[Worm] Pride

Is that really happening or is the illusionist cape messing about? I am asking because more than anything else that sounds like exactly what Ihina wants right then. It fits very well to the romance story she lives.
One problem with that, is that Ihina wouldn't know that Michael shaved his head. An illusionist trying such a thing wouldn't have to bother with that level of detail for what's likely a one off trick to take her as a hostage or something. Also how would they even know? Coil doesn't have illusionist capes. And Cauldron decided to sit back earlier.
Michael probably realizes he's likely pulling off his last hurrah.
At least that's what I thought until I noticed the Author liked your post.
I'm a little confused now. Did the author pull in another third party to spike the stakes in order make the undersiders necessary? That could quite literally break my interest.
This whole Brockton Bay has stopped being interesting. In terms of Amelia's ambition to actually change the WHOLE world, Brockton bay is too insignificant. We cared about the bay in the story, because as far as Taylor was concerned, Brockton Bay WAS the world at least until she heard Dinah's prophecy.
Also, I don't remember Coil being that much difficult to beat. A friggen suicidal bug girl managed. Coil was a threat because of how many didn't know how entrenched he was.
 
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One problem with that, is that Ihina wouldn't know that Michael shaved his head. An illusionist trying such a thing wouldn't have to bother with that level of detail for what's likely a one off trick to take her as a hostage or something. Also how would they even know? Coil doesn't have illusionist capes. And Cauldron decided to sit back earlier.
Michael probably realizes he's likely pulling off his last hurrah.
At least that's what I thought until I noticed the Author liked your post.
I'm a little confused now. Did the author pull in another third party to spike the stakes in order make the undersiders necessary? That could quite literally break my interest.
This whole Brockton Bay has stopped being interesting. In terms of Amelia's ambition to actually change the WHOLE world, Brockton bay is too insignificant. We cared about the bay in the story, because as far as Taylor was concerned, Brockton Bay WAS the world at least until she heard Dinah's prophecy.
Also, I don't remember Coil being that much difficult to beat. A friggen suicidal bug girl managed. Coil was a threat because of how many didn't know how entrenched he was.
There's an increasingly deranged illusionist cape who works for Marquis, he's been in the story for a while and got a series of interludes recently. It's not impossible he's trying something now, which wouldn't be the introduction of anything new to the story. I doubt he'd have any particular reason to go after Ihina at the moment, though.
 
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Queen of Hearts (Michael)
The Professor looks up at me, a smile pursed between her lips, squirming until suddenly she lets out a peel of laughter, and pulls away.

"Oh Michael. Hahahahahahaha!" She continues up the stairs, still laughing.

Not exactly the preferred outcome.
Or expected.

I follow up the damaged staircase, careful to step near the walls, lest the steps collapsed. Upstairs, Pallanquin's VIP lounge is... a mess. The same mess as yesterday, somehow worse now, something frantic and broken about it.
There's booths off to the side, and a number of round tables at standing height. Burnt out tea light spread around the room, playing cards strewn across one of the tables. Without the glitz and glamour of nightclub lighting, the place is just a particularly strange room... overlarge with just two people in it. Sky light, the bar off to the side.


Ihina continues to laugh.
Faultline and her crew are absent.
Arrested? Out on a jaunt?
But if so, why is Ihina here? How did she get in?
Are there any tactical considerations? How will they respond to my presence? Do we need to defend ourselves.
Do I need to defend myself from
them? How would I escalate? How would I de-escalate?
Instinctively, I check for exits.


"Oh... hahahaha..." Ihina catches her breath.
She seems... saggy. Wrung out, and there's something feverish about her.
More feverish than usual.
Something is wrong.

"Oh god. Oh shit, I almost thought you were serious for a second there. Hahahaha."
"I am serious."

Ihina turns back to look at me, brow furrowed with concern for a few seconds, before twisting into a snarl. "Fuck you Michael."
She turns, stalks away, behind the bar.

A barrier between us. Near glass bottles.
Something to be grabbed at, hurled.


I don't follow. Instead I stroll over, take a seat at the bar. Render myself immobile. Non-threatening.
even if... even if...

There's something cold. Something cold, and I continue calculating how to defend myself. From Ihina. From the doors at my back.
Keep your ears open.
Keep...

"We had a good thing going, Why'd you have to go and fuck it up?" Ihina leans over over, grabs some hefty crystalline bottle, slams a tumbler down on the table, and pours out the spirits, shunting the drink across the table at me roughly.
I don't bother to catch it, instead watching the professor. Her facial expressions, her hands.

"I'm sorry."
"You fucking should be."
She slams another tumbler down, pours one out for herself, tilts back the drink.
Doesn't swallow. Ready to spit it out in my face.
Ihina glares.

"I, umm... I don't understand."
Ihina swallows. "Of course you fucking don't." she walks away, off to one of the booths with with the cards sprawled out over the table. "We are not a couple." She takes a seat, gestures sharply towards the seat opposite her.
I walk over, carefully.
Is this a trap. A threat...
Ihina's focus has turned to the cards on the table.

"We are not a romance, Michael, we are not lovers. We are colleagues who fuck sometimes. I am not planning a future with you."
Ihina holds up at King and Queen of hearts and puts them on opposite corners of the table.

