[Worm] Pride

Hands still, hair washed out around her like a hallow.
"Halo"

When Michael looks up to the top of the staircase, it is Amelia standing there, starring down at him.
"Staring"

I consider contacting Global Broadcasts, asking to be put in touch Verity.
Hm, that could have interesting results. I like the "call your daughter's friends" idea though, Jen seems very sensible.

"It's such a man's way of thinking. Something bad happens and you gotta pretend like you're still in control or something."
So I can see why this feels true, particularly from Jen's perspective, but I'm not sure that this actually is gendered.
 
I make no claims that Jen's gender norms are correct or good, only that they make sense in character. :p
I like characters having biases and human foibles. Making them something other than my own or other than bland simplistic stereotypes is hard. I think you did a decent job.

This chapter had a lot of talking for what was ultimately a rather simple decision and no action. I'm a little surprised, as the pacing is usually much faster. Was the structure of the chapter intentional? I don't think it was bad, to be clear.
 
So I can see why this feels true, particularly from Jen's perspective, but I'm not sure that this actually is gendered.

It's not, necessarily, but it can be and very often is. I know my experience as a "man" was very much tied to control, and the anxiety spiral Michael experiences here still happens to me a lot. In our society these things are unfortunately quite gendered, though.
 
This chapter had a lot of talking for what was ultimately a rather simple decision and no action. I'm a little surprised, as the pacing is usually much faster. Was the structure of the chapter intentional? I don't think it was bad, to be clear.
Honestly, the structure of the chapter was very much "I do not KNOW what choice Michael is going to make here".
Writing was discovery, and seeing how things played out. There were points where I was seriously worried he was going to choose otherwise.

And... I figure any scene where the writer themselves is under tension probably has enough tension for the audience.

It's not, necessarily, but it can be and very often is. I know my experience as a "man" was very much tied to control, and the anxiety spiral Michael experiences here still happens to me a lot. In our society these things are unfortunately quite gendered, though.

*shrug*
I've met lots of people from either gender with control complexs, and/or anxiety spirals. Society might have different expectations about how that expresses itself, but am suspicious that a lot of the underlying emotions are the same.
 
Yeah, I'm a woman and have struggled a lot with control and anxiety issues. It's gotten better over time, possibly because of more experience with not being in control of things.

I wouldn't be surprised if there was some statistically significant difference between men and women here, but studies of gender differences tend to show much more variation within than between genders.

Again, fine characterization because it feels like the kind of thing many people would say, just made me ponder.
 
Yeah, I'm a woman and have struggled a lot with control and anxiety issues. It's gotten better over time, possibly because of more experience with not being in control of things.

I wouldn't be surprised if there was some statistically significant difference between men and women here, but studies of gender differences tend to show much more variation within than between genders.

Again, fine characterization because it feels like the kind of thing many people would say, just made me ponder.

Like I said, I am too. Interestingly enough I do seem to have carried that baggage with me from the other camp, though. It's not universal and I wasn't specifically saying it was.

That being said if you don't think men are expected to maintain a demeanor more like Michael's usual in similar crisis —
 
I do agree that there's a stronger societal pressure for men (or folks percieved as men) to maintain an appearance of control, particularly in the form of taking action and enforcing one's will upon the world (as Michael's orientation here).

At the same time, while women (and those perceived as women) aren't explicitly expected to maintain control in the same way, there are a lot of ways in which filling the roles expected of women does require a high level of control. Emotional caregiving requires a lot of internally-focused control, as does trying to get oneself taken seriously in a situation where one might be seen as "hysterical" if showing too much emotion. Household management also requires a lot of externally focused control, albeit often the seat-of-your-pants, keeping-all-the-balls-in-the-air kind.
 
Absolution (Michael)
The drive to Waverly is an exercise in meditation.
My mind drifting away from the road, and me forcing it back. Trying to stay focused on my hands, on the steering wheel, on the instructions Genevieve gave me.
The messages I sent to Amelia's friends.

Every so often one of them will reply, and I will pull over, read the message, send a polite thank you back, and keep driving.

The car is second hand. Paid for in cash with money from the safehouse.
What remains of that money is with me now, in a bag on the front passenger seat.
The road is long, and gently curved, flat barren farmland on one side, railway tracks on the other. My daughter has gone to Boston. There is more farmland on the opposite side of the railway tracks.

I reach the outskirts of Waverly, a dilapidated white welcome sign, a oversized gas station designed for trucks. Houses and shops sparsely placed, with flat open ground in between. Skeletal trees and shorn grass fills the wide gaps between houses.
The city is deeply disturbing. Disquieting in a way I can not put my finger on, something off in the minds of whoever constructed this place.

I follow Genevieve's instructions, wind my way through unlabeled streets, roads with no midline, clusters of ready-pack houses with no fences between them. Eventually I reach a little white church, perched atop the slightest of hills. The carpark of the East Family Gospel church is empty, so I pull up, hide my dufflebag of money beneath the seat, and climb out of the car, folding out and upwards, glancing all around.

Good spot for sniper fire.
One of the few things I have no defense for.

I take a few steps towards the church, and don't get gunned down, so that at least is a relief. Genevieve watches me, hands behind her back, wearing the white collar and bulky black gown of her ministership.
I approach the door, wary of the building as I approach.

God I hate these things. Churches, Cathedrals, Chapels.
Places of worship, buildings full of people all believing the same thing because the pastor tells them to.
Sheep. Grand stone edifices built out of labor and money taken from the poor.


"Anyone would think you were a vampire, way you look at it."
I nod. Eyes skating left, right, back up to the building, the steepled roof, the cross above the doorway.
"You always hated churches."
"Oh?" I reach out, shake Jen's hand, still watching the church as I check that she is not an illusion.
"We used to have a couple in our neighborhood back in Brockton bay, till you chased them out."
Dangerous places. Centers of conformity. Radicalization.
Jen turns, wanders inside.
I hesitate on the threshold before following her.

The inside of the East Family Church is cool and dark. Wood polished smooth by one thousand hands, the gentle movement of supplicants, windows thin, barely enough to keep out the cold. Benches hard, flat backed.
People looking for purpose, looking for explanation. Direction.
Unable to face the raw absurdity of reality. The fundamental truth that there is no reason.
Only action and consequence.
Action and consequence.


"Why are we meeting here?"
"It's a building I have the keys to, where I can grant some level of privacy and won't have to introduce you to my husband."
"Don't care to explain me to him?" Your former pimp. A supervillian.
"No, not that." Jen shakes her head, still walking away from me, up onto the low stage. "He already knows about you. He knows you are here, what I'm doing. I do not lie to my husband, Michael. But you have a history of violence and so.... you do not get to meet him. You do not get to speak to the man I love."

Huh.
Not sure I deserved that.
Not from Jen.
Anyone else probably, but not Jen.


I think her words over for a few moments, and smile.
"Congratulations," I tell her "I didn't realize you were married. He's a lucky man."
"Fuck off Michael."
Genevieve turns, takes a seat, sitting on the low stage at the front of the room, her legs swinging.
I want a seat, but can't find one. The pews feel… I don't want to sit there. Instead I move, go to check the windows.
"Is your husband discreet?"
One more threat.
One more variable to deal with.

"I've made it clear that this is church business. That I am in the business of redeeming souls, and that business is best not interfered with. Also, I have an interest in protecting my goddaughter."
There's iron in this woman. There's iron in this woman and I'm not convinced that I am not about to be on the receiving end of it.

Jen watches me.
There's nothing going on out in the carpark. Nothing going on in the little patch of woods on the other side of the chapel. My daughter has gone to Boston. Light streams in through the windows. Late morning sunshine.I return to the center of the room, and Jen is still watching. Calm face. Deep dark opal eyes, and her hair cut short, and she once was a prostitute and now she's sitting in a chapel.

"I don't… I don't understand"
"Oh?"
I gesture at the room. "If they knew your history… if they knew who you were… every one of these people would turn against you."
They would hate you.
I hate it. Hate the moral absolutism of it, hate the hypocracy, hate people for not seeing the true value of this woman.
Dr Morley took me and Mother to church. Paraded her around and then returned her to the brothel. None of them believed me when I said the good doctor was beating her.
None of them believed me when he pushed her down the stairs.

Beneath my skin, bones move. Slicing through veins and sinew. Sawing at things.
It takes a flicker of will, and the process stops.

"I draw my faith from Christ, Michael, not from Christians."
There is no Christ. Only people. Only our choices. I was nine years old.
"And besides, they do know my history. They know the name I was born to. They know about my employment in the bay. The criminal convictions, the time spent as a drug courier. None of these people care about that. People are better than you think Michael."
"Huh." Can't say I expected that.

The feeling is disquieting, something out of place.
I wander over to the side of the room, slump down against the wall.
Legs splayed out, eyes closed.
I feel numb. Washed out. A being without flesh. Only the gentle sensation of my bones pressing in on my awareness. Disjoint pieces, a skeleton with the rib cage moving in and out as I breath. I wasn't strong enough to kill him till I was twelve. Until I had learned to control my power.

"Is she like her mother?" Jen asks.
"Hm?"
"Amelia. Is she like her mother?"

Is she?
There's a flicker, a sensation of memory.
Diana laughing, down in the harbor. Arguments with Diana, arguments with Amelia.
Diana smiling, looking up from a book. Amelia looking up from her e-reader. Anxious.

Ahhh my princess.
Why did you have to go to Boston?

Of course, its a stupid question.
The threat was Mirage. The threat was a creature I brought into her life, not the city itself.

"She's more anxious," I reply. "She's a worrier."
"Like you."
I nod. "Diana wasn't like that. Diana was courageous."
I taught her that.
I taught Amelia to be afraid.
I don't regret that choice.
I only ever wanted her to be safe.

"Aside from that? Aside from the anxiety?"
I played her music. The same tracks Diana used to play in her attic apartment. Johnny Clegg. Tracy Chapman on repeat.
I open my eyes. Stare out across the church. Across the stiff backed wooden pews, out through the window, into the flat grey sky.

"Yes," I reply "She's like her mother. She… Diana would be proud of her."
I wanted that.
That's something I
wanted for my daughter.

Genevieve smiles, indulgent. Warm. "She'll be fine."
Against the Simurgh? An Endbringer?
Amelia is an S-class threat, a target, a-

I feel hollowed out. Filled with light. fragile. "How can you know that. How can you… what difference does it make?"
"I was reading about it while you were driving over. There's been research. Studies. Simurgh only latches on to what's already there. It's only about fifteen percent of the population who are vulnerable."
-That's all it takes. That's all it takes to-
"If your daughter is like her mother, she'll be safe."

It's lies.
It's lies to try and make me feel calm.

"You've never even met Diana."

A chuckle. I realize I'm staring up at the roof. Not looking at Genevieve.
"Not true. We got Valerie to spin you some story about All Father's goons bothering her, and me and Carla went over to visit… get the low down on your new Lady."

Huh.
Outplayed once again.

"She was cool. I can see why you liked her. Very French, very tragic."

It's not enough.
It's not enough for her to be like her mother, for her to….


"She likes people," I say.
Why. Why did I say that? What difference does it make.
"She... I brought her up to know that allies… a good reputation… its a critical resource. Friendship is an asset."
"That's how you see this here? I'm an asset to you?"
I turn, look at Genevieve for a minute. Just really look at her. The inquisitive eyes, the bulky ministerial robe, her hands.
"…. Yes." I tell her "You're intelligent. I believe you are a genuinely good person. That's valuable."
Jen rolls her eyes.

I turn away. Slouch back into staring across the pews. Staring out the window.
"I've realized…. Amelia didn't learn the lesson I intended. She doesn't care about people being useful to her, she doesn't…. she cares about peoples opinions because their good opinion of her is something she wants."

There's a sound. My phone, the device chirping away inside my pocket. I pull the phone out.

"She lets other people opinions dictate what she does. That's just something that matters to her, and when I noticed, I thought it might be a problem, I thought about training her out of it,-" becoming a slave to public opinion. Peer pressure. Societal morality. Love is a liability. Attachment pulls you down "- but I didn't think that's something Diana would have wanted, so…."

So what?
You're going to take your advice from a dead woman now?


I glance down at the phone, tap at it. Another message from Amelia's friends.
10:10am

You have received
3 new messages.
Oh- hi Amy's Dad.

10:10am
Amy called us yesterday morning.
There was some kid from Brockton

Bay who needed a place to lie low;

Amy asked if we could take her.

10:10am
Anyway- we asked the adults,
and they said it was okay, so

Amy and that Dinah girl are due to
arrive in the next day or so.


10:10am



Boston was attacked by the Simurgh.
My daughter went to Boston.
My daughter went to Boston to collect the most powerful parahuman precog currently recorded.


I tilt my head back.
Stare up at the roof of the church, the raw wooden beams.
Like an upturned ship.

I'm sitting in a church, and somehow it feels like absolution.
 
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I hesitate on the threshold before following her inside.
Problems with thresholds is also vampire-like.

"Is your husband discrete?"
Well, he's not continuous. (The word you're looking for is "discreet.")

and she once was a prostitute and now she's sitting in a chapel.
Jesus famously hung out with prostitutes. (Again, it makes sense for Michael to think this way because there certainly are Christians out there who are much judgier than Jesus. I like how Jen shuts him down because she's 100% right here.)
 
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I liked the slow down in this chapter, and enjoyed basically every aspect of the conversation. I particularly liked how Genevieve has so clearly moved on from (whatever extent she might have held of) Marquis's mindset. She's not ever really arguing with him, just stating by how her actions in the past she has already moved on from his perspective and thoughts.
 
Interlude (Battery)
Earlier. Mid July.

She lay, loose and limp and wrung out.
Bedraggled. Tangled up. Just… utterly utterly relaxed, as if turning into a liquid.
Calm.
Ethan's chest was cool, firm. His arms, draped over her shoulders, brushing against her hair, her skin, his heart beating against her cheek.

It had taken three years for the man she hated to become her lover.
Three years before she had realized the obvious question.
"Why did you do it?"
"Hmmm?"
She curled in closer, clenched herself against him, scrunched fingernails against he muscles of his back. Trying to squeeze him, crush herself against him, feel warm.
For just a moment there was an image of the farmhouse. The clinical white building within. That woman, talking with such confidence, such….

"Why did you let all those terrible people out of the Birdcage."
"Mmm."
Ethan breathed, then breathed in, his chest lifting her. His heart still beating. Fingertips drifting along her back.
It was comforting.

"Well… The Birdhouse took my Father away, and so…."
She could feel him shrug. Awkward. Self conscious. Aware that this was something which truly mattered to her, that this was something attached to her Dad.
Something she could never forgive him for.

"I forgive you."

His whole body froze. Went tense, and his heart was beating faster.
She could feel everything about him. Everything about herself. The window of his little fifth story bedroom open, the air against the sweat of her skin. Moonlight.

She sat up, propped herself, up on his chest, just enough to look into his eyes, which boggled out at her. "I forgive you," she repeated "I don't know if its the right decision. If its fair. If its just. Don't know if Dad would like it," she blinked back tears for that one. "But its true. I do forgive you, even if I'm not supposed to."

She lay back down, and his arms closed soft around her.
Out on the street, Brockton bay was a living city. Cars drove past. The Howl of a fire-engine somewhere. Car horns. Rain.

"Thanks," Ethan replied. Or Madcap perhaps. "Puppy." He leaned forward, planted a kiss on top of her head.
Squished her tight. So so tight. And then relaxed. Turned back into a liquid. A slim furnace of a man made of smooth skin and firm abs.

She lay there for a long while. Breathing. listening to him breathing. Wondering if she'd need to take a morning after pill, if she wanted to.
Could we build a life together.
And there he was. The warmth. The closeness. The stupid Battery themed kids duvet he had bought for his bed, and draped over her.

"Do you forgive yourself, Puppy?"
"Huh?" She wriggled, lumbered, propped herself up again, up on elbows and forearms starring down at him. Doing her best to look serious while Ethan grabbed her butt cheeks. "What you talking about?"
"Do you forgive yourself?" He repeated.
"What for?"
The dumb Galloop looked away, looking sad, uncertain, all the while continuing to jiggle her butt.
"For… whatever it is that makes you try so hard. Whatever it is you keep punishing yourself for, whatever-"
Cauldron.

She swallowed. The thought caught, and the moment that it did, Ethan stopped playing with her butt. Freezing again. Watching her.

"It's something, ain't it?"
She nodded.
They told me to keep it secret.
They told me they'd
hurt anyone I told.

"You don't have to tell me," his fingers brushed against her waist "You don't have to say anything." There was nothing but the calming cool. His power touching her, and for just a moment, she was motionless, weightless and the world moved around her. Rising and falling in time with Ethan's breath. "But do forgive yourself."
"I'm not sure if I can,"
"Find a way"

He pulled her tight, and she could feel that he was trembling, and she wasn't sure weather or not she felt anything at all.

"Stop throwing yourself against the world Puppy. Cause if you do… if you don't stop… one day your going to break, and I'm not sure I could survive that."

I can't.
I can't forgive myself.
Not yet.
I still owe them one favour.
One more thing they'll ask me to do.




There was light, there was light and the sound of beeping. Nurses moving by with quiet footsteps. Medical machinery being rolled around and she wasn't ready, she wasn't ready for any of it, and-



More Recently

Brockton bay.
Early morning.
There was rain, and stars still out far above if you caught a gap in the clouds, and everything was cold.

"No, Puppy. Please."
She was already moving Getting her clothes on. "Come on Ethan"
"No… please no."
He wasn't moving. Wasn't getting his clothes on. Just following her around shirtless. Messages came in on both their phones and neither of them paid attention.
"Ethan! People will die. People need us."

There were the sirens. The long mournful wail. Rising and falling. The rain was getting harder.
This is our chance.
Early warning systems and-


"I didn't sign up for this."
"Well I did."
"WHY?" He said. Demanded. Snarled.
He stepped in front over her, blocking her way through the doorway back into the bedroom.

It was perhaps the first time she had seen him truly angry at her.
Truly, viciously, angry. That venom she'd seen in him finally directed at her.
"Why Puppy? Why are you doing this, what-"

She stepped close, eyeball to eyeball, leaning in.
"I'm doing this. No one has anything on me. It's not guilt. It's not shame. I'm doing this because I can. Because I want to. I'm going to fight Leviathan. I'm going to defend this city. Are you coming with me?"

She could feel it. The electric touch of his power. The slight lack of gravity, even when he wasn't pushing her.
She watched as he opened and closed his mouth. Outside, the sirens still mournful. Civilians running to their shelters. The rest of the Protectorate already preparing and she was stuck wrangling this selfish fuck.

He starred into her eyes, and she could tell he was afraid.
Somehow she didn't care.

"Okay," he managed "Yes. I'm with you."



Now.

I chose that.
I chose for the man I love to face that thing.


Vanessa woke up.
The sensation of falling, of being thrown, something breaking, and there was lights, too many neon lights above her, and-

Beep….
Beep...


"Hey...Ethan?"
He had been there earlier. She remembered his voice she remembered….
Leviathan tore my leg off.
Leviathan tore my fucking leg off and-


She looked down.
Her legs were still there.

She wiggled her toes.

What the fuck.
All a dream.
All a dream?


No.
No, it had been to real, and she was in the hospital now, and she wasn't – it didn't feel familiar.
Is this them.
Cauldron?
Come to collect on debts.
Come to....
?????


There was a needle in her arm, an IV drip, and she turned to sit up take it out and-
"Hey! Hey hey! Easy."

There were hands. Hands pinning her down, and the heart monitor freaking out and it was Missy. Vista.
Missy Biron.

"Hey... hey...."

She struggled for a moment longer before finally managing to get back control, forcing herself to freeze, and then relax. Go limp.

She fell back against the bed. The needle was still in her arm, which she supposed was probably good. Wired up to some sort of bag of clear goopey fluid. Instinctively, her eyes traced it, wondering what they were pouring into her. Wondering, how much of this was real, whether maybe she was was still dreaming.

Missy was still standing over her. Well as "over" as a small twelve year old could stand over someone. Tense. Ready to move if she did.

"Where's Ethan?"
Her words came out as a croak.

Missy stepped back. Hopped herself up onto one of the hospital chairs, feet not quiet touching the ground.
"He's okay."

Vanessa nodded. Tried to sort through that information in her brain.

"Why are you here?"
Why isn't he?

She glanced over at Missy. The girl was wearing loose fitting PRT issued pajamas. Pale peachy orange, with little stars on them. The ones given to Wards if their clothes were ruined.
If their uniforms got too much blood on them.

Ethan always used to hate that.



The girl shrugs. Looks away.
There was a stack of trays and juice boxes on the seat next to her, as if she had been here for hours.
Days maybe.

"Are your parents-?"
The question remains unfinished.

Missy shakes her head. Nods. Continues to swing her legs back and forth.
"They're fine."
Watching carefully, Vanessa could see the Geometry of the room compress slightly.

"Got… competitive after the Leviathan. Mum saying I needed to stay with her, Dad saying I needed to stay with him," she shrugs. "So I told Mum I was staying with Dad and Dad I was staying with Mum, and I fucked off here. Easier this way."

The girl rubs at her knees. Smoothing out the soft pajama fabric.

Of course.
Custody dispute based trigger event.


Vanessa wasn't supposed to know that. Not officially.
But… many of the Wards ended up triggering based on family complications. In every case, Protectorate members needed to know whether handing Wards over to family members could be considered safe.
Often the answer was no.

Something else to feel guilty about after buying my powers.
Not realizing the
price that everyone else had paid.

"You should go home Missy."
The girl laughed, a short sharp noise.
Stupid. Poor choice of words.


She sat herself up. Wiggled, and pushed, her arms feeling weak, as if all the muscle had been pulled out of them. No nurses or medical staff had come, despite the alarm on her bed monitor five minutes earlier.
Outside it was morning. Out the window, nothing by wispy white clouds and blue sky.
It was almost restful.

"Chris is dead. And Carlos. And Dennis."
"Oh." Oh god. Oh honey...
"Carlos and Chris and Dennis are dead, a-and I think I d-died too for a bit. And M-Mum and Dad just keeping fighting and I don't belong anywhere, except here, and M-miss Militia said I sh-shouldn't. Brandish told me she s-said that children sh-shouldn't, except sh-she's dead t-too now and I… I… "

Oh god.

Vanessa opened her arms, tried, tried to sit as best she could. "Come here."
The girl floundered.
"Missy. Vista. Stand up and come over here."
This time she obeyed. Stepping forward, stepping forward and burying her face in Vanessa's shoulder, as best she could given the awkward angle.

Great heaving, wracking sobs.
Clinging on. Clinging on to something.

"It's okay…." She lied "it's okay… you don't…"
Comforting words were always a lie.

But sometimes we need them.
"You don't have to be strong any more."
 
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I liked it. The jumps in perspective were decent. I think you did a better job with conveying body language in the first part than the second, but I also figured that could be intentional for how much Vanessa is drugged up. Is that the case?
Also, poor Vista.
 
I think you did a better job with conveying body language in the first part than the second, but I also figured that could be intentional for how much Vanessa is drugged up. Is that the case?
Eh- more just.... the first part is VERY MUCH body language. There is touch, physical senation, it is the focus.
The second... Vanessa and Missy are at more of a distance. Both emotionally, physically, etc.
Missy is reserved, builds up walls. Ethan is expresive, flambouyant. Also familiar to Vanessa.

I agree though, the second half could be better in terms of physicality, but there's also... try to cover dialouge, and lore/thoughts and physicality? Words are a limited channel. That, and it had been a bit too long since the last chapter, so I was focused on getting something out. "Finished rather than perfect" is one of the best pieces of writing advice I ever recieved, even if occasionally It makes me flinch.

Is a good critique, but also stings a little because it is one I agree with, and was half aware of even while writing the chapter. A good lesson to pay better attention to those instincts in future writing, so thank you.
 
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Orange Juice (Battery, Interlude)
Immediately after telling Missy she didn't have to be strong, Vanessa found out her legs weren't working, so the girl had had to help her climb down into one of the hospital wheelchairs, and then wheel her to the bathroom.

Now they were in the Cafateria.
The place was cluttered with people, families, staff, a whole mess of people eating, and then some others just sitting around.
Survivors. All of us coming together after the storm.
Owing to the wheelchair, Missy managed to get them a table over in the corner, beside the window, a couple who had already finished eating nodding and scootching out of the way. Missy twiddled around with some mechanism at the back of the wheelchair, locked it in place. "I'll get get food."
And then she was gone. Scurrying off into the crowd.

Vanessa breathed. Felt her ribs rise and fall. Sunlight streamed through the window, across the white fiberboard table, pressing through the thin medical pull-over, tiny needles of warmth spiking into her skin.
It felt good to breath. Feel the nightmare and violence of the past days melting away.

Listen to the quiet murmur of voices, stare out the window at skeletal trees, the birds outside.

"Back!"
Missy deposited a bowl of grey porridge in front of her, skidded into her own seat with two glasses of orange juice and then slid one across the table.

Kids bounce back fast.
It wasn't a happy thought. Just meant that it was harder to tell when things had gone wrong. Kids were hard. Hard to read, hard to connect with.
Being an adult, there was always some distance, interacting with some other persons kid, acutely aware that she didn't know the expectations this person had set up with their parents. All the... details. Somehow.

Vanessa ate, slurping down luke warm gruel with raisins in it. Missy chugged down orange juice. The girl fidgeted, swinging her legs back and forth. Swatting and her limp blonde hair so as to better glance around the room, eyes fastening on one person or another, and then sliding away, drifting, looking at the crowd as a whole. Not exactly anxious exactly but....
Wary.
Aware of her peripherals.


It was a common trait in Shakers. A awareness of ones surroundings.
When profiling new capes, it was something she had been trained to keep an eye out for.
Brutes and thinkers tend to be more relaxed and confident because their powers covered for any blind spots.
Missy's power was Manton limited. Crowds like this were a threat.


The Girl took another gulp of her orange juice, her eyes locking on to Vanessa while the glass was in the way, meeting Vanessa's eye contact and not moving away.

Waiting.

"So..." She tried to make it light, press down on the fear, make the question casual. "Where's Assault?"

The girl shrugs. "Gone."

- no -

"Brandish said some PRT guys tried to arrest that Miss Lavere girl who fixed you. Assault freaked out- kidnapped her or rescued her or something, and now they're on the run."

Idiot.
Stupid moron criminal fuckwit.

She didn't swear in front of the kid.
Tried not to. Tried to pay attention to that sort of thing.

"Miss Lavere was in your room when it happened, so we're all pretty sure that's got something to do with it. Some deal. Your life for her freedom. Some'ing like that."
Of course.
Of course he'd do something like that.
Some big romantic gesture which landed the galloot in the Birdcage or whatever

I'll kick his ass myself when I find him.

"Who's in charge?"

"Welllll...."
Fuck.

"Piggot's sick- people say she's been poisoned or something."
Fuck fuck fuck fuck.
"Armsmaster got sick, then got better, and now he's gone on a quest to find Dragon or something."
Can't he just call her?
"Miss Militia's dead. She-" The girl faulters for a moment, continues ticking people off on her fingers.
Fuck.

"Deputy direct Calvert was in charge for a bit, but Brandish said he might be compromised, and then later Discoqueen showed up to tell me he was dead from Cancer or something and-"

"Brandish has been telling you a lot now hasn't she."
Missy bobs her head. Eyes wide, "Yup."

Vanessa narrowed her eyes.
"She put you here, didn't she?"

Another shrug. "Kinda? Not really? I mean, she said it was a place I could hang out if I wanted to?"

A messenger two steps removed from Brandish herself.
Someone the deputy director might ignore, passing on a message to me. To
me in particular.

"Who's in charge at the moment Missy?"

The girl paused, half standing, looking out the window.
Vanessa sipped her Orange juice. She already knew the answer. Already hated it.

"I mean..." Missy squirmed some more "You?"
 
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then later Discoqueen to tell me he was dead from Cancer or something
Discoqueen told me

I really liked this chapter, especially for rereading the end of the prior one. I almost feel like they should be a single chapter, for highlighting Battery's thoughts on the mental structure of kids.

Also, Vista's way of delivering the news of Battery being the one in charge just put the cherry on top of the whole thing for me.
 
Hero (Battery)
Battery was in charge. Fine.

She was the only one who wasn't dead, poisoned or AWOL. Okay.

Everything was fucked and everyone was gone, and Hannah was dead and Ethan had broken parole and Armsmaster was weird and distant.
That last one wasn't really a surprise. Colin being out schmoozing at a fundraiser, or locked down in his lab at inconvenient times was pretty normal. The fact that he was actively bad at schmoozing made the whole thing more annoying, but such was life.

Hannah was dead and Battery was in charge, so she did the only thing she could do.
Go out on Patrol.

The cop's solution. Hitting the streets.
It was never the wrong solution to a problem.
Sometimes it wasn't the right solution, but it was never the wrong one.

