You Are (Not) at Fault

Should this story start on Shinji's chapter (chapter 2) or Asuka's chapter (chapter 3)?

  • Shinji

    Votes: 23 44.2%
  • Asuka

    Votes: 19 36.5%
  • Either

    Votes: 10 19.2%

  • Total voters
    52
  • Poll closed .
Reading your chapter two now.

You take a little bit of time to recap Shinji's choices in EoE. Do you think this is necessary? Do you think the audience might not have understood what he did the way you do? Or that it's a necessary tool to help orient us in time and place? To me, there is some risk that folks already know all that and will not be as engaged, but I do think that if it should be here, it should be set off in its own section, as you have done, so that seems fine.

Time passed. Shinji's throat was still raw as he awoke. It was now night time and the chill breeze cut through his thin clothing. Hugging himself to try and stay, he sat up and look around. [...]

I think you lost a word?

Hm, you spend a little more time rehashing and orienting Shinji on the beach. I think you could get away with a lot less, really. Getting to Shinji hanging the pendant around his neck is where the real "story" here begins.

Now, I understand the need to set the time and place. I think an alternative would be to merely describe what's around Shinji without going back quite as much, without saying why things are the way they are. Were I writing this segment, for instance, I would try to set the stage only and let the reader figure out the significance of it: talk about a severed petrified giant head, talk about a desolate beach and a sea of orange-red. Talk about the pendant and all its features, evoking Shinji's emotions toward it in the description--it's smooth and white and seems warm in his hand, perhaps.

In other words, these are approaches I recommend to try to evoke emotions rather than stating them. If recapping the events of EoE in so many words is important to you, then you should still do that. And believe me, even my approaches to a scene like this have evolved over time, so if you feel like they don't quite capture what you want to get across, do what you like.

Anyway, moving on. All this stuff about Shinji wandering the streets--again, it seems to run afoul of the Black Moon rising out of the ground, etc. But I know you're aware of that, so I won't speak on it further.

Cobalt eyes shot open and he grabbed his head in pain as the memory of what happened next attempted to make itself known. Shaking his head and banishing those thoughts, Shinji continued unsteadily through the city, searching for...what? Food? Water? A place to rest?

"No, I don't deserve those things," Shinji sighed dejectedly. "I killed everyone on Earth. What right do I have to live?" His stomach, disgruntled at the idea that it would not be filled, rumbled loudly. Shinji tried to ignore it, but eventually he clutched his stomach and fell to his knees as the pangs of starvation started to hit him. The thought of the destroyer of humanity, brought to heel by their own stomach, would have brought a chuckle to his lips, if it hadn't been so damn morbid. "Fine, I'll search for some food. Happy?"

You do a thing I used to do--Shinji seems to be talking to the narrator. I liked it when I did it, but I wouldn't be surprised if someone thought, "Who is he talking to? Does it make sense for him to speak this way in response to nothing?"

Just an example, of overexplaining the significance of things:

Five minutes later, the sound of tinkling echoed down the street as Shinji dragged a piece of concrete debris around the edges of a window, removing the jagged fragments so he could safely enter the store. Stepping gingerly through, a pungent odour wafted into his nostrils, and he almost gagged at the stench. There was food in here, but some of it was obviously starting to rot now that the power was out. Pulling his shirt over his nose to try and block out the smell, Shinji carefully walked towards the back of the dimly lit convenience store to where the fridges for cold snacks and drinks sat. He opened the door and felt a faint cool breeze.

You might say that this sentence is redundant, and the significance of the smell is clear from context.

You know, this is a very challenging chapter, as you've got Shinji all alone, trying to react to things, trying to digest what's happened to him and the significance of it all. Your approach is rather direct, as we have direct insight into Shinji's thoughts. One thing I will say is that, having such a direct line into his head leaves little room for ambiguity or interpretation. Shinji's little moment of leaving the chocolate bar on Asuka's bed is a good example: by stating his intentions outright, we know exactly what it means to Shinji. There's no reason for the audience to think about what it means, only whether Shinji will uphold that promise or not.

I feel like this chapter is written similarly to the battle scenes last chapter. That style seems to work better here than it did there, as there's less focus on any individual action and more on the collective whole.

The scenes with Shinji waking up and puking into the toilet--they're subtly out of sequence. You show us Shinji hurling before we even know what's upset him. Going out of sequence like this can deprive the scene of punch, as you're forced to go back and explain rather than keeping continuity with the subject's emotions.

You make a lot of keen observations about what life would be like in this time--with lots of stuff not working, etc.

Is it realistic for Shinji to call it "the sea of LCL"?

And then we get to the end, in which you put forth a theory on why Shinji chokes Asuka. It's not a bad theory, but hmm, is this what you want to do with storytelling--put forth a fan theory on a canon event?

Some of this comes down to personal style, but by spelling out exactly what's going on in Shinji's mind here, you're doing things in a way that's, well, the exact opposite of how Anno told his story, you know? And if you want to do that, fine, but I do think there's a little more power in leaving things ambiguous--not for ambiguity's sake, but because it makes people engage the story and think about what's happening, rather than sit back and let the story be imparted upon them in certain detail.

This chapter is all about Shinji trying to cope with his situation and get over his nightmares. What happened to Asuka--that's largely not his fault, so the torment he feels over it doesn't really probe at his character. The trails he faces in surviving this world--they're a backdrop for his angst, really. I'm not sure how well Shinji's conflict with this abandoned world really helps probe at his angst and trauma, either, except that being alone forces him to confront it rather than rely on others.


Anyway, don't think too much about anything I've said (except maybe that one clear missing word). No one can reinvent their writing style overnight, and I've made a lot of observations, not all of which may fit the way you want to tell a story, or the story you want to tell. Just let me know what, if anything, you might want to know more about. For my part, I'll continue to read and offer opinions. Cheers.
 
Yo, just checked this out. Liking it a good deal so far. I'm no literary giant but its been a solid read for me so far
 
Chapter 6
Huh, I somehow missed the last couple of post alerts.

Muphrid, I look forward to seeing your comments on my later chapters. It's good to see someone going into detail and being... is nitpicky the right word? I WANT someone to analyse these sorts of things and you're doing a good job.

I don't know if I'll be capable of changing much in the way of ambiguity though. The way I'm writing now feels... right I suppose. Certainly not perfect, but as I've already said, this is my first time actually sitting down and making a story.

With that said, here's the next chapter. More talkiness I'm afraid. Chapter 7 will actually have things happening for once.
God, these last few chapters feel like Attack of the Clones. Standing and talking. Sitting and talking. More talking...

******

Chapter 6

As the grey pre-dawn light filled the sky, Misato was shaken out of her slumber. She instinctively grabbed the at the person above her, before her mind woke up. The familiar hiss of pain reminded her who the girl was. Asuka had an unreadable expression on her face, and Misato let go of her arm and sat up with a loud yawn.

"Asuka, what's the matter? You look like you've seen a ghost," Misato sleepily said. She watched as Asuka backed up and started fidgeting, apparently ignoring the pain in her arm.