I sit down, slide into the booth opposite her.
Light streams in though the window next to us . The table is littered with playing cards, salt packets, and torn up napkins.
It doesn't look like a card game was being played...
Ihina continues rearranging the cards. I watch them, not looking at her, not making eye contact.

I wanted that.
To fall in love.
A life together.
After all these years to finally find a woman of caliber, a woman who...

But the thought is pointless, so I set the thought aside. Breathe out.
It doesn't matter.
Only Amelia matters.



"It's for legal reasons," I explain.
"Oh? How romantic!" Ihina makes a show of fanning herself "Butter me up with your saucy words. Talk to me about Marital finance law!"
"Ihina, I-"
"No no- I'm too overcome. I'm fainting." She leans back, swooning.
"Ihina...."
It takes a few seconds for the professor to climb back up to her seat. She smiles for a second and then her face goes utterly blank. Unreadable. She sits, hunched forward, and continues playing cards.
"Why?" she states.


"It's for Amelia."
"Of course it is."
"There's reasonable odds that I'll be arrested soon. The legal system will claim that I am unsuitable as a father, and insist that Amelia be placed under state care."
Ihina nods, pulling out a stack of clubs and spades and piling them on top of the Ace of hearts.
"Her Godmother has... a history of questionable employment. Respectable enough by my own judgment, but in the eyes of the state..."
"She a hooker?"
"Yes. She was."
"One of your girls."
"For a time."

Ihina nods. Pulls a 5 of hearts out of the deck, throws a couple more clubs and spades on it.

"They'll claim she's your employee. Not suitably distinct. A piece of your crime empire, a woman of low repute....so... what? You need a trustworthy woman of upstanding moral character to assume parental roles."
"I need someone respectable in the eyes of the law."
"How lovely to hear I qualify."
Annoying.
Tiresome.
Acting as an obstacle to my goals.
Forcing me to explain, even though I know full well she is not a
stupid woman.



I continue to watch her shifting and moving cards. Don't bother to interupt, don't bother trying to understand. Instead I listen for the stairwell, for the sounds of Faultline and company returning.

She looks up. "So I'm a tool then. Means to an ends."

For fucks sake.
She's going to claim that she's insulted now? That I'm not being romantic
enough?
We're looking at each other now, judging, positioning.
Don't you get tired of this?
Can't we just....

"You are someone who I trust, Ihina."
"But this isn't about me, this is about her."
"Would you prefer if it were about you? Would you want me besotted? Chasing after you?"
Ihina considers for long seconds.
"Yes," she says, and then goes back to her card game. "That way, when I said no, it would hurt you. And I want that right now... I want to see flinch."

Fuck.

How do I navigate this? How do I-
Could I fake it? Feign hurt for the sake of her ego?
... no. She'll be watching for that.
How do I persuade her before Faultline and company return?


Ihina was in their hide out, so it seems logical that they'd take her side over mine if it came to a fight if it-

"You're annoyed."
"No shit Michael."
"Because you-"
"Because we had something good going on," She picks up the King and Queen of Hearts. "Because I thought we could fool around without you trying to own me. Without you...." A dark look crosses her face. She looks away. Back to rearranging the cards. "I've already had enough husbands."

"I'm not trying to own you."
"I'm a tool."
"I am giving you the most precious thing I have in the whole wide world. Because I trust you. Because I know you like Amelia. And she likes you. And I think you will do amazing things together."

Ihina stares at me draws herself up, ready to give another sharp retort... then her expression softens. "Where are you this story, Michael? Where are you, when your daughter needs you, if I'm taking care of her?"
"It's a contingency plan. Just in case."
A pause. She kicks me lightly under the table. "Bullshit"


I nod. No point denying it.
Sins of the past, finally catching up with me.
Brandish.Purity.
The Marquis of Brockton Bay.

"You know something, and you're planning to leave me holding the tab. Taking care of your daughter."
"She's old enough.... She can take care of herself. I just need a name for the forms. Something to keep State care away... Besides I know you like her. I know you want to-"
"Don't tell me what I want, Michael."
I pause. "Sorry. That was was thoughtless of me."
"It was."

We sit a while in silence.
It feels soft. Sad.
Something mended, something broken. But that easy casual connection just... gone.
I didn't expect that to hurt.
I thought I would be okay with losing her.



"I'm already married Michael."
"Oh." That would do it wouldn't it?
Already too many husbands.


She smiles sadly. Her legs swinging, brushing against mine. I slouch back, stretch my legs out towards her side of the table. Let them brush against hers.
"You didn't think to mention that before we...?"
"No one gets to own me. Certainly not him."
Right. Of course.
"You never got a divorce?"
"Not this man. He doesn't.. he doesn't let go of his toys."

I frown. Continue slouching against table.
Instinctively I reach over, take the King. And then allow myself to slouch all the way down to the floor.
Ihina joins me a moment later, holding the queen of hearts.
We hold the two cards next to each other. Not touching, just near each other.

"We could do something about that. If you'd like."
Kill the bastard.
Kill the bastard who
dares to keep this woman in a cage.
"Perhaps. It would earn you a number of powerful enemies. Enemies enough to give even you pause... Marquis."

Ah.
"Figured it out?"
She shakes her head.
"Nah. Some lawyer bitch told me."
"Brandish?"
"Sure, yeah. Karen"
Carol.


We lean into one another. I wrap an arm around the professor.

"You could get her to be Amelia's Stepmother."
"Urrghh."
"There's enough sexual tension between you two. I'm sure you could make it work."

