Not Playing With A Full Deck
Combat Step 3.1
Johan PoV
After the incident with Avenger, things were quiet for a couple of weeks. During that time, I practiced more with my Magecraft, and got to the point where I could Include Assassin, Rider, and Avenger for 30 minutes at a time, and could maintain Install with Caster for a similar period. Additionally, I could keep Caster Included for a near-indefinite period of time.
Assassin continued to train me, both at stealth and at swordsmanship. He would instruct me from within my soul, correcting any flaws that would develop in my fighting style before they even had a chance to develop.
Caster offered more advice on developing my own Witchcraft style and new types of
ofuda for me to use, while Rider gave advice on being more charismatic, as well as offering training in wide-scale tactics. More importantly, he taught me how to pilot
Mesektet, the holy sky-ship that was said to carry Ra across the sky. He had yet to teach me about any of his other Noble Phantasms, however.
Avenger was pretty quiet overall, not speaking to me much, aside from when he taught me how to use his Noble Phantasms. The easiest of his three Noble Phantasms was
Monte Cristo Mythologie, for good reason. It was, simply put, his existence as a fictional avenger shaped into how his body interacted with the World. This was what allowed him to use his flames.
The second one was a bit harder, but I had it pretty well in hand:
Attendre, Espérer. This was the crystallization of his unceasing hope for escape in his story, and this became the means to bring anyone or anything back to prime health, even crossing the boundaries of death. I didn't think I could resurrect people yet, but I could heal mortal wounds on myself and others quite swiftly, so that was supremely useful.
Now, his last Noble Phantasm was significantly more Prana-intensive to use.
Enfer Château d'If was a thoroughly terrifying ability, formed of the crystallization of Dantes' escape from his prison in "
The Count of Monte Cristo". It allows the user to escape any confine. The most widely useful use is to move outside of the confines of spacetime to attack a foe relentlessly, or escape swiftly. As I was, my Circuits could not handle me using it for longer than about five seconds at a time. However, as both DIO and Jotaro would attest, 5 seconds of "time stop" in the middle of a fight is hugely significant.
Regardless, I made good progress in using the abilities of the Spirits sharing my soul, and finished the enchanted items that I had offered Sona as payment. She was exceptionally pleased with them, and Rias was incredibly jealous.
The redhead began pestering me for such items of her own, so I offered her a trade: ask her brother to get me in contact with Ajuka Beelzebub, and I'd make one for her and one for Akeno. She immediately agreed, of course, and returned in a few days with a package from the Scholarly Satan. It contained a brief and efficiently worded letter, inquiring as to what I wished to discuss with him, as well as a small medallion that would apparently allow me to teleconference with him when he was in his workshop in the Underworld.
That evening, I did just that. The amulet projected a holographic screen above it, depicting the green haired Satan jotting something down on some scrap paper. He looked up, a bemused expression on his face, before a look of recognition appeared.
"You must be Johan. As you may know, my name is Ajuka Beelzebub, one of the Four Great Satans of the Underworld. I understand you are something of an artificer?"
I nodded. "I am indeed. In fact, that very detail is related to one of the two reasons I wished to contact you." Ajuka gestured for me to continue, so I did. "As you can tell, I am missing an important part of my sensory suite, so to speak. While I have allies capable of healing my wounds, I thought that I might take the opportunity to… add to my arsenal."
I retrieved the object that I'd spent many long hours carving from ametrine. It was a sphere, with each of the 24 Futhark Runes carved into its surface. It was set in a socket that, by utilizing a subtle form of Thaumaturgy I barely understood, allowed it to rotate 360 degrees in every direction. I held up the sphere so that Ajuka could observe it more directly.
"Hmmm. Now what do we have here? Those are Elder Futhark Runes, that much I can tell easily, but what is that stone for?" Ajuka mused aloud, attempting to decipher the nature of my creation. "It rotates in the socket, and you are short one eye. A Mystic Eye of some sort?"
I nodded happily. "Yes indeed! This will eventually become my Mystic Eye of Runecraft, if I have my way. I just wanted your input regarding the implementation of it into my body. You see, I don't think it would be advisable to perform a surgical graft of a magical object onto my own body."
Ajuka nodded sagely. "Indeed. You aren't Azazel; you can't really get away with self-surgery." I snorted, recalling the fact that, in canon, the eccentric Grigori Governor would craft a prosthetic arm that had magical rocket boosters. "However," Ajuka continued, "It would likely be a better idea for you to ask him about this, rather than me."
I nodded, acknowledging the wisdom of the advice. "Indeed. However, I have another project that I would beg your assistance with, though of course I would offer my services, such as they are, in exchange for your expertise."
Ajuka cupped his chin. "Well, considering the apparent ease with which you produced those augmentation talismans, I am sure that we can work something out.
"By the way, the efficiency of those talismans impressed me. Of course, I could make something of the sort, but it would be made of much rarer and more expensive materials, as well as take longer to create, if I wished to match your efficiency."
At this point, an almost manic grin spread across the Beelzebub's face. "I practically salivate at the thought of what you could do with materials of the quality I could provide."
I felt an equally manic grin spread across my own face. "You know exactly how to sweet talk me, Lord Beelzebub. I find myself as giddy as you at the thought."
After the two of us had finished bonding over mutually beneficial maniacal cackling, I got around to actually asking about my project; namely, Tamamo's Incarnation into a physical body. Clearly, this puzzle was one Ajuka would revel in; the olive-haired Satan adored solving difficult problems.
"Well," Ajuka mused, "You would do well to acquire some manner of anchor; something with both physical and metaphysical significance to the spirit.
"Beyond that, you would need to have the appropriate amount of biomaterial to shape into a body; One option would be poltergeist ectoplasm. The stuff is tied closely enough to life that your spirit would not be sterile, but she would still be able to take a spiritual form."
I blushed faintly at the reminder of one of the biggest reasons Tamamo wanted her own body. Verily, the voluptuous, vivacious vixen was vehemently voracious. However, I would never complain; I would be lying if I said that I wasn't looking forward to such an experience.
I thanked Ajuka for his advice, then inquired the price of such a reagent. He informed me that he'd send me a sufficient quantity of ectoplasm, in the best possible quality, if I made him one of my charms from higher quality materials, that he would provide at-cost. I happily agreed, and my doorbell rang.
On my doorstep stood a brown-haired man with a familiar face. He introduced himself as one of Ajuka's bishops, Archimedes. However, for the sake of simplicity, he bade me call him "Archie".
In one hand, he held a box, the other clutched a notepad. He offered it to me, and I saw that it was a receipt for materials. The cost of the materials was high, but not unaffordable. I'd have to eat cup ramen more than usual this month, however.
Once I'd shelled out the required cash, I returned to my workshop and began work on the charm. As usual, by the time I'd finished several hours had passed. After a latedinner, I packed up my latest creation, sent a message to Ajuka informing him of my success, and left my house. I set the wards of the house to permit one-time only passage for one member of the Beelzebub household into my foyer, where the package was waiting.
After a short walk, I arrived at a bus station, and waited for the next bus to Kyoto. As I sat, I noticed a black cat in my peripheral vision. As soon as it saw that I'd noticed it, the cat darted into some bushes, but now that I was actively looking for it, I could sense the Demonic and Yokai energies emanating from the cat.
Of course, I had my suspicions as to who it was, considering where I was, but I could not for the life of me think of a reason for Kuroka of all people would be following me! I muttered an instruction for Onyx to keep a figurative eye out for her energy signature, and then boarded the bus to Kyoto. My mission? Wheedle Yasaka, the Nine Tailed Queen of Shadow Kyoto, into allowing me to use a shard of the Sesshōseki, the Killing Stone that had formed from Tamamo's corpse in this world.
? PoV
Three cloaked figures paused on the side of the road, having felt an odd sensation pass them by. To two of them, it felt familiar. After a pause, the trio made their way to a church that sat on a hill…
AN: *Bursts from the ground* I LIVE! *Dodges thrown objects* KYAAA!
*Ahem* I do apologize for my incredible lateness in posting this; College, and life in general, have been hell on my muse. On the bright side, I've made some new writing buddies, and four of us are planning a four-person RWBY SI collaboration. It's going to be a fucking trainwreck, and it will be GLORIOUS.
Speaking of which, one of the four, Teninshigen, graciously looked over this chapter, as he did my newest story, Persona 4 Amber: Hermit's Fortune. I thank him for his assistance, and hope that he updates his Fairy Tail SI soon. As always, review if you like; it helps!
Cheers,
Xanothos