swipes down to strike my head to score before me.
"KIAH!" "HOOOOA!"
I connect with her neck. She hits my head. One of the three referees blew their whistle.
"Point, Mitsuzuri!"
Two more to go, but the real fight is about to start.
It's rare to get the upper hand on sensei, but especially so to win against her. She's already designated me as a threat and holding her shinai seriously. She's always been serious in sports, but lately she seems to be making more of an effort to train and spar. I think she only agreed to help these kendo club kids solely to brush up on her skills, too.
The second match starts, and sensei doesn't move right away. I flinch, expecting some sort of advance and barely hold myself back for her to take an opening.
It's easy to assume that to win in kendo, you have to strike first and strike hard. While striking with vigor is very important, it doesn't count unless the strike is in proper form and hits the right target. Those rules might sound very restricting, but when refined with sharp reflexes and precision, a kendoka can theoretically wield a real katana with ease.
But musing on the speed or lack thereof in kendo is pointless-
"HOOOOHYAAAA!"
Or else you get blindsided for not thinking quick enough.
I barely manage to block her, this time getting stuck in a deadlock instead of a parry. Sensei must have anticipated this regardless as her strike was rather light and she made a quick retreat. I chase her forward with the intent to attack her abdomen this time. "KIAH!"
Almost at the same time I swung to her left torso, I feel a deft smacking of wood against my left arm. "HOOOOOA!"
Since it struck the outer rim of my vambrace, that meant- "Point, Fujimura!"
The remainder of the spar became a sort of song and dance. Having read off our moves for a while now, we give up points and advantages to guard our weak spots. Our torsos were well guarded, our arms always moving, and our heads just out of reach from a strong strike. And of course, our battle cries entered a sort of rhythm of rise and fall. During this barrage, there was a brief pause as the refs said:
"Point, Fujimura!"
"KIAH!" "HOOOA!" "KIAH!" "HOOOA!"
Smack, smack, smack, smack, we continued with gusto.
I was tired, my arms were shaking, and my throat was raspy from shouting to make sure my strikes had the right "energy" to count for points.
But Fujimura-sensei? She was a dynamo of energy. Try as I might, I could only go for so long before she overwhelmed and struck past my defenses, claiming her victory.
"Match point! Winner: Fujimura!"
"I WIN AGAIN!" she jumped and cheered loudly like an overeager school girl. At least she remembered to bow to me to signify the end of our match. It's those bouts of rudeness she has which remind me why she's not a higher ranked kendoka.
She removed her helmet to wipe away the sweat in her hair. It's amazing how young and energetic she acts. "Good match, Ayako-chan! You're getting better every day!"
"I'm still leagues behind you, though," I told her honestly. "I mean, fighting you was like trying to fend off a tiger."
"…" Fujimura stared at me blankly, mouth agape in a gasp. I think I heard the other kendoka boys wince and gasp too. Why is-
…Oh shit, I just said
that out loud, didn't I? The one rule of Taiga Fujimura is never ever
ever say
that word in front of her! The one that sounds so much like her given name. Not even the fact that our match is over could spare me from her violent outburst.
Survival instincts, think of something and don't fail me now!
"-Oak! Tiger oak, that is about to fall over you and crush you! Yeah, that's it, heheh-heh…"
Such a weak excuse backed by a weak laugh only showed how vulnerable I was. And even then, the recovery was bad. I had to compare her power to a falling tree? Why couldn't I apologize?!
Game over, girl. Game over!
"Yeah, I work out so much that I'm pretty much the second coming of Kaihime!"
…what.
Was she… smiling? And laughing? And slapping my shoulder like a good sport?
…thank goodness that my mask is still on. I don't think I can trust my facial reaction from seeing Taiga acting so jovial. I can't help but to feel guarded though, like she's already planning her revenge of my slip-up.
"I…I'm sorry," I squeaked, in what little I could do for damage control.
"Yeah, you gave me a good match! Don't sell yourself short. Just keep it up and maybe you'll do better!"
I slowly nod back to her and then walk back to the benches. I'm a bit confused by Fujimura-sensei now. I assume she's a master, so dedicated to martial arts and gung-ho about what she does, but instead of going into a rage, she acts mellow and nice. Passionate, even. Not just in kendo and teaching, but in personality.
