That, particularly the bolded bit, feels like a really weird issue to pick to me. Another way of saying they both hired us for the same reason is "the same action pleases both parties." Especially when one or both sides know the score. (And we are here as only plausibly deniably Luthor's agent. One side already knows what's up; the other just needs to be filled in)
This is the sort of thing that, when it comes up in the real world, gets described with terms like "collaborative partnership" and "international cooperation." Could there possibly be ways of making one side feel like they got ripped off? Yes. Are there abundant tools to prevent or work around that issue? Also yes.
We have many other ways to repay her help, but we give her what we think is best to assuage her sadness and make her happy. Moreover, for us, this option is combined with some danger that other options do not carry.While I like that interpretation of Pahtsekhen, it is worth noting that all four options are labelled [LEVER] for a reason.
We're not helping Aelsabrim and her husband out of the goodness of our hearts, we're doing it because she can give access to valuable exhibits we won't otherwise get.
Well, this sold me.The thing is, Aelsabrim was explicitly marked as a rare capability when it comes to matters of royal connections.
Other sources of acquisitions can be expected to show up, especially if she pivots out of that role, but her connection to royalty and high society and the kinds of stories it provides cannot and should not be counted on occurring again. At the very least not in the form it does now.
If you want a deeply personal connection more than one between institutions (And a story of true love that defies even death~) then that is the reason that option exists, and Grief is a good pick.
My argument here is that that goes all ways, and whichever relationship is built first should be expected to be the focus for the foreseeable future.
There's a bunch of prospective stories here but I find it a bit offputting to read arguments that we can expect to have our cake and eat it too with any choice when we're explicitly warned that the opposite is a real risk. My choice in that, then, is that I could come to enjoy the shipping goggles of necromancyTM, but I want to be Uncle Nyarlathotep more.
I want to be the stranger who swept in from the deserts of mysterious lands and came to the halls of knowledge. I want to be the one who upended conventional knowledge withnew and exciting tales. I want to be the one who drove a generation of scholars at least slightly mad withnew insights . But in a campy fun way, befitting a pirate-faction villain, rather than with the dreadful inevitability of a cosmic-horror villain.I want to belong in a song written and played by the Darkest of the Hillside Thickets.
It being tied into a story where the legitimacy of the museum and its host state means other nations at the table just shrug and nod along and say that "oh, yeah, that happens sometimes," as would tie into Arathnorn's statement isn't quite as core to me personally, but is a very fun addition and a close companion in tone.
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EDIT: I don't know whether I'm going too far here or not or delivering this well or poorly. To lay everything out as clearly as I can, there was an issue early on in the vote where people were arguing to vote for something other than Grief in the idea that they could get it first, and expect to pick it up later, and my assumption was that it worked both ways in that regard.
My intent is partially to correct that and say to "understand what you really want, and then vote for what you really want," and partially to sell the option of Prestige and it's appeal to me in hopes it resonates with others. I am obviously heavily biased here, but I think that's not really a problem in and of itself as long as those biases are clear to all. Please, feel free to correct me if I am wrong in any part of all that.
I mean, those aren't mutually exclusive. Using it as leverage to further our goals doesn't necessarily mean we can't also be doing it out of a genuine desire to help her. Killing two birds with one stone and all that.While I like that interpretation of Pahtsekhen, it is worth noting that all four options are labelled [LEVER] for a reason.
We're not helping Aelsabrim and her husband out of the goodness of our hearts, we're doing it because she can give access to valuable exhibits we won't otherwise get.
To add to this, Pahtsekhen is a character who was introduced as explicitly having every single expression and sign of life under his total and complete conscious control. To the point where emotions very explicitly don't come into it unless he means them to.While I like that interpretation of Pahtsekhen, it is worth noting that all four options are labelled [LEVER] for a reason.
We're not helping Aelsabrim and her husband out of the goodness of our hearts, we're doing it because she can give access to valuable exhibits we won't otherwise get.
