Vote closes in six hours now. Also, the update probably won't be out until Monday night.

Now that I have four Quests and two fics, my life is a constant and endless bottleneck.

To put it in context: I wrote three thousand words this morning since I woke up until now, almost noon.

That puts me behind schedule.

I believe this is what we call "putting to much on your plate." I know with your frankly absurd writing speed this hasn't happened to you before, but perhaps you should ease off your demanding schedule so you don't spontaneously combust in a week or two? :p
 
I believe this is what we call "putting to much on your plate." I know with your frankly absurd writing speed this hasn't happened to you before, but perhaps you should ease off your demanding schedule so you don't spontaneously combust in a week or two? :p

It's actually not quite as bad as last week whereas for some dumbass reason all of the votes closed on the same day.

Some of it is also my propensity to work ahead. Like, the stuff I'm going to be behind on for Covenant is TWO ARCS ahead of what I'm going to be posting on Saturday for Covenant.

The stuff for Split that might be delayed by my tardiness is 4.4 which I haven't started yet and might not be able to until Saturday or Sunday because I'm dragging ass.

To note, 4.3 is going to be released a week from tomorrow.

So some of it is just...stuff and things?

*waves hand*

Edit: On the other hand I get over a thousand likes a week or something utterly insane, so there are side-benefits...
 
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Vote Tally : End of an Era (Naruto AU) | Page 164 | Sufficient Velocity
##### NetTally 1.7.3.2

[X] Or she could go on the 'diplomatic mission' to the court. Emiko would make sure to have a few sources in place to watch and protect her and her teammates, but she'd be out there on her own, relatively speaking, but she'd also get to explore the capital. However, she and whoever she takes with her would be arriving in the camp after the other seven got settled in.
No. of Votes: 16
veekie
Arkatekt
Bakkasama
Bommelom
Briefvoice
buli-buli
George
Guilop
Kairos123
mori
Nicklance
notanautomaton
Oh I am slain!
Sivantic
Tsume817
wingstrike96

[X] Genta
No. of Votes: 12
veekie
Arkatekt
Bakkasama
buli-buli
George
Guilop
Kairos123
mori
Nicklance
notanautomaton
Tsume817
wingstrike96

[X] Saya
No. of Votes: 12
veekie
Arkatekt
Bakkasama
buli-buli
George
Guilop
Kairos123
mori
Nicklance
notanautomaton
Tsume817
wingstrike96

[X] Saying goodbye to the Director.
No. of Votes: 10
veekie
Bakkasama
buli-buli
George
Kairos123
mori
Nicklance
notanautomaton
Tsume817
wingstrike96

-[X] Rika
No. of Votes: 4
Briefvoice
Bommelom
Oh I am slain!
Sivantic

-[X] Junko.
No. of Votes: 4
Briefvoice
Bommelom
Oh I am slain!
Sivantic

[X] It has been almost a week since Shizue has seen Kotone-san, and now is the last chance to talk to her, possibly for a long, long time.
No. of Votes: 4
Bommelom
Guilop
Oh I am slain!
Sivantic

[X] Name two from the Emiko Ten, and it might be nice to give reasons why… :
No. of Votes: 2
Briefvoice
Sivantic

[X] The cast and crew have been varying levels of welcoming, but without them this production wouldn't have happened.
No. of Votes: 2
Briefvoice
Arkatekt

Total No. of Voters: 16
 
Also, I'm doing the math, and your pool will go down this time in terms of XP, and would have gone down even more if two new users hadn't caught up and:

A) In @Koi 's case been both adorable and good at Art.
B) In @Briefvoice 's case sparking a discussion that was work 3 XP

Still, there's time until Monday...if you want to keep on building that pool. To be fair, it's objectively a good thing because as long as your XP gain is high, your teammates are also raised up by it.

I mean, unless you expect them to turn on you, then I guess that's bad.
 
That vaguely silly moment when you realize you typed this review weeks ago and never posted :V
Act 2, Scene 25 (Cont)

"If you fail at any part of making an explosive tag and then try to use it, it still blows up, but not the way you want it to. It could even blow your hand off the second you charge it," Emiko said, "That's why there are only two types of fuinjutsu users. Those who are careful, and those who have lost limbs."
I imagine if they weren't chakra enhanced they'd be outright dead.

Though the question of fuinjutsu is. how are yields dialed?
You only put so much chakra in, so unless that much chakra could destroy your limb, wouldn't it be possible to just control how much chakra you put in so it's maximum yield remains in safe parameters?

Granted, that's a chakra control expert who's a fuinjutsu novice, so it's not a common combo
"I know, Emiko-sensei," Shizue said, nervously, touching her own hair, testament to the fact that explosives were not something to mess around with casually. In fact, this whole exercise made her feel nervous, even with Hachiro by her side, learning along with her. Well, in his case, surely he knew all of this already.Yet he was frowning, crouched over a seal of rather greater complexity than the one Emiko had showed Shizue.

"Understood. So, I just copy this pattern?" Shizue asked.

"Not quite. Or rather, it's a little more complicated than that, or else printing could be a bigger hazard than it is," Emiko said, "Each seal isn't some unique snowflake, especially when you're just churning them out, but each one has to be made by hand, with free brushstrokes, and there are often these subtle little differences that become a sort of hallmark, a brand. But you start with the most typical of all Fuinjutsu arrays, and any deviations have to be minor or nonexistent. The downside to this is, well--"

"It's cruddy," Hachiro chimed in, "That's how my brother put it."
I have to wonder though, why MUST it be freeehand. Ink is ink after all, unless you're charging the ink with your 'flavor' as you draw. It seems some minor deviations are 'safe' or stylistic, but not functional. Like comments in code. But at the sam time deviations can blow up.

What's the determinant?
"Just so. Can't determine time to explosion, duration, power, direction: it's like genjutsu when all you know is a couple of basics and nothing about how they combine." Emiko looked mildly annoyed, thinking of it, "So, fuinjutsu is an art that takes a lot of time and effort to master, and that's with someone like myself, Haruo, or Ken instructing you. Explosive seals have the benefit of being easy, though."
Because discovering them is often discovering
"Not that easy," Hachiro said, frowning over it, "This...what's that whirl there?"

"Direction," Emiko said, absently, as she demonstrated a brush-stroke to Shizue, "For a trap."

"A… trap?" Hachiro asked, and now Shizue was curious, setting down her brush very carefully and looking at Emiko-sensei.

"It hits someone head on, but blows them to the right. Ideally, into a second trap, such as spikes coming out from the wall to impale them."

"...Spikes?" Hachiro asked.

"The design," Emiko said, "Was one that that I set up for one of my hideouts. The spikes had poison on them, but I've heard of one ninja who smeared them with feces."

"...What?" Shizue asked, eyes wide, picturing it in her mind.

"Creates wounds that will almost inevitably become infected. Useful if you're assuming the enemy will survive the attack and has counters for poisons but not diseases," Emiko said, "Being a shinobi is not a pretty occupation, but I don't have to tell either of you that really."
Quite the nasty one, though too many moving parts. Easier to have a hidden panel fall out of the way.

On the other hand, shit is widely available, and it's source is untraceable compared to most poisons.
"What matters, though," Emiko continued after a moment of silence, "Is that in learning to control directional shifts you can expand your repertoire. It probably won't be relevant in the short term, Shizue-chan, because this is an advanced seal, and I won't be around that much longer, Hachiro-kun. But your scroll should help ease your way, and I know that your brother has taught you the why and how of fuinjutsu, which matters just as much as the what."
Incidentally, violently blasting someone directionally is also useful for violently launching something directionally.

But for Hachiro, the big boon there is that it's the key to shaped charges, which is a great boon for people who use a lot of explosives.
Explosions are much more kickass when focused towards one point.

