SayakaQuest Thread 10: Glory To The Death

Rending Blade and Wave Rend are both 'light' generators. Our explosive swords may also count.
There's an idea. Do we know if there's a significant flash from our explosive swords? Because if there is, separating Homura is simple: have her kite Mitsuko over here, then detonate some swords (or one as we may decide) and let Homura get back into timestop (preferably to help us, possibly to go help the others)
 
There's an idea. Do we know if there's a significant flash from our explosive swords? Because if there is, separating Homura is simple: have her kite Mitsuko over here, then detonate some swords (or one as we may decide) and let Homura get back into timestop (preferably to help us, possibly to go help the others)

Thing is Homura has been lobbing explosive of her own and that doesn't seem to be making a dent to Mitsuko's offense. Those would have some measure of flash too wouldn't it? If the explosive swords generate light, I don't know if it's enough.
 
Thing is Homura has been lobbing explosive of her own and that doesn't seem to be making a dent to Mitsuko's offense. Those would have some measure of flash too wouldn't it? If the explosive swords generate light, I don't know if it's enough.
Damn, you're right. our explosions probably won't do much unless they're significantly brighter.
 
Thing is Homura has been lobbing explosive of her own and that doesn't seem to be making a dent to Mitsuko's offense. Those would have some measure of flash too wouldn't it? If the explosive swords generate light, I don't know if it's enough.
One explosive sword wouldn't be enough; even a collection of them might do jack shit. Rendings would be our only effective light source.
 
Is there some reason Homura isn't using flashbangs? Those shadows got fucked up by those last time.
... Incorporate flashbangs into triple-team attack?

Wait, she might not have them considering how much heavy artillery was brought it; we sure as Hell weren't expecting a Mitsuko familiar, so why bother with something Walpurgisnacht wouldn't ever flinch at
 
Last edited:
Is there some reason Homura isn't using flashbangs? Those shadows got fucked up by those last time.
My first thought was that she didn't have any, since she hadn't already used them. I suspect that's the first thing she would have tried if she could.

Edit: eh, it's not like I've got a better idea right now.
[x] Tell Homura to kite Mitsuko towards you.
[x] Triple team Mitsuko. Flank her.
[x] Coordinate with Kyouko and Homura. Saya Combo. Rending Blade.
 
[x] Tell Homura to kite Mitsuko towards you.
[x] Triple team Mitsuko. Flank her.
[x] Coordinate with Kyouko and Homura. Saya Combo. Rending Blade.
 
If this is the 2nd phase, I can't wait to see phase 3.


[x] Tell Homura to kite Mitsuko towards you.
[x] Triple team Mitsuko. Flank her.
[x] Coordinate with Kyouko and Homura. Saya Combo. Rending Blade.

BTW How's Kyouko's health?
 
1. What are the damage levels of us and Kyouko? Do we need healing before we do this?

2. Didn't we used to be able to make a lightshow with the music? That seems helpful against a shadow.
 
On the light vs shadow bit, we seem to be trying really hard to believe that our attacks will be sufficiently effective. Unfortunately, we're not Sora. I'm thinking if we want a light show, Akane's fireballs are the way to go.

Also, more on clones: Mami managed to keep her ribbon clone tied to Homura in Rebellion; it's entirely believable that it's one of Mitsuko's shadow clones that is tied to Homura now. As such, I really dislike dedicating all our manpower to that right at this moment.

Kyouko was shot through the throat, but otherwise didn't seem to have taken much damage since the last heal session. Would like to heal her, but don't want to risk spending a huge amount of time to do so.

I think the only notable injury Sayaka has right now is the gunshot wound in her back. Can fix that up while running to Akane.

I have no idea how many grief seeds others have (don't think this has ever been stated, other than Sayaka and Homura), and if they're using them on their own. Putting in a note for that just because of paranoia for stupidity.

[x] Tell Kyouko to help Homura; she can use chains to stay in timestop together and double-team the shadow user.
-[x] In the few seconds of telling her, heal Kyouko's throat. Also, glance at Kyouko's Soul Gem, and chide her if she's letting it get dark.
--[x] If Kyouko doesn't have any of her own grief seeds (why?) make sure to cleanse her Gem before leaving if her gem is getting too dark.
[x] Go to help Akane.
-[x] Inform Homura. Suggest trying to move towards Akane in order to use Akane's fire attacks to trump Mitsuko's shadowbinds.
-[x] Heal any personal injuries on the way over.
-[x] Start prepping anti-mind-reader music.
[x] Keep an eye out for anyone that looks seriously injured along the way.
 
Mitsuko's mother died three days ago.

To the funeral home director, it was a completely average wake and funeral. The room was filled with relatives and friends, but not overflowing; the weather was neither overly sunny and warm to be ironic, nor raining and dreary, but warm, with a slight cool breeze and spotted with clouds. Guests passed black-and-silver envelopes to Mitsuko in a black dress and a man in an equally black suit. The girl looked worn and haggard from crying and lack of sleep; the man had dark circles under his eyes, but otherwise gave no hint to his thoughts. The priest said his sutras, incense was burned, and gifts were given to the guests. A few, including the girl and man, stayed to keep vigil, but most left.

The funeral was much the same. Incense was burned for the dead woman, her new precept name was given, flowers were placed around the body, and the casket was sealed.

Mitsuko's quiet sobbings, and the shsh shsh shsh of her father's hand rubbing gentle, comforting circles on her shoulders, were the music to which the ceremony played.

