Ecumene (No OP/ NO Harem/ No MS/ Isekai)

Chapter 20 "Darkness"
Chapter 20 "Darkness"

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Since this wasn't a horror movie, it didn't occur to anyone to divide into groups, scattering around the rooms. They all gathered in one room, not too big, not too small. Apparently, in the past, it had been something like a smoking room, a place where serious matters were decided in confidence or blissful relaxation. The study was upholstered in leather wallpaper that looked like a fine embossed suede - a repeating print with plant motifs. But now there was little of the suede, and the bare wood was streaking through the huge gaps with grayish-brown slats. The same fate befell the chairs, which looked like animal skeletons with scraps of hide on the base ribs. But there was carpet, which, though compacted to felt, provided reliable protection against the dampness that rose from the flooded cellar. The doors on either side of the hall were securely locked, and the broad window still had three-part shutters.

Usually, the tarred ones tried to arrange their lodgings in such a way that there were at least two directions for escape. This time, Santelli betrayed the tried-and-true tradition, reasoning that the lost adventurers were hardly any sillier. They must have taken every precaution, but it didn't help. So they barricaded behind bars and decided they would have two men on duty at a time, with the sentries on duty at different ends of the room. No one would get a good night's sleep or rest, but they would have a better chance of not missing the night's attack. And if you have to walk back in the morning, you'll have to live to see that morning. For a time, Santelli had seriously considered the idea of keeping the team awake until dawn, reveling in invigorating elixirs. But after long hesitation, he gave up the idea. The crossing was too tiring. The brigade could hold out through the night, but it would be too exhausted on the way back. We had to strike a balance, choosing between the risks.

The first guard fell to Shena and Zilber, as he had lost a lot of blood and therefore was prone to weakness. The most dangerous, the one before dawn, Santelli left to himself and the silent Einar. The rest went to Helena and Kai. It was decided not to wake Biso so that he would get more or less rest and be on guard on the way back.

Checking that the company was assembled and no one had been replaced, the foreman closed the shutters and threw on a latch - more of a decoration than a real lock, but enough to deter, if only for a few moments, whoever dared to break in through the window. While the foreman covered the cracks with a curtain, Biso pinned a moon crystal to the wall candelabra, and a steady bluish light illuminated the room. Kai had a few camp candles ready. In case the crystal wasn't enough until morning, which was not uncommon. The crystal was already old.

The first thing Lena did was to check the condition of the "Vietnamese footlocker." There was nothing wrong with it - despite a couple of episodes of bathing, not a drop of water had seeped inside. Bottles were intact, and tools were in place. Taking advantage of the moment, Lena checked Zilber's leg one more time, applied a new bandage with a plantain leaf, and treated a second round of tick bites. Everyone took it for granted, without any particular approval. The healer was doing the job for which she had been hired.

She was going to keep watch originally. She stood like a real sentry and set the ahlspise so that when she dozed off and lowered her head, her chin was sure to bump against the point. Looking at this, Elena could hardly keep from smiling. The girl was reminded of her childhood stories about the "stubborn girl." One day the two-year-old Lena said, "I'm not going to shleep anymore." It was said and done, and the girl sat down in full readiness to avoid sleep at any cost. And to be sure, she took a child's pyramid of rings on a rod and put it in front of her so that, if anything, she could fall right on the toy and, accordingly, wake up. It ended predictably with a slap, and Shena was now an amusing reminder of it.

Silber didn't bother to insure himself; he just sat down on the ancient skeleton of a chair that looked like both a couch and a chaise lounge, checked the bowstring, and laid out three poison arrows under his arm. Took a small brush out of his bag and began brushing his sideburns. Three strokes on one side, three on the other, and on and on, with the monotony of a metronome. It seemed as if he could do it without interruption until dawn.

Unfastening the straps of the ponjaga, Lena removed two blankets from the frame and rolled them out - one down, the other to cover herself. Despite the rug and the tightly closed shutters, it was chilly. Behind the walls of the house, someone was squawking, powerful, and trumpeting like the very first night Lena had been in the Wastelands. After a little suffering, the healer "re-bedded," that is, rolled up the bottom blanket as a roll under her head and lay down directly on the rug.

Her stomach belatedly reminded her of itself with an unpleasant sucking sensation, as if it had turned into one big octopus suction cup. During the day, Lena hadn't eaten a crumb because of the ubiquitous smell of urea, and it seemed that if even a piece of food got into her stomach, it would immediately come out, along with all her insides. Now was the time to pay for the squeamishness. She could have snacked on a piece of jerky or pemmican, hoping that the protective essence didn't soak through them like it did her clothes. But fatigue came over her like a pillow, soft and unbearable at the same time.

Tomorrow, thought Lena. It's all tomorrow...

Sleep didn't creep up. It came, wrapping a thick blanket around her with an insistent softness. Surrendering to this alien was easy and very pleasant, feeling the relaxation of the day's exhausted muscles and the closing of her eyes. Einar hissed in his sleep, someone's weapon rattled, and Zilber's brush rustled in a measured and quiet way. The акщпы outside the window fell silent. The house was silent. Not even the crackled wood creaked.

Lena fell asleep.

Or not...

In her previous nightmares, she'd seen images, but she couldn't fully comprehend them, as if she were looking through a keyhole at a picture of someone else's life. Now it was the opposite. It was as if Lena were suspended in darkness without end and edge, devoid of body and will - a blob of pure consciousness. And all around her, outside and inside her mind, images unfolded. Sparse, fragmentary, like a television screen with a disrupted setting, where the film breaks into separate frames, further distorted by ripples, and the sound hoarsely blaring from the speakers. Only once in a while, following the mysterious fluctuations of the airwaves, the image and the sound are put together into a wispy scene, very short, ready to drown again in the interference.

I'm a bad mage...

Worthless...

Useless...

The stranger's sadness had the color of the crusty leaves and the smell of straw, which was laid on the bare floor of the houses. The scent of freshness, sun, and earth was still tangible but already interrupted by mustiness, manure, old boot leather, and dust. The grief, stale and familiar, is like a non-threatening but non-healing ulcer.

I'm only capable of tricks...

Petty tricks...

Not even a real mage... A mere "alchemist" a pathetic artisan...

And I'm not destined to go any higher...

Magic is a gift I am deprived of...

Damn, this life... Cursed be the Creator who was so cruel...

He let me drink from the cup, but only one sip... And left me to thirst in front of a spring I can never reach...

Alchemist Trickster...

It was... uncomfortable. Lena did not feel any discomfort, but somewhere in the back of her mind, there was a growing awareness that this was NOT her vision. The images unfolding before her inner eyes were meant for someone else.

Mom, what are you doing?! Don't hurt him!

New images, new colors. If the previous ones had been gray and dreary, now there was rage all around Lena. Anger that time had concealed with a solid shield from the rest of the world but which had not been quenched.

Faggot? No, this is a mistake!

Son, it's not your fault. He crept into our house as a silent snake to poison your soul, but now you are free. The viper will be exterminated.

Leave him alone. It's a mistake! He's not guilty. He's just a teacher!

Hang him! No, first cut off the criminal, filthy members of his body! Burn it before his own eyes! Cut off the flesh from the bones. No one shall be allowed to confuse young minds, for it was said after the Tribulation, the seed of man shall not be wasted, for the earth has become scarce and is inhabited by women who are deprived of their husbands.

Leave him alone, leave him alone... It's not fair. It's not right... We only read old books of poetry... Mother, you're the one who wanted me to study science and art.

Get out of our house, you vile brat. The filth has yet to take root in you. You pity the renegade. Release the boars on him!

I hate you. I curse you. I renounce you.

The rage was burning, and she wanted to turn away, to cover her eyes with the palm of her hand, but ...

Someone, or rather something, enveloped the world in a disembodied net, pulling someone else's memories, twisting them into a heavy vortex that drove someone else's mind further and further into darkness. Into oblivion. And, by some miracle, Lena found herself on the periphery, at the very edge of the vortex, where the wave was already moving but not yet strong enough to take her with it.

And an understanding began to come to her...

The new image had the color of gold and steel.

Death. Murder. Many deaths and many murders. The cold, judicious cruelty of a master of his craft. Blood, paid for in coins, turned into silver and gold as if transmuted in the crucible of a skilled alchemist.

Gambling. Victory. Years of fighting. And finally, fatigue. Severe, excruciating fatigue, when victory for a long time brings no joy, and the gold seems unclean, covered with indelible stains of blood.

A woman who happens to be near, her warmth, her care. First, bought with money, forced, impregnated with dread and fear of upsetting the owner. Then - unfolding with affection, like mountain flowers whose petals can be seen only in the brief moments when the moon and the sun meet equilibrium in the sky. He is the sun, straight, confident, stern. She is the moon.

Peace. Serenity.

You can't buy love with money. But you can grow it together, patiently, day by day.

Happiness. Short-lived... Destroyed. Shattered by another's evil will.

The hands are old, too old... They no longer had the old strength, the quickness that for years had brought victory after victory. There's only experience left. And an all-consuming hatred that is doubly bitter because the owner of the hands knows he has received nothing beyond what he has so generously given away left and right in exchange for gold coins.

Only the experience remained. The experience of a fighter. It will serve. It will help when there is nothing else left. It was time to remove the saber from the wall, lift the blade from its gilded hooks, and feel the familiar heaviness in his hands.

He has not lived well. He'll probably die badly. But tonight, after sundown, he will take to the streets with weapons in my hands, just like in the old days, and legends will be made of this night.

The vortex swirled like a monstrous whirlpool from an Edgar Allan Poe story. Like a mystical sieve, it went through someone else's life, squeamishly discarding the light, the warmth. And pulled out all the blackest, hardest, all that the memory kept. Pulling, weaving into threads, connecting the threads in a network that entangled consciousness. Further, deeper...

With painful acuity, Lena realized that these were not random visions, not nightmares. This was an attack. An invisible force was attacking the entire brigade, plunging the fighters, one by one, into the darkness of repeated memories. Pulling them into a spiral that held their minds firmly in the cage they'd created.

Simultaneously with the realization, a new cascade of other people's ghosts came over Elena.

Church. Celebration. Most likely a wedding. Serene happiness reigns here. People whose lives are not long and filled with hard work, more than anyone else are able to enjoy every moment of true happiness and serenity. And the storm is getting closer... It is still invisible, but it already looms over the feast. The storm is close...

It's already here.

The wedding is ruined, destroyed, like an exquisite flower trampled in passing by a horse's hoof. Like a toy broken by a capricious child.

The bridegroom is strong, very strong, but strength will not help against the skill of skilled assassins. The armorer will not become a master and set up his workshop. His armor will not become famous around the world, and the secret of armor cementation will be discovered by another man much later. The smith is killed with a single blow of the spear, but the body continues to be mocked, belatedly expelling the fear that gripped black hearts for a moment when the groom cracked the skull of the first man who raised his hand against his woman.

The bride was more lucky... Or less.

Let it be known to you, gentlemen, that a woman can satisfy a man's needs in many ways. And though it may seem today that we have experienced them all, let me dissuade you.

Just keep her quiet, will you? Just break that animal's leg. I assure you, it will become very docile at once.

Please, please, Lord Shotan. I believe that this flawed creature of the Creator, who looks like a human but is steeped in the savagery of the backwoods province, may yet amuse us.

Hand me my special knife. Friends, I invite you to appreciate the ancient art of pàtrean, i.e. carving on tanned leather. Unfortunately, my skills are not great yet, and the material leaves much to be desired, but I am sure you will be lenient with my imperfections! Here we go.

Absorbed by the flood of memories, Lena missed the moment when she dangerously approached the stream and was spotted. The alien, extraneous attention focused on her like a spotlight of black light. There was no spark of reason in it but rather a reflex action, like a spider reacting to the fluttering of a signal thread. But there was a vicious sense of purpose.

The girl was overcome by a fit of nausea. Dark tentacles sprouted in every corner of her memory, painstakingly sifting through pictures of the past, selecting the blackest, most shameful events. Her parents' first offense. The first lie. The first injustice. The first intimacy...

And then another curl of darkness touched something hidden, like a seed from a long-eaten apple, forgotten in the farthest corner of the table but ready to sprout with careful care. This tiny bit of Lena's soul stubbornly defied pressure and escaped the sinister embrace. The stranger focused on it and pulled its tentacles into a tourniquet, literally tearing the unyielding shred of memory.

The girl was writhing with her whole being, helpless, feeling that she was being destroyed from within, burned as if by acid, trying to break the foundation, the core that held her mind together.

Finally, the "seed" succumbed, and then the unbelievable happened.

Santelli always woke up at once, like a wolf on guard, ready to bite his teeth at any moment, a valuable skill for someone who wants to survive in the Wastelands. But now he was bursting hard from the depths of the nightmare. The brigadier felt like a newborn baby leaving its mother's womb through pain and suffocation. He was rushing toward the light, only instead of light there was sound. Like a lighthouse with a bell, warning sailors in the fog when the brightest fire becomes powerless.

Finally, the foreman awoke.

Someone screamed fearfully as if he had an endless supply of air in his lungs. Santelli jerked from the chair in which he had fallen asleep, sitting up, and stumbled, falling to his knees. His legs were shaking, refusing to serve. For the first moment, Santeli thought he was still awake. Everything around him was floating, tinged with a gray haze. Then the foreman realized three things at once.

First, Hel is screaming. She seems to be in some kind of trance. She is not even screaming but howling like a wounded animal in such a way that the rest of the windows in the house are about to burst.

Second, there is nothing wrong with his eyes. And the space was filled with a multitude of gray-black threads no thicker than, or maybe even smaller than, a woman's finest hair. They passed through each other, wriggling, creating a single rippling mass. And they reached out to people, hovering greedily over the faces of those asleep, gathering into hideous worm-like strands.

Third, all the threads came from the ceiling, which changed color, becoming black, darker than the most impenetrable darkness in the dungeons.

Hel finally exhaled as far as she could go, twitching like a hysterical woman with a long sob. At the same time, the blackness on the ceiling rippled like a living thing, swelled into a huge drop, and hung there, absorbing the threads. A moment and the room was clear. A second later, the droplet fell to the floor, pancaked to the man's knee, and rose as a column. Everything happened very quickly, as if liquid or molten metal were poured into an invisible mold. The jelly-like lump rocked forward, dropped to all fours, sprouted tufts of spiny fur from within, threw out several pairs of limbs, and a pair of battle tentacles snaked out over its humpbacked scruff.

In front of Santelli was the most horrible creature the foreman had ever met.

It is usually written about such creatures that "once upon a time it was human." However... No, there was hardly anything human about the creature, more like a poor attempt to mold something anthropomorphic from malleable clay. And, like the parable of the Pig and the Three Blind mountaineers, it was guided only by sketchy descriptions.