Is this what mom was talking about?
"Wow, you did pretty well against sensei, that time," one of the kendoka whispered to me.
I shrug. "I still lost. I'm just glad I didn't get told off for
that blunder."
They smiled and chuckled. "Maybe the tiger doesn't have a strong bite on her after-"
"Toshi-kun, you're up!"
The boys stopped rambling and they turned to Fujimura-sensei. Toshi was annoyed. "Come on, sensei, I already did my-"
Toshi-kun stopped. All the kendo members flinched. I don't blame them. Taiga Fujimura, helmet still in her arms, was giving them the Smile.
On the surface, it had the image of a pleasant, happy, generic smile that anyone can make. But you can make out the small facial differences, like how the lips were strained to stay that way, or how the eyes were closed a little too tightly. But what differs a smile from the Smile is the fact that the former was genuine and the latter promised a swift death.
Man, and I thought only Rin knew how to pull that gesture off.
"I said," she said in faux sweetness.
"You. Are. Up."
There was no mistake. Fujimura-sensei was
pissed. She gave me a stern, sad warning as she knew I didn't mean it. But since the idiots assumed that she wouldn't fly off the handle every time it was said, she needed to make an example. And whether or not he felt forced to see it through or believed he would still get away with it, he slowly made his way to the ring.
"GWOOOOOOOAAAAAAAAAAAAAAAAAA!!"
Not even a second passes before he steps in and she all but
bulldozes him while screaming with a powerful forward swing. The club member standing in as referee was all but ignored in this execution session.
I'll pray for you in the next life, Toshi-kun.
<><><>
I practice the naginata to get close to my mom as a proper martial arts woman. I practice the bamboo sword out of love for anime and to beat Fujimura-sensei.
But my third proficiency, the bow and arrow, is something I chose to practice out of a fascination of shooting targets. It's definitely more primitive than a gun, but it's not like I can afford one like an American. But hey, it's not like they have a giant-ass school dojo made solely for the sport, so that's something.
There's just something very soothing and awesome when it came to picking an arrow, pulling it tight on a bowstring, and watching it fly. I remembered the years I struggled to successfully pull back a practice bow. The disappointment of seeing it sink down to the ground just in front of my feet. All the years pulling back and forth, building the muscles to fire farther… it was worth it to see my arrow fly true and pierce through the target rings on the other side of the open range.
It seems funny that I'm the captain of the archery club now. I don't see myself as a master of archery, but more as a caretaker of the trouble students. There's only one real master of archery that I've seen so far, and he's all the way in Yasoinaba.
As odd as the request was, I'm glad Fujimura-sensei asked for his old archery gear, even though she didn't say why he needed it again. Knowing he's practicing again is enough of a motivator to keep me going.
I turn my sights to a target ring. I can see Emiya in my mind's eye, his back facing me. He looks so distant, yet confident. He should still be in the archery club. His mindset is that of a master of the craft. Fast, sharp, calculating, accurate, dutiful… the list goes on. He was a prodigy, we shared the same club, we became good friends, and then he just leaves without looking back.
I still regret not asking him out when I had the chance. I might not find another guy like Emiya to be a future boyfriend in time to beat Rin.
Thinking about it though, when did Emiya and Rin get close enough for him to owe her a favor? I mean, Emiya is just not the kind of guy to ask people to do something for him. It's more of the other way around. Did they have a secret meeting that even Fujimura didn't know about? Are they, dare I think it,
together?
I only joked about it when I assumed Emiya was Rin's boyfriend to her face, but she reacted quite off guard and flustered. She's a school idol, highly popular, and if they were really going steady everyone at Homurahara High would have known that by now.
Furthermore, if Rin was actually dating Emiya, she would've told me, if nothing else to claim victory in our secret bet over who could get a boyfriend first. So why the secrecy? Perhaps they went out as friends but didn't go steady? Or maybe they did and then broke up? He did have to leave Fuyuki due to family reasons, so perhaps they ended their relationship by mutual agreement instead of going for a long distance one.