When the tray was pulled out of the cremation chamber, Mitsuko turned away and ran out of the crematorium.

She didn't want her last memory of her mother to be a pile of ash and bones on a platter.

Some time later, her father also exited the building, holding an urn. Mitsuko looked at it like it was a vicious animal. He took her hand, and quietly walked her to the car. He never said a word as he drove to their apartment, and his expression hadn't changed at all.

When they got home, Mitsuko's father placed the urn containing the ashes was placed in a shrine with a picture of the dead woman in a black enamel frame. They knelt in front of it, saying a quiet prayer.

When they finished, they stood up as one. Mistuko's father quietly walked over to the opposite wall, on which there were several dozen pictures of a smiling, happy family, starting at the wedding of the dead woman and the man. In the more recent photos, the woman looked more gaunt, and ill. In the most recent, taken in front of a baseball stadium while on vacation in America, she is wearing a bandanna over her head. A very famous American baseball player, in his game uniform, is standing with the family, his arms wrapped around Mitsuko's mother and father and beaming as if these strangers were his dearest friends. The family's smiles are all very strained.

Mitsuko's father took that picture off the wall. As Mitsuko watched, he began to take more photos down, gathering them in his arms. Every single one of them was a photo with Mitsuko's mother in it.

"Dad?" Mistuko asked. "What are you doing?"

He ignored her. A picture from Mitsuko's tenth birthday party of her mother proudly carrying a birthday cake is the next to come down.

"Dad!"

Still, he doesn't respond.

She ran up to him, and grabbed his arm, pulling him away. He barely moved. "Stop, what are you doing!"

Finally, he looked at her. "Fine," he said. pushing the pile of photos into his daughter's arms. She looked at him, confused, then takes one picture in her hand and moves to put it in its space on the wall.

"No," he says, putting his arm in front of her. "Put them in your room. Do not hang them back up again."

Mitsuko's jaw dropped, bewildered. She didn't understand. For three months, he hardly ever left his wife's side, holding her hand in the hospital bed in silence, watching her heart rate slowly weaken on the monitor, as if that would let them switch places and make her healthy again. Now, he was pulling pictures off the wall in a near frenzy.

He pulled the last picture off its mounting, the one of her in a Western wedding dress. Gently, his hands trembling slightly, he placed that picture on the pile in Mitsuko's arms. He looked at his daughter, his face still expressionless.

"Do whatever you want with those," he said. "As long as I don't see them again."

He walked into the room he used to share with his wife, and closed the door. Mitsuko stood at that wall, holding pictures of her mother and staring at nothing, for a very long time.

The next day, the rest of the pictures of her mother in the house were gone. Within a week, there was no trace she had lived there at all, except for the funeral shrine in the living room.

Mitsuko cried in her room, sometimes alone, and sometimes with her father hugging her tightly and rocking her back and forth like a baby until she fell asleep. For weeks, she left in the morning for school, came home, did her homework, sat down on her bed, and sobbed into her hands.

Outside, on a branch of a tree in a neighbor's yard, a small animal, like a cat with a long squirrel's tail, long ears tipped with pink, and an unchanging cat's smile watched her.

Part 1.
 
Last edited:
[x] Tell Homura to kite Mitsuko towards you.

'Could you kite Mitsuko over here?'

'WHAT?!'
She screeches on the other end, before her armor deflects a blow to her shoulder. She's sent spiraling backwards before she raises her shield. There's a flash of purple and the appearance of a full tank, before several shadowy shots blast it to pieces.

They both disappear, before reappearing right beside you.



Homura isn't able to stop Mitsuko from firing a volley of shots immediately after breaking out of timestop. Before blinking you raise a shield, while Kyouko spins her polearm.



Both of you deflect the shots, and as soon as you do, the False Mitsuko's head splits in half, with a transparent mouth in the middle of the head.

[x] Triple team Mitsuko. Flank her.

Homura pulls, and just as she does, a full barrel of ammunition, followed by an enormous minigun, come flying out. In the same motion, she grabs the gun and lets the barrel lock onto her back, before she widens her stance and fires.

The shots shred the False Mitsuko's left arm and leg, before she melts into a shadow on the ground. She reappears, slightly more transparent, before she lets out a cackle.

[x] Coordinate with Kyouko and Homura. Saya Combo. Rending Blade.

You and Kyouko begin to attack as much as you can while the False Mitsuko's clones appear. You raise your sword, while Homura fires.



Mitsuko dodges repeatedly, her grip on Homura's leg tightening as soon as you throw your first strike at her.



She handily dodges it, before kneeing you in the back of your head.



You rapidly turn around to slice the leg, only for it to vanish. There's a gunshot and your arm is immediately jerked to the side as the shot disintegrates against your pauldron. You see Kyouko moving in to attack, but is instead warded off by a clone of her own. She's punched in the face and sent hurtling backwards.



Your third strike impales the False Mitsuko through the chest. She lets out a shriek of pain, before it turns into another laugh. You pull it downwards, your Rending Blade making sure to tear open the body of the familiar.

And as soon as you do, it melts into nothingness.




You turn to see another clone trying to shoot you in the face. You bash it away with your shield before you raise your sword. You slice the front of the gun away, before she quickly pulls out another.

[OPTION SELECT]

[] Defend! (-20 to attack. +20 to defend)

[] Counter. (+20 to attack. -20 to defend)

[] Dodge.
 
Back
Top