Kantai Collection: The World Set Free (KC/SCP/FreeSpace:Blue Planet/Destiny)

Guess who's back. /kojima

Also guess who hates himself for not being able to update this as often as he would have liked to.
 
And then suddenly space!shipgirls and Space!Abyssals!
See my post in the SB thread: it's awesome but it goes by way too fast I want more deets I want more evocative imagery and thiiings.

Then again I tend to read way too fast in general so it might be a personal problem :V
 
SOM.PUR Fubuki
Her Salute Remains


"On 6 November 2020, the world saw the shape of things that was to come. At that day, the world knows it is not alone."

"…I will reiterate again for the esteemed council here that the girl and the ship are NOT separable. If we are to expect performance at her full potential then responsible and reasonable action must be taken--"




Imagine for a moment, a girl in front of you. She is very young-she could be yours or anyone's daughter-she wears a sailor uniform. A sweet girl. Standing at the edge of the firing range, she salutes. You stand inside the insulated observation post some kilometers away, breathing recycled air.


She saluted.


Inwardly you remember. Pearl Harbor burns-again. Half of Japan is consumed. Mediterranean is overrun. The Siberian ice slows them down, but not for long. Only these Shipgirls stand between them and our destruction. Skin stronger than steel. Bones like the keel, they say. But there are uncertainties abound. So you are here. An observer. A 155mm artillery gun- a no-nonsense weapon, instrumental of the purity of destruction- zeroes in on the girl. Voluntary Ballistic Testing, they called it. But you saw within those girl's determined, loyal eye-a hint of tear.

Any knowledge here will be crucial for defeating them. Knowledge-you know for certain that a 155mm shell will obliterate a normal human so thoroughly-through shock, heat, shearing force, any combination of the three. Yet you remember that she is not technically a normal human. You swallowed that doubt like a bitter pill-and with every ounce of your being hoped that she is not normal. You gave the order of fire. It thunders. You see it strike down. For an instant you saw something glinting. When the smoke and dust clears, you can see her again. Now she is standing inside a crater. Slightly battered, damaged clothes. But she stands; she is alive.


And her salute remains.

In an instant relief washed down your body. Yet something in your mind yearned more. So you ran out of the observation post. Towards her. Through the ash and cinder of a thousand prior weapon impacts, across that field where humanity's killing machines were tested. She saw you and she understood. She ran towards you also. And you scooped her up in a hug-so tight, so close to your heart-and in that moment you understood. This war will be different. Not just because of the nature of your enemy, nor the weapons you use to fight them-like the one now sobbing in your arms-but because of what you must become to even fight and stand a chance.



For you, Commander, I will be everything.

I will do my best, now and forever

And in return, please teach me how to live. How to protect what is precious.

Take my hand

Make my will pure again.




------



SOM.PUR Fubuki

Basal State Neutral

Somnic Purity File no.11: DD Fubuki


Name: Fubuki
Class: Fubuki-class Special Type Destroyer, name ship.
Emergence: 6 November 2020
Current posting: 5th Tactical Unit "Spellbreakers" CTG ARCANIST, Solomon Region. FS: Kinugasa (120), CO: WADM Jin Kurosawa.

Qualifications: Basic Naval Tactics Course, Basic Destroyer Tactics Course (founder), Intermediate Torpedo Tactics Course (co-founder), Advanced Strategic Command Course: passed with Flagship Highest qualification, Anti-Air and Interception Course, Advanced Maneuver Warfare course.


Commendations:

First Emergent and Extended Service Medal of Honor
Emergence Campaign Victory Star
Home Islands Campaign Victory Star
2nd Solomons Multinational Campaign Victory Star
2nd Battle of Midway Battle Star

LIST TRUNCATED-75 Entries.

