Ecumene (No OP/ NO Harem/ No MS/ Isekai)

Chapter 5 Broken Toy
Chapter 5 Broken Toy

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The bright spot was moving away, and with it, the remnants of hope melted away, carried away by the soles of the highlanders, who stomped briskly on their mountain affairs. Elena knelt and looked at the funny knife at her feet, then at the back of the departing soldiers. The light was dying, and darkness was creeping out of the corners again, thickening into inky shadows.

Oh, God, am I done?

Elena realized that she was already accustomed to praying for help from the local god, Pantokrator, who was one and embodied in sixty-six attributes. She also remembered that Pantokrator, though called the Comforter, was stern and did not help people unless they needed it. The Lord gives at birth the most valuable gift - life, as well as the freedom to choose between good and evil. Everything else is in human hands.

Although now it's in one hand, the other is useless. And she doesn't think it's going to be anymore.

The girl picked up the knife. The shadows rustled, waiting for the highlanders to move away. The street had taken on a life of its own, angry and dangerous; it waited patiently, as a single entity, for the predetermined finale. Noiselessly stepped on the cobblestones, the tattooed figure that had disappeared earlier. In the darkness of the night, it seemed impossible to make out the tattoo with bugs in the wound, but Elena could swear she could distinguish every tendril, every barbed foot. What was more disgusting was the realization that in a matter of minutes, she would definitely be able to see the drawing in detail from a very close range. Smell the odor of someone else's sweat and dirt. Experience things not worth experiencing. And that would be just the beginning.

Elena clenched her teeth and got down on one knee, then pulled it off the stone as well. Her legs buckled with weakness but more or less obeyed. She pressed her right hand against her body to keep it relatively still. Her fingers were almost desensitized and felt swollen, puffed up like a glove on a bottle of homemade wine. The first step was hard, the second a little easier, and then it was half and half. The girl felt like a ship going by the will of inertia, trying to correct the motion with weak motors.

She didn't get far. Her right leg trembled and began to slip, and the tattooed man was there at once. He really did stink of fermented gruel and blood. Or maybe Elena had already started having odorological hallucinations.... it didn't really matter. She was surrounded like wolves on a moose, and a noose of shaggy, disheveled rope was preparing to encircle her neck. Experienced slavecatchers were in no hurry and approached the matter thoroughly, and the girl "floated" in a darkened state when thoughts and intentions died, barely born.

Elena clenched the sharpened iron in her fist and felt the hard hilt roughly hewn. She thought Charley, in the fight for the ship, had managed to sever his poisoned hand, but the Brether had been killing for years, had used his right hand, and was armed with a heavy saber. What does she have? She can't even slit her throat with her left hand and a short blade.

Someone's fingers rested confidently - one might say bossily - on her shoulder. Her right shoulder. Another bout of pain washed over her brain, working paradoxically like an invigorating ice shower. Elena realized the rope was already around her neck and was about to tighten. It seemed that in the corner, under the second floor overhanging the street, stood two brethers, Charley and Ranyan. They stood silently, watching with eyes that held no pity, no compassion, not even life itself. The girl blinked, trying to push the obsession away, but it didn't work.

How many people had each of them slaughtered? The grim and creepy Ranyan, who never smiled, and killed girls on the Wasteland roads by beheading them. Charley, who had become a legend not because of his peace and good nature. What would each of them do now? And what would Santelli do, whose past had been glimpsed by the brigade's healer? The same brigadier who, in the battle on the ship, having lost his weapon, gnawed the enemy. Matrisa, who gained her life and wealth in the Wastelands, where no one gave anything for nothing. Kai, who left the ducal house for nowhere, with only his sword.

And Shena... Sweet Shena with a past held nothing but pain, loss, and horror. A green-eyed Valkyrie who was turned into a lonely, embittered killer but couldn't be broken.

The pain burned into a rage very quickly, as if by a single movement of the blowpipe that drove the air into the blazing inferno of a forge furnace. Fatigue, anger, endless frustration, and humiliation from Draftsman melted together. Hatred for the jackals of the night Milvess and all bastards willing to do her harm. And also fear - a suffocating panic that Elena was losing precious moments that would cost her.

What exactly it would cost she wasn't really specific anymore, just getting into action.

Elena didn't know how to stab properly, but when they were side by side, proper technique wasn't as important. It wasn't perfect, but it was impressive and unexpected. This is where the small knife played to the advantage. It just wasn't noticed in the street darkness. Or maybe they did notice it, but they didn't pay attention to it because self-confidence is a universal sin beyond the world and times.

One thing was certain about the Highlanders. Their blades were good and sharpened to a fine point, not a surgical scalpel, but close, very close to it. The knife entered the naked belly at once and to the hilt, gently, very easily, making the tattooed wound a little closer to realism. Elena shuddered with revulsion as her fingers slid over the greasy, unwashed skin.

The wounded man didn't seem to realize what was happening at first, and he hiccupped oddly, giving Elena the smell of onions in a marinade of fermented wine. And then he squealed, recoiling. On the drive and adrenaline-fueled embers, the girl swung aslant upward, cutting the face of the second goat, who was just trying to tighten the noose around her neck. And again, it turned out surprisingly well, as if the universe had decided to throw in a little luck to compensate for a bad day. That's what good experience in applied surgery means. The hand didn't shake even when the sharpened steel shattered the nasal cartilage. And the old fencing lessons had finally come in handy, if only in a small way.

The shadows scurried about, muttering something in gibberish, like Wells's Morlocks. There was a twitching nervousness in the droning voices. The victim was not behaving properly. A hunted, bleeding deer suddenly raised a stalker on its horns. Elena clearly realized, however, that this was only a brief respite. There was still no way for her to get away. Too many enemies, too fat a profit at stake, even with the bruises and broken bones. Humans were expensive, women much more so.

The wounded slaver wheezed and howled. Elena decided sadly that the carrion was likely to survive. Too thick a greasy cushion on its belly, too short a blade. Though peritonitis can work wonders. The other one. The one who'd been spared a good rope and hadn't had time to tighten the noose was sniffing his split nose, sobbing, either spitting blood or vomiting wine. In any case, it smelled like a latrine where they'd poured waste that wasn't good enough for the cheapest vinegar.

The girl pressed her right hand tighter against her torso, and with her left, she hastily pulled the rope off her neck, keeping the knife in place. The red fog thickened before her eyes again, turning everything into a dark phantasmagoria. Elena jabbed herself in the thigh in fury, again spurring her exhausted mind with new pain. It helped.

She leaned sideways against the wall, damp and grave-cold. So cold that it was freezing even through the thick sleeve of her sweat-soaked shirt. It was like being buried alive in an autumn grave. She decided to walk down to the river. It was a little easier to walk down the hill. A step, another. Sparks glittered in the semi-darkness. Jackals did not use lamps. The quick light for orientation was obtained by scraping flints on stones and iron. Elena giggled madly, on the verge of hysteria, and licked drops of blood off her blade without thinking to quell her thirst for a moment. It seemed to give her another moment of calm. From the outside, this gorging on someone else's blood looked creepy and very impressive. Someone had brought a "rotter," a lamp stuffed with minced fish that glowed by the phosphorescence of decomposing flesh.

She has neither Kai's sword, nor Santeli's axe, nor Charley's saber. Nor does she have an ahlspis. But the brigadier, the knight, and the brether became fearsome not because they had sharpened iron in their hands but for a very different reason. And she will be scary, too. She already is, a whole street of bastard creatures following her, howling in greedy anticipation of prey, but each one is scared to come closer.

Elena knew exactly determined for herself as an indisputable fact in the present and future, the second time the noose should be tightened around the neck of a corpse. And to live after such a definition became simple and easy. Only her consciousness became completely clouded. The girl did not understand where she was going. It seemed to be a dark, miserable street, where her foot alternately stepped on stones worn out by centuries or squelched in stinking puddles. At the same time, the wood creaked (treacherously! but why?...) beneath his boots, like the old staircase of an old house. It smelled no longer of the filth of unwashed bodies and rotten lamps but of wax and good quality, without excess fat. Also, iron and blood. It smelled stupefyingly of blood as if it had been poured out in bowls, far more than could have come from the victims of her blows, luxurious, improbably successful, and yet not fatal.

Even consciousness was bifurcated. In one part, all her strength was spent on keeping on her feet and not dropping her weak weapon. In the other part, the fencer was burned by an endless, all-consuming hatred and not focused on the slumlords... Elena was looking at herself through the glass, being burned by the reflected waves of frenzied rage. The girl was wandering in two worlds at once. Or at different times. Or maybe both at the same time. The main thing now was to concentrate on one facet of perception, simply walk forward, clenching her teeth, and overcoming the fire in her broken arm. Clutching the blade in her healthy hand. Because every step ...

The brain lacked the hardware capacity to think it through - why each step was so important. It was just self-evident. To walk as long as there was any strength left through pain and fear.

It struck nearby, thudding and hard, scattering spiky splinters. Again, a little closer. She was being pelted with clods of dry earth. Not dangerous, but painful. That was the end of it. She couldn't get far under the hail of stones. Not far, either. Elena stopped, exhaled, and turned to face the inevitable. She covered her eyes with her left hand, clutching the knife tighter. The fish lamp flickered dimly with rotten light, and the shadows ahead swarmed like corpse flies. There were many of them. All waiting in readiness to swoop down on the weakened victim. Warm trickles snaked down his forehead and face, a couple of pebbles splitting the skin on her head. One eye was finally closed under the pillow of the hematoma, the other distinguishing only light and darkness.

That's it, perhaps...

Elena leaned against the cold hard wall, unusually smooth, with some sharp bumps. The girl found herself in a shallow archway, successfully covering the sides. Well, it would give her a minute or two more respite, and then that would be it. She felt like she was in a cave, an impression made even stronger by the "rottenness". The moon was finally hidden behind the clouds and rooftops, giving way to a dead greenish light.

That's it. The end.

It took two tries to get the knife from the normal grip to the reverse grip, and in the process, the girl almost dropped the blade. But she did it. Standing up straight was more difficult, much more difficult, but Elena managed it. It remained to put the knifepoint to the solar plexus, press, and ...

What could be easier than falling forward? Gravity and her weight would do the rest. Elena imagined the disappointment of the jackals, who would be deprived of both income and entertainment today. Though they would probably figure out how to make good use of her body, the corpse wouldn't care. She laughed hoarsely, fearfully, dropping drops of bloody saliva from her broken, parched lips. She spat, trying to get the disgusting taste of foreign lard off her tongue. She closed her eyes and tried to imagine Shena as she remembered her first and last night, by the fire, before she'd sailed on the damned ship to the damned Malersyde.

It didn't work. Too, too tired. The image of the dark-haired friend with the chrysolite eyes slipped through the sieve of a faulty memory. Melting away in the fire of the terrible hatred that the other Elena felt. In a different time, in an unknown place.

Was you happy?

No...


Well, at least she remembered the voice. And the voice told her it was time.

Still not opening her eyes, Elena whispered, there was no strength for more:

"Fuck you, assholes. Tonight you're not gonna fuck a commissar's body, you're gonna fuck a dead body."

And she did what she should have done.

The fall was long, almost endless. And delightful - no fatigue, no pain. Just a feeling of peace, of long-deserved rest, which - the most wonderful thing of all! - it went on and on.

Elena waited for the prick under her breast, the flash of pain as the point pierced the cluster of nerves. And then a void from which there was no turning back. She wanted to hope there was something beyond the edge other than complete nothingness. In the brief moment between life ending and death not yet beginning, Elena thought of the almighty Pantocrator. And of the miracle. Of the possibility of seeing two people with whom she hadn't had the chance to find happiness in this world. Or worlds, to be more precise. The desire to look at least one more time at the old doctor man and the young Valkyries who had never met or known of each other but were equally dear to Lena, Hel, and Teina, one in three persons.

Just one look, just one word ...

A blow. A crushing, heavy, spirit-crushing blow. Not a jab. And not in the solar plexus, but on the back of her head, as if she'd been hit with a board. Before she finally collapsed into a deep faint, Elena realized that she had fallen not forward, onto the knife, but backward, when the support behind her suddenly disappeared.

Finally, the blessed darkness came.

* * *

The Gothic soldier on horseback was carved from light, almost white wood that had darkened with time. So much so that the burned patterns were lost against the general background. The toy cavalryman looked former and, judging by the ruined appearance, had served many generations of children. The spear had long since broken, the horse was missing its tail and ears, and the shield looked like it had been furiously scraped with a knife. Apparently, the carver had once made a coat of arms, but the design had been discarded just in case. It's not surprising, given the public's reverence for heraldry of any kind. A superfluous curl or a tint of tinture could become the cause of a violent dispute about privileges and then a reason for a vendetta or even a private war between noble families.

The wooden soldier stood next to the candle. Elena looked at the figurine and thought about the fact that she was now like a broken toy. She sighed. Instead of a sigh, she let out a long, ragged sob. She stopped thinking about nonsense. She shifted her gaze from the toy to those sitting across from her. They were silently waiting for the uninvited guest to recover a little and come to a more sociable appearance.

Elena vaguely remembered what had happened after the fall. One thing was certain: she had been lucky. The girl had leaned against a door hidden in a deep archway. Just as the maimed loser was about to commit suicide, the door opened. Then Elena was dragged somewhere, but not for long. She must have been too heavy. Splashed in the face with cold water, and then ... the next thing is nothing. Now, the beaten victim of the fencer was sitting in a gloomy room at a narrow table with a clay candlestick. Across from it sat two very small women ... no, not like that. The girl blinked her only eye, focused on the dwarf and the girl, whom Elena would have given at most about six years old

"Thank you," she whispered with broken lips. It was whispery but more or less intelligible.

The dwarf nodded. She looked to be between twenty and thirty, which meant she looked more like forty than forty by Earth standards. Fairly well-groomed, wearing a sleeveless cape over a loose dress. Her long dark hair was styled in a simple but neat style, pinned up with brass spokes. The woman looked like a bourgeois, not too weary from hard work. Her facial expression eluded Elena in the rolling shadows, but her gaze did not seem angry; rather, her savior's eyes read interest and pity. But sparingly measured, without exaltation or willingness to splash her hands. As for the girl ... Despite the single candle, the family resemblance between mother and daughter was striking. Only the dwarf's face was cute in its way, while the daughter's face was the opposite - with a normal build, her face seemed surprisingly ugly.

Elena sighed, checking to see if her ribs were fractured. It looked like there were cracks, but otherwise, they were fine.

"I was ... attacked," she explained.

"Yes, I know. I heard. You're lucky."

The dwarf spoke very calmly, stating the facts. Elena sighed again.

"Need two planks," she asked. "Or sticks, the size of ..." the girl noted on her forearm.

"Why?"

"I have a broken arm. I'll make a bandage."

"Out of sticks?"

"Yes," She had to try and articulate the words clearly to speak articulately, which made her lips ache even more. "It's special, medicinal."

The dwarf thought.

"All right. I'll check it out."

The result of a short search was a plank that looked like an old floorboard and a stick that, judging by the smell and patina, had been used regularly to stir broth or sourdough. Elena gritted her teeth, feeling the sour, coppery vinegar flavor on her tongue. She thought about what herbs she should mix now, according to the Apothecary's precepts, to calm her down and ease her ordeal. She shuddered at the thought of how much it would hurt.

The first thing Elena did was to cut the sleeve, and with a few movements, she snatched it off just below the shoulder joint. It was a waste of a shirt, but she had to at least look at her mangled arm. The pain sank its fangs into her forearm again, echoed in her shoulder and even higher. But tolerable, though on the very edge. The medic hummed, thinking that a couple of days ago, she would have screamed at the top of her voice, but now... well, sometimes people age quickly, and she felt like a very, very old person. Old and worthless, like a wooden soldier next to a candle.

Her forearm was swollen, and the skin was bluish, which meant it was broken, not just a fracture or a bad bruise as the patient had hoped. But the fracture was closed and seemed to be fairly straight. A line from my grandfather's book came to mind. If the angle of displacement is more than 15 degrees, you need a separate operation to straighten it out. Well, a separate operation is not going to happen anyway, and she can only hope the degrees are correct. Elena moved her fingers. They are moving, though weakly.

"I'm going to need some help," she turned to the hostess of the house again.

Elena was ready to promise money, but the dwarf only nodded with interest and asked businesslike:

"What should I do?"

The patient and doctor, in one person, briefly explained as best she could. The woman shook her head in agreement and understanding. Elena handed her a highland knife. She didn't want to give it to her, considering the knife had already saved Elena's life. But she had to. The girl grinned bitterly, remembering her first medical experience in this world. Truly, life goes in circles.

Let's go.

Following her instructions, the dwarf cut the cut sleeve into several strips. Elena clenched her teeth, carefully placed them under her arm, and began to form a splint. The stick was longer than the board, so Lena placed it against the outside of her forearm. The floorboard was just right for the inner side, slightly over the wrist. Good, and the wrist could be secured. After a few minutes of gnashing of teeth, bitten lips, and red fog in the eye, the installation "tire disassembled, semi-finished" turned out. Elena took a breath and began to put it back together, pulling ties from her sleeve. The dwarf helped here too. Her fingers were thin but strong. Her hands were not worn out by women's labor. The skin was normal, not faded from countless washes, and her nails were in place. She wonders what the owner and savior do?

Working by candlelight, and even with one eye, turned out to be insanely hard. Twice, the girl almost lost consciousness and had to lean her head back on the hard wooden backrest and catch her breath. But the patient waited for the darkness to recede and persisted. Her jaw muscles ached from the strain, and a quiet moan occasionally broke through the spasmodically clenched jaws. But in the end, it worked. More like "so-so" than "good," but, having judged it sensibly, Elena concluded that, under the given conditions, the work was close to exemplary. The bandage looked, to put it bluntly, ugly, but it did the job.

The girl did not take her eyes off the operation, watching with unchildlike interest. It was natural because there was no television, and any unusual event was considered entertainment. And children in Ecumene had time to watch (and get used to) the usual hardcore of everyday life from an early age.

She had to make the harness, and the neckerchief was used for it. The tears came suddenly and violently as Elena remembered that Shena had bought it for her. A simple piece of unbleached cloth still held the memory of the dark-haired Valkyrie's hands. And now ... now. Elena had had to extinguish her emotions with willpower more than once in the past months. Each time, it got easier and easier. And now she stifled her sobs like a peasant twisting the head of a chicken. There would be time for tears.

The chain with two halves of one coin on his chest seemed very cold, as if only now out of a glacier.

Elena didn't know how to do the bandage correctly but decided that a position perpendicular to the body would be the most correct. To tie the knots tightly, help was needed again. The girl hunched over the table while the hostess tightened the resulting headscarf around the back of her neck. At last, Elena straightened herself carefully, shifting the weight of her arm to the bandage.

It hurts! God. It hurts so much ... She must have made a mistake or done something wrong, but it's too late to fix it anyway. Let's assume the splint is properly applied. She should have wiped her forearm with a wet rag first, she thought belatedly. To hell with it, though! If there was any tetanus left on the skin, it was too late now.

"Are you a healer?"

Elena pulled herself out of another lapse of consciousness with great difficulty, looking dumbly at the dwarf, unable to focus her attention and thought.

"Are you a healer?" repeated the savior. It was strange, with a lively and personal interest. On the other hand, what is strange? Medicine has always been expensive. Even a poor medic in the house is already good. And the guest, no matter how it is, now must from all sides. Without the dwarf, her corpse now... Elena's vivid, imaginative imagination immediately suggested what would be happening to her self-stabbed body right now. Considering that the body would have gone to the jackals quite intact, just bruises and a broken face.

"No... I don't have a diploma," the girl replied, trying to choose her words as precisely as possible. She wouldn't fall from the fire of slavers into the fire of shop rules.

"I..."

She paused again, realizing that it was not worth mentioning the Apothecary. Who knows if the contract for the redhead from the unknown lands is still open?

"I know herbs. I know how to make ointments, mix elixirs, and mend wounds."

"Can you treat burns?"

That's a strange question. Elena couldn't see a single burn on the dwarf or the girl, not even from the charcoal.

"Which one?"

"Boiling water and red-hot iron."

After some careful thought, the girl decided that she could treat it. Though the damage from the corrosive flora of the Wasteland and the Evil Sun was more like acid damage, the skin was skin.

"Yes."

"Do you fix sprains?"

"Yes."

The little mistress tilted her head with a very serious look and even a touch of joy. The girl watched silently, keeping an expression of interested concentration on her ugly face.

"Rest," the dwarf said, almost commanded. "We'll talk tomorrow."

"I'll pay," Elena, despite her drowsiness, still tried to eliminate all possible incongruities. "I have some silver..." Here, she realized that she was tired not even badly, but just prohibitively. Her body had burned through the adrenaline, exhausted all her strength, and was falling into uncontrollable oblivion.

"On your belt, remove the purse yourself."

"Afterward," the hostess firmly retorted. "Tomorrow. Sleep. There's a bench over there. You can lie down."

"I need some water..." Lena belatedly squeezed out. Before, a fierce thirst had been in the background behind the pain, but now it reminded her sharply.

"She'll bring it."

It took a long time to figure out who "she" was, but in the end, Elena managed it. She rested her head on the firm backrest and grinned wickedly, remembering her old self, unable to fall asleep without her favorite pajamas and a pillow with Mamoru Chiba on it.

How little it takes for a man to return to the primal state of a survival machine... A little bit of cold, a little bit of real hunger, a dash of good old-fashioned ultra-violence. And a refined city-dweller in the fifth generation is ready to wear wool on her naked body, eat from bowls licked by pigs, and sleep sitting on a hard tree. And to consider even a leaky roof over the head, at least for a night, as a great blessing. Because there is no tomorrow, and death, disease, and beatings are ready to come at any moment. And about any moment is not a creative exaggeration.

Finally, sleep - heavy, painful sleep - took her in its hot embrace. Elena fell asleep with a clear, distinct thought that was repeated over and over again.

It's too much for me alone. Too much... I can't take it anymore.

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Chapter 6 The palace under the hill
Chapter 6 The palace under the hill

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The wind had changed and was blowing from the northwest, blowing away the traditional city stench, bringing the faint smell of something piney from the lake-sea. Also, the freshly fallen snow seemed to have a fresh, clean smell of its own. Definitely, the southern part of Milvess seemed quite decent and clean in the morning hours. Quite like a postcard city.

It snowed again, but lazily, as if by force. In the still air, the snowflakes descended, spinning like weightless parachutes. The stone foundations smelled cold as if they were tombstones, the early winter frost creeping through Elena's worn clothes. Her arm still ached, but it was more habitual, more or less tolerable. The fracture had healed relatively well in a month, enough that the maimed woman could do without a bandage. However, to all appearances, Elena was left-handed for the rest of her life. The mobility and coordination of her leading hand never recovered.

A shrill whistle blew, and a beeping whistle sounded to disperse the passers-by, telling them it was time to move aside lest they find themselves under the hooves of the lords of the land. A dressed-up signalman was hurrying along on a wiry horse like a pony, puffing his cheeks amusingly. Behind him, on a much more substantial horse, rode a sergeant, all in chain mail and riveted leather. He raised the standard high, but the coat of arms was unfamiliar to Elena, like a pig with a tree growing out of it. An ominous image, though.

A ten-man cavalcade of guards, glittering with polished steel, galloped farther away. Judging by their coats of arms, they were not mercenaries but the lovags from the West, something between a knight and an indentured gentry. Vassals serving the lord for lands, but more often for bread, which the lovag sold at his discretion. All with swords and cuirasses, each with a steel glove on his left hand with separate scaly fingers instead of the traditional "mittens," as well as with an enlarged cuff on which it was possible to take blows instead of a shield. This, better than horses and weapons, gave away wealthy warriors under a generous lord. Quality hand and arm protection were mind-bogglingly expensive, as this combination of durability with mobility was the ultra-high-tech of armor-making and metallurgy on the continent. The open-faced helmets were fitted with ringed barbettes and were draped with capes of thick cloth embroidered with crested colors. This made the heads of the soldiers seem disproportionately wide, flush with the body, and the silhouette as a whole acquired "bearish" proportions. In Milvesse, they usually preferred to wear "bare head" helmets, i.e. helmets without unnecessary decorations.

Elena realized and stepped aside, letting the riders pass so as not to be swept away and trampled. She should have taken off her hat and bowed beforehand, so she chided herself for forgetting. These badass and daring fellows didn't seem to care about the passers-by, and someone else might have stopped and organized a demonstrative punishment of the disrespectful peasant of a despicable class. She'd better watch out.

The entourage was accompanied by a single man. He seemed very small on a squat and powerful destrier. Elena had already learned to identify warhorses at a glance. The rider was definitely throwing an "I can afford it!" attitude. Destrie, for all their power, were very capricious and sensitive in their daily upkeep. A beast completely devoid of self-preservation instincts, capable of carrying an armored rider and its armor for hours, could go limp, knocking off a hoof, or simply die of a cold from a draft. So it was not customary to use them as ordinary riding animals, and if it happened, it was rightly perceived as a demonstrative manifesto of "a lot of crazy money!".

As the rider approached the traveler, their gazes met by chance, and... no, not the rider. A rideress who only seemed small on the mighty beast. A young woman about the same age as Elena or slightly older. She was also a short-cropped coal-black brunette with a clever barrette in her uncovered hair for propriety. The girl dressed as a man, like Elena, but much better and more expensive. She wore narrow pants and a long quilted jacket, thrown like a cloak over a caftan, all very dapper, with fur trim and silver-gold embroidery. The gold armorial chain hung in plain view, not loosely, but fastened in a knightly manner, that is, in special loops on the back and chest. The left shoulder was covered by a shoulder pad in the form of a miniature shield made of mirror-polished steel with engraving.

Elena flinched. She thought, for a moment, she saw Shena watching from a high stool-like saddle. The vision was sharp, incredibly vivid... and wrong. No. It was imagined. The general dark-hairedness and dashing appearance of the militant horsewoman played a part. The young woman didn't look like Shena at all. Her face was characterized by the marble pallor of an aristocrat who didn't know what the direct rays of the sun were like. In every gesture, every look, there was a superiority that could not be learned but only absorbed through years of living in a sense of exclusivity.

The aristocratic brunette glanced at Elena with a fleeting, indifferent glance and then galloped away at a leisurely trot. The townspeople huddled against the walls of the houses looked back and continued on their way, satisfied that the hooves were no longer a threat. Elena gritted her teeth. Feeling like an ordinary burgher was humiliating and sad. Strictly speaking, her situation was even worse now - alone, without a family, a workshop, or at least a community.

But maybe something will change... Today, for example. The girl quickened her steps, trying to keep up with the dwarf. Despite her height, she was moving her feet with surprising speed, the soft soles of her expensive leather boots crunching the freshly fallen snow.

* * *

It was said that long ago, there lived a certain Bonom of the Primators, that is, the salt of all the salts of the earth. He was so rich that it was impossible to imagine anything on earth, underwater, and in the sky that this best of men could not buy. He was so noble that no chronicler could list all the ancestors of both sexes in one go. The strongest voice would run out. He was so powerful that if he ordered the sun not to rise and the moon to take its turn, the luminaries would readily do so.

But there was someone more powerful in the world - the Emperor himself. And it came to pass that the lord of the whole world, from coast to coast, from the peaks of the Middle Mountains to the deepest dungeons, became angry and decided to punish the Primator. The nobleman was ordered to put a bridle on his arrogant pride and, as a sign of humility, to destroy his best palace, the jewel of the second [1] most beautiful city in Ecumene. To refuse directly was to defy the lord before the whole Empire, and even the best of men could not afford that. And Bonom did more cunningly. He used the clauses of the law, which, according to the centuries-old canons, verbatim prescribed "to place the building below ground level." He lowered, burying the palace under a huge hill that was poured by thousands of thousands of diggers. The luxurious complex of buildings turned into an equally luxurious cave, where the old life continued, only now - without sunlight, under the even light of magic lamps.

As the centuries passed, the Bonom family passed away. The palace, which had become "below ground level," naturally sank deeper and deeper under its weight. Separate buildings fell into disrepair and perished under rockslides. They were dug up again, connected by passages. The miracle of ancient architecture fell into disrepair and turned into a complex underground labyrinth. Finally, shortly before the Cataclysm, it was adapted for a prison, from which, for all the time of its existence, no one managed to escape because it is not in human power to pave the way to the light through half a shoot [2] of stony ground. And when the horrors of the collapse of the old world had receded into the past, the "palace under the hill" began to be used again for its intended purpose.

Even now, the remnants of former luxury were revealed to the attentive eye. The quality of the masonry, the marble steps, the plasterwork that in some places resisted even the eternal underground dampness. The torch tumblers and magic lamp hooks were made of dark green granite with exquisite carvings that modern hard steel tools could not replicate. In some places, the polished stone still bore traces of exquisite painting, and from beneath the layers of dirt, the shadows of the past seemed to emerge, gazing sadly at posterity.

At another time, Elena would probably have noted that the painting of the Old Empire had risen to the level of the Earth Renaissance (at the very least), but now she was a bit out of it. For one thing, her barely-healed fracture was hurting again. It hurt dull, painful, like a splinter that ran needles under the skin, in the outgrowths of nerves, as if not fatal, but not to forget, not to distract. Second, she stared at the lean body prostrate beneath the torches and fought a distinct sense of déjà vu. It was as if Elena was back in Matrisa's warehouse, where a diseased foot was to be amputated. Only instead of a gangrenous ulcer, the apothecary apprentice was now facing a serious burn. It smelled of fried meat, a little rotten meat, and heated iron.

The prisoner was conscious, but only his eyes lived on his gaunt face, huge and wide, filled with a lingering horror that had become a habit. The poor man shrank back, wrapping his arms around himself, which looked more like twigs with thin fibers of emaciated muscle beneath the gray-earth-colored skin. The heavy shackles left black streaks of calluses and sores on his wrists and ankles that did not heal despite careful wrapping with cloth.

Elena sighed heavily. The executioner interpreted it in his way and sighed as well, then acknowledged with the lightest note of guilt:

"The student overdid it. He's young, he'll learn."

Elena swallowed the lump of bitter nausea that came to her throat. To hide her disgust, she leaned lower over the wide burn that ran down the patient's left side.

"Why did you do that to him?" questioned Baala, with a confidence that gave away at once the regularity of an underground prison and on the right side of the bars.

"Well deserved, you perfect scoundrel, cheater," the executioner muttered lazily.

Elena couldn't see the dwarf's face, but she felt the torrent of fierce anger coming from the small woman. Elena had no idea who a "cheater" was, but apparently, it was considered something truly horrible here.

"So?" inquired the executioner, with the same lazy tone and expression, whose patience seemed to be running out like the wine in a carefully wrung sponge.

Еlena had imagined executioners from books and movies, where they were usually described as fat degenerates. Well, maybe that was true in life, but the executioner and torture master named Quoke looked, to put it bluntly, non-canonical. He was in his middle years - a maiden's dream, longing for a husband who was staid and wise in worldly affairs but who retained the vivacity of his body for conception and other bodily needs. Slim, quick and precise in his movements, quite graceful. Long, neatly curled hair would have suited a man of noble class. A thin brush of mustache was neatly cut as if on a noble. He was dressed dapperly, as if he were a well-to-do bourgeois who had wandered into a torture chamber instead of a lucrative house by mistake, in something like a jumpsuit, consisting of a narrow jacket with sleeves cut down and even narrower stocking pants with a pentagonal codpiece. Both the jacket and the stockings were connected by frequent lacing, according to the latest fashion - without buttons, with large knots instead of them. The image was completed by soft leather shoes, which looked more like work slippers with copper buckles. In general, if took off the beret and changed into ordinary clothes, it would make him a spectacular urban hipster. The overall impression was aggravated by a mug of "craft" beer with calf bile, which the executioner sipped with pleasure, not forgetting to wipe the foam from the tips of his mustache.

"Wine," Elena asked curtly, though it came out more like an order. "Dead one."

"Girl, you want a lot," squinted Quoke. "Just a little early in the game. Though, of course, here," he waved his mug, without spilling a drop, toward the round bluish lamp. "It's all one."

"I need a drop," Elena said forcefully, starting to feel dizzy. The faint yet incessant noise of the underground anthill, the screams coming through the stone and earth, through the old three-finger-thick doors, darkened with dampness. But most of all, from the smell, not to say strong, but at the same time soaking every millimeter of the creepy place. And also the fact that she had to rack her brain to remember the exact meaning of the word "millimeter." The first thing that came to mind were all sorts of "hairs," "fingernails," and other measures of the length of the Oikumene.

"Hmm..." the executioner grimaced but snapped his fingers, giving someone an order. "Triple distillation, a cup. Small."

Baala remained silent, staring at Elena with her usual concentration. She and Quoke exchanged glances that Elena didn't want to decipher and didn't, absorbed in studying the burn. It was quite different from the usual ones that often occurred on the wastelands from the local flora and the Evil Sun, but Elena reasoned that skin was skin, epidermis, plus a growth layer, so it made sense to try the tried-and-true arsenal.

"The smell," she said softly, raising her index finger.

"What?"

"The smell," repeated the girl

"Well, yes," agreed the executioner bored. "They shit under themselves. There's nothing you can do about it. No matter how many times we wash them, nothing can take away the stench. We have tried everything. Vinegar, sour juice, even sulfur fumigation. We almost died of it ourselves..."

He seemed to be in a good mood and in the mood to talk. Elena couldn't shake the feeling that she was in a comedy play, where everything was fake, not serious, and the director was about to jump out from behind the props and shout: "Cut!". Only the smell and the atmosphere of heavy, concentrated, like rotten jelly, suffering held, like an anchor, in a state of reality.

"Diarrhea," Elena now looked directly into the bright eyes of the master of torture and execution. The girl's pupils seemed unnaturally dilated and halted like dots poked out with an awl. The healer's gaze was blank, like that of a smoke swallower with a lot of experience.

"Do they die often?"

"It happens," remarked the executioner uncertainly.

"Give them salt water. So that you can feel the salt, but you can drink it safely. Like soup."

"What? What's that for?"

"Saltwater," Elena repeated with evenness and expressionlessness like a magical automaton doll with the voice of a living person encased within. "Diarrhea kills with thirst. Water doesn't stay in the body no matter how much you drink. And salt retains water."

"Is this a therapy?" came up the executioner, even forgetting about the beer.

"No. Salt water doesn't cure. But it does help keep water in the body," Elena spoke with the same measured tone. "The sick will feel better. There will be fewer dead."

While Quoke was comprehending what he had heard, they brought a pewter cup with "dead water," i.e. moonshine obtained from wine after triple distillation. Elena noticed in passing that the executioner's assistant (who brought the cup) did not really fit the image of a fat sadist in a leather apron. No, he had an apron on him, quite canonical, scruffy, covered in dubious stains, with black dots from sparks. But the leather harness revealed a young man of no more than twenty, with hair slicked back in a ponytail and dark eyes. The assistant master's lips were puffy, with dimples in the corners that would have been more suitable for a maiden. The young man did not look effeminate, and instead of the expected grimace of a villain, his face bore only the stamp of bona fide fatigue. Slightly protruding ears seemed cute, like those of a puppy or Cheburashka. Basically, in the canons of anime - "Can I take him home!?". It would have been nothing if it weren't for the red smear on his bare shoulder, the blood of someone else mixed with sweat and smeared on the smooth skin in a wide streak like viscous glue.

Elena nodded mechanically in thanks and turned away, not noticing the young man's interested gaze. She sighed and dripped from her left hand directly onto the burn. The Master grimaced and threw back his head as if it was a burden to him to watch human suffering. Baala moved her carefully plucked eyebrows. What the guy in the apron was doing, Elena didn't see. The unfortunate one lying on the stone table blinked, grimaced even more miserably ... and remained silent. Elena waited a little and repeated the procedure. This time, there was significantly more vodka. The result was the same. The alcoholic odor of aged brogue mingled with the familiar stench of the cellar.

"Does it hurt?" the healer asked for reassurance.

The prisoner was silent, quickly shifting his gaze from the master to the girl and back again as if trying to guess the right answer.

"The lady asked you nicely," the executioner prodded him lazily, making an intricate and extremely unpleasant gesture with three fingers of his left - mug-free - hand. It was like snapping invisible pincers.

The prisoner's whole body shuddered so violently that all his bones seemed to clang against each other in a dance of death. He twisted his head even faster, now with a look of denial. His eyes darted harder, and the expression of unutterable horror deepened though it seemed impossible. Elena felt sorry for the poor man, who now looked more like a grotesque puppet than a living person. Whatever the gesture meant, the punishment was disproportionate to the crime.

"No," the girl said still as inexpressively, turning to the executioner.

"Eh?..." the man asked, signaling with a careless movement of his hand. The guy in the apron picked the poor man up like a baby by the shoulders and under the knees and carried him with ease to the entrance, hidden beneath a powerful archway of dark yellow stone. The shackles jingled, and the prisoner breathed heavily, wheezing. Again, through the thick walls came a distant, horrible cry, not of pain, but of a kind of utter hopelessness, unadulterated in its finality. It was as if it were not a man but a wailing ghost.

"He won't survive," Elena shook her head. She thought about how to explain that if the patient didn't react to a drop of alcohol, it meant the sprouting layer of the skin was damaged, which in turn meant that regeneration was impossible, and the patient would die a horrible, painful death. The necessary words did not come to mind. It seemed that thoughts were stuck in apathetic syrup. Everything in the world seemed unnecessary, devoid of meaning and purpose. Here and now, Elena did not care what would happen next. All she wanted to do was to get away from here, to go upstairs, to a place where the pain of suffering people did not crush her, sucking the rest of her strength out of her body.

"He will die," the girl said and explained in short, chopped phrases as if she were dissecting a gangrenous area. "If the mage doesn't help. The wound will rot. The rot will poison the blood. Then the kidneys will fail."

"You're thinking," the executioner said, his voice finally showing something resembling respect. The master finished his mug and tossed it carelessly into the corner onto a very carpenter's workbench. Wood clattered against the wood.

"Saltwater, then..." said Quoke, frowning in thought. He smoothed his whiskers with his fingers and tucked a long lock of hair behind his ear. It was hot in the casemate, not exhausting, but palpable.

"Payment by the week, a quarter of an albus [3], totaling an albus a month. Issued by the kops. Two pennies bonus for every wretch who has to be brought to his senses after interrogation," the executioner said at last. "Tools, wine, medicines, and other gear are yours. You can wash dressing rags with our laundresses. It is not forbidden to collect money from the relatives of the prisoners, but you must share as much as you can, for we have justice here, not a merchant's house. For each dead man, we deduct five pennies from your wages if he died of treatment. And if the interrogators have done their work badly, as they have done now, then you must call the secretary and write a complaint, then they won't deduct anything because it's not your fault. Well, then, you will read our scrolls [4]. Everything is written there. You can start tomorrow."

"God forbid," Baala entered the conversation decisively.

"Always afraid," the master piously raised his index finger upwards and simultaneously placed his left palm against his heart. "And I won't give Albus more."

"You give," said the dwarf confidently, not at all embarrassed by Elena's presence. "She needs to buy tools and pay rent to me." The little woman put a distinct emphasis on "me."

"But she's not a shopkeeper!" the executioner was indignant, not even in a playful way. "Why should she get eight Kops?! People like that will do any kind of work for a circumcised Tynfs! By God, Paraclete is a witness, only out of respect for you!"

Elena closed her eyes, disconnected from what was happening. She wanted to lie down on the stone table and sleep, enjoying the coolness of the smooth marble. Maybe the cold would finally take away the heat in her broken arm.

"The shopkeepers don't come to you," the dwarf snorted. "And where will you find a good healer without a scroll with a seal and a shoelace? And you're already tired of chasing away the bad ones, aren't you? This one takes one look and sees the truth at once."

Elena was silent. The dwarf pressed on, and the master fought back, more out of order than heart. It was obvious he really needed a good healer. Or at least someone who wouldn't put his patients to death to begin with. So, after a quarter of an hour or so, Helena was hired for a trial week as a healer to the executioner of the capital's main prison. With a salary of two albus and a quarter. The dwarf was definitely not tall, but she had the grip of a fighting boar.

"Hey. What's your name?" asked Quoke belatedly, his mustache sagging a little from the furious haggling. "Who should I mint the badge for the guards to let under the river?"

"Lunna," preceded the dwarf girl. "Call her Lunna, from South Comakyavar."

"Lunna? "The merciful one? Well, that'll do," the master shook his head. "And that ... don't stew! You look like a fish from the glacier. Even your eyes are cold. As long as God tolerates people, there will be criminals, courts, prisons, and executioners. So don't lose heart, and you'll have the best job in the world."

* * *
[1] Just in case, the original capital of the Empire was razed to the ground in an ancient magical war, and now there's not even much grass growing there. Milvess is the former second city of the Empire, which naturally became number one.

[2] About 15 meters, i.e. half the range of a confident aiming shot from a conventional crossbow.

[3] Albus is a silver coin of 8 Kops, i.e. half of a gold Merk, minted only in the City. In principle, Elena is offered a good allowance, at the level of a fairly highly skilled craftsman. However, it is not enough, given the low prestige of the craft and the long-standing dislike of the Healers' shop for the Executioner shop.

[4] By scrolls, in this case, means the shop bylaws and regulations.
 
Chapter 7 The will at the tip of a quill
Chapter 7 The will at the tip of a quill

* * *

Filthy degenerates.

The lord of Malersyde was angry and ill at ease, struggling to recover from his magical transition. Age, damn it... In addition, the Duke could not tolerate all sorcery and reasonably feared magical travel, but the urgent need to forget about the principles. As usual, after such kind of travel, he felt dizzy and dizzy, and a feeling of some kind of disorganization. It was as if the parts of the soul had been taken apart and then put together carefully, but with the smallest mistakes, invisible to the eye, as when restoring a complex mosaic of different colors.

But a hundred times more unpleasant than any bodily ailments was the humiliating feeling of dependence, of inevitable subordination to another's will. Patrons snapped their fingers, and the lord duke was forced to rush to the call, even without being aware of the object of such an urgent need. It had never occurred to anyone that the master of Malersyde, with its second largest and most important port on the continent, might have other concerns. But Duke Wartensleben is in a hurry, risking part of his soul in a magical passage, lest the island Bonoms prove displeased...

Filthy degenerates, the duke repeated to himself, glad the magic that allowed read minds had long since been lost. Centuries before magic began to leave this world.

It should be noted that in his energetic and expressive characterization, there was a considerable amount of truth. Before the Cataclysm, Saltoluchard Island (or rather, two islands separated by a shipping channel) was deservedly considered the poorest and most useless corner of the Ecumene There had never been anything useful. Even the middle mountains of the continent seemed richer and more respectable. At least there was grass growing and sheep grazing there. On the Island, sea salt was boiled in stone baths under the hot sun, but it was of the lowest quality. Fish and corned beef were bitter and did not last long.

Therefore, only one noble family ruled on the Island - the Aleinsae [1] - and even that, to tell the truth, belonged to the Primators rather nominally. No one respected her, no one was not in a hurry to be married, and in general, they were kept as a guest under the stairs.

Everything changed after the Old Empire collapsed. In a matter of months, the former rulers of the world had become a pack of hyenas, fighting to the death for the shards of the old world. And Saltoluchard was suddenly the safest piece of land within the inhabited world precisely because no one claimed it. In addition, Salt Island had retained most of its fleet, unlike the other coastal houses that had squandered ships in desperate naval battles, lost to broken repair yards and non-magical navigational errors. Amidst the growing chaos, the Island became a safe harbor, able to defend itself against any enemy. And then, as the ravaged continent began the long road to recovery, the Aleinse family took over much of the maritime trade, ruthlessly wiping anyone who had anything against the monopoly off the map. Salt came in handy, too, albeit a nasty one, but cheap and the only one available. It laid the foundation of Aleinsae's wealth, which in time surpassed that of the Fillamont family, which had long held the banking business of the whole East and which also withstood the winds of change.

The Islanders retained many old habits and traditions, including old fashions, as well as a penchant for close marriages. At first, because no one wanted to be related to distant beggars, sending promising daughters to the salty desert. Then - in the years of chaos and desperate war of all against all - in order not to disperse power and family wealth. This approach was inevitably reflected in the physiognomies of the Aleinse, repeatedly parodied in puppet shows, pamphlets, and engravings.

No, so disgusting faces! Duke Wartensleben thought again, taking a sip of wine.

What do they want?

The dinner in honor of the dear guest was rather modest. One should even say minimalist. There were no feasts, pleasure trips, shark hunts, or other entertainment. A windowless room with a very low ceiling, more like a casemate (albeit luxuriously draped), light appetizers of garden fish, some imported white wine, more for order than for drinking. And three hosts gathered to meet the Duke. In other circumstances, such a reception might have been considered insulting, but this was not the case. The small square table was very low, barely above the knees of the people sitting there, the three Bonoms and a guest from the continent. One man to each side of the dark brown wood varnished to mirror-like condition. The Duke, as the guest of honor, got the north side, with three family members keeping him company.

Yulo, responsible for the circulation of precious metals, was distinguished by her tall stature, goddess-like build, and grandiose wig. A mound of finely curled hair rose two palms high, falling in broad waves over her shoulders. A yellow ribbon tied in a dapper knot above her ear was across her forehead, and beneath the ribbon were glassy eyes, one of which was noticeably squinting.

Girolamo, the representative of the Board of Trade, was not old, but he looked as shabby and, one might say, as worn as a shoe shined for the first time after months of wear. His narrow nose and sagging lips seemed more like those of a doll than a man.

The third was Curzio, a member of the Privy Council with a wide range of tasks that could be defined as "solving his family's problems and inflicting them on others." Of the three, he seemed the most normal and wore a continental dress. Only his hair was old-fashioned islander, shaved from front to top, the strands at the sides curled in hard rolls, the remaining backcombed up and back to give the impression of an elongated, ovoid skull.

The duke took a small sip, breathed in the warm air, and felt a pang of envy. The walls of the casemate were double: stone and velvet on exquisite frames. The space was filled with pepper, which had been ground and dried specially. The air was in constant contact with the spicy substance, acquiring a marvelous aroma and healing properties. Each breath soothed the troubled soul, sharpened thoughts, and cleared the throat. The owner of Malersyde, despite his wealth, could afford to fill only a few bottles in this way. Such wealth... unnerved.

"We're glad you were able to take our advice," Curzio politely rejoiced and set down his glass, signaling that it was time for a serious conversation.

"What sort of advice?" inquired the old proprietor in the same dignified manner. "You have given much valuable, eminently wise advice, and I have found use for much of it."

"Silver," squeaked Yulo laconically. "The fifty 'dry' barrels[2] you were so fortunate to procure in small portions in the east."

The duke set down a glass of the purest glass without a single bubble of air. There was not a shadow of emotion on Bonom's face, and the aristocrat thought that no matter how many eavesdroppers you torture, there will always be more. Not that the owner intended to keep the silver negotiation a secret from his "friends," but something was humiliating about the ease with which the operation had been exposed.

"Ore, crude metal," the lord dryly retorted. "After refining, the net yield will be considerably less."

"And yet it is eminently profitable and wise to stockpile silver in advance," Curzio smoothed the tension that had arisen. "Is there already a shortage of money in your land?"

"Yes," admitted the duke. "I have sent emissaries to all parts of the world, who have secretly and carefully collected a few coins of every possible denomination in all the great cities, measured and weighed them."

"Were we right?" Yulo shrugged again, twitching the loosely hanging end of the knot of her yellow ribbon.

The question was clearly rhetorical, but the Duke felt it was proper to answer politely, once again paying tribute to the foresight of the Coin Council.

"Definitely. Coinage seems to be in decline everywhere due to a lack of metals. Money wears out naturally, and new money is minted rarely and sparsely. It's ..." the duke paused briefly. "Unpleasant."

"Forewarned is half-armed," Curzio smiled wryly. "One must seek solace in the fact that even though we are facing a new challenge, we have the opportunity to prepare for it in advance."

"Not long ago, I read a very interesting book," the duke said neutrally. "There was a chapter where the author considered separately the benefits and harms of minting copper and bronze coins. It seems that this is a way out of the predicament. Combining in an alloy not so expensive separate ingredients, which together acquire a completely different value."

"Perhaps," said Girolamo, who had been silent until then. "Perhaps. But those worries are for the day after tomorrow. Now we are concerned with matters of the day."

"So?" the Duke grimaced inwardly at his inability to lean on the back of a normal chair. The island's poufs and low banquettes, upholstered in red-colored cloth, were luxurious, but they were tiring to sit on. They were not meant for sitting; the Island tradition was to recline at the table, like the legendary patricians of the Old Empire.

"To begin with, we are pleased that now, including your efforts, the stock of precious metals at our fingertips has multiplied. It will come in handy shortly. You don't intend to sell silver to the Imperial Mint, do you?"

"No," the duke pressed his thin lips together, not even trying to hide his displeasure at such an obvious claim on his personal reserve.

"Time to begin," Girolamo said, simply and mundanely.

"What?" the duke blurted out.

"It is time to begin, my friend," Curzio repeated almost sympathetically. "A new table has been drawn in the Hall of Intentions, and the first cell has already been crossed out. That is why you have been asked to be our guest so unexpectedly and ... quickly. The countdown is on. We couldn't waste time on your sea voyage. We must discuss the steps you must take, as we agreed before. Because now the steps will have to be a little faster. And, as you have already realized, we will be forced to ask for a loan. The Mint Council needs more silver. Including your stockpile."

"More?" asked the duke curtly, obeying a momentary impulse. "And how much do you need?"

"Everything," Yulo replied without a shadow of a smile. She never seemed to have blinked once since the conversation began.

"Our plan requires a lot of spending," Curzio rounded the sharp corners again. "Unfortunately, at these stakes, we have to throw everything we have on the board. But the future winnings will be worth it."

The duke bowed his head, hoping the shadow would hide the storm of emotion on his pale face. The subtle odor of precious pepper suddenly seemed like the stench of a well-aged corpse.

"Why such haste?" questioned the duke deafly.

"There were circumstances."

"You decided to time everything for the Tournament of Faith after all," the aristocrat didn't ask but stated.

Curzio remained silent.

The Duke raised his head, feeling red with rage, no longer trying to hide his anger and frustration.

"I was under the impression that we were having a . partnership," he said quietly, and the Bonom's voice sounded like a snake's hiss.

"It is," Girolamo confirmed.

"It doesn't seem so," the duke leaned over the table like a viper ready to lunge. "Partnership itself implies an alliance. A treaty. Joint plans."

The duke took a breath. The islanders listened silently, like sinister puppets in a theater of evil legends.

"I was to have an audience with the Privy Council and the Doge. We agreed that I would give them my thoughts and criticisms. And you would take them into account because the House of Wartensleben is your strongest ally on the continent. And now you call me like a servant boy and tell me it's already been decided. That's not partnership. And that's not respect."

Curzio was silent for a moment, making sure everything had been said, and now it was time for him to speak. He leaned forward and put his smooth-shaven forehead under the bright light of the magic lamp.

"No, my friend. It is precisely respect. Yes, you were not seen fit to be consulted. There were reasons for that. However, you are here now to discuss the way forward. I assure you, few have been so honored. Emissaries have been sent to most of our allies with instructions on what must be done and when."

The Duke sat with his hands down, carefully relaxing his fingers so as not to give away his feelings with clenched fists. He breathed evenly according to the Brethers' rule, imagining snow-capped peaks as he inhaled and hot aspen embers as he exhaled to relieve the pressure of bad thoughts on his heart.

So the masks are off. He's been pointed to a place in the Plan, after all. And in a future partnership with the name Aleinsae. A privileged second place. No equality. No offer of a real partnership, no cross-breeding of second or third-rate bloodlines, as with Clavel. This is even though the ruler is a widower and his daughter is at the ideal age for marriage and childbearing. No choice. Now, only forward, together with the Island, to the victorious end of the amazing, unprecedented scam, which required all the silver and gold of the world to earn even more, many times more gold and silver in the end.

Maybe we should all take a little break. Take a break and savor the finest of our fine cuisine. By the way, Clavel is eager to meet her beloved father. She's ready to show up ahead of your wishes, as befits a respectful child.

The question sounded for the sake of order, without pressure or appropriate intonation. The questioner knew the answer in advance, and the duke shook his head expectantly:

"No. Clavel no longer belongs to the Wartensleben family," the duke said.

"I understand that."

There was a carefully measured note of participation in Curzio's words. There was an impression that he was no more interested in what was going on than the master of Malersyde. Perhaps the island Bonom, too, believed that the rush should be slow and calculated. And he, too, was compelled to take action. On the other hand, everyone knows that the aristocrats of Saltoluchard learn insidious impersonation in their mother's womb. It is not without reason that in the days of the Old Empire, the art of creating amazing masks was born here and honed to perfection. The whole participation of the interlocutor could well be just a sweet cloud on a vomiting pill. Even if there was sweetness on the tongue, the bitterness would inevitably end up in the stomach.

"Now, let's discuss the details," Curzio finished the preliminary ritual with polite adamancy, and the duke settled into the idea that genuine grief was nothing more than honey-smeared fingers used to shove milk-soaked grain down a goose's throat to grow a fatty liver. Like it or not, you have to swallow.

"Now..." he held up two fingers as if shielding himself for a few moments from the onslaught of another's will. He grinned fleetingly, thinking that the gesture looked remarkably like the traditional salute of the bigots. Ironic. Considering that believers in the Savior and Protector had long been the majority on the Islands. While on the continent, they had been belittled and belittled by the servants of Pantocrator.

The Duke closed his heavy eyelids, inhaled, and exhaled again until his nostrils were once again tickled by the subtle odor of the Spice Phoenix. Well, he would have to play the cards he had drawn in his pursuit of power. Let's see what can be gained by patience and willingness to play second fiddle.

And Flessa would have to change her plans again. The youngest daughter was currently in Milvesse, dealing with some family matters. She was supposed to go to Saltoluchard to represent the Wartensleben's interests and to strengthen family friendship, ideally until marriage to one of Aleinsae's firstborns. Now ... The girl likes fun, and it seems that Paraclet favors her by giving her a chance to settle in the capital for a long time. At the same time, it will be an opportunity to see if the third daughter is able to draw the boundaries between duty and idleness. Her father had never doubted Flessa's determination before, but the various temptations of Milvess broke even hardened men.

"North wind," said the Duke, opening his eyes and slapping himself vigorously on his knees.

"?"

"The north wind has long been considered a bringer of good fortune, has it not?" the duke revealed a knowledge of island traditions. "After all, it is the wind that fills the sails of the merchants who rush home with billows full of good goods, full-weight gold, and weightless spider silk, isn't it?"

"Yes, it is," Curzio bowed his head in agreement.

"I appreciate that my seat at this table is on the north side. And I hope that doesn't change in the future when the whole world is on the tabletop."

"It's entirely possible," Curzio suggested, the other islanders bowed their heads in acquiescence.

"Then let us begin the discussion," the duke said firmly. He looked energetically confident and willing to bargain, even under severely restricted conditions. The lord could only hope that he had managed to hide the fear lurking in the depths of his heart. Fear and an incomprehensible, unreasonable, but at the same time firm belief that something far greater than the great Fraud was being decided today.

It must be said his faith, derived from purely mystical, non-material trends, was quite justified, although the old man was not aware of it. Nor did he know that he was now literally deciding the fate of the world or, as poetically expressed in olden times, "holding the will of the Lord at the tip of his quill." Although, to be precise, at these moments, the history of the Ecumene for decades ahead was being written by two people. And while one of them was energetically haggling, the other was about to hang herself.

* * *

The noose twisted by itself. It was the first time she'd ever done it, but it was as if she'd been apprenticed to an executioner for years. She twisted the classic thirteen curls, laughing hysterically and humming to herself:

"She says
Don't let go
Never give up, it's such a wonderful life
Don't let go
Never give up, it's such a wonderful life." [3]

The noose was ready. Elena looked out the window, which was blocked by a murky plate of mica. The short winter day was drawing to a close, and she would never see the evening again. And thank goodness for that. The girl looked around her room (though by the standards of the capital's crowdedness, it would be more correct to say "chambers"), furnished poorly and at the same time well. Living on the third floor, under the roof, had its drawbacks, mostly cold. But there were advantages. At the moment, these included the high ceiling and the rafters, dark with time and dried to stone hardness, over which a rope could be conveniently thrown. Elena was tired, so she didn't play Acrobat or Lasso Thrower. She pulled up a stool, climbed on it, and built a proper gallows. She twisted more knots to make sure it was secure. She jumped down on the wooden floor and took a critical look at the work of her hands. It looked amateurishly ugly but quite functional.

"Never give up. Life is so wonderful! Don't let go... Never give up. Life is so wonderful!" came out the girl, dancing a little, and then she had a new burst of laughter that turned into a hysterical wail.

Elena knelt, feeling the cold wood through her shabby pants. She hid her face in her hands and sobbed heartily, letting everything accumulated in her soul like filth in a pit of filth finally come out. She remembered how she'd thrown a tantrum a few months ago in the room above Matrice's Apothecary. This time, Elena didn't even try, surrendering herself to the full power of the dreary hopeless sadness. She swayed from side to side like a pendulum, howling through her skinny fingers and repeating herself:

"The best job in the world ... the best job in the world ..."

They say good tears make you feel better. Maybe... maybe. But this was clearly not the case. The heavy slab of endless longing just piled up tighter, crushing everything but the desire to finally end it all.

Elena stood up, wiped herself with her sleeve, and gave one last sob.

"Life is so wonderful," she whispered one last time, twisting into a wild grin that no longer had anything to do with a human smile.

The door was unlocked, and the hell with it. The buffoonish dwarf named Baala would be gone until dark, probably not until morning anyway. Of course, Baala - exotic actress, jester, and courtesan in one person - in her way wished well to the sudden guest, even arranged protection to the best of her ability. By the standards of the capital, luxurious patronage, all the more so for a woman, all the more so for a motherless loner. One could only dream of such a job. Well, at least, it would be the dream of a native-born local.

One problem, though Elena tried to become a native (and at one time it seemed to be successful), but could not. And such is the gratitude waiting for the mistress on her return - a corpse in a noose. Not good. To hell with them. Them. And the whole universe. She left the door open so she wouldn't have to break it down. She piled the rest of the coins on the table in a tiny pile. The change would hardly pay for all the inconvenience of having a suicidal man in the house, but that was the way it was.

Elena climbed back onto the stool, her toes tucked into her slipper socks, which were freezing. The winters in Milvesse were usually very mild because of the proximity of the giant freshwater lake, a full-fledged inland sea with access to the ocean. But this year, the cold and snow had come unusually early, even though it was still the end of fall, and the ice on the puddles had held until noon, successfully resisting the pale sun. Oil shale was in short supply, and firewood had long been unheated due to the high cost of wood. The city was freezing and sneezing.

"The best job in the world," repeated Elena once again.

The noose was smooth, clean, no comparison to the prickly, greasy crap the Slavers had thrown on that night. Elena stood for a moment, eyes closed, swaying in place. She wanted to cross herself one last time but changed her mind. Instead, without opening her eyes, the girl soulfully pointed her middle finger at all corners of the room and separately toward the window, thus expressing everything she thought about the Ecumene as a whole in all its manifestations.

"Fuck you," she said and lifted her foot, preparing to step into the void.

Unspoken thoughts like "Shena, I'm coming for you" and the like, rushed through her mind, but they all seemed empty, devoid of feeling or meaning.

It's time to end it all.

The leg movement that had started to happen stalled as if it were stuck in something. Elena jerked once, then again, before she realized that something was actuing her. She opened her eyes and looked down.

She didn't know how Kid had managed to sneak into the room so quietly, but the fact was, she had. And now she was silently holding Elena's shin, gripping it tightly with both hands. The girl's large dark eyes glittered in the semi-darkness like polished hematite. The grip didn't seem childlike at all. Kid was a strange child in general. She could speak, but she preferred to keep silent, and it seemed that the soul of an adult and unhappy person was imprisoned in the soul of a surprisingly ugly child.

"Let go," Elena asked quietly.

The girl shook her head so vigorously that her shawl unraveled and her hair scattered, covering her face. The only eye that remained was the one that stared at Elena with the same unblinking and piercing scrutiny.

"Please. I want to leave."

The same movement again, the flight of dark - eye-colored - hair. Kid clutched even tighter.

"I don't feel good here," Elena didn't know why she was saying all this. The words flowed by themselves, like a stream of water from a street fountain in the rainy season.

"I want to leave," she whispered, either to herself, or to the girl, or some higher power. "I feel bad. I'm in pain. Enemies have left. My beloved has left me. My teacher betrayed me. No one wants me."

The tears rolled down again, sparse drops. This time the moisture did not sting her eyes with acrid acid, as it had so recently, but washed them away, making them see life in its true light.

"I imagined it all so well," the girl sobbed, wrapping her naughty arms around herself. From the outside, it looked both comical and creepy - a hanging woman crying in a noose.

"Learn to fight. Find my enemies. Take revenge on them all. I'll live like Ciri. Or a witcher. And then..."

The noose slipped from her neck like a soapy cloth. Elena sank down on the stool, sand lid down - or rather fell awkwardly - to the floor. Her right arm was numb to the point of almost complete desensitization.

"And here," repeated Elena. "Here ... What can I do? What can I do to all of them? It's easy to say, I'll take down Draftman, but how do you do it? I don't know how to kill... Nobody wants to teach me. And the only work I can do is ..."

The crying turned again into a tearful sob.

Kid hugged her older friend, her skinny body clinging to her, her skinny body not wanting to fatten even with Baala's plentiful feedings. It was as if a fire burned in the girl's heart, burning away any fatness. Elena hugged her back and sobbed for real.

"There's nothing left ... nothing. Nothing to live for."

"It's not true. And life isn't over," the girl said quietly, looking up from below.

Elena was so stunned that she choked on her tears and coughed.

"What?"

"I'm saying life isn't over," the ugly girl said very seriously, looking at Elena with the amused expression of a focused monkey. Only her eyes were still not childlike.

"You're alive. You have a home. You have a knife and clothes. You have whole arms and legs, both eyes and even all your teeth," Kid listed with the same abnormal seriousness. "You have us. Mommy likes you. You can earn a living. Find another teacher."

"I can't. I've tried," said the girl wistfully.

"Everyone chooses their future, every minute of their life. The gods only put dots, and the words of their own lives are written by people."

"Who are you?" questioned Elena with a kind of superstitious dread.

"Your friend," Kid replied, hiding her face on the girl's chest.

"Who told you that, about the future?"

"Father," said the girl deafly. "He believed in the Two, preached sermons in the streets, talked about Isten and Erdeg. The Demiurges stoned him. He was sick for a long time, and then he died. I was very young. But I remember. My father knew many things."

It hadn't even occurred to Elena that the dwarf might have been married and had a legitimate child within the marriage. Somehow, it was assumed by default that Kid Girl was the daughter of one of her many unnamed clients. Wow, how strangely and tragically life loops.....

They sat like that for a long time on the cold floor, listening to the draught under the high roof. They warmed each other in their embrace, and each thought about her thoughts, and those thoughts remained a mystery forever. The light of the passing day was fading behind the mica window. The street was unusually quiet as if the early cold had frozen out all life between the houses. Elena rose and wiped the moisture from her face, feeling her nose swell and redden. Her right arm was still sore, but tolerably so, as a barely healed fracture should be.

It was not easy to remove the noose. She had indeed tightened the knots to the best of her ability, and it was a pity to cut the expensive tackle with a mountain knife. But patience won out.

"I need a hammer," Elena said. She thought for a moment and then clarified. "Or a stick. But a hammer is better. Do you have one in the house?"

"On the second floor. I'll have to look for it. It was old and rusty. What do you need it for?"

Elena smiled. When she saw Kid's twitch, she wiped the grimace off her face, feeling her muscles twitch with an angry, nervous grin. She tried again and again. The third approach seemed to work.

"I'll go to the thief-mentor," she replied.

Against her expectations, Kid did not object or dissuade. She shut herself in voluntary mute again and, remaining silent, searched for the hammer. Elena closed her eyes and rubbed her neck, still feeling the shadow of the soft, slippery touch of the rope.

"Time to write a new chapter," she whispered into the semi-darkness, clenching her fists.

* * *
[1] The "old" pronunciation with a specific diction is a long tradition. The older the surname, the more accurately it is required to reproduce its original sound. Any distortion is perceived as a deliberate insult. Therefore, the surnames of Great Houses sound quite unusual even for the natives because this is how they spoke more than a thousand years ago

[2] Fifty "dry" barrels are about six tons.

[3] Hurts «Wonderful life»
 
Chapter 8 Choice
Chapter 8 Choice

* * *

The hammer pounded into the old wood, methodically, blow by blow. It was uncomfortable with her left hand, so she had to tap less often, aiming each time. But Elena noted she was getting much better. Practice was a great thing. She took a breath and breathed in the fresh air.

She was watched, however, as in the very first, still autumn visit, from the corners and back alleys with sharp rat-like stares. And passers-by mostly just ignored the tall girl with a hammer, who was smashing someone else's door for some reason. Some, however, slowed down, but not for long, as if some force was drawing them away from the old house, which looked more like a small fortress. There were no guards in sight. Elena took another deep breath, tightened the old scarf, and swung again.

"Draftsman!" she yelled and struck the crossbar. Then, on the grate, enjoying the deafening ringing. The sound of metal hitting metal traveled farther and sounded more pleasant.

"Figueredo nicknamed the Draftsman!" the girl shouted, swinging around again. "Come out, damn you!"

Two more strikes, including one on the ring. Copper, unlike bronze, sounded quite muffled.

"Come out, oath-breaker!"

Some kind of life was clearly visible behind the door. Something shuffled, something clattered. There was a slurred sound, like someone cursing. The way old men mutter when they miss their slippers in the morning. Finally, through the window on the door came the sound of footsteps, as if the owner were wearing wooden-soled shoes. Whether the lock or the deadbolt rattled, Elena couldn't remember exactly how the door of the house was locked, but either way - if her ears were to be believed - it was something solid, heavy. The angry girl stepped back a step and grabbed the hammer more deftly.

Draftsman stood up. Or rather, appeared on the threshold like a ghost from a crypt. Her mentor hadn't changed much since the last time they'd met. He was still tall, thin, and angry. Except his camisole was even more frayed, and his shirt needed repeated washing. The fencer's hair looked as if it had been dusted with dirty flour and dust, and his eyes were swollen, rolling out of eye sockets that had become too small. Figueredo hadn't looked like a model of health before, but now he seemed terrifying in every way. His dead stare made Elena shiver, and she took another step back and raised her hammer, pointing it at her former teacher.

"You're alive," the master stated. "I didn't expect that."

"I'm alive," hummed the hapless apprentice. "Unexpectedly?"

"Yes," agreed Draftsman. "Quite," and inexpressively asked. "Is that a challenge?"

His voice sounded dull, muffled, completely matching the image of a dusty scarecrow. The master did not seem surprised at the unexpected return of his "apprentice".

"No," Elena said, raising the hammer even higher. She did her best not to flinch, not to slur her words. At the sight of the Draftsman, the fear returned, flooding her consciousness with a tidal wave. She felt again - acutely, vividly as if it had happened not more than a month ago, but just now - the fear, the feeling of helplessness and complete dependence on someone else's whim. Her right arm ached with weeping pain. Elena exhaled, grinned, and set her right foot back as if preparing to lunge with her left.

"I came for what's mine."

The silence around her seemed to thicken into an invisible sour cream. Elena could literally feel dozens of stares, and everyone who passed by suddenly quickened their steps. It was strange, as normally everything in the City attracted the attention of gawkers, including pooping vixens and fights between spouses (not to mention all the other fights). But now it was as if an invisible dome had grown around the Draftsman's house, pushing the gawkers as far away from the bad place as possible.

He leaned his shoulder on the joint and swallowed. Judging by the grimace that slid across the master's face like a wave across a sea surface, it was painful. Elena looked at the fencer, and the fear was leaving her, but her resolve was also draining away like water escaping through a ruptured fur. Surprisingly, the fierce hatred that was boiling in her soul seemed to have burned out, leaving only barely warm embers. It was enough to take one look at Draftsman, who was not a man but a ruin, a remnant of human nature.

The hammer came down with jerky jerks. Figueredo stared silently at his former apprentice with the same painful, expressionless gaze. Elena exhaled, finally getting rid of her heated emotions. With that exhalation, it was as if her soul had all gone at once-hatred, humiliation, suffering. Nothing was left, all burned out in a fierce flash. A quarter of an hour ago, Elena had been ready to die, clutching at Draftsman's throat. Now all she wanted was for it to be over.

Elena took a step towards the master and looked at him straight ahead without averting her eyes. Surprisingly, the girl still did not doubt that Draftsman could kill her with anything and at any moment. At the same time, she wasn't afraid of it, as if a higher power whispered in her ear with absolute certainty that the fencer wouldn't kill her on his porch.

"You gave your word," she said softly.

The hammer felt incredibly heavy, pulling her hand down like a half-pound weight. Her neck was sore where the stiff loop touched her skin. The sun had already disappeared behind the high roofs, and the evening light was dying. Soon, the lamplighters would go again, lighting wax torches, and the rich houses would glow with the light of magic lamps...

"You swore an oath," reminded the girl even more quietly. "Before the image of Pantocrator in the attributes of the Father of Swords. You took my money. You took my dagger. And taught me nothing."

Figueredo moved his lip, lifted it in a nervous tic, as if showing a yellow, predatory fang. He seemed ready to pounce on his accuser and gnaw at her throat, but something inside him wouldn't let him. Maybe it was the sharp pain that gripped his gut. Maybe something else ...

"You're not a mentor," Elena said like a sword slash. "You are a thief and an oathbreaker."

"The opposite edge of his lip twitched, and now the Draftsman looked like a hyena on its hind legs. He remained silent, however."

"You took my blade. It was given to me by Vensan Mongaillard," the girl uttered quite quietly, not taking her gaze away from the black dots in the middle of the inflamed whites beneath Draftsman's eyebrows. "Vensan said you were a bad man but a good tutor who honored Àrd-Ealain. He was wrong."

Figueredo's face stiffened, the blood draining away, giving his skin a waxy tint, his eyes bulging even more. His pupils shrank to the size of pinpricks. It was as if a corpse was staring at Elena with dead eyes.

"You betrayed the Grande Art," inspiration came over Elena, the girl slashing at the words like a knife, twisting through her wounds. "And when you die, will the First Master ask what kind of mentor you were? Will you lie to the Father of Truth? Or will you answer honestly? Yeah, you'll probably say you robbed your last apprentice. Took his money, his weapons, and then threw him out the door to his doom."

The snow fell in infrequent tracery parachutes. Everything had turned gray, suspended in the brief interval when daylight had followed the sun, but the shadows were still creeping in, preparing to take over. The moon must have rolled into the sky by now, but it was hidden by the island-topped roofs and the slate stove chimneys.

"But you know..."

Elena hummed and looked at the hammer, bowing her head as if seeing for the first time the object she had recently ready to smash her "mentor's" head in or to lay her corpse in the fresh snow.

"You know," the girl repeated, smiling crookedly. "And to hell with you. Give back what you stole. I don't need more than that."

Figueredo continued to stand and stare as if he hadn't heard what was said. Then he suddenly mumbled:

"Follow me."

And he retreated into the darkness of the house, like an evil spirit that lurks in a crypt.

Elena shuddered. She'd been prepared for everything, but here, "things didn't go according to plan."

The hell with it! She thought in a cocky voice and stepped through the threshold. Her soul was boiling like the ingredients in an alchemical elixir. Indifference mixed with morbid interest. What would happen next? Strangely, however, now the girl was not afraid of the fencer at all, although, despite the obvious illness, Figueredo did not become less disgusting and dangerous.

The hall was unchanged. Stone floor, wood-paneled walls, a broken dummy, and weapons that hadn't moved in weeks. Shutters closed and propped up with sticks. Even the night pot lay in the same place. It looked as if no human being had ever set foot in the hall, not just an apprentice, but a human being.

"The dagger," Elena repeated.

Draftsman ignored her demand. He walked around the girl, scrutinizing her. The movements of the master's bulging eyes were unpleasantly reminiscent of the rotating eyepieces of some scanning optic. Just as attentive, not missing a single feature, completely devoid of life.

"Soooo..." the master stretched out.

Elena sensed something was different from the previous visit, but she couldn't figure out what it was. Maybe Draftsman seemed more businesslike. Maybe the atmosphere of the dusty, abandoned hall was a little more lively. It was unclear. The dead light of the lamp stung her pupils unpleasantly, like the sun on the summit of Mount Elbrus on a bright day.

"Hand," Figueredo said demandingly. "The right one."

Elena gritted her teeth and pulled the barely healed limb, the movement jerky, like a series of small jerks. Her fingers were still weak, unable to hold anything heavier than a spoon. The draftsman took her palm, quickly ran his thin fingers along the tendons, pulled up her sleeve, and palpated the fracture. Elena clenched her jaw even tighter to keep from moaning. It hurt so much. His fingers seemed hard and lifeless, a little colder than air.

"Interesting," summarized Draftsman. "By yourself?"

Elena understood the question and answered just as succinctly:

"Yes."

"Didn't expect it," Figueredo admitted honestly.

He let go of the girl's hand, interlocked his fingers, and set his lower jaw very low, like an old man who'd lost all his teeth. Or a reptile.

"I didn't expect that," repeated the master. "Well, you certainly have the will to live."

"The knife," repeated the girl.

"You will not have Vensan's weapon," Draftsman cut off. "I once gave him this dagger, and I find it right that the blade has returned to me. You will receive another."

He wrinkled his wrinkled lips. Elena was silent, not knowing what to say.

Things didn't go according to plan...

"I will teach you," Figueredo said curtly. "But you must understand three things."

Elena opened her mouth and closed it, unable to say anything. It was too sudden.

"First," just as clearly, cutting off phrases, the fencer continued. "You will not become a master. I've said it before, and I'll say it again. Yes, there are female fighters, though rarely. But no amount of Perseverance will help if its sister - Time is not by your side. A good brether picks up a wooden sword at the age of ten or thirteen. At fifteen, he is already practicing with sharp steel. By seventeen, he knows the color of his blood. By your age, he has years of experience and a few dead men under his belt. You've lost the years of youth when the foundation of skill is laid, and no power in the world will balance that flaw."

Elena remained silent, unable to counter the obvious statement.

"In a year of training, you'll be able to fight off one or two armed soldiers. After another year, you'll defeat them with confidence. When three winters change, you'll be able to stand up to a good swordsman or a very average brether. This is a pinnacle you will never surpass."

"I'm re.." The girl started, and the master cut her off as if pulling an invisible curtain.

"Shut up," commanded Figueredo boringly. "And never dare interrupt your mentor again. My every word is the quintessence of experience, passed down from generation to generation since the days of the Old Empire and multiplied. It is the elixir of divine knowledge, which you must drink like precious wine without missing a drop."

"Y ... " Elena caught herself in time, and instead of bursting out "Yes" she just nodded.

"Second. We always speak of the High Art with reverence. We worship it and call the Lord the First Master, the Father of Swords. All of that is true. But you must realize that the way of Àrd-Ealain is actually the way of contempt for life. We take from men the greatest value the Pantocrator gave them. We take it of our own free will and by our own choice. And every Brether knows he can be as devout as he likes, pray and sacrifice in the temples, but in the afterlife, his soul will go to the Dark Jeweler [1]."

Elena nodded.

"Third. Weapons are made to kill. Every blade, even if it were made entirely of silver and gold, has only one purpose in its nature: to take lives, to maim, to torment. And my science, too, exists to punish my enemies with pain and death. When a disciple steps on a road paved with the suffering of others, he renounces his former life. Sooner or later, he will shed blood and do it again. And again. Or die by the sword himself."

Draftsman's dead gaze was hypnotizing, drawing him into the darkness where there was only death and the glint of sharpened steel. There, flames danced on the ruins, and death reaped what it did not sow.

"There," Figueredo pointed his hand toward the door. "A city of ordinary people. Here," the master's white fingers pointed to the star-shaped figure beneath the girl's feet. "A different world. And you can't live equally in both."

Elena felt chills. She felt like a participant in a creepy ritual, a real ritual, not a book ritual. The absolute seriousness of every word of the fencer filled her soul with a lingering eeriness. Elena only now remembered that she was still holding the hammer and quickly put its handle behind her belt.

"I will neither advise anything nor dissuade you. Moreover, if you leave now, I will return the silver to you. The decision is yours and yours alone. But you must understand the consequences. Killing people, making them bleed, screaming in unbearable pain, suffering from festering wounds and punctured guts. Going down the road of fate, leaving broken lives behind you, throwing your own on the line over and over again - is that really what your true desire is?"

Always yours.

That's what the girl with chrysolite-colored eyes whispered before she died. Teine, the Fire-haired one, was the name of the friend with whom she wanted to live many years in happiness and peace.

Elena squeezed her eyes shut and staggered. The grief that had been simmering in the far corners of her soul for month after month splashed outward with fierce generosity like a tub of boiling water.

They took her. They killed her. They sent a witch with hellfire in her eyes, and the monster struck Shena down with a single blow. With one single blow...

Always yours.

You're not going to be a master.

"Yes."

"Louder! I don't hear you."

"Yes," Elena said, like a hammer hitting a hammer. And strangely enough, for a moment, it seemed to her that a door had indeed slammed somewhere. A big, heavy, stained oak door with a thick bronze frame. A door that could neither be broken nor opened with a lock pick. A door that only opens one way and only once.

"I take you as my apprentice," Draftsman said without any pathos or intensity. Only now, it sounded really creepy, with the inevitability of an executioner's axe swing.

"And today, your old life will end. All that has gone before," Figueredo indicated a wide circular motion, as if drawing a line with an invisible blade. "It will be completed. And a new one will begin."

Elena didn't notice where the knife had come from in the old man's hand, only flinched in surprise. Figueredo had literally pulled the weapon out of nothing like a magician. Or a wizard. A rather small blade - longer than a mountain knife - leaf-shaped of good steel, without cavities or cracks. A small, rather symbolic hilt. Through the hole in the tip was threaded a hair cord, strong in appearance. It had no beads or any of the other ornaments they liked to decorate such knives with.

"Put it on," Figueredo ordered and showed her how to put the lace on. "That's it."

It looked really unusual. The noose did not cover the wrist, but the middle and ring fingers.

"Not many people know this trick now, but it's quite useful. You are not tied to the knife and can easily drop it. If the blade doesn't have a guard, the hinge will keep your fingers from snapping at the blade when you stab it. And it'll also help you change grip quickly, like this."

The small blade fluttered around the master's palm, alternating between a straight grip and a reverse grip. It looked mesmerizingly smooth and, at the same time, fast and beautiful.

"We will begin with the short blade, for the dagger is the lord of all weapons, the first and last sign of the alphabet of killing. It stabs and cuts, wards off the enemy's blade, and twists and breaks arms in a struggle. It can be stealthy and silent like a poisoner's needle or open and fearsome like the wrath of the lord. Your armor may shatter, your shield may crack, and your sword may break, but as long as you have your dagger, you are not defenseless. You hold your life in your own hands. Now stand here."

Elena obediently stepped into the center of the figure formed by two concentric circles. Eight lines ran from her feet, like the sides of the world on a compass circle.

"Stretch out your arm."

The master walked around the girl again, measured something in the air with his fingers, made a few movements as if he were lowering an invisible weight on a pendant.

"Good, the arms are as long as a man's," he muttered to himself. "Drawing out the Figure specifically for you won't have to be done. Put it down."

The word - "Figure" - sounded almost reverent, the way one might say it about a shrine. Elena took a new look at the circles and lines. Somehow, all this geometry resembled Destreza's circle but only resembled it. The base here was completely different, with no rhombuses.

"You're going to have a very hard time," the fencer informed, and it was clear from the tone that this was how the first lesson was going to start. "Not the right age, not the right strength. But every flaw can be at least partially balanced. For you, the cure for your infirmity will be a mastery of Movements and Positions."

He looked at Elena without blinking as if he wanted to make sure the student was absorbing every drop of precious knowledge. Elena listened, trying to breathe even more quietly.

"Most people think that High Art is about being able to swing a blade and fend off blows. They are mistaken. In fact, what makes a blade master a true killer is the ability to move properly. So, at any given moment, the enemy would have the hardest time hitting the master. And the master, in turn, could get the enemy in different ways, choosing the best according to the moment. That is why, in the old language, the art of fencing was literally called - the Science of Steps".

Again, the pause with the mute question - did the girl who wanted to kill her enemies understand everything? Elena understood. In fact, she hadn't heard anything new yet, well, almost nothing. Draftsman's science, in general, lay quite well on the general idea and principles of sports fencing. Only in the old man's words, there was an unpleasant coldness of ruthless practicality of the concentrated knowledge of how to kill a man in the best possible way.

"Before you pick up a sword, you will learn the Play of the Dagger. And before I show you the Play, I will teach you the Steps."

Draftsman pointed to a larger circle whose radius corresponded to the length of the apprentice's outstretched arm plus about a meter.

"This is the Circle of Life. The space of the long blade."

Figueredo then marked a smaller circle, a couple palms shorter than his outstretched hand.

"This is the Circle of Death, the final line of battle, when grapples, pinches, fists, nails, teeth, and anything else you will not to die prompts you to do."

Draftsman alternately pointed to the eight rays spreading out from a point beneath Elena's feet.

"This is the Star of the Eight Directions. Proper movement always follows a properly chosen line. The right attack should strike the enemy between his Directions because that is where the Vulnerabilities are located, where the movement is slower, the blow weaker, the balance more precarious."

Draftsman made a move. He shifted a little to the side, swung like a boxer hitting a left hook, and marked a blow with the palm of his hand from top to bottom as if he were chopping with a sword. The air slapped Elena's face. The girl blinked and only then realized she had seen the fencer's combination.... and didn't realize it at all, so fast it had happened. The signal traveled along the nerves from her eyes to her brain, but before it could spread further along the neurons, it was over. Her right arm ached again, reminding her of the careless dexterity and ease with which Figueredo had broken it with a thin stick. But at the same time, running the combination of the Draftsman's step and blow through her head, Elena realized the essence of the idea.

She wouldn't have had time to fend off the blow anyway, much less dodge it. But thanks to the short shift to the side, the fencer's action was as uncomfortable as possible for the target, and if there was any kind of equal combat here, this inconvenience could well be a speck of dust that would outweigh the right cup.

"Every step, every Position must be constructed like an exact blueprint so that your Directions can hit other people's Vulnerabilities."

Well, now she knows why the old fencer had such an unusual nickname.

"Now, let's get started. But before ..."

Draftsman stepped almost close to the apprentice, his gaze penetrating as if he could see into the very depths of her soul.

"Àrd-Ealain is like a demon of the old world from a time when Pantocrator had not yet illuminated the world with his will. It is greedy and knows no mercy. It demands service and sacrifice. You will give me money. But the Art of the Brether takes only blood as payment. Some thought they could leave the path of the sword, but they were wrong. Even Vensan, the best brether in his generation, did not escape the reckoning. He was charged a very high price. I will ask one last time - is this the path you choose?"

Elena raised her head and froze, her lips tightly pressed together. The girl thought she hid her feelings well, but the old assassin read faces like open books. He saw that the painted girl was frozen on the thin line between Desire and Decision. And Figueredo nicknamed the Draftsman, waited patiently because such a moment comes only once in a lifetime, and the choice to be made was so significant that it was worthy of thought and doubt.

And Elena...

* * *
[1] The Dark Jeweler is one of the allegorical nicknames for the devil.

* * *
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Chapter 9 Birthday present
Part II Best job in the world

Chapter 9 Birthday present


* * *

I saw a dream...

"What, my lord?"

The Duke raised his head and realized he had spoken the last phrase aloud.

"I saw a dream," he repeated with surprise. He repeated and fell silent, staring at the travertine floor and the pattern of the family crest in small octagonal tiles.

The steward froze, bowing respectfully. One of the few people the Duke trusted, so much so, that he even occasionally shared his innermost thoughts. A man of low class, elevated by his lord's will to a level that many nobles could never dream of. A well-fed uncle in clothes of dim, restrained colors (the ruler should not think that the subjects luxuriate too much) patiently waited to see if the patron would deign to develop the thought. But the Duke remained silent, frozen like a statue in the family gallery.

Flessa, youngest daughter... It's been many months since you left the ancestral castle and have been living in the capital, representing our family, conducting secret affairs.

The white robe hung heavy, pressing down on his skinny shoulders with their protruding bones. The Duke knew from the outside it looked stern and imposing, but the heaviness kept him from breathing and bent him to the ground. The weight of years lived, of hard decisions, of necessary betrayals, of calculated cruelty. The old ruler thought he hadn't worn armor in three years, not even for horseback riding. He would probably never wear it again unless it was new, "tar" armor, half the weight of steel. It was said that it was becoming fashionable in Milvesse to cover the armor, which looked like brown glass with a cloth backing, with the finest foil to make it look like real steel from the outside. Good, profitable news, for a quarter of the tar armor of the entire Ecumene, was already being made in the workshops of Malersyde from special sulfur mined from the Wastelands.

Flessa... violent, impetuous, bossy, intelligent... a true scion of the Wartensleben. The only one to hold my legacy! Is she the only one?

The only one. What an unpleasant, categorical word. It has a bitter taste of inevitability, of finality. How sad to say it, even to think it. And yet. Is there a way out?

The Diabalus, the judicial book and code of laws of the new Empire, strictly delineated inheritance issues. The first child receives all immovable property minus the "woman's share". The second child receives his mother's personal inheritance, as well as maintenance payments from the family treasury. The third goes into the ecclesiastical ministry or - if the Church does not entice - can buy a place in a good, honorable shop. Everyone else gets nothing but a horse, arms, and a title. Therefore, according to the new judicial laws, the duchy must be inherited by the eldest daughter.

She should. If she had the will to rule!

On the other hand, if does a little bit of wiggling with reading the confusing legal formulas, he can try to make Kai the heir. Many people did so, appealing to the fact that "heir" is consonant with "firstborn," i.e. we are talking not just about the first child but about the first boy. Yes, it is possible.

It's possible... If Kai had any talent as an owner!

However, there is a third party.

The Duchy of Wartensleben has long lived according to the Partidas, the law books of the Old Empire. Well, to put it more accurately... the dukes declared their adherence to noble antiquity at the expense of Diabalus. In reality, of course, as befits a good ruler, the Wartensleben have had their noses in both troughs by necessity. But now, a reputation for upholding long-standing traditions may serve them well. The Partidas states explicitly that a lord with at least ten generations of noble ancestors with all the proof of nobility can enjoy certain privileges of a senator. Including marrying and divorcing children, as well as choosing an heir by personal will, according to the interests of the family. And it does not matter the Senate hasn't convened in three hundred years, if not more. What is written in the quills of the lawmakers of the Old Empire is stronger than steel and more valuable than gold.

There are ten generations of the Wartensleben surname. Praise be to Pantocrator, who gave the founders of the family short lives. But even here, everything is not easy. To justify. Moreover, defending the claim will not be easy because traditionally, such a privilege is enjoyed by Primators, to which the house of Wartensleben has not yet belonged. It was logical: old houses have old rules.

Yes, it won't be easy. The help of the islanders, who will support the Duke's claims and reinforce them with the authority of the real old house and an army of lawyers, will come in handy here. But it can be done. And it's time to start getting something from the unspoken, secret alliance.

Or wait?

Flessa is smart, moderately violent, and calculating. And has long been playing family games, carefully building her network of spies. If he starts acting, the girl may think of herself as more than she should. On the other hand, legal things are slow, so it makes sense to start early. Just in case ...

Pantocrator witnesses it so complicated!

The Duke took a sip of wine from the glass and ran his finger over the smooth surface. The aventurine glass had not a single flaw. Just like artifacts from the old days when magic ruled the world. The old lord only now noticed that the manager was standing immovable and seemed afraid to even breathe. It was a pleasure to watch. Well-trained servants, disciplined servants, controlled possessions. Everything worked like a precise mechanism, reliable and predictable. But the next thought was much less pleasant - and his father had thought the same thing. The Duke grimaced, and the fat man in the gray-brown robes, seeing his lord's grimace, bowed forward in the most respectful manner possible.

Idiots thought the Duke. God, what idiots. They honestly think he cares about rags. And that ostentatious modesty would somehow protect them from his wrath. Never mind that the fat man is wearing simple wool stockings with leather soles. He can wear spider silk. It doesn't matter. What is important is that the sins of the steward are known, counted, and recognized as insignificant.

The passion for little girls not yet of childbearing age is against the laws of God and man, but who is perfect? For this sin, the steward will answer to the Pantocrator. The love of swallowing liquid smoke, but controlled, not more than once a week. A habit no worse than any other if it doesn't turn into an addiction. Bribery. This is already more serious, but the Duke understood well where a live coin rings, some silver, and gold will inevitably stick to one's hands. The main thing was to keep the measure. And there was nothing wrong with that.

Moderation, diligence, and a clear understanding of the limits of what was allowed - that's what kept the ducal servants privileged.

Flessa, I miss you! the old aristocrat finally confessed to himself.

It's much easier to rule a trained domain with you. I'm getting older. My body and mind are wearing out. The burden is getting heavier, and it won't get any easier. I'll have to share the power now. Yes, there's a good chance that a respectful daughter will want to reduce my burden early. But if the moment is lost, she will do so guaranteed, and by then, I will be too weak and senile to resist her. Like my father once upon a time, long ago.

"Did you know that my family had mages?" the duke asked the fat servant suddenly. He froze with his mouth open, confused and uncomprehending, whether his lord had bestowed a great honor or was making an elaborate test.

"No, honorable sir," he mumbled, finally. "This was not known to me."

"But it is so," the lord narrated gloomily. "It is said that a drop of the magical gift is still passed on in our blood so that occasionally members of the Wartensleben family see amazing, prophetic dreams..."

"That's great, honorable sir," the steward bowed, cursing the moment he dared to open his mouth. The duke was not prone to gratuitous waste, but the powerful did not like to have their innermost thoughts revealed to the ears of others. And who knows if the lord would regret the next morning that he had said too much the day before.

"I always thought it was fairy tales," said the Duke. "I've never seen anything that could be considered 'prophetic'. And neither have my kinfolk, or they wouldn't have ended up..."

As they ended, the fat man completed the ragged phrase to himself and bowed even lower just in case.

The old ruler went to the window and ran his fingers over the bronze lattice, polished to that special, golden copper glow that only noble, unadulterated material, excellent casting, and careful polishing can give.

"I had a dream. Malersyde was surrounded by strange, marvelous figures. They seemed to grow out of the heart of the earth. The ocean raged, then the salty waves gave out, and a bridge was erected, which at the same time was not a bridge, for it did not connect but barred. The city burned in ghostly flames. A road of fire crossed Malersyde from end to end. And two queens fought in that fire, Red and Black. It was a fight to the death. What could this dream mean?"

This is not known to your humble servant," murmured the steward. "Every man should do the job he does best ... I can count profits with losses, but dreaming.... Honorable, you'd better consult an astrologer ... or a magician."

"Yes, indeed," the duke muttered under his breath. "To the magician. Of course."

He turned to the steward, and the latter flinched. The ruler seemed full of vigor again, exuding impenetrable confidence. The Duke snapped his fingers with the words:

"Have them replace the wine. It's worn out. What's for today?"

"Confirmation of the prohibitive duties for the next year, Sir," was the language the steward understood, and he opened the folder in a businesslike manner. Flessa had introduced this accessory, too. Before, documents were carried in special leather sacks.

"As you wish, the city council forbids the removal of any provisions from the property without special permission. Also, the issue of sending silver to Milvess for coinage must be resolved. Squadron composition, guard galleys, permission to leave port, confirmation of priority mooring rights in the capital. All require your seal. And..."

The fat man faltered, dimming his eyes as if he were embarrassed to be reminded.

"And?" the Duke raised an eyebrow.

"I beg to remind you. It is necessary to spread new rumors that the Emperor wishes to encourage craft councils and limit the ancient privileges of the workshops. It is necessary to pay heralds, scribes of forged letters, and masters of other secret affairs. The Lady has sent a detailed estimate from the capital."

The manager tugged at the edge of a separate sheet of parchment in the general stack.

"That is where we shall begin," commanded the duke sharply. "Those who skimp on soldiers and spies are digging their own grave.'"

"And..."

"What else?" The ruler threw grudgingly.

"The Tournament of Faith is less than two months away, and you have not yet decided whether you will honor this momentous occasion with your participation. If you choose the usual way, it's time to send couriers, buy the best seats in the hotels, and place secret guards. If you choose the magical way..."

"Not a word about magic!" roared the duke, who shuddered at the memory of the magical passage to Saltoluchard, granted that it had happened last autumn over a year ago.

"Yes, Master!" there was definitely not a single hard part in the fat servant's spine, the spine bending in any direction with marvelous fluidity.

"I'll decide that later. Now, back to the budget."

Flessa, you have a marvelous gift for getting things done on time!

"Have them prepare a courier to the Island," the Duke ordered, obeying more on impulse than the voice of reason. "A small and fastest ship. In the strictest secrecy."

To hell with it, I'll take my chances. Let the Wartensleben estate have a recognized heiress. And let the glossators [1] of Aleinsae only try not to support and justify my choice!

* * *

On her twentieth [2] birthday, Flessa ausf Wartensleben decided to gift herself with something original and unusual. The anniversary demanded to be celebrated in a very special way. In such a way that the memories would last a lifetime. And Flessa chose death. Or, more precisely, a fight to the death.

Father would not approve. That is as true as the rising of the Moon and the setting of the Sun. Most likely, disapproval would have been expressed in a very practical and unpleasant way. But Father was far away, on the other side of the world. And Flessa was here, in the most beautiful and richest city in the world, where gold and descent opened many doors. And also gave many opportunities.

Flessa knew it was possible to kill a man in a legendary underground prison, but it didn't appeal to her. Taking justice, taking the life of a tortured prisoner, an infanticide, or a simple thief, was not interesting. She wanted something different. The "other" was expensive, very expensive, so much so that the daughter of Wartensleben, for some time, pondered whether to hide the necessary expenses in the estimate for the organization of urban unrest. It took a lot of will to turn away from the temptation, but what Flessa had plenty of was the will of the Wartensleben's, the lords of the maritime trade of the west.

Yeah, it was expensive.

But it was worth every coin, every last bezant [3]!

The pool had once been here, oval and deep. The floor still had the outlines of sea creatures in mosaics of all shades of blue and cyan. Lapis lazuli tiles covered the vertical walls, and high above our heads shone a magic lamp of a very rare, "sunny" kind. A pear-shaped vessel on a silver pendant gave off a light almost indistinguishable from natural light, as on a slightly overcast day. At the edge of the pool, the local jailer, as well as the young heiress' head of security, stood motionless side by side. Both, despite their stern, unsentimental occupations, looked pale and lost, grief-stricken at what was happening in the pool.

Down below, where an old mosaic sparkled under the lamp, whose secret of manufacture had long since been lost, two men were fighting to the death.

They circled, trampling the blue designs patiently laid out by the hands of long-forgotten masters. They struck rarely, mostly feinting, looking at each other, trying to catch a false lunge. The opponent was good. A bandit who had long ago sold his honor and conscience, or rather, their shadows, for a coin since the former mercenary hardly knew what conscience was. Quick and agile - wine and drugs had not had time to sharpen his health. He was good with the saber, but not more than that, and Flessa had an advantage. But she was at a disadvantage in height and strength.

Flesse was already hot under the tight quilted jacket. The bandit looked as if he'd just come out of a bath, sweat soaking through the rags that replaced the prisoner's clothes. They fought with ordinary broadswords four-fifths of an arm's length, with leather-wrapped handles. The bandit had an infantry blade, plain and straight, the kind of blade that comes into play when the formation is broken, the shafts broken, and the merciless grinder face to face. Swing harder, strike harder, and the Pantocrator will decide who lives. In the woman's hands shone with reflected light a far more graceful weapon with a smooth curve of blade and lobes chosen to lighten the weight. Flessa didn't want to take a light longsword, so the odds would be at least roughly equal.

She played a little from the wrist with loops and transitions, trying to confuse the prisoner, but he didn't buy it. In response, he began to more or less competently drive the woman into the narrow end of the arena, advancing step by step, provoking her to attack with a far forward leg. The villain's lean face glistened with moisture, eyes racing, straining to catch the glare of the enemy blade. His lips twitched as he prayed or cursed. Or maybe both. But his hands remained steady, and his movements were sure. Flessa thought for a moment that maybe the idea of a duel wasn't so funny and good.

The duelist leaned forward, lowering her blade, hoping to capitalize on the height difference and rip into the thug's stomach or groin. The criminal put the blade on his shoulder in feigned fatigue and hopped on the tips of his feet like a dancer, quickly swaying his body from side to side. In another leap, he attacked with a broad sweeping blow, forcing the woman to retreat a step. He transformed the blow into a series of feints, skillfully working the shoulder, constantly threatening with the point.

Before the fight, Flessa had expected to meet a regular thug who fights by the old principle of "straight punch, straight retreat, other things are for fancy dudes and are not applicable in combat." But this rascal someone put relatively good fighting skills. Apparently, he was not lazy to take lessons from some brether at the campfires on countless breaks of military life. The set of techniques was sparse but well-practiced. Perhaps too well. If Flessa had known she'd be facing such a foe before, she would have wondered. Hell, if something happened, the guard might not make it. The charming game of death was quickly becoming less charming and less of a game.

He struck high, aiming for the head, and immediately swung downward and backward, using the double-edged sharpness of the blade. Flessa, in turn, tried to hook the prisoner with her curved blade from bottom to top as if it were a hook and then lunged forward in a deep lunge, aiming for the weapon's arm. Almost there, almost - the enemy bounced back too fast! The sharp steel ripped through the sleeve of his once luxurious shirt. How had the lawmen not taken it up? And left a shallow scratch. First blood! It was not convincing or dangerous, the kind of wound that would rather add caution and determination. The kind that only becomes dangerous in the company of companions who siphon off the strength.

The opponents circled in dance again, testing each other's reactions, catching the moment to attack. Flessa felt herself begin to choke. The thick clothing, filled with absorbent cotton, did protect her from the sliding blows, but it also kept her warm like a fur coat. Dampness and fatigue hung on his arms like invisible weights. The graceful fluttering of a mortal butterfly turned step by step into a dull braiding of awkward legs.

The guard and the jailer watched the fight with equal anger. Both realized that if things went badly, they might not have time to intervene. Both had no choice. The jailer was faced with a ready-made solution, not even gold, just a handful of silver. Lovag, though he spied for the Duke, making daily reports on his ward's deeds, had to obey his mistress's will and was now suffering, torn between his duty and his desire to jump down and finish it all in one blow. God forbid, the prisoner would get the girl at least with the tip of the blade... On the other hand, if you disobey her, the crazy girl will do anything. Like, kick him out of the retinue for disobeying her. And it's quite possible old Wartensleben won't reverse her decision. Then goodbye to the privileged position, and to the hyena's tail the years of faithful service that lifted the fortunate warrior out of poverty.

Flessa heard the creak of iron. Her guard had already openly pulled his sword from its sheath, catching the moment to jump into the fighting pit. She grumbled annoyingly and lost a moment on that. The bandit also had good hearing and concluded the lovag's readiness. There was no mercy for the murder in any case. The mercenary did not believe promises on a dime, but when condemned to nailing, a quick and not very painful death from the blade is already a boon. All he wanted now was to take one last life. At least a little revenge on the cursed world. And then he could go to hell!

That determination burned clearly in the prisoner's dark eyes, and Flessa realized, it was time to fight for her life. The bandit crouched down, his left hand at his side near the kidney, his right hand pressed against his stomach as if shielding himself with his shoulder. With a quick step, he moved straight at the woman, accelerating like a warhorse before an attack. The jailer did not hesitate to curse, realizing who would be responsible for the death of a highborn in the dungeons of the Palace Under the Hill. Lovag gritted his teeth and stepped to the edge of the pool, gripping the hilt of his sword with both hands.

Stumping his opponent, the prisoner slashed with all his might from left to right, horizontally, from the abdomen, adding to his swing the energy of the turning of the body. He expected to sweep away any defense with pure strength and weight, and even if he didn't, the fighters would still be close enough together to pile on wrestling and settle the matter again. The infantry sword struck like a hammer in a way that would indeed demolish any stiff defense. So Flessa didn't block. She threw her left arm back, catching the hilt of the small dagger at her belt. At the same time, she crouched sharply, leaning in, feeling the steel smoothing the quilted cap on her head. The next moment, opponents collided like ice floes in a river, and the bandit, ready to crush the twisted bastard, to break her head in one blow with the hilt of his sword, received a dagger in his stomach to the hilt.

They disengaged, and the condemned man retreated a step, clasping his wound and covering himself with his sword. Flessa indicated a few blows, but more for the sake of order, to break the trap of the stalemate. With half a minute or so to go, the duelists again drew intricate circles across the arena floor. Both were tired, and the prisoner was also losing blood, so the duelists only had enough for one or two blows, more in the hope that the opponent would tire even more and still miss the attack.

"Mistress," the lovag called from above, waiting until the distance between the fighters was great enough so as not to distract the woman in her moment of danger. "Your victory is undeniable. Blood has been spurted. Allow us to finish!"

The jailer played with the whip, praying that the high-born fool would agree. If the woman's head was going to be split open like an old trough or her belly gutted, it was all right, but she'd drag decent people to their graves with her, stupid goat!

Flessa didn't answer, saving her breath. And also not wanting to disturb the splendor of the moment. Now she understood what drew the knights into battle again and again, where this addiction to killing came from. Fear mingled with excitement and spilled through her veins, giving her a delightful experience on the edge of life. She could be killed. She had almost been killed, and she could still be killed. And still, Flessa ausf Wartensleben would outmaneuver the enemy. Because she is faster, smarter, and tougher! Because she is better!

"Fucking... scum." exhaled the bandit. It was the first word he'd uttered since the fight began. "Dirty whore with a fruit knife."

The wound was not dangerous, but with each step, the fighter was losing blood and with it, his strength. With a good healer and some rest, the chances of survival were not bad. But one look into the eyes of a flexible, strong woman with the predatory gaze of a hyena was enough not to wait for a healer or rest.

They stood against each other stiffly, both deadly tired, unable to maneuver. The tattered canvas pants on the prisoner were soaked and red as a butcher's apron. Flessa gulped air with her mouth open, praying she had enough breath. The duelists exchanged a few more blows. The bandit intercepted the hilt with both hands and tried a move that sent the blade high up and to the side but ended up just slashing wide and hard. Flessa parried carelessly, and her hand went numb from the hard concussion. The woman couldn't resist a grimace, and the emboldened villain struck again. Unable to retreat in time, unable to deflect the enemy sword, Flessa struck back again, straight and unsophisticated. This time, she propped the blade's edge with her left shoulder. In doing so, she nearly impaled herself on her dagger, but the move succeeded. The enemy's blade was brittle, a deep crack running down the steel surface, and how the blade didn't fracture was a mystery to the clueless blacksmith.

"F-finish it, you bastard," the criminal wheezed, dropping his sword arm helplessly. He clutched the wound with his left, unable to stop the streams of scarlet liquid.

It was beautifully played. Flessa almost believed it. But the brether who taught her was honestly practicing the gold of the Wartensleben. In addition to pure swordsmanship, he revealed to his pupil some of the techniques of street fighting, which are not taught to young maidens. And at the same time, he told her the story of the duel between the fifth son of Pievevielle, a brilliant saber swordsman, and a certain Brether named Ranjan, who, despite his youth, was already called the successor of the Moon Reaper. The Brether told both versions of the legend, the one invented by the family of the deceased and the other, the real one, which the swordsmen passed on to each other.

The story was a cautionary tale of how easily victory turns to defeat, so Flessa doubled her attention. She gripped the hard leather hilt tighter, feeling the stitches of the strong thread even through her glove. She took two steps back and froze in a classic stance, elbow pressed to her side to put less strain on her tired arm. Realizing that his last move had been revealed and forewarned, the criminal groaned, now falsely. He launched one last attack. The jailer shouted, swinging his whip, and lovagh shrieked too, straining his muscles to jump into the pool. The bandit splashed a handful of blood into the woman's face while drawing his sword. He grabbed the hilt above his head with both hands and struck, top to bottom, giving it all he had.

If a painter or even a sculptor had been here, he would have been inspired by the sight and perhaps, after much labor, would have created a masterpiece because, in these moments, the criminal was beautiful in his way. The bright light of the magic lamp highlighted every feature of the tense body, perfectly outlining the muscles visible through the torn clothes with the play of shadows. Turned the dirty face of a dishonorable murderer into the mask of a man who defied fate. The bandit, whose name had long been forgotten under the weight of his nicknames, had reached perfection at the moment when all his stubbornness, lust for life, hatred, strength, and fighting skills - all flamed with the fire of pure, supreme effort.

Flessa's parry would have elicited an approving nod from any fencer. It came out impeccably competent - a classic deflect of the enemy's blade on her own, when instead of a hard block the force of the enemy's blow is directed to the side, like a stream of water in a drainage chute. And then - a return to the previous position and a quick step forward with a jab in the neck, under the caddy. Flessa realized even an essentially slain opponent was still heavier and stronger, so she didn't try to keep him "on the blade." Feeling, catching the moment when the cleaver trembled in her hand, cutting through flesh, the woman released the hilt and slid smoothly to the side. Her steps were light. Her strength seemed to flow into her weary body like water from a spring into empty fur. Her soul sang, savoring the victory.

Two steps to the side, dagger at the ready, half-turn... Just in time to see the long sword of the lovag chop off the head of the felon who had fallen to all fours. Well, it should be noted that the intervention was timely, neither sooner nor later than it should have been. Flessa closed her eyes, trying to calm her breathing, remembering the inexpressible sensation when the curved steel met resistance against the dead man's neck, how it overcame it, penetrating the fossa just above the collarbones, the place where a bundle of blood veins is hidden and any wound is fatal.

The jailer was jumping upstairs, shouting in his voice, spewing blasphemies, not embarrassed by the presence of two persons "with pedigrees" at once. But his cries did not hurt, only contrasted pleasantly with the heat of the battle. Flessa, still keeping her eyes closed, shook her head, thinking that the twentieth anniversary had definitely succeeded. There would still be time for a feast with young guests of good family names. The banquet would drag on and turn into a merry debauchery that would last until the morning. And it's glorious!

But it's not over here yet.

"I need a bath," she ordered, knowing for sure all the preparations had already been made.

The jailer was noisily fiddling with the ladder. Her bodyguard gave her a gallant hand to help her up the first step.

"Bath, clothes," Flessa said, unbuttoning the collar of her fighter jacket as she walked. "And a special service, as agreed."

"Of course, everything will be executed in the best possible manner," the jailer tried, ready, if need be, to personally fulfill all of his guest's wishes.

The dead man lay on the stone table, as naked as when he came out of his mother's womb. The body had been washed in time so the pale dead man did not stain the stone table with dirt. Once, the Bonoms of the Old Empire had eaten at the white marble slab with black and gray veins. Now, it was a place of special service, providing anatomical performances for healers, Demiurgs, and wealthy visitors whose curiosity was aided by the ability to pay.

Today the corpse room belonged to her, Flessa Wartensleben. And the dead man she wished to take a comprehensive look at. The woman washed away the sweat and replaced the protection with more appropriate garments, but the heat of the past fight still lingered, spreading through her veins, tingling her fingertips, echoing with the anxious rumble of blood in her lower abdomen.

"How much longer am I going to wait?" she tightened her lip.

The jailer apologized, promising the healer, aka qualified anatomist, would be here shortly. A prison is a prison, you see. People die here, sometimes quite suddenly. And, of course, the interest of the lady of the house is only worthy of the best, most competent master, who will open the dead man as easily and tenderly as a brother.

Flessa suppressed a chuckle. She suspected it was simpler than that - there was probably only one healer on the government payroll. Well, the main thing was to get there. The Wartensleben heiress had been a curious girl since childhood, and she couldn't miss the opportunity to see how a man worked from the inside out. The duelist intertwined her fingers, trying to keep her heart from racing. Wanted... something. To spice up the day with some more originality. Flessa smiled, remembering the banquet. Perhaps that was exactly what she was missing.

In the meantime, the anatomist appeared. He was tall, slender, and seemingly still a young man. His face was hidden beneath a strange hat, like a flat leather cap with a semicircular flap over his eyes instead of a brim. While the guy silently laid out his tools and prepared copper basins for the entrails, Flessa finally decided that she was going to end the walk in some kind of violent way. Vigorously. After such a marvelous adventure, she was determined to dominate and subdue. The heiress clenched her fist, feeling the hardness of the rings, especially the largest one. The family jewel was very old. From a time when gemstones were not yet able to be faceted and set in a nest with thin "feet." The large ruby was polished in the shape of an egg and half hidden in a gold rim.

It's settled, so the next morning will be met in a woman's embrace.

"Master Lunna is ready to show you her art!" proclaimed the jailer.

While the duelist thought she had misheard, the anatomist finally removed the funny hat, revealing short-cropped dark hair. A tall, slender woman about the same age as the future duchess, or slightly younger, looked straight into Flessa Wartensleben's eyes.

* * *
 
Chapter 10 Practical Medicine
Chapter 10 Practical Medicine

* * *

The morning was ... well, not so good, to be honest. She's had better, much better, easier, calmer mornings. On the other hand, it had been harder. At the very beginning of her current "career," Elena-Lunna got on a large-scale and scandalous case of "breeder," which began just with her very first "patient," the one who was suffering from a burn. The woman felt sorry for the poor man until she learned what "breeder" means in criminal jargon. And behind a rather innocuous word with a distinct livestock root hid a simple and uncomplicated crime. To catch a weak witch (it's dangerous to mess with a real magician. Guild can punish), take her to the middle of nowhere, chain her up in a basement, and force her to give birth nonstop, hoping that some baby would show some kind of gift. Sometimes, it did happen.

From time to time, Elena thought how lucky she had been to have this burn one. Realizing that behind the guise of the suffering poor man, there was a scoundrel of inordinate hideousness was useful and gave her the strength to endure the hardest days of entering a new profession. Of course, it was impossible to love the craft of a prison healer, but it was quite possible to get used to it. She must say, on the whole, the work was not so exhausting. The underground prison was kept in good order, and the prisoners were not starved and other unauthorized suffering. Overall, Elena didn't see anything new compared to the Pharmacy in the Wastelands. Except for more specific injuries involving fractures, dislocations, and burns. The science of proper joint repositioning made her sweat, but the woman had mastered that as well.

By the way, today there were two "jointers" who knocked out their finger bones. It was a mundane matter - two cellmates, a potter and a roofer, had fought, continuing some kind of inter-workshop squabble. It is not easy to kill a man with bare hands and, for some reason, the opponents had not managed to acquire prison tools, so the matter ended in a fight, funny and ridiculous in the performance of the prisoners, whose strength was not increased by the meager ration of lean porridge.

It's a paradox. The more skillful the executioner was, the less work there was for the healer. The professional subjected the victim to elaborate suffering and spectacular maiming but never killed and always left room for what could be called "rehabilitation procedures." Master Kwokk often bandaged the interrogated and gave them infusions, making paternal suggestions along the way, which was no more effective than torture. The problem from the point of view of practical medicine was the apprentices, of whom there were nine, according to the number of courts at which the apprentices were to administer justice in the future. And here is one of the said adolescents, light on his heels...

"Lunna?"

"Dind? Good afternoon," Elena said, trying to be as detached as possible.

Apprentice Dind, though a year older, had changed little in appearance. He was stuck on the borderline between boy and man, taking the best of both, at least in appearance. His hair had grown thicker and darker, and his eyes had taken on a beautiful inky sheen. This look was irresistible to girls, and besides, the future executioner was an enviable party. On the one hand, to be the wife of an executioner is not so much pleasure. On the other hand, a piece of bread is guaranteed until the end of days, as well as a dowry for daughters, as well as a son's share. In the present time, when poor harvest follows poor harvest, and the price of bread rises almost every day, not to the picky selection of grooms.

In general, the young man could stack girls in his bed like a farmer's harvest. But for some reason, he was in no hurry, and there were rumors that his heart had already been given to another, and to whom - it was unknown. Elena had strong suspicions that she because, at every meeting, Dind turned into a slurred donkey who blushed painfully and could not connect a couple of words. And since she didn't care for the intra-corporate sexual squabbles, Elena kept her prospective fiancé as far away as possible, but correctly. And now, having politely said hello and exchanged a couple of phrases, she walked on without looking back, feeling the sad look of a big, handsome, kind guy who honestly earned his bread by torturing and killing people.

The wide corridors smelled of wax torches and cheap lamp oil. The few guards gave the healer indifferent glances at best, like a common element of the prison landscape. The anatomy room was located in the part of the palace closer to the surface, so it took a lot of effort to get up from the basement. On the way, Eelena met a maid with a bucket and Master Kwokk, who was in a hurry as usual and shook his head in annoyance at her greeting.

The normality, the ordinariness of it all had surprised and amazed Elena immensely at first. But now it only resonated with a persistent feeling of slight bewilderment. How could it be possible? How could people who chose such a craft be so ... ordinary? But they could be. And they were.

Another passage, wiped by the feet of many generations... The torch had almost died out here. They hadn't bothered to replace it in time, so we had to tread carefully. And it was necessary not to drop the bag with tools.

Putting aside the moral aspect of the job, being a prison healer was a lucrative occupation. It paid well in itself and provided an income. The prisoners' relatives paid for their treatment, and the prisoners were often ill. Here, Elena again had a hard time because there was a big moral dilemma. To treat for nothing? It's expensive and even ruinous because, according to long-standing traditions, the healer bought all the necessary ingredients at his own expense. By the way, the same rule was valid in many other professions. For example, servants in taverns and other restaurants also paid for the order first and then squeezed its cost out of the client [1]. To take money? But how much, given that Elena could not haggle organically and could not learn it till now?

In general, as one of the Coen brothers' characters succinctly put it, "everything is complicated." Here's the right hallway. Wow, security? Who's that for, I wonder? Elena strode past the armed men with a businesslike and independent look, catching the usual glances of interest, surprise, and quick calculation of the odds - what if they hit on an independent and unmarried woman?

Everything was ready in the hall, the patient was on the table, the water was stocked, the basins were available, and they just needed to be set up. It smelled as usual, that is, unpleasant but tolerable. A weak magical amulet correctly muffled the stubborn odor of dead meat, protecting the dress of the spectators. But no ... something else ... Elena's nostrils caught a faint but exquisite scent of perfume. The source was found immediately. On the only chair sat a young woman, obviously high-born, about the same age as Elena or slightly older. The chair, in turn, rested on a stone slab so that even sitting down, the viewer could look down at the anatomical table from above.

The girl was, to put it bluntly, spectacular in every way. She was dressed to perfection, so much so Elena, who was not usually so self-conscious about her dress, gritted her teeth. "Merciful" earned enough to give clothes to laundresses but not enough to get rid of the traditional "wash or rinse" dilemma, given the cost of Figueredo's training. [2].

And the clothes weren't the kind the daughters of the Bonoms wore. A black jacket and black stocking pants with red inserts outlined an athletic figure that was a little less than firm. On her shoulders hung a short cream-colored cape, barely elbow-length, with a palm-high collar. The cloak was fastened with a shiny hook, and a gold chain with double links that looked like figure eights were slipped on top of it with the same magnificent carelessness, like cheap beads.

The most remarkable of all were the boots, nothing like they wore in Milvesse. With lapels, in the color of the cloak, without stilettos - they had not yet been thought of here - but with high shanks, which in the unfolded state reached, perhaps, to the middle of the thighs. The shanks were cut in front of the full length, all the way to the foot, and tightened with silver-plated lacing. The wide belt and boots were connected over the stockings by spiral straps with decorative rivets. The oval belt buckle shone with polish and a gold-wired coat of arms that Elena had definitely seen before.

There was no hat, no hairnet, not even a barrette on her head, just a long, shiny hairpin fastening a black strand behind her ear, a contemptuous concession to the rules of behavior that discouraged hairlessness, leaving it to prostitutes. It was a miracle the accessory had held at all, considering the aristocrat's hair was cut almost as short as Elena's, above her shoulders.

It all looked beautiful, very bright, but at the same time deliberately modest, considering that in the local society, a person was defined first of all by his appearance, so bright, parrot-like colors and the most unimaginable combinations of colors ruled the ball. The chair had no backrest, so the spectator gracefully leaned on the high armrest, curved in the form of a lyre, put her foot on her leg, and propped her graceful, chiseled chin with her left hand. On top of the glossy leather shone three rings with multicolored stones, worn directly on the glove. But the right hand, interestingly enough, had not a single piece of jewelry on it. She had seen this sort of thing many times before on the streets of the City. Professional fighters, guards, as well as many knights from the real, fighting ones, did so. And highlanders, who did not wear rings on principle.

She wonders if the Gothic woman is cosplaying as a swordsman or actually knows how to fight.

Of course, the aristocrat didn't say a word, and she didn't show a single gesture that she paid the slightest attention to the servants. Elena, in her turn, behaved similarly, acting as if she were alone in the anatomy room. There was a fair amount of hooliganism in that. As a representative of a lower class and not even a member of the workshop, the healer was supposed to greet the superior, show proper deference, and use appropriate treatment. But the cold arrogance of the onlooker suddenly struck a nerve with the Mercyful One. In addition, her shoulder, bruised by the Draftsman the day before, was hurting badly, and Elena's mood was completely ruined.

Putting the tools out of her work bag, the woman quickly assessed the material she had to work with. It wasn't that she liked autopsies, but rather, it was the least unpleasant part of her job. The dead didn't moan, cry, or urinate as they were being treated, nor did they smell the horror of a living body that had experienced unimaginable pain and was about to experience it again. They did not beg to send a message behind bars, nor did they try to rape a woman who was within reach.

This dead guy was pretty clean - male, relatively young, body not emaciated. Faint shackle marks, worn for a short time. A few distinctive scars that Lunna had already learned well - blade marks. A soldier, possibly a bandit or an assassin. As a medic, Elena noted that the man had died recently, a couple of hours ago at most. The body hadn't cooled down at all. As a student of a fencer, she estimated the efficiency of the murder, just one blow exactly in the neck. The point reached the spine. In addition, the dead man's skull was crushed by a heavy blade, but judging by the direction of the blow, it was struck from top to bottom, on the back of the head, that is, most likely, already killing him. Another Brether who had taken the moonlit road last night? A victim of assassins? On the other hand, they didn't take the usual dead to prison. What difference does it make, really? A corpse is a corpse.

Finally, the instruments were laid out in the correct order.

"Master Lunna is ready to show you her art!" proclaimed the jailer.

And then Elena remembered several things at once, four to be exact.

First, she had forgotten about Fatty Gu, even though he was puffing and panting behind her back like a wok under a tight lid on low heat. Then, she never took off her cap. The plain leather cap she had ordered a month ago. Despite the carefully drawn-out image and even the tiny clay model, the work was slow and difficult to do. The cost of non-standard work in shop production. But the cap turned out to look great, almost like DiCaprio in "Gangs of New York." And very comfortable. The soft leather pancake was so comfortable on the head that Elena forgot about it. Now, that's a serious oversight. It was possible to refrain from unnecessary words in the presence of a noble person, as if not wanting to offend her. But to stay in the headdress. One could be blamed for such a thing.

The third memory was the coat of arms gilded on the visitor's belt. Elena had seen it a year ago, when she had met the brunette with the destrier, accompanied by an armed retinue. Wow, how they got back together again! And finally, at last, the medic finally realized what the marvelous cloak was made of, whose fabric looked like silk, even though there were no mulberries or silkworms in Ecumene.

Elena kept her composure, or at least she hoped she did. With due deference, however, without fussy haste, she took off her cap and made a half bow. The brunette looked at the woman healer with a look that Grandfather called "like a sheep at a new gate" without even trying to hide her amazement. Elena felt the heat sweep over her torso, her face as if doused in a hot bath. Helpless confusion spilled through her veins, turning her arms into awkward appendages. Now, the black goat in the cannibal's cloak would want to punish the lowborn wench, and she would be in her right. What to do?

A moment later, Elena realized that the visitor was simply surprised by a woman in a strictly male occupation. And after the confusion came anger, more at herself. How, how could she have been so oblivious and careless?!

"Does Lady want an explanation of the autopsy?" Elena asked, checking that the leather roll under the dead man's shoulder blades was in place to flex the torso and chest.

Her voice trailed off a little, but barely, so it could be mistaken for natural hoarseness. The brunette hesitated, slowly moving the fingers of her right - ringless - hand. The movements were unpleasantly reminiscent of something out of a Soviet sci-fi classic, either screwing in or ripping off the invisible. Elena, meanwhile, took off her caftan and vest. She rolled up the sleeves of her linen shirt to her shoulders and put on an apron on a rope loop. She took the first knife and froze, half-turned to her customer in anticipation.

"No," she said and, pausing again, added abruptly. "I'm in the mood to be a silent observer today."

The voice was soft and pleasant, you could say - staged. Like a good actor's or an understudy's. It was soft as if a miaur that had risen on its hind legs had spoken. And, at the same time, low, quite "adult" - nothing of young girlhood. Most likely, the young aristocrat's speech was crafted by a good rhetorician. It would be even better to understand why this goat had condescended to give a detailed answer to some medicine woman who was gutting dead... It was not good.

The healer nodded silently, opening the still warm skin on the man's chest with quick movements.

After the cloak, Elena's attitude toward the customer of the event changed from interested (and a little jealous) to outright hostility, which had to be concealed with a great deal of effort. A wonderfully strong, dense, and light fabric better than silk was made by only one creature in the world - the Gray Shadow, a rare species of giant spider-hunter from the Wastelands. Elena had only seen such a marvel once, and that was from afar, but she had heard quite a bit about them. The creature was deadly, but breeding it was worth it, paying off many times over. The best web was produced by a monster fed on human flesh, ideally alive. Of course, the owners of rare "farms" with spiders swore that they fed the creepy pets only pigs, but ... Therefore, the graceful, but at the same time broad, strong shoulders of the girl beautifully encircled the corpse of some poor guy, in the truest sense. And it's good if it was posthumously processed. Among the capital's criminals, it was considered a good thing to give a particularly guilty person to be "spidered" alive.

The customer watched silently, still rotating the fingers of her left hand in the same measured way. Not a single thought could be read on her pale face, not even the faintest shadow of emotion distorting it. Separating the skin from the ribs, Elena thought and how could she mistake this woman for Shena...? The facial features were completely different, more delicate, and expressive, like a marble mask. The beauty of sculptural perfection. The resemblance to stone was compounded by the very pale lips, which were as if covered in pearl lipstick. And Shena was alive, real.

Was.

Elena gritted her teeth and continued her work; against her custom, she worked the chest forward of the abdomen. The aristocrat's dark eyes glittered coldly in the reflected light of the lamp, and it was unclear where her gaze was directed. The jailer was in palpable and obvious agony, shifting from foot to foot. Here, on the outskirts of the prison, it was silent, with only the faintest rustling of the breeze from the air ducts and the tinkling of instruments. A little later, the tinkling was joined by a soft slapping as the medicine woman began to arrange the body parts in basins.

As usual, the chest was a bit of a pain in the ass. Elena realized that she had to think of a tool, and surely it existed, at least in her home universe. But she didn't have enough imagination, so she had to act roughly, hacking at the sternum with a broad blade that looked like a chisel and a gladius at the same time.

Interesting, thought the medic. Here are the organs in the peritoneum, and the names of some of them can be associated with something familiar, and some - not. Liver, kidneys, that's clear. What's this, like a pouch or a pickle? The local name is bataraidh, but what is it really? Spleen? Gallbladder, pancreas, something else?

The familiar rhythm and practiced sequence of movements were soothing. Elena simply switched off from the world around her. Fortunately, she was not required to work in a highly professional manner. The Ecumene had not yet reached the level of science-based medicine of at least the Renaissance (although it was getting closer, according to subjective feelings). The anatomist was required not to make any gross mistakes and to take a dead person apart more or less promptly.

Fifteenth. It's the fifteenth corpse she's cut up...Lenochka Girl, who even tried not to cut up chicken breasts because ew, sticky and disgusting.

Heck, a year of my life for a simple pair of rubber gloves!

The autopsy took too long. Usually, the spectators tired early and, convinced that the man inside was not much different from a pig, wrapped up the show. The brunette in the cloak watched until the end, silent as a living statue. Only once did she change her pose, mirroring herself. Right hand on the armrest, left hand free. She crossed her legs - just like Sharon Stone, the thin stockings with spectacular boots emphasized the length. It was ... beautiful. Mechanically transferring the intestines into the pelvis, loop by loop, Elena tried to make a quick estimate of how much such an outfit cost and couldn't. There was nothing to compare it with. Such a cloth and quality of work in the shops available to the medic was absent in principle.

That's fine. To each their own.

As if sensing the impending finale, one of the guards waiting outside came in, creaking the door. He was well dressed, even better armed, and had a relatively pleasant face, but his eyes were the opposite. Some people look like overbearing predators, and this one seemed more like an omnivorous rodent. Elena immediately dubbed him a "shrew" and thought that he was someone she would not want to be alone with. She noted with an experienced eye the fresh, badly scuffed purple smudges on the rodent's boots.

"Mistress," He brought his lips to her ear beneath the gleaming hairpin. "It will be dark soon."

He lowered his voice, and Elena, leaning over the corpse, heard only something about the second messenger, the cook's bills, and the fiery feelings of a Gastald eager for acquaintance. Gastalds in the East called the aristocracy of the level of Count-Duke. It was logical to assume that the maiden was not lower. A countess, at the very least. And the shape of the chain links on her neck, plus the absence of pendants, meant that the young woman was also an unofficial heiress.

Elena sighed and thought once again she had missed the trouble. It was a sign from above, no other way, and next time, she'd have to turn her head faster, see who fate was giving her, and take off her hat in time. Technically, the girl was already a citizen of the city because she had lived, legally renting a house, for nine months and one day, had paid taxes, and, most importantly, she had been accepted into the civil service in the prison and was receiving a salary from the treasury (without this, the waiting time would have immediately increased to three years). Therefore, it is impossible to offend her without a good reason. In practice, Elena regularly corrected the dislocated hands of those behind whom the pure right stood without the support of at least the Crafts Council.

"Get the horses ready, Mourier. The public can't wait. I'll check the cook's bill."

When she answered, the brunette gave Elena a long, unblinking stare, oddly mesmerizing. Not like a reptile's, but rather purely feline, with a distinctive hunter's squint. Then, in turn, she lowered her voice and quietly said something in the ear of the rodent named Murier. The rodent nodded, cast an unpleasant, piercing glance in Elena's direction, and gave her hand to help her down from the stone pedestal.

When the old door of creaky oak, the same age as Cataclysm, slammed behind the guest, Elena sighed with relief, and Gu rushed to piss in one of the basins of dead flesh. It seemed that the poor man was holding back from the last of his strength, not daring either to leave the show or to defecate in front of the highborn lady. However, even with the correction for pity, it looked obscene and disgusting, so Elena was glad. She shouldn't take it out, and the day was finally over. For some reason, the rodent did not hurry after his mistress. Mourier took a couple of steps toward the table, and Elena finally realized who was in front of her.

It was inappropriate for a high-born gentleman to count out any serious money in payment for anything. It made him akin to a negociant or, God forbid, a shopkeeper. No, the right thing to do was to throw his purse at once, showing his broad-mindedness and contempt for the "iron of merchants." Many people did so, often without even knowing how many coins were inside. The more practical ones counted out the necessary sums in advance, spread them out in purses, and sewed or sealed the purses. Such "bank packs" hung on Rodent's belt, which made him look like a trusted man, and in combination with weapons - a bodyguard or chief of security.

As Alice would say, it gets curiouser and curiouser.

Mourier, clearly thinking about something of his own, carefully untied one of the pouches and slammed it onto the edge of the table, narrowly missing the flap of skin that had been turned off the torso. Elena raised an eyebrow and shook her head respectfully. It wasn't the first time she had accepted money for a performance, but it was the first time the audience's gratitude had been expressed in such a meaningful way. Perhaps it was worth the nerves she had burned, and the gorgeous lady was quite nice and warm-hearted. She wishes always like this.

A lady? Or maybe not? Come on, the medic thought, the dark-haired cat didn't look like a virgin at all.

"You'll be there by mid-midnight watch," Mourier informed her weightily, very convincingly. "He'll tell you where," the bodyguard nodded toward Gu, who was still murmuring with a blissful smile. Noticing the bodyguard's gesture, the jailer smiled even happier.

"That's..." The Rodent's face reflected a powerful work of intelligence, like a man of no small mind but forced to quickly solve an unfamiliar task. "There's plenty of time, so wash your hair, go to the baths, and whatever else you're supposed to do. No perfume, they'll sprinkle it where it's needed."

Elena sighed heavily. She felt sad and wistful. Her dreams of a new jacket (or even a coat) for winter were scattered like the shards of an old vase.

"Kind sir, she replied, trying to speak as politely and understandably as possible, choosing a deliberately neutral address." "You've got something wrong. Maidens for fun is the other way around."

Although Elena had learned to swear pretty well, she couldn't say the word "whores". There was something humiliating about it, especially to the speaker.

Gu made a thin, lingering sound, like a puppet being squeezed in a fist, forcing air through the hole. The gurgling stopped, whether the liquid had run out or the spasm had constricted it. Judging by the look on his face, it's more likely the latter. Yes, a girl of years, without a husband and a fiancé, refusing a small-born but nobleman, even when silver was at hand, was not unthinkable, but, to put it bluntly, uncommon.

"Fool," Mourier said with a wry chuckle. "I don't need you." he looked at Elena's male haircut with critical disapproval. "You'll entertain my mistress."

* * *
[1] In Russia, the purchase of food and drink by innkeepers at their own expense existed until the 19th century.
[2] Washing wore out the fabric very badly so generally, it was limited to rinsing. This affected both external cleanliness and the epidemiological situation
 
Chapter 11 Concerns of the evening city
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Milvess was ideally situated to become the merchant capital of the entire Ecumene. A large river, a wide estuary, direct access to the freshwater sea. The abundance of water for agriculture, not without reason, "Milvess" in translation from the old dialect meant "A thousand springs" (which later turned into a thousand wells). So when the war with the Necromancer Emperor turned the former capital into a poisonous wasteland, the choice of a new location seemed obvious. However, after Milvess was given a new impetus in development, it turned out that not everything was smooth. The same river that had given life to the City became a big problem. The banks proved to be sinking, the soft earth swallowing up foundations and pilings. This severely limited the size of the wharves, the tonnage of ships, and the turnover of goods in general.

But for the Old Empire, there were no unsolvable tasks, and where architects were powerless, powerful magic was used. It was even said that the founders of the City used forbidden sorcery, negotiating with the world beyond by offering human sacrifices. The southern shore was simply encased in granite, while the northern shore was fortified by the pure power of magic. Twelve stone bridges connected the two parts of Milvess, and in addition to them, five tunnels ran under the river. Milvess was also called Taididdo, the Sun City, from the gilded roofs on the houses and the amazing sails that reflected not only the wind but even the sunlight.

And then the Cataclysm happened, and the magic was gone from the world, leaving only crumbs of its former power. The southern bank survived, but the northern bank quickly reverted to its former state. The bridges, except for two, collapsed, their bases dismantled for building stone. The unified city was back to a two-in-one state with regular service via ferries and a respected carrier shop. On holidays, "North" and "South" fought merrily and bloodily on the surviving bridges, and on weekends, the river was transformed into an arena of real boat battles.

The North was considered more "simple" and bourgeois, where the main industries and "dirty" workshops like the tanneries were concentrated, as well as the headquarters of the non-prestigious workshops. Brethers and fencers, who insulted the noble art of real warfare - "Eeach sleagh", i.e. on a good horse with a lance. There was also an embankment here, where they built a fortress for defense from the sea and berths for battle galleys.

The Southern part was occupied by negocians, privileged shops, masters of luxury goods, the residences of Bonoms, and the like cream of society. Here stretched the docks for merchant ships from all over the world, "long warehouses," and a large shipyard - the second in the world after the famous Arsenal of Saltoluchard.

The underground prison was to the South, and Elena's house to the north, but there was no need to pay for transportation. The only surviving tunnel connected the Palace Under the Hill to the Northern district. It had once been used to bring all sorts of provisions and other supplies to the Primator's house. Now, city employees walked under the river, and other citizens were not allowed in. It was obvious that sooner or later, the water would break through here as well, but everyone hoped it would not happen in his lifetime, or at least during his transition.

It was rumored that there was another secret passage, supposedly created magically for some secret rendezvous, this time from the palace to the old city. But Elena was inclined to think that it was a typical urban legend, in any case, the evidence closer than "I knew the man who told the story" the woman had not yet met.

The tunnel looked both lived-in and abandoned at the same time. The high ceiling was covered with a thick layer of soot and smelled of tar, burnt rags, and wax. They didn't spend much money on magic lamps, of course. The brick and stone chimney bent and shifted with the movement of the soil, so the walls were often patches of much later masonry, rough and uneven. The floor was scraped with crumbled slabs that, in some places, protruded at an angle of thirty degrees, like the jagged teeth of a cave monster. Some of the original columns had collapsed, but new ones were sticking out in disarray. Usually, the usual sturdy wood supports to keep the vaults from collapsing. It dripped from above, and streams trickled in the deep scouring holes underfoot. The walls were covered with whitish scum and mineral deposits that looked like soapy stalactites. If you put your ear to the cold stone and listen, you could hear the mighty river running for thousands of years at a distance of no more than a dozen meters.

Elena walked, habitually avoiding places where it was possible to break a leg, mechanically greeting people she met, determining by eye to whom to nod, to whom to say something, and to whom she should take off her hat. She was not going to repeat today's mistake. The weighty purse was pulling on her belt pouch. The weight was unpleasant and uneven as if the coins were rolling over themselves, upsetting the balance. The woman did not remove the seal, did not embroider the purse, and put it as it was.

There's the exit. First, a spiral staircase, then a wide gate with rusty bars next to a drain going into an old sewer. The guard was resting at his post again, this time in an original way. He put a wide board so it stood diagonally right in the wicket, lay down with his back on the resulting support, and dozed off. Those walking by didn't wake up the guardian of order and squatted down, passing into the triangle formed under the board. Elena followed the general example, humming to herself. Someone today will be severely scolded by the shift supervisor. Now, it was twelve steps up the stone stairs to get from the drainage channel to the street itself ... where Elena was waiting. They wait long, judging by the faces of the escort.

"We've been waiting a long time. What's taking so long?" repeated Squint, literally repeating her thoughts. He was indeed blind in one eye, but he had a habit of turning to the blind side of his interlocutor, so it seemed the bandit was looking through his blind eye.

"Work," Elena replied briefly, realizing that no matter how much she dreamed of taking a break, there would be no rest today.

Noseless remained silent as usual, staring at the woman with a hateful look. She was the one who had given him his new nickname. Though his nose was still technically there, the stabbing and lack of treatment had caused the cartilage to spread apart, making it as flat as a gorilla's.

"Work-Pork-Dork!" muttered Squint, and then he chuckled loudly as if to make a point. The bandit was from some distant land and liked to flaunt his dialect, which Elena didn't understand.

"And what?" She asked with the wistful thought that that was it. There would be no healthy sleep.

"A work," snorted Squint. "Only the right kind. As usual."

Noseless looked at her with blank eyes that burned with pure, unadulterated hatred.

"Let's go," Elena sighed, adjusting the strap of her bag on her shoulder.

The mishap that happened to Elena on that memorable night became a certain problem for the criminal community of the whole neighborhood. On the one hand, blood had been spilled, and although no one had died, two members of the community of gambling patrons [1] were treated for a long time and, it could be said, lost much of their ability to work. On the other hand, Elena was a free woman, and in her right, she fought off the slavers. In other circumstances, it would have cost nothing, but the woman found herself under the protection of Baala, who had many acquaintances. Went on to apprentice to a real fencer. And on top of that, she became part of law enforcement, albeit somewhere on the margins. The Executioners, though not the soul of society, enjoyed considerable prestige. The entire city's justice system could avenge for an offense inflicted on their servant. But blood had been spilled, and it was impossible to ignore it.

The case was resolved simply. Elena was told through Baala that there were no claims against her, but all right people would appreciate a voluntary step on her part, so to speak, in compensation for moral and bodily damage. And since the maiden has no money in such quantity, the compensation is accepted by work. Baala recommended agreeing, noting that it was indeed the best way out. So Elena, in addition to prison medicine, began to mend and a very real criminal. Free of charge, quite often, but with no further problems.

They walked quickly, the same route, along the poor streets in the light of the "touchwood." The second or third floors overhung the sidewalk, almost covering the dreary autumn sky. A thick web of drying ropes hung between the houses, washed clothes dangling in the growing breeze. Small peddlers were winding down their business, stacking goods in boxes. Wooden clogs clattered, and shutters closed. Late shoppers haggled fiercely, hoping to get a few extra pennies. Children with candle burners snuck in to see off the latecomers for a coin and, at the same time, to lure them to the older bandits.

Elena walked past the glassblower's workshop. The glassblower used the last remnants of the furnace's heat, spinning a thin spiral of dark cherry-colored glass on a tall glass, hot even to the touch. The glass was very bad, made of local sand, cloudy and bubbly, but the work itself was beautiful. The windows glowed very low on the first floors, barely at chest level. In the richer houses, the glass was replaced by slate plates, in the poorer ones by the classic bull bubble or specially dried leaves of the reeds that grew in abundance in the southern marshes. The smell of soot, cabbage, and turnips came from the wives warming up the leftovers of the lunch that would become supper. Meat and bread had gone up in price again this year, so most of the townspeople had a lean dinner, even without chicken.

A long line of masons, accompanied by two Highlanders, passed towards them. The Highlanders were funny as usual, and their belts made them look like chickens with thin legs in stockings and huge bellies. The stonemasons were, as usual, tired and lively, probably from the construction of the Tower. This year, many people were earning money there because the islanders demanded fast, good work, but they paid twice or even three times as much as usual. Because of this, the workshop was already indignant, the craft councils disapproved, and there was a rumor the ancient regulations on the height of the residences-towers were being violated. But so far, the matter was peaceful. Milvess began to feel a slight shortage of high-grade coins, so the island infusion was still very much needed.

The headquarters of the neighborhood street crime unit was in an ordinary three-story house with no signs or weathervanes. Only the big chimney emitted a fierce smoke, showing they didn't skimp on fuel here. It smelled of smokehouse and fried sausage, but the strongest was fish soup, the eternal companion of a seaside town.

They were let in without inspection, as expected guests. Elena stayed downstairs on the first floor for a couple of minutes while Noseless went upstairs to report. On the first floor in addition to other things, there was a tavern "for their people", and it was open all year round, literally. Cauldrons in brick slabs gurgled for weeks and months, and various scraps were constantly thrown into them, which were boiled into jelly, hot and nutritious [2]. Everyone could scoop up as much as he wanted with a mug. The main thing was to eat it before it got cold because cold food quickly turned into hardened cement. Silent cooks chattered the brew with wooden spatulas, and silent workers of knife and rope absorbed the calories. No one paid any attention to those who entered. People came, so they had to. When they finish, they leave. And if they don't need to be here, whoever needs to take care of them will take care of them, and there will be no more people. Next to a large stove with two boilers, a frying pan with the very sausage that smelled stupefyingly of sausage, even from the street. Elena swallowed her saliva, pretended she didn't want to eat, and warmed her hands by the fire. A fennec fox was diving under her feet, gnawing small bones.

Noseless came down the creaky stairs and nodded silently. Squint retreated a step, and Elena realized she was allowed to personally visit the body of the boss. It was unusual, as the woman usually cut patients in the annex in the backyard, where it was convenient to bring wounded bodies and take out the dead without attracting attention. Elena went upstairs, trying to put her feet carefully. The ancient steps had not been changed for a long time, and some had been sawed on purpose so they could withstand a normal step and break under the foot of a running guard or a rival.

The second floor was noticeably cleaner and brighter, with normal candles burning instead of glass with rotten stuffing. The twins, the chief's bodyguards, eyed the guest suspiciously. The Brothers, who didn't even have separate names, were the ones who fully corresponded to the villain's craft. They have necks turned into heads without any extensions, tiny chins barely a finger high, lips turned out like those of Africans, and ears that were puffed out at right angles to the skull and repeatedly broken.

The Brothers gave Elena an angry and suspicious glance and then parted. The woman sighed heavily, adjusted her bag, and entered without knocking.

In fact, of course, he was called something else entirely, and it sounded like a repeatedly distorted and abbreviated "defender of fair play and good judgment," but Elena had immediately nicknamed him "Boss." A large, well-built man in his forties, shaved naked, with facial features that could even be called pleasant. Wear a merchant's robe instead of a shirt, and you can draw impressive portraits. The eyes spoiled the whole impression. Psychologists, as far as Elena remembered, called such a look "accentuated." And from the outside, it looked like madness smoldering in the depths of his pupils. A hysterical readiness to explode at any moment with an attack of crushing violence, brutal and demonstrative.

"My respects," Elena removed her cap and shook her head, freeing her short hair.

"Woo-uh-uh-uh..." Boss mumbled in reply, whose name or nickname the healer never learned to this day.

He looked bad. Much worse than the last time they'd met, which had been a few months ago. He was shrunken and pale, sweat dripping down his face despite the compress covering his forehead. His lips twitched like a man in tolerable but incessant pain. Elena drew in air, and even through the pungent odor of strong vinegar, she could smell the decoction of Paraclete Herbs.

Looks like she's got a "highly ranked" patient waiting for her today. And that was not a privilege to be coveted. The medicine woman removed her bag and set it on a wide stool made of cross-bent boards instead of legs. The bag was not very comfortable, and at one time, the woman had wanted to make something backpack-shaped but had to abandon the idea. With the local level of pickpocketing and the quality of razors, carrying something behind her back unattended was unwise.

"No need to send for me to the dungeon," she said, unbuckling the straps. "Lots of familiar eyes. There will be questions."

"Not my concern," snorted the boss, wrinkling his nose. He seemed to be in a lot of pain. Elena didn't know where, but his arms were moving, and he wasn't grabbing his chest. No bandages. What about his legs?

"Where?" she asked laconically, bringing her hand over the open bag. "What are we looking at?"

"Y-y-y-y..." the patient exhaled longingly with unspeakable longing. It sounded and looked like horrifying moral suffering.

It went on like that for a minute, maybe more. The boss suffered, and Elena waited. She wanted to repeat the question twice, but the devil in the ringleader's eyes was burning especially brightly, discouraging all desire to talk in vain. Damn it, not venereology... Not to mention that Elena didn't understand anything about it. The mere thought of looking at a flaccid dick made her stomach cramp.

"That's... Well... Anyway..."

It took him a long time to decide, and when he finally managed to squeeze out a description of the problem. It was hard and painful, like taking a mug of strong wine with a terrible hangover. Elena froze, struggling to hold back a sigh of relief mixed with a nervous chuckle. No, thank God, not a dick. Though, that was another way of looking at it. Well, now it was clear why the leader had sent for her and even left her alone. For a moment, the medicine woman felt a little sorry for the man, but only for a moment. The thought sobered her that if things had turned out a little differently, then from her body, dead or alive, in a slave noose, this unhappy, suffering uncle would have received his percentage, one time or in a stretch.

"Light," she said, proud that she sounded even, calm, without a shadow of a smile. Very professional. "The strongest you can get. Best of all, magical. And a mirror, also the best."

"What for?" squeaked the boss, who seemed to be having a seizure.

"I'll point the light where you need it," the woman explained patiently.

"O-okay," the boss's voice broke like glass chips under a wooden sole. "They'll bring it now. Brothers! Get your faces up here. I have the word!"

Against expectations, the diagnosis didn't take long. When she finished, Elena returned the yellow orb in the bronze lattice to the table, looking like a small and very bright star. She turned a small ring on the top of the protective sphere, turning down the brightness, just like a rheostat. She placed a mirror next to it, a really quite decent mirror. She didn't miss the opportunity to glance at herself, taking the opportunity to look at something more decent than a reflection in a basin or a polished metal plate. Yes... Elena had changed a lot over the summer. There was no way to call her a girl now. From the silver-rimmed circle, she looked like a stern and battered woman in her twenties with an uneven man's haircut. Pale lips, shadows under her eyes, the thin face of a man who does not starve but does not eat enough. She had an attentive and keen gaze, full of latent distrust.

The Duchess with the rings must be out of her mind. Judging by the purses on the bodyguard's belt, a lover of anatomical shows could buy herself, anyone, even a threesome with the best courtesans, if she wanted women. That's right, the depraved gluttony of the rich. Speaking of purses, one was still tugging at her belt.....

"Well?!" asked, like a scourge, the boss, tying the drawstring on his pants with slightly trembling fingers.

Elena flipped the mirror over so she wouldn't be tempted.

"A pustule in the rectum [3]," she reported in a still businesslike manner. "It's big, it'll burst soon."

"And?.." now it was not his fingers that trembled, but his voice.

"If, by the grace of the Pantocrator, it breaks out, chances are good. Rinse with chamomile infusion, drink only decoctions, and most likely, will pass. And if it's the other way around..."

"What's going to happen? "The boss pulled himself together and again seemed like a "really cool guy" without a shadow of fear.

"If the pus goes into the peritoneum, nothing can help. Unless it's magic."

The unspoken "but where to find such a sorcerer" hung in the air. Formally, magicians even had their guild, but practically everything was much more complicated. In one way or another, even a rich man from the lower classes could only buy an enchanted potion.

"What can be done?" The boss threw curtly.

Elena thought conscientiously, fighting the temptation to leave it as is. If the local God really existed, let him help the freak. Then she remembered Grandpa's words about the oath and duty of a medic. Afterward, it came to mind that her medical practice was originally forced, so there was no duty. But what would the gangster degenerate do if she told him, oops, nothing can be done, and the fun life would end with pus in his ass?

Damn, everything is so complicated...

"The abscess is not far from the... entrance. We can try to open it. The chances of it bursting out are a little higher. But it's still a big risk."

The boss didn't think long or rather didn't think at all, dropping it immediately and without hesitation:

"Cut."

"What, right now?!"

"Don't drag it out."

Goodbye, healthy, sound sleep!

"I'll need a long thin stick, clean boiled rags," Elena listed coldly. "Strong thread. Chamomile infusion, hot but not boiling. A jug of fat. The best. And an engraving needle, the kind used to sharpen the finest blades."

"An engraver's?" grimaced the boss.

"They are usually polished and reflect light well. It will be easier to control."

"Gotcha."

"Still need bandages and some herbs. I'll name them myself. We'll make up a tale for everyone."

"What?" the boss didn't understand.

"We'll make up a tale for everyone," Elena repeated. "I'll tell everyone that the old wound got inflamed and rotted and had to be opened. We'll make a bandage on your arm or stomach, and I'll come and change it. I'll also wash the a... inflamed place with chamomile."

The boss looked at her with a squint, sideways.

"Smart girl," he said quietly. "Very smart."

"Mama didn't give birth to fools," Elena hummed.

Of course, it would have sounded better about her father, because it was a patriarchal society, after all. But she can't go back on what she said, so that's fine.

"Brothers!!! Call the maids!"

* * *

A small single-masted ship approached from the north as if it were avoiding all attention. Not a galley but a sailing vessel, which was strange and unusual for the inland sea. And only a dozen men on board, as if the captain wished to keep the crew to a minimum. The single-masted ship was pulling a large boat on a rope as if the pilot and the merchantman had swapped places. The ship made a wide arc past the island of the coastal fortress, rounding the area where pleasure yachts and poor seekers of the Azure Grotto usually cruised. The ship passed the shipyard, where the work was going on day and night, where slate fires burned on brick platforms instead of torches, so it was like a steel factory. Farther out, the ship met only rafts of shellfish and the rare fishing boats that went out for night fishing when the most expensive, delicate creatures rose from the depths. And the most dangerous. The sailors raised a finger or two, depending on their faith, fearfully to the black heavens as a grave, silent silhouette emerged from the darkness, no light, and then disappeared again, so not even the gear creaked.

The distant bells of the Temple of the Sixty-Six Attributes rang out. The Sunset Watch was over, and the Dead Hour, the time of evil and the devil's machinations had begun. Darkness reigned all around. Even the silver disk of the moon was hidden behind the clouds. The weather favored the captain's schemes. The foretop cut the water black as anthracite. Passing the warehouses, the ship came to the conventional city limits. There, instead of solid stone buildings, began rural anarchy with huts and barns. Here, the last sewage pipe silted up and almost impassable, went out to the sea.

The ship slid quietly closer to the shore. A tall, thin figure in a cloak stepped last and took the helmsman's seat. A tall, thin figure in a cloak stepped in last and took the helmsman's place. They rowed in silence, exhaling heavily in a single rhythm to the creaking of the oars. The waves splashed against the side, promising a storm at dawn. When the boat had traveled about half the distance from the ship to the shore, the helmsman judged the distance to be sufficient. He raised his gloved hand to signal. Either the rowers were mute, or everything had been agreed beforehand, but without a word, the sailors threw off their clothes, rubbing themselves with the stored fat. And one by one, they swam toward the one-masted boat, rowing as if the devil himself were chasing them. Now, only the helmsman and a large wooden box, fastened with ropes three fingers thick, were left in the boat.

The person waited for a moment. One stood up and adjusted the margins of one's triangle, which were lowered and tied with a cord in the manner of a hood. One drew one's dagger, cut the ropes one by one, and touched the thick boards with one's fingers. The box shuddered, and a long rustling sound came from within as if a long chain were sliding through the wool. The helmsman nodded to himself, assessing how far the swimmers had traveled. The sailors had had a hard time, but they were all good swimmers, and the fat should have kept them from the cold of the falling water.

The person waited another half minute, then took off one's hat and stepped back to the edge of the boat. Inhaled deeply, concentrating. Exhaled... Deep breath again... As usual, a fleeting regret that such a trick could not be used in battle. A habitual expulsion of outside thought - and an exhalation, deep, extended. Inhale...

On the third exhalation, the woman opened her ruby eyes and threw her left hand forward sharply with a tense palm. A blue lightning bolt struck silently, not so much seen as felt. The crate was tossed against the side like a child's toy made of thin wood shavings, and after a moment of misbalance, it toppled over the side, collapsing with cracked planks. The woman flailed her arms, keeping her balance in the violently rocking boat. Quickly, she drew a circle over her head, the trace of her hand flickering in the air for a couple of seconds, like a sharp swing of a smoldering twig. Closed off from the creature released into the sea, the witch watched intently as something long and flat twisted in the black waves, stirring up the storms. One end of the unknown creature lightly grazed the side of the boat. The oar lowered overboard and snapped like a reed. The boat jerked again so that the witch could barely stay on her feet for a second time, balancing with her arms outstretched.

The creature kept floundering, twisting in complex loops and figure eights, as if it couldn't decide whether it was more attracted to the single-masted ship or the shore. On the complex segmented shell burned yellow fire signs - alternating in strict order signs of the old language and symbols of the Dark Jyotish. They commanded inexorably, guiding the creature toward its goal. At last, the silent order prevailed, and, ceasing to twirl in place, the creature moved swiftly toward the shore, slithering through the waves like a sea serpent. A long stroke of foam in the black water marked the creature's perfectly straight dash to the drainpipe. Squinting her red eyes, the witch watched the long worm-like body climb out of the water, leaving a wide trail in the silt. A moment later, the monster was free and disappeared into the dungeon.

The woman pulled a small bone amulet from her pocket and crumbled it in her palm, signaling that the deed was done and the deadly hunter was free. The next movement of her hands and the boat slowly moved back to the single-masted ship, gently pushed to the stern by an invisible force. The witch sank on the bench, her arms aching with fatigue. So much magic in a few minutes was too much even for her.

"And now, Spark, see you later ..." the woman with ruby eyes whispered.

* * *
[1] Yes, as in Japan, organized crime in the Ecumene gathered mainly around gambling.

[2] The practice survived at least up to and including the nineteenth century; fishermen were fed in this way, for example, in Le Havre.

[3] You probably smiled involuntarily, but in the meantime, a similar ailment almost sent Louis XIII, the father of the "Sun King," to the grave. Elena is not quite accurate in her diagnosis, but given her lack of medical education, she is forgiven.
 
Chapter 12 Kisses, fireworks, cheers
* * *

Elena was silently preparing for surgery and thinking intensely.

The conspiracy and haste were, in general, understandable, as was the willingness of the boss to turn not to the shop healer but to an unknown wench with no apprenticeship or diploma. In the world of the "night people," morals reigned outwardly restrained but, in fact - cannibalistic. The power of the "patrons" was based on personal authority, which had to be maintained and strengthened. And it was necessary to maintain and strengthen it constantly because every single boss knew that dozens of eyes were staring at his back, just waiting for a blunder, for any evidence of weakness. In such conditions, "shameful disease" could only play to the disadvantage and even give rise to jokes about Sodom's vice. Therefore, the earlier and more inconspicuously to get rid of it, the better.

But all this did not make the task of medicine any easier. Elena had a great deal of experience in opening boils of all kinds, as it was the most common ailment in prison. From poor food and unsanitary conditions. But not like this. So what to do was clear. But how to do it all technically ... And what if, say, the needle gets into a blood vessel, which around the intestines must be immeasurable? You can't squeeze or cauterize it.

It was the middle of the midnight watch when everything was packed and ready for the operation. The water was steaming, the infusion of dried chamomile smelled pleasant, and the needle had been brought in a good one. It seemed that one could prick oneself at the mere sight of it. Elena looked over the inventory, replayed the sequence of actions in her mind, and asked:

"Are you ready?"

"Work," the boss hissed through his teeth.

Badas, Elena remembered. Exactly, his name is Badas. It had slipped in somewhere once in a conversation with a dwarf. Funny, almost like Badass. She smirked but realized she wasn't laughing at all.

"It's going to be hard. I don't have time to stir the elixir for the pain. The main thing is not to twitch at the moment of puncture, or I'll spoil it," Elena warned.

The boss replied with an untranslatable phoneme, which was built around the extremely coarse form "clench your buns and endure" and meant something like "don't piss off, we'll get through it." He said it himself and laughed loudly, appreciating the subtle irony. The laughter, however, had a distinctly hysterical note, a sure sign that the patient was on the verge.

"Well, let's go," the medicine woman whispered to herself and began to burn the needle on the candle flame.

As the old books used to say, let us drop the veil of mercy over the scene that followed. Let us only say that the hand of the healer was experienced and firm, the patient stoically endured, and God had evidently decided that Badas had not yet taken the full measure of his sins on earth. Everything had gone normally without excesses. As far as one could call "normal" the puncture of a pustule in the rectum with a faceted needle using a mirror and a magic lamp. And the subsequent rinsing with a decoction of chamomile. Suffice it to say that Elena had not been so exhausted for many months, and her clothes stank through, worse than at the fish market at the end of a summer evening. Yes, it had been quite a day, with both a cadaver dissection and extreme medical practice.

"Well, that's it," Elena wrapped the bandage around her patient's chest and smeared the rotten slop from the pot for good measure.

Chest wounds usually restricted mobility, so there would be no question why the boss was sitting upright. Badas looked very pale, but he held on. After all, suffering equalizes people, and there was no trace of the bandit's force on his weary face instead of angry readiness. His eyes were filled with pain, bordering on desperate hope.

"I'll come back tomorrow night. We'll see how things go from there. Drink only water during the day. Don't eat anything."

"What do you want?" looking away, the boss asked softly.

The healer thought hard. It wasn't worth asking for money. If the villainous face had meant it, it would have given it right away. It was a favor.

"I need to get to ..." she had to rack her brain, remembering the address. "And soon, preferably before morning. Give me a couple of men to escort me there and then to the prison."

"I'll give you a cart," muttered the bandit, squirming on his ass, which was securely wrapped in a diaper of clean, boiled rags. "There's no need to tire your legs. And tomorrow after sunset."

"Like a bayonet," Elena promised, and again, she could barely keep from smiling when she realized she had mechanically translated from Russian, using instead of "bayonet," the slang definition of a knight's dagger in the form of a faceted pin. Such linguistic mishaps happened to her less and less often, but sometimes they did happen.

"What?" The boss asked suspiciously.

"I will," Elena promised gravely, estimating what complications might set in after such a dissection and how quickly it would bring the patient to the grave. She should have been afraid, but she was too tired. She was desperate for sleep, and in such a situation, she could only get a nap in the morning in prison, and that with a lot of luck. There was a training session with Draftsman in the evening and then the crippled villain.

Though the South of Milvess was a snooty, disdainful look on the northern part, it was still not the salt of the land of the Thousand Wells. The heart of the City and the continent was a small (relatively, of course) piece of land to the southwest, separated by an old fortress wall. The first inhabitants had once settled here, settling on a large promontory. From here, the houses, streets, and buildings stretched further to the east and north.

The Old City had survived everything, even the Cataclysm. The palaces and estates of the Primators, the entire bureaucracy of the capital, the Temple of the Sixty-Six Attributes, the great hippodrome, the arena for the Tournament of Faiths, and the Imperial Palace still stood there. It had shrunk in size by two-thirds compared to its former size, as well as the power of the new emperors who had been stripped of their magical powers. But it was still considered one of the wonders of the world.

Here, near the dilapidated wall that had once protected young Milvess, was the home of an unknown noblewoman. Technically still on the "simpler" side, east of the fence, but as close to the Old City as possible without sixty-six generations of noble ancestors in the family tree. Elena wanted to whistle but only shook her head. The place is "trump." The land here was truly golden. Houses passed from generation to generation. To build something here without the consent of the primators was impossible, and to rent was insanely expensive. So, the Black Duchess was richer than other royalty. Or rather, the family of the Duchess, she was too young for the matriarch. And it seemed that today, the girl was having a great time.

The pair of escorts from the boss remained in the shadows, avoiding the guards frequent in this part of the city, while Elena made her way toward the main gate with a firm stride.

The small square in front of the house was like a horse market and a recruitment camp at the same time. Horses, luxurious stretchers, and even a couple of carriages. That could be used only by persons of purely noble blood. Servants, guards, sweepers shoveling horse manure, "quick snack" merchants who appeared out of thin air, corrupt women, a few city guards who puffed themselves up and tried to match the background of richly dressed warriors, some other people whose profession Elena could only guess. All this motley assemblage moved, talked, ate and drank, and warmed themselves at the portable fryers. Someone had already crossed swords in the distance, and they fought seriously, at least to the point of "falling and not getting up" [1]. Horses were roaring, the vapor from the breath of many swallows melting in the night air.

There were two things in common: their conspicuous wealth (and hubris) and the deliberate mutedness of their speeches. Each of those gathered in the square puffed himself up as much as he could, trying to demonstrate wealth and grandeur, but at the same time, trying to do it as quietly as possible, as if he was afraid to be heard outside the white stone fence. There, inside, the windows of the four-story house were shimmering with light, and pleasant music tinkled with crystal-honey notes. There was definitely a reception with a party.

Slowly walking between the grouping of warriors and servants, Elena quickly went over in her mind the meager knowledge of the local high society. Every guest was a retinue, at least a dozen people, from personal servants to bodyguards. But a dozen is the minimum because a decent Count Ishpan does not go to a feast with less than a dozen soldiers. And this is not bravado but a severe necessity because the transition from "good day, how are you?" to "ultra-violence!!!" in late feudal society was unpredictable and rapid. Only the Pimators, who saw themselves as an island of the old civilized world in an ocean of post-catastrophic savagery of manners, were spared from this. This is how Roman senators would have felt among the barbarian kingdoms of the early Middle Ages.

Here, outside, there are a couple hundred people for sure, but they are, so to speak, the lower level, who have no access to the lord's house. Some more inside, the most trusted and loyal, as well as the most loyal clients, minions, courtesans, and gigolos. Thus, it turns out that the notional duchess, without a name, has gathered a party of twenty or more people equal to herself. Very cool. Elena felt her legs shaking, but she took her will in a fist and tried to walk briskly, confidently. She was escorted with glances, but they did not try to bully her. The woman passed between two stone bowls, each the size of a good cauldron, where a hot fire blazed. Further on, the gateway began.

* * *

Flessa awoke, and her first thought was that she'd had too much to drink that morning. As a rule, the future duchess avoided alcoholic adventures, mindful of her father's commandment to good judgment. The old man once caught his youngest daughter, who was then ten years old, for tasting expensive wine. The ruler first waited patiently until the hops had cleared from the young girl's head, then worked hard with a whip. And then, when the girl had sobbed her tears, he took her by the hand and led her to the family archive, where, unrolling old parchment and precious papyrus, he read to the girl a detailed lecture on the life and death of noble families. Very seriously, as an adult, and putting special emphasis on death. Flessa did not forget the humiliation, for which the servants who witnessed the punishment at the wrong time were cruelly punished afterward. But neither had she forgotten that in times of open warfare and vendettas, up to a quarter of a generation of Bonom aristocrats died violent deaths in battle, exile, or imprisonment. In more peaceful times, the percentage fell, of course, but it never fell below a tenth, except in the irrevocably past era of the Old Empire. And immoderate drinking was the best companion of murderers, poisoners, and bribed guards.

But Flessa couldn't say that hangovers were entirely unfamiliar to her. Like this morning, on the first day of a new decade of life. And most unpleasant of all, she couldn't remember what had caused the unplanned breakdown. In her buzzing head, faces, events, and scraps of memories were jumping around in a crazy carousel. It was like a broken kaleidoscope, with colored glasses spilling out in complete disorder.

So ... what she remembered for sure was the pleasant fact that the Ishpans, the Gastalds, the young and not-so-young heirs of Noble Houses, none had declined the invitation, claiming to be ill. A snake from the Wastelands, soaked in wine vinegar and roasted with herbs on a spit. Laughter, fireworks, and other merriment. Crane stuffed with three kinds of fine meat. "Liquid Smoke." Several young aristocrats, in varying degrees of courtesies, tried to drive wedges at the vice duchess. Traditional wine, fortified wine, and dead water infusions. Roast from a pig fed on the milk of sixty cows [2]... Heck, the bill from the chefs would indeed be insane, but it was worth it. As her father used to say, the front table isn't for eating. It's an investment in reputation. An abundance of expensive food and wine is the most spectacular and inexpensive display of status.

And what happened then, and why did the birthday girl get drunk like a commoner from the song about two merry widows who spent the night in the mud at the tavern? Was it really that good?

Flessa opened her heavy eyelids a second time and looked up at the carved wood. In Milvess, it was customary to hang a hoop on chains over the bed and fasten the canopy to it. The vice-duchess found it foolish - too easy for an assassin to get close. She had brought back from Malersyde a familiar bed with a high headboard that curved over the headboard. Well, at least the woman was in her bed. That was good. Flessa glanced to her right, finding a tall window where the late autumn dawn was coloring the sky with every shade of dullness. The movement of her eyeballs triggered a mild bout of nausea that quickly subsided.

She looked more daringly to her left, where something warm was warming her hand on top of the finest blanket of mountain goat down. She found a cap of dark hair, which did not look like a man's, and with a beautiful hairpin in the disheveled strands. The expensive silver trinket was familiar, and the heiress had thrown it on the table in advance, expecting to "reward" the medicine woman for her efforts. If, of course, the effort turned out to be worth it. Apparently, the art was worth the reward. If there was anything left in her memory... On the other hand, if she liked it, she could do it again.

Gritting her teeth, Flessa moved herself into a sitting position. She took a sip of apple juice from a clear goblet with threads of blue, yellow, and brown glass. A light spell kept the drink cool, and her body felt better immediately, but her head still ached with the unpleasant thought that she shouldn't get so drunk. And there had to be a reason for it.

Flessa thought about putting on a robe, but she had to bend over for it, as she did for the other clothes scattered all over the vice duchess's chambers. And the head urged that it was better to keep straight, avoiding bending and sudden movements. One could have called for "body servants." [3] but ... she didn't want to.

She stood up, nearly losing her balance. A bout of headache touched her temples reproachfully. The heiress strode barefoot across the waxed parquet floor, past the weapons rack, the tall bookshelves, and the heavy drapes covering the windows. The bottle of elixir was in its place, in an inconspicuous drawer disguised as a carved panel. Flessa looked back at the sleeping girl, who from across the hall seemed like a doll wrapped in expensive sheets. She was asleep... Though she shouldn't have used the hiding place so obviously... but whatever, that was something to worry about afterward.

The sip sent a wave of invigorating warmth through her body, almost immediately hitting her skull from the inside with a fist of painful heat. Flessa clenched her eyes shut, waiting out the first, harshest attack. And relief came. She would have to pay for it with an annoying stabbing in her right side, under her ribs, that would last longer than a day, but the bodily weakness and hangover would be gone in less than half an hour.

Everything is fine. Everything is wonderful. Despite the daylight hours, the house was silent, protecting the peace of her mistress. But why did it feel as if something had gone wrong? Where is the happiness and pleasant satisfaction of the party?

The woman walked to the window, which was three-quarters closed with a curtain. Warm air wafted from the well-warmed ductwork, pleasantly stroking her body. In contrast to the warmth, a dank chill oozed from the door to the small balcony, which offered a picturesque view of the main gate and the small park. The traces of the festivities had already vanished without a trace, thanks to the efforts of the faithful and quiet servants. The heiress took a glance at herself in the rostral mirror, frowning at her swollen face and disheveled hair, but not without pleasure, noting that the night had definitely been a success. The traces of other people's kisses indicated a marvelous ardor and astonished her by their original arrangement, testifying to the rich imagination of the person who had kissed her.

Balcony. Open door.

Flessa felt her body spring up on its own, obeying instinct. An open balcony was the way to go for an assassin! A moment later, she relaxed, taking a deep breath. No, if the killer had gotten in during the night, she wouldn't have woken up. But someone had opened the door, hadn't they? Or had they forgotten to close it after admiring the magical fireworks?

"So," the woman said aloud, ruffling the remnants of her exquisite haircut.

As the elixir cleared the mind, memories crystallized out of the hangover muddle, stumbling to line up, one by one. So, everything started fine. And then it got even better.

And what happened next?

"So..." repeated Flessa in a complex mixture of confusion and some confusion.

She locked the door to the balcony, clicking the hidden lock. She made her way to the bed, lifting her robe on the way. Tightening the belt as she went, Flessa pulled the edge of the blanket away from the brunette's face in bed without ceremony. She looked up at the vice duchess with a sleepy gaze. The stork wing hairpin really suited her.

"Out," Flessa ordered briefly and walked around the bed, heading for the juice. She took both the goblet and the bell for the servants at the same time. It rang only once, and the well-trained valet, who had been waiting since dawn, immediately opened one flap and indicated a presence without going inside, however.

"A bath," the woman said, glancing at the quickly dressing "guest," adding. "And porters for her."

"As my lady wishes," the valet bowed. "The water is ready. It will be done now."

"Have Mourier come in," the vice-duchess nodded one last time.

* * *

The fireworks had burned off. Elena could see their reflections on the road, but the air above the house still shimmered with all the colors of the rainbow, like the northern lights. In some ways, it was more beautiful than the fire itself, a soft, watercolor-like glow that faded into ghostly shadows in the black, starless sky. The guards looked at the woman blankly - two Highlanders with crossed halberds, two more with swords and fist shields.

"We don't give alms," said the one without the halberd in a gnarled accent. The shield on his belt was covered with distinctive scratches and nicks, showing that the thing had been in frequent and serious use.

"But if you're here by dawn when we change, we can make a deal," smirked the second swordsman with a noticeably better tongue. "It'll be a generous chip of silver. Four of us at once."

Elena felt that she was attracting more and more attention, sharp and yet deliberately inconspicuous. A lone free woman had no place here, and the longer she stood at the bronze gate, the more eyes crossed over the tall, masculine figure in men's pants.

The halberdiers were silent. They seemed to be on strictly ceremonial duty, and the swordsmen were like sharks on the loose. Elena glanced left and right, figuring out who else might be lurking in the shadows. Though probably most of the hidden guards were scattered inside, behind the white brick wall. Even from here, it was obvious the house was surrounded by a small but dense park. There must be fountains, paths among the hedges, and pavilions for secret rendezvous. The notion of "landscape design" was unknown here, but people knew how to decorate their everyday life, and loved to do so, even on tiny patches of land of a few patches. And behind the wall, there were many more.

"Oh, wait," the first swordsman furrowed his brow. "You're the girl who was supposed to come! Mourier warned me," he reminded the second.

The mountaineers argued, switching to their native speech. Their braids covered their faces amusingly as if each were speaking from the depths of a birdcage. The halberdiers glanced askew, the tips of their intimidating weapons swaying faintly as if their masters were preparing to open the passageway. A servant was already hurrying toward the gate from inside along the white marble path, hurried, well-fed, and colorfully dressed.

"At last," he wailed loudly. "At last!"

The gates were made as usual in rich houses, compound gates. Two wide flaps, woven of thick iron bars in intricate ornamentation, and a small wicket literally cut into one of the flaps. The structure seemed rather flimsy, especially in light of the nobles' paranoid preoccupation with their safety. But it only seemed so. The ornamentation concealed hinges through which, if necessary, wooden bolts or even long crowbars were inserted, jamming the grating into the archway. So, it could only be broken out with a battering ram and not with the first blow.

"You fool, do you think you're noble?!" the servant quickly unlocked the wicket and grabbed Elena by the sleeve, pushing her inside unambiguously. "You should have come through the back door. Now, I'll have to lead you through the garden."

"Uh, honorable!" the woman rested her palm against his chest, feeling the flabby fat beneath several layers of expensive cloth. "Not so fast!"

The Highlanders stared at the scene with a look of utter astonishment, even the halberdiers, just like the jailer in the anatomy. Everyone near the gate fell completely silent, watching. Elena unbuckled her belt pouch and pulled out a weighty pouch, on which both the lacing and the seal remained intact. Her soul literally cried, painfully feeling how real, living money was leaving.

"Your man who accompanied the noble lady this afternoon accidentally dropped this on the table. I'll return it."

Elena tried to make it sound with the utmost dignity. The servant stared at her dumbly, like a robot whose system had frozen from an invalid operation. Or, given the context, like the sheep in front of the new gate. The woman stood, holding her purse in the air. Realizing the wait was dragging on, Elena leaned over and dropped the leather pouch onto the stone slab. Demonstratively, she raised her hands with palms forward and stepped back a step without turning around.

"Return it," she repeated and only then staggered back.

The man is weak, though Elena had vowed to turn around to keep face to the last. Still, after a dozen more steps, she turned around. She couldn't help herself.

The first floor of the house was hidden behind a wall. The second was only partially visible. Judging by the yellow light in the clear huge panes of glass and the shadows, that was where all the fun was taking place. The third floor seemed lower and girdled with smaller windows, probably where the living quarters were located. On this level, there was only one balcony without a canopy or roof, more like a loggia. In the softly fading light of the fireworks, Elena saw a lone figure standing on the edge of the balcony at the waist-high railing. From this distance, there was no face or any other details, just a black silhouette.

What the devil had sat on her left shoulder, Elena couldn't have told anyone if she'd wanted to. There are times when a person does something, obeying some force, some strange intuition. Sometimes, it makes things brilliant. Sometimes, it makes things infinitely stupid. Either way, Elena wanted to do it and did it immediately, catching an impish vibe.

She stood precisely between the stone bowls in the bright light of the slate lights. Like a tin soldier, with the perfect fencer's posture, heels locked, toes slightly apart, arms at her side, chin up. The uncomfortable bag on his shoulder suddenly became comfortable and unnoticeable, as if it had become attached to his shabby jacket. Then the right leg moved forward, so the feet were in line, arms apart, elbows outward. A light squat, the right leg went in an arc to the side, completely straightening out. And then the whole set of movements harmoniously and coherently moved into a graceful bow with a sweep of the arms, as if a swan spread its wings.

Helena straightened up and smiled at the figure, knowing that the figure could not see it, but she was happy and excited, and the young woman could not help but share some of her fun with the world. And then she left, treading lightly and quickly as if she had not been awake for more than a day. Accompanied by whispers, soft voices, even a muffled whistle of approval.

* * *

The courtesan left without uttering a word.

Flessa fell back into bed, feeling the softness of the down pillow beneath her head. She closed her eyes, feeling a fleeting twinge of gratitude toward the whore who'd been smart enough not to pester her with something like "Is the noble mistress satisfied?" and even less with hints of a sequel. That's what a trained master of her craft means.

Mourier entered the chambers quietly, treading like a great miaur, smelling of leather and weapon grease. He took a few steps and froze, staring disciplinedly out the window and studiously not noticing that his mistress was dressed only in a thin and carelessly tied short-sleeved robe. Flessa lay there for a moment and moved her hand, signaling she was ready to listen. The bodyguard reported quickly and clearly on the progress of the festivities after the birthday girl had left the gathering. He listed the losses in the form of broken precious china, ruined furniture, torn tapestries, and the like. He reported who had already gone home and who was sleeping in the guest quarters on the first floor. Each guest received a gift from the generous hostess befitting his or her position. And so on. The disciplined lovag missed nothing, not even the list of rumors that the spies had already spread around the city so that all of Taididdo would know how amazing and rich the feast of the noble heiress of the House of Wartensleben had turned out to be.

"Gastald?" asked the vice-duchess. "Who was blazing of passion and all that."

"He found comfort in other embraces," replied Mourier diplomatically, realizing at once what was meant. He could barely keep from smiling, remembering how the enraged lady had literally pulled one of the most expensive courtesans of Milvesse out from under the young Tegtmauber (whose advances she had previously rejected with delicate determination). And listening to what then went on in the private chambers of the mistress, even the minions who had seen everything shook their heads respectfully. However, the bodyguard decided not to mention it.

"That healer..." the heiress said suddenly.

"Yes, Lady?"

"Find out where she lives."

Already done. The far end of Free Blades Street. Renting a room on a full-time, fed basis."

Flessa was silent for a moment, and when she spoke, the question caught even the used-to-anything lovag by surprise.

"Mourier, is she crazy?"

Now, he took a pause, a short one, to think over the answer and somehow summarize the information he had gathered, but at the same time not to test the patience of the mistress.

"No. But not completely sane," Mourier said honestly. "No husband, no children, no man. Rumor has it that she's having an affair with the apprentice executioner, but no one has held a candle to it. No one has caught it in a dark corner. She also takes lessons from a fencer, who many years ago was considered a great master, but then he retired from business, dispersed his students, and became impoverished."

"Fencer..." the woman stretched out without opening her eyes. "And executioners. Interesting acquaintances."

"Yeah. That's all I've been able to find out so far."

"Maybe you didn't give her enough?" the woman questioned suspiciously.

"No, how could you!" replied Mourier, with a note of offended pride. "The purse had a red seal! You pay with such at the Jewelers and Tailors," making sure that the mistress was silent, he suggested cautiously. "We could send people to her. There are good specialists. They'll take anyone right from the doorstep, and no one will notice anything."

"I'll think about it," muttered Flessa sleepily, whose body, which was already in full effect from the elixir, was insistently demanding a healthy and long sleep.

"I'll think about it...we'll talk tonight..... or tomorrow."

Lovag bowed in a half bow and went out, leaving the vice duchess alone with her reverie. Outside the door, he shook his head, stopping the valet, who was ready to report the hot bath. The valet folded his arms across his chest and, in a menacing whisper, ordered the water to be heated further.

* * *

[1] In the Ecumene, there is no concept of "to the first blood." If the fight is not to the death, the fight stops when one of the opponents can no longer stand.

[2] By the way, the meat of a pig fed with the milk of sixty cows is a real dish.

[3] Room servants fell into two categories. "Body servants" were responsible for clothing and other household chores, including hygiene and medicine. "Room servants" were responsible for personal quarters, furnishings, and keys.
 
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