The torso was as if sewn together from two separate ones, placed one on top of the other. The head, or rather the domed outgrowth at the front of the torso, ended in an almost round mouth, more like a toothy tube. The entire right side of its face was covered in small, dull teeth, and instead of eyes, two holes covered in a thin, tightly-woven cloak gaped blindly at its surroundings. The creature seemed to rely more on hearing. The lower torso rested on two pairs of powerful legs, each breaking at three joints, which made the legs seem larger than they really were. Two more human-like arms protruded from the shoulders of the upper torso but with lemur-like toes equipped with plate-like suction cups. Considering that there were no feet on the "legs," only broad monkey-like hands with a varying number of fingers on each, it was safe to assume that the creature could not run well but was able to move on any vertical surface.

The legs looked very strong, and under the whitish skin with the sparse tufts of prickly fur, the muscles, wrapped in large blue veins, rolled over and over. But the monster's main weapon was definitely the two tentacle-like appendages, like segmented whips. Each ended in a crystalline tip, very much like a typical "rose" from a broken bottle.

A moment of general confusion lingered. Objectively, it took three or four seconds, hardly more. But the pause seemed to take forever. The "tarred ones" were dumbfounded. They were preparing to withstand a siege and assault by any enemy from outside, and the enemy was suddenly in their midst. Besides, their minds were still fogged by the remnants of the alien's haze. The monster, on the other hand... The creature moved back toward the window in tiny steps, tentacles vibrating menacingly like a rattlesnake. The demon's posture seemed utterly inhuman, but there was a touch of uncertainty in its strides. The creature had no shortage of killing implements and weighed a couple of "dry barrels," that is, two tons plus. But it was not accustomed to this kind of hunting, and open combat was undesirable.

Hel stopped convulsing, a muscle spasm that jerked her like a puppet, literally lifting her off the carpet. The healer looked around with a completely demented look as if she had just traveled to hell and back.

Charley fell asleep sitting up, his naked saber on his lap and his hammer along his thigh, just under his left palm. Brether was the quickest to wake up. The honed skills of a fighter who had cheated death for thirty-odd years. His consciousness had not yet grasped the full extent of the misfortune that had befallen him, but his hands were already on their weapons. Shena, however, was the first to attack. Her movements were swift, the ahlspis aiming precisely at the bald side, at the base of the foreleg where the joint opened. But the creature was faster; it spun in place, comically covering its blind muzzle with an upper pair of limbs with thin lemur-like fingers, and swung its whip. The first blow knocked the spear out of Shena's hands. The creature straightened on its mighty paws, swinging a second tentacle over itself, drawing a figure-eight like an executioner demonstrating his mastery of the whip.

There are moments when one does not think but simply does. There are times when, on the contrary, one thinks a lot, but one still does something that goes completely against the cries of the mind as well as the instinct for self-preservation. As the tentacle, rattling with its dense horny pads, unfolded over the demon's back, Lena was clearly aware that Shena was about to die. The living whips wielded tremendous power, the tips seemed as strong as iron, and the lancewoman was too close to her foe. And besides, the woman had removed her jacket, reinforced with ringed inserts and leather plates boiled in hot wax.

There was nothing that could be done here. Pantocrator had measured the end of life for the lancer. Lena saw the blue glow of the moon crystal in Shena's dilated pupils. She saw in the depths of her green eyes despair, understanding. Almost humility.

And Lena did. Because it was impossible not to.

A moment before the attack, the redhead lunged at Shena, collapsing with her whole body, turning in the direction of her movement, covering herself. The tentacle, instead of penetrating Shena's unprotected abdomen, struck Lena in the lower back. The force of the blow was such that both women were thrown against the wall. Elena froze in unconsciousness, settling on the Valkyrie trying to get out from under her like a dead man.

Elena was saved by Charley. While Shena attacked head-on, the brether slid along the wall, coming at the enemy from the side with a saber in one hand and hammer in the other. And attacked at the moment the tentacle's swing was turning into a strike. The saber flashed in a broad but swift swing, smeared in motion with a silvery streak. A swift lunge hit the joint, so the demon recoiled, thwarting its attack. The whip, instead of breaking Lena's spine with its edge, whipped flat, rather than pushing very hard, knocking her back. And Charley continued to pounce, threatening with his saber.

There was no special speed in the brether's attack, nor did he show the wonders of feints with deceptive movements. It was just ... Charley seemed to anticipate his opponent's movements and each time did exactly what was necessary at the right moment, with the inhuman precision of a fighting machine. The second lunge struck the same joint, widening the wound, then immediately the swordsman seemed to spread over the floor, almost fell to his knees, letting the tentacle slip over his head, and the saber was already rising ahead of the whip by literally a tenth of a heartbeat. The blade was sharpened on the back of a palm and a half, and the demon slammed the whip right into the exposed faux-blade with a jerk. The piece of the tentacle had not yet fallen to the carpet, and Charley stepped forward as he continued, stretching even harder, using the last drops of inertia to reinforce the swing of the hammer.

This strike was considered "treacherous," much like the crossbows of the Southern Knights. Everyone censures and hates them, but everyone knows and tries to use them to the best of their ability. A peck from top to bottom, straight down the foot, so the point goes through, even if the foot is in a steel sabaton boot. The beast had no sabatons, and its hide, hard as it was, was no armor. The Brether's hammer nailed the front right "leg" to the floor, passing over the carpet and planks.

That was the end of Charley's luck and advantage. The brether "fell" in his attack, hitting the hammer instead of defense, and the remaining lash whipped him on the head. But moments before, Santelli had set up his shield, covering the Maitre, as Einar had covered him the day before. The sharp end struck with such force that the boards crunched and crumbled into splinters. Santelli was unsteady on his feet, dropped to his knees, and wielded his axe blindly, knowing that his shield was broken and his arm was badly sprained at all joints, if not broken. The demon lunged, freeing his leg from its trap, its hand torn in half and black sludge spewing profusely.

The fight - rapid, jerky, deadly - occurred in silence. Only the blows echoed beneath the high, faded-painted ceiling, the feet of their adversaries stomped on the soft carpet, and their heavy breathing rumbled from their throats. The creature neither growled nor hissed but emanated a viscous, irregularly clicking noise from its round mouth like a cricket gasping for air in a demon's womb.

Click. Click. Click. Click. Zilber fired his arrows with such speed that the clicks of the bowstring merged into one long sound with three peaks. They were shallow, but there was a hiss of yellowish smoke as they burrowed in between the sparse tufts of wool. Biso had done a good job of concocting a good poison.

"Come here, asshole, I'm going to cut you clean through," Einar exhaled, stepping up to the demon's right, and those were the first words since the fight began. Behind his brother soldiers back, Kai was already raising his sword, choosing his moment. The infantryman and the knight stood at once, a shield-bearer and a swordsman as if they'd been fighting in the battles all their lives.

Shena finally climbed out from under Hel's unmoving face and lifted the ahlspis from the mat. Charley intercepted the saber with both hands and pushed the creature to his left, side by side with the brigadier, whose left arm with the broken shield hung as a whip, but his right, with the axe, remained steadfast.

Step by step the monster retreated toward the window, squeaking and grinding louder and louder. The stump of one tentacle hung like a piece of octopus well chopped before it was cooked. The other swung menacingly over its hunched back, but the creature was clearly saving it, afraid of losing it as well as the first. The tarred ones sensing their enemy's uncertainty with the instincts of seasoned killers, stepped in, overcoming their fear. Charley marked a lunge from one side, immediately moved his blade to the other, and spun in an intricate network of feints, diverting the demon's attention. Shena jabbed her ahlspis right into the worm-like snout. The membranes of its eyes vibrated, its mouth twisted outward like a toothy gut.

Einar swung his sword, taking the initiative that had been passed around. He retaliated with a tentacle blow, but it was a tentative one, so the edge only split the waxed skin of his shield and scraped against the umbon. Instinct told the demon that if he turned to face any opponent, he would be struck from the opposite side. And the weak mind was not enough to invent some cunning combination or to go for a breakthrough without looking back. So the monster tried to threaten all at once and backed away once he was in the ring.

Charley clipped another support paw, and Einar stepped to the side in a move he'd practiced over the years without lowering his shield. In proper combat, formation upon formation is the way one lets out of the second line of combatants. Kai advanced from behind the shield-bearers shoulder with seeming slowness, thrusting his heavy single-bladed sword over his head. The knight struck only once. His movement lacked the grace and speed of Charley, and the sword came down not with the serpentine ease of a Brether's saber but with the weighty power of a sledgehammer. It was not the blow of a street fighter who needed to find a breach in his opponent's defenses but of a knight who breaks through solid armor in a frontal skirmish. And Kai hit the target.

The demon's hide was sturdy, but it was nowhere near the armor of armor. Kai's sword went through the monster's body like a razor through the thinnest handkerchief, killing the creature on the spot. The crudely molded torso settled, legs folded at the joints, its jaws extended even further, like a short trunk. The eye membranes fluttered for the last time, the squeak was choked with a uterine gurgle, and the air burst from its lungs, or whatever was replacing them in the depths of the hulking torso.

"Son of a..." Santelli wiped the sweat from his forehead without letting go of the axe. He paused and grimaced as the sharp movement pierced his stretched left arm from hand to shoulder.

Kai pulled his sword out of the fall with an effort. Holding the black-soaked blade out of the way, he glanced at the blade to see if it was dented.

Biso, pour acid on the dead thing so it doesn't rise," the foreman sighed wearily, choosing what to do - to continue holding the axe just in case or to let go to remove the broken shield with his healthy hand.

The alchemist looked at the dead carcass with skepticism, guessing that not even his whole trunk would be enough, but he did not argue with the foreman. And Santelie looked at Shena with a mean, very mean look, then turned to Zilber.

Lena came to her senses with a sharp pain in her buttock as if a gadfly had stung her. She twitched in horror, realizing that the fight was probably lost and that the creature from the nightmare was launching a sting into her. She shuffled to her feet, trying to roll over.

"It's all right. She feels the dagger. She's twitching her legs. The spine is intact," someone said from above. "If there's no blood in the urine, she is lucky."

Almost immediately the sound of a good slap and a fallen body reached the girl's ears.

"You overslept, san yobbo!" growled the brigadier's voice.

Lena managed to roll over on her side. Her waist was aching and spasming in the center of her stomach, her waist belt was cast from lead, and her legs felt nauseatingly weak. But the corset seemed to have saved her from the worst of it. She felt sick to her stomach. Her stomach juices rose from her empty stomach to her throat.

In the deadening light of the blue crystal, the girl saw Shena, who was also trying to get to her feet. The Valkyrie's chin was scratched, as she must have been knocked unconscious by the demon's spell. The mercenary's face was red across the left side as if she'd been struck with an open hand to avoid breaking her jaw to the point of extreme pain. Santelli shook his right hand with his left against his body.

"Sentries," hissed the foreman with deadly seriousness.

Lena froze. Sleeping on the watch was considered one of the worst offenses of a "tar man," more terrible than trying to hide the Profit. Because it was hard to die from theft, but if a sentry dozed off and missed the danger, on the contrary, it was easy. As a rule, they were killed for that. The least a sentry could get away with now was a brutal beating. Which was what the foreman seemed intent on doing, with the tacit approval of the other companions. Sheena finally managed to rise and waited silently, her head guiltily lowered. Santelli swung again to the accompaniment of the hissing from the dead demon. Biso had just watered the dead thing from the vial. It reeked in a way that made the familiar smell of urea seem like exquisite perfume.

"No," said the healer. "Don't touch..."

It was very hard to talk. Not only had she been hit in the back, but her chest had been bruised, if not cracked, and all of her ribs were bruised. Still, Lena was able to speak articulately enough:

"Don't touch... her... It's not her fault..."

"What?" Santelli turned to her with a look of universal bewilderment on his wickedly ugly face. So did everyone else. Even the lancer, ready to accept severe punishment for a certain misstep that had nearly cost the life of the whole brigade.

"It wasn't he fault..." Her chest hurt terribly, and every word came out with difficulty, but Lena didn't give up. "The monster... had charmed everyone. It made them sleepy."

Santelli shrugged, apparently thinking the sick woman had also hit her head, so it wasn't much of an issue. He raised his fist again.

Elena realized with clear clarity what was going to happen next. She would not allow the green-eyed woman to be beaten, not for anything in the world. And she would say... Or rather repeat the words from the vision.

// Mom, you wanted me to study the arts and sciences

Because there's no other way to stop the foreman now. There's no way to prove that she's telling the truth. And the foreman will stop. Maybe he'll believe it, but that's for later. But right now, he will probably kill the healer on the spot. Because there is only one thing scarier and worse than a secret that is securely buried in a distant corner of memory. It is the realization that what is hidden has become manifest, known to anyone else.

Lena squeezed her eyes shut and opened her mouth...

"She's right," Biso said, emptying the vial. In the haze that rose from the acid-eating carcass, he did look like an alchemist before the retort.

"What?" asked not the foreman, against expectations, but Kai, who had finished wiping his sword with a scrap of curtain.

"The redhead's right," Biso repeated. "It's a Hypnotic. I heard about them a long time ago."

The fist froze, ready to drop at any moment, but the foreman waited for an explanation.

"An evil spirit hidden in the moonlight," the sorcerer explained. "From the very old days, before the Empire. Powerless during the day, it only takes on flesh at night. They were sometimes caught by very powerful mages..."

Probably only Lena noticed how the alchemist's voice rattled subtly at the last words. Biso, however, managed to pull himself together at once.

"... and bound to a certain place."

"So that's..." Santelli shuddered in disgust. "A watchman?"

"Well... like that. The Hypnotist is strong but cowardly. But still deadly - puts you into an irresistible sleep, then kills those who are asleep."

"He must have been enchanted to guard the house a long time ago," Kai interjected. "He sat there for centuries, attacking everyone inside at night."

"It kills sleepers," Santelli muttered, clenching and unclenching his fist. He shouted, giving vent to his anger. "Clear away the mess. Let's get out of here! Before we choke to death..."

The stench was indeed growing. It seems the alchemist's acid was very strong.

Santelli turned to Shena, silent for a few seconds, and then muffled:

"I won't apologize for that. Sleep is a sleep."

Shena nodded, acknowledging the brigadier's merciless justice. She gently touched the red spot and winced in pain.

"When we get back, I'll pay you back," he said through gritted teeth. He turned to Lena, who was finally in a more or less upright position, clinging to a half-assed chair. Every time she moved her legs, it felt like an awl was jammed into her lower back. Her kidneys also ached, seeming leaden. But on the whole, the medicine woman felt easy to get over. Especially looking at the foreman's shield, which had fallen into complete disrepair and seemed to have come from a single blow.

"With you, too," the foreman laconically promised Lena. "For shouting."

Now the other "tarred" people looked at each other understandingly and shook their heads approvingly. Even Charley, who, though he was not privy to all the subtleties of local business etiquette, grasped the essence on the fly.

The brigadier was indeed in his right and, moreover, acted quite rightly in hitting Shena and intending to beat her and Zilber. The punishment was undeserved, but no one knew that at the time, including the sentry. So the foreman stopped the execution and owed nothing more. But Santelli did acknowledge a certain impropriety in what had happened - too hasty a punishment without a trial - and promised to compensate reasonably for that impropriety. And to reward the person who had saved the whole crew by her shouting, and not even by standing on patrol, was a holy thing.