"W-well I guess you could say that..." Asuka eventually stammered out. The redhead was unable to sit still. She paced up and down a nearby aisle. Misato could tell there was something big on her mind.

"So why did you wake me up? It's not even morning yet. I need my beauty sleep!"

"Sorry Misato, but I... I had to tell you this before I forgot."

"Forgot what? Was it a nightmare?" Misato asked concernedly. The major knew that Asuka sometimes had trouble sleeping, but she very rarely brought it up, as Asuka would always get evasive and angry.

"No, nothing like that," Asuka replied. "I'm pretty sure it wasn't a dream at all. More like a... memory."

"Must have been a pretty important memory for you to wake me up at whatever time you call this."

"Oh please, I had to get up nearly this early for training back in Berlin." Asuka took a deep breath and turned to face Misato. "Remember how last night we spoke about you and Kaji, and then how I couldn't remember much from my 'perfect world'?" Misato nodded. "Well I'm positive that it all just came back to me..."

******

Asuka awoke in an orange fog. The horrific injuries from moments before were suddenly gone, just like her plugsuit. In its place was the yellow sundress she adored. Ahead of her, an indistinct figure loomed, arms outstretched towards her. A familiar voice reached her ears, sounding as if she were underwater.

"Mein liebling..." The voice finally became more distinct.

"Mama..." Asuka's eyes widened in disbelief.

"Asuka, darling..."

Asuka scrambled to her feet and charged through the orange haze surrounding her, colliding with the figure and tightly wrapping her arms around its waist. The woman seemed unfazed by the impact, and wrapped her own arms around the sobbing girl. They both sat there for what felt like an eternity, before Asuka finally sniffled and looked up into the same sapphire eyes she had inherited.

"Mama, is it really you...?"

"Yes dear, it's me."

The tears almost started flowing again, but Asuka got herself under control once more. She relaxed her grip slightly on her mother, and looked around at the orange mist surrounding them. There were blurry shapes in the fog, and all Asuka could make out were vague silhouettes of people moving past the two females.

"Where are we?" she finally asked. As her eyes slowly adjusted to the strange world, Asuka could see that they were both standing in a busy plaza. The orange murkiness was too thick to recognise the area. Shadows would appear out of the fog and swerve to avoid the two redheads, but otherwise paid them no attention.

"Instrumentality. Complementation. The end result of Third Impact. It is somewhere that you do not belong," Kyoko replied.

"What kind of answer is that? I'm here with you, Mama. This is where I belong!"

"And I would love nothing more than to spend every moment with you, but this place is a lie. You do not deserve a false existence."

"What?! No! I don't care if it's not real, I don't want to lose you again, Mama!"

Delicate hands cupped Asuka's face, and Kyoko's thumbs gently wiped away the brimming tears.

"Asuka, you never lost me. I have always been with you."

Asuka angrily pushed away from her mother and stepped back. "But... where were you when my mind was being destroyed by the Angel? Where were you when I was bleeding out into a bathtub?!"

Kyoko put up her hands in a placating gesture. "I was there, Asuka. You were so tightly closed off that I couldn't reach you. I'm so sorry I couldn't protect you. Only at the very end was I able to finally break through the walls around your heart. But... now is not a time to be stuck in the past. Neither of us can change what has already happened. All we can do now is work towards the future."

She softly grasped Asuka's hand, and guided her through the fog to a set of benches. The shadows already there ignored them as they sat down in an empty spot. They appeared to be talking animatedly, but no sound came forth from their featureless faces.

"Asuka, if you stay here with me, you will have no future." Kyoko indicated the shadows around them. "Every single human on Earth is in here with us. You must go, or you will eventually lose yourself and become nothing more than an insignificant speck within this sea of souls."

"I don't want to leave you! You're the only one who cares about me, Mama."

"That's not true, mein liebling. There are other people who hold you in their heart."

"Who could possibly care about me like you do?"

A silhouette moving past them suddenly changed direction and walked up to them, solidifying as it approached. Indistinct grey flesh turned pink and healthy, and the clothes gained their own colour. The purple-haired woman grinned cheekily at Asuka before lifting a beer can in salute.

"Misato? She only paid attention to me because I was a pilot. She wouldn't have even bothered with me otherwise."

The scientist frowned and crossed her arms. "Asuka, you know that's not true. The reason she seemed distant was because her job was so demanding. What about back at NERV Berlin? Don't you remember the time you two spent together back then??"

Asuka did remember. Misato had been her temporary guardian before Kaji had come along. "Yeah, we got along like a house on fire," she muttered with a sigh.

Kyoko laughed quietly. "Yes," she replied. "Chaos. People screaming and running everywhere. You two caused so much mischief I'm amazed they let Misato stay with you that long."

"Hey, that guy's coat was on fire when I got there!" Asuka was trying to stay angry, but the wonderful memories of her time with Misato in Germany simply wouldn't let her. There had been too much fun with Misato as her guardian in Berlin. When she wasn't training and creating havoc, the two of them would relax on a couch and stuff themselves with snacks while watching awful television shows, or go out on shopping trips and try on clothes they had no intention of buying.

"Alright alright, I'll admit that one person cared about me as a person."

"She isn't the only one either, Asuka."

"Let me guess. Kaji?"

As they spoke, the woman backed into the fog with a wave, and was lost within seconds amongst the crowd. A tall figure stepped towards them and smirked at the pair. Kyoko's gentle smile turned into a frown at the sight of the NERV agent and Asuka's own expression slowly changed as she realised that her mother somehow knew everything she had done to try and get the man's attention.

"The less said about that, the better I think. It's true that he cares for you, but I wasn't talking about him."

Another silhouette stepped forward to take the agent's place. This one had brown hair held in pigtails, and wore a familiar school uniform and a hopeful expression.

"Okay, this one's obvious. Hikari and I were friends I suppose. I just believed she liked me purely because I'm a pilot. You know, hitching her wagon to mine. But... no, that's not Hikari at all. She liked just about everyone in the class, even those two stooges."

The girl smiled and waved at Asuka, before turning and running back towards two shadows. The taller one waved lazily at Asuka while the second one appeared to be adjusting its glasses. The three of them disappeared into the fog. Asuka watched them disappear with a sad smile on her face.

Another stepped forward. Unlike the other images, this figure was still hazy and indistinct even at close range. It took much longer to solidify to a point where the two women could discern any details. All that Asuka could make out was a familiar haircut and dark blue eyes, but that was enough to identify this person. Despite the rest of his body still being shrouded, Asuka recognised the kicked-puppy look. Even here, the boy seemed unable to maintain eye contact with her.

"Are you kidding me? Him?!" Asuka exclaimed. "Stupid Shinji? He doesn't care about me at all! I tried everything to get him to even look at me and nothing worked!"

"Did you ever stop to think about why he appeared to ignore you?"

"Maybe because he hates me? Because he's a gottverdammte coward?"