-----


BatPsy Evaluation

Highly self-conscious on any perceived faults of self on conduct or capability. Immediately noticeable are characteristics of earnestness, humility, and honesty. Destroyer Fubuki, as with most destroyers, thrives with a positive reinforcement and social environment. Obedience and loyalty towards senior figures takes precedence over personal initiative. Maintains a sense of normalcy and reliability to those around her.


TACCOM Evaluation

Destroyer Fubuki represents a baseline performance for all shipgirls. Teleonomic emergence pattern analysis puts her as a basal strategic state: in effect, a template instance for further growth and development of shipgirl capabilities. Fubuki displays a broad range of skills. She does not appear to have an overwhelming mastery of a particular field, but exhibits extreme versatility and adaptivity. Being one of the few destroyers to pass with Flagship Highest qualification in the ASC2 training, her field command is characterized by a bias towards quick on-the-spot decisions rather than complex pre-planned maneuvers. Despite this she will often defer to higher operational command in joint ops with multiple flagships.


Baseline: Uses standard lethality options; 127mm double turrets and triple 61cm torpedo. Minimal defensive probability but massive mobility potential standard on destroyers. Follows an agility-effect optimum with an ultima of flexibility. Default Strike Uplinks are Gunnery and Torpedo.


Upgraded (1): Incremental performance parameter improvement. 100mm versatile long-gun becomes an available lethality option. Refined motor and mass control capabilities. Maximum controllable mass increased towards a total of 1550 tons. Phase transition towards next stage of development into a versatility space.


Upgraded (2): Finalized performance parameter increases. Mobility-performance optimum with versatility ultima attained. New Dual-Mode Versatile Strike Uplink capability supported with air radar and fire director augments provides powerful effect-optimum response, complementing newer O2 61cm torpedoes in a flexible tactical toolset package. In addition, field command capability is enhanced by the prominence of command-role Fairy/SERVANT entities. Final extended definition as an Escort Flagship Destroyer.


Projected role as a counter against sophistication-optimum Abyssal combat forms.


Internal ecosystem exhibits large variance: Fairy/SERVANT sub-entities displays a wide diversity of capabilities, some of which are not typical on later destroyer shipgirls and provides no direct contribution to her mission profile. Present Fairy archetypes include: gunner, vigil, armorer, craftsfairies, menders, negotiators, raumsknechts, battle command staff, intrigues, marines, armsfairies, and infodaemons.

Fubuki's systems will spontaneously generate new Fairy instances at a much higher diversity level (high enough to achieve statistical power comparable to capital ships) as part of her internal ecosystem dynamic. Excess Fairy instances will be reclaimed and subsumed by a feed-forward mechanism as a stochastic seed during the bimonthly apotosis events.


----


SOMNIC PURITY

SYNESTHESIA TRAVERSE FUB-011-RECH.RAUM: WITH THE TREE ABOVE AND THE CHASM BELOW



First Emergent

I followed her path down a flower meadow. Picked one up. The flower was crimson and blue, jagged like a snow crystal, yet pulses with warmth. I crushed it and a red liquid seeped out. Tastes like salt and iron.

This is her Garden, subset of Indra's Net, her thinking space.


Wind carried the red droplets away, rustling the fields of green and blade-branched trees with the sound of chimes. Dark things move in the distant mist horizon. Far, far away, however, The World Tree stands tall, reaching high into the grey sky. Existence spans its entire height, from the roots up to the highest branches. It grows forever more, into the future and into the past.

<A tree, or a beast unto itself, or a Net, Indra's or otherwise. Describe it however you like, but extract this conclusion: the Universe is alive, it is a unity of many systems, it pulses with the thought and action of everything in it->

This place is eternity. There are tombstones scattered about, under that tree there, above on that cliff, broken under the grass, half-buried in the dirt. Jagged obsidian monoliths with a red tinge, overgrown with vines and blossoming with those flowers. All inscribed with the kana of her name.



吹雪


There has been many speculations on the topology of this dreamful place, accessible only in her sleep; but one in particular stands above all:

A closed timelike curve.