That would have been disappointing if the case. If I were dating Emiya, I'm sure I would have at least tried to make it work. Emails, phone calls, maybe an online game could play together. The trick is keeping contact, right? Well, it would have been more difficult for Rin "Analog" Tohsaka, but if she really wanted to…
I blinked. I replayed the memories of that Children's Day again in my mind. Rin did seem rather excited when she mistakenly thought Emiya was coming back. Could it be that she wants to go back together? What about him though? He spent the holiday here in Fuyuki, but from Rin's reaction is safe to assume he didn't seek her out to catch up with her – heck, I haven't quite forgiven him for neglecting me that way.
And for all I know, he's probably getting cozy with a new girl at Inaba. Maybe a popular school idol like Rin, or someone sort of cute tomboy?
Dammit, Emiya. Who do you think you are to play with a maiden's heart like that?
So mad at that handsome jerk I visualize him as a my target to shoot at, for all my frustration. Preferably at the heart, like the center target ring. My arrow flies, and hits dead center.
Bullseye. Now if only I could strike his metaphorically small brain too…
Just as I was about to draw another arrow, I hear applause. Just around the dojo door were Fujimura-sensei and Sakura Matou. Supposedly, they always ate breakfast and dinner together at the Emiya household (I learned that to be fact from my snoopy younger brother). This is the first time I've seen them arrive at school together though.
"Nice shot!" our teacher smiled. "You're really getting good at this, Ayako-chan!"
"Thank you," I smile back. If Fujimura-sensei thought I was good, then it meant I was doing something right as archery captain. Namely, to pay attention to her members.
Sakura bowed and muttered a soft, "Good morning, Mitsuzuri-senpai," before walking over to pick out her own shooting spot. Sensei is always so chipper and happy, but Sakura looked like someone kicked her puppy into a vat of acid. She's better now than she was the start of the year, but there's no prizes for guessing that was because of Emiya's brief visit.
"Keep your form straight, Sakura," I told her. As her captain, this is probably the furthest extent of what I could help her with.
My purple haired kohai nodded and adjusted her arms slightly. At least Shinji wasn't around. Probably too busy trying to flirt with girls, or stalking Rin. Well, family matters have to be resolved within the family, so it's none of my business anyway.
"Ayako-chan? A word?" Sensei asked. I almost missed the timid tone in her voice.
"Sure," I reply. After setting my bow down gently, I follow Fujimura for a bit, and purposely away from the only other archer on the field. Morning practice isn't mandatory or even required, but more of a perk for early riser martial artists. I think Emiya was the one that even suggested the idea to do so.
But that was a year ago, and not important now.
"If it's about the kendo thing yesterday, I really am sorry," I told her.
Sensei blinked, and then laughed. "Are you still worried about that, Ayako-chan? I know you're one of the more respectable students here, and accidents happen!"
"But-"
She patted my shoulder with a rather sad smile. "It's fine. I had a bit of a self-revelation recently, and I'm trying to keep all my emotions in check. In a way, I'm kind of jealous of you, Ayako-chan."
"Jealous? Of me?" That made no sense!
"It's just, well…" Taiga started, before glancing over her shoulders to make sure we were still relatively alone. "I know what the other students see of me, coming across as more of a tomboy than a teacher. I'm sensitive about my name being used as a joke, and that I'm not seen as feminine enough."
Taiga Fujimura?
Sensitive? The only time you would read or hear a sentence with those three words together is if the word "isn't" is between them!
Although, if all her overreactions were a mask for her being slighted all the time… that makes sense.
She looked at me with a sort of begging plea in her eyes. "I have a favor to ask of you, Ayako-chan, but first I want to ask a serious question."
A favor and a question? I'm really starting to get scared for this more vulnerable Fujimura-sensei. But I kinda owe her for the other day, saying that word, so why turn her down? "Okay?"
"First off… why do you do all of this? The archery? The kendo? Even practicing with your family? It's one thing to be good at a sport or martial art for the fun of it, but you throw yourself in them all the time. You can't possibly be training for a war, so why?"
…okay, this is getting weird. I expected a simple question like something about Sakura or the other students, and she's only this serious whenever she's teaching or in a fighting ring. This introspectiveness isn't like her at all!
Still, she has a point, and it reminds me of the talk I had with mom before. Why
do I do all of this?
"I think," I started, trying to think of the right words.
"I just want to beat my other self."
Fujimura stiffened. "Y-your other self?"