"Watch your language, young lady." Kyoko reprimanded.

"Sorry, Mama..." Asuka hung her head, ashamed.

"It wasn't because he hated you. Nor was he ignoring you. In fact, that poor boy's story is so similar to what happened to you and I that it shocks me. If I had known then what I know n-" Kyoko paused, causing Asuka to look up at her.

"Mama? What do you know? How is the idiot similar to me?"

"I-I don't understand how I actually know this but... Shinji's mother, Yui Ikari, died in the same experiment I ran."

"Experiment? What experiment?"

"Ah, I suppose you were too young to fully remember." Kyoko spoke at length, explaining the Contact Experiments and how she had attempted to succeed where Yui Ikari had seemingly failed. Only now did she come to understand that Yui's attempt was a complete success, and her own effort technically a partial success. Asuka could see the look of disgust on her mother's face as Kyoko looked back at what two separate individuals had done to their own children in the name of science. Kyoko shook her head and looked back at Asuka, who was staring at nothing while the older woman spoke.

"Asuka, I am so sorry for what I did to you. I never planned to be trapped inside Unit-02. At the time, all I wanted to do was prove I could accomplish something that someone else failed at, and that's a horrible excuse for leaving you like I did. Can you ever forgive me?"

The young girl simply stared at Kyoko for a moment, before scooting closer and enveloping her in a hug. "I never hated you for leaving me, Mama," she mumbled with her face buried in her mother's shoulder. "And I understand now, you never truly left. You were always watching over me while I was in Unit-02."

Kyoko smiled softly and returned the embrace. They both sat there for a while, in a warm cocoon of warmth and love. "So you see, you and Shinji are more alike than you think," she said, bringing the conversation back to the Third Child.

Asuka initially scoffed at the idea, but thought carefully about her own past as well as what she had just been told. Despite her initial belief that Shinji's position as an Eva pilot had come about due to nepotism, she had noticed the elder Ikari's lack of care about his own son. The negligence, and how hard Shinji seemed to try to get his father's attention, had often made Asuka remember how quickly her own father had turned his attention away from his daughter. The man instead devoted his time towards the female doctor that had been looking after his wife.

"I... guess you're right, Mama." Asuka let go of her mother and leaned back on the bench, looking up at the orange 'sky'. "The only time I really saw Papa after you died was on my birthday or at Christmas, if he even bothered to remember. He'd show up with that... that bitch on his arm, shove a meagre gift into my hands and leave."

"I know, Asuka," Kyoko's voice turned icy as she shared Asuka's memories. Although Kyoko was understandably upset at how quickly her husband had found another woman, while she was still alive, she was positively livid that he had completely neglected his own daughter as well. "If I ever find that arschloch in here I'm going to give him such a thrashing..."

"Language, Mama."

"Watch your tone with me, young lady," Kyoko scowled, but there was no heat behind it. "This may be an imaginary place but I can still tan your hide." The two redheads stared at each other, before they both started laughing. Eventually Asuka sobered up and gazed intently into the face of the shadow before them as if searching for something.

"Well, now I understand why even a kiss didn't work on him," she sighed as she turned back to her mother. Kyoko, to the girl's mild surprise, didn't seem fazed by that event as it passed before their mental eyes.

"In a better world, Asuka, that might have worked," Kyoko remarked as the memory ended. Her eyes remained unfocused as she continued. "It could very well have been the point at which the two of you could start to heal together. All that was needed was a little... something else. Perhaps a kind word at an earlier point in time, or even something as simple as one of you holding the other that night."

Kyoko's gaze shifted back to her daughter. "Well, as I said before, we can't change the past. I'm not even sure the power behind Third Impact could accomplish such a feat."

"Hah. If Third Impact could do that, I'm pretty sure we wouldn't be standing in this strange place chatting to each other about time travel in the first place."

Shinji's image had long since faded away into the background, but Asuka remained staring at where it had been standing, as if willing it to come back. Something about the boy they had just seen finally clicked in Asuka's mind.

"Why did the idiot's image look so... hazy? All the others looked like the real person, but he was still just a shadow."

Once again, Kyoko did not speak for a while. "Shinji Ikari has already left this place," she finally answered. "Or perhaps he was never in here. It's difficult for me to tell."

"Huh, what's so special about him? Did he have a V.I.P. pass or something?"

"...Shinji was a special case, I guess you could say."

Asuka raised an eyebrow. Her last few questions had seemed to perplex Kyoko, only for her to suddenly come up with the answers. If it weren't for the fact that only the two of them were truly present, she would swear that one of the silhouettes was whispering answers into her mother's ear. She motioned for Kyoko to continue.

"Shinji's reason for not being here with the rest of humanity isn't exactly... pleasant." Kyoko slowly said as she hugged herself. Asuka's only response was to stare back at her mother and cross her arms. "Shinji... Shinji was the one who initiated Third Impact..."

******

"WHAT?!"

The shriek almost deafened Asuka. "Yeah Misato, that was pretty much my reaction too." She removed her hands from her ears and sighed. "It's true, believe it or not. Stupid Shinji was the one who destroyed the world and killed everybody."

Misato's face seemed to be frozen in a look of pure shock and disbelief. She did not want to believe what the girl had just told her. The woman eventually managed to force out a response. "The last time I saw Shinji, he... he was almost dead on his feet. I was literally dragging him through NERV. Are we even talking about the same boy who disobeyed his father and refused to kill his friend? How could my Shinji possibly commit genocide?!"

Asuka raised an eyebrow slightly as Misato said 'my Shinji', but elected not to comment on it. "According to my mother, his mental state was exactly what caused Third Impact to happen. She mentioned a lot of stuff about the Mass Production Evangelions, SEELE, Wondergirl, and the Angel in Terminal Dogma. They were all tied together in some bizarre ritual that... brought Lilith back to life or something." Asuka's voice turned sarcastic. "In her infinite wisdom, she handed the big red button for Third Impact to a person who was one step away from most likely blowing his own brains out."

"Wow I... I knew he took the death of that Kaworu boy really hard," Misato stammered. "But surely that wouldn't make him want to... kill everyone..."

"You're right. It wasn't enough. While my mother was rather... vague on some of the details, she said that this had been slowly building up inside Shinji for a long time. Possibly his entire life."

As Asuka continued relaying the information her mother had given her, things started clicking together in Misato's head. Shinji had always seemed like a quiet and shy young man. Misato had noticed the boy withdrawing further into his shell as the Angel War progressed, but she had mistakenly believed that it was simply his personality, combined with the horrors of battle against monstrous beings.

To know that her surrogate son had been slowly getting crushed by so many traumatic events over the last year, without ever asking for help... it sent a shiver down the woman's spine. Being forced to kill a friend would certainly not have been enough to send Shinji into a suicidal depression, but combined with everything else in his life? No wonder he hadn't cared about the soldier pointing a gun at him. Misato shook her head and focused back on what Asuka was saying.

"...knew more than she was telling me."

"Huh? What was that last part?"