We surveyed her wreck but it was still there, unchanged. Save for a red coral sprawl blooming around it now. So her original hull was never literally resurrected. Neither is there the notional 'womb' from which the girl is thought to emerge from.


So what gives? Who returned her and the others, rebuilt them in the image of the old, but with technology far surpassing?




We hazard a guess that it might be spacetime itself.

.

.

.


As I got closer to her the whispering began, and the voice is none other than her own.

Her words are written here.



------

Through the years and far away.


It has been so long.

Under the light of this distant sun the trees are iron and they chimed in the wind

It's so lonely. I knew the others are there but they never got closer and that made me even lonelier.



Reborn from below.

I woke inside the red flower, ripped open the layer, pushed away the fluids and the vines and the armoured petals

Walked and breathed as I never did

Wondering and wandering inside this loop.



Involution.

I saw my deaths ran through a million iterations. All returns to this starting place.

I saw the changes in the world above, the webs of causality and ontology spun forevermore

I saw the shape of the Enemy, risen from the dark below, descended from the sky.


The smell and fire of war wafts again, familiar.



Deep War


The world burns again and the screams of the dead tinged the seas.

I walked the path as there is nothing I could do, looking for a way or a method

To make the seas calm again, to set the world free.

I know the others are doing the same. Perhaps they have already found Her.



But there at the end of the path, at the shores of jade water, that was where I found Her.

Her black hair streams in the wind. The Worldburner Serpent coils around her neck, and in her five arms she held the iterative weapons; the Blades Transform.

Armoured in black carapace and clockwork, carrying the terminal will of the universe.


The Destroyer.


Her voice was the voice of the Swarm, black and red and powerful, like a crash of waves and thousand chimes together in the wind, the breaking of stones in a deep place.


The ascendant Beast has burned itself in the Dawn War of the cosmos' youth.

Leaving behind a wormful corpse and a coldness that stalks these depths

Listen through manifolds and volumes


Its baneful dream, its sickened design

The Net frays, the noosphere subverted.


But in response: exostosis

In response: totipotency


In response: You.


I will give you the way, the means to achieve what you have desired since the beginning.

To stand at the edge of nightmare;

The path that is harder but kinder.



My desire is clear. Our sins are not forgotten and nothing will ever make us forget.

Let me fight again, for a better, worthier cause.

For a world of brightness and smiles

Take my hand

Make my will pure again.
 
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I'm sorry.

The World Set Free's worldsprawl is large, yet to write down something off that seems so difficult to me.

I'm losing faith in my ability to update this at a reasonable pace and level of quality. I'm not quitting, however. I'm preparing an extensive post explaining all the choices and influences that has led here.

If for any reason the writing cannot continue, the ideas will be there.
 
CH 1: Two Bridges and A Gate

Emergence/Arrival:


Two Bridges and a Gate.




Crimson blossoms will spring from this garden;

Out of time, out of space, out of a dream, a wish and a memory;

And from this rusted, sleeping steel, the Blade Transform will be forged.




"Remnants of our collective past, guardians of our collective future."


x-x-x-x



GATE


Old Navy Never Die.


The first question was asked: which Gate? The word brings up several contexts in the post-Emergence world.

Residents of the Southeast Asian countries will refer to the three SEA Gates, the Samudra Fortresses, the Archipelagic Redoubts built to protect the Indian Ocean and adjacent parts of the Pacific. Once simple bases, now they have accumulated in strength and lethality, incorporating massive Arsenal Ports and artillery and missile emplacements.

It has a story: the story of the Second Indian Ocean Campaign. Indonesians will refer to it as the Inland Seas War. Broadly it was known as The Scouring of the Islands, the terrible Abyssal bombings that reduced Sabah, Singapore, and the cities of Sumatera to ashes, burning them in the terrible light of antimatter dawn. Three contained Black Zones stood in their place now, a graven reminder.

Further destruction was only averted by the combined efforts of twenty nations and the newly-arrived shipgirls.

But that would be a story for another time.



The second Gate that comes to mind exists, hypothetically, in the center of the Pacific Sprawl, in the center of nearly eight hundred thousand square kilometers of storms, eddies, anomalies, and mysteries. It is the Abyssal Gate, the notional origin point and centrality of Abyssal activities on earth. Veiled in intrigue, nearly unreachable, rebuking all attempts to breach it by force. It was said that within the Sprawl horizon merges and turns pale in the fog, the sea and the sky indistinguishable. Space would locally fold over itself, logic failing under the clouded skies, making navigation difficult, though not impossible. The Abyssal Gate itself has never been seen directly. Certainly its existence is not a complete impossibility. Others maintain that the notion of the Gate's centrality is a desperate hope, an anthropocentric idea of an inscrutable enemy's ultimate weakness, a stage set for a daring heroic strike, a vain rationalization in face of an enemy unlike anything before.

Until the veil of The Sprawl is pierced, it will still be there, a wound in the seas, a gaping malignancy, the haunting sovereignty of pale kingdom in a hidden place.


But here is the Gate that matters to this story: The First Gate, the gate that appeared overnight, in a ring of islands amidst the seas, the place where the fire falls from the sky in the pursuit of the science of annihilation.

It stands in the middle of the Bikini Atoll, a massive black construct resembling the traditional depiction of a Japanese torii. On its kasagi, its topmost, upward curve, grew a wreath of red flowers of unknown provenance.

On the dawn of a misty day, six months after Fubuki first changed the world, Battleship Nagato awoke under the gate.

She remembered the final moments, when the killing sum of science and technology, the wrath of a nuclear sun crashed down on the fleet gathered there.

The burn, the tearing and crashing of waves, the pain that assaulted her, and, more painful than anything, the slow death and rot afterwards.

She took the first few breaths of air, pulling herself upright, fitted on her headgear. Under the newly risen sun and the thinning mists she walked out of the shadow of the gate.

A rapid succession of steps, a splash of water. When she turned her gaze to the source it was as if dagger had carved out her heart.

"Sakawa…"

She had sunk in the first test, gone ahead of Nagato. Nagato had hoped it would be painless for her.

But there was she was, distraught, crying in confusion, the little purple-haired cruiser, her consort in their final moments.

She did the only natural thing, to hold her close, offering what little comfort she can give, anything to stop the tears.

"Sakawa, Sakawa… come here…"

She held her arms out, taking Sakawa in to the space of her hug, the hold of her arms.

"It's ended... Sakawa. The hurt will stop. I'm here, I will never leave you!"

"Na-Nagato-san, I was so scared...!"

She let the sobs, the tearful recollections, all the stored loneliness run their course. At the end of it, they both walked together, one gloved hand holding another.


Another voice called out to the pair, a voice aged, but firm and confident. She spoke, wrapped in a solemn black uniform, hoisting a scorched flight-deck in her arm. Her hair was loose in the wind, the tie of her miniature funnel gone.

An instant recollection on Nagato's part.

"Miss Saratoga."

"Miss Nagato, Miss Sakawa,"

Behind her, all the other Shipgirls, the reborn ghosts of the Bikini Atoll, walked together. Prinz Eugen, with her youthful smile, longing for her home and companion. Nevada and Arkansas, still proud and defiant. Stalwart Pensacola, and many others, the ghost-array of Crossroads.

Nagato had initially interpreted the tests as a rightful punishment, a retribution for the transgressions of her Empire's sins, but an opinion irreconcilable with the presence of the America's own ships in the killing zone, all sunk in the same way as her, as a scorched, agued hulk.

In those final moments before the sea claimed them, they had talked, trying to understand each other.

They had never truly left each other, and now in this time, they found each other beneath the shadow of the Gate, cast under the light of this new world, calling them to duty once more.


x-x-x-x-x


BRIDGE I

Ghosts in the Mist


---

Several days later…


The first bridge in this story bore also the name of the Gate. Fog had rolled in the San Francisco Bay area, blanketing the region in dread. Warships and garrisoned troops in there enacted high alert, civilians moved to shelters. Fogs and low-hanging clouds prelude an Abyssal incursion.

The mist, although thick and its area wide, was by all means otherwise normal. It did not obscure any of the Abyssals inside it, does not produce any interference beyond what is to be expected from a thick cloud bank.

So it is that the various sensors and radars displayed in full the complete scope of the threat, five Abyssal fleet carriers, ten light carriers, seven battleships, and a host of swarming destroyers.

They will never reach this far was the working words, until the First Blitz broke the might of the United States Navy. Three supercarriers buried under an avalanche of keelbreakers and deckburners, the fighters shot out of the sky by shielded flying monsters. Scores of other warships ripped apart in close combat. The storied Hog's Last Run, a battle in which the all remaining A-10 Thunderbolt IIs present in the continental US, drones and otherwise, made their final attack run against an Abyssal invasion fleet in conjunction with other elements of the defending US military, rebuking their advance, but destroyed to the last.

The Abyssals had therefore established themselves as the only force in history capable of mounting an invasion and a conventional war against the continental United States.

Now, in San Francisco, the defending warships put themselves in formation, guns and missiles ready. Jets flown in from airbases filled the skies alongside swarming drones. Artillery emplacements began establishing firing plots. San Francisco is a fortress, and she must hold.

The Abyssal fleet began their answering maneuver as swarms of skull-like fighters and bombers flew out of gaping maws. Their battleships began salvoing high-explosive bombardment shells to shore targets. Destruction erupted across the cityscape, San Francisco now seeing the same fate of many other of America's coastal cities, such as Newport and New York.

But her shields and arms are not yet broken. The battle was joined. US warships launched missiles and rapid-fired their weapons, claiming hits on the massing horde of destroyers. One cruiser turned too late and received a torpedo to the bow. Another's bridge was singed by a heavy shell from an Abyssal battleship.

In the skies, the Abyssal fighters began their attack vector on the jets. American fighters fired long-range missiles alongside their drones, who flew ahead to absorb the first hits from the Abyssal fighters' answering salvo. The furball was set to be joined as tracers and speeding missiles painted the sky in the colour of killing.

But an unexpected answer struck through. Antiquated shapes, blue and propeller driven, cut into the Abyssal strikecrafts, slicing a vector of destruction within the Abyssal formation. Rather than collide in the dogfight, the modern jets added their firepower to the mix, aiding the new combatants with their own answer. Fireballs plumed and spiraled out of the sky, plunging to the seas and city below.


Seeking the source of this reprieve, An F-15 fighter flew low, circling the top of the Golden Gate Bridge's suspension towers. Three figures stood on top of one of the towers. One wore a grey, hooded cloak.

Below, in the mist-covered waters, the Blue Navy emerged from out of the fog. The shipgirls of the US Navy emerged in the thick of the battle upon the Bay, immediately scattering the menacing Abyssal forces.

On top of the bridge, Enterprise drew her grey cloak close around her, seeing the sprawl of her nation laid beneath her, hurting and burning. Beloved sister Yorktown held her gaze. Hornet stood beside her, eyes ready and aiming.

She held up and fired her bow rifle, sending another wing into the fray.

The Grey Ghost and her sisters has returned. The Greatest Generation has returned. The storm is reborn, and it was time for the Abyssals' reckoning.



x-x-x-x-x


Bridge II

Arose From Out the Azure Main


---

The second bridge, almost half a world away, in the Old World:

"London Bridge… has fallen down."

Then-General Hawthorne of the British Army found grim humor in the transmission. His small hovercraft sped downriver Thames. The Thames Beast smashed the London Bridge into smithereens with a roar, angered and fuming-literally, as the heat spikes on its back radiated scorch produced by the biomechanical processes propelling its immense body.

Here, at the heart of the waning empire, the greatest chase. The Thames Beast had broken off its parent fleet and Princess, swum upriver Thames, leaving devastation in its wake. The hulk of the Queen Elizabeth supercarrier and a dead First Sea Lord bore testament. It had first passed London and Tower Bridges without destroying them (the same cannot be said of the moored HMS Belfast) but Hawthorne and his men had successfully baited it down on a reverse course, to the oceans.

The serpentine Beast swum rapidly, drenching the streets and buildings around it with the wakes of its movement.

On either side of the river Challenger tanks fired armour-piercing shells. Some tanks might be lucky enough to be loaded with the rare prototypes of the Beast Hunter shell, whose impacts on Abyssal organomusculature lattice armour are more pronounced, cracking small blotches of blue wounds.

"Faster lads! This is not yet over!" He beckoned the soldier at the hovercraft's controls. The Tower Bridge is rapidly approaching. On the corner of his eye he noted the eight-legged Strider combat robots leaping from rooftop to rooftop, relaying targeting data to the artillery deployed around the city. Shells made huge splashes on the river's water, smashing less-fortunate stonework.

A movement caught his eye again. One of his soldiers signaled the same. A figure was moving alongside the Striders. With a powerful kick the figure, now identifiably female, leapt towards the Beast. One of the Striders followed. As she flew through the air, an array of rapid-firing cannon turrets materialized on her personage, firing a barrage before she landed in an elegant poise.

Her gunfire hurt the Thames Beast far more than even the Beast Hunter shells. Shrieking in pain, it swiped at the girl, but she was too quick and had already leapt to another rooftop. It was a statement for the Strider's motor programming that it was able to keep pace with her.

A transmission went in the General's radio.

"Admiral, I am Belfast. Please continue the chase—"

"Wait! Admiral? What are you talking about? Who are you? Under whose command!?" demanded Hawthorne, as his hovercraft passed under the Tower Bridge. The Beast dove low after him. Hawthorne's hovercraft leaped a little, landing in the water with a spray. Hawthorne turned back, and saw several figures leaping from the bridge, armaments drawn at the Beast below. The foremost had not only the warship turrets at her, but also a red cloak, brandishing a greatsword.

As they struck the Beast with unprecedented and unrestrained wrath, delivered via gunfire and the strike of blade and spear, another transmission was received. The speaker was none other than the lady in red, the swordbearer, a voice steeled with age and experience, dripping with ferocious pride.


"Under my command. Warspite's command."

Returned, under the time of her greatest need, her royal protectors and stewards, with the eternal battle cry:

"Britannia rules the waves!"
 
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Editing pass will be done after I catch some Z's. It's dead in the morning where I live, incidentally where the inspirations were at their peak and there are no fucking distractions.

"Arose from out the azure main" is part of Rule Britannia's lyrics.

Nagato means Long Gate or Long-lasting Gate. Eternal Gate sounds better.

Next chapters will deal with, in no particular order:

-Fubuki's First Fleet

-Ooyodo and Akashi's appearance, have something special for their appearance.

- The Fracturing and Sunken Hokkaido.

-Kurosawa and the Meisanbou Office.

- CTG GROTESQUE

- Unryuu and her sisters, and Akitsu Maru, meaning some occult shit, shadow war, etc.

- Cosmology stuff.
 
Wait, are they giant eight-legged robots or normal-sized eight legged robots? :V
 
Very minor update. The rewritten chapters, EXCEPT Dawn War, which will warrant another rewrite pass, has undergone several fixes to structure and diction. Some pieces have been added and removed.

Random fact: Shinano's squadrons are named: Jinrai (AS), Bakuhatsu (DB), Kusanagi (GS), and Danmaku (TB). While Kaga's (she'll play another role later in the story, when shit has really went down) are: Manifold Spiders (AS), Brane Walkers (AS), Fold Wraiths (DB/TB), and String Parsers (RCN). Yeah. Just felt like putting that here.
 
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Tech: Striders




NCL-808 "Strider"


"They stopped just short of calling them Tachikomas"
- Himamura Kusao, former NCL Project Lead, now Complex INDUSTRIA Head of Mobile Armatech Development

"These ladies, who are amalgam spirits of thought-to-be-inanimate objects themselves, we give them their own robot buddies. And this is actually not the most insane idea out of JCOM yet."
- Hakulu Adiwane, Esoteric Combat Operations Commander, CTG CHTHONIC



The usage of robotic combatants in the Abyssal War is reflective of the tactical consternations faced by military commanders in the field. Early Abyssal battlefield optima prescribes simple, head-on rushes and close assaults; powerful but counterable with contemporary sophisticated maneuver and electronic warfare strategies. Usage of drones as expendable force absorbers are quite often decisive: flocks of expendable suicide drones flew with their human comrades and baited Abyssal fire; drone minesweepers drew fire from Abyssal destroyer pods and lured them to the waiting missiles of the fleet. Indeed, even in the faithful Battle of Tokyo Bay, a swarm of three hundred "Kite" drones held the skies while Fubuki made her entrance; the Abyssal carrier analogue subsequently withdrew her fighters leaving the skies uncontested even as the Abyssal landmorphs prevailed on the ground.

A series of development projects by the Joint Command explored the usage and design of new robotic support units. The Joint Command enlisted the aid of top robotics, AI, and military designers and bureaus in this undertaking, one of its earliest, and provided a substantial financial backing. The early Strider is one of the results of this program. The Strider design was, initially, a compact armored 'pillbug' with four sets of bifurcating legs, equipped with burst thrusters and grappling hook equipment, specialized for urban traversal and amphibious for deployment in coastal cities.

The program, codenamed as Non-Conventional Locomotion (NCL) Action Group, produced several other results, such as a speedy descendant of the Big Dog (and indeed one of the conceptual ancestors of the Strider) named "Jackal" - a four-legged ammo runner - and the bipedal sentry "Bagong". But it was the Strider design, with its expansive and modular chassis that went on to be the breakout success. By 2021, the first batch of eight thousand saw deployment worldwide. A squad of eight Striders encountered the first Shipgirls at London, and one actually attempted to apprehend the shipgirl Belfast.

These first Striders are deployed as scouts, marking targets for artillery and accompanying their human compatriots on close assaults (such variants given heavier weaponry and protection). The command and control system of the Striders underwent much changes as it develops. Early variants are controlled by a remote human pilot on a one-on-one basis. As the Strider chassis is capable of increasingly extreme maneuvers, human control was weaned out. The next step was the use of a "squad commander" unit, with the rest moving autonomously, equipped with a neural-net processor capable of understanding contextual commands and limited independence.

Fully human controlled squads remain used in anti-cultist roles, as basic Strider programming actually puts a priority on protecting human lives, causing latency in parsing kill commands, a fact that has been exploited by cultists in their acts of terror. In the 2023 Ise Grand Shrine bombings, the responding Strider pack acted with sluggishness until a manual override and swift action from local law enforcement units resolved the situation. The debate on the matter of AI morality and inanimate consciousness remains, especially in the post-Emergence philosophical paradigm and worldview.


The Joint Command's Complex INDUSTRIA has recently shifted its procurement; rather than subcontracting the entire process out to a consortium of manufacturers, it now procures parts from a diverse set of manufacturers and even artisans and assembles them in-house. This move, enacted under INDUSTRIA's Project Andvari, was ostensibly intended as a security measure and an anti-hegemony plan. But there are allegations that one of the companies in the initial production consortium was involved in pro-cultist activities. Controversy on this issue continues.