Hard expediency mixed in the right proportion with demonstrative fairness and seasoned with a beautiful gesture that understanding people would appreciate. These were the little bricks that made up the reputation of the brigadiers in the Wastelands.

After a fight with the monstrous creature, the usual swamp terrors seemed somewhat frivolous, and being in the same room with a decaying Hypnotik was unbearable. So the brigade dismantled their barricade and moved amicably into the library. It became obvious, until morning it was unlikely anyone would sleep, except Lena. So the healer gave everyone an invigorating elixir, and she sipped a tincture of the Duke's rod, assuaging the pain in her kidneys. For lack of modern medicine with ultrasound and X-rays, she could only hope that the blow of the cursed tentacle had not caused permanent damage.

The girl lay down again, feeling chills and fever spiking, and this time, without further ado, several other people's blankets were laid out for her. There was something very personal, very..., in that simple, uncomplicated gesture of gratitude from her traveling companions. But for some reason, tears came to her eyes. It was as if she was silently, without any ceremony, welcomed into the community as an equal.

The blue crystal had depleted the supply of moonlight, so the candles were lit instead. Biso began to check the books, cursing mercilessly - the covers seemed flawless, but everything inside - the pages and the spines - was crumbling to dust at the slightest shake. The "soldier brothers," with the dexterity of experienced marauders, picked up shards of mirrors and twisted up anything they could carry in their travel bags and sell - candlesticks, small fittings, bronze locks, and pawls. Kai put a splint on the brigadier's injured arm - fortunately, it was indeed without a fracture. Then the knight and the brether moved farther away to a clearer spot and engaged in a practice duel, exchanging swordsmanship tricks. This was the first time Kai had seen such a technique of fighting with a hammer as a left-handed weapon.

Lena felt sleepy. Again. The trauma, the fatigue, and the effects of the wand tincture were taking their toll. Quietly, almost imperceptibly, Shena came up and sat down next to her. Her cheek was swollen and cushiony, the wound on her chin still oozing blood. The lancer's face looked gray and tired in the light of the usual live fire. Lena thought she should get up and work as a medic again, and she fumbled under the covers, gathering her will into a fist, but Shena put her hand on her shoulder and held her down, not letting her get up.

The girls looked at each other in silence. One crouched under the wool blanket, the other squatted beside her.

"I saw you... there," Shena said very softly, almost whispering, just to Lena's ears. "I felt it. I don't know how that's possible. Maybe you're a witch... or a sorceress. Now you know."

"I remember," Lena said just as quietly. "You'd kill me if I told anyone."

Sheena gazed intently into the red-haired witch's dark eyes, into the eyes of the man to whom she owed her life today... and found no fear in them. Not a bit. Hel had promised to keep the secret, not out of fear for her life, but because - just because it was necessary. The right thing to do. Fair.

"Thank you," the Valkyrie whispered, leaning even lower. She didn't say another word, but Lena knew she wasn't being thanked for her promise of silence.

"You're welcome," she replied mechanically, as a well-mannered and cultured person.

The green eyes flashed with bewilderment, then surprise. Shena looked at Hel with a look of utter confusion. Lena responded with an equally puzzled look and then closed her eyes, deciding that that was enough mystery for tonight. It was to be hoped that the limit of adventure had been reached for the night and that everyone would live to see morning.

Already falling asleep to the sound of Kai's and Maitre's blades, Lena realized that she had translated the word "you're welcome" directly, having failed to find a suitable analogy in the Aboriginal language. And literally, it sounded like "always yours."

Then she fell asleep.

* * *
 
Chapter 21. The Chopped Coin
Chapter 21. The Chopped Coin

* * *

Lena did not remember the way back. It was somewhere in the back of her mind, merged into an endless series of steps, falls, knee-deep falls into hidden "holes" among the wet grass. If there is a hell in the other world, the medic thought, it looks like this. The real torture is when you torture yourself.

Sweat mixed with mud, crushed frog roe, and other swamp impurities covered her entire body with a slippery film that would not wash off. Clothes were soaked to the last thread and hung on the body like a shell, which does not protect from anything and is designed only to burden every movement. The smell of urea has permeated everything around them, and it seems that the world is stinking all by itself now, from here to eternity. Her legs don't hurt anymore. They've turned into heavy stakes that feel nothing. Every step she has to control with her eyes. But she still walks.

The only evidence that the process was somehow underway were the milestones marking the way back. However, it was not easy for them either.

Santelli trusted few people, especially when he bought loyalty with threats or money. He didn't trust the swamp dwellers, either, even though the "fed" community lived mainly by providing respite, lodging, and supplies for the brigades. While still in the Gate, planning his return from his cursed home, Santelli had wondered what if the swamp dwellers decided to deceive him.

He had never had any complaints before, but there was a first time for everything. The brigades passing through this community were missing a little more often than they should. Santelli did not know the word "statistics," but he felt the essence of science very well.

The brigadier consulted with Biso and Aynar, who, because of his former profession, was regularly confronted with attempts to cheat a performer out of his wages and concluded that it was unlikely that they would try to stab them in their sleep or poison them. It would be easier to drown the brigade on the way back and take Profit - it was whispered about the swamp dwellers that they knew how to make the mire share what had fallen into it. The conscience is almost clear, and one can honestly answer that one has not touched anyone. And what's the easiest way to ruin people in the swamps? To move the milestones. They say we don't know anything. The travelers lost their way and drowned. So sad...

That's why the signal branches, which the brigade used to mark the way, were special this time. Biso, as usual, marked each one with a hidden magical sign to indicate that it had been moved, but he marked it faintly so that even the worst village sorcerer could fake it. And in addition to the first set, he and Einar made a second set of inconspicuous pegs, which turned out to be more cunning and inconspicuous.

On the way to the house, Zilber placed the "official" milestones, while Einar secretly placed the secret ones. When they returned, the trackers checked these "twos". Everything was in order - not far from the usual stick was also a secret one. Until about a quarter of the way to the edge of the mire. Here the milestones split, with the obvious ones going one way and the hidden ones going the other.

"Assholes," Einar said with expression, though without much anger, after a brief meeting with Biso. "Lousy, scruffy, emaciated assholes."

"Tried to cheat after all..." Santelli had to catch his breath before he could answer. His arm ached terribly, and since it could not be unloaded on the way, the foreman began to fear that a splint and compresses would not be the end of the matter.

"That's right," the shield-bearer grinned. - That's what I say, damn bastards. Well, let's move on."

You walk... and walk again. Your mind is no longer sufficient for even very brief thoughts. There is only the back of the one ahead of you, and the twitching of the rope indicates that someone is trailing behind. There is nothing else in the world. Only swamps, mud, stench, and a hellish pain in the lower back, behind the spine. So Lena missed the moment when it stopped squelching and splashing under her feet and began to sludge. A little while later, the shoes stepped on almost solid ground, and the grass no longer seemed like sandpaper stripped to ribbons. It was only at the last rest the girl realized there were even more or less normal trees and tall shrubs around and that there was smoke in the distance.

"Shall we kill them all?" suggested Einar without much enthusiasm, looking gloomily at the sword, which was already covered in the first streaks of rust, promising its owner long worries of cleaning and oiling.

"They haven't given us a night's lodging yet," the foreman said. "Later. Maybe."

"Life is unfair shit," Zilber summarized.

They reached the village of the swampers after dark. The brigade was not welcome. They were not expecting the "tarry ones" to show up. This was evident in everything, from the slanted glances to the missing horse Number Four. So Santelli did not delay and immediately took the boar by the fangs.

"You have upset me," he jabbed his finger at the chief's chest, no longer trying to sound polite. The skinny brigadier seemed puny in comparison with the big-bellied leader of the swamp community, but the shove shook the chief visibly.

"And what?" He asked, agonizing over what to do now. This finally convinced Santelli that the community had not been on the path of robbery long ago. They hadn't had any misfires yet, so they hadn't developed a pattern of what to do in such cases.

"Eat. Lots of it. Drink. Plenty, too. Water and beer, light," Santelli began, curling his fingers in front of the big guy's nose to be sure. "Boiling water and clean clothes. As much as our healer says. And for washing, of course. Beds and blankets. In the warmth. And to wash all our clothes."

The Brigadier didn't even have to look at the chief's face to read his thoughts. Give everything now and at night...

"And at night, we'll sleep soundly and peacefully," Santelli grinned. The Brigadier's face was already unsympathetic, and now, in the mud and dried slime, framed by a slick beard, it looked like the frozen mask of a devil. "And maybe I won't say anything at the Gate."

The chieftain's face twisted with undisguised anger that turned into a sly grin. You'll have to come to your Gate first...

"Because you're the fool, and I'm the smart one," the foreman smirked, not attempting to hide his contemptuous arrogance. "And Routier and his gang are coming here tomorrow. I've paid them handsomely to make sure if I'm not here, they'll build a pyramid on us, not of stones, but of your heads."

The brigadier waited a moment, giving his interlocutor a chance to comprehend what he had heard, and added with calculated rigor:

"All heads."

"You don't have so much money," the bog man tried to be imposing and stern but snapped out of it and finish in falsetto.

"And I paid to Draoidheach," the foreman grinned insolently.

This was where the Chief was really hurt. He looked into the brigadier's eyes, which seemed blacker than night, and felt the streams of sweat trickling under his woolen shirt. Santelli was not intimidating. He was not pressured. He was just informing. And who on the Wastelands was called Draoidheach, "The Plague," everyone knew. He was a man who never acted in vain but who took money and scrupulously fulfilled his orders under any circumstances.

Any order.

"And bring back the horse, for you've been in a hurry to take it up," Santelli grinned even wider. "And don't forget to feed it and gather oats for the road."

He bit his lip, panted, rolled his eyes, and tried to find a way to retreat with at least a semblance of dignity. Santelli didn't press him further, reasoning that it was unnecessary. The village was finished anyway. Because reputation is as strong as steel and as fragile as the first ice flake in the fall. Mention the rearranged milestones at the Gate, and the only one who will come here from then on is "Meat" Ian. In other circumstances, Santelli might have kept quiet and punished the marauding bogmen in other ways, but Brigadier had no patience for such cunning in business, and after talking to the Duke, he had no intention of returning to the marshes.

"It'll be all right," said the fat man, waving his hand in surrender. "We'll just put in the pots for the water...."

Elena threw off her load, no longer caring about the "Vietnamese footlocker", and knelt down, with difficulty overcoming the desire to get on all fours, relieving her lower back. Now the medicine woman knew the true happiness, the ultimate cosmic happiness. It did not consist of washing, changing clothes, eating, and sleeping after an incredibly exhausting journey. It was in the knowledge that it was all here, at arm's length. And would now be, one might say, drinking the full cup. The anticipation can be much more exciting than the process itself.

And then there was a hot-water wash and new clothes, not to her height, darned and rough, but clean. And a thorough examination of the injury. The Hypnotist's tentacle had left a wide bruise covering her lower back with a dark gray stain, but that seemed to be the end of it.

And sleep again, this time without visions or other horrors.

* * *

The house stood like a forgotten sentry, still on duty, waiting for a shift that would never come. Like centuries before, it looked out at the swamp through the blind window cavities, a shard of the old world. The sun passed across the yellowish sky in a dim circle, like a senile eye clouded with disease. The moon rose, almost invisible in the stifling fumes. Blueish lights glided across the dark marsh, and the animals, both large and small, which had been cheered up by the coming of night, swarmed about. Some were hunting, and some were defending their prey from the stronger. Under the dense carpet of vegetation splashed noisily, giving away its secret life, which continued in the depths beyond the eye and mind.

The house slumbered uneasily, occasionally responding with the creak of a board or the rustle of fallen plaster to the bustle of the swamp. But the studio was very quiet - the glass pyramid muffled all noise. Here everything remained as usual, unchanged. Only the easel was empty, and the magic mirror was lying on the floor as a handful of trash - Kai had approached the matter responsibly. He had not only split the mirror cloth but had broken the wooden base, bent and flattened all the metal parts. The swordsman's heart was breaking - as a "tarred" with experience, he realized that with his own hands, he was destroying a unique thing of unthinkable price. But, understanding the importance of secrecy, he did his best to make sure that no restorer or warlock would ever be able to restore the destroyed artifact.

Kai would have been all the more surprised to see the shards of mirror crumbled to diamond dust glow from within. Faintly, barely, as if catching the reflected light of the moon, which was barely visible in the murky air of the night marshes. The flicker pulsed, gaining strength, and now the glow could be seen without straining the eyes. A little more, and the pyramid was already glowing ghostly blue from within. Only the blue of that blue made the swamp creatures - both natural and mystical - run in all directions instead of rushing to the house, hungry for life. Finally, when the flicker became incredibly bright, seemingly able to melt even the glasses of combat goggles, the pyramid shone with a deep, rich inner light, like a faceted tourmaline, and went out.

Broken glass crunched underfoot. Two broad-shouldered figures, clad head to toe in thick cloaks with hoods pulled low, moved and stepped uncertainly as if checking to make sure they had everything in place. The third man, smaller and narrower in the shoulders, moved more briskly, more easily. It was as if transgression for him was ... ordinary. Habitual. Though such a thing was considered impossible - the secret of soul-safe travel through space had been lost along with the rest of the wonders of the Old Empire.

While the mighty attendants were trying to curb their nausea and assess the damage from the displacement, the third person managed to walk around the studio and back to the transition point. He sat down lightly on his knee and turned the mirror's debris with his thin gloved hand. One piece of the frame particularly interested the observer.

Without paying attention to his companions, the person turned the wood with both hands and did something. A vague, mysterious action that did not manifest itself in any way but echoed heavily in the world. The glazing of the studio rattled, the metal rattled, and the easel shook, so the structure almost fell over. One of the big men staggered back and grabbed his face. A thin trickle of blood dripped from his nose. The other silently covered his eye with his hand, where small blood vessels were bursting.

In response to the action, features, and lines, short and curved, emerged from the depths of the wooden fragment. Obedient to the unintelligible whisper, they seemed to float to the surface, forming a distinctive pattern. Fingerprints, as if illuminated by ultraviolet light. The spot where Lena had touched the magic mirror until she was stopped by Biso's shout.

"There you are," the sorcerer remarked softly, but with a strange, inappropriate mirth - and it was definitely a sorcerer. His voice was soft, velvety. "Finally."

"We won't be able to track her here," muttered one of the attendants in a low bass, wiping his nose with a handkerchief. "Very strong presence of the otherworldly around here."

"At least we know she was here," the wizard's face was hidden beneath the hood, but a satisfied voice suggested - the man was genuinely, quite smiling. "And quite recently."

"But how can we find her?" asked the other. "If we can't follow the trail?"

"As always," the wizard was still smiling. "We will look for those who know more than us and ask them, one by one. First, we'll move along the edge of the floodplains. Then we'll move on to the local towns."

The man rose, shook his hands off the dust, and patted his gloves. And ordered:

"But first, collect all the shards, don't miss a single one. Amateurs broke a valuable piece, but in such artifacts, the part always keeps the memory of the whole. And now I'm about to find out who they had their last conversation with...