Ihina continues to tilt sideways, eventually lying across my legs.
A particularly bad defensive position. Pinned down. Hemmed in on three sides, low ceiling due to the table, no view of the door.

"Mrs Dallon is a singularly incompetent parent, and I would never hand Amelia into her care."
"Never?"
Uggghhh. The thought of it makes me sick. Seeing the risks she takes with her own family?
"Perhaps? With knife to my throat, and the only other option being social services..."
"That bad huh?"
"She is competent in precisely all those things that do not matter." That do not protect her family.

Ihina continues lying on the floor, poking at my knee caps.
"I figured out where powers come from."
"Oh?"
"Yeah. It's ummm... all those other dimensions yeah?"
I nod "I've heard that hypothesis."
"Yeah. So like... It's all quantum and bullshit. Branching... all those possible worlds."
I nod. Stroke at Ihina's hair.
What's the next thing to be done?

"And like... some of those other worlds have people in them. Or maybe other things."
"Like Blasto's little friends?"
"Yeah."

The professor pulls herself up. Eyes closed, voice husky, leaning back against the wall again.
"So imagine..." The words spool out of her. "... you've got all these different worlds, different civilizations, different timelines." She points out at the other tables. Circular discs on poles, and all we can see is the underside. Dozens of different worlds.
"I'm imagining."
She really is a very brilliant woman.

"And... different things happen each time. Technology progresses at different rates. One of them gets ahead, and then... FOOM."
"Foom?"
"Something. Some technology that gives the advantage. Dimensional access. Artificial intelligence. Energy... it doesn't matter what. They're just... more than us."
"In what way?"
"All ways. They're more, honey. And they have access to portals, like Doctor Haywires little trinket."
"And so they use it to fuck with other worlds?"
Ihina nods. "Why not? Like Europeans arriving in the new world. With their guns and boats, and all their black magics and sciences. Handing out gifts to the natives and watching them kill each other."



Guns.
Infected blankets.
Opium.
Anything to poison the well.




"Didn't the Colonists usually do most of the killing themselves?"
"Historically? No. Disease usually did it... Though in this case..." Ihina makes a point of stretching, craning to see out the window.
Brockton bay. Leviathan.

"You think Leviathan is one of them?"
She shakes her head. "No. I think Leviathan is an attack dog. A toy or pet that they let loose with some goal in mind."

Ihina's voice is calm, but her words are ice. Poison.
These are not enemies I can stand against.
These are not enemies I have the
tools to stand against.
"What we are dealing with," her voice is sing song. "Is a technologically advanced civilization... and we are the natives, with... eight hundred... eight thousand... perhaps an eight million year shortfall in our technology."

"Right."


Is this the world my daughter lives in?
Is this....

"This... civilization?"
"Gods. Call them Gods Michael."
"Gods."
She nods. Eyes closed, a smile pursed between her lips.

It could just be a conspiracy. The professor could be wrong.
I think it, but I don't believe it. The pieces fit, the power dynamics, even if...

"What sort of surveillance powers would they have?"
"Hmmm?"
"Thinker-wise. What sort of information gathering powers would these ``Gods'' have available?"
"Everything."
"Oh?"
She leans closer to me, takes hold of my arm. Skin brushing against skin.
"Assume they have simultaneous access to all Thinker and Tinker powers currently in existence... and many that aren't."
"So they are listening to this conversation?"
"Yes. Oh yes. Most certainly. They'll have the processing capacity to notice it as well."

The room is insufficiently defensible. The city feels insufficiently defensible. The world-
How does one fight gods?

"Perhaps we should avoid drawing attention to ourselves?"

Ihina snuggles closer into my side. All arguments forgotten.
"Relax. Don't worry about it Michael. What do Gods have to fear from ants?"
 
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Interesting how close and how far Ihina is. She's not entirely wrong, she's just missing that it's aliens.

Heh… if those ants form a swarm..? Is essentially how canon goes I guess.
Also, how the fuck did Contessa kill the thinker?
She caught her in a brief moment of vulnerability after a crash caused by texting looking at data packets while driving flying at FTL and killed her before she recovered-- notably if left alone she wouldn't have been more than inconvenienced by slamming into a planet at ridiculous speed (not full speed, she did brake, just too late).

Because all the powers in the world, incredible processing beyond all the computers on Earth, and you can still make stupid decisions out of arrogant complacency.

Also, it's worth noting Doctor Mother struck the final blow, Eden was able to psych out Contessa or maybe use her backdoor Shard access to prevent her from finishing things. But a normal human saw what was happening and helped, otherwise Eden would have healed.
 
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"Mrs Dallon is a singularly incompetent parent, and I would never hand Amelia into her care."
"Never?"
Uggghhh. The thought of it makes me sick. Seeing the risks she takes with her own family?
"Perhaps- with knife to my throat, and the only other option being social services..."
WELL THEN

"Didn't the Colonists usually do most of the killing themselves?"
Actually Marquis, it was mostly the disease.
 

Useful facts!

Marquis is not an expert on Native American and colonial history, and tends to view the world through the lens of power and violence.

EDIT: also, lets be honest, *I* am not an expert in this history... and didn't bother to check the facts because I was trying to simulate what I thought some random people might say, as opposed to trying to accurately portray history. Have tweaked Ihina's dialouge, since I feel like she probably would have a better sense of the history here.
 