Okay.
Fine.
Let's do this.


She got Missy to wheel her down to the Gym in the PRT building, and spent thirty minutes figuring out how to walk again.
Apparently Leviathan had torn her legs off, and some cape girl had replaced them (somehow), and these new legs were....
Well, new.
Not her legs really, and they didn't really balance the same way. Nerves weren't all connected up right.
Close, but not... not quiet perfect.

She walked unsteadily. Toes scrunching and unscrunching. Feet not quiet at the right angle. With conscious effort she could straigten them out, but the moment she stopped paying attention to them they went a bit wonky and she'd trip over again.

Gallant showed up, and filled her in a bit more on the current situation, and then she told him and Missy to suit up.

Out on the streets.
Got be seen. Gotta give people...Hope.

She took another step. Used her power to hop forward slightly when her step landed wrong. Leaning in on that reservioir of power.

I'm the head of Protectorate now.
Got see my city.


It had been... three days since the Leviathan attack.
Three days of Missy lying to her parents, of Ethan on the run somewhere, of... everything.

Vista and Gallant returned.
They looked ready. Standing up a little straighter.

Vanessa managed to walk herself to the changing room. used the white tile walls for balance while she got her costume on. Stretched on the leggings, flicked the little switch to light up the "power lines" across it.
Cool shit.

She stepped out.
"Ready kiddos?"
"Are you sure you should?"
"I'm fine," She gave Gallant a lopsided smile.
He looked at her quizzically.
Fucking thinkers.

She wasn't fine. Of course. She'd lost both her legs. Five litres of blood. Her best friend. Her fiancee was on the run. There was an arrest warrant out for him. Her city was fucked. She felt light headed, and woozy, and disorientated in the worst kind of way. An information vacuum. A personel vacuum.
It didn't matter.
She knew what she had to do.

She could have solved the information problem by heading upstairs to the PRT office,quizzing Judith or Nazrin. She didn't do that. That wasn't enough. She had to see it herself, with her own eyes. This was her City.

"Let's go kids. Lets go Protectorize our city."

Gallant nodded.
Missy nodded.
Neither of them laughed.

Oh well. Worth a shot.

Vanessa smiled, did her best to stroll into the elevator. It was more of a limp, but hey, that works.

We can do this.



"Battery!"
"Hey Battery!"
"Miss Battery"
"Oh shit we thought you were dead."

She waved.
The city was fucked. People came up to talk to her. Streamed.

"Just some leg problems. Keeping me inside."
Lies.

She laughed. She chatted. She watched people, and got Gallent front and centre, reassuring the townsfolk. Missy expanded some picnic tables, a bus shelter, gave people a place to be for a few hours. A table to sit at, a roof to stand under.
"It ain't permanent! It'll contract back in a few hours."
It was enough.

People were happy. Freaked out. Relieved to see them. There was talk of abandoning the city. Of the government shrugging its shoulders and calling it a loss. Vanessa listened. Nodded. Promised to ask around. The infrastructure was wrecked and people were shitting in a ditch. Missy messed around for a bit, helping them with the earthworks. Rearranging the ground a bit to create a temporary scaffolding so people could build shelters. Widening and flattening roads to help get supplies through.

She should have been doing this already.

She
would have been if someone had been around to direct her, to escort her.
But I was out of commision. Wasn't careful enough. Got whacked.

I nearly died.


"Okay team, enough work here! Sorry folks, we need to go check in on citizens over in Brookvale."

Citizens.
"Citizens and capes". Because parahumans were in some strange sense not citizens.
The old civilian military distinction re-enforcing itself. Repeating.


It was the same way Dad talked about Police.
Law enforcement were not citizens. They were... separate. a distinct entity, a distinct community. A thin blue line.



They hit the downtown. Gallant reassured people. Battery checked out a number of unstable looking buildings, called in to the PRT for confirmation, and then Vista brought them down, shrinking a couple office blocks and then collapsing them in a controlled fashion.

Everything was damp. Wet. Pipes burst, and stinking, and electricals all fucked, and yet somehow the sun was shining.

They hit the schools. Delivered food. Gallant and Missy high fived students (especially the smaller ones), while Battery talked to parents, listening to their concerns in hushed voices.
"We're working on it, Ma'am." "We're looking into it." "I'll see what I can do."

There was a widow. Battery rubbed her back, and Gallant leant in, gave her a push with his power- not soothing, but instead allowing the dam to break.
The woman sobbed, and then afterwards she stood up again, wrung dry. Healed, somehow.
"We'll be back tomorrow," Vanessa promised.


On to the next location. The next district.

There was tent city out on a field.

Trucks at one end of the city trying to get in with supplies, held up by traffic jams and infrastructure damage, a stream of angry desperate drivers trying to get into the city.
Battery set up a system to get traffic moving again. She didn't use Missy's power, because the power would unravel in time, leaving an even more confused traffic situation.

The Merchants were recruiting.
Hitting supply convoys.