* * *

"You late," Santelli stated as Ranyan jumped down from his horse.

Morning came, and with it came the promised rooters. A little later than expected, but ahead of the deadline. The Brigadier grinned, seeing that Matrice was meticulously following the agreement and the jointly calculated timetable.

"That's for your companion," Ranyan shrugged. "When she told me the place, we rode off."

Ranjan looked at the face of the swamp man. There was some relief on the local chief's face, though. It appeared the brigadier was not bluffing, and surrendering to a real threat was less insulting than being frightened by empty words.

"I see the pyramid is being postponed?" Ranyan said, glancing at the brigade.

Behind Routiere's back, nearly a dozen of his men were stretching their legs, checking their horses, and generally looking at the swampers unkindly, weapons clinking.

"All alive," Santilli admitted. "Now we'll have some breakfast from the generosity of the locals, and then we'll go. Have you got the horses?"

"Two," Ranyan nodded. "The cart will be able to roll without any delay at all.

"When we're done, I'll say it's a pleasure doing business with you," Santelli promised.

Routier glanced at his bowed hand, which was suspended on a bandage of handkerchiefs, but said nothing. How the brigade worked was none of his business. Routier's concern was to fulfill the agreement and escort them to the specified place.

When she heard the familiar voice, Lena at first hid under the blanket. Like business cards on a wheel, the possibilities of hiding somewhere swirled in her head. Then the invisible wheel slowed, then stopped altogether. The girl listened to herself and realized - not without surprise - that ... she felt nothing at all. Nothing at all - no fear, not even apprehension. Ranyan didn't frighten her at all because compared to the horrors of the swamps, and even more so to the hypnotist, he seemed quite peaceful, almost plush. In her mind, Lena knew there was something to be afraid of. But that understanding did not affect her feelings. No trembling in her hands, no panic. Nothing at all.

The feeling of freedom from fear was interesting. Unusual. And pleasant, to say the least. If only my back hurt less. Lena stretched and rummaged around for clothes. A hat first and foremost, to hide the conspicuous hair. Peace of mind was good, but it made sense to take precautions.

The assembled team of brigade and mercenaries left the swamps, heading strictly west, and kept in the same direction for a while. Until the familiar grayish-yellowish plain with sparse trees, gentle hills, and stone teeth stretched around them. Far behind them, a thin, barely discernible column of smoke rose like a tiny comma on the border of sky and steppe.

When Santelli saw the smoke, he made a puzzled face. Kai said aloud that the swampmen had a guilty conscience. Einar muttered that they must have grabbed their belongings and gone straight away, and burned their houses. And they were right to do so, for tricks with milestones don't go without consequence. Ranyan shrugged, not concerned with these mundane concerns.

After traveling west for about another hour or so and checking several times with mounted sentries to make sure there was no tracking, the two ringleaders turned north toward the ocean.

The convoy, consisting of nearly twenty men, was moving briskly. That is, without a burst or afterburner, but very smoothly, without delay. The cavalry was scattered around the neighborhood in an irregular ellipse, like boats around a barge. The brigade was still on foot, but now, thanks to the replacement horses the mercenaries had brought, they could afford to ride in carts, giving their legs a rest.

Runyan and Charley pretended they did not know each other and were seeing each other for the first time. The Brethers were uncomfortable in each other's company, so they moved randomly but always ended up at opposite ends of the formation.

Ranjan seemed to recognize Lena as the girl at the bakery, but he was more interested in her current condition and her ability to walk. By midday, her legs had become stiff, and her back ached with renewed vigor. The brigadier wanted to put her in the cart with Biso as a regular passenger, but Ranyan did something unexpected and put her on his horse. He went on his own with obvious pleasure, squinting in the sun with the look of Mr. Cat, who had eaten a lot of steamed pork. It seems the mercenary saw the trek as an opportunity to relax a little from the city and current worries. He did not forget to be careful, though.

Lena was on a horse for the first time in her life, and it was ... interesting. The well-trained animal adjusted itself to the general movement, so there was no need to control it. The smell of the animal was noticeable but not unpleasant. More like unusual. A slightly sour odor of a living creature, something herbal, and some leather, probably from the harness. It was comfortable to sit and interesting to look at the world from a height of almost three meters. Her back was a little sore from the horse's footsteps but not more than in the cart. After all, they were off-road, though it was smooth.

Even before evening came, Lena had practiced medicine twice. One of the ruthiers remembered that he had a splinter that hadn't been pulled out and that it looked like it was going to abscess. The other had caught the same disease that Einar had a few days earlier. Lena had given him a fixing infusion, and had removed the splinter by opening and treating the abscess. Ranнan hadn't followed the procedure, but Lena had only used a knife anyway so as not to show off the specific equipment in front of the routiers. And "dead water" as an antiseptic had been in common use on the Wastelands for six months.

Everything seemed to be going fine. But Shena was avoiding Elena, just like the Brethers were avoiding each other - avoiding even a glance at each other. And it was incomprehensible. But on the other hand - on the contrary, it was very natural, considering what secrets Lena had joined. And closer to the evening, the girl decided to ask how in the Big World everything is arranged with the relationship of the sexes. For the sake of it, she got off the horse, saying it was necessary to know the honor and stretch her legs. A not-too-successful jump from the horse gave her a new attack of pain in her back, so Lena couldn't help but whisper a curse, earning a disapproving look from the routier who took the reins. But otherwise, the battered back behaved tolerably well, so the girl carefully got close to Charley, who seemed to be the most suitable interlocutor. Besides, being near the maître d', there was no need to think about Ranyan's too-close proximity.

The attempt to get Brether to talk once again demonstrated the thesis that a new business should be started with a precise plan. Lena's complicated and confusing approaches to her personal problems were not understood by Charley, who decided that ...

As it turned out, the maître d' had sharp eyes. He watched carefully and noticed many things. Charley did not miss the strange connection between the lance maiden and the healer, but he interpreted it in his own way. And, not being privy to their true nature, he interpreted it in his own way. As the usual attraction of people who liked each other with the prospect of sharing a blanket.

So, in response, he shrugged it off, smiling into his mustache and giving a brief lecture on the gender issue of the Big World. The lecture turned out to be quite simple. Since once the Ecumene was a single cultural and legal "space" and the Cataclysm hit everyone equally, the general rules and norms of behavior had no fundamental differences, with rare exceptions. Monogamous relations between a man and a woman were considered normal. The relations of two women could cause slanted glances, but mainly in rural areas. For the cities, it was quite normal. Under certain conditions, females could even marry, although this was rarely practiced.

Such broad boundaries of what was acceptable were a legacy of the Cataclysm when there were no men physically left in many families. States and the Church had to make a simple choice - soften the norms or accept the disappearance of most aristocratic families. And then, as the new order took root, the highborn came to appreciate another aspect of this forced "yuri" - for obvious reasons, such unions and liaisons had no children. And since marital fidelity among the high aristocracy was never considered a virtue, the "lady with a lady" option was ideal. The wife could go to all sorts of mischief, but the honor of her husband did not suffer damage, and most importantly - there were no painful (and bloody) problems with children of dubious paternity.

But with "close male friendship," everything was very strict and unambiguous. With the number of men decreasing tenfold or more, those who remained were seen primarily as producers. The Church of the Pantocrator even went to an unthinkably radical step. A Great Assembly of Hierarchs, held amid the chaos and disintegration of the entire society, left in force the rule that a man of God could not inherit or leave an inheritance in any form. However, it decisively abolished celibacy by mandating that clerics must marry, including remarriage (after widowhood). For "let not the seed of a man be wasted, for the earth has become scarce, and is inhabited by women without husbands."

Here Lena shuddered, remembering something from the nightmare induced by the Hypnotist. Some things began to become clearer...

Thus, a man who, albeit metaphorically, abandoned his direct duty of procreation was considered a heretic and a dangerous enemy of society. And although the law did not formally provide for special punishment for sodomy, the traditions that had developed after the Cataclysm remained ruthless.

Charley told all this with serene calmness, not even realizing the embarrassment he had caused his companion. He was surprised at Lena's ignorance of such simple things, but he put it down to the apothecary's "provincialism. At last, Charley smoothed his mustache and, in a conspiratorial whisper, recommended not to be timid. At this point, Lena's face not only burned with heat, but even the tips of her ears glowed, so it was possible to light candles on them. She walked away in deep thought and complicated thoughts.

A day went by like that. Then one more and one more. The bruise on her back shrank, pale. Shena was still avoiding Elena. The landscape remained the same, but there were more frequent sightings of dilapidated buildings and sections of the once-paved road, which, like a snake, was now hidden underground, then out. The pack was entering territories that had once been densely populated because of their proximity to the sea. The company avoided houses, scattered towers, and small castles and always tried to camp as far away from any structures as possible. The party routinely frightened away small creatures, watched for hornets, and tried not to stray into the hunting fields of the Shadows. On the way, Santelli spotted a few curious "entrances," that is, places where it was possible to descend into potentially lucrative dungeons. The company was in a hurry, however, and the Brigadier postponed the exploration. Shena still shunned the redheaded medic. Charley watched the whole thing with a restrained and generally good-natured amusement.

Sometimes there were "colleagues" - other brigades who were returning from the field or, on the contrary, seeking to do the same. They parted peacefully because Santelli was not looking for a fight, and the convoy of two dozen fighters, in turn, was too tough for anyone to handle.

A thunderstorm passed very close by toward the end of the sixth day. An unpleasant, "dry" one. At the first reflections on the horizon, the company immediately stopped, "tarred" and routiers quickly prepared for a natural disaster, strengthened light camping tents, and trenched them with grooves in case of a flood. However, the disaster passed very close to them, not hitting them, though it rumbled so loudly that Lena immediately remembered the cinematic cannon fire in Dolby Stereo. Thin branches of lightning struck almost vertically, occasionally intertwining and forming a network of ghostly fire. It was majestic and terrifying.

As heaven's wrath drifted farther out toward the ocean, it was as if Santelli had made up his mind about something. Or, rather, summed up his thoughts. And the brigade gathered in a circle around the fire. The Routiers and the "tar men" slept separately, keeping a certain corporate barrier.

Lena was surprised, even a little frightened. The faces of the companions were stern and too stern. Everyone was looking at her and Charley. Santelli slowly prepared and laid out before him a flat stone, a chisel, an axe, a punch like a nail with a wide cap, two coins, and chains with small links.

Lena shuddered. She felt that something was about to happen. Charley, on the other hand, seemed calm, though he had to brace himself too.

Santelli glanced silently at Biso, and the alchemist nodded. The Brigadier shifted his gaze to Kai, and the same was repeated. So Santeli took a silent survey and received unanimous agreement in the form of nods or half-closed eyes.

Santelli looked sternly at the Brether and the Healer. He took a chisel and an axe and, in the same silence as before, cut the two coins in half on the stone. He made a hole in them with the chisel and, having selected two halves, strung them on chains so the cut coins looked like soldier's badges.

"Is there anyone against?" the brigadier asked softly, raising the first chain token and pointing to Charley. "Let the one who has something to say, say so."

"He is new among us but has shown himself a good comrade," Biso said as if reciting the words of some ritual.

"He fought for us without a call or order," Kai blurted out.

"He hasn't pocketed a fraction of the Profit," Einar remarked.

Santelli extended his hand further so now the Maître could take the coin. And the Brether took it carefully, slipped it around his neck, and lowered the medallion into the slit of his shirt.

With the same silent solemnity, the brigadier took the second token, pointed to Elena, and repeated:

"Is there anyone against it? Let the one who has something to say, say so."

"She helped me when I was sick," Zilber said quietly.

"She helped me, too," Einar repeated after him.

"Her footlocker is good," Biso put it diplomatically.

"She saved me," Shena murmured very quietly, and those were the first words Lena had heard from her since the swamps.

Santelli waited and, hearing no denial, held out the locket to Elena.

The coin felt very hot - probably from the foreman's hand - and heavy. A vein in Lena's fist throbbed, so the medallion felt as if it were pounding in her hand from the inside.

"You are not part of the brigade," Santelli spoke in a measured, solemn voice. "But you can be now. From now on, when we go on a new campaign, I will ask you if you will agree to share the journey and Profit with us. You are entitled to a full share according to our customs and rules. If you die on the journey or in battle, the brigade will burn your body and scatter the ashes so that the body will not be defiled. If possible, the brigade will properly bury your bodies with a priest and prayer. Half of the coin will stay with you, and now you can say you are my men and call on me for help. Half of the coin will remain with me, and I will remember who will answer my call when there is a need for me. Mar sin, tha`e!"

"So be it," the brigade repeated in one voice.

"There's still time to refuse," Biso suggested softly, seeing the medic's uncertainty.

Lena weighed the locket in the palm of her hand. She'd had jewelry in that former life, real jewelry - gold, silver, even a ring with a real emerald, her late grandmother's inheritance. But this ... the thing in her hand had a different weight. It was a symbol. A gateway to a new future. And Elena clearly understood that by accepting the brigadier's chopped full-grown, uncut coin, she would get a lot, but the payment would be appropriate. Every word, every action of Hel from now on will gain a completely different weight, and she will be evaluated differently.

There's no way back.

"I accept and thank you," the girl said what seemed most true and appropriate for the moment. Judging by the reaction of the others, if she hadn't followed the ritual exactly, at least she hadn't messed it up.

"Welcome, ginger mare," Einar smirked and faltered under Kai's wicked gaze.

Elena was about to put the chain on, and then Shena stopped her.

"Wait..."

The horde, which had been stirring, froze again with interest and some bewilderment. Whatever the swordswoman had in mind, the ritual did not provide for it. And Shena, with a look of dashing and a little crazy, as if she did not expect such a thing from herself, pulled her own token that hung on a lanyard, not a chain. And handed it to Lena with the words:

"I owe you my life. Until I repay it, I entrust it to you, and in return, I take yours to protect as my own."

It sounded muddled, and it sounded like Shena was jumbling her words with excitement. Her palm trembled, and the fire glinted on the metal half-circle, polished by contact with her body. Somehow Lena thought that this coin must be very warm, almost hot.

Shena looked at Hel. A sepulchral silence enveloped the entire company, only the crackling fire in the fire, splitting the slate tiles into orange-red embers. In the glow of that fire, Lena saw Shena's green eyes fill with despair. The spearwoman extended her hand almost pleadingly, not so much holding out the coin as extending her trembling fingers toward Hel.

"I'll cut the one who says anything dirty," the Maître promised quietly but clearly. Kai put his hand on the hilt of his sword as if to join Сharley's words.

And Lena stretched out her hand in response. Her fingertips touched, electrocuted, so the heat pierced her hands, spreading fire along the nerve endings, liquid gold flowing to her heart, burning without burning.

"I give you my life," Lena's lips moved on their own, repeating the formula. "And I take yours."

The red-haired girl put on the lanyard, feeling the warm coin slip onto her chest.