"I said, I'm positive my mother knew more than she was telling me," Asuka repeated. "Mama had all this information on what had happened, despite being trapped in Unit-02 for ten years. I asked her how she knew so much, but she got evasive and said that the knowledge was just there in her brain somehow."

"Hmm, maybe she managed to put things together as you two were discussing them," Misato pondered. "She was a scientist."

"No, I mean that it was like she knew everything before I asked. Mama was withholding details from me."

"Did Kyoko say what happened between Kaworu's death and the JSSDF attack? I remember seeing Shinji right after he killed Kaworu. He was incredibly dispirited, no surprise, but he was still mentally... there. When I found him during the attack, it was like he barely noticed what was happening around him."

Asuka shook her head. "No, that was one of the things she claimed not to know. Mama got really shifty when I asked, and the subject quickly shifted back to how I needed to return to reality."

The two of them began to eat breakfast as the sun shone through the window, and Asuka continued her story.

******

"Look, Asuka. I know you have many questions," Kyoko said. "But I simply don't have all the answers. Even if I did, there's no time to give them all to you. You must leave before you lose yourself!"

"But... can't you at least come with me, Mama?" Asuka pleaded as she tightly hugged the woman's arm. "I don't want to lose you again!"

Kyoko gently broke Asuka's grip on her body, cupping the girls hands in her own and staring into her eyes. "I don't even know if I have a real body. Unit-02 has housed my soul for ten years. It doesn't matter if I cannot leave this place, because I will always be with you Asuka."

Asuka sniffled. "Promise, Mama? Will you always be with me?"

"Of course I will, mein lieblling. You are Asuka Langley Soryu. My daughter. Not even Third Impact can change that. And there's something else that will never change." She bent down and gently kissed Asuka on her forehead. "I am so proud of you, Asuka, and I will always love you."

The two of them slowly got back to their feet. Asuka wiped her eyes clear before staring into her mother's eyes. A single nod from Kyoko was returned, and Asuka spun on her heel and sprinted into the fog. As she ran, she started to feel the pain of her mutilation return to her body. Looking down, Asuka noticed she was back in her plugsuit, with bandages around her right arm. Her left eye's vision dimmed and went black as the agony made itself known. Asuka ignored everything and continued running, even as her feet left the ground and the air thickened around her. The last thing she remembered before the pain shut her body down was the smell of blood.

******

Kyoko watched her daughter run off, and prayed silently for her safety. After several minutes, she spoke to the air.

"So... how did I do?"

A young figure stepped out of the shadowy crowd behind her. Red eyes bored into the woman's back for several seconds before the girl finally answered.

"Asuka Langley Soryu has left the Sea. She is now beyond my sight. You have successfully done as I requested."

"But will it work? Will she be able to help Shinji?" Kyoko slumped back onto the bench.

"I am I cannot answer that, Kyoko Zeppelin Soryu," the girl answered in her usual monotone. She walked around the bench and sat down next to Kyoko, staring at where Asuka had disappeared. "My connection with Shinji Ikari slowly grows weaker as time passes. At this point, his mental state is rapidly degrading while he remains alone. He is becoming consumed by his guilt, his despair and grief. Humanity is not yet ready to return on their own, therefore I was forced to make someone leave that can help him. Asuka Langley Soryu was the most logical choice, given their history. That is why I insisted that your daughter leave as soon as possible, while I am still able to observe and attempt to lend aid from inside Instrumentality. All we can do now is wait and hope that your daughter can save him from himself."

"Ayanami-" Kyoko started to respond, before the girl interrupted her.

"My name is Lilith. Though I share her physical appearance, I am no longer Rei Ayanami."

"Lilith, then," Kyoko sighed and rubbed her forehead. "I... God, I'm starting to wish you hadn't dropped all that knowledge in my head. I cannot simply forgive the boy for... for that, regardless of what he's been through.Why did you make me withhold information from my own daughter? She needed to know everything that happened to Shinji if she's going to help him, even the bad stuff."

"Yes, and she will find the answers. However, she must hear them from Shinji Ikari. He must be the one to tell your daughter. Telling her now would only damage whatever fragile link still remains between the two."

"What, you think Shinji confessing that he used Asuka as a masturbatory aid will somehow help them?" Kyoko scoffed.

"Shinji Ikari will eventually force himself to tell her what happened. It is not an act that he will be able to live with unless he attempts to make amends. Perhaps your daughter will forgive him when he does, perhaps not. Only time will tell."

"I hope you know what you're doing. Like I said to Asuka, not even Third Impact can turn back time..." Kyoko frowned and raised an eyebrow at Lilith. "...can it? Could we have prevented all this from happening?"

Lilith shook her head. "Even if it were possible, there was simply too much that would have to change in order to prevent events from unfolding as they have. Lives would have to be improved, SEELE would need to be stopped, as well as Gendo Ikari. Sending someone back would create ripples in time. Those ripples could very well lead to a worse outcome, such as all three Children being murdered and SEELE gaining full control of Instrumentality."

"I see..."

The scientist and the mother of humanity were quiet for a long time. Taking the silence as a cue that their conversation was ended, Lilith got to her feet and began to walk into the crowd.

"Wait!" Kyoko yelled at the girl's back. Lilith stopped and looked over her shoulder, but did not speak. "Will... will it be possible for me to leave this place eventually too? Will I ever see my daughter again?"

The silence stretched out as they regarded each other. Lilith eventually said a single word, before turning and disappearing into the fog. Kyoko stared into nothingness until her eyes began to water, and the scene around her started to fade out of existence. Sighing, she stood up and slowly vanished into the crowd.
 
Muphrid, I look forward to seeing your comments on my later chapters. It's good to see someone going into detail and being... is nitpicky the right word? I WANT someone to analyse these sorts of things and you're doing a good job.

I don't know if I'll be capable of changing much in the way of ambiguity though. The way I'm writing now feels... right I suppose. Certainly not perfect, but as I've already said, this is my first time actually sitting down and making a story.

Yeah, you know, I always say writers should throw out criticism that doesn't feel right to them. That's not to say folks shouldn't think carefully about what others say, but I feel that the only criticism a writer should act on is that which they can feel is right in their heart. Then, efforts to incorporate it in writing will be genuine. If it doesn't feel right, then that lack of conviction will be apparent in the writing: the writing will feel confused or meandering as conflicting impulses work against each other.

So yeah, don't worry about changing stuff in a way that doesn't feel right. If just one out of ten things I say helps spur on some thoughts on changing things for the better, that's prefectly fine with me.

And again, for a first-time writer, your stuff is pretty easy to read. I've waded through much denser and more unpleasant stuff (just in terms of word usage and sentence structure, let alone content) before.


Now then, let's see about that chapter 3.


I like the bit reminiscing about Asuka going back to the gym despite injuries.

Why would Shinji leave Asuka there, with just a modicum of food? That seems unusually distant, even for him.