Young Melkoth I need you for one last job(in this soon to be defunct timeline).By word of Boney, the best time to do Grief now (well, was when he had just died, but now is best we can get).
To be fair (and I may be wrong), I don't know that many people advocating for Grief are doing so primarily out of investment in the Fallenstars' relationship. The angle is closer to a desire to play the role of sympathetic tutor in helping out a potential student in the most immediate and comprehensive way possible, using and spreading the tools that he is expert in, which just happen to be powerful death magic! It's also a sharing of knowledge, just with a personal, character-focused approach rather than a myth-making one.To add to this, Pahtsekhen is a character who was introduced as explicitly having every single expression and sign of life under his total and complete conscious control. To the point where emotions very explicitly don't come into it unless he means them to.
So I was very much struck by the thought that this entire update, every expression, ever bit of personality in body language, every half suppressed smile is something he affected because that's what he wanted people to see.
There can be honesty in that — the best way to convince someone with a good story is to tell one that's also are true, after all — but it's worth remembering every little bit of that is a deliberate choice. In fact, it strikes me that, appropriately to our format, reading his body language may have a lot more in common with deciphering the intent and perspectives of someone writing a book, than it does with normal body language.
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...Also, now that our paths appear to be diverging would it be wrong to define our camps at this point as the Nyarlathotep-ists vs the Nec-Romantics?
Since my jam here is advocating the spread of Knowledge Man Was Not Meant to Know, and a number of related aesthetics I can't fully condense into a phrase, where as yours is... well, everyone knows*, and I think the pun itself is fairly self-explanatory.
*everyone except the scholars reading this post ten thousand years from now and screaming in frustration
Worth clarifying that this is what Grief is trying to do. Pahtsekhen would be offering to build a tomb for Princess Fallenstar's husband and shelter his spirit precisely so that the temptation is subtle but ever-present, as the description for the option notes. The alternative is letting it fade into the Elven afterlife and thus being able to offer far less of a temptation whenever it's brought up in future.temptations work best when they lurk in the corner of the room, quietly tempting but unnoticed, ever present yet not crass or immediately obvious.
By word of Boney, if we want to go for undead elf husband, we should do it now.Oh no, everybody is jumping into Grief, with Prestige and Power being 2nd and 3rd.
IMO as a story choice it's too cheap to go for grief and undeath immediately; temptations work best when they lurk in the corner of the room, quietly tempting but unnoticed, ever present yet not crass or immediately obvious.
Grief also does not give us the best bang for our buck, related to the Museum. Prestige does.
The fact that our museum is on an Island is suprisingly advantageous: it allows us to mantain the polite fiction that we are not exactly inside a Vampire Pirate's lair. It opens the door to a joint venture with any powers that are not blinded by their own scruples. And if we start with Colonial Asur... who knows what else may be kindly hosted and collaborating with us?
[X] [LEVER] Prestige
[X] [ACQUIRE] Lizard Trinkets
[X] [ACQUIRE] Fleet of Hulks
Not to mention, said museum is going to be located in the previous domicile of *checks notes* Luthor Harkon.Also, we are building a museum for Luther Harkon, to glorify Luther Harkon, possibly including the actual literal ship of Luthor Harkon.
Nobody is going to believe we are not deeply involved with *quickly double checks notes* Luthor Harkon.
Mhm. I don't think that's a bad approach to want to make, if that's your preference. Certainly there's far more indication that Pahtsekhen likes and cares for his students on a significant level than that they're purely tools to him. (After all, It would be far easier to throw them under the bus if his perspective was of them as tools rather than people he cared for in some way.)To be fair (and I may be wrong), I don't know that many people advocating for Grief are doing so primarily out of investment in the Fallenstars' relationship. The angle is closer to a desire to play the role of sympathetic tutor in helping out a potential student in the most immediate and comprehensive way possible, using and spreading the tools that he is expert in, which just happen to be powerful death magic! It's also a sharing of knowledge, just with a personal, character-focused approach rather than a myth-making one.