"My weaker side," I clarify. "The one that is trying to learn from the stronger martial artists like you and mom. The one that can't seem to find a balance between my interests and my fitness. I don't know if I'll find the answer if I keep doing this, or if I'm making things worse in the long run. But I think if I'm strong enough to pass my current hurdle, maybe it'll all be worth it."
Because I think that's my problem. I'm still behind other masters. My mother in naginatado. My sensei in kendo. My old club member in kyudo. I can't move forward until I pass at least one of them. What happens after is irrelevant.
"To be better than your weaker self," she muttered in thought. "Yeah, that sounds deep. I should do that more, too…"
"Sensei?"
"Sorry, just talking to myself. Thank you for your honesty, Ayako-chan. I feel more motivated to do this now."
"Do what, exactly? And what about the favor?"
"Ah, that," she frowned, glancing back to Sakura. "Can I ask you to keep an eye on Sakura-chan while I'm away?"
"Of course, sens-EH?!" Did I just hear her right?!
"Sorry for dumping this on you," she smiled sheepishly. "As I told you, I'm kind of having trouble with my emotions right now, and hearing my students throw around Ti-ti… the T-word has been rather straining." Geez, she can't even say that word herself without stuttering! "I've been considering a leave of absence the rest of the school year, and the only thing really stopping me is Sakura-chan. I tried telling her about it, but she didn't take it very well."
That would explain her mood, I guess. Focused, yet monotonous and without the vigor and energy behind it. She would make a poor kendoka-
Wait a minute.
"Sensei, what about the kendo club? And your position watching the archery club?"
"Well, I asked a few other teachers to oversee the clubs while I'm gone. You don't have to worry."
"I'll keep watch over her," I promise. "But do you think you could loan me a second kendoka set?"
"What for?"
I glance over to Sakura. Still staring, still focused, probably absent of life in her. Fujimura-sensei followed my gaze and got my point. "For Sakura-chan? She's not suited for that kind of sport."
"It's not about whether she's fit for it or not," I answered. "She needs some more 'kiai' in her life, especially if you're leaving soon. I can be her personal tutor in archery and kendo, maybe make her my protégé."
The more I thought about it, the more I smiled. I barely knew Sakura, but anyone who is a friend of Shirou Emiya and very familiar with Taiga Fujimura is okay in my book. Rin's great, but we barely interact outside of school. Whenever we do, we try to one-up each other. I'd rather have someone like a kohai to count on me.
Fujimura smiled and sighed at once. "First cooking, now self-defense? I'm getting the feeling everyone wants to play with poor Sakura-chan."
"Is that a bad thing?"
She paused, and then shook her head. "…no, it's probably good for her. I'll give you a copy of Shirou's house keys later so she can cook for the both of you. Anything to help her calm down and relax the rest of the year."
I don't know how to think about that, really. I mean, being able to hang out in Emiya's house without him being there? Maybe I could rummage through his room and find what kind of porn he reads- purely for research of course.
Gah, what am I thinking? "Why Emiya's house? Can't I just invite her over to dinner at my place or something?"
"Well, Sakura-chan doesn't like to impose and make new friends, see. It took her a while to warm up to Shirou because of how stubborn he was. Embarrassingly so, but that's another story. Being at Shirou's big house is sort of like her sanctuary and second home, and I still don't get what makes her so tense about talking about her house or being around Shinji."
Besides the fact that Shinji is kind of a pompous ass? The guy is a decent shot and has good grades, but for some reason that's never enough for him and he overreacts at the worst of times. Sometimes I wonder if Sakura and Shinji are even related; I know one doesn't really deserve the other.
"But anyway, thanks for this, Ayako-chan," Fujimura smiled at me. "First fetching Shirou's archery gear for me on your free time, and now this? I'll be sure to make it up to you later."
"Sure then, sensei." I nod, and she hurried off. Not sure what she does between now and the school warning bell, but it almost always ends with her running late and making her frantic yelling through the halls.
Without Emiya or Fujimura around, Homurahara High is going to be a rather sad place this year. Especially for poor Sakura…
Well, no time like the present, and the initiative is always important in martial arts. I walk back to the shooting field towards Sakura, who was just now looking my way.
"So, Sakura-chan," I smile to her. "How would you like to wield a bamboo sword?"
Her reaction was to be expected. "Eh?"
I'm gonna have to shoot the moon for her.