It was Misato Katsuragi's cross, something the woman had worn for as long as Asuka had known her. Her right hand slowly reached out, and her thumb rubbed at the red stain. It flaked off slightly, and Asuka realised that it was blood. The stain was completely dry, possibly a week old, and it had obviously ended up in Shinji's possession.

I don't think Asuka could really tell how old a bloodstain is.

Asuka glanced at the other crosses, and she made out names scratched into their surfaces. Her kanji was not very good, but she was easily able to make out the names of her classmates, someone called Kaworu Nagisa who she had never heard of, Kaji's name and... her own name. Asuka froze in surprise as everything she had seen recently came together. A ruined city. A sea filled with blood. The gigantic corpse face. The streak of red across the sky. Asuka had heard rumours of Third Impact. The supposed cataclysm that would occur if an Angel were to make it through NERV's defenses to whatever lay deep beneath the earth. Humanity would be wiped out, swept from the face of the earth as if they had never existed. It was now clear that the hypothetical had become reality.

Here, for instance, I think your tendency for big paragraphs robs the revelation of impact. Spacing things out in separate paragraphs (even one sentence paragraphs) makes it easier to focus on what's important and lends weight to whatever is set off by itself. I probably would've done something like this:

Asuka glanced at the other crosses, and she made out names scratched into their surfaces. Her kanji was not very good, but she was easily able to make out the names of her classmates, someone called Kaworu Nagisa who she had never heard of, Kaji's name...

And her own name.

Asuka froze in surprise as everything she had seen recently came together. A ruined city. A sea filled with blood. The gigantic corpse face. The streak of red across the sky. Asuka had heard rumours of Third Impact. The supposed cataclysm that would occur if an Angel were to make it through NERV's defenses to whatever lay deep beneath the earth. Humanity would be wiped out, swept from the face of the earth as if they had never existed. It was now clear that the hypothetical had become reality.



Anyway, Shinji carries her to a service station. Does he really have the strength to carry her a long distance?

He seems intent on staying away from her while providing for her. I can buy that well enough. Kid's got issues.

Asuka, however, goes through this chapter mostly in a state of reflection and rethinking. Even her survival isn't really in her hands, as Shinji provides for her. She, and us along with her, are just along for the ride as she comes to understand Shinji's circumstances (through the graves and such). This helps cover some ground to getting Asuka to be more on Shinji's side.

But I must wonder: Shinji had a great deal of experiences in the sea, experiences that changed his mind. Why wouldn't Asuka experience similar things? What made her come back in the first place?
 
Why would Shinji leave Asuka there, with just a modicum of food? That seems unusually distant, even for him.
Not really that he left the food there for her, more like he bolted like a startled animal because of that one word at the worst possible time.

I don't think Asuka could really tell how old a bloodstain is.
Yeah, you're right, that sounded weird looking back at it.

<stuff about paragraphs>
I guess the fact that I've been reading fantasy novels recently is partially to blame for the huge paragraphs. A lot of the time I feel like I HAVE to write them big or... something will happen. Yeah, it's about as dumb as it sounds... I've taken your suggestion about that Asuka's name bit though, because that was rather obvious in hindsight. I'll also go back and see what I can do about some of the chunkier chunks.

Anyway, Shinji carries her to a service station. Does he really have the strength to carry her a long distance?
Thanks to her downward spiral before the End, Asuka will have lost quite a bit of weight. It may have taken Shinji a while, and he'd be really sore afterwards, but I reckon he could carry her that far at least. All that Eva training has to have done SOMETHING to his physique, right?

Why wouldn't Asuka experience similar things? What made her come back in the first place?
Chapter 6 shows what Asuka experienced. Sorry if you're expecting philosophy and things like the Crazy Train, but I think it'd be impossible for me to write that stuff.
 
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God, these last few chapters feel like Attack of the Clones. Standing and talking. Sitting and talking. More talking...
Well you could do something about that. :p

The conversations could use a lot of condensing I think. It's not handled badly, it makes sense for Asuka and Misato to compare notes at this point and they're both commenting on the events through their own viewpoints so it's not just exposition or anything, but it's still mostly rehashing stuff we as the audience already know about and have gone over it a million times already. Just skipping some parts and showing us the results of the conversations or something wouldn't be a bad idea.
 
Okay, reading your chapter four now.

The chips last night had merely taken the edge off her hunger, but two tins practically poured straight down her throat certainly satiated her stomach, especially after drinking every last drop of juice as well...

Something I read recently suggested that constructions like these may be harder to read. There's a subtle disorder in how this is written: in the most straightforward way of writing it, Asuka pours the tins (or rather, their contents) down her throat, drinks down every last drop, and only then does she feel satisfied. Here, you zigzag a bit in time, which is a tool for making the reader slow down and think--but I don't think that's appropriate here. In this passage, you're trying to "paint" with words, trying to describe her circumstances and state of mind. The ambiance and general feeling of it are important, but I'm not sure the specific details are.

You do this kind of zigzagging in other places, too, often to explain the characters' previous thoughts and states of mind. An example:

'It's... it's fine. My eye is perfectly fine! There's not even any scarring around the socket!' If there had been anyone else around, Asuka would still not have felt embarrassed as she began cheering and dancing around the small bathroom. Ever since she had noticed the bandage on her face, Asuka had been worried that she'd be forced to wear an eye-patch for the rest of her life, her face forever marred by the harpies' attack. Now she no longer had to fear being undateable... if anyone else ever came back to life. Asuka slowed down as the thought occurred that she had been worried about getting a boyfriend in the middle of an apocalypse.

This is one reason why I've suggested cutting down on explaining the characters' thoughts so explicitly, particularly when those thoughts were in the past: it forces you to go back, breaking the forward flow of time. Staying with Asuka's disbelief, her probing at the eye to make sure it's real and intact and such, is a way to stay in the present and maintain a simpler forward flow.

Asuka was jolted awake by a peal of thunder that rattled the shelves and made the windows vibrate. Outside, the mid-morning sky was dark and gloomy, but the rain was slackening off. The door was slightly ajar, and Asuka was surprised by what felt like a slight cold breeze across her neck and chest. She looked down, and noticed that her plugsuit had de-pressurised during the night, and was nearly falling off. The button on her wrist that usually made the suit form-fitting merely flashed red and beeped at her. Asuka let out a muttered curse at the plugsuit. It had apparently run out of power while she was asleep.

Plugsuits require power to maintain pressurized shape? It's not a passive thing?

Outside, the rain was now a mist, and felt cool and refreshing on the girl's face. The loose plugsuit was hiked up by her good arm. Asuka had doubts there was anyone around to see her in a state of partial undress, especially not a certain fourteen year old boy, but she certainly did not want to trip on her suit and fall over on the pavement. A twenty minute stroll brought her to a clothing store in a dark shopping mall, lit poorly by the massive skylights over Asuka's head. She switched on one of the flashlights she had retrieved yesterday, and was nearly blinded by the reflection on the store window. Blinking to clear her watering eyes, Asuka eventually found the adjuster and dimmed the light to a level that she could tolerate, while cursing whoever had set the flashlight to its highest setting.

The underlined are all passive constructions. Now, contrary to what I may have indicated earlier, passive is not universally evil or undesired. I agree with its use here for the skylights, for instance.

Again, part of what governs whether to use passive voice or active voice is the sequence or order in which you want to introduce elements of the scene. It's natural to describe a mall and store before the skylights that illuminate them because the skylights are a secondary feature--working big to small is a logical ordering and helps the reader get the big picture before filling in details.

Conversely, I think it would be better to say "the reflection nearly blinded her" instead of what you have, as the reflection should come (slightly) first in time before it can blind anyone.

Asuka spent an almost-enjoyable time picking a new outfit. With nobody around to impress with her fashion sense, she opted for a bright red jacket with white stripes down the arms over a blue shirt, and black pants with a dark red line down the side of each leg. A few spare sets of underwear were placed in her backpack. She was careful putting her right arm through the sleeves, as Asuka was still wary of the damage it had received. Bending it still sent tiny jolts up and down her arm. A short walk to a nearby shoe store netted her a pair of sturdy brown hiking shoes. Before leaving, Asuka took a long look at herself in a full-length mirror.

I wonder: what did you have in mind here for how these choices reflect on Asuka's personality? I think there's a trap here in describing the clothes in too much detail without that detail actually saying anything about Asuka. Detail for the sake of detail isn't useful, after all. I can see that Asuka is being somewhat practical, but details like the colors or patterns aren't relevant for the practicality of her decisions here.


I felt Asuka's sudden hallucination of bleeding from her eye and so on was, well, sudden. It might've benefited from some kind of trigger that unsettles her instead, leaving her to wrap up her clothing search as quickly as possible until she makes the mistake of looking in the mirror. That kind of construction would build tension and anticipation for the event.

"Well," remarked Major Misato Katsuragi, head of NERV's Tactical Operations branch. "That just happened."

At one level, I like Misato reacting with such a dry remark. On another level, it feels almost...too colloquial? Too Western? Not sure what feels off about it, really. The sentiment is right, at least.
 
Chapter 7.1
Nice timing, Muphrid, I was just about to post a chunk of my next chapter. I've gone through your critique and changed what I could.

Plugsuits require power to maintain pressurized shape? It's not a passive thing?
I find it hard to believe that such an advanced piece of tech would not require power. I actually tried to look up plugsuit specifics before doing this bit, but I couldn't find enough information. Since I couldn't find anything to say otherwise, I decided that the losing pressure thing is a failsafe so a person wouldn't be forced to cut their way out of their suit.

I wonder: what did you have in mind here for how these choices reflect on Asuka's personality?
Honestly, I don't know what I was going for with the clothes besides 'Asuka likes red'. The pants were supposed to be a reference to something else, but that's probably too minor to get picked up on. I've cut it back to simply 'red jacket, blue shirt, black pants'.

I also don't know where I was going with the hallucination thing either, but now I don't know whether to simply remove it or try and fix it.

I wonder, should I keep the... original drafts here on SV for posterity, or should I add the changes I make in my files? It'll all get posted on FFN eventually anyway.

Anyway, here's 7.1

******

Chapter 7

"Pack up, Asuka," Misato ordered, throwing the backpack at the girl's feet. "We're getting out of here."

Asuka immediately starting putting food and drink into the bag, before Misato stopped her by dropping one of the blankets on her head.

"I meant grab all the sleeping stuff. We won't be coming back here again."

Asuka looked perplexed as she shoved the blanket into the pack, after removing most of the snacks. "Are we finally going home?"

Misato shook her head. "Not yet. We're going to find Shinji." She turned to look out of the window. "There's a lot of city to search, and we'll save time by not having to return to one spot to rest. Once we find him, even if I have to drag him around again, then we'll go home."

As the two of them cleared up their sleeping space a thought occurred to Asuka, and she voiced it. "It's not like I'm being pessimistic but... what if he's already-" The glare that Misato shot her way was as good as a verbal interruption.

"Shinji. Is not. Dead," Misato slowly stated. "If he's dead, it means I failed. I've already failed at being a NERV officer, a guardian, and a friend. We will find Shinji, go home, and be a family. I will not fail again!"

There was no more to be said after her outburst, so they both finished packing in silence. Asuka shouldered the pack and stepped outside. It had taken longer than she had expected to recount her time with her mother, and it was now close to ten o'clock. The redhead looked up to the blue sky and hoped that the weather would not try and slow down their search.

Misato found a sizable sack in a back room to carry the sleeping bag as well as more food. She stepped outside and turned to face Asuka, still staring upwards.

"Asuka... sorry for yelling at you like-" Misato started, but a raised hand from the girl stopped her.

"No, no need to apologise Misato," Asuka replied with a faint smile. "I know how you feel. We can't afford to lose hope now. I know it sounds dumb, but I kind of feel like... if he was dead, we'd know about it."

A short sharp laugh came out of Misato's mouth. "You fought giant monsters with equally giant bio-mechanical robots, the world's been nearly destroyed, and we've both died and been resurrected. Trust me, that is not even close to dumb. And I'll be honest, I'm believing it too. Now, enough standing around. Which way should we go?"

Without a word, Asuka immediately set off towards the last place she had seen Shinji. The pharmacy where he had ran away with one of her A-10 connectors. The remaining clip was wrapped up in her plugsuit at the bottom of her pack. Misato had either not noticed the empty interface band or chose not to comment, and Asuka certainly didn't feel like trying to explain.

Strangely, the lack of weight on her head had been easier to get used to than she expected. The iconic red connectors had stayed in Asuka's hair practically as long as she had been an Evangelion pilot, and Asuka normally felt naked without them. They had been a core part of her identity. Perhaps it was the destruction of her Evangelion, or maybe it was her own death and rebirth, but Asuka realised that she simply didn't care that she wasn't wearing them anymore.

They arrived at the pharmacy in short order. A cursory inspection revealed that Shinji had still not returned. After taking a few medical supplies, Asuka pointed in the direction that she had seen Shinji run off after their encounter, and she almost continued on when Misato spoke up.

"Wait, I don't think this isn't going to work."

"What? We have to find him!" Asuka protested.

"That's not what I meant, Asuka," Misato replied. "There are way too many buildings, far too many places to hide. It would take weeks to search this city, and we might still miss Shinji."

The girl folded her arms and leaned against a wall. "Well what do you suggest then?"

Misato put a hand to her chin and began pacing in circles as she thought aloud. "Shinji's obviously haunted by what happened. He's terrified of everything, including you, and possibly even me. What kind of place would he go where he'd feel safe and secure?"

"How about our apartment? He might be hiding under his bed. The idiot was always in his room whenever he got into one of his moods."

"Hmm... no. It's a nice idea, but he's sure to know that he'd run into us eventually there. It needs to be a quiet and secluded place where nobody would go. Some place like..." Misato stopped and her eyes widened as inspiration struck. "The overlook!"

"The what?"