* * *
 
Chapter 22. "A Moment of Happiness"
Chapter 22. "A Moment of Happiness"

* * *

Matrice recalculated the day's income and was generally pleased. Without Hel, things were not going as smoothly as they could, but not bad, not bad. The apothecary caught herself that she missed having an assistant. Of course, in public, Matrice grilled the redhead and criticized her for her ineptitude, but that was the fate of the apprentice - everyone did not give a damn about them. Traditions that had been hallowed for centuries. You can't just take them and overstep them. The girl was lucky to be here in the Wastelands, where everything was simple. In the Kingdoms, the life of an apprentice is much harder and stretches on in complete hopelessness for years, sometimes a lifetime.

The apothecary made a note on the wax tablet and twirled the stylus thoughtfully, adding up the numbers in her mind. It turned out to be a bad week, with minimal profit. It was tolerable, though. It was always like that in the spring. She worried about the huge cash gap formed because of the adventure with the house, the painting, and the Duke. However, this concern was a routine one, and here the apothecary did everything that depended on her. It remained only to wait for the outcome. That is the pigeon mail from Malersyde.

There was a knock on the door of the Apothecary, softly, one might say delicately.

"It's closed!" The apothecary shouted, looking at the murky silhouettes outside the narrow window.

"Would you be so kind as to open up? We won't be long," echoed a melodious female voice muffled by the door.

"Yeah, sure," Matrice grumbled, considering whether to call for Saphir. Or could she just ring the enchanted bell, and the guards would be here in a minute?

The late visit made the apothecary think she was neglecting her security, relying too much on her reputation. She should get a bodyguard again, or better yet, two to watch her back all day long.....

As Matrice pondered, the dark figures outside merged into a wide dark blur as if they were bowing their heads in conversation. And then the apothecary heard a lock jingling in the silence. The one that was locked from the inside with a three-bearded key. The apothecary froze, listening and not believing her ears, but the door was already opening, letting in three figures in dark cloaks up to their heels.

"Don't," the shortest intruder swung one hand, and the bell the apothecary had grabbed went numb. With his other hand, the intruder pulled back the hood, and the scream froze in Matrice's throat, a strangled wheeze. Unlike the dead bell, it wasn't the result of witchcraft, just the apothecary seeing the face of a guest.

One of the intruders closed the door behind him and turned the key, locking it again. The other looked at the shelves of herbs and pots. The woman stepped closer so that now only a shallow plank counter separated her and Matrice. The apothecary could not take her eyes off her guest's face and felt her legs rapidly losing strength, trying to break and drop her mistress. Long ago, in her past life, Matrice had heard of such people, and now the legends from her childhood stirred, paralyzing her will and filling her soul with fear.

"There's no need to be afraid," the woman smiled. The smile was soft, quite friendly, and Matrice took a step back involuntarily, feeling an icy sweat chill her skin.

"Don't run and call for help either," the guest recommended softly. The bell that had fallen out of Matrice's hand clattered to the floor.

"What do you need..." for a second or so, the apothecary was proud of herself, of the way she controlled her voice even in such circumstances. But only for a second.

"The truth. Just the truth, nothing more. I'm looking for a girl, a young redhead."

It seemed that there was nowhere to be frightened further, but Matrice realized, in fact - there was. And she bitterly regretted that she hadn't gotten rid of Hel in any of the many ways.

"She showed up in the area about a year ago," the interrogator tilted her head sideways, looking at the apothecary like a bird, slightly askew, with lively curiosity. "She was probably looked for, but not found. And yet she's here somewhere."

"I ..." Matrice realized that her tongue didn't move, paralyzed with terror. It was stuck between her teeth like a half-chewed piece of cooked meat.

"You don't know her, never met her or even heard of her," nodded the guest understandingly, with a kind of perverse approval on her narrow, very pretty face, saying, I respect the fantasy, well thought out. "We'll skip that and get right to the point."

She took two small steps and, with a light, graceful movement, adjusted the hood over her shoulders so it lay in symmetrical folds.

"Where is she?" The guest asked quietly, and Matrice answered.

The apothecary spoke very quickly and a great deal, trying not to lose track of even the smallest fact. She extracted such details from her memory that, in other circumstances, she would have been surprised at the reliability of her memory. And she shared her memories generously, holding nothing back. The guest nodded measuredly, and Matrice did not doubt that the woman remembered every word she heard.

"Is that all?" The guest clarified when the flow of the apothecary's eloquence finally dried up like a dried-up spring.

"Yes," Matrice exhaled.

"Interesting," the cloaked woman said. "So they won't come back here?"

"No," Matrice shook her head fast and quick to be sure. She was unbearably ashamed of her uncontrollable fear. But there was nothing she could do about it.

"Interesting," the woman repeated. "Wait."

The last seemed to be addressed to the companions, but Matrice took it personally. Waiting in wistful hope for the best was the only thing left to her.

From where the guest got a small mat, rolled up in a tight roll, Matrice did not understand. It seemed to be from under her cloak, but it could have come out of thin air. She spread it out on the cleanly swept floor and knelt as if she were preparing to pray. She could not be seen behind the high counter, only rustling and a quiet voice. It was as if the guest was talking to herself. Or to someone invisible. Matrice heard only a few times repeated "Yes". And in the voice, she could hear the undisguised surprise.

The guest rose from behind the counter as if an evil spirit had crawled out of a well.

"Thank you," she thanked as if nothing had happened. "'I mean, our conversation will remain a secret, won't it?"

"Of course," Matrice's teeth chattered as the apothecary couldn't believe her luck.

"Good luck," it sounded like a subtle sneer on the woman with the mat's lips, but Matrice overcame the urge to fall to her knees and thank her fervently for her mercy.

The woman stopped at the threshold and snapped her fingers in a half-turn. The silver coin made a perfect parabola, hitting the gourd cup where the apothecary had poured the change.

"For your troubles," the guest giggled.

The trio went back into the night, and Matrice stood behind the wooden counter for a long time, unable to stop her trembling hands and, at the same time, to believe that she had parted the otherworldly horror so successfully.

* * *

And over there is the Sword of God. It's also known as The Traveler's Friend. The point points South, and the hilt points North.

From Elena's point of view, the seven stars resembled a sword in the same way that the "ladle" she knew from her previous universe resembled a bear. But, after all, it was human nature to fantasize and dream... A thought struck her - if she'd been practicing some kind of orienteering and studying a map of the starry sky, she could be looking for familiar constellations right now.

Usually, the moon obscured the dim light of the stars, absorbing it with an even bluish-blue background. But this night, the clouds were scattered, and the heavenly fireflies glimmered unusually brightly, so the moon, on the contrary, created a contrast. As some English aristocrat said - there is nothing that seems blacker than the right dark blue color. Or something like that... However, she didn't want to think about mundane things. Lena felt good here and now. A warm blanket warmed her back. Her legs rested, freed from their wrappings, and rubbed with triclinic juice. She rested her head on the legs of the sitting Shena and inhaled the smell of the steppe, mixed with the pungent but pleasant aroma of dried hogweed, which everyone rubbed on her today as a hygienic procedure.

"And here are the Messenger and the Prophet, two constellations that are always together. They say that astrologers read the future of the newlyweds from them...."

Shena's voice trembled, and Lena hurriedly distracted her with a question:

"Who are they? I've heard of them, but not much."

"It's a good thing we're not in the Kingdoms," Shena smiled. "There, for a question like that..."

She did not continue and, after a little thought, explained, seeming to be quoting some text from memory:

"God rarely intervenes in human life. Pantocrator gave them reason and let them out into the world as a father of mature children. And a good parent does not wear out his descendants with excessive care. However, sometimes, in the years when people feel very bad, He sends a Messenger and a Prophet into the world."

"Two at once?" Lena twisted her head slightly, looking at Shena.

"Yes," the green-eyed woman furrowed her brow, remembering. "A Messenger is the embodied breath of God, a part of His essence. And the Prophet is an ordinary man but with many virtues. The Messenger does His will and performs miracles, and the Prophet protects the miracle worker and interprets predictions for people."

"How many were there?" Lena was truly gripped by the story. "Are they men?"

"Not necessarily," Shena smiled a little patronizingly but kindly. Like a mother telling her child something important. "Nothing is known about the first two pairs, only that they existed. The third destroyed the community of necromancers and blood sorcerers. The fourth founded the Old Empire, and that power united the entire known world under its rule. The Fifth Envoys exterminated the Mage-Emperor, who wanted to subjugate Time itself. There was a terrible battle. The capital was moved to another place, and the grass still does not grow on the cursed ruins ... And since that time, wizards can't see the future. Only to read it in horoscopes and fortune-telling."

Lena closed her eyes, trying to imagine the magical carnage of bygone days. I wonder what it was like...? A nuclear apocalypse with magical fire? Or all sorts of spells, like in the rule books for "roleplaying"? Here comes another thing she knows next to nothing about - what the real magic here looks like that survived the disaster, albeit in a very weak form.

Lena felt like a person who had spent almost a year in a lethargic sleep dumbed down, and lost interest in life. But now she shook off her stupor, squared her shoulders, and looked around her with a clear eye. How much there was still to learn...

"God brought the Sixth Messenger and the Prophet into the world when disaster swept across the Ecumene," Shena continued. "Magic was almost dead, and with it, people were dying, sick with terrible new diseases, and starving."

Shena's voice became sterner, colder. If she had been quoting some sacred text before, now it was as if she were recalling a scary fairy tale or a fairground performance with two voices and rag dolls.

"They gifted the sick and hungry with new knowledge, teaching life without magic. How to send messages with the birds, how to rotate the fields, letting the earth rest beneath the grasses to reap good harvests later. They also revealed to everyone that cleanliness pleases the Paraclete, so those who neglect washing and breed lice - get sick and die more often."

It was as if some kind of trigger had clicked in Lena's head. Pigeon mail, washing, crop rotation. And if "grasses" then rather not even simple three-fields, but the next stage of development. In other words, communication, hygiene, and food. That which binds society together. Nourishes it and keeps it safe from epidemics. Divine messengers are most likely a legend, but the tails reflect the primary problems that had to be solved by the builders of the new, "post-magical" world, destroyed by epidemics and famine.

"And it was also said that the last Prophet and Messenger were husband and wife and had children, so their descendants still live among us."

Lena raised an eyebrow, and Shena's finger came down softly on her lips, calling for silence.

"But don't ever tell anyone about this," the spearwoman urged sternly. "It is considered a terrible heresy."

The question "why" was on her tongue, but Lena held it back. It was already clear. Enough to remember why the Vatican was so rigidly opposed to .... God, what was the name of the author who had written a bestseller about an American professor and the children from the relationship (or even marriage?) of Jesus with Magdalene? No, she completely forgot.

"I won't," Elena promised quietly, and Shena's fingers slid down her cheek, touching the very tips of her nails.

One of Ranyan's mercenaries, the one who had helped Lena off her horse a few days ago, was singing by the fire. His voice was young and beautiful, a natural purity of talent that unfortunately lacked schooling. The young man did not have a song but rather a recitative, which is not sung but recited to the lute with a very sparse selection of notes. And still, it was beautiful and expressive.

Said the Wild, "I will crush this Clancy, so fearless and insolent;
For him will I loose my fury, and blind and buffet and beat;
Pile up my snows to stay him; then when his strength is spent,
Leap on him from my ambush and crush him under my feet.

Him will I ring with my silence, compass him with my cold;
Closer and closer clutch him unto mine icy breast;
Buffet him with my blizzards, deep in my snows enfold,
Claiming his life as my tribute, giving my wolves the rest." [1]

"It's a beautiful song but sad," Shena whispered. Elena found the palm of her hand and squeezed it tighter as if trying to share some of the warmth of her soul. Shena's thin but strong, weapon-callused fingers squeezed in response. It was amazing how much softness there could be in these hands that had taken more than one life.

From somewhere in the darkness, Charleigh echoed, much quieter. Brether had abstained from the amber elixir all the way and seemed to be suffering from drug withdrawal. This was plunging the maître d' into an abyss of depression. The swordsman wandered away from the fires, beyond the edge of the light, and read a poem aloud softly:

No matter where; of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the bosom of the earth,
Let's choose executors and talk of wills:
And yet not so, for what can we bequeath
Save our deposed bodies to the ground?
Our lands, our lives and all are Bolingbroke's,
And nothing can we call our own but death
And that small model of the barren earth
Which serves as paste and cover to our bones.
For God's sake, let us sit upon the ground
And tell sad stories of the death of kings; [2]

Kai cursed softly as he repaired a torn seam in his jacket and pricked himself with a faceted leather needle. Zilber did not brush his cherished sideburns this time but juggled small stones. At the mere sight of it, Lena's right hand ached - at her friend's categorical demand, she was now practicing throwing stones from a sling. The weapon was simple, cost nothing, and in skillful hands, could seriously upset the enemy. It was only a matter of time before she got the hang of it and made it skillful.

Elena sighed. The song and verse had put her in a melancholy, lyrical mood. She didn't want to sleep, though she didn't doubt that if she closed her eyes, she'd be asleep in a matter of minutes. She wanted to look at Shena. Elena looked at her, still from the bottom up, taking advantage of the fact that Einar had thrown some shale chips into the fire, and the fire was burning.

The dim light made Shenna's face look like a photograph that had been painstakingly redrawn by a Renaissance master, adding warm and darker colors. The Valkyrie looked down at Lena. Her head tilted slightly to the side, her hair sticking out like a bird's feathers. Her grandfather had once said that all people had the same iris size, and a deviation of just a millimeter gave the illusion of huge "anime" eyes. Shena's eyes seemed like a bottomless ocean, where the darkness of the pupil merged with the iris of the color of a sea wave under the bright sun. A sparkling emerald ... though no, emerald is too cold, too piercing. Right now, she was looking with a gaze the color of warm chrysolite. Dark streaks ran beneath her lower eyelids as fatigue took its toll. Her features seemed smoothed in the dim light, lost their usual sharpness.

Shena blinked, her mouth curved, and her cheekbones sharpened beneath the smooth skin, her soft features taking on a slightly exaggerated sharpness in an instant. The woman with eyes the color of warm chrysolite moved her thin eyebrows and smiled at the same time, a little guiltily. It was as if she wanted to ask something and couldn't make up her mind. Lena silently watched her friend's expression change and couldn't believe it was just the movement of facial muscles under the skin. No, in fact, the invisible hands of a genius sculptor were sculpting the fleeting perfection. The medic wanted to multiply the sensation; it seemed to her that vision was not enough. Lena raised her hands, touched Shena's face with her fingers, slid them over her cheeks, and smoothed the corners of her lips, trying to remove the creases, to banish even a shadow of sadness from Valkyrie's face.

"Who are you?" Shena asked quietly.

"I am Hel," Lena said. The girl felt strange as if in those moments she was part of the universe, and everything around her - the Wasteland, the Ecumene, everything, including the constellations - centered around her. And she was indeed Hel, not a willy-nilly guest, but the flesh of the flesh of everything.

"It's not a name. It's a nickname....."

"You can call me whatever you want," Lena whispered.

"Then ... Then I will call you Teine. In my dialect, it means Fire-haired. It's not spoken in many places."

