I've Got a Twig (Twig Let's Read)

4.4
I approached Miss Genevieve Fray. Being as short as I was, I had to hop up onto a snow-dusted flower box to look over the railing. It would have been ignoble to be staring through the bars while she looked over them, for one thing, and by stepping up, I was more on her level.

That felt important, somehow.

It's part of her secret plan to... Meet the "hero" and talk to them deviously.

And that is this entire chapter.

We learn about the drugs they both take that let them alter themselves, about Sly replacing/filling in for a male equivalent to Helen, and about an entire academy of Edward Hydes.

Slyly and Fray try and figure each other out, and ultimately Fray drugs Sly thanks to her needlefingers and a cephalopod stuffed into her clothing. I really don't want to give her a nickname based on her having squid up her sleeves.

Key Quotes!

"For someone who analyzes others so well, you don't do very well with yourself, Sylvester. I suppose that's a matter of self preservation."

Fray's scathing summation. A point to remember, given most of Sly's inward looks are about his height, or the other lambs.

"Maybe," I said. "You're not showing me your true face. The face that you wore when you put weaponized needles under your fingernails, or ordered Whelps killed and a threat written in blood on the wall."

She smiled.

"I think this is the side of you that acts smart, planning, smiling and acting nice, handling all of the day to day tasks. But unless the head you stole away with ended up being very nasty, I think there's a bloodthirsty part of Genevieve Fray you're only barely holding back, a dangerous, barbaric side."

Not wholly appreciable without Fray's retort about knives being knives. Suffice to say, Fray isn't Jekyl and Hyde. She's Jyde. Wait. She's Hekyl.
 
4.5
The tranquilizer's effects were still heavy in my body. Few drugs were potent and localized to one area, and any drug had to be potent to get past my Wyvern-given resistances. She had put me out for long enough for her to move me, patch me up, maybe see to herself, and then make her exit. Now I was feeling the side effects. Fatigue lingered, and where it sat heavy in my stomach, I felt a growing need to heave out my stomach's contents.

Considerate as she'd been, she hadn't left me anything for the unsettled stomach.

Sly's a lot better at making chapter opening jokes than I am.

Drugged and queasy, sly still manages to reckon Hekyl has a plan. One of those 'capture the hero and not even really hurt them that much' plans. Genevieve Fray is nowhere to be found, and the arrival of Flash gets Sly back on his feet, and bickering about Headcase. Who soloed the Twigs offscreen. Good job Warren.

With the team assembled, and Sly pregnant, they all go off to get cake. And discuss Fray. Namely, Sly thinks she has a plan, and she's only pretending to be catchable. They'll get er but good once they've ate.

Key Quotes!

"But we talked about the fact that she knew who we were. She's studied us, the Academy made her, and she has a sense of what we are and how we function. We talked about the Wyvern formula, about the effects, the side effects, and how we each developed while using it. She says she didn't develop skills as a manipulator or a people reader, but I'm not sure that's true. She did develop skills as a strategist, to make her way in the upper echelons of the Academy, but I think we already knew that."

That we did, but knowing where to find these will make me Kyak but for Twig.

"I love Professor Ibbott," Helen said, with less inflection than I'd heard from her in a long while, "I don't like him. I wouldn't be happy if I never saw him again, but I wouldn't be sad either. I do what he says and I'm good. I'm a work of art and I do what he tells me to so I act like one too. If we walked away from the Academy and I had someone else telling me what to be, it wouldn't be any different."

Not a huge plot one, but Snakehips is still my fav Twig.

"I don't know exactly what. But she has a plan in the works. She's not averse to killing, but she left us alive. Let's assume it's not idle curiosity. That she's not some dime novel villain. There's a master plot at work, and we play a part. Think, what logically follows from this? What does she do by showing herself to me, then disappearing, maybe even staying here?"

"I don't know," Gordon said. "I can't guess how your mind works, or how hers does, for that matter."

Nor I, but it's fun to watch.
 
4.6
The train whistle howled, echoing across snowy Kensford, and with it went our escape. We'd made our call, and now we'd live with it. It bothered me, more than I cared to admit. If I was wrong, then we were going to get catastrophically ill, and we could very well die.

Except Lily.

Suffice to say this chapter stars the Lambs as Sly follows the slow drift from "confidence trickster" to "Hans Lambda". Using a simple hatbox, knives, and increasing threats against a gentleman, they extract the beginnings of Hekyl's sinister plot to earn money as an unqualified tutor.

And then they make their way towards Dame Cicily's.

Key Quotes!

"Reassess those priorities," I said. "My friends there, they might seem a little scary. But this is a scary meant for someone who threatens a well-to-do citizen of the Crown, and very possibly threatens Kensford as a whole. The whole reason we're doing this, right now, is because you're twisting everything out of shape, taking the path of most resistance. The moment you give way, relax, tell us what you're supposed to tell us, then everything goes back to the way it's supposed to be. We work against enemies of the Crown, you go back to doing business, the young lady ends up safe, and you can feel like you did something right."

No answer was immediately forthcoming.

A gentleman, I thought.

Every so often we need a reminder that the Twigs are secret police for a morally and ethically bankrupt, but not financially oh god no, government.

Dame Cicely's was a nice building, pale, and the branches that grew out of it were more discrete. The windows were ornate, not made of branches but thick wrought iron molded to look like wood, glass stretched between. A sprawling garden near the front had young women walking through it, talking in groups, with their monsters in their company, walking a few paces behind. I was a little surprised that the gardens were so popular, when they were covered in snow, but I supposed it spoke to the need to get away.

Scene setting.
 
4.7
"Where did you learn to do that?" Mary asked Gordon.

"Some rough types in Radham, professional thieves."

"How hard is it?"

"I dunno," Gordon said. "I have a good sense of touch and fine dexterity, so I found it pretty easy. Sy tried his hand at it too, but he doesn't keep up the practice."

Presented sans context, for your enjoyment.

This chapter issssss Twigs talking about each other! Character interactions in an enjoyable way. Helen on the prowl. Lilian's inability to escape Sly's lewd attentions! Jamie's loss of memory. Gordon's increasingly sentimentality, tied in with the knowledge of his eventual death!

Key Quotes!

"Better than nothing," Gordon said. Then, not for the first time, he said, "Wish I had that brain of yours."

"Yeah," Jamie said, quiet. "Maybe."

Mary couldn't have made the connection. Even Lillian probably wouldn't have remembered, it was so long ago I wasn't even sure Lillian had been with us.

No, the very first time they'd had the exchange had been one of our earliest meetings. When the Lambs had just made the move from being three to being four, Jamie joining our ranks, we had been learning what each of us were capable of.

I wish I had your brain.

I wish I had your body.

If I remembered the interplay of dialogue between Jamie and Gordon, then Jamie had to, right?

A bit more insight in the Twigs early days.

The stitched girl from Fray's entourage carried a tray of kettle, plates of tidbits and cups. She saw us and stopped so suddenly that it startled the girls in her company, porcelain rattling on the tray, tea slopping over the side, threatening to spill.

It was a still tableau.

"It's you!" she said, staring at us.

Between this and Warren's interlude I swear I see her as more human than Sly.
 
4.8
"Careful," I said, abruptly. "The tray, don't drop it."

She startled a little, looking down at the tray.

"I don't ever drop trays. I'm careful," she said, voice firm. She hadn't been close to dropping it, but she'd had to check.

Of all the things I've seen the lambs do, not even feeding doctors to snakitties is as unsettling and horrible as this scene. Where they mislead and interrogate a stitched whose having problems with her memory, who isn't quite there, and keeps getting more frustrated as people talk down to her, or think she's overheating. It reads like mental illness, and there's something horribly cruel about it, and it leaves me uncomfortable. Just uncomfortable.

They tie her up, get her caught in little loops, get her worried about her tea, get her to let slip some information, all while two students the Twigs duped start to accuse Lady Claire and Genevieve "Bond Syndrome" Fray of being up to suspicious things. With her plot almost spilled, and a roomful of student monsters, things look cure for the terrorist Hekyll. Unfortunately for Sly, Fray drugs everyone and let's loose Headcase, who I am actively rooting for by this point, considering they've all had horrible things done to them by Science. Go Team Fray. Headcase, Wendy, Hekyl, and the octopus. (if noone has a better name, I'm calling it Intothe)

Key Quotes.

"Second of all, I don't intend to give anyone a chance to stop me. I started and concluded my greater plot some time ago. Anything I do now just extends its effects and gravity. All the same, I think you and the other Lambs would feel compelled to run damage control."

"You've already done what you set out to do?" I asked.

"I did after my first stop, but I'm taking the time to secure it, make sure it does what I mean it to. Much like I've already decided this confrontation, and all the time we take talking is securing my position."

Plot stuff. Sinister.

"One for Fray's monster," Mary said.

"His name is Warren," the stitched girl said. "And he's not a monster! He's a gentleman and I'm supposed to help him!"

I'm... I'm gonna look for fanart for a little. This chapter just pushed some buttons is all.
 
4.9
I threw myself back out of the doorway, Mary moving in the opposite direction, her shoulder bumping mine. She threw a knife, then twisted around, her still-wet boots skidding on the floor. She grabbed the door and my offered hand to catch herself, than ran with the rest of us, her hand in mine.

Yeah just in case the hand holding wasn't clear she keeps her grip even when they're dodging thrown fipurniture.

We open with Headcase trouncing the Twigs, continue with him chasing the Twigs, stop by to say hi to the Fray and Intothe, and then Sly steals Wendy after taking advantage of her problems and kind hearted nature.

Key Quotes!

Could I call that irony? The whole reason the Lambs even exist is that the Crown got this far, and the Crown only got this far because the Academies started making monsters that were harder to kill than conventional weapons were able to. By the time weapons caught up, the Academies were producing other weapons, plagues and parasites, causing the sort of problems for their enemies that only the Academies could fix.

It was that cycle and the drive to stay ahead that drove so much of the Academy's psychology. Now we were, in our little skirmish here, a reversal of the dynamic the Academies had imposed.

The Angry Mob/Giant Monster arms race, conveniently solved by Ludevic's "Just eat them" hypothesis. Yeeah, the Academy's persistence and staying power scares me more than anything they've made.

"You portray yourself as nice, gentle. You truly care about everyone you meet," I said.

"I do. I grow attached too easily. The barriers got worn away by my Wyvern doses, along with my long-term recall."

"But you're going to make him hurt us? So he can have the release he needs?"

"I'm going to let him hurt you because I don't believe there's anything else I can say or do that's going to slow you down or make you stop chasing us, and you've clearly reached the point where you can catch up with us."

FYI Fray just said that she and Sy lack long term memory. That and she cares about Warren and Wendy.

He cares about you. I can see it, looking at him. So long as you're around, he's just a little more human. He can't cross the line and maim or kill if you're here, watching.

"All you have to do to protect him from that, is come with us," I said.

Something tells me he won't leave you behind. He'll make Fray stay close, or she'll have to abandon him.

"Are you sure?" she asked.

Wendy continues to be one of the most human characters. And now every stitched is gonna feel ~this human. I hope she winds up ok.
 
Wendy's situation is pretty disturbing, and speaks to how things that the Academy makes aren't treated as people just because they can think. Wildbow did a good job at remembering how horrible the British empire was.

I'm glad that you came back to this.
 
4.10
I had half of this written before the death of my tablet on holiday.

I glanced at Wendy, who looked like a ghost in more ways than one. Fine, pale hair, a haunted expression on her face. She wore a calf-length dress that was crisp and tidy enough it was almost a uniform, complete with a smock, and her hair was tied back. I could see subtle differences in the color and texture of it, suggesting that hair had been transplanted – a stitched's hair didn't tend to grow, or it fell out faster than it grew in, and it was telling that she'd been looked after in that regard.

"You need a coat," I told her.

"I don't," she said. "I'm always hot, I-"

"You need a coat," I said. "You're always hot because it keeps you healthy. If you're out in the cold, your body will have to work harder to stay hot, and you might run out of energy too quickly."

Stitched info, scene stuff, and more of Wendy being dead and distracted. Chapter 10!

Yeah. More uncomfortable scenes with Wendy as they take her away in order to have a hostage, since Warren cares about The Help. With Hekyl cornered, all the twigs need to do is figure out her plan. After Character Discussion and Development where we tune in to all the Twigs, Sly realises that it's all a plot to poison the water. Ha. Fray wins.

'RE development though, Helen comforts Wendy, we learn she gets fixed by Ibott to the extent that Lilly gets her work criticised. Mary has been with the group for a year. Gordon and Sly make a pair.

Key Quotes!

She's not so different from me. We lose what we don't hold on to.

Except it was poisons that had eroded my faculties, and it was death that had eroded hers.

I wondered if Fray had made the same connection.
Wildbow 's penchant for protagonists with a mixture of trauma and outside influences is mighty prolific. I'm tempted to think Fray does, and cares for her as such.

Repetition. Regression. I was getting anxious now, frustrated. I understood, she wasn't the first or the fifth or the fiftieth stitched I'd ever talked to, but we were facing a crunch, and now she was backsliding, falling back to safer mental processes and emotions. We might not get anywhere at this rate.

Really uncomfortable and really disturbing to contemplate.

Was that all we were going to get out of her? She still served as a hostage, in an abstract way. It was amusing. The Lambs, myself included, would put a human in the line of fire if we needed a hostage or if we needed to hurt someone to get a step closer in our goals. It was somehow harder to do with someone or something like Wendy.

Not impossible. Simply harder.

Bloody precocious and evil kids.

She nodded, paying rapt attention. Her eyes didn't leave his arm. There were stretches that were slightly more tan than others. Most of him, it wasn't obvious, but on this part of the arm there was a length where a straight line marked the difference between two very different sorts of skin. No scars, no stitches, just one kind of skin blending into the next.

Gordon's piecemeal.
 
4.11
The faculty of Dame Cicely's Academy had a cushy setup. The furniture looked like masterwork, the chairs were all padded and upholstered in Academy-created leathers, and the walls were alternately large windows with draping curtains in fine fabric and large ostentatious pictures with ostentatious frames. Blue and silver were common themes to the room, and even the covers for the fireplace at the back and the lamps on the walls were stained glass.

Glad to see they decorate interiors in a different fashion to how they fashion creatures eh?

In a meeting with the head of Fame Cicelies, Sly and do find that they knew some of what Fray was doing. And then they antagonize him, pressure him, figure out something of the plan.

And we get the plan revealed to us. Mass public sterilisation. Giving everyone the chemical dependence the experiments have. The Twigs can just walk away from the academy. Experiments won't die in the wild. And no-one can have kids without the Crowns' say so.

There's a British villain, and then there's the British as villains. This is horrible.

Key Quotes!

"Are you saying you weren't aware that Genevieve Fray was tutoring your daughter? Using her as an accomplice in her plan?"

"I wasn't aware," the headmaster lied, staring at us.

That shook my confidence more than anything. The brazenness of the way he said it, almost sarcastically, mocking us. Declaring to us that he, on the most basic level, didn't care at all whether we took him at his word. His gaze was cool and controlled as he met my eyes. He had no shame, no guilt, and no doubts.

He knows full well what Fray was doing

I have enough worries about the academies without adding corruption to the list.

She was right. Mauer had tapped into the public's fears and resentment, but this was something else altogether. The man would be having a field day, wherever he was.

War, the people against the Academy, with everything that entailed. The weapons, the monsters, the crude attempts at handling the finer, more delicate matters.

How odd, now that I thought about it. With the chemicals in the water, adjusted to affect everyone, we would have free reign. The leash had been given a considerable amount of slack, and it was thanks to Fray.

War. Rebellion. Extermination.

"I don't understand," Mary said. "The Academy can't fix it?"

"They can," I said. "They won't."

"It's too much. People aren't going to take it lying down," Mary said. "The Academy has a way to stop it, to cure the effects, don't they? They just say Fray did it, and they put out a fix, and-"

"They won't," I said, again.

This is horrible.
I Mean Its Not As If Things Could Get Worse....
 
4.12
Just an hour or so ago, Fray had been giving the order for Warren to attack us, to kill or maim.

Probably maim.

Sly and some of the gang approach Hekyl, confronting Fray about what she did, if/how she's manipulating them, and wether she wants her zombie maid back.

She offers them freedom, and they choose loyalty to each other, trading a stitched for time. Warren getting to see Wendy again, and I getting to hold that they continue to form a happy team with Fray. Hekyl, the evil woman with the plot to expose a plot to sterilize And subjugate all citizens.

The Twigs then return home, and, after an arc of sterilisation, and poisonings, and mishandling the mentally unsound, Jamie unwinds by having his brain extracted, attached to a chain of other brains, and replaced. The memories forming a caterpillar. Hey, it's the cover art from the banner!

Key Quotes!

"I get the point. I'm a manipulator dealing with manipulators. And a manipulator is particularly vulnerable to the predations of their cannier counterparts. But okay, if you want to pretend you're not setting an artificial time limit to put pressure on us and position yourself better for getting Wendy back, I can play along."

When I finish twig, I want to know if "what drug s are you on" has any meaning in the Twigs fandom. Suffice to say Wyvern accomplishes a lot.

"I think so," Fray agreed. "The Academy crossed lines. I wanted to change it from within, that didn't work, so I'm going to force a change from the outside. War is one way. Changing minds is another. There are weak points in the economic backbone, there are weaknesses in the foundations of the Academy's work… that last one might be a weakness I'm not clever enough to exploit, I have to admit."

"And you tell us all this with the idea that we're going to go back and tell Radham Academy what you said, down to the word," Jamie said.

"I expect you will, Jamie," Fray said.

Fray, force for reform! And owner of the best comeback to a child with a flawless memory.

She shook her head, "Or I expect you'll say that and I use one of the methods I just named. The Academy is too big. Something has to give. You know full well that you each have expiration dates – Sy wasn't surprised when I brought it up. The Academies are an experiment of sorts too. Just as they've done with you, they're going to keep pushing until something breaks, and then they'll change things, approach anew with learned lessons fresh in their minds. I'm not saying this is a dragon that can be slain. I am saying that it can be trained. Even if we're on opposite sides, you can't disagree with me on that score."

"Want to try us?" Mary asked.

The Academy! We're evil until it blows up and we finish our notes.

"If any of us leave, they take someone else and replace us. Same idea, another child," Jamie said, his voice soft.

Poor Jamie.

"No. You disgust me, I don't like you. I don't like standing here, being in your company. I can't imagine staying with you for a while on purpose, unless it's to take you somewhere where they can put you down," Mary said.

"Oh my."

"I'm a Lamb," Mary said.

You're a Klon.

"I saw what you did with Lady Claire," Lillian said. "You have nothing to offer that I'd want to take. I don't think you even understand the ramifications of what you did. People are going to die. Lots of them, innocents. People who drank this water and left the city? Those who were just passing through?"

Lily you work for the evil empire, and your best friends are medical experiments.

She found the words he was reaching for. "You don't think you'd have faith in me?"

"Not after this," Gordon said, very simply. I could hear the lie in the words.

Poor Gordon.
 
Enemy Arc 4
The old man stared out the window as he talked. The rain was coming down hard. Cups clinked softly as tea was poured, while the rain beat a drum on the roof. The entire building creaked with the way the wind blew the branches that extended from the outside.

"We need WORTHY OPPONENTS," he said.

Interlude Four. Where we see the evil conspiracy. The ones planning a revolt against a regime that subjugated the globe, sterilized people, bred slaves, and keeps anaconda kittens as pets.

They're callous, plotting, but they've got Percy the sentimental, and a few other loonloonds with cash, experience, experiments, and allsorts.

We mostly stick with Cynthia, a self made woman, as she plots a war.

Key Quotes!

"In an actual war, you'll see two or more groups of people trying to poke their head up out of cover, work up the courage to aim their weapon and then pull the trigger to kill the other person. You have to twist their arms to make them go over the breach, you play on ideology, or you convince them, and I do very much mean convince them, that they have no other choice. A stitched has no such reservations. A stitched doesn't tend to stop and turn tail when his friend next to him gets gunned down."

The mechanics of war told mechanically. By contrast to the priest's experience.

I'll reach out, speak to some people, and I'll have the money. What I need you to do right now is find the people with the necessary skills. The Academy has been quietly removing quite a number of them. Mr. Percy was one close call in that respect. We'll find them and make them offers they can't refuse. If the money doesn't sway, quietly let them know we have the knowledge, and if you feel they're worth the risk, we'll go a step further and actually tell them who we are, inviting them to the inner circle."

The others nodded.

A hundred clone makers, and kitty anacondas, and Hekyls.

For the time being, focus on staying safe, make sure you aren't being followed, particularly by Dogs."

"Or little children," Percy said, frowning.

"Especially little children," Godwin agreed. "Louis. A man named Reverend Mauer is managing one of the larger and more successful revolutionary groups. I think you and he would complement each other nicely. Would you reach out?"

Oh look Arc 2 dude.

Cynthia spoke up, when they were out of earshot of the stitched. "I was thinking. Lambert Academy, in Greysolon?"

Godwin casually looked around to make sure they were alone. It was probably safer than being indoors, he had to admit. The bat-eared experiments were on the alert, and the rain made for a lot of cover.

"A win for us, as much as Westmoreland was a win for them."

"A win might be understating it. Lambert academy burned, the people that weren't burned alive were rounded up, made to kneel, and put to the knife. It was symbolic, something the other revolutions could aspire toward."

Huzzah. The people CAN win.

To all appearances, a coquette. Louis was a soldier's son, the man had moved on to active military service, lying about his age to get in sooner. Cynthia was different, almost the opposite. She had had no family, no guidance, and she had raised herself on ugly streets overseas, where gutters had literally run red with blood, and where experiments had been piled so carelessly on trash heaps beneath the Academies that they overflowed into the city, some still alive, others dangerous despite being dead.

The slums of the academies sound like setup for future arcs. But yeah, our rebels are academics and new royalty.

The war would get far worse before it got better. The Academy was retaking control, but the rebellions were still underway, and the Academy's efforts weren't quelling so much as they were holding things at bay.

Sooner or later, things would reach a tipping point. To retake control, the Academy would need to do something significant. Institutions of this scale had only so many ways they could achieve that kind of control.

This is horrible and ominous.

The man's skin had been flayed away and reattached, overlapping strips, like the weave of a basket, head to toe, leaving every feature masked, but for a space for a toothless, tongueless mouth and two milky white eyes. The flesh around the edges of each strip of skin was scarred and flaky.

A mummy, wrapped in his own flesh, almost a straightjacket, but not quite. Two oversized hands were already reaching out.

Hangman.

They found me.

So THAT's what the Hangman was. Scary bastard.

From the bottom to the top, she thought. She was with the upper class. The true upper class, she might say. These weren't nobles, but businessmen, clergy, and pillars of the community. They were people with money who had earned that money, by and large. Those who had been born to money were already beholden to the Academy, hooks long set in.

Men and women in fine dress.

Potential allies.

If they were going to retake Westmore, these were allies they would need. It meant the difference between the Academy having a gun for every soldier or having to do without.

So the conspiracy is talking to the businessmen. I'm awfully surprised by the ability of the noble classes to stay in power though. Dukes and all that. Crown rather than Academy. I dhnn o. I think we'll get a bit more about how they took over, eventually.
 
Wendy's situation is pretty disturbing, and speaks to how things that the Academy makes aren't treated as people just because they can think. Wildbow did a good job at remembering how horrible the British empire was.

I'm glad that you came back to this.
Ru le brittania.....

Yeah. I'm glad I'm reading it.
 
5.1
I slowed in my run as I saw a man forced to kneel by a pole. His arms were already bound behind his back, his raincoat was open at the front, and there were smears of blood on his shirt. He fought, struggled, and was overpowered by the four men in similar outfits. Not quite uniforms, exactly, but they were close.

They lashed him to the pole, cords encircling the space where a crude knotted gag covered his his mouth. The cords were cinched tight enough that skin split, blood seeping out past the gag to touch his chin.

To Be Fair, If They Were Academy Its Quite Likely Theyve Done Worse.

Although we learn that they were just traitors.

Maybe not even that.

Oh well.