"It's a spot up on a hill near the city where I took Shinji after the Third Angel, to show him the city he saved. All that's there is a small parking space and a shelter."

"And you think he'll be there now?" Asuka asked disbelievingly as she looked up into the hills surrounding the city.

Misato nodded emphatically. "Yep. Before you arrived, sometimes he'd come home really late from school. I asked him once where he went, and Shinji mentioned the overlook. I checked with Section 2 and they confirmed his story. He'd apparently go up there for a few hours and just stare at the city. A couple of times they actually had to tell Shinji that it was getting late before he'd leave, and they would drive him home."

"Why did he stop when I arrived?" Asuka turned around when Misato neglected to respond, and found the woman simply staring at her. "W-why are you looking at me like that?"

Misato covered her mouth to stifle a chuckle. "I think it was because he found something closer to home to take his mind off whatever he was unhappy about."

It took Asuka a moment to process what Misato meant, and when it finally clicked her face turned beet red. When Misato saw that she could no longer hold the laugh in. Asuka stomped her foot in indignation. "That's not funny, Misato!"

Still grinning too much to formulate a response, Misato simply beckoned Asuka to follow her and started on the long walk to the hills.
 
Honestly, I don't know what I was going for with the clothes besides 'Asuka likes red'. The pants were supposed to be a reference to something else, but that's probably too minor to get picked up on. I've cut it back to simply 'red jacket, blue shirt, black pants'.

I also don't know where I was going with the hallucination thing either, but now I don't know whether to simply remove it or try and fix it.

I wonder, should I keep the... original drafts here on SV for posterity, or should I add the changes I make in my files? It'll all get posted on FFN eventually anyway.

So, I liked the hallucination because it paralleled really well with what Shinji's been experiencing. At the very least, it seems consistent. On the other hand, I've felt uneasy about Shinji's nightmares to this point. They seem realistic, but I can't quite seem to place what they're driving at. Yeah, I know these kids are damaged, and I can buy that they're struggling with this traumatic experience, but I can't see what ties this all together yet.

To make that clearer: Eva is a lot of things. It's a commentary on people burying themselves in comfortable fantasies instead of embracing reality. It might be a pointed rebuke of otaku culture in Japan. It's...not actually very much about giant robots. It's about the people, the distances between them, how they try to cross those distances and run back to safety, etc.

Shinji and Asuka have been through some awful crap, and the strange interaction they're having (up to the point I've read, through chapter 4) seems entirely in keeping with what Eva is, at least to me. But the dreams they're having--the guilt Shinji feels--while they feel logical, I just can't make them fit thematically in my head. I do not yet understand what challenge they pose to Shinji and Asuka's identities as people.

Shinji's dreams are an obstacle to him finding solace, but what do they reflect? Guilt over not being able to help Asuka previously? Sure, his inaction and depression contributed to that.

But honestly, I felt that Shinji confronted all that crap within himself. I thought that he came out of Instrumentality more or less at peace with who he is. What you have, with the characters coming out a big foggy on what exactly went down, would seem to make such a change in mindset difficult, if not impossible. I can understand regret, but you have him seriously haunted, the furthest thing from being at peace, from being moderately hopeful about things.

Now at the same time, we can't imagine that the Shinji that tries to choke Asuka on the beach is at peace or hopeful, either. I don't have a full theory of what Shinji must've gone through to get to that point. But, I do feel that Shinji is feeling guilty for things--feeling haunted for things--that are largely not his fault, and as a result, it's hard to imagine what kind of positive change he can effect in himself through conquering those nightmares, beyond simple sanity and peace. The same, I think, could be said for Asuka.

Now, the obstacles you've had Asuka and Shinji deal with would be entirely appropriate for a story that is about dealing with grief and trauma, overcoming past wounds to reconnect with people. I'm not sure I get that vibe from this story, though.

Anyway, whether what you're doing works all depends on what kind of story you're trying to tell, after all.
 
I don't think this is going to work.
Stuff like that makes me wish OpenOffice had a grammar checker. I tried looking for a plugin, but one required an online connection in order to grammar check, and another doesn't work on 64bit Java.

I'll be posting the next piece tomorrow. Don't you hate when you can't remember a specific word? Today it was 'guardrail'.
 
Others beat me to the critiques I'd have made, so I'll just compliment the feeling of the snippet. For the most part, everyone feels pretty right to character, with the shocks and changes of 3I mixed in. The overlook does make a pretty good positive memory place for Shinji to run to.
 
Chapter 7.2
Something just occurred to me when going over this segment. In writing where people do X for 'a minute' or 'several minutes' etc, are they actually, say, staring at each other for a minute? Have you ever done that? Just stared at someone for a full minute without getting massively awkward? I know it might just be time exaggeration, but that kind of thing really sticks out to me.

Also semantic satiation is so fun...

******

Chapter 7.2

Asuka wasn't sure how long it had taken to reach the once-scenic spot, but the position of the sun above them put the time at approximately midday. She was forced to grudgingly acknowledge that if it weren't for the devastation of the city, the overlook would have been a perfect place to relax.

She would also admit that the massive hole in the ground in the centre of Tokyo-3 spoiled the view far more than anything else possibly could.

"Horrible, isn't it?" Misato said flatly as she stepped up to the barrier on the edge of the cliff. "It's just fortunate that the city was almost completely evacuated. There were only skeleton crews left topside when the bomb hit." The woman leaned on the guardrail and closed her eyes in thought.

"And the only reason they did it was to get at me," Asuka muttered. "I was kicking their asses so hard they had to nuke the city." She shook her head in disgust and turned away from the sight. Wandering over to the shelter, the object that caught her eye was enough to improve her mood. "Misato, I found something!"

It took several attempts to draw the woman's attention away from the vista. When Misato finally made it to the shelter, Asuka held up something. Misato had to stop and think for a moment to identify the misshapen objects in her hand. They were wet, scuffed and badly worn out, but she eventually figured out what they were.

Shinji's shoes.

"Looks like your hunch was right."

"Thank god for that," Misato replied. "This is the only place I can think of where he would go. I just hope he's still here. Stay put, Asuka. No offence, but I'm pretty sure you're the last thing he wants to see right now."

Asuka almost opened her mouth for an angry retort, but she knew Misato was only being truthful. She simply nodded and took a seat in the shelter, quietly unpacking food and drink for their lunch.

Knowing that any further noise could spook the boy into fleeing, Misato had to practically sneak around the overlook while searching for more signs of his presence. She quickly found footprints in the still-damp dirt that matched the battered shoes. The tracks wandered around the site, going both to the edge of the cliff and a nearby tree where a half-empty water bottle was found, before terminating at the shelter. Of Shinji himself there was no sign, to her despair.

"Good news and bad news," Misato said to Asuka as she sat down next to the girl and began eating.

"I'm pretty sure I know what it is, but bad news first, please."

"Shinji isn't here, obviously. Good news is he must have come to this place fairly recently. The footprints are still fresh, there's been no rain or wind to disturb them yet."