"Teina..." Lena tasted the word on her tongue and liked it. "Let it be Teina."

Shena smiled, leaning a little lower. The shadow of brooding returned to her forehead like a dusty cobweb. Lena frowned.

"Where are you from?" Valkyrie asked.

Lena was silent, unable to answer or avoid answering or even to look away from the yellowish-green eyes. And she also realized at such moments, the soul was naked and defenseless, so it was impossible to lie. Lies are like poison, penetrating the heart and poisoning trust forever. It would turn into ice the warmth exchanged between people, who were close and united in a big and indifferent world.

"My home is far away from here. Too far away."

"Were you happy there?"

An unexpected question, so unexpected ... so simple. and yet so difficult at the same time. How to answer it? And what is happiness?

"No."

Lena had packed her whole life into one word.

The pain and anger that destroyed the bond with a mother who traded the brightest, purest feeling in the world - a child's love for the mother - for the approval of friends and acquaintances.

You're embarrassing me! And now everyone's gonna say what kind of mom this girl has!

Disappointment, like rust chewed away, dissolved the relationship with her father.

The memory of an old doctor who alone truly loved a little girl. As best he could, he tried to soften the iron pressure of a mother unable to hear and understand anyone but herself. And then he died, leaving Lena alone.

One word. Three letters, in both native and local languages.

Not.

"You've been banished?"

"I..." Lena hesitated, choosing her words. "I... I was stolen from my home. Taken very far away."

"But you can come back."

"I can't. It's impossible."

First, she said it. And only then did she realize, feel the essence of what had been said. What she had realized long ago, what she had locked away in the farthest corner of her mind. An understanding that was horrifying in its finality and finality.

Her eyes burned, and Lena felt tears welling up. But she mumbled anyway, making a point, acknowledging the inevitable:

"I'll never be able to come back."

She clamped her eyes shut, feeling her lips trembling treacherously and sobs coming up.

"It doesn't happen that way," Shena's voice came close, and her breath ruffled Lena's eyelashes. "We'll find your home. And you'll go back there. You will."

"Really?" It's a stupid question, but it came out on its own.

"Of course."

There can't be so much warmth in a human voice. A person who has suffered so much pain and suffering cannot be so kind. But, as it turns out, he can.

"You'll come home, I promise," Shena said and touched Lena's lips with a kiss as light, elusive as the flight of a dragonfly on a sunny day.

"Teina..."

Who mouthed it, Lena didn't understand. Maybe Shena repeated it, or maybe she exhaled the short word herself, tasting the new name, mixing it with the slightly bitter taste of the lips of a woman with eyes the color of yellow-green chrysolite. Shena's fingers burrowed into Lena-Teina's dark red hair, tousling the strands so that the curls flowed like tongues of dark flame. A flame that does not burn. A tenderness that heals the worst wounds in the soul.

And Elena felt that ...

It's impossible. It just can't be. In a strange and cruel world that had tried to kill her more than once and had almost gotten her the other day. With an unsightly past, an uncertain present, and a murky, dangerous future. Surrounded by - well, let's call things by their proper names - murders, bandits, looters.

And yet she was happy. Absolutely, completely, utterly happy.

* * *

By the evening of the tenth day, after the night in the cursed house, the party had reached the coast. The presence of the sea had been felt since the night before, in the cool wind that came at times from the north and even in the air itself, which had acquired an almost imperceptible aroma of salt, of freshness. Of the ocean.

The team was ready and armed, but here, everything developed slowly, without any special adventures. Around noon, the wanderers saw the most real mirage, that is, a phantom, similar to those that appear in the desert due to atmospheric effects. Only this one showed not distant lands but the past. It was as if a giant movie screen had been turned up high in the sky, and a series of silent images were projected onto it. Lena didn't understand much - the pictures showed some city from a bird's-eye view, and the architecture seemed vaguely familiar, but that was probably because it fit into a conventional "medieval" pattern. The only thing that could be said was the city seemed huge.

"They say this is the capital of the Empire," Kai reported softly. The knight approached from behind like a shadow, silently. He was dressed and equipped almost as he had been the first time Elena had seen him, with the distinctive chainmail pelerine and single-bladed blade on his shoulder. He had a prettier face, perhaps because he was breathing humanly through his nose.

"That's how it was before everything happened."

"It's beautiful," the girl said. "Very nice."

"Yes," the knight nodded. "They say the City was twice the size of what it is today. But they say all sorts of things."

"That's true."

"Are you sailing with them?" The swordsman asked, apparently deciding that the preamble was enough.

"Yes, how could it be otherwise?" Elena was a little surprised.

"I wouldn't recommend it," Kai said bluntly. Quietly, just for her ears, but, at the same time, with a distinct pressure.

"Why?" Lena automatically switched to the same conspiratorial tone, and she immediately remembered the look in Kai's eyes when Matrice and the Brigadier had given her a tough amputation exam. It was as if the knight had rejoiced at her seeming failure then and conversely had been distinctly unhappy with her success. What could it mean...?

"Will it stay between us?" Kai asked.

"Yes, of course..." Lena choked.

You're not from our world," Kai said bluntly; he spoke with a kind of unconcealed sadness in his voice, the nature of which Lena didn't understand. But she listened attentively. "And you don't need to become part of it."

"Part of your world?" The girl didn't understand.

"Yes. We live in death and war. It's not your life, it's not your destiny. I knew it right away. Matrice was bad for you, but with her, you're alive and protected."

Kai was silent for a moment as if giving his companion a chance to reflect on what she had heard.

"Right now, you can still say no."

"But ... a coin? And we're on a quest. It's not over yet."

"You can still do it," Kai repeated with pressure. "It's on the edge of the rules, but it's acceptable. And I've got your back. We'll go back together. You'll be under Matrice but with a lot more respect. You'll be under Matrice but with more respect. In time, we'll get your books on medicine, and you'll be the first real medic in the Gate. However."

The swordsman looked at the brigadier. Santelli had gone to the front, to the head of the squad, and was discussing something with Ranyan. Judging by the characteristic gestures with rubbing fingers, it was about money. Judging from the peaceful nature of the conversation, the contracting parties had no claims against each other.

"However, once you step on that ship, there is no turning back. You'll enter my world completely. And it kills those who aren't ready to live in it. You're not ready. Think."

Kai stepped aside like a ship coming out of an order with a look of indifference and boredom, as if there had been no conversation, just two people walking side by side for a while. The celestial phantom disappeared without a trace as it had appeared. And then the travelers finally came to the bay.

In the first moments, it seemed to Lena the harbor spread out in front of the group was made of pure gold. Even the sun turned into a bar of purest gold. Then the deception of vision dissipated, and it became clear that it was just another play of light. Clouds, driven by the coastal wind, gathered in a "hoop," perfectly empty inside. And through this natural window, the sun threw its unusually bright rays, which seemed especially bright in contrast to the gray clouds. They painted everything in golden color, reflected from the sea surface so that even the waves glistened like the scales of a dragon curled up in a huge bowl of the bay. The illusion lasted for a few minutes until the wind drove the clouds into a gusty flock and covered the sun's disk. It was now apparent that the ship had arrived and was waiting for passengers.

The group, meanwhile, moved down the cobblestone road toward the harbor.

There had once been a real town here, spread out on either side of the wide road. Farther away and to the left, on a hill near the shore, was a fortress. Not much remains of the town, an earthquake (maybe more than one) literally wiped out most of the buildings. Judging by what hadn't turned to earth and piles of stones, there had once been many dozens of two- and three-story stone houses and wide streets diverging from the main road like ribs from a spine. The fortress was luckier. The squat towers, connected by walls and steep passages into a single complex, have survived, only partially crumbled like sand.

Everyone involuntarily gathered closer to the cart. The dead city, which looked like a dried-up mummy, was very uncomfortable. It was very quiet, with only the horses' hooves clattering on the stone of the road and the sound of the waves in the background. It was as if millions of drums were beating without sleep or rest, merging the individual beats into a mighty murmur.

People had been here, and often. There were traces of relatively fresh campfires, the usual cenotaphs, and a few abandoned skeletons, partially scavenged by scavengers. Most likely, the living were also somewhere nearby. Usually, at least two crews worked in the coastal caves at the same time. But they were, for obvious reasons, well camouflaged and were in no hurry to reveal themselves. It was for the best, as long as they didn't get in the way.

The ship spotted the travelers, and a large rowing boat slid into the water. Another boat followed it a little later. The ship anchored far from the shore, apparently fearing the tides. Lena had heard that harbors had to be made special, stepped harbors because of them, and the local one must have been properly equipped. But the captain, apparently, did not consider it necessary to risk relying on ancient, ruined by time constructions. A reasonable approach.

Santelli and the routiers had decided in advance who would accompany the brigade. Kai turned to go to Ranyan, but Santelli stopped him.

"If you want, come with us," the foreman suggested softly.

"What about...?" Kai stopped short, but it was clear what he meant. The knight was surprised, very surprised.

"The old prick was right," the foreman chuckled. "You're not much of a hostage. But a good sword is a good thing to have on the way. And ..."

Santelli breathed in the cool, fresh air and looked out at the harbor. The boats were already halfway out, with only rowers, no warriors. That was good. The sun was setting, painting the sea and sky pink, so the waves seemed frozen, completely opaque, like plum ice. And the sky was burning with ruby fire, which was already blurred and drenched in gray by the rolling moon.

"You saved my life. I saved yours. And you were my first fighter, my very first. So. Let's go... brother."

Kai's face trembled, and the knight swallowed hard. He held out his hand to the Brigadier with the words:

"Father won't hurt you."

* * *

"That's it," Ranyan said. "We'll spend the night here, then move back tomorrow morning."

"Good work," remarked one of the routiers. "I wish always like this."

The mercenaries, having received no special orders, began to disperse for the evening. As it usually happens in a good team, each of them somehow found by himself a necessary, useful thing to do. The conversation of several people mixed into a single stream, where scraps of words and phrases collided and cut each other off.

"Sàmhchair!!!" Ranyan shouted, his hands dropping to the hilt of his weapon. You don't speak of the simple and the safe in that voice.

Routier raised his hand, and repeated:

"Silence."

And froze, covering his eyes, moving his head as if catching the dead echo of the words with his ears. The mercenary tried to realize what he had just heard ... some word ... or a few words that reason did not understand, but something deeper and wiser than reason understood and struck an invisible bell.

Something's wrong. He's missing something.

"You!" Ranyan turned to the youngest routier, who had been on the team for less than a month. "Say that again!"

"Wh-what?" The young fighter's voice trembled, and who wouldn't at a moment like this?

"Say what you just said again," the commander said impatiently. "Word for word. It's important."

The young man exhaled, a little relieved, but the expression of relief on his face immediately gave way to hurried concentration.

"I ... this ..." he mumbled.

"Remember," Ranyan was losing patience.

"I said that their healer... she's kind of pretty, but she's weird. When I took the reins from her, she took a bad jump."

"And then?" Ranyan's voice became quiet very quiet, as if the mercenary was waiting and, at the same time, afraid to hear the continuation.

"She cursed..."

"How did she curse?" The commander growled. It was frightening to look at him, especially knowing that Ranyan was considered a model of calculated coolness in the Wastelands. The young fighter dreaded to think what could have knocked the routier so off balance.

"Not our way," the young man said quietly, grabbing his hands around his waist to stop their trembling. And finished hastily. "Well, I mean, it is clear that she swears, but I have never heard such an expression before. I'm from a merchant family. We speak all the languages. It must be something clergy or a thief's language."

Ranyan turned toward the bay with such speed that it was as if he had flowed inside his skin. One glance at the small dot the ship had become. One into the sky. Another around. And all of that, in an instant, translated into an exhaustive realization - no, the ship was unstoppable, and there was no more signaling about to be noticed on board.

Ranyan didn't realize at first why the routiers had been jerked to the sides all at once. Then he realized that in his confusion, he'd drawn both knives and raised them as if preparing to slaughter someone immediately. A low growl rumbled from the mercenary leader's chest, threatening to turn into a fierce howl, like a beast that had lost its prey.

Redhead...I've never heard that dialect before.....

With an inhuman effort, Ranyan suppressed the outburst. When he looked at the pack, the commander's face was as still as a death mask. Only the dark eyes blazed with devilish fire.

"You, you, you ..." Ranyan's dark-gloved finger took out about two-thirds of the group. "You're going back on foot, following our tracks. The rest of you come with me and take the loose horses as mounts. We should be at the Gate by tomorrow night."

"We'll rice them," one of the future companions didn't object but rather pointed out the obvious to the commander. "No one can help them...."

"By tomorrow night," Ranyan repeated. "Even if I have to race you to death as well."

* * *
 
Chapter 23 "Always yours"
Chapter 23 "Always yours"

* * *

Lena wrapped herself more tightly in the hide of something bear-like. It was given to the travelers, one for every two people. The precaution had been wise. As the sun set, the woolen shirts and blankets did not save them. The captain said the ship had entered the cold current specifically to kill woodworm mollusks that might have somehow penetrated the cracks in the copper plating but had not yet burrowed deeper. So they'll have to be patient for a couple of days, just a precaution.

It looked more like a two-masted drakkar than anything else, but Elena called it a galleon because of its complicated sail system. There wasn't even a lower deck as such, just a hold for goods and supplies and the captain's cabin. All the crew and passengers, about forty people at the moment, were accommodated in the open air.

It didn't fit with the stories about developed shipbuilding and the centuries-long history of mainland trade. But after thinking about it, Lena concluded that everything was natural. The continent was one. There were no extensive overseas possessions - so there were no transcontinental routes, for which it would be necessary to build a real sailing fleet, as in her world. Ships sailed either along the coast or not too far from it, so there was no reason to complicate the design.

Interesting ... because the Ecumene, strictly speaking, is not the world as a whole, but only a continent. Are there other continents?

The cold was compounded by the dampness. Lena and Shena could not even huddle together for warmth. The routiers huddled around a hearth in the shape of a large bowl under a grate and on a brick base. Such a hearth could be used for heating, cooking, but its main purpose was to light and signal by throwing combustible mixtures into the fire, giving a column of fire of different colors. There were two hearth lights - fore and aft.

Lena pulled her fur tighter, replaying the conversation with Kai over and over in her mind. And at the same time, noting the word "scrolling" itself already seemed a little alien to her, inappropriate. Tape scrolling is from the world of technology, tapes, and numbers. Here it is simply "remembering," recalling..... That's what it means to get used to and adapt, you don't realize it, but you adjust to the new life step by step.

Kai didn't say another word to her, only glanced at her silently as Lena jumped into the boat after Shena. It wasn't a good look, both sad and disgusted. It was as if the swordsman had cut the girl out of his life, and closed the notebook with a short history of their communication. Lena avoided meeting eyes with the knight, feeling awkward, although there was no reason for awkwardness. But still... it didn't feel right. Elena gritted her teeth and forbade herself to think about it. For now, anyway.

"I don't want to go back," she said quietly into her pelt as if drawing a line under her heavy musings. "I want to live in the city. In a big city, where it's warm, and there are lots of people."