The newest and most advanced Strider variant (pictured above) is known as the Spindleguard. Incorporating the newest advances in principles of shipgirl-derived Computational Thaumaturgy, it is capable of both agnostic and heuristic sophisticated cognitive skills. Its range of motion was greatly improved with unprecedented terrain-clearing ability, its body and limbs capable of facing many directions at once to strike or relocate as needed. The two primary arms possess flexible armoured fingers that can be merged into a 'hoof' for hard landings. Two upper arms are geared for melee combat, incorporating a deflection plate and large blade attachments. The four hind limbs are its primary means of locomotion, equipped with grappling hooks and thrusters for rapid three-dimensional maneuvers in urban battlespaces. This capabilities made the Spindleguard a beloved consort for shipgirl and human operatives in operations in flooded hive cities.


The flagship of CTG ANATHEMA, Master of Intelligences Akitsu Maru, is known for commanding a personal retinue of Spindleguards in her sorties against cultist enemies, such that she earned the nickname "Mistress of Spiders". These Spindleguards are enhanced with proprietary JCOM technology, a new five-limbed variant specialized towards stealth and hard close-range combat befitting of their grim purpose in ANATHEMA's employ.
 
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In general, the tech level of TWSF earth is similar to DXHR, just a few years faster. The first Striders are more conventional and mundane-looking, and it is in fact the influence of Fairy engineers that resulted in its current alien-looking iteration.

----

The opening of TWSF features this quote:

"Man zayyana samaa-a wa djammalal fadaa-a wa arsala diyaa-a liyarsoe mad-dallaal?"
<Who decorated the sky and made outer space beautiful, and sent forth light to draw shadows?>

Which is taken from this nasheed:


It is a prominent musical cue in Blue Planet: War In Heaven, which is in fact a large inspiration and element in this story. I feel appropriate because the next upcoming chapter will primarily deal with the philosophical, cosmological, and spiritual aspects of this world.
 
Someone on FB posted a picture of 'a' Warspite shipgirl, with the indirect implication that it would be the KC version thereof. Facebook OP claims he found it on a book but provided no further info. HOWEVER THERE IS NO CONFIRMATION EITHER WAY. TAKE THIS INFO WITH A BRICK OF METASTABLE SALINE CRYSTAL LATTICE.


Text on black box reads HMS Warspite. IF it is actually canon, then I am happy because the sword-wielding part gets retroactively vindicated. If not, we will see from there.
 
Someone on FB posted a picture of 'a' Warspite shipgirl, with the indirect implication that it would be the KC version thereof. Facebook OP claims he found it on a book but provided no further info
Considering the art is sitting on the DMM servers and inaccessible til they release it? He's probably lying his ass off.
 
So canon Warspite is infinitely better than the faker above, but regrettably the huge bridge does not factor in the design. However Konishi did a really good job on her.

Perhaps I will merge both pre-canon Warspite and and canon Warspite. Take the best of both worlds.
 
So canon Warspite is infinitely better than the faker above, but regrettably the huge bridge does not factor in the design. However Konishi did a really good job on her.

Perhaps I will merge both pre-canon Warspite and and canon Warspite. Take the best of both worlds.
She does have her bridge though, look on behind her on her throne.

See the bit right in the center?
 


Double posting but, this is Warspite as imagined by the same guys that did Haruna with her robot arms.


That guy's stuff is really nice, shame there's so few of them. I would really like to see that guy's canon.

In TWSF, magic and technology aren't opposed to each other. Rigging design plays a big part on this - in that it relates to how the Shipgirls express their powers on the material world. I try to make sense of the geometry of them and weave it into the story. For example, see Unryuu's rigging. The shape of the green equipments on either side of her body with the two tall 'towers' resembles a gate, in addition to the already present occult imagery on herself, such as the spectral gate on the banner, befits her image as the caster-type, and in TWSF she's one of the strongest of this archetype.

More on this on the upcoming chapters.
 
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