"He might have left around night-time, or early this morning then. We would have seen him as we made our way here otherwise, wouldn't we? Damnit, if we hadn't spent the morning talking about my mother, we might have caught him!" Asuka just barely managed to stop from slamming her fist into the table.

"Calm down, Asuka. You don't know that for sure." Misato gently grasped her arm and pulled it down. She sat back as the girl suddenly got to her feet. "What is it?"

"You don't think..." Asuka's eyes darted towards the guardrail and the footprints in front of it, unable to voice the idea that had formed. She quickly scrambled to the barrier and looked over, Misato joining her a few seconds later. There was a moment of tense silence as they scanned the bottom of the cliff and then...

"Nothing, thank god," Misato finally said as they both leaned against the guardrail and sighed in relief. "Don't scare me like that, Asuka! I never again want to think of my boy committing suicide!"

"Sorry Misato. I just thought... with everything that's happened he might have... been that far gone."

"Never. Again," Misato repeated. Asuka waved a hand in vague agreement. She stared at the ground to avoid her guardian's glare, and spotted more tracks. These were simply vaguely oval shaped, with no shoe tread to be seen. "Hey. Looks like the idiot walked off in his socks."

Sure enough, a trail of muddy prints started at the shelter and paused at the guardrail, before leaving the overlook down the path that Asuka and Misato had walked up an hour beforehand. Asuka ran down the path attempting to follow the tracks, but they quickly faded away, leaving nothing more than vague smudges of dirt on a dirt trail.

Asuka growled under her breath as she stomped back up to the shelter where Misato was finishing off the chips that she had abandoned. She shook her head at the woman's unspoken question before plopping down on the bench. The neural clip was retrieved from the backpack and absently twirled in her hands as she sighed. After a few minutes, she held the red object up to her eyes as if seeking a clue in its once-shiny plastic surface.

"Misato, can I ask a favour?" she quietly asked, still staring at the clip.

"Of course, Asuka. After what we've been through, I'll do anything to help."

"I want to go to the Geofront."

Misato raised an eyebrow before hurriedly swallowing. "Um, okay," she replied. "I'm not sure how we'd get down there though. The power generators are damaged, maybe even destroyed, and I'm afraid I never learned where all the emergency entrances are. They're probably all buried under rubble now. It'll be a tough job to get down there, and we still have Shinji to find."

"We can just go to the crater. This won't take too long."

"Asuka... what are you planning to do?" Misato suspiciously asked.

"It's nothing serious, just something I never got to do. I... want to say goodbye to Unit-02. To my mother."
 
One thing that I don't think anyone has commented on so far is that it kind of feels like you've got two separate stories going on. One is the story outlined in chapter 1, the other is the story of the other six chapters, and they don't seem to have any connecting threads.

I understand that you want to give the backstory to how it all started, but six chapters in the backstory has ballooned into a story in its own right. Like, if your actual main story alluded to in the opening begins at chapter 10 or 15, you've got a bit of a problem there.;)
 
I agree; doing that can be an unintentional bait and switch, so that you're not attracting the audience that would like the bulk of the story and turning off people who liked the beginning.
 
Yeah, that first chapter's definitely not suitable for... well... being a first chapter. It needs to be rewritten AND moved to where it belongs in the story. This whole thing started as a one-shot based on a daydream that ballooned into a story about why are things like that. I should put a warning up on the original post or something, but I'm not quite sure how to word it.
 
Yeah, that first chapter's definitely not suitable for... well... being a first chapter. It needs to be rewritten AND moved to where it belongs in the story. This whole thing started as a one-shot based on a daydream that ballooned into a story about why are things like that. I should put a warning up on the original post or something, but I'm not quite sure how to word it.
I know that feeling. :)
 
Yeah, that first chapter's definitely not suitable for... well... being a first chapter. It needs to be rewritten AND moved to where it belongs in the story. This whole thing started as a one-shot based on a daydream that ballooned into a story about why are things like that. I should put a warning up on the original post or something, but I'm not quite sure how to word it.


Don't worry about it for now - fix it when you hit that point in the story.
 
Yeah, that first chapter's definitely not suitable for... well... being a first chapter. It needs to be rewritten AND moved to where it belongs in the story. This whole thing started as a one-shot based on a daydream that ballooned into a story about why are things like that. I should put a warning up on the original post or something, but I'm not quite sure how to word it.
I don't really want to start an argument, but I have to disagree. The first chapters hook us in with fast action and questions about what's going on with Shinji. Then we flash back to post-3rd Impact and start to explain Shinji's condition. It's an effective technique, and you see it used a lot.

The thrid chapter is less compelling. Of necessity it moves more slowly, and it lacks tension that puts the reader on that exciting edge of uncertainty that forces us to continue reading in order to find out what the frikk's going on. Put more simply, the first two chapters tell us that there is somewhere to go, an indication of the ultimate destination without spoiling the trip.

Sure, some readers familiar with NGE will want to explore the post-3rd world or the development of the characters. But some of us don't care for the post-apocalyptic setting and would abandon the story if it seemed to be only that. With the current beginning, tho, there's more drive to find out, to trust the story, to continue reading to uncover the mysteries presented in the first chapter. It promises sharply dramatic return to the environment of the series, complete with emotional issues aplenty if you go for that sort of thing. Also, the current beginning will be more effective at drawing in readers who are not so familiar with NGE (granted, there probably aren't many of those here).

However...

I feel that the flashback is proceeding too slowly. The pacing is a problem. Some segments should be dropped and some progression summarized in a few lines. Then get back to the main story. If the flashback has to be extensive, the author can alternate between present and past, flashing back to pieces of the back story as they become significant to the main narrative.

Unless the flashback is the main story. Then, well, keep going. Still, the first chapters are an effective hook and can form one end of a set of "bookends" that frame the main story, another common technique.
 
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Maybe consider splitting it into two stories. Like season 1 and season 2 or something.
 
Or, consider smaller, frequent flashbacks instead of a single long flashback. The challenge would be to relate each flashback to the content of the main story, but it may help keep things more even without demanding a wholesale restructuring.

I think @gS49 is right to say it really depends on what the main story is. If the flashback is the main story, then I'd cut the first chapter and put it in its chronological place. If the action that takes place in the first chapter is the main story, then I'd figure out how to get this flashback over quickly (what are you trying to show through this?) or otherwise spread it out so that people stay in the main story more regularly.
 
Hrm. At the moment I really feel like I should just put the first chapter in its proper chronological place. This 'flashback' is taking longer than I expected. Time will be getting skipped a bit soon, possibly next chapter, seeing as we really don't need to see how the three are doing every single day at the apartment. People will return, and plot might actually happen (gasp!). I have a story skeleton, but I also need flesh. The main story is basically revolving around Shinji's condition, but obviously there's something else going on, seeing as the Geofront is restored, all three Evas are available, and the MP Evas are resurrected and attacking. Wonder if I should spoil what would be... not sure if 'major' is the right word.
 
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