"And rightly so," Shena said, snuggling closer to Lena so not a single particle of warmth was wasted. "This life isn't yours."

It was getting weird and curious. Kai had said almost exactly the same thing, suggesting to stay. But what if, uh.

"How about we don't go back?" suggested Lena quietly, frightened by her radicalism. She didn't even utter it but rather moved her lips as if everything could be blamed on the wind afterward. It was he who tore the quiet, inappropriate words from her lips.

"Maybe," said the spearwoman. "But we have to think it over carefully."

"Really?" The healer couldn't believe it.

"True," Shena replied sleepily. It looked like fatigue and sleep had taken its toll on her after all. "We'll talk tomorrow."

The excitement came over Lena like a wave in a storm, but it left just as quickly, taking the rest of her strength. She closed her eyes and drifted into slumber. She saw mountains, a plain bordered by low hills that looked like grave mounds. The day was bright, rainless but overcast, moderately warm with a slight chill. It was a good time to fight. The heat and the sun would not wear down the soldiers, and the wounded would be a little better.

The battle is coming.

* * *

This vision, too, was crisp and clear, without any effects of darkened consciousness. Lena was startled by a new psycho-attack, but no one was breaking into her mind, drowning her in the streams of other people's heartache. Just visions, an image that unfolded in several directions at once. And Lena understood what was happening, even though she had never seen a real battle in her life.

The battle was coming, and the columns came out of the camps in a thoroughfare, snaking like hordes of ants on the trails. The opponents had little cavalry, so it was mainly infantry that had to fight. Not militias, not vigilantes, and not "spears," but real infantry, organized, able to fight in formation, companies, regiments, and battles.

Here come the lance men though it is more correct to call them pikemen. They mix with the halberdiers. Halberdiers with someone else ... The division is conventional - long shafts are crowned with a variety of tops, but all are equally terrible in their purpose. All of them very shortly will begin to kill and maim. There are peaks, which until then are pointing to the sky, and everything else.

And there were swordsmen and archers, or rather starters. They would go ahead, and start a fight, trying to disperse their "colleagues" from the opposite side, and then break up the enemy formation to restrain maneuvers. Here, too, a variety of people have gathered. Some bare-assed beggars don't even have a jacket, only an axe and a shield on a rope. And there are serious men in three-quarter armor armed with two-handed sabers or poleaxes. There are not many archers, not many archers either, mostly crossbowmen, even knights-shooters from the south, and the latter are unusually numerous.

The military mechanism is turning its gears, the opposing armies are well organized, and everyone knows in advance where his place is determined. The columns are unfolding, thickening at the same time. Lena knows that on the one hand, the regiments are called "battalions" and on the other "tercias", although they are organized in roughly the same way, in the same likeness - squares, and rectangles, bristling with pikes.

There are five battalions, although usually there are three. But this time is special. The armies are enormous. Not since the days of the Old Empire have so many soldiers been gathered on one field. There are a lot of soldiers. They can't be lined up in three huge regiments without losing control. So five. Battalions move traditionally, in "oblique" order, so that the rightmost advanced forward and accordingly will strike first, the rest go from right to left at an angle, each next slightly farther than the previous, insuring against a flank attack. Tertia is built by a broken line. They are also five, one per battle. One-on-one, soldier on soldier, regiment on the regiment. Today everyone will see his enemy and look him straight in the face.

The green grass, not high, just filling with spring freshness, is withering, trampled by heavy boots. And now the banners are unfurled. Not the squadron banners - those have long since fluttered in the faint wind - but the standards of the parties.

The Batalias are marched under a banner featuring a stylized red moon on a white background. And the red color is not just paint. It is generously mixed with the blood of fellow fallen heroes collected after each battle to renew the pattern to lead the living through new battles to new victories. The second is black, with white symbols. They are known to Elena but are completely incomprehensible. No Kingdom has ever raised such a flag. The symbols are arranged in a triangle. At the top is the sign "an lagha", meaning "law". At the bottom, at the corners, are the signs of the plow and sword. The standard seems tattered, sewn on a live thread. And at the same time, it does not cause pity and disdain as an ordinary badly made thing. On the contrary, in this form, the banner awakens hatred in opponents, the desire to destroy it at any cost. Why is it so important?

The battle had already begun. The advance parties were clashing, hovering in front of the main force like gnats over water on a hot day. The infantry squares are coming at each other, the stomping of countless feet merging into a rumbling roar as if an ocean wave were crashing in. And the infantry pressure itself is like a tsunami wave preparing to storm the shore. The drums beat, strengthening the spirit and setting the rhythm of the march. Barbarian trumpets howl under the banner of the moon and battle flutes call out from the black standard.

The pikes are lowered - before they were carried on their shoulders because of their heaviness. Now infantry rectangles no longer look like a revived forest. The first crisis of the battle had come to the convergence of the pikemen.

It is very hard to step into a forest of spears, behind which halberds are already raised to strike. Your place in the ranks is fixed, you feel the shoulders of your comrades on either side, and they will cover you. But that means you have nowhere to go. You're marching step by step right into the pikes. You can't retreat - a coward would be killed by those behind you to take a gap in the ranks. Only forward, hoping for armor, dexterity in handling weapons, but most of all - luck. Because when there are three or even four or five spears per soldier in a line, only Pantocrator can save you. Or magic, if you know how to make or from whom to buy the right amulet, an enchanted shirt, or a small spirit protector hidden in an artifact from the Wastelands.

As a rule, one of the sides cannot withstand the fierce terror and loses the will to win even before the fight. The remnants of courage are enough only for the first clash, after which they begin to flee. This is how most battles involving the Red Moon end. And it happens - and often - that regiments flee without waiting for a pike strike. But not this time. The tercias will not retreat, and everyone realizes it. The armies that meet on a cloudy morning are like duelists in God's judgment. One may die. Both may die. And one thing that will never happen is that two will leave the battlefield alive.

It will not be a battle. It will be a bloody massacre that will be the stuff of dark legends for those who survive it.

Crossbows were already reaping the harvest from both sides, but they could not stop the convergence. Keeping order, the regiments advanced to the roar of martial music and the shouts of their commanders. Step by step, the lats of the front ranks glistened like snake scales, holding death at the tips of their pikes, in the axes of their halberds.

They converged almost simultaneously along the entire front, and a fusion of terrifying sounds rose to the sky. The clang of metal, the crunch of breaking wood, but above all and most terrible of all, the inhuman howl of the dying and wounded. The first ranks lay under the mutual blows of the wall of spades. And almost immediately, a clang joined the cacophony, as if hundreds, thousands of blades, axes, and halberds were striking metal. The armored infantry clashed in merciless hand-to-hand combat, chest-to-chest.

* * *

It was truly frightening, so much so that Lena snapped out of the dream like a cork out of water, gasping for air. In her ears, she could still hear the horrible, freezing moans of so many people who had been killed or badly maimed in a few moments. But still, that was just another vision. And Lena knew for certain that these were not events of the past. The dream showed her the future, or rather a fragment of the whole, a link torn out of a long chain of events. And the vision was also imbued with a sense of the incredible enormity of the events. Tens of thousands of warriors on each side, and this when a few hundred-foot soldiers are already considered a mighty force, capable of storming cities... Not individual cities or routiers, not even Bonom families and alliances - entire nations had to squeeze every possible opportunity to raise and arm such armies.

Who will meet on the unknown field? Whose fates will be decided by an unprecedented battle? And what are the banners who will fight under them? With the moon being more or less clear, it is a long-standing symbol of mercenary infantry from the Mountain Confederation, not without reason. Their battle cry is "Where the Moon is, there are Mountains!". But the black and white banner... She'll have to ask around carefully.

The Drakkar creaked and seemed about to fall apart. But that seemed to be the normal state of a wooden sailing ship, a complex structure of thousands of planks assembled on a skeleton of spars and stringers.

It was rough. Not too rough, but just on the edge between "noticeably" and "a little scared." Lena was pleased to discover that she was not seasick, but a few of the routiers and Biso were less fortunate - they were already throwing the remains of their dinner overboard.

Shena was falling asleep behind her, her cheek pressed against Lena's shoulder, so she was afraid to move to disturb her friend's sleep. The air was filled with moisture - not enough to rain or gather into a veil of fog, but it gathered in beads of tiny droplets on every surface, soaking into the fabric, serving as a conduit for the cold. Lena thought she should take some cloth or a scarf to wrap around her waist.

The sentries kept vigil, and that was comforting. Fuel had been thrown into the signal plates, and now long tongues of white flame burst from the grids. However, the light literally faded into the surrounding darkness, illuminated it with glossy highlights, and dissolved without a trace. It was as if the Drakkar were floating in a tunnel or a cave.

The captain strode grimly to the bowsprit, occasionally shouting to the helmsman across the ship. At his command, the lights on both masts were lit, this time magical, wind-driven lights. Their light couldn't get very far, either.

Fire... And the cave... Something connected with the dungeon, a vague memory stirred in Lena's subconscious, but it couldn't get out. It remained an aching splinter - it was necessary to pull it out, but it couldn't be caught.

Shana shuddered, not waking up, wrapped her arm around her friend, and squeezed her tightly. Probably a bad dream. Lena pulled the fur higher, covering them both, thinking that women must be like vagrants who had to sleep outdoors.

It rained. Very lightly, more like a mist too heavy to hang leaning on the air. The signal powder was tossed into the hearths, coloring the fire red. A few small drops on the planchette, right in front of Lena's nose, gathered into one, reflecting a purple flicker like the purest ruby. And in Lena's mind, it was as if a spring had snapped from its stopper, spinning rapidly with a chain of memories and associations.

... They fought in the dungeon, dark and damp. Amidst the drops of water that fell from the high stone vault - impossible to see even in the light. Not men and monsters, but men with men, desperately, so fighting in the last hour, when there is nowhere to run, and the only thing left is to kill or be killed ...

Not in a dungeon. Not in a cave. On deck, in the darkness, lit by red lights, in the rain.

And in the semi-darkness surrounding the ship, straight ahead and to the right of the eagle's head that replaced the bowsprit, there was an inky-dark silhouette. It was rapidly approaching, and it was not the helmsman's mistake. The oncoming vessel was approaching, driven by an insistent, stubborn will. No... not approaching.

The enemy was about to ram the Drakkar.

Several screams merged into one united cry, full of fear and warning. Immediately afterward, the black ship slammed into the Copper Flagship. The impact was on the starboard side, in the Drakkar's cheekbone, and the crunch of the broken plating spread over the churning sea, just like the sound of spikes breaking from Lena's vision. The girl was slammed against the bulwark. Her lower backstabbed with a pain that made Lena blind and deaf. And from the enemy's side, which was higher than the "flagship" at least half a man's height, the boarding hooks were already flying.

It didn't take Santeli long to realize the depth of the catastrophe. In fact, he didn't need any time at all. He realized it all at once. The pirate ship had somehow unknowingly found them in the boundless darkness. The "ghost" was at least one and a half times bigger than the "flagship" and was probably full of fighters. It was useless to jump overboard, even if you could swim - far from the shore the cold water would inevitably kill the swimmer. It followed that the crew would repel the attack or die. Taking into account the inequality of forces - surely they would die unless they asked for mercy at once, then maybe there were still chances...

With an unintelligible snarl, Santeli rushed toward his enemies, who were already leaping off the enemy's side, screaming, weapons clanging. Less than a minute after the ships collided, several dozen men were furiously killing each other on the deck, wet with waves, rain, and blood.

Charley glimpsed from the brigadier's side. The brether was in his element - a swift massacre in cramped and semi-darkness, without rules or order. The swordsman left his hammer in its sheath and gripped his saber with both hands, the right at the hilt and the left almost at the headband, to increase the leverage and control of the blade. He was willingly engaged, at least by the first few enemies - the Brether had no shield or armor, so he seemed easy prey. But the saber covered the swordsman with a silvery web, weaving an impenetrable cocoon of defense, opening outward with swift attacks. The first enemy Charley cut down at once, immediately cut the legs of the second, and jumped over the pirate howling with horror and pain, who, falling down, tried to clamp the severed artery. Blood was gushing like a pump. It was dangerous to leave a still-alive enemy behind him, but Charley, with his experience, knew perfectly well if the "merchants" did not manage to disrupt the first rush of the attack, they would be swept away. Charley chopped, moving along the side, step by step, like an infernal mower.

And then Brether saw an equal opponent.

The pirates had tried to use incendiary grenades made of resin with alchemical additives. It burned badly. The damp wood repelling the flames. But it did burn.

Distracted by the flash, the foreman almost missed the blow and saved himself only by ducking. But the jerk sent a sharp jolt of pain through his left arm, which hadn't bothered him since the swamp house. Santelli flinched, hissing through his teeth, and lost his rhythm. The enemy was advancing, swinging a two-handed axe, the thick furred hide he wore instead of armor making the enemy look like a rabid hedgehog. The brigadier could not escape the steel crescent and took the blow on his axe. He managed to defend himself but did not stay on his feet.

Santelli fell to his knees, feeling his weapon shake in his hand, hearing the fading clang of metal. The pirate, swift as a demon, immediately struck again. The pirate, swift as a demon, immediately struck again. He did not have enough distance, just a couple of fingers, to break the skull of the tarred man. The point only severed part of his ear. Howling like a berserker, the pirate raised the axe above his head again, preparing to drive the Brigadier into the deck with a vertical strike.

Santelli had seen death face to face many times, but never so clearly, so plainly. The Brigadier had no time to dodge or defend himself. The axe was already falling, and his right hand refused to rise to meet it in a final attempt to close with the axe. The only thought left was the distinct realization of how foolish and careless he, Brigadier Santelli, had been. In the last moments of his life, "tarred" realized to whom he owed his imminent death.

To stop the fall of the two-handed axe was beyond human strength, but Kai managed. The whirlwind of the fight brought the knight to the brigadier, and realizing that he had no time to cut down the pirate, Kai threw his sword arm forward, taking the crescent moon that had fallen on the blade. Sparks erupted, glinting in the brightest wisps as if in a forge when a hammer is brought down on red-hot iron. Crumbs of metal flew from the axe and sword like stinging wasps. Kai took a step back, trying to hold the sword in his stiffened hands.

It was a once-in-a-lifetime parry. And Santelli, around whom the last sparks had not yet died out, rushed forward and upward, stretching his legs like a grasshopper. Unable to chop with his axe, the brigadier pounced on the pirate and burrowed his face into the stiff wet fur, which stuck together with sharp needles, just like a real hedgehog. The Brigadier chewed the fur like a real fighting boar, trained to bite like a dog, growling and thrashing his head to his enemy's neck. He yelled and tried to strike the brigadier with his axe to push him away, but Santelli paid no attention to the blows and the blood running down his head.

He reached the beating vein and sank his teeth in, feeling the warm liquid flood his mouth. The pirate's screams turned to a choking howl. Kai stood almost on top of him, driving the pirates away with wide swings, while Santeдli gnawed at his opponent. When the Brigadier broke away from the dying man and raised his head, snarling like a wild beast, dropping foam and drops of blood from his lips, he staggered back. So horrible was the sight of the Brigadier. Santelli found the axe and grasped it firmly with both hands, feeling the pain and weakness in his fingers go away, burned out by the frenzy. He stood up, and he and Kai stepped forward, side by side.