Shizue nodded, and a moment later Hachiro did as well. That one fact said so much, and there was no way around it. Okiie's family was at risk, and the other day she'd seen him crying and had tried to comfort him.

She'd hugged him, and when she'd asked him what was wrong, he had sniffled and admitted he missed his parents and was worried about them. Of course he was, but what could she do or say? All of her words couldn't change the fact, and Shizue had a feeling her own worries and troubles were balled up inside her.
Also there's the regret of remembering his last conversation with them: One big argument.
When she slept at night, right before she drifted off she felt this sort of tight ball of uncertainty. Yet everyone seemed to be doing well.

Saya was learning how to combine Taijutsu styles, Okiie hadn't been showing off many jutsu because they were on a ship, but he'd talked her ear off on some of what he'd learned of chakra theory, and Emiko had apparently found some medical textbooks for Rika to read. Nothing on actual iijutsu, but apparently Rika found it all helpful.
Typo for Iryojutsu.

Also somehow missed this on first pass, but here's where Saya is picking up Taijutsu Focus. Okiie hit a threshold on his Ninjutsu skill. Rika hadn't really gotten to apply her medical skills recently, incidentally.
Genta spent a lot of his time with his eyes closed, apparently practicing visualization, and Akachi received required reading, and the promise that when the time came he'd be given some practice at ranged fighting.
Genta training his bloodline limit, which, with more recent context, helps him percieve chakra flows?
Akachi is working on his ranged skill, capped by the environment, so he's also doing Infiltration/general knowledge
Azusa was being taken out on daily trips into the town to acclimatize to sensing in large crowds, and of course Hachiro was given a few lessons on fuinjutsu with Shizue.
We were there with these scenes. Little to add.

Yuichi was practicing with Saya, Seiichiro was being taught some throws, and Shizue had seen so little of Junko outside of the rooms that she was beginning to suspect some sort of assignment involving hiding.
Taijutsu training for three of them, and Shizue learns how people feel when she sneaks around them.

We hadn't been keeping up much on being dead sneaky for a while, ever since we got invisiblity mastered though.
Ichiman was helping Shizue, but also apparently practicing one of his clan jutsu with Emiko as a test subject, training down below deck where nobody could see.
Clan jutsu?
Did we ever learn what Ichiman's special clan thing was?
Been a while.
To be completely honest, Shizue found herself completely busy, especially when it was revealed that she still had to do her duty of helping out with the meals, though with a lot of the sailors out and about, there was less pressure there. Also she had to find time to work on her puppet, somehow, which seemed impossible with as much as Emiko was having her read and study.

Later, when she thought about it, when she had the minutes and hours to review her past with a careful eye, she'd realize that if Emiko-sensei really was riding her so hard she didn't have the free time to work on the puppets, she wouldn't have been able to somehow find the time.
This is well managed time for ya. A teacher knows she set the right schedule when it's JUST enoughto fully occupy the student without actually exhausting them.
Certainly, the project was her pride and joy, and when she'd told Genta, he'd smiled softly and said, "That sounds most excellent."

Okiie, when told about it over dinner, had called it 'amazing' and Rika had given a few pieces of advice she remembered from a book on engineering, before Genta called up his Shomeigan and gave a few more pointers.

Ichiman helped Shizue set up a very small workshop, without many of the tools she needed, entirely to work on the individual parts that she would need for the puppet. The mechanics of the traps and gears and wood she would have to sand down, all of it absorbed every last spare second she had, and sometimes she woke up at night, half in a daze, with another idea.
Team effort!
Must remember to include an Okiie turret one of these days.

Shomeigan would have been incredibly good with something like the mechanisms though, especially finding new combinations or working out space/power/durability optimization. Balancing the stresses on a combat puppet is hard with gears and wires,

Also making spares for repair would suck the more precisely engineered it is.
Standard parts would be needed. And she has to make it by hand.
But for the moment, she had enough on her plate, and that wasn't counting the confusing homework involving chakra theory- And when chakra theory and fuinjutsu and explosives mixed, her head all but ached to try to consider it all- it made her feel like her eyes were going to cross. Chakra Batteries, Chakra Storage Seals, Chakra Waves…
Put together, I'm thinking a wave motion gun. Chakra capacitors filled from slow discharge storage seals and then released explosively in one go.
Puppets were so much easier, and despite how complex they were, they were also so simple. She'd tried explaining some of it to Ichiman, who had helped her out a lot, as silent as he usually was, but he'd looked at her blankly for a moment and then began to chuckle.

Shizue had blushed, and she remembered her words, "W-why are you laughing like that?"

"Because everyone is like that about their art?" Ichiman said with a shrug.

"It was simple though, Ichiman-kun," Shizue said, "This mechanism right here, I'm not sure if I have it down right, though I'm working on it. It involves the valve for the flamethrower. If fire is going to be generated, then the only way to control it would be seals or a simpler, more mechanical method…"

Shizue tapped her chin, "The nozzle opens and closes, as well as contracting or expanding to narrow or widen the spread, see? But the big difficulty is that a hard enough blow could damage it, so I need to either make it stronger or insulate it so that the only way it's damaged is if the entire head is all but destroyed and it'd be useless anyway."

"Yes, makes sense," Ichiman said.

"But…" Shizue trailed off, brain racing, "What if… no. Let's see. The nozzle goes like this, so if I can make chakra strings control such a big puppet, then her own body could manipulate the nozzle, and by doing so create a layer of protection--"
Hmm, I'd think the main issue isn't necessarily the release mechanism.
Not sure if Shizue has the knowledge or tools for it, but a jet engine injection mechanism could work. Multiple pressurized fuel lines leading to a covered vent, which are JUST needlepoint narrow enough that the fuel has to reach atomization pressure to escape(thus producing a fine fuel-air mist), which then goes through the ignition mechanism/pilot light as it exits into air. Supply the pressure from an interior reservoir in an armored compartment, which you then have entirely internal valves to control which and how many nozzles are active, thus controlling spread and distance(fewer nozzles means more pressure into the few nozzles active, means the jet goes further).

This gives redundancy, and scalable yields.

"Yeah. That would work," Ichiman replied, sounding like he meant it.

"And then… that works, thanks for the help, Ichiman-san," Shizue said, rubbing her eyes, "Can you tell everyone else I won't be up in time for dinner? I have some more I need to do here."

Ichiman nodded and departed. Half a dozen minutes later, Hachiro came down, and Shizue turned, a little startled, to see that there were two plates in his hand. The hold was a little dark, but her eyes had long ago adjusted, and she looked him over. She'd been meaning to talk to him about the Yaramachi scrolls, so maybe she'd get a chance right about now.

"Hey Shizue-chan, Emiko-sensei told me to bring you food down."

"Did she?" Shizue asked.

"Well, okay, no she didn't. She asked someone to do so," Hachiro admitted, "And I volunteered."
Been there when really focused. Time just vanishes, along with people and sounds.
"Yes, it is. I'm going to miss everyone," Hachiro said, "If I agree to go with Umiko-san rather than go on to the next place to be dropped off."

"Why wouldn't you agree?" Shizue asked.

"Because it's my decision," Hachiro said, "And Umiko-san seems strange. She's shameless and she was my enemy, and the teachers seem dismissive and rude--"
Shameless, bah.
"It's the Naramachi matter?" Shizue asked, understanding where he was going for, "Because Hinayo didn't mean anything bad by it."

"The Yaramachi are who we are. Family matters. We aren't disposable, so this Naramachi nonsense--"

Shizue thought fast, well aware that Azusa wanted to go with Umiko, no doubt aware of all of the benefits that lay that way, and that neither Azusa or Hachiro would benefit from being separated. Now, acknowledging that she had her limits in perceptiveness, she knew enough about relationships to guess that there wasn't anything romantic, or at least wasn't now and wasn't an obvious hint of it either, in their friendship. But friendships mattered, and they needed each other.

"How far can you trace back your family tree?" Shizue asked.

"Ninety years, and then there's a break and more," Hachiro said, frowning.

"If there have been Yaramachi around for almost a hundred years, then even if you used to be Naramachi does it really matter that much?" Shizue asked, "You've become your own family, put down your own roots, and while if the Naramachi thing is true you'll have some basic techniques in common- unless the Naramachi live on an island, they probably haven't done that much work on water mines, have they?"
Ninety years, that's...about 4 generations or so?

And for the matter, I doubt ANY Naramachi would happen to have a start on sonics either.
Sound users are rare as fuck.
"No, I guess not, but… the teachers seem like jerks," Hachiro pointed out.

"They might be a little harsh, but even that we can't know that well. Sure, the samurai was pushing her hard, but clearly she's practicing and learning, and so if you stay there, you'll learn too, and then if things change with the Archipelago, you'll be right there--"

Hachiro nodded and interrupted, "To go home. I miss home so much. I'll miss you, too."

Shizue took a bite of the fish, pausing to marshal her words, "I'll miss you as well, and Azusa-chan, even though I haven't had a chance to learn as much about her as others."

"Thank you, Shizue," Hachiro said. "If you ever need any help, and my brother is still… around, feel free to come and find us. You're one of us after all, even if you are a Suzuhisa as well."
Wouldn't be all that optimistic about going home for Hachiro really. Even if he could, he'd never be trusted again. And the new administration won't be any better for the Yaramachis.
 
Oh, Ichiman's Asai thing is pretty simple.

Okay, no it's not. Shizue knows jack shit of what their whole set of jutsu is, but the one jutsu that she knows he knows is...

Ninja Art: Spear Trick (Rank 2)

You know that part in Dragonball where the pole got longer? It's that, but with spears. Suddenly the spear is longer (or shorter, but why would you want that, realistically).

Which, uh, surprises the fuck out of an enemy when a clean dodge turns into a 'get fucked.' Especially since they can (and Ichiman has been learning to be able to) stack chakra flow on top of it, when many forms of flow also enhance range/make it so that even if you dodge the attack the chakra might still hit you.

Part of what meeting Naoto? Naota? I'm sleepy. Part of that is that he'll know all of the techniques and start to teach Ichiman or etc.

Like Rika with the whole 'medic ninja' thing, and to a lesser extent like Shizue with her Sound Jutsu (Emiko's understanding ot chakra theory means she was able to sorta help you, but...), it's not something Emiko can help that much with.
 
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Oh, Ichiman's Asai thing is pretty simple.

Okay, no it's not. Shizue knows jack shit of what their whole set of jutsu is, but the one jutsu that she knows he knows is...

Ninja Art: Spear Trick (Rank 2)

You know that part in Dragonball where the pole got longer? It's that, but with spears. Suddenly the spear is longer (or shorter, but why would you want that, realistically).

Which, uh, surprises the fuck out of an enemy when a clean dodge turns into a 'get fucked.' Especially since they can (and Ichiman has been learning to be able to) stack chakra flow on top of it, when many forms of flow also enhance range/make it so that even if you dodge the attack the chakra might still hit you.

Part of what meeting Naoto? Naota? I'm sleepy. Part of that is that he'll know all of the techniques and start to teach Ichiman or etc.

Like Rika with the whole 'medic ninja' thing, and to a lesser extent like Shizue with her Sound Jutsu (Emiko's understanding ot chakra theory means she was able to sorta help you, but...), it's not something Emiko can help that much with.
I have a potty mind, because I keep giggling at his special thing being making his spear extend. And doubly at him not shortening it(which has valid uses in combat, a great deal of anti spear combat revolves around getting past the thrusting zone of their point to greatly reduce the spear's effects, so shortening his spear means that anyone trying to bumrush past the stabby part will get stabbed anyway)

The chakra flow stunt is certainly a nice trick though. It gives his spear the benefits of a chain/segmented weapon having a large number of attack areas, without the drawbacks of losing power or predictable arcs. Even if you see it coming you might literally have no room to dodge/block into.
 
I imagine if they weren't chakra enhanced they'd be outright dead.

Though the question of fuinjutsu is. how are yields dialed?
You only put so much chakra in, so unless that much chakra could destroy your limb, wouldn't it be possible to just control how much chakra you put in so it's maximum yield remains in safe parameters?

Granted, that's a chakra control expert who's a fuinjutsu novice, so it's not a common combo
I have to wonder though, why MUST it be freeehand. Ink is ink after all, unless you're charging the ink with your 'flavor' as you draw. It seems some minor deviations are 'safe' or stylistic, but not functional. Like comments in code. But at the sam time deviations can blow up.

What's the determinant?
Yeah, I'm curious about these too!

(Though, I do wonder how in detail The Laurent will delve into sealing. For narrative and clutter-reduction purposes, I'd actually prefer it if it mostly stayed an art, with players allowed to provide suggestions. I mean, we could go into great detail if fuinjutsu is an internally-consistent science. But I'm not sure if that would actually be fun for me. (Or maybe I'm simply a bit bored of those munchkinry fuinjutsu-as-science discussions from Marked for Death quest.)
Wouldn't be all that optimistic about going home for Hachiro really. Even if he could, he'd never be trusted again. And the new administration won't be any better for the Yaramachis.
Shizue shall invite him to join the new village she founds someday. ^_^
 
(Though, I do wonder how in detail The Laurent will delve into sealing. For narrative and clutter-reduction purposes, I'd actually prefer it if it mostly stayed an art, with players allowed to provide suggestions. I mean, we could go into great detail if fuinjutsu is an internally-consistent science. But I'm not sure if that would actually be fun for me. (Or maybe I'm simply a bit bored of those munchkinry fuinjutsu-as-science discussions from Marked for Death quest.)


Based on what we've seen so far, I'm leaning towards incomplete science, like Alchemy was, where they are missing several key factors and the base theory is wrong but functional.
 
I have a potty mind, because I keep giggling at his special thing being making his spear extend. And doubly at him not shortening it(which has valid uses in combat, a great deal of anti spear combat revolves around getting past the thrusting zone of their point to greatly reduce the spear's effects, so shortening his spear means that anyone trying to bumrush past the stabby part will get stabbed anyway)

The chakra flow stunt is certainly a nice trick though. It gives his spear the benefits of a chain/segmented weapon having a large number of attack areas, without the drawbacks of losing power or predictable arcs. Even if you see it coming you might literally have no room to dodge/block into.

I thought you would say that, and it's not particularly my pleasure to note that you are notably wrong.

You see, spears have a wooden part. Your spear is then held by this wooden part, no? I've looked this up, and you know what 'trying to get in under the length of the spear gets?'

...the person shifts their damn grip up and down the spear to adjust the length instantly that way.

There are spears that are too long for that (you know, pikes and/or the spear equivilant of a buster sword or something), but it's not an actual concern nearly as much as you would think at all.

On the other hand, there's not really a way to make a spear *longer* without giving something up (I mean, if you're holding a spear at the end it's not really a spear anymore)...unless you use chakra/magic/what have you.

TLDR: So no, neither actually nor mechanically is getting in under the spear radius actually all that effective. At most it's an incredibly minor piece of fluff I'd describe as, 'X closed the distance and Y was forced to shift his grip to try to ward off his furious assault' or the like.

Yeah, I'm curious about these too!

(Though, I do wonder how in detail The Laurent will delve into sealing. For narrative and clutter-reduction purposes, I'd actually prefer it if it mostly stayed an art, with players allowed to provide suggestions. I mean, we could go into great detail if fuinjutsu is an internally-consistent science. But I'm not sure if that would actually be fun for me. (Or maybe I'm simply a bit bored of those munchkinry fuinjutsu-as-science discussions from Marked for Death quest.)

Shizue shall invite him to join the new village she founds someday. ^_^

1) Do you follow Marked for Death? Just curious.

2) Ink is just ink? What a strange statement!

3) Knowing where there is the most room for deviation and where there isn't is part of being *good* at seals. That is to say: "Shut up and copy everything exactly, Shizue" is where you are and probably where you'll be for quite some time. Which isn't a bad place, mind, you're a genin.
 
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Maybe in corridor or limited room combat then.

Oh look there's more, mostly fluff this time. It goes faster if I go scene by scene instead of update by update.
Act 2, Scene 26: One Week In Yonaburu! Lock, Stock, and Barrel!
Aka All The Things
"Why not just ask permission to go sightseeing?"

"She'd never say yes to something like that," Shizue said. Emiko-sensei was nice, but it was clear from the hard schedule that she planned on this being a serious visit.

"I got permission," Rika said, "Emiko-sensei said she was surprised it took me this long to ask. I'm sure Genta-kun would say it was a test of some kind, but I think it's just that Emiko-sensei doesn't have time to tell us when we need a break unless we really need one."
I think it's more that she's not really used to the Archipelago mentality, or more specifically, the mentality of those she had picked up. She had a regular group of workaholics here, people isolated, but who seek to make a name for themselves through excelling in at least one skill, or else simply too impressed by her to ask at all.

Rika really is the closest to normal in this bunch that I can tell.

"Not alone, I'd say," Emiko said when asked about it. Notably, she was back long before Shizue had gotten used to. Emiko-sensei had been spending most nights out on the town, and then all day teaching and working with the genin. It honestly made Shizue wonder exactly when Emiko was sleeping, but equally it was also a concern that Shizue could do very little about.

"Oh?" Shizue asked, "Why, Emiko-sensei?"

"Because there are Lock ninja in town. Almost twenty of them- they seem to be looking to hire a ship," Emiko began, and then paced forward, as if talking to the air. "Lock is a small village- they don't send twenty shinobi out on one mission. What would be the point, when that's nearly a tenth of their strength? There's only one reason I can think of for them to do it.

Shizue knew the answer, and she said it, uncertainly, "War. But, is it the Archipelago?"
War opportunism.

I'm guessing they're aiming to steal the Archipelago clan secrets in the confusion perhaps?
Wonder if this might relate to why Emiko is still stressed out.
Shizue paused, looking into the mirror downstairs for a long moment, and then glancing over at Umiko said, "I think the shading is a bit wrong."

"Ahh, maybe you're right," Umiko said, turning in a mirror. "Like, my idea is that we'd do this sorta fusion thing, but I still think it looks a bit too much like me."

They'd been working out the right Henge for over a dozen minutes yet, and they almost had it down. Shizue just needed to get the hair color right, and they'd look like siblings. Umiko-san had suggested that they, rather than create a whole new appearance, just blend together both of their appearances into some happy median, since that way it'd be closer to the reality, and thus easier to get used to.

So Shizue was a little shorter, her hair a different shade, her build a slightly more athletic, while Umiko was as thin as ever, but a little taller, her features changed, blended. It was interesting to see, though without Genta to compare it to, she couldn't be sure that each of them had succeeded.
Sort of like those future baby photo gimmicks?

"You'll like Yonabaru, once you get to see it," Umiko assured Shizue, and a moment later the door opened and Genta stepped in.

Or rather, their 'mother' did. Her face was a little lined, but she was a tall woman, or at least tall for a woman, and Genta seemed to have decided not to make the resemblance too obvious. She was softer than her 'daughters', clearly no athlete, and she was wearing a nice yukata of the sort that anyone would be proud to go out in, but not so proud that they'd be afraid to get it dirty.

Shizue was impressed, looking over the woman, and said, "Wow, that's pretty good."

"You'll need to change it," Umiko said with a frown, "The cut's wrong, and you look too old and worn out."

"What?" Genta asked, in a voice that just about fit his form--though one area that he'd pointed out Shizue could be quite effective at, for infiltration, was faking voices--"What did I miss?"

"People in Yonabaru, at least people who are doing relatively well for themselves, don't look quite so worn and beaten down. Or at least, you shouldn't if you're going for a mother taking her kids out and about on the town."

Shizue looked over at Genta, a little baffled, "But… he doesn't look worn down?" He looked normal, as far as she could tell.

"He does," Umiko said, "And a little like the woman suffered from some malnutrition early in life, or something like that." Umiko crossed her arms, "I know that that's realistic for the Archipelago, but people here aren't--"

Genta's frown deepened, though it looked rather odd coming from such a different face than usual. "Ah, well, let me work on that."
It's a nice touch here, where even his super analysis powers missed something he was simply willfully blind to.
Educational for him, in that it's the little things, for the little people.

I wonder if it'd help if he has Walk Like A Civilian. He's emulating it by pure skill, but he doesn't have the perspective.
Granted, Shizue missed it too.
Was the Archipelago really so different? Shizue and Umiko started by going to the shopping district, which certainly was a lot more busy than Shizue had imagined it would be, and also far brighter. There were neon signs, and electronic displays, including of some sort of new television, which had more colors enabled.

Shizue stared at the bright shops and the people yelling, and took it all in, sight by sight.
Gawping like a country bumpkin.
Better here than in the bigger city.
In front of a shop selling toys, a balding man showed off this really strange toy that seemed to shift between forms. It was some sort of animal, and then it was a person.
Transformer!
A clothing shop sold fashions that had Shizue staring at them for a long moment. Shirts that left the belly uncovered, skirts that ended just above the wearer's mid-thigh, and more.
Lewd.

More seriously, I'm pretty sure in Fire it's been normal for a long time.
I'd put it down to climate differences.
"So much," Shizue muttered to Umiko, as Genta scanned his eyes around, seemingly stopping for a moment to check 'his' purse. "Everything's so expensive."

"Not really, everyone just makes more," Umiko said, "The clothes are really cool, too. Everyone dresses up in such different costumes from the Archipelago. That shop," she said, pointing to one that had mannequins in swimsuits, "That's where I got most of my clothing from."
The economics of trade.
I could go on about this from my half informed perspective, but I'm not sure who'd notice :p

Suffice to say, modern technology, or even food, is FAR more economical to produce if there is significant trade, as you can source components and ideas from all through the network and assemble things too costly to produce, the parts or skills too rare locally may be cheap elsewhere.

So the net effect is that everything is cheaper for everyone ON the network, but correspondingly more costly to the fringes.
Umiko was just wearing her regular swim-wear beneath the henge that gave her more typical clothing, and it seemed that she always wore some variation on that. Shizue would have said it was weird, but she had to admit that there was certainly something practical about the whole idea behind it, and so she smiled back and said, "Oh? I don't really have much to spend, or else maybe we'd go shopping. It could be nice."
Speaking of which, Shizue never got around to getting any swimwear. I suppose she could just walk on water...
The architecture was so strange, the prices so high, but the more she saw, the more tempted she was to buy something, even though she lacked the money. It wasn't hurt by the fact that they were starting to get into the 'practical' section of the shopping district, a little more down-market, perhaps, but the food all smelled amazing, and at the far end of the street she saw what looked to be a craft and tool store. A young boy and his father stepped out holding what looked to be a whole toolbox between each other, and Shizue stared for a long moment.

If it had tools, it probably had equipment, gear. Things she could use for her puppet. She bit her lip, well aware that they had to start looking at the houses and then head down along the dock, but tempted to stop, and finally she decided to ask, "Mom, can we go in there?" she asked, pointing out the shop.
Single minded girl, our Shizue.


Shizue moved towards the entrance, taking in the lack of outside display and the relatively modest sign as she slipped in and looked around, and blinked. Huh, rather more than expected. The place was bursting with what looked to be mechanisms and a section for oils, a section for wood-crafts, and more.

All of it stretched out before her as the bell rang again and Umiko followed up close behind her.

Shizue took a breath, and then her eyes alighted on something she'd never gotten to get a close look at.

The metal seemed almost twisted and warped, a strange, twisted beauty to it. An engine in the back on display, of the sort which only existed in two or three vessels in the entire Archipelago, but far, far larger and more intricate. Shizue found herself drawn deeper into the shop, her eyes wide.
Hmm? Steam engine?
Some of the tools she had never seen before in her life, and with each passing second she became slowly aware that she lacked even a tenth of the money to get even half of what she wanted.
To put further into perspective, this is a small town's shop, albeit a port town. And it has so many things that local smiths in the Archipelago simply didn't have the market to figure out how to make.
As she explored, she admitted she lost track of time, until the bell rang again and in glanced… oh.

He was tall, and somewhat handsome other than his watery eyes, though it looked like he could use a shave, at a rough estimate, he'd be around fifteen or sixteen. He wore a layer of brown-green armor over a dark body-suit, and his forehead protector bore the symbol of a key.

Ah. Shizue very carefully didn't do anything to draw any attention as he asked the person up front, "Hey, would you happen to have any paint? My sister wants some to paint her little wooden things, and I figured, craft store…" he shrugged.

"Sorry, no," the man at the counter said, with a shrug, rubbing his beard thoughtfully before realizing there was oil on his hands and wiping that first, "I think there's an art shop a little bit down the way that would have plenty of paint." He was surprisingly casual with the fact that a shinobi had just popped his head into the shop.

"Ah, great. Cool. Thanks!" the shinobi said as he exited.

After that, Shizue and Umiko exchanged glances and got out of there quickly, though Shizue bought a few tools she hadn't had before. She really needed more money and equipment for when she actually was ready to start making her second puppet.

Out on the streets, the shinobi from before was talking to a girl who, indeed, had similar features to him. Her arms were laden down with shopping bags, and she laughed for a moment before going off in the direction she pointed.

"You done?" Genta asked, quietly, glancing around nervously. "I've seen two full teams of shinobi come through here, but they're all shopping."
Another part where the disguise is weak, reflexively cringing is appropriate for the Archipelago civilians, but not for mainland. It'd actually attract attention if they were looking for such.

Need more Infiltration.
"Why not?" Umiko asked, "So are we."

"And I suppose nobody is paying it much mind for… cultural differences?" Genta asked.

"That's about the speed of it. Shinobi are strong, sure, but that doesn't mean we aren't just regular people," Umiko explained. "If they don't have the money to afford something, they aren't getting it, and that's that."

Genta nodded, "Interesting, when combined with the architecture, you can tell that there has been peace for a long time."

Umiko's eyes widened, "What about the buildings makes you think that?"

"All the different styles," Genta said, "And the way each building has changed so much. No fighting to knock them down. Though other buildings look way too new and…" he trailed off and said. "It's weird. I'll explain later."

When they got some ways away from the market, Shizue still carrying the bag, Genta explained, "Because my Shomeigan lets me skip steps, I can get to the end of a problem and then work my way back around and find facts that seem to contradict the conclusion but don't because…" he shrugged, "So it'll turn out that the new buildings are a sign of growth and expansion, while the old buildings are a sign of stability. Both of which were missing in the Archipelago."

More to the point, no buildings patched up after damage, where replacement would be too costly.
Also, the distribution of new buildings is telling. New buildings all in one block is a sign of prosperity since it's a large outlay to expand or replace all the buildings in one area at one go.
"Yeah," Umiko said with a grin, "Our home was sorta a hole-in-the-wall."

Shizue frowned, for some reason feeling dissatisfied as they explored the city. It wasn't bad, as a place, but it felt so unfamiliar and strange, and as she walked she'd feel a strange ache in the pit of her stomach.
Simple homesickness, likely. Just kicking in slowly.
But the thing that surprised her most was the thing she didn't even expect. "And that way is how you'd get to the university district, and there are more shops that way that cater to the students."

"The… what?" Shizue asked, stopping mid-walk, her bag swinging against her arm as it was stopped.

"University," Genta said, "I noticed it. It's interesting, to say the least."

"What's a university?" Shizue asked.

"A place for higher learning. The system here is somewhat different for civilians," Umiko explained, "Let's see, instead of having education be covered up till nine, with some money put aside for going up to twelve--"

"In Reef, we just allowed education up to the age of twelve," Genta explained, "But I think Tide tried to extract some money for the last three years."

"Yeah, probably," Umiko admitted. "Here, up until fourteen, you get free education, and then after that, you can go to a vocational school, one of several other schools, or a prep school for the university. The Daimyo and the city fund it some, and provides money for poorer people to go to the prep school, and those that pass the entrance examinations then go to the college, to learn…"

Here she trailed off, "Math? Sage stuff? I've never actually been inside or heard any of the lectures, but they have some nice cafes there that I went to once--"
And the little considered element of just how prosperous you need to be to provide actual public education. And then even further, to have a higher education system at all.

So lets see:
Elementary School - Reef, Tide, Normal all free.
Middle School - Reef, Normal free, Tide paying.
High School - Normal sponsored
University - Normal paying

You can't even create a university without a lot of prosperity, or even a high school for the matter. Full time academics are expensive to train, and add little immediate value(lots of long term though).

Meanwhile everyone else is apprenticed, learning a job, or literally in the military.
People were kissing. In public. While other people were watching. Shizue glanced nervously over at Okiie, who glanced back at her just as uncertain. The couple were both young adults, and nobody was even staring or commenting.
How scandalous!
The shinobi were worrying, but they had nothing to do with her, or so Shizue liked to hope. If they did, she wasn't known enough that she'd be caught out. She and Okiie both had their normal appearances, but were dressed as civilians, with no forehead protector in sight.
It would be pretty tragic to have to go on a date in disguises.
The cafe they were going to was supposed to be pretty good, the sort of place where university students drank tea and coffee and ate, and otherwise hung out. Just the place to explore how things were different.
Ah.

Starbucks.
The outside of the cafe was interesting, if only for the fact of how much of the inside it showed. Surely that wasn't a good policy, Shizue thought absently, it meant a kunai or attack could go through the other side easily, for the glass through which she could see people bustling from table to table, eating and laughing and drinking, would provide no protection at all.
It's interesting to see how something minor like this can make her uncomfortable, though there's also the economic element of climate and heating. You see smaller windows in Archipelago type climate, wet and cold, due to heating difficulties and keeping the water out.

Large panes of clear glass are also stupidly expensive to make, both skill energy wise, so I presume they're using a modern mass production method for working glass here. Double again for the inevitable breakages and getting it thick enough to be durable.

And of course, with a more active and dominant civilian culture, being SEEN eating, drinking and dating at a medium to upscale place is itself a status symbol, which people want to display. Shinobi are a lot less comfortable about that.
It also felt oddly... unprivate, in a way that made Shizue nervous in a way she couldn't quite define.
We know this one from the conspiracy. Reef has a lot of private discussion, and where privacy isn't present, ninjas can MAKE it private by clearing out everyone.

There's a lot of secrets around. But civilians have small secrets and rarely talk about them in public anyway.
Still, she smiled as she entered, and once inside, she took it in. The cafe had two levels, with a very short set of stairs up towards a back that, other than a few windows, was more shaded from outside views, and a front portion, almost entirely full, with tables and chairs strewn about.

There was a large counter off to one side, with a display case that held a ton of pastries. Above the counter were several blackboards, as if from a school, with items and prices written in chalk.
You could draw a picture with this visualization. Well described here.

Not really private either, but Shizue doesn't keep getting the feeling she's going to be sniped.
The woman at the counter might have been in her mid-twenties, brown hair and bright eyes, and of course she looked a bit tall. Everyone did, actually, at least slightly taller than expected of a civilian. They looked adult shinobi height, these crowds of people who seemed to be in the late teens and early twenties, chattering as Shizue entered, Okiie by her side.
Nutritional differences in their growing times I guess. If Shizue eats well she's going to be gigantic.

:p
Some of the students were dressed fashionably, while others looked like they might have rolled out of bed, but all of them seemed to have adopted styles that were far removed from a formal kimono or yukata.
College student joints everywhere can be identified by the sheer mismatch and the level of effort put in to look like they don't give a shit.
The largest group seemed to be arguing politics of some kind, and one of the guys was holding a newspaper that he was pointing at. "The daimyo can say what he wants," he said, his voice a little nasal, "But who would stand for it? Would this university or any other accept his overreach? Would any merchant worth the name? Any artisan? Thinking he can stretch down any law he wants--"
Ah, good old privileged college armchair politicians.

They who don't HAVE power, but think they do.
Overreach is a bit of a stretch when scant decades ago, the daimyo controlled pretty much everything, at least officially.

The argument generally is made most often by those who don't actually work for a living yet, since it's easy to consider idealistic politics when what could said merchants and artisans actually do?
Fight the chakra enhanced people who train specifically to fight good?
Go on strike and lose their own livelihoods?
Do 'symbolic' actions that don't actually change anything?

They would need to be truly desperate to do much.
"He is the daimyo," another young man, this one frail and with glasses, pointed out, "He has the right to make the laws, so long as the mayor is willing to implement it--"

"Which he won't be, if he knows what's good for him," the first man said, and a small argument seemed to spin out from there.
Well, what IS good for him?

Quite the question, given political needs to stay strong, a ruling lord's preference for at least amiably oppressed minions rather than angrily oppressed ones(if for no other reason than protesting populations doing little work and breaking lots of stuff), economic output(just as well served by rising taxes as unproven new ideas), etc.

It occurs to me that the daimyo, on top of the hidden Villages, have no real political desire to see chakra use become commonplace. The existence of ninjas and samurai as literally superhuman killing machines go a long way towards keeping any protests muted, as unlike more mundane armed forces, a smaller percentage of the population represents a much larger majority of the martial power of a nation.

Think of each ninja as a jet and samurai as tanks, then imagine any revolt that doesn't have their tacit approval. The ratios would be horrendous, and thus circumstances have to be much worse before you go to anything that would threaten the people in power. Chakra access for all wouldn't nearly equalize it, but margins will become far closer.
Shizue listened to this and other conversations as best she could as they approached the counter.

"Why, hello," the woman said, her voice chipper. She sounded a little surprised, "What brings you here?"

"Well," Shizue said with a polite nod, "We're new in town, and someone we know told us about this cafe, so we decided to check it out." Keep the story simple, that was one bit of advice Emiko-sensei had slipped into one of their lessons as smoothly and easily as could be imagined.
First instinct of the amateur infiltrator: Overload the story, throw in a complex backstory and personality.

Inevitably you will fuck up at it, barring specific circumstances like Genta's ability to perfectly memorize and recall details, while also suppressing his own persona.
"Ah, well, I'm sure you'll enjoy it. I assume neither of you are coffee-drinkers?" the woman asks.

"No," Okiie said, "I'd like… tea I suppose."

"We have good fruit juices," the woman said. Okiie's eyes narrowed, and Shizue could almost hear his thoughts, wondering if he was being talked down to, like a kid.
Okiie's proud Reef ninja heritage showing.
Either that or his age showing. Twelve year olds hate being treated like kids.

Though most twelve year olds can't act on it.
"What kinds?" Shizue asked, glancing at a nametag and saying, "Kohana-san."

"Well, we have carrots, bananas, pineapples, oranges and we just got in a fresh batch of apples from Fire Country," Kohana said.
That's quite an amazing variety for their level of trade network.

"Well, apple-juice sounds as if it would be good, how much is it?" Shizue asked.

"Ah, just forty-five ryo," the woman said.

Which wasn't just anything, but Shizue nodded, "I would like apple juice."

Okiie frowned, crossing his arms, "...Carrot Juice. And that cinnamon bun looks really good." He licked his lips, looking at it.
Still grumpy. Picked the most mature sounding one did he?
It even managed to look warm, so it had to have been made recently, and Shizue said, "Then we'll split it, if that's okay with you?"

Okiie opened his mouth, then closed it and said, "Yeah, that works. We can always get more if I'm hungry."

It was a big cinnamon bun, but honestly Shizue could definitely see both of them getting more.
Nearly put his foot in his mouth there
Either way, they both pulled out the ryo, having decided ahead of time to split any costs, and were just paying as someone called out. "Hey, who're the kids?"

Nearby the table with the two people holding forth on politics was another table, six people at it, that looked rather more relaxed. There were more men than women in the cafe, but this table was evenly split. The woman, short and curvy in a blouse and long skirt, was the one who asked as she hunched over a mug of coffee.

"Hey, you're right," one guy said, shaking his long head as he pushed aside, "Hey, what are your names?"

Okiie flushed and said, "Okiie, and this is Shizue."

"Well, pleased to meet you," a smaller girl holding a sketchpad said, "I am Kaede, you may call me Kaede-san, it is a pleasure to meet you." Her voice was formal, even a little refined, and Shizue couldn't quite place the accent.

"Ah, do you really wanna be so formal? They're kids," a heavyset man with brown skin said, "Yo, I'm Manzo. Call me whatever."
Hi random NPCs we'll never meet again!
The long-haired guy peered closer at both of them as Shizue turned to see whether the juices were on the way, and said, "You don't look like siblings."

"Not at all," Homura said.

"Ahh, that artists eye of yours and all that," the curvy woman said, "So...does that mean you're best friends?"

"We are friends, yes," Okiie said with a nod, the attention of all of these tall adults intimidating him even more than it did Shizue. He was blushing and looking around, already starting to sweat a bit.

"You new in town?" a man rumbled.

"In a sense," Shizue said, "Though most of all we're new to somewhere like here."

Okiie nervously gripped her hand, and the curvaceous woman let out a coo, "They're cute, aren't they, Shinji-kun," she asked the man who had rumbled.

"H-hey," Okiie protested, "I'm not cute."

"You aren't," Shizue assured him soothingly, though she felt nervous about doing more. She wanted to assure him of more, but she wasn't sure about it in front of a bunch of other people. "You're a young man."

Okiie blinked, his blush deepening as the college students laughed.

"It's precious," the curvy woman said, leaning forward, "Are you two sweet on each other or something?"
Okiie is not very good at this. Though he totally is cute :p
"Come on," Shinji said, "Don't give them a hard time Renge-san. It's none of our business. Shouldn't we be talking about how boring politics are or mocking Jotaro-kun for treating everything like it's the end of the world."

"That is fun," Renge admitted with a grin, "But--"

"Here are your juices, and the cinnamon bun," Kohana said.

"Thank you," Shizue said with a bow.

"So formal," Shinji said with a smile.

"Yeah, they're like you, Homura," Manzo said.

"You mean, they know how politeness works?" Homura asked, setting down her sketch-pad, "That is good. If you'd like somewhere to sit, you can sit nearby, I promise we shall keep the subjects appropriate--"
Another identifying speech pattern. Formality narrows down their origins a bit to more traditional places. Few would guess the Archipelago though!

"Yeah, ain't nobody going to say a curse word around here or I'll fuck them up," Manzo said with a playful grin, clearly well aware he'd broken his own rule already.

Shizue looked uncertainly at Okiie. It certainly wasn't the privacy they'd hoped for, but after a long moment of hesitation, she nodded.

They didn't regret it, really. The crowd was pretty interesting, if sorta weird, and Shizue sort of felt even more homesick among them because she was learning about how Manzo-kun was an exchange student from Lightning who was studying math, or how Kaede-san was actually old nobility and was doing the art as a sideline, about their interests and their hopes and dreams.
Cultural melting pot!

Though Reef is sort of one, they all melt down into the same thing
Also about their tendency to ruffle her and Okiie's hair.

Shizue felt bad for the fact that they kept holding back so much, that other than telling about her interest in music she avoided any other topic. The group talked politics and music and fashion, lived in this whole different world where they discussed what the Mayor was doing and what he would do, talked about the new bit of Kabuki in town, or about a new restaurant, and to some extent what Shizue and Okiie did was mostly playing the curious kids, but it was nice, and if she and Okiie hadn't had any time to really talk or bond further, it was nice to just hang out, in a way. It was too bad that in two or three days they'd be gone from Yonabaru entirely.
Mmm, music. But alas the date is almost a bust.

Boy they'd be surprised if we meet them again.
 
Fluff - Comfy and light
Action - Explosive and exciting but unsustainable
Crunch - Hard to digest, people claim to like it, but most can't actually swallow
 
On the path of point A to point B, we don't mind stopping at point C or looking at point D basically. It helps remind us why we care and we learn more about the characters as people as opposed to vehicles of Plot:p
 
I actually just got out of bed to say I now have an idea of what I want to do.

Wanna hear the snip title, though it might take me a while to actually do (by which I mean, within the next week definitely)?

'I Don't Feel LIke Dancing.'

Honestly, we should probably take this to the EOAE thread, because short of Emiko and Co somehow winding up in Thousand Trods, it's not relevant.
Done.

Open to suggestions for later though while we wait for next update.
 
That's a weird version of fluff versus crunch to me, I'm mostly used to the original (I think?) RPG sourcebook perspective of crunch as mechanics and fluff as setting information.
 
That's a weird version of fluff versus crunch to me, I'm mostly used to the original (I think?) RPG sourcebook perspective of crunch as mechanics and fluff as setting information.
Yes.

But consider this:
-Mechanics heavy quests tend to dwindle in significant audience(aka players who understand and are invested in the system) and EASILY die when said significant audience is absent for any reason. The whole thread just sits around waiting for someone with a clue.
--Addendum, this can also kill the quest because SV always builds for maximum mechanical power, and then wonder why they lose interest after it breaks the Action element or they abandoned meaningful relationships for power.

-Worldbuilding heavy quests tend to have a high entry barrier. You rarely get new players because people see the amount of background knowledge...and retreat.

-Action heavy quests tend to burn brightly, then burn out because the GM had either written themselves into a corner, the character had broken the setting or the setting scaled in a way that broke suspension of disbelief

-Relationship heavy quests tend to acquire a group of disturbingly invested players, who will die for their ship. Almost every quest that survived more than 3 months has this as the predominant element. They came for the plot, they stayed for the waifus(metaphorically speaking). In the rarer case, they are extremely personally invested in the PC, and the quest dies if something unacceptable happens to them as you see a massive exodus or shitstorm suddenly. We've seen the shitstorm ourselves once, regarding reporting the captain to Reef. Much doomsaying was had on both sides.
 
Semi-Canon Omake: I Don't Feel Like Dancing
I don't feel like Dancing



Some time ago, in an alternate universe:

"Dancing?" Shizue asked, staring over at Junko as she sat and studied yet another text that Emiko wanted her to read. She was getting through it alright, but it was pretty clear that the whole afternoon was shot, and considering she still had to act as the Dark Sorceress tonight, this was a bit of an annoyance.

Maybe, she thought, she was too used to the lax discipline of Reef teachers, the way they basically let their students do anything at all.

She looked over at Junko, who was wearing a skirt and a blouse, clearly trying to fit in with whatever she saw the dancing crowd as being like. Shizue's own clothing probably wasn't dancing fit, but it wouldn't matter that much.

What did matter was that she was busy.

"Yeah, dancing," Junko said, and then she began to do the Eri dance, with a look that said 'you remember what dancing is, right Shizue-chan?'

Shizue rolled her eyes, "But aren't we both busy?"

"We're never too busy to have fun," Junko said, "And it'll be informative. You can learn about dancing habits here. And… uh, how to move really fast and so on. C'mon, Shizue-sama…"

She looked at Shizue with big, wide eyes, "I bet there will even be new friends to meet. We could talk about friends and bond."

Shizue looked at those eyes for a little while, dark and slightly trembling, the whole of Junko's self held up in front of Shizue, in a way. The other girl was dressed to dance, and since Shizue didn't actually know what was appropriate dance-wear, then maybe she was too.

Standing up slowly, Shizue made her decision. "Sure, why not?"

*****
Rika was washing… what was that? Shizue looked at the scrubs and the water and saw greenish brownish reddish chunks of something slide off of it and despite having killed someone before, despite having seen blood and death, her stomach was churning.

"So, what do you say?"

"Right now? Right now I want to lay down in a bath and read poetry and dream that the thing I love isn't also a mess," Rika said.

"Wait, you love...oh, thing," Junko said, "Um, it's a mess?"

"A patient died on me today, got stabbed everywhere and I was chakra exhausted and they threw up on me as they died," Rika said, wincing at her own words, then looking down at what she was diligently watching.

"I know it must be hard to lose a patient--" Shizue began.

"Happens often enough," Rika said, "Despite everything we try. We get people in who can't afford it, so that means druggies and hard-luck cases go to us. The man was some two-bit thief probably, but he was screaming in pain when he got there."

Rika looked disturbed, and glanced off into the distance, "Cursing like he was a sailor."

Junko flushed, "But now's the time to forget that sort of thing, right? Bad things happen to everyone, and Yuichi said that you'd been complaining about him."

"Look, it's just that if he's going to workout and train taijutsu here, it's not that large of an apartment," Rika said, and then wrinkled her nose.

"The smell?" Shizue asked, remembering how the gym with Saya smelled sometimes.

"Yeah. And when I asked him about it he just said that maybe he should make a 'scent based' Genjutsu…"

"He meant," Junko protested, "So that you wouldn't smell the sweat and working out and so you'd both be happy."

Rika chuckled, "True, he isn't Seiichiro, who probably would do some sort of stink bomb genjutsu…"

Junko opened her mouth to defend her rival and then paused and said, "Okay...yes." She was flushing. "But think about it. You can get your mind off of all of that and meet some cute gu...irls. Girls."

"And are you going to meet someone cute?" Rika asked, rolling her eyes, "We're twelve and shinobi and we'll be gone from here in a few weeks. The chance of any of us dating anyone or even flirting if they are not one of us is nothing."

"Well, but there's looking?" Junko suggested, desperately, "Plus, I'm sure…"

Shizue coughed, blushing, "Are we really going to talk about this?"

"Maybe, I mean Yuichi talked to me about that stuff sometimes," Junko insisted, "I think? It seemed like it, though I hadn't really known…" she made wild gestures.

Shizue looked over at Junko who was clearly doing some form of interpretative dance to get the message across.

"Know what?" Rika asked, baffled.

Yuichi took that moment to step in, flushing, "It's nothing, Junko-chan. Haven't told them yet, not sure of it anyways."

"If it's Seiichiro, I'm telling you, he's not a...judgey, no that's not a word at all. Judge.. mental person," Junko argued.

Rika sighed, "We're talking about this."

"We could always cut it short by going ahead to the dancing," Shizue said.

"I agree though...what do you want to tell us?" Rika asked, and she leaned forward, looking at her scrubs and giving up for the moment in disgust, pulling her hands out. They were slick with blood and other things, so she hurried over to the sink to wash them.

Yuichi hesitated and looked at Rika, then at Junko, and then finally most nervously at Shizue. The boy, a scrapper and a half with bruises on his knuckles and a rough-hewn look even at the age of twelve, was nervous.

"What is it?" Shizue asked, "Not a big deal to tell us, is it?"

"Not really, I was just wondering if you already knew, or something," Yuichi said, "I rarely saw you around here.. .though perhaps that's because of Seiichiro-kun, I don't know."

"I've been busy," Shizue pointed out, "We all have, Yuichi-kun."

Yuichi nodded and stated in a plain, flat voice, "I'm not attracted to girls."

Oh, Shizue thought, then she realized the implications, or what was meant to be said by that, and she blurted out, "Oh… okay then." She flushed, aware that that was far from the best reaction, but Yuichi looked more confused than shocked.

"You aren't? Huh, well, are you attracted to guys?" Rika asked.

Yuichi thought, "Probably, yeah."

"...I guess that makes two of us?" Shizue offered, a weak note of humor amid her confusion. Not that it was a big deal, actually, though a part of her had been trained to see it as a big deal. The other part, though. "My mother actually had a friend who liked other men, so I'm not going to judge, and it'd be pretty silly for Rika-chan to judge you since…"

"Yeah," Yuichi said, "It's not really that important, though." He stretched slightly. "I mean, is it?" He popped his knuckles one by one and then did so again, and Shizue realized it was a nervous habit.

"No, it isn't," Shizue agreed. Whether or not it was didn't matter, since she knew what answer he wanted and needed. She hadn't really know Yuichi, and so the information didn't slot into anything except her memories of what people like him had gone through in Reef.

Junko looked thoughtful, and then she shook her head and said, "Wanna go with me and Shizue and Rika to go dancing?"

"...when did I agree?" Rika asked, then said, nervously, "I don't even have anything to wear…"

She paused, "Am I turning into Saya, Shizue-chan?"

Shizue chuckled, "No, no you aren't. We can wait a few minutes for her to change if she wants to go, right?"

"I guess… though time is of the essence. The flyer said that they close at six PM, and Shizue has to leave for the big theatre thing," Junko said.

Shizue frowned, something seemed off about that.

Rika eventually changed into a kimono that was somewhere between formal and informal, and Yuichi after a few moments of indecision just decided to continue to wear his own clothes, which were long pants and a plain white shirt, a style that was apparently popular but also just as apparently chosen because it was simple.

"Wait, we have one more person to get," Junko declared, "And then we shall be five."

******
Akachi opened the newspaper and pointed to where it said that the first pre-trials had begun for some of the leaders of Reef and Island. "You see this guy? Horrible jerk, sold people as slaves, he's going to go down hard and be hanged before the year is up." Akachi looked at the four of them and said, "That's about what dancing feels like to me: hemp fandango. Awkward and painful."

Rika rolled her eyes, "Quit the act, I've seen more horrible things today than you have, so you're not going to unnerve me."

Shizue, on the other hand, was a little startled, "Someone sold slaves in the Archipelago?"

"All the time," Yuichi said with a shrug, glancing over at Akachi, who blinked in surprise and looked closer at Yuichi, as if his casual demeanor held some new promise.

"Okay… well, wow," Akachi said, "Tough crowd. But seriously, that's what it'll be. A bunch of twelve year olds are going to go to some sort of nightclub in the middle of the day and dance?"

"I'm eleven," Junko pointed out, "And we're shinobi."

"Yes, yes," Akachi said, "But… seriously guys?" Akachi sighed and said, "Why don't we all just go out to eat instead? We can all argue until we pick the best place possible and blow all of our wages."

"That doesn't sound that interesting," Junko pouted.

"...you know I'm going to agree, and yet here we are, drawing out the misery because none of you can…"

"Go because it'll be more enjoyable than you think, and you can watch us try to learn new dances," Shizue said, "The music will also be interesting."

Akachi looked at her and crossed his arms, "Yeah, sure it will."

"And now practiced sarcasm," Rika said, annoyed.

Yuichi looked from Akachi to Rika to Shizue for a moment, fixing each of them with a level gaze, "We are on a deadline, aren't we?"

"Well, yes," Shizue said, "I do need to go to the theatre."

"Fine, then, but I'm not changing clothes," Akachi said, and then he paused, shifting his stance, "And I'm taking the newspaper. I need to stay informed."

*****
They walked down the street towards a part of town that was neither bad nor good. Instead, well, it was the entertainment district. On one edge of the district this meant gambling and shops for games and dancers and jugglers, and on the back ends were the liscened brothels, the gambling dens that were even less friendly...it was a two-faced world, Shizue supposed, and since she was an actor, well.

She knew it all too well.

This dance hall, at least, was on the right side of things, a wide, squat building that looked entirely and completely empty. There were no lights on, and Akachi looked at it and said, "Ah, yes, dancing."

Junko frowned, "What time is it? Did it close already?"

She hurried forward to look at the sign, and said, "Uh…"

Rika said, "It doesn't close at 6 PM, does it?"

"No…" Junko said in a small voice, "It… opens at 6 PM. But that's okay, we can…" she trailed off and turned to look at Shizue and her shoulders slumped even more. "No we can't, you have to leave Shizue-chan."

Akachi looked at her and then said, "Hey, just...don't worry, we can go to a sushi place nearby, it's of above average quality and I'd give it four out of five stars if I reviewed things for a newspaper…" he was babbling.

"And I bet it serves coffee?" Rika asked.

Junko chuckled, and Akachi nodded along, seeing what Rika was doing.

"We could always come another time," Yuichi said.

"But not with Shizue-chan," Junko pointed out.

"Well," Shizue offered, looking at Junko standing there on the cobbled street looking hopeless, "If you go out and learn the dances you could come back and teach me how to do them for whenever we next have a chance. This won't be our last city and thus it won't be our last dance hall."

Shizue was pretty sure she was telling the truth.

Junko smiled now and said, "Deal, Shizue-chan. I'll show you my moves for real next time…"

Akachi shook his head and Rika smiled faintly as they continued on towards Akachi's sushi place, though Shizue wondered the whole way what sort of restaurant sold both sushi and coffee.

Well, whatever worked.

That night, working the Dark Sorceress, she imagined the puppet dancing across the stage and smiled faintly and looked out into the audience, at the crowds of people, some young and some old, and considered that this wasn't that different than the dance hall, or at least she hoped it wasn't, because this was exposed and connected all at once.

Shizue supposed, with good humor, that dance moves would just have to be added to the list of things she studied tirelessly.

*****
A/N: So what does semi-canon mean? These events didn't happen (and indeed, some of it might be too compressed anyways) but the facts are true. If you'd bothered to talk to Yuichi even once, he'd probably have been willing to open up about his sexuality, but you didn't.

Other things are also facts, including how it's going in the Archipelago.

But the events of this didn't happen.

So, yeah.

Notably, this was written today in a bit of a rush, and I hope it qualifies as good fluff.

I have a Patreon now, and @Sivantic comissioned me by donating $9. They'll get another next month, and what they asked for was, and I quote, "Shizue fluff." They then added that it should include Junko, so here we are.

Hope you enjoy the Omake. The actual update is tomorrow.
 
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