This chapter has Lily and Sly flirting, henceforth dubbed Silly. It also has a load of info on the current sorta deal. The lambs are infiltrating the town down Cynthia was going to last chapter. Jamie is working with a blackmailed/cajoled general, Lily is infiltrating the training of students. She tells Sly to kill people so she can get out of school. Also, Slys memory is atrocious. As in, forgets a number midwalk. Oh well, sure that's about as important as Gordon's lying last arc.

Other things going on include gas masked soldiers, big guns, executions, and a secret shipment of stuff the Lambs are setting up across town.

Key Quotes!

Sucks, but there's no getting around it," he said. "Hayle brought up an idea of how to use it, still preliminary. Propaganda. I already have notes, they'll give me a writer to ensure it's readable, though I always was good with a pen and paper. We release a more palatable version of the Lambs' previous files, win over the public."

The one where a scientist feeds himself to an anakittycondacat. The one where a priest Lee a black sabbath. The one where a zombie tried to escape the labs.

The banter and jokes continued as we made our exit.

Chapter in a nutshell.
 
5.2
I've got a Twig~

Even on the best of days, Jamie was something of an odd bird. The glasses, the book he carted around with him, and the longer, dirty-blond hair, currently tied back into a sailor's ponytail, they added up to a strange picture. He had a way of looking uncomfortable in any clothes he wore, as if they were someone else's and he was just borrowing them. He tended to be quieter than the others, with Helen excepted in most situations.

I got spoiled on this. Now I get to sit in the corner and mope. Oh well. I'd say it was possible to predict from here, but I'd have just read it as weirdness and inhumanity. Which sounds pretty harsh in retrospect. Suffice to say I think knowing spoilers won't ruin a good work, but not knowing them greatly enhances a second viewing.

Sly and Jamie meet, discussing their surroundings in the town of Whitney, now identified as a former winter home and hunting lodge for the rich, and a rather naff target for the academy to try and take back. They also engage in banter, of a polite and whimsical sort, and pass Gordon, still doing his mayfly romance thing with Shipman.

Jamie and Sy set off to locate Helen at a local meeting of the important rebels, mad scientists, and landed gentry of Whitney. Though Sly manages to manipulate the kitchen staff into giving them food, and they begin to observe the party, the two are found out by a woman with a nose for trouble. Jamie and Sly slink away into the party.


KEY QUOTES!

It marked, perhaps, the first job where we'd been let off our leashes and told to do as we saw fit. Gordon had asked for Shipman, and he'd gotten her. Mary, Gordon, and Shipman had discussed the need for a discreet weapon they might be able to use to cripple the town of Whitney, and regular shipments had been arranged for just that.

It was a shocking amount of leeway, but the fact that the Academy was barely paying attention to us was tempered by the fact that, well, they were were barely paying attention to us. If things turned sour, we were more or less on our own.

More famous firsts. I'm sure they shan't be able to cause that much trouble.

I noted the presence of more of the scarred, pocked men. A group of five. They all wore the informal military clothing we were seeing everywhere, and they all carried exorcists.

"Them," I said, alerting Jamie before the men could disappear.

"The men with the boils?"

"What do you know?" I asked.

Jamie shook his head. "I was going to ask you. I saw one with worms under his skin. I could see them moving by the way the bumps and ridges appeared and disappeared. One of those we just saw had them."

I really don't want to know if the worms are important.

"That reminds me. I've been meaning to ask, you do a lot of book reading, but how's your reading of people going?"

"People?"

"You remember just about everything. If I say something, can't you compare it to everything I've said before and figure out what tone I'm using and why?"

"You're assuming I know why you were using the tone back then."

"Context? You could figure it out."

"I could. I can. I'm doing that anyway, all the time," Jamie said. "Sometimes I get there. There's a lot of things to look through and figure out before I can say for sure, and by the time that happens, things are usually done with or they're moving forward, and then I'm left playing catch-up, and there's no time to bring it up.

Establishing Jamie as a foil for Sy another touch. Sly can't remember things well, while Jamie is unable to read into people's motives and goals.

Just For Fun Quotes

"This is a bug box. Except there's no shaking needed. They're already at each other's throats. I guarantee you there's more drama in here than in any classroom at Dame Cicely's. People are easiest to manipulate when it's 'us versus them', and in here, it's him versus the manager. Which is, hm, the second most important reason I did that."

"Second?"

"Second."

"Am I supposed to guess the first?"

"No. I'm waiting for the dramatic moment when I get to show the first. We are in a theater, after all. Drama is important.

Ok the setup and payoff on this is great. Normally I find the little manipulations Sly does unendearing. This one lands childishly right.

"John Durant. He got removed from the Academy when he helped make a superweapon, but failed to leash it right. People got killed. There are very few people I can think of who are as volatile as he is. Angry, works on projects bigger than he can handle. He could be as dangerous to their side as he might be to ours."
Last seen muttering "I'll show them, I'll show them all."

"Tall order," Jamie agreed. He grabbed a little bacon-and-pastry affair, then offered it to me. On a whim, we touched cake to pastry as if we were toasting a drink.
They stopped doing these at my workplace.
 
5.3
We weren't walking through a kitchen, wearing clothing that resembled that of the staff, not anymore. The pair of us stood out like sore thumbs, our hair a little damp from being under our hoods in the humid outdoors. We wore dirty boots, not shiny black shoes. Jamie carried a backpack.
I should stop doing the "Silly reaction to the opening line" thing, but I just chuckle a little at the absurdity of it. I want to wait for a truly mundane opening line. One without action, or even anything to make a joke of. I mean, is there a hidden depth to get at in the way they weren't walking through a kitchen? No. But I can say something like "The sentence being split symbolises the split", and pretend there is something to get at. I dunno. It's a perfectly cromulent opening sentence.

The Lambs flee through the kitchen area, and poceed to disrupt a party, stage a romantic get together, embarrass a useless general, realise that Cynthia knows that the Lambs are here, and promise Helen cake.

They set off for cake while the woman with the nose who is in a group of experiments follows them, eager to find the other lambs.
KEY QUOTES
I shifted my grip on Jamie, circling around him, so I stood between him and Muttonchops. One hand on each of Jamie's shoulders, I pushed.

The muttonchops, the flash, the display. Not just a romantic. Muttonchops believed in the show.

This was for his sake, something gaudy, obvious, impossible to ignore.

I believed, wholeheartedly, that he couldn't maintain his hold on Jamie without becoming the bad guy, without standing in the way of a boy and his love. Jamie wasn't even to blame. It was my fault, I was the one who had dragged him along.

Its just neat to see how their lies work, and Sly's reading. These little "set up the pieces, this is how it works" are always a joy. Playing into people's expectations.
A lifetime ago, he'd gone to a black market doctor and found a way to avoid attending a major battle in service to the Academy, a wounded leg and a bad infection. He'd survived when many of his colleagues hadn't, had then been able to boast a rare level of experience, when so many who had fought in the battles he had had died. Now he was here, and he'd sided with the rebellion.
General Unfit for duty at the time.
"We're being watched, right this second," I murmured. "Guarantee it. They want us to lead them to the others before they make a move. Let's get Helen her cake-"

"Yay."

Glad to see she has her priorities sorted. Snakehips is going to be ruined as a joke name. I dunno. I'm adding "Helen with a mouthful of cake looking like a snake that's swallowed a rat" to my mental list of Twig artwork that ought to exist.


Also, Cover Art. Doot.
.
 
5.4
"Two big issues," I said.

"More than two," Helen observed.

"Two big ones," I reaffirmed.

I've spoken, or at least been in the same chatroom when he's spoken, or whatever. I've read 'Bow's comments on what Twig was, and I have to say the element that gets repeated is the banter. Characters talk a lot in Twig. A lot. Compared to Worm and Pact, both of which were already pretty wordy and full of their protagonist interacting with the people around them, Twig is wordier. I'm reading Ward, and he's pushed in a similar direction to Twig, but the big thing is this emphasis on people. In Twig, everything is discussed and planned. Ok, they're being followed. Let's visit a cafe and talk through this. Ok, I've just met up with Fray, let's talk through this. But the important thing is that its fun to read. The characters talk, and the way they're talking is enough to invest in what's going on, and where we are.
I'm just bad at trying to comb over bits like this, cos they juggle so many character beats. Oh well. Sy is crafty, Helen is calm, Jamie is wary, and they all have cake. After all that talking and character development malarkey, they duck out the back and get attacked by the reason people keep saying Twig looks like Bloodborne.
He held his head at a strange angle, like his neck was broken, and a earlobes on already large ear dangled, a weight pinned to the bottom. He had unkempt black hair, an unkempt beard, and strangely spaced out features on his face, as if someone had grabbed the back of his head and pulled, everything back out of the way, eyes to either side, mouth down, nose flattened and broadened. He wore a soldier's uniform, and he was weighed down with canisters. A length of chain was wound his right wrist and hand, and something that looked like a lantern dangled from the end of that chain, nearly touching the ground by his right foot, with spikes radiating from it.
I mean, this guy is miniboss material. You can tell by the length of the description and all.
CLOSING NOTES! A few short and meaningless jokes divorced from context!
Jamie never forgets until he dies. That's what the backup brains are for. Poor kid.
Mary may be Mary, but Helen is Marie Antoinette.
Sy has accurately surmised the flaw in business jargon.
KEY QUOTES!
"Mmm," Helen smiled. "Perfect is complicated. Hard to explain."

"Give it a shot," I prodded her.

"It's… beautiful is the best word to describe it," she said.

Jamie and I nodded.

"Everything that isn't necessary to getting what we want is gone," she said, eyes closing, as if she was vividly imagining. "There's an abundance of it all, thanks to science. Food is everywhere and it overflows and there's nothing to worry about because we have and we want and we take. We're, and by we I mean people, we're everywhere and we spill over into one another and we're all knit together, physically and mentally. It's an exquisite landscape of things that don't ever run out to see and touches and tastes and smells and mating and eating and mindless fighting and eating-mating and fighting-eating and fighting-"

"Okay," I said, interrupting. I paused, then when I couldn't think of what to say. "Okay."

Helen reached down to her plate, used a fingertip to wipe up a bit of frosting, and popped it into her mouth, sucking it off.

This is beautiful and horrifying in equal measure. I bloody love this. I can't tell if she's joking, kidding, misleading, being sincere, or anything in between. But I want to come back to this quote, and I want to study it sometime. I want to see her vision, or some interpretation, or see Sy come back to this moment. Probably Jamie though. Poor kid has to remember this image word for word.

Jamie leaned forward, arms folded on the table, and scooted his chair up. "On that subject, you've reminded me, I think they've got a trump card."

"In what sense?"

"My focus up until now has been on the strategy, the war overall, troops, who they're sending, and where. Ames was a good source of information, but they started giving different people different details," Jamie said. "Trying to catch us out by narrowing down the field. I caught on to it when details didn't add up. They're not scared enough, Sy. Westmore is a half day away, fully occupied by the Academy, and the people in charge here aren't spooked about it. If you want to count stuff we should figure out and figure out soon, I'd put that on the list."
This will be important later.
JUST FOR FUN QUOTES!
I would have liked to grab the canisters, in hopes of getting something incendiary or something that might irritate the sniffing woman's nose, but I wasn't sure what the labels were supposed to mean, and I wasn't sure how to unhook them. Uncertainty was the spice of life, so to say, but people didn't tend to use phrasings like that when referring to that which prolonged life expectancy.
Yeah. The language and narration is just fun sometimes. Banter.
 
5.5, The one with something other than the number in the title.
I watched Helen and Gordon chatter, joining in now and again with a comment. The topic was our etiquette and presentation class. It still put me off, having known Helen for a few months, how she could switch from eerie deadpan to animated and normal, demonstrating the very subjects that Gordon was bringing up. The two of us gave her tips, and she demonstrated each of them with an uncanny accuracy, shaping and refining her body language, tone, and overall presentation.

They were as different as night and day, at the fundamental level, human and inhuman, but they had still found a connection.

THEMES! But yeah. An opening quote that defines the "odd relationship dynamic" that defines every Twig's ability to bounce off the others.

Sy has a rather large and extensive flashback to his early days after being shot. Only for him to wind up back in the present day midway through Jamie showing off his back again. Then he has to have surgery, apologise to the nice family that lent them a medic's pack, and get an exhaustive lecture on the flawed nature of "The five senses" being villains to an arc, considering that there are more than 5 senses, and that's even before the academy start throwing a few of the funny ones like Lateral lines or ampullae of Lorenzi.

Also, their little scuffle murdered Phlegm, the canister man. His sister is not pleased.

Ever noticed how much of a chapter I miss out on?

KEY QUOTES!

"It hurts," I said. "It hurts so much it makes me feel like there's nothing else. After, I feel like less of a person. More like I'm a piece of metal, thrust into the fire, over and over."

"And they're hammering you into shape?"

"No," I confessed. "Mostly, I get to hold the hammer. There's that, at least."
More fun times with Wyvern. Fray let us hear a bit about what it was like but this little quote is the best way I've seen it phrased.
Was this what it meant to see my life flashing before my eyes? It was as good a starting point as anything else. I didn't have many memories of things that came before. Some games with Helen and Gordon, some antics after I broke out of my room, time with Evette and Ashton. Less meaningful things.

"You with us, Sy?" Jamie asked.

"Yup," I said, putting all my effort into sounding casual as I let my head sink back to the floor. I was in a kitchen, I realized. Checkered drapes at the window.

The small pinpoint of pain had spread and expanded until it felt like my stomach was three times the size, filled with agony. It wasn't swollen, though. It was a regular, too-skinny tummy with a hole in it and a lot of blood leaking around it, into my shirt and the top of my pants. I had blood that had dripped around the side of my body and into my butt crack.

This kind of agony was something I was used to, though it limited how I could move and pull my thoughts together. Blood in my butt crack somehow drove the point home better than my life flashing before my eyes. It was a signal that things were horribly, horribly wrong.
Poor Sy with his childhood of horrors. Poor poor tortured manipulative sociopathic servant of a nightmarish Royal Scientific Society.

Jamie made a face, then tossed the powder. He rifled through the kit until he found a liquid, instead. He set a match on my chest.

"Uh," I said.

"Sorry," he said. "Going to have to do it like it's done on the battlefield."

"You've never seen a battlefield, you butt!"

"I've heard," he said. He didn't respond to the insult. I realized how scared he was.

The problem with this piecemeal knowledge. He knew the moves he needed to make, but he didn't have a foundation. One day, all going according to plan, he could have that foundation. He couldn't trust a medicine that smelled different. But that he could even figure out the right tools, that he was this far along, and he'd kept it a secret?

The Academy couldn't know. We were forbidden.
Smart move and reasonable decision unless you want monsters being made by monsters. That's how humanity gets wiped out. Its one thing if a cataconda can have little kittencondas, but a catconda deciding to fuse a lion and a cobra would be a heck of a lot worse.

"I'm not willing to bet anything," I said. "There might be a fifth, taste, and I'm going to assume the one Jamie shot is alive until we see him dismantled on some Academy autopsy table."

"Five," Jamie said.

"There are more than five senses," Helen said. "Balance, sense of one's own physical state…"

"It's possible," I said. "But these buttheads aren't even supposed to have three pieces of work this good, let alone four or five. Experienced soldiers, each with custom modifications?"

"Academy work," Jamie said.

"Traitors,' Helen said.
Two for one. Theme of our arc's villains, and Helen calling someone that works for a person OTHER than the one that vivisected them and turned them into a weapon a traitor. Dunno. Probably just her using it in the technical sense. Sly certainly doesn't see anything else in it. If its important it'll come back up again.
 
5.6
I swallowed, then spoke. My side was still hurting like nothing else, even after being patched up, and my voice faltered at the start, the strength to get the air past my lips not there when I reached for it. "What's your name?"

"Not telling," she said. "Goodbye."

"Wait!" I said, raising my voice. My stomach rewarded me by cramping up in new sorts of pain, clutching like a fist around all the hurt.

She didn't use the canister.


I can't believe this works. Amusingly enough they do seem to do that conversational trope the wrong way round. Its a lark though.

We open with a fight with Nottelling, sister of the now deceased Snotling. And by fight, I mean Helen crawling about like a crocodile, and then flailing about like a crocodile with an elastic band on its mouth. She gets the bad end of a canister of something that seems pretty close to the nightmare that is that glue gas that Mary's creator got exposed to. Which is great, because losing skin to glue is one of my greatest fears.

Jamie gets his hands skinned, Helen is grievously wounded, Sly is *still* shot... and they just walk it off after the fight.

The Twigs manage to make their way to their friends, and then take a gentle coach ride out while they loose a horde of spiders on a town full of people and soldiers. Bleh. Worm parallels, immoral decisions, but this is just orders, etc. Discussion point for a later date, but...
Taylor is cruelty for a purpose.
Blake is cruel in retaliation.
The Twigs are following orders.

KEY QUOTES!

"The reason we went to go pick up our girl here was because we're done. The traps are placed, boxes under half the houses in Whitney. Soon, really soon, the things occupying the box are going to wake up. The city falls, and if you're here, if your buddies are here, then you get to watch them die, maybe, and then you die alone."

"Assuming you're telling the truth, what's in the boxes?" she asked.

"I think they started with spiders," I said.

Hooray. Our protagonists are committing war crimes! There's a reason I find the Twigs less endearing than the girl that deludes herself into ever greater atrocities for the greater good and the man who is fought by monsters until he becomes one.

"I'm going to leave you guys behind if you keep that up. Besides, there aren't any girls out there for me. Gordon can do the thing with Shipman, but-"

"There's Mary," Jamie said, quiet. "Lillian too."

"Lillian isn't one of us. Well, she is, but she isn't. She-"

"She what?" Helen asked.

"Doesn't seem fair, or real? Real's not the word, but expecting a girl to like me, when I'm not guaranteed to live that long."

There was no response. Jamie and Helen were silent. The rain was washing away the thin trickles of blood where the skin had been eaten away or had blistered and the resin had pulled on the blisters to open them, and diluting the mud, so it slid off in handfuls. Their clothing was being stained, where the mud hadn't already caked it and turned it a dark brown-black.

I turned around, and moved my elbow accidentally, leading Helen to think I was turning. She stumbled a bit. I couldn't see any buildings through the downpour, now, which I hoped was cause to believe that the gunman couldn't see us, over the top of the cloud of smoke.

"You're too nice a guy, Sy," Jamie said, finally.

I dunno. I want to say that half of the bravado and the fun they all have is based on this very horrible and very real morbidity about their situation.

"Stay away," I said, as they got closer. "Don't touch them. Don't touch me."

Then I said the magic word.

"Disease."

The word repeated itself through the crowd.

The way opened before us.

"We've been told where to go," I said. I kept talking only because we couldn't afford questions. "Rebellion members turned on each other, or they're Academy plants, or there's a parasite, I don't know. But Whitney is under attack. Spread the word."

Phobos and Deimos. Fear and Panic.

Nebulous ideas, nothing certain.

But a point that was driven home with a few key words, and the imagery of small children, hurt, bleeding, and impossible to help.

This feels like it would work an awful lot. Then again, faking epidemics would probably have a much worse Peter and the Wolf ending.

"Westmore," Gordon said. "It's time for them to attack."

I nodded at that.

We wouldn't be working behind the scenes, this time. This was going to become something else entirely. An environment the Lambs had never faced.

A battlefield.

Well its a good thing we've got ten more chapters to this arc. I mean. I don't exactly think there's any real point to 5 child assassins on a battlefield but I've been surprised before.
 
5.7
OPENING LINE
The rain got worse as we got further up the road. It all flowed down toward Whitney, though a cliffside took most of it, which seemed like a pretty good idea from a strategic standpoint. Marching uphill against an entrenched position was one thing, if Whitney wanted to march on Westmore, but an uphill march against an entrenched position, against flowing water ranging from ankle-deep to knee-deep?

I was willing to bet it was an accident, but it was a happy one for the Academy's side.



Sandbags had been piled up on the mountain road, giving clusters of stitched soldiers places to stand and wait. Some were piled in front, to protect against gunfire, while others were piled behind, to divert the flow of water and keep the stitched soldiers drier.

Each cluster had one person with it. I imagined the shifts were short, only an hour or three at most, but it had to be miserable. Sitting, waiting, watching. As the only truly intelligent set of eyes, that individual had all of the pressure placed on them, their only company the five or six dead men who stood around them. Those same dead men would smell faintly of the less pleasant human odors, except baked in. The scents of ozone, burned hair, and decay could and would join those.

The moisture in the air helped to carry smells to the nostrils. I wondered if the watch was a punishment detail.

Poor bastards.

This is our genre shift, going from sabotage to whatever the counter sabotage thing is. Behind enemy lines to behind friendly lines. And damned if I don't love the image of the army of the damned with the occasional hapless man. Maybe its the tabletop wargamer in me. Heck, Twig'd be a fun fit for a tabletop game. I'm gonna need to get me some zombie redcoats now. And a few warbeasts. Dunno.

We follow the Twig's ride back into camp, with some scenery description, setup of the differences between Westmore and Whitley, comparisons to our other locales. We also get a great scene where Flash tries to do Sly's job, and fails. After dealing with a spider (which I'm not really afraid of) that stitches together people's legs so that the skin is a single continuous leg and they are paralysed unless they are willing to tear at their own body (which I am afraid of), they get to the main base, inspecting their army. They've attacked and sabotaged the enemy. They've got more guns. They've got the intel. Which leads me to...

CLOSING LINE!

"Why does it feel like, if things go on as planned, we're going to lose this battle?"

"Excuse me?" the Spec-three who was on the bench asked, indignant.

"I don't know," Mary answered my question. "But it does feel that way, doesn't it?"

If you weren't paranoid about them losing before, you are now. Suffice to say the reinforcement of the Academy's power is inverted, we get to look back at everything that makes them strong and wonder what the enemy knows.

KEY QUOTES!

"Some of it is time-sensitive," Gordon said. His tone was so good, too. Perfect pitch and intonation, authoritative and confident, without sounding arrogant. If he'd used that same tone with one of those teachers who was just itching to find something to lecture a student about, they would have made a face and moved on to the next student.

But the words were the wrong ones. Gordon was good at what he did. People tended to like him. He bent the world to his will. He was the opposite of me; I always fought an uphill battle to get people's trust. I had to study them and tailor my approaches to their motivations and weaknesses.

I knew that this man we were talking to was making the most out of the very limited power and amusement he could get, here. Gordon had showed the man a kind of weakness.

We have a need, thus it's in your power to make us twist in the wind, I thought.

More Twigs being different but similar but different!

The flesh of his legs had been joined, a ragged strip cut away, attached to the other leg.

"What? What's the- what!?" he jerked more frantically, cigarette falling to the base of the bench.

"Don't tear it," Shipman said, "Don't- careful!"

As the man struggled, one of the spiders from Whitney moved off to one side, away from the flailing legs. Once two legs, they were now functionally one. The Spec-3 saw the thing and twisted, pulling out his gun.

Literally the most nauseating thing to me, skin glued to other skin. Too many accidents with superglue, watching the Matrix at too young an age... These things are abominable, and a plague that just straight up murdered people would be less horrific to me. Which is the point.

Also, are these based off the jigsaw squids from the Sub Rosa arc? The things that peeled off skin in strips and were meant to be released behind enemy lines to scare people.

We passed a barn, and I saw inside. There was something unnatural within, four eyes reflecting light, a deep scar running down its face, horns bigger than I was scraping the floor of the stable. A war-beast. Some Academy student's final project for their fourth year of study, probably. His reputation would hinge on how well it did.

There were others. Like everything else, the creatures were neatly organized, kept in their own discrete places. Weapons from some of the Academy's brightest.
Fourth year project; Create an unstoppable horror. Fifth year project; think of a solution to a society that produces too many unstoppable horrors.
 
5.8
OPENING LINES

The stitched gave each of us a pat-down. I bit my cheek rather than protest at the pain as clumsy hands prodded my side. It wasn't worth it, the stitched wouldn't care, and I didn't want to seem weak, when we already had two members down. The older man, now with his helmet doffed, was studying us. Jamie and Helen were looking less than stellar, even with their injuries looked after. I could put on a brave face.

"It would be easier-" Mary started. She made a face as the stitched pulled a knife out from her beltline. "If you'd let me remove the knives myself. Or I can tell you where they all are."

The stitched didn't react or respond, and the Brigadier didn't give the order.

We waited in silence while it found eight more knives, each belted around Mary's upper thighs. It gave her a quick pat-down, then stood straight.

"If I may…" Mary said. She reached up and pulled a long, thin knife out from the thickest part of her hair. More a needle than a blade. She raised one foot up, bracing calf against knee, and pulled another knife free of the heel of her shoe with a bit of a jerk. Rather than a handle, it had a t-shaped configuration, more a knife that was punched with than thrust. A matching knife came out of the other shoe.

She deposited two more, another punching knife from behind her belt buckle, and one with fluid in a reservoir in the handle from behind her back. Finally, she provided the garotte-wire that had been curled around her body, hidden on the other side of her belt.

Absolutely, utterly unnecessary. She could have kept the items on her person and lost nothing for it, but I suspected she wanted to make a point.

I think sooner or later I'm as likely to hit a full chapter of opening scene. No kidding. The maths suggests they're getting stronger each time. We might see our first Category Five opening segment. This is a good one though, something silly and setting up the officiousness of the boorish Brigadier.

ARC SUMMARY!

The Twigs are forced to deal with their greatest enemy: Reasonably unreasonable authority figures.

The Brigadier seems like a decent sort, with a rather dated opinion of warfare and manners that as a Brit I am want to satirise and admire in equal measure. He ignores the Twigs' advice, thinking he's got a rather smart idea of sitting in trenches until he wins. Whiskey on the rocks, and idiots manning the walls. He's just kind and friendly and personable and just screwed up the entire battle.

His plan fails, hard. In fact, Whitley is hitting Westmore preeeeetty hard by now. Not even headless dogs that I want a model of to paint can help them. Not with the man with the power of EYES holding on to a sniper rifle. Not with rifles that can down a Stitched in one hit. On the other hand, treason might help. Treason tends to help.

ENDING LINES!

Except I already knew the answer. The look in Gordon's eyes, faint as it was with only the streetlamp to go by, was telling enough. He knew I'd figured it out.

"Right," I said. "Hm. It might be hard to convince some of the others."

"You think?"

"Treason is typically pretty hard to sell," I told him.

I'd always thought it was an easy sell. Thirty pieces and all that. Suffice to say a good starting point, sets up the insubordination as the new driving plot, turning around a military disaster.


KEY QUOTES!

"How refreshing," the old man said. "I'm not usually made to explain myself."

"I'm sorry, sir."

He waved a hand. "I always firmly believed that every person in a position of power should have to explain their rationale. Your name, if you don't mind?"

"Mary."

"Who are we fighting against, Mary?"

"Insurgents."

"Yes. Rebels, revolutionaries, insurgents. But who makes up the bulk of their number?"

Mary took a second, then connected the dots. "The Crown's people."

"Assume we fought every fight by wiping out the enemy. What would happen after? The Academy would suffer, the Crown would suffer. There would be long-lasting repercussions. Resentment, hatred. If we can minimize the losses on both sides, and still break their stride, if we do it with care, then we could very well leave them feeling thankful that we were as merciful as we were."

"Yes, sir," Mary said.

Oh look, a person who cares for the lives of other beyond their immediate friends. That's a damn rarity in this work.

He was the first person I'd met who could take the Lambs in stride at first meeting, recognizing what we were and how we operated. Gordon's letters might have helped with that. He was also gentle, and not above treating us with kindness. That he'd actually considered offering us drinks said a lot. There was no deception at all in what he was saying. He believed it all, deep down. That veteranship of experience had layered and ingrained it all into him. A very rare species, no doubt a grandfather, and a veteran of the Academy's wars, his experiences mingling into someone who actually almost understood us.

I could count the number of people who fit that label with three fingers. Hayle was the first. This man was the third.

Yet, in my frustration, there was nothing I wanted to do than jam my thumbs into the orbs of his eyes and hear him scream. Because he was too kind in expression as he looked down on us, because I was sure I saw a glimmer of pity that came from a place of actual understanding.


Jesus Virgin Mother Go-Read-Ward-Its-Great Christ Sly the guy is trying to help you. But yeah. "Ah, what a smart young child. You don't understand WAR."
 
The sewing spiders are pretty awful, yeah.

I mean, they're flatly past the line where it would be easier to have made them kill their victims than going for cruelty, but somebody in the world thought gratuitous cruelty was the winning plan.
 
5.9
OPENING QUOTES!
Mary was finishing her trip around the perimeter when we caught up with her. The sounds of shells and gunfire in the background were joined by a singular, high screech.

"No si-" Mary started to say, before the sharp crack of an explosion stopped her. She winced. "No sign of the assassins."

"One was on the battlefield," Gordon said. "Sy's gunman."

"Why is he mine? I don't want him!" I protested.

Tough. Shipping at the ready.

Welcome to chapter 5.9! Where Sy fails to convince the rest of the Twigs, despite talking to one another in a set of continuing bantrerous dialogues. Heck, we don't even get to see the warbeasts in action. That's cos stylistically this is them participating in war without being on the front lines. We pass from there to the final scene, where Sy just shows off in front of the Brigadier.

ENDING QUOTES!

I didn't budge, only meeting his eyes.

"You were right on the first one," he said. "That gives you one win. If you want something, and it doesn't cost me anything, I'll grant it."

I nodded.

"We'll take measures to react to this attack on the second gate you're predicting. That does cost me something, it's less men and resources on the forward gate. But I'll give you the benefit of a doubt."

"Thank you," he said.

"First thing I want that doesn't cost you anything, I want to call the rest of the Lambs here."

Ends the chapter by setting up "The Brigadier being reasonable?" I dunno. I'm supportive of the guy. I mean, I dunno, I just err against Sy half the tame.

KEY QUOTES

And here is the point that marks the difference between Gordon and Mary, I mused. Gordon was flexible, he was well rounded enough to adapt. Mary's focus had been honed to a point. She was wired to go after an enemy. Her 'parents', as it were, but even so.

See? I don';t need to dive into character analysis, the text does it for me. its not like Sly's perspective is biased, alien, and likely to miss details and notes in character development.

"You're being sly, Sy," she said, wary but interested.

Curious and curiouser.

Three were large, with the massive horns, thick hide, and shaggy fur. Nothing fancy, probably no special qualities. It kind of amazed me when I dwelt on it. Someone had played god, they had made an entirely new life, and they had done it for a grade, halfway through their Academy education. Exercising the fundamentals.

Give Lillian two more years and she might just put something like that together. Except she'd do it different. I would be deeply disappointed in her if she didn't learn something meaningful from all of our adventures.

8 year training seems horrible. Not that I'm complaining. Still, I'd wonder what lily would put together. Something small and indestructible? A brutish Helen?

"I know it's a touchy subject, but… this morning. You were sitting on the wagon instead of helping out. You can tell me, straight up, if you were hurt in a very normal, conventional way, or lie to me and tell me you were, and I'll leave it be. But-"

"I'm not going to lie to you, Sy," he said.

I felt my heart plummet. "What happened, exactly?"

"Phantom pains," he told me. "Couldn't coordinate my fingers right."

He lifted his hand. He touched his thumb to forefinger, middle finger, ring finger, then pinky, then did it back and forth, faster and faster.

I swallowed.

"It's better now," he said. "It was minor, when it happened. But it was a wake-up call. That things can go wrong. That maybe this is the very first step. I start breaking down, things start going wrong. Little things, and only for a short while each time, but the times get longer and the issues get bigger, and eventually, I dunno. I'm lying in a bed and nothing works or works together, and it all hurts, and the Academy decides it's too much trouble to keep the Griffon project alive?"
The terrible mortality of Gordon.

"You think they'd let you? I've sat in on meetings where they talked about the Lambs project. They asked for my opinions. How often you were each getting hurt, what your growth looked like, development, promising elements, challenges. I know they were testing me as much as they were evaluating you."

"You're worried this will damage your rep?" I asked. "That you won't get invited to sit in on meetings? You'll lose all of the trust and favors you've bought by helping get this far?"

"Wow," Lillian said. "That's unfair."

"But it's true, isn't it? You've earned a kind of status, respect and an ability to dialogue with higher-ups that a lot of people four or five years ahead of you in the Academy haven't been able to obtain."
The convenience of Lily's position.
 
Wildbow makes such wonderful nightmare fuel doesn't he? Still, the best thing about Twig is the character interactions and sussing out relationships and how people really feel. It's fun looking at what Sy reacts to and what makes him act cruelly.

I don't want to comment too much on it until you mention it, because I'm not sure when precisely it's explicitly mentioned in the text and I don't want to spoil you.
 
5.10
Gordon, Shipman, and Mary came in from the rain. The rest of us were already present and waiting.

"No activity," Gordon said, raising his voice to be heard from the other end of the room. "Double guards are stationed, and ambushes are laying in wait outside the gates."

"Only stitched for the ambush?" I asked.

"Only stitched. Both sides of the path."

I nodded.
We open with a planned ambush/ whatever you call getting attacked when you think you're ready to be attacked. Sure enough they are, and the Twigs get to wait and pick through the bodies. Where they exposed the sneaky plan of assassins pretending to be dead, and manage to kill Phlegm again.
Another chapter that features few WHAM lines, but lots of "hehe" lines.
ENDING QUOTES!
The rain continued to pour, the sound of the gunshots ringing in my ears.

No assumptions, I thought.

Now the dance really began. With this ploy failing, our enemy would be forced to get creative. I'd get to see what kind of tacticians we were up against, and we'd have to match them in kind.

Y'know. Just announcing the next Spy vs Spy aspect.
KEY QUOTES!
I made a face. "We need to plant our feet here. This can't be a prolonged engagement. They're too angry, and that's a fire that burns hot and fast. Once they get past the wall, it's going to be over. Not guaranteed to be a win for them, but it's going to be over."

"That has what to do with the Brigadier, exactly?"

"I figure there'll only be two or three big clashes before this swings one way or the other, the upcoming ambush excepted. If we lose the Brigadier's trust, we can't be certain we'll get it back before things are over. So I figure we set down roots, work ourselves into the greater scheme of things. A little signal or change of plans that makes this lodge more our base of operations than his, if you will. He leaves, we stay."
Sly and co attempting to root themselves into things. Bleh. I swear the arcs in Twig feel more like complete novels. Heck, I want to see what the wordcount on this is, considering how long this thing is. This arc in particular, considering how much it changes scene and time.
"I'm also trying to keep track of this. If we can gauge the weapons, units, or devices our opposition is using, we can try to figure out what each of the rogue scientists they brought in has been busy working on," Jamie said. "I've been trying to draw a connection between one of the scientists and the plague men, and Lillian was helping, extrapolating. I was thinking of Leopold Pock, but if you're right about them being veterans, that would eliminate the possibility."

"Explain?" the Brigadier asked.

"Augmented soldiers we observed in Whitney. Sy thinks they're soldiers that voluntarily underwent some augmentation. A lot of soldiers, choosing an augmentation that makes them hideous, and does something to their minds. Likely a permanent change, or as permanent as anything we do to our bodies is. We're trying to figure them out. Why they'd do it, who did it, specifically. Pock is tentatively ruled out. Doesn't fit the working theory."
Supersoldiers armed with guns that kill stitched.

Mary threw more knives, sprinting forward. The stitched hit them out of the air once more. It approached, picking up speed as it made a beeline for Gordon. It didn't seem to care that he was armed, or that he was raising the gun to aim.

It wasn't Gordon that shot. Others on the sideline opened fire. As much as the man could knock a thrown knife out of the air, he couldn't do much against bullets. He jerked, stumbled, and tripped over a corpse that lay on the ground behind him.

Turns out being a ridiculous badass doesn't work against an army. Dunno. I'd say setup or something for another character winding up on the wrong side of this.
 
5.11
The two bodies were each held by four of the Academy's soldiers. With a shout and a very practiced motion, the bodies were heaved up and onto freshly wiped granite slabs. One was Phlegm. The other was dressed as a stitched, complete with our uniform.

The doctors and scholars of Westmore were already collecting around, many wearing their coats and aprons, masks covering the lower halves of their face, goggles over their eyes. Black, elbow-length gloves were pulled over freshly washed hands. The room was open-air, a shelter for wagons, very possibly a drier point for coal to be offloaded, but canvas cloths had been tied down and sealed it off, with sandbags up to the four foot mark, providing some insulation and walls. The floor was packed soil, and was caked with old blood, shit, and other detritus. Kits off to the side had all of the material needed for stitched, while toolbox-like constructions were in one corner, providing other tools for more conventional medical care.
If they bring this asshole back too I'm going to flip my lid.
Nope. They just dissect him, figure out some stuff about the team and how amusing a parallel they are for the Twigs, and then go back to... FIGURING OUT THE ENEMIES PLANS!
COUNTERING HYPOTHETICAL PLANS!
GROUP TALKS!
Yeah. Not really an action packed one, just setup for action and debriefing of action.
End Quotes!
We need information we don't have, I thought. On the plague men, on the trump cards.

We need to survive this incoming attack. We need to guarantee that our attack on them isn't fruitless
.

What are you thinking, you snarling dog of a woman? Do you see us coming?
Spy vs Sly. Continually reinforcing the unknown aspect of warfare. We're about two thirds of the way to the end, so its pretty easy to think that we might be getting answers soon. But... What with the last arc, its pretty easy to imagine having to wait until the last scene for the Twigs to understand a damn thing.
KEY QUOTES!
"Ahem. Troy? The notes. This is our second patient. Choleric, according to the label at his collarbone. The patients are named after the four humors, presumably. There are subtler signs of the same rewriting of the individual's pattern, and similar means of grafting, likely from the same time period, suggesting they were worked on in concert. Academy level work, judging by quality. The goal varies, but the methodology matches our prior patient, Phlegmatic. Rictus smile-"
They kinda set it up as being the five senses.
I shook my head. "We expected an attack to cover another attempt at getting an assassin inside our walls. They've answered that expectation. They might as well have a flag unfurled saying 'distraction', but that's a communication of it's own. That they know what we're thinking. And because they know, they can meet us halfway."

"They're saying hi," Gordon said. "To us more than to the Brigadier. They've recognized that the style of leadership changed. The ambush, the assassin they tried to get inside didn't make it and hasn't given the signal they expected. The way the posts have a different distribution of guards. Something tipped them off."
Sly vs Spy. Fun fact, every time I copy one of these things, my computer screams at me for using a z instead of s.
Helen perked up a little. "What Mary said. But no gunning. Poison. Bombs. Traps. Get to the food supply, the meat lockers we use to feed the warbeasts and other experiments."

"I kind of like that more, now that I hear it," Mary said. "The attack from the inside sounds romantic in my head, but in execution…"

"I agree," the Brigadier said. "I'm more concerned about subtler attacks than a direct attack aimed at me and my immediate subordinates. We have people stationed as guards. We can maintain that guard, but I have to echo what I said to Sylvester earlier. People can't maintain that level of focus for too long a time. The mind and the heart won't have it. Mistakes will be made, people will slack, convince themselves they can."
An army marches on its Giant Monster's stomach.
"This current attack is a handshake, according to you. They know or assume our current organization was able to figure out their move with Phlegmatic and Choleric. What guarantee is there that they won't change their plan here, in anticipation of a similar prediction?"

"Ah," I said. "That's a fun question."

The Brigadier wasn't smiling.

"I don't know," I said. "There's no guarantee. I don't know her well enough to predict her. But when that woman Cynthia came after Jamie, Helen, and I, and Choleric signaled for her to back off, she was champing at the bit, and only barely restrained herself from coming after us. That's the person in my mind when I picture them coming for us. A snarling dog in a pretty evening dress with pretty hair. Someone who knows types like Choleric and Phlegm, who arrives in town with the likes of Leopold Pock and Peralta."

Bork bork, Cynthia. I reckon Sly tends to be pretty angry when it comes to describing other people though. Sorta negative.
 
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