Another pirate lofted a glass grenade over his head, its yellow light flaring. Einar tried to make his way toward the enemy and failed, bogged down in the melee. At his feet sat the concussed Zilber, covering his wounded head with bloody fingers. A broken bow, made of two halves tied together by a bowstring, rolled under the feet of those fighting to the death.

Biso pulled the lever, and a crossbow arrow pierced through the grenade thrower, sending a dark red splattering from his back. The pirate dropped the vessel, and the glass shattered on the deck at his feet, releasing alchemical fire. The reaction had not had time to take full effect. So instead of exploding, the fire flickered to all sides in a white corona. Einar managed to cover himself and his partner, glad he hadn't followed the Wastelands' fashion for light small shields and left the military one behind. Flames engulfed the waxed leather and partially burned through the wooden base, scorching the rivets. Einar straightened up, looking like an epic hero from the legends, his hair smoking, his helmet still on, his shield burning, dropping drops of liquid fire.

The mercenary stepped toward the nearest pirate, stunned at the turn of events, and with a sharp blow of his shield he threw him to the side, knocking out several teeth and burning his beard. While he was clutching at his face, trying to extinguish the flaming braids, Einar swung his sword, deflecting the spear, and struck his shield a second time, striking the pirate as hard as he could, throwing him overboard. The wave touched the ships bound by the boarding hooks, so the pirate, instead of running into the side of his ship, fell through the opening. The hulls swayed again on the wave, came together, and the shriek from between them was cut off at once. Einar dropped his shield, his sleeve blackened, and clasped his sword in both hands.

Zilber was already rolling on the deck boards, clashing with another pirate. They were poking at each other with knives, but the swing was not enough, and the blades were stuck in the skin of the armor, making only shallow cuts. Both of them were bleeding and cursing in the same language - fellow countrymen from the south had found each other.

Lena got on all fours, twisting her head around. Strangely enough, the first thing she sensed was the smell. The heavy, glandular odor of a slaughterhouse - freshly spilled blood, torn viscera, fear, and death. Then came the pain - her back was torn as if by steel claws. The plank had hit the same spot where the Hypnotist's tentacle had struck. Elena got to her feet and leaned against the board, gulping air through her parched mouth.

The rumble of ferocious carnage hit her ears. And then Lena saw a woman pacing the wooden deck, stained red. And red fire blazed in the eyes that stared fixedly at the girl from the foreign world.

"God..." Lena exhaled, not knowing what god she was invoking. But she knew that now was the time for supernatural intervention.

The woman was tall, only slightly shorter than Elena herself. Her cloak was draped over her shoulders, like something out of a vampire movie. Dark hair fell to her shoulders, held back by a strange comb in the shape of interlocked skeleton fingers. Fire from signal fires, lamps, and fires played brightly on the large eyes, where pale purple whites turned to a cardinal-colored iris devoid of pupils. In a thin glove, a long sword shuddered like a steel sting. An excellent one-handed weapon with a poplar leaf-shaped side cup. The blade was cut almost full length with three through lobes.

"At last," the cloaked Amazon smiled kindly, very peacefully. Lena heard every word as if the red-eyed woman were whispering directly into her ear.

"They're stealing our goods!" Zilber, who had stabbed his opponent, shouted wildly and now saw a separate squad of pirates, who had not been involved in the battle, dragging a chest from the hold.

Biso swung wide and tossed the flask of green mist at the feet of the enemy leader, or the one who looked most like a leader, and set the crossbow against the deck to draw by hand. The flask shattered with a deceptively quiet clinking sound, yellowish droplets splashing out and immediately beginning to evaporate. The ringleader howled as coils of pus-green smoke coiled around him, dissolving armor, clothing, and flesh like syrupy water. The incorporeal tentacles caught two more of the men dragging the chest. The third dodged and threw a Djerida, hitting the alchemist in the stomach. The distance was too short, and the spear pierced the leather vest. Biso never had time to pull the string and fell, screaming, crouching, clutching the wide wound with his hands. Kai cut down the spear-thrower with a swinging blow under his right arm, so the blade went through to the middle of his chest, cutting open the leather shell and ribs.

Charley attacked openly, however, without bothering with introductions. Three blows merged into one with such speed the fighters exchanged lunges, and the swordsman distantly noticed that the woman's hand was as hard as wood, almost not "moving away" in parrying, though the Brether's blade was noticeably heavier. Maître stepped to the side, coming in from the right to perform his crowning trick - two more chopping blows, a swing for the third, and a sudden transfer of the blade with a jab under the arm flat so the blade would not get stuck between the ribs. The red-eyed woman suddenly broke the distance and waved her hand.

For the first moment, Charley didn't understand what was going on. His body, trained by years of training, reacted for him. Brether first intercepted with his left palm a tiny object he had no time to dodge and then realized that he had been shot with a ballestrin, a tiny crossbow hidden in the sleeve. His hand was numb as if it had been burned in coals and frozen in a devilish glacier at the same time. Brether staggered, struggling to fend off the Amazon's fleeting lunge. If she had wanted to kill the Maître, it would have been no problem, but the red-eyed woman stepped forward, no longer paying as much attention to Brether as he did to the second pirate with a shattered thigh. The poison was working fast, and there was no escape.

Her graceful boots tread the bloody puddles with the grace of a dancer. Only the sword in her hand testified that it was not a lady of the world who had stepped onto the deck of the flagship but a professional fighter.

"It's time to go, Spark," the woman said softly, with a good-natured grin. "I hope they give you back to me alive afterward."

"No..." Elena exhaled, feeling the ice of inexpressible, unspeakable horror spreading through her body, paralyzing her, depriving her of strength. When she met her eyes with the beautiful Amazon, she realized that she was looking into the eyes of a completely, utterly insane creature.

"Fuck you," Shena said, stepping between Elena and the mad witch. Her leather jacket was splattered with someone else's blood, her hair slicked back like a kite's feathers, but the blade in her hands was solid. The ahlspis had broken in someone's belly, covered by a good brigantine.

"I don't think so," the witch grinned even more broadly, straightening to her full height with her right foot back, raising her blade high, like a matador, so that the point pointed downward at Shena. The Valkyrie, on the other hand, crouched down, gripping the hilt of the rat's cleaver tighter.

Swords clashed in a grave ringing, as if the souls of the dead were calling to those who were still alive.

His strength drained away like water from a cracked pot. Sharley couldn't feel the fingers on his left hand, and black veins spread from the tiny wound in his palm, indicating the spread of the poison. Ballestrin was likely magical, with an enchanted spring instead of an arc. And he, a brether, had fallen so haplessly for a simple trick. But how quick the opponent had been...

His knees felt as if they were drawn to the deck by ropes. His body begged to sink, to rest, just a little, just a little, but the veil was clouding his mind. Charley realized that half a minute more and the poison would rise above the wrist, so nothing could save him. Brether drew more air into his chest and placed his hand on the planking. He tried it on, drawing his weapon.

Chopping with one hand, losing strength, and at an awkward angle, Charley was afraid he couldn't do it. But it worked. The Maître dropped his saber, which clattered against the deck, but he was still on his feet and fell to his knee. The stump was pouring blood on the planks, and the Maître grabbed one end of the cord in the loops under his left elbow with his right hand, clenched the other with his teeth, and tightened it, cutting off the bleeding.

The cleaver and sword rang without pause, beating out a hard terrifying rhythm. Shena knew perfectly well she had no chance in a "proper" fight. The opponent's class was too high. She had only one chance - to crush her opponent with a frenzied attack, not allowing her to realize the advantage in technique. And Shena gave every last drop, like a berserker who has no future because he lives not even the fight but its current moments.

The Valkyrie's onslaught seemed hurricane-like. She worked her cleaver like a thresher. The sword in her red-eyed hand barely had time to put blocks in place. The steel rattled as in a great forge, where a dozen hammers beat out a song of metal on the blanks. And yet she did. Shena chopped without frills. It seemed from three sides at once - right, left, top. But a long strip of openwork metal invariably met the cleaver, intercepting the attacks. The fiery reflections on the steel seemed to have a life of their own, dancing around the blades as red demons that were always thirsty for blood.

A blow, another blow, a parry. There was no time for feelings. Lena just stared at those fighting for her life. Shena's last swing should have knocked the sword out of her opponent's hand. A normal fighter would have. But it seemed the red-eyed woman's wrist was made of iron and her tendons of steel threads. Instead of twisting out of her fingers, the carved sword arced very fast, too fast for a normal fighter, and returned to its original position. The witch crouched down, pulling back her left arm for balance, and threw her right arm forward sharply, weaponized - all very quickly, in a single, cohesive motion. Shena stayed on her feet and lunged back, cutting the witch's glove and sleeve to the elbow.

The warriors separated. The witch threw her sword in her left hand, put her right hand behind her back, and retreated another step. Shena staggered, dropped the cleaver, and settled into Elena's arms. Her body seemed very heavy. Lena put her arm around her friend's shoulders and saw the alabaster pallor flooding Shena's face. The woman was still breathing, but a surgically precise blow to the abdomen had severed the aorta below the fork of the renal arteries. There wasn't a drop of blood on the outside, but every contraction of her heart killed the wounded woman.

"No," Lena whispered, seeing her eyes darken the color of warm chrysolite. Realizing there was nothing more that could be done. Not wanting to let that thought enter her mind - it's over. Shena is dying.

"No..."

"All...ways..." the green-eyed woman whispered, trying to raise her hand to protect the redhead or to touch her cheek one last time. But the hand fell powerlessly.

"Teine..."

Shena's gaze paused, frozen. Her pupils dilated as if taking in the world around her. A single tear froze in the corner of her eye, mingling with the raindrops. It was over. Lena realized she was clutching a dead body in her arms.

"So much trouble from you," the witch said through gritted teeth, twirling her blade. She was no longer smiling. She was no longer smiling, her cheerfulness slipping away like a soggy mask, her beautiful face burning with the lust for murder. "Well, the head will do..."

He attacked from the side without warning, swinging his hammer. Brether knew he would not live to see the morning, and he intended to die handsomely, properly, taking his enemy with him. Or to reach him one last time, at least to scratch him.

"No," Lena repeated for the third time.

The realization tore through the barrier of consciousness. It broke through like a tsunami through a weak dam. Shena is dead. Dead, protecting her until her last breath. This wasn't supposed to happen. The dream promised something different..... The vision lied, turned reality inside out.

This can't be happening. Shena can't die.

Can't.

Shouldn't.

She must live.

Lena closed her eyes, unable to look at Shena's white, motionless face. Unable to scream or even think. Only one thought remained in her mind, consuming everything else, burning and consuming like a wall of fire.

Charley, a one-armed man who had lost a lot of blood, still got the witch with his famous blow. Another person couldn't believe how fast a claw could be with the right skill. It didn't do as well as he would have liked; the hammer didn't smash the temple but slid across the skull, tearing off a shred of skin. But true perfection is unattainable, and given the circumstances, the Maître was right to be proud of himself. The only thing left to do now was to go into silent defense, for Charley had no strength left to attack again. And to hold on for a few more moments out of sheer stubbornness because a true master always fights to his last breath.

Sharley did not see, nor did the witch, as the redhead, who seemed to have fallen completely out of reality, suddenly raised her head. Her face was as pale and still as the dead girl's, but there was an unnatural yellowish fire in her eyes, just like a meowr's. And it was no reflection of the fires that burned on the deck. The next second, Shena's body was scattered in Lena's arms, melted into a cloud of sparks that went out one by one, like stars in the predawn sky, under the merciless onslaught of the sun. A shattered coin on a chain clattered to the deck.

The battle was drawing to a close, and the pirates were winning it. Hardly, with huge losses, but step by step, they were winning, pushing the defenders. Shouts of rage and pain were heard over the clutched ships, and commands were heard, but suddenly... If an outside observer had been there, he would have noticed the background of the battle had changed. A new note had clearly emerged. It grew stronger and stronger, crowding out everything else. Until a single, unified cry of horror rose over the ships.

Charley was not afraid of any living opponent. He had seen them all in his not-short life. Here, however ... The Maître drew back to the side, fighting fear and nausea, holding the hammer more because of his cramped fingers than because he could swing it. A dead man walked past, dragging a long loop of guts behind him. Another one followed him. Throughout the "flagship," those who were laid on the red planks by the steel rising, regardless of whether they were pirates or merchants. Twitchily, like marionettes controlled by an inept puppeteer, but with a silent, otherworldly tenacity. And all were walking toward the bow of the ship. The wounds stopped bleeding, and dozens of empty eyes with stopped pupils looked in one direction. At one single person. It was as if an invisible gate was spinning, winding a couple of dozen threads at once, pulling up the dead, forcing them to step over the wooden legs, one step at a time.

The witch realized everything first, very quickly, one could say immediately. She cut off the first wrist that reached for her face, and with a quick kick, she threw the body away, which crawled back with the eerie, unthinking determination of a reptile or an insect.

"Sorcery!!!" Einar shouted at the top of his voice. "Unholy sorcery!!!"

Santelli immediately backed up and howled along with Kai:

"Necromancers! Fight them. Pantocrator is with us! God curses the wicked!"

Red-Eyed bounced back, buying a few moments, taking a quick glance to assess the disposition. The witch was separated from Elena by a few meters, and no less than five dead men advancing with open arms. She could make a run for the target on the side. If her boot didn't slip on the wet plank at the edge of the abyss, but there Charley was already grinning angrily. From the mast, Kai was rushing, scattering the pirates and the indifferent dead like a boar in battle harness and iron muzzle. It was as if the battle had gotten a second wind, and now the defenders were on the offensive.

At the beginning of the fight, the red-eyed woman's face was cheerful, like a sadist anticipating the most elaborate tortures. Then it was angry. Now it was truly ghastly, also because of the bruise left by Brether's hammer. Fury, anger, madness - all mixed, turning the witch's face into a demonic countenance. Charley crouched, preparing for the red-eyed woman to break through, to die, taking the devil's spawn with her. But the one didn't take the fight.

The witch threw a sword at Lena, which the Brether deflect. A long strip of steel flew overboard, and Charley finally dropped his hammer and began to fall, losing the last of his strength. But the risen had almost surrounded the red-eyed woman, cutting off all her escape routes. The witch once more looked around the ship with a mad gaze, her red-purple eyes blazing like slits drilled straight into hell. Then she plucked a bone-shaped comb from her hair with both hands and snapped it over her head. A wave of blue flame, mute and cold, slid down the witch's body from top to bottom, hit the deck, and opened up into a bottomless well. The body in the black cloak fell through the blue window, and a moment later, the passage closed and vanished without a trace.

The dead men shuddered, all at once, like a single organism divided into many members bound by a single will. And then the empty, sightless eyes turned the other way.

"Cut the ropes, drop the hooks!" shouted the captