Richard Schiff, Ralph Fiennes and Mark Strong are brought in for follow-up interviews and screen-tests against your four Supermen candidates for the role of Lex Luthor. There's some disappointment among your colleagues that you didn't reach out to Hanks or Brosnan for interviews and potential autograph opportunities, but it largely subsides as the three potential Luthors get acclimated. Fiennes and Branagh get on well immediately and you're thankful that you have Ford to counter-balance any bias that might bring to the casting process.
Going from the normalcy and efficiency of that part of production to the rather muddled and hectic proceeding of the love-interest audition tapes could not be more of a change.
On the hastily re-arranged office-lobby furniture, you and your colleagues in the production team jockey for any sort of comfortable position while your intern hastily flicks through audition tapes for the girls. There's a sort of rhythm to the click of the tape into the VCR, Branagh's interested hum, Law's quiet comment of "a bit young, isn't she?", the click of Ford's tongue and his veiled frown of disapproval at less "comic accurate" depictions, your own sigh and the ticking of the clock behind you all. There's a collective groan with each "rerun" on the screen; you love the intern's effort in setting this up, but you wish that he'd have had the good sense to sort the candidates who set in tapes for both roles out of the general pool.
There are eight women who jump to the front of discussion over the course of your studio sleepover. For Lois Lane, the first name to seriously come up in the discussion is
Emmy Rossum—incredible audition, a strong fit for Alex Ford's vision of Lois and already sought out by directors as storied as Eastwood and Emmerich. Unfortunately, you have to agree with Law: she's
very young for the role. Sixteen, though she'll be eighteen by the time you expect the movie to release, potentially paired against men in their mid-to-late twenties… The saving graces are Ford's insistence as Lana Lang as the primary love interest and the presence of Cavill as a potential younger Superman. It isn't too hard to imagine the minor script changes that would be needed to make a young take on Lois work, if Rossum and Cavill have any chemistry at all.
Arden Cho is only a bit older than Emmy Rossum and comes with the mixed bag of being a complete unknown: no film or television history and no professional acting experience at all, only the recommendations of her high school acting teacher, her ballet instructor's advice and a short list of Korean-American modeling gigs. Still, her quick audition shows a talent and gut for the role that breathes energy into Lois Lane. A part of you wonders where she was in the
Catwoman audition; though she's no Kareena, you can't help but think her clear talent in ballet and martial arts would have made her a good fit for one of the Gotham City Sirens. Like Rossum, you'd be looking to pair her with Cavill over the other candidates for the Superman role, which makes the question less of a Cho-vs-everyone and more of a comparison of Cho-against-Rossum. She's earmarked as an interested candidate for both the Lana and the Lois role, if you wanted to pursue both of the young actresses…
The next candidates who caught attention are thankfully out of their teens.
Rose Byrne (23) is an award-winning actress and a
Star Wars alum (even if it was an admittedly bit role!) who much like Rossum perfectly fits Alex Ford's ideal Lois Lane image. Branagh is happy to see her audition; he isn't as familiar with the Sydney Theatre Company as he'd like to be, but he's interested in reaching out to some colleagues who caught her performance in
La Dispute (2000). She's on positive momentum in Hollywood that you think you could turn to real stardom, with enough proven experience acting against talents like Heath Ledger that you're confident even at her worst she won't sink the production.
Dania Ramirez (23) might not have the largest profile or the strongest history of film, but her references and recommendations are hard-to-ignore. A personal friend of Spike Lee with plans to be a frequent collaborator and co-signs by music industry legends Jay-Z and De La Soul, there's a sense to everything in her audition tapes that she wants the role to be something bigger than her. Ford isn't so sure she's a good fit for the role, but Branagh is an instant fan. Ramirez believes there's a lack of strong Spanish women in American films, and believes that this role could be a stepping stone to inspire a new generation of women and actresses. It might be worth considering the potential for backlash involved in having an actress outspoken about the race-bending of their character; while you're sure cooler heads among the fanbase will prevail, you've heard far too many of the media soundbites on different Catwoman castings not to anticipate the threats and letters Ramirez will receive for her stance on the role.
Olivia Cheng (23) is an interesting candidate: she's got a substantial amount of on-screen experience, but it comes from her work as a reporter, not her work as an actress. A videographer, journalist and bit-role actress from a working-class background with a reputation for speaking her mind and a strong sense of justice, Cheng
breathes Lois Lane in every part of her audition tape and story. Ford's usual complaint is gone—he's hooked on the idea, really—but there's some questions from Branagh and Law on if she has the experience for the role. You'd never call her a safe pick for the role. The fit for Lana Lang is less inspired than her fit for Lois, but the amateur actress is nonetheless interested in either role should a different candidate for Lois be chosen.
Isla Fisher (27) was Scooby-Doo's
Mary Jane just a year ago, but that doesn't stop you from recognizing her clear talent or fit for the role of Lana Lang when you see her audition tape (hell, her middle name is even Lang!). The actress is working to move into more "serious" roles and make a true breakthrough into Hollywood, and this role would certainly do that for her. She's certainly charming in the role, and there's enough depth to her acting that both Ford and Branagh are interested in working with her more. Age-wise, she's a much more palatable pair for Jude Law or the other older Superman candidates, something that many of your fellows on the not-so-proverbial casting couch vocally appreciate.
Jamie Ray Newman (24) is something of a newcomer to Hollywood, but her work with live theatre outlives her through the
Ignition Festival for Women in the Arts she founded and her award-winning work as a high school actress. Ford thinks she's a perfect fit for the role, appearance-wise, and you don't have to look back at Branagh to know he's interested to work with the theatre aficionado as well. There's a sort of elegance to Jamie Ray Newman's wardrobe that could really play well with the themes Branagh's costume designer, Alexandra Byrne, hopes to explore in Lana Lang's character.
Zhang Ziyi (24) made her Hollywood debut with
Rush Hour 2, if you're being technical, but the room recognizes her immediately from
Crouching Tiger Hidden Dragon instead. Her audition is flawless, from top to bottom, and it's the first of the day to provoke a reaction from Christian Bale. Though her name might not be a household one in the states, there's no doubt in your mind about the star-power she can command abroad. There's a longer message attached with her audition, provided by her agent: Ziyi is interested in the role, and the opportunity to be a part of something as powerful as the Superman mythos, but she's not at all interested in playing the role of a victim, a trophy or a trope. There's a level of care involved in the script-treatments that she's been read that Ziyi evidently adores—the range of emotion, the ability to deftly lead the Superman without resorting to base instincts or violence, the wisdom beyond her years—and a chance at a non-traditional love arc that's "worthy of being told."
[] [LOIS]
[] [LANA]
[] [PAIRING]
Fuller Lois and Lana casting lists are available here. The candidates highlighted were selected for an appearance in this chapter based off the roll of dice on discord. Please use the PAIRING task vote to designate potential Clark-Lois and Clark-Lana combinations to be prioritized in screen-testing.
Due to the raw number of candidates involved, no pictures are included in hyper-link here.
With Zhang Ziyi's tape finishing, there's a collective sigh of relief in the room. That's the end of both audition folders and hundreds upon hundreds of clips of inexperienced actresses and amateurs giving their best Lois and Lana impressions. You stand, starting to debrief the room, when your favorite intern steps into the room with a third envelope. He gives a nervous cough.
"I didn't know exactly how to sort these ones, sir. They've been coming in with the others, but they're not quite targeted at the same roles—" As he speaks, Branagh laughs and waves to the name scratched off on the envelope.
Kara.
"Ever since word got out on the Lucas Wainwright draft, sir, we've been turning back audition tapes and CDs for Supergirl. And, well, I thought I might as well sort them too,"
You're shaking your head
no, not tonight before the words fully process. No, not the words. The word. The word got out?
What?
Lucas Wainwright's "
SUPERGIRL and the RISE OF BIZARRO," along with Wainwright's "
CATWOMAN: Diamonds are Forever," Vijay Sahni's "
CATWOMAN & KING TUT," Darren Aronofsky's "
BATMAN: YEAR ONE" and several other, smaller scripts and idea treatments have
LEAKED to the public. Though you'd prefer not to jump to conclusions, all of the materials leaked entered circulation during Aronofsky's time with the studio—nothing since his departure has been brought out to the light of day. The studio's tech-wizards are out in force trying to see if they can pinpoint the source of the leaks to any legally relevant standard, but you've been around enough to know there's a very slim chance of that.
The reaction to the leaks is
very mixed among the public and the studio. Aronofsky's own script has been lambasted by members of the media for failing to understand what makes Batman tick, a criticism you would be more comfortable with if Miller wasn't still using good chunks of the wretched thing. The Catwoman scripts are mere curiosities, though there's some tabloid riffing off of the idea of
Catwoman & King Tut with their own proposal for
WonderCat and the Egyptian Bat—which you're going to pretend you never saw and hope the shivers go away—but the Supergirl script has legs.
One, it's clearly hit a chord with the public. Girls of all ages and all backgrounds are sending in their audition tapes for a chance to be the next Supergirl. As soon as word breaks that your team is actually keeping the tapes, and you're sure it will break soon enough, you can expect you'll never have an empty voicemailbox again. You should call Helen Slater and give her a warning. Despite yourself and the situation, you smile. Clearly, there
is interest out there in women-led superhero films.
Two, it's hit a chord with the other departments at WB. When you shift your email to the "spam" tab, it's sure enough full of different coworkers you'd prefer not too hard about with ideas on how to market Supergirl to the next generation. Ideas on different costumes, different styles of hair, have you considered this "Power Girl" character's appearance—ignoring everything else, do they really think you're going to have a superhero in thigh-high teal boots?—all spell out to you that you're going to have to have a chat with the men upstairs about just what you're thinking trying this Supergirl movie experiment again.
Of course, there's time to deny it all and run a campaign against future leaks—it wouldn't do to have any of your other ideas in the pipeline coming out to the public so early. Or, on the flipside, you could try to pivot and release
more tidbits on films you've thought of for the future and try to drown the news out as one of countless movies being discussed. In the process, you'd have a decent chance of sounding out the public's interest in any of the stranger properties you might be interested in adapting.
[] [LEAK-STRATEGY] Deny, deny, deny.
[] [LEAK-STRATEGY] Cautious confirmation.
[] [LEAK-STRATEGY] Open the faucet.