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Follow the lead (Michael)
"Oh love.
Could you and I with fate conspire,
To take ahold of this sorry state of things entire?
To sunder it to bits! and then...
Remake it close to the hearts desire."



Ihina and I are out back in the kitchen, back in the staff/living area of Faultline's den.
Ihina potters around, trying to figure out how to make coffee, realizing every couple of minutes that the kettle isn't boiling, and the power is still down.

"It's probably the third biggest theory of all time. Smaller than evolution, smaller than the atomic hypothesis.... bigger than the rest. Bigger than quantum, relativity..."
She picks up the jug, gesturing at it as if were a physical manifestation of her current hypothesis.

Technologically advanced civilisation, gains access to other timelines, of earths, and uses it to....



"Now, evolution is more important obviously, because you need evolution to get the entire process started, and the atomic hypothesis is the bases of chemistry- without that everything is just arbitrary-"

She continues to talk, wanders back to the bench and flicks the jug on, crouching down to search through the cupboards.

"But really, who gives a shit about quantum, yeah? And Relativity only matters out in space so-"

I feel myself leaning back. Not away from the good professor, but away from her hypothesis.
Trying to get distance, trying to get perspective.

This is important, but I don't have to deal with it now.



"Thank you for retrieving Amelia,"
Ihina faulters, caught off guard.
"Thank you for keeping my daughter safe."
She looks up at me skeptically, goes back to check the jug, frowns.

"Oh. Yeah. Sure."

She's probably forgotten that she did that. Filed it away in her brain under `solving interesting parahuman riddles' `fucking with authority'.
Barely even notices the debt I owe her.




Her husband is still beyond my reach.
She has not even mentioned his name.
Deliberate, that, I imagine.





Behind us, I can hear the sound of the door opening. Voices. Yelling up the stairs.
That will be Faultline and company.
Ihina has already told me about their latest errand.
"Quinn! Quinn!"


Ihina gravitates towards the voice, drying her hands instinctively on the tea towel and she wanders out the door. I shift in my seat, stand as Ihina passes, and follow her back to the VIP lounge and the entrance way.
Faultline, Gregor and Shamrock stand at the top of the stairs. All in costume. All masked. Gregor has a pair of teenagers slung over his shoulders, wrapped in sacking. Artemis and Apollo.

Faultline stops dead as she sees me, scowls, and then sighs.
"You invited your boyfriend, Quinn. Onto my truf."
"She meant no disrespect."
"She's an idiot, I don't care what she meant. Also, last I checked, I was not talking to you Lavere, so how's about you stay quiet."

There's movement. from within the sacking, and Gregor slings the pair down... thick translucent ooze dribbling off, staining the sacking material.

One of the kids powers flares, but doesn't seem to do anything.

Paired invulnerability. Either one of them can be rendered invulnerable, but only if they maintain proximity to one another.

Why would some alien civilisation give this to us? What do they gain by handing such tools to children?

I push the thought aside, ignore it for the time being.
Focus on the proximate. The diplomatic implications, diplomacy.

It's Shamrock that speaks, pulling closer to Gregor as she does so: "Do we... take their hoods off?"

It's him in charge now. She asked him not Faultline, not...
Gregor nods. Faultine and shamrock pull masks down. Gregor doesn't bother.

Ihina is on edge, practically vibrating with anticipation.
Gregor is on edge too. Somewhere between vindication and dread.
For Shamrock, it's only dread.
Why?

My eyes move past the group, to the windows, to the stairwell, the door to the bathroom.



Gregor leans down and pulls the hoods and sacking off the two youths. slime dripping from his translucent skin as he does so.

Faultline steps forward.
"Good evening Artemis. Apollo."



"Hey we-!" "Mr Lavere!"
Apollo stares at me; his handsome boyish face, somehow frantic, haunted, frightened, smiling as he wills me to be his ally.
"You- you rescued us? You-"

I glance at Faultline, eyebrow raised.
What's the angle? What's-
The woman considers for a few moments, and then nods.

I turn back to the boy. "You were rescued by Mrs Faultline and her crew. The Candlelight institute had some minor role in organizing their payment."



"Oh fucking christ, oh- shit, we thought-"
The tension leaks out of the two youths. Gregor seems to relax too, a notch.


Shamrock and Faultline are still on edge.
I check past them, behind them, out the windows.
Too many intentions and agendas.

Apollo seems to have relaxed, his sister on the other hand is watching me, her gaze jumping my way when she thinks I am not watching.
I look back at her, meet the girls eyes directly, and smile.
You know now that you were sent to kidnap my daughter.
Are you fearful of reprisals?


Artemis looks away.
Good. There should be consequences.
You
should feel afraid.

You
will be paying me back for this.




"Professor Quinn! Professor Quinn! Is Amelia here?"
Apollo doesn't understand. Apollo thinks that they have got out. Doesn't see himself as responsible...

My eyes move again, darting around the room.

Ihina is talking to the duo, friendly, smiling, chattering away. Doesn't know how to hold a grudge.
Faultline watches, cautious, careful. Her gaze slipping to Gregor regularly, looking for confirmation.
Gregor is focused on the twins.

Shamrock catches my gaze, looks directly at me, as if trying to communicate something.
Fear.

I nod, continue my scan of the room.

Newter will be outside. Outside taking care of Labyrinth…
"Now," Ihina enthuses. "Since you're both here, I was wondering if we could ask a couple follow up questions from your time at the institute."
The pair nod, smile, happy to play along. Back in a recognizable familiar environment.

"Okay, first question: Where did you get your powers?"

The laughter stops.
"We ahhh… we told you our trigger events back at the institute Miss."

"Alright! Second question! Have you ever seen this symbol?"

The twins look at the piece of paper Ihina is holding up.
For a second I glance at them, try to get a read.

By the time I look up, there's a woman stepping out of the bathroom behind Faultline and her crew.
She's wearing a suit, and has a towel draped over one arm.
With one hand she disassembles a soap pump, dropping the bottle to the ground.

Threat.

Before I have time to yell out, she tosses the towel towards Shamrock. She grabs the back of Faultline's mask, kicks at the back of her kneecap, and uses the momentum to throw her at Gregor's back.

Thinker. Threat.
Don't hold back.
 
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Fortunately for the Marquis, I believe Contessa at least tried a 'warn away without murder' approach in the canon version of this incident.

Still, pretty bad luck for him to be here for this.
 
Uh… Relativity doesn't just matter in space. I've heard it explained that through the theory of relativity, gravity ceases to be a force. A pretty big change, especially since the aliens are space-faring.
Quantum mechanics like entanglement and shrodínger's cat are possibly the mechanism behind the many-worlds theory. In one world, the cat is dead. In the other, the cat is alive. The idea of the many world's theory is that the wave pattern never collapses. We just end up becoming entangled also as an observer/interactor and join the wave pattern. (I might be wrong. Just got all that from a Veritasium video I saw, but that tidbit on the many worlds was from the leading expert getting interviewed.)

Considering how Passengers work, I'd think Quantum mechanics are beyond important. In fact maybe they used wave joining on worlds with too insignificant variation to leach power from? Because from the many world's theory, there'd be close to an infinite ammount but not verifiably infinite. I think it'd make sense for the entities to have already partially devoured Earth's many variations in order to avoid excessive data duplication.

Poor Amelia though, she might have to learn some as one of the few biotinkers who could possibly use said knowledge. She'd probably also have to learn to deal with Myrddin's antiques.

Anyway bottom line, I'm a bit disappointed at the contents of Irina's rambling,
 
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Right Bower (Michael)
Bone shears through my chest and thighs, tearing fabric, spilling blood, a dozen shafts of bone, a barbed fence to cut the woman off from Ihina, from the children. The woman steps up onto Faultline's back, onto Gregor's shoulder, yanking the towel from Shamrocks face and tugging at it on her way past.
Shamrock is pulled off balance, stepping on the puddle of soap upon the floor, knocking into Gregor on her way down. The woman lightly steps over the barrier, tipping and falling towards the ground. Gregor stumbles, snatches at bones for balance, breaking one of the spurs, as his weight falls against it. The man's fingers come away bleeding clear liquid.

Painful...

I change tacks, expanding bone until it shatters, and then then expanding the shards into spikes beneath the woman.
Enough to injure, not enough to kill.

The woman's body is limp, as she falls. She doesn't bother to look at the ground below her, instead reaching out, catching at a bench, deflecting her fall just enough the she falls between the caltrops, scattering shards of bone rather then impaling herself. Everything about her movement is loose, careless, yet still angle and momentum contrive to bring her back to her feet, snatching at the broken spur of my fence on her way past.

Precog.
Apollo steps forward as the woman stands, his sister's power a warm glow rendering him invulnerable.
But it won't matter because-
The woman lunges, hurling the broken spike past Apollo.
No-

The sharpened spike flies for Artemis's throat. I manage to reduce it to a blunt stave mid flight, but still it punches into the girls throat, knocking her back, leaving her-

Apollo's invulnerability breaks, the woman steps forward. There's no point filling the ground with harm because-
"Precog! Precog!"
What are her limitations?


Faultline cuts through my barrier of bone, and I set to work shrinking every bone away, denying our enemy additional weapon.
By the time I look back Apollo has already crumpled, his sister gasping, gagging, trying to breath. Crushed windpipe.
Minutes to live.
This needs to end.


Ihina steps forward and I block her path.
Roots spread out beneath me, tearing into the floor joists.
How far ahead can she see? If there's a threat which takes more than a few seconds to dodge can she-

Gregor launches slime at the woman. She deflects using the towel, still draped over one arm, half a second later, the towel is flung out, slapping across Faultline's face, the goop-

I yank bones out of the damaged floor joists, the floor breaks, crumples, even as the woman steps up onto the table, leaps, catches at the hanging light fitting.

Fuck...
She falls, weight tearing wires out of the ceiling, and bringing the light down into the side of Gregor's head. His body spasms, then goes limp.


A cage. A large enough cage, a-

It takes seconds for her to step over towards Shamrock, engage the girl in hand to hand combat. Not even bothering to look at the girls as she steps around as she-

I extend bone upward. Walls of it, filigree filling in , blocking everything, forming a cube of bone, Shamrock and the woman contained inside.
This could work, this could-



Newter sprints up the stairs, takes one look at me, at the devastation-
No....
"It's not what it looks like,"

But already the boy snarls, hatred as he looks at me, at Ihina.
I collapse the floor entirely.
Best of luck to the injured.

Inside the box, I can feel as Shamrock is slammed against the walls of the cage, do my best to fill it out, prevent the woman from attacking, manuevering.