There was a Church congregation in a mall, a pastor preaching the end times. Apparently the Simurgh had hit boston a day earlier.
Two Endbringer attacks in the same week.

Battery stepped up to the side of the pulpit. Deliberately interupted, asking for a moment to speak to the congregation, asking them what they needed. Talking calmly, even as she could see the hatred in so many eyes.
"You did this. We didn't have monsters before you Capes showed up".

It was an argument she had heard before.
Perhaps it was even true.

"We're taking inventory at the moment, tell us what you need."
The Pastor grinned triumphantly. Vindictively.
Have to keep an eye on him.

She met Missy's eyes on the way out. The girl nodded.



On to the next problem. The PRT called in, gave her reports, requested her presence. Missy contracted the route from one district to the next, sliding them around the city, past abandoned shops and factories.

She checked in with the team out at Coil's alledged vault on the Northwestern end of the city. A Skeleton crew, when in any other week, the location would be the swarming hub of twenty different criminal investigations.

"Good to see you Miss Battery."
"You too, Officer."



There was a neighbourhood without freshwater.
"We'll look into it,"



A kid with no parents.
"Let's get you back to HQ. Have you got aunts or uncles we should contact?"




A car trapped in a ditch with three bloated corpses inside.
"Fuckit. Okay team, let's get these people out."



That reservior of power deep inside her filling over time, and then uncoiling like a spring, slamming her body into the side of a building, a vehicle, whatever needed hitting, lifting, breaking. Letting her move, letting her stand straight, even on these gumpy new legs.
Hero.

At some point, the sky stained red, exhaustion hammered into her, and she slumped, collapsed like a puppet with its strings cut, down onto some bench in a park. Gallant sat beside her. Missy still standing.

Tough kid.
Bloody tough kid.


"I should get you kids home."
Gallant nodded. Missy winced.
"You gotta face it one day."
A shrug.

Battery tiltled her head back. Breathed.
In.... and out...
The old breathing exercises from before she got her power.
Her legs ached. Ached from hours on her feat, and ill familiarity, and she knew she wasn't as nimble as she was meant to be.
But it got better. It got better.
The lights on her costume were illuminating. Bright.

"Hey?" Missy spoke "Ummm...Miss Militia said that children shouldn't be soldiers."

In.... and out...

"You feel like a soldier today kid?"
"... no. Not really"
"Good."

Her eyes were cool. Everything was soft, and dark. A cool breeze. No streetlights on in the park, but it didn't seem to matter.

"We're community service, Vista. Heroes. We save people when they can't save themselves. You don't wanna fight? Sure. Still plenty of people need saving."

We can do this.
We can do this.

I can make this all worth while.


Her phone chirpped.
She sat up, rolled her shoulders. Damp from the bench already soaking into her butt. Her and the two kids like little fireflies in the park.
Still more work to do.


One New Message:
250-1491-5152
Hey Puppy
Hey Puppy

Fuck you Dickbag.
Hey Puppy

Fuck you Dickbag.

I'm glad you made it out okay.
Hey Puppy

Fuck you Dickbag.

I'm glad you made it out okay.

Come home.
Come home.
Okay.
Come home.
Okay.

I'll try.
Come home.
Okay.

I'll try.

I'll try real hard Puppy.
I promise.
 
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I liked the layout of this chapter, showing the damage to the city via a walkthrough of snapshots.

I was confused about the purpose of the chapter though. Is this just a closing down of the section of the story that took place in Brockton Bay, or is it showing the state of the city in narrative groundwork for a return later?

I thought it was closing out Brockton Bay's part of the story initially, but now I'm not sure and I wondered if I was supposed to interpret some part or another as foreshadowing?

Not a complaint, just sharing my thoughts.
 
I was confused about the purpose of the chapter though. Is this just a closing down of the section of the story that took place in Brockton Bay, or is it showing the state of the city in narrative groundwork for a return later?

So... I won't comment on *all* purposes of this chapter, as I am often trying to do several things at once. Some comments (yay or nay) would reveal spoilers.... and also sometimes I'm just riffing randomly, and seeing where it goes....
but in this particular case, it is probably worth mentioning I wrote this about a day after watching the following video essay: Superheroes in an empty world.

That isn't to say I sat down with an explicit plan of "I should respond to the critiques of this video!", but rather that the discussion involved was swirling around the back of my mind while writing.

There's also the point that growing up, both my parents were heavily involved in Civil defense/disaster response. When I was about 20 my home town was kind of semi-destroyed by an earthquake. Twice. So like.... This sort of "What happens after a disaster?" is kind of close to my heart.

Showing off a character being a hero and actually DOING something in those circumstances is something I value in and of itself. (Especially, considering I personally was much LESS helpful after said disasters, and just derped around like a regular civilian. Something I would like to improve on for next time).
Of note: 95% of what Battery does here is just stuff any person could do. Most of the time she *isn't* leaning in on her super power, she's just getting out there and helping.
 
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