Except Newter is attacking, and I need to defend myself against him in order to remain in play.
"Just-"
"Fucking-"
"Stop-"

Newter leaps, and instinctively hundreds of needle sharp spikes extend around me. A sea urchin; needle like pain and death from every pore.

He slams into it, hard, his momentum breaking the spikes off, impaling him. The pain with each shattering bone is almost enough to make me wince. Almost.

Inside the box, fighting has stopped, I try to fill the void, completely entomb both women, except there's only one of them in there.
Newter falls to the ground, bleeding from his chest, legs, face, throat.

I extend the bones, allow them to take root in wreckage of the floor, anything to pin him to the ground. He licks out for my ankle and I step back, further bone to smother his face.

Around us, the room starts changing. Ruined VIP lounge becoming the wreckage of some ancient temple, splintered wood turning to shattered stone, velvet drapes transforming into curtains of ivy. Labyrinth stands in the doorway watching.

Of course.
Of course.



"Wow," Ihina is standing next to me. "Holy shit."
For fucks sake. Take this seriously.

The woman steps out of the bathroom again. The same suit, the same hat. Clear blue eyes, not really looking at anything, her skin glistening slightly from the slightest beads of persperation. She stands beside Labyrinth, stands close to her.
Another threat.

"Hello Mr Lavere. I want you to tell Faultline: this is her last warning."

I try to place the accent, can't, continue staring at the woman.
Who is this?
Why have I never heard of her?



"It's your last warning too, Mr Lavere."

I nod. "Understood."




The woman pats Labyrinths shoulder, then turns and walks down the stairs.
Fuck.
I sigh and slide my way down through the rubble to Artemis. There's panic in her eyes, her chest moving up and down but no air going in or out. By the looks of it she has broken her leg during the fall.
I tilt her head back, and extrude bone in order to intubate her, leaving her head tilted back sucking down sharp shallow breaths.
Crude.
A danger if it shatters while its in there.
Giving my identity away.


None of it matters. None of it matters beyond the fact that this child will die if I do otherwise.




Upstairs, Ihina scrambles around the collapsed hole in the floor, gets to the top of the stairs.

"HEY!"

Oh for fucks sake. Just stop.



"Hey! Lady! Come back!"
"Ihina...."
"LADY! Come back! Who are you? Where do powers come from?"

I open the box containing Shamrock. Her face is bruised and bloodied. Both arms twisted to a macarbe angle.

Gregor is still breathing.

It takes me a moment to tear the towel off Faultline's face, hack a hole in the goop covering her mouth and eyes.

Outside I hear Ihina clattering down the staircase.
Fuck.

"Our guest wanted me to tell you that this is your last warning, Faultline."
She nods.



No time for hesitation.
Don't hold back.
What the hell was that?
 
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Yeah… no one's taking down Contessa unless you prepare enough like Teacher. I feel like the events in Wards kind of retroactively make decisions in Worm make less sense though.
Did Contessa not see that Dauntless would have become a Titan with enough time? If so, then she should have killed Jack Slash the second the prophecy was made by Dinah.
 
Contessa is a fucking moron (in canon). She's one of the two most powerful living Thinkers in the setting, but her stupidity is so great that calling her "dumb as a box of rocks" would be a grave insult to the geological community.
 
Yeah… no one's taking down Contessa unless you prepare enough like Teacher. I feel like the events in Wards kind of retroactively make decisions in Worm make less sense though.
Did Contessa not see that Dauntless would have become a Titan with enough time? If so, then she should have killed Jack Slash the second the prophecy was made by Dinah.
Contessa only sees things she asks about. The real limit of her power is her. It will give her a plan to do anything but only things she thinks to plan for and if she's not careful there may be horrible side effects (which she can prevent if she thinks to specify "that does X without doing Y" but no mortal could think of every bad Y).
 
Yeah- Contessa screws up (a lot), and isn't like... smart.... but I also think a lot of people who think "Oh geee, I could have done better! She's so dumb!" are severely underestimating how hard her task was. From the age of ten(?) she was piloting a AI superinteligence with no conception of human morality, while trying to dodge the attention of some OTHER superhuman being (with no concept of human morality)

When she asks a question, it fills her in only on the parts of the question she specifically asks about, it refuses to answer the one question she NEEDS answers to.... and piloting the damn thing for years and years has severely degraded her own decision making power. (Why make your own decisions when the shard will always do it better).

The fact that she has managed to hold on to ANY humanity over the past couple of decades is actually kind of impressive. I legit think 90% of the fictional characters and 95% of real humans would have failed WORSE than Contessa did. She is dumb as a sack of rocks because she never had a chance to learn on her own. And she never had a chance to learn on her own, because any day Contessa took off from using her power the world was 24 hours closer to oblivion.
When she did take a day off using her power, Teacher kidnapped her.
 
Most adults can do better at a lot of things than a teen year old. Most ten year olds are utter garbage at almost everything they do. Most adults also never bother to learn how to make good decisions, but statistically they make better decisions than ten year olds. That's not the point.

The point is that Contessa during Worm is hyper-focused on killing Scion. And during Ward she basically has no goal so her Shard hijacks her. It's tragic. (Arguably) The most powerful Thinker in the setting goes from existential crisis to existential crisis and it ultimately mutates her beyond all recognition.
 
Yeah… no one's taking down Contessa unless you prepare enough like Teacher. I feel like the events in Wards kind of retroactively make decisions in Worm make less sense though.
Did Contessa not see that Dauntless would have become a Titan with enough time? If so, then she should have killed Jack Slash the second the prophecy was made by Dinah.
Aren't the Titans a thing because both Entities were dead and so couldn't prevent the Shards from doing that, or they were trying to become new Entities?
If so, then she wouldn't have seen it because she can't see Scion's death, as one of her blind spots. But if I'm wrong, tell me.
 
Follow suit (Ihina)
She clattered down the stairs, and the path felt like gold beneath her feet. She kicked off her shoes and followed the woman outside.
Like running through the streets of Mumbai as a child.
"Faster child! Faster! Catch up with your Cousins!"

My path is made of starlight,
Equations, questions, words,
The sun is made of atoms,
And songs are made of birds.

And you might say I'm lying,
if I spoke the words aloud,
still filled with dreams of flying,
it is feathers form the clouds.


She felt herself skating across the ground, flowing through the city, across the ruined car park.

The woman was on the other side of the street, walking between buildings. Her hat was tilted back, she too was missing her shoes. Walking through the city in sodden socks.

"HEY!"
Ihina ran.
"WAIT!"
The woman didn't stop, didn't glance back.
Something wrong with her.
Something robotic.
A real person would have looked back, or started running...


There was a weight to it, a panic, as if, if she didn't get the answers now, she might never know.

Forever stumbling around in the dark. Dying and being reincarnated and never finding the truth, never changing anything.
A world without Dharmic cycles. Noise, cacophony. Nothing but a universe winding down its entropy until-


Validation, indication,
violence, and intimidation,
open hand, communication,
data points and correlation.
Don't dig too deep,
because they'll see.
Zero, one, infinity,
a secret kept,
just you and me-


She rounded the corner, the woman was at the other end of the alley. Continuing to walk. Not running, not hiding, not turning around.
"BITCH! Hold up! Let me talk to you you fucking-!"

And then there was a hand upon her shoulder.
She spun around lashing out, pulling herself back.

"Ihina!"
"Michael!"

Words spill from my lips,
as I gasp, as I breathe,
Secrets, lies and truths,
you could hardly believe...


The city was a wreck, everything was broken, and the powers were gifts from the great beyond and michael looked haggard, drawn out, and there was the woman at the end of the street, just past the end of the street and-

"We have to follow her!"

"Ihina, you have to stop."
"Fuck that!"
"It's a trap!"
"She knows what's going on-"
"It's a trap."

Her boyfriend was covered in blood.
Her lover.
Her fuckboy.
Something in his eyes. Something...
You're afraid....
You don't have to be.



The ground was at a tilt. Every single icon Ihina could imagine pulled at her.
The Salad bowl, the Golden Compass, Tower, Crows nest, Pythagoras, space plane.
The broken idol.
The chair.
The critic.
The scholar.

Crimson
.

She could feel it. Could feel Crimson waiting on her shoulder. Bloody and burning. Watching Michael. Wary.

"Ihina... please come back."
Enemy.
Danger.

"No. Fuck off."
"You're being stupid."
"Don't you dare try to control me Michael."
"Its not safe, Ihina."


She pulled herself up. "You think I'd be dating supervillians if I was afraid of a little danger."
"No... Ihina... she's a precog she-"
She's getting away.
Conversation doesn't matter. Only action counts for anything.

Ihina turned and started walking again, jogging, running.
I can still catch up, I can still find where she is going, I-



A ripple of bone overtook her, splashing outwards, forming a wall.

Bastard.

Judas, Jadis, Justice, Junction,
Creeper, closer, capture, c'rruption.
Bleeder, brawler, breaker, abduction,
Mover, maker-


"Ihina."
His words were a growl.
There were tears in her eyes. Rage and sorrow.
I'm missing out, I'm missing out, this was my one chance-

Another man. Another fucking bastard trying to keep me in a cage.

She slammed herself into the wall of bone, cracking it, failing to break through.

"Let me through! Let me-"

Michael stepped closer to her, grabbed for her wrist.

"These are not people to be trifled with Ihina..."

Trifle-
a cold dessert of sponge cake and fruit covered with layers of custard, jelly, and cream.
A thing of little value or importance.





Ihina laughed. Laughed and struggled, and kicked at her captors legs.
"What'chya gonna do Marquis? Threaten me? Beat me up? Fight some ``poor defenseless'' woman?" she wrenched free, and he let her go, falling backwards, slamming into the ground with her side. "You're a fucking coward. Living your life by rules because you're too scared to make choices"

He was looking down at her now. Looking down at her as she lay amongst the broken glass and garbage.

Contempt. That's how he looks at me.
The Arrogant prick.

I'm not your toy,
I'm not your doll,
I'm not your fucking bride,



"You're a coward, you're a fucking coward- you lost one fight and now-"

"Fine," the words were light. Careless, almost. "You win. You are free to make your choice ."

Ihina scramble up, back to her feet, ready to give chase, ready to ignore all pain, the aching of her body.

"But Ihina. This choice? This stupidity. This lack of self control-"
Fuck you.
"-I'm done with you. With us. I don't want any more of your theories, and if you drag my daughter into this business? If you ever contact her again? I will track you down, and I will tell your husband exactly where to find you."

He turned and walked away. The wall of bone folded in on itself, folded away to nothingness.

She should have run. Should have sprinted to catch up with the woman in the suit and hat.
Instead, she felt cold inside.

Stupid.

She's already got away.

He fucked things up, and I have no hope of catching her.


That hurt. The hurt of loosing the thread. Golden compass spinning out of alignment.
The icons all around her were unsettled now, and for just a moment Ihina decided to stop pretending they were real.

I could go back.
Beg forgiveness, act out remorse.
Maintain my access the that man's daughter.
His fucking princess.


There were fifty fifty odds he would accept her again.

And if I walk forward, there's nothing really.
Realistically, what do I expect?
I missed this chance. He took it away from me. She got away.
I should turn back. Keep what I have.


The rationalization was sweet, persuasive, cowardly.

Ihina took one step forward, then another.
Walking, not running, through the ruins of Brockton bay. Her Lover walking away behind.

Different paths.
Different paths, and that doesn't have to be a bad thing.
There could still be... still be a sensation of
some connection.

There was nothing. Just a hollow cold feeling, the desire to bend down and vomit.
The feeling of icons having abandoned her, of being insufficient, of the world being a lie, the entire world, all of it. A poorly scripted movie, caught in a loop, and her trapped in the middle of it, an animal fighting to escape from the theater. From a dumb show with people wearing masks. Surrounded by machines and puppets.

How many times have I made this choice?
How many Ihina's through the ages have walked away from it all, over and over and over.
Burning all my bridges.


'cause none of us have choices,
All slaves to who we are.
So I'll listen to the voices,
and chase my guiding star.






Fuck you Michael.
 
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Well, that's too bad. I'm reminded of Death On the Nile:

Jacqueline De Bellefort : One must follow one's star wherever it leads.
Hercule Poirot : Even to disaster?
Jacqueline De Bellefort : Even to Hell itself.
 
Honestly in this case I don't blame Michael at all. But Ihina is just insane, not like in a bad way just her priorities are very different from the baseline.
 
The Path said Ihina would not give up. The Path said she needed to be separated from people who could help her. So the Path had Contessa slow walk her exit so that Ihina would follow and the confrontation that would separate her from the people who could help her would occur.

Behold the power and bullshit of the Path.
 
The Path (Michael and Ihina)
On some random street corner, Michael
Lavere, the Marquis of Brockton Bay swore.

Ihina Quinn jogged and stumbled
through empty streets.​

He pulled out a phone, dialed a number.

She bent over, hands on legs, gasping to catch her breath.
This was the fifth time she had burned
down every bridge she'd ever known.​

There's a buzz and a click, someone picks up.

Symbols and questions swirl around her.
Somewhere in the city there was a woman who could answer them.​

"Coil? Its about time we had a conversation."

Ihina Quinn pulls herself up. Starts jogging again.
She doesn't know where she is going,
so she picks at random, follows instinct.​

"I'm going to flip five coins, and you are going
to guess all of them correctly, or else I hang up."

It's a matter of probability.
Two drunkards moving through a 2d lattice
will almost surely meet. Eventually.
It isn't until three dimensions where you can get truly lost.

"Good.
Heads heads tails tails heads.
Perfect. Correct. Thank you."

Of course, eventually is the catch.
those results only apply for infinite time.
For non-repelling particles.
Are our particles non-repelling?

"I just wanted to call up
to tell you ...
I lied."

She reaches an entire block of the city collapsed in on itself
A lake, freshly formed in the resulting hollow.
Sterile water. Water from another world.
She picks a new direction.
Right, straight, straight again. Left Right.
Crumpled traffic lights lay across the road.​

"I lied about helping you.
About you being useful to me."

Passers by look at her, drew closer.
Predators drawn in.
Running makes her look like prey.​

"I have no intention of helping you.
My daughter will not heal you.
Instead, you are going to die."

By random chance, she rounds a corner,
runs into six men on quad bikes. Military issue.
They call to her by name. Not "Ihina Quinn",
but instead the name on her passport.
The one with her Husband's surname.​

"You'll have about 12 hours of fighting,
still taking actions... and then...
you'll be too sick to move"

She backtracks. Thoughts sharp and clipped.
Looking for a way to escape. Salad Bowl. Crowsnest. Crimson.
Instead of running back up the the street,
she steps through a broken shop window.
A donut shop. Round shapes and cheery colours.​

"You are going to die of organ failure, Coil.
A build up of toxic chemicals burning
at your veins. Bleeding you out from the inside.
Shitting yourself as you die."

She exits through the back,through the loading area,
the kitchens. Out into an alleyway.
By the time she arrives, there are already men at one end of the alley.​

"At some point a nurse will come by to
anesthetize you, to help you with your pain."

The men are pointing, Yelling. Following orders.
They have bikes, she is already tired.
She wasn't going to outrun them.​

"I just wanted you to know...
when that kind caring nurse comes to you
you won't be waking up.
That's the end of the road."

In the wall opposite Ihina there is a hole.
No damage to the brickwork, just a perfect rectangle
with a long grey corridor inside. Over saturated in neon light.
The air around her was sucked through into the hole.
Atmospheric pressure gradient. Wrong altitude. Distant location.

"You lose Coil.
I hope you burn in hell.
Goodbye."

Ihina Quinn steps through into the corridor.
Behind her the rectangle folds away as if it had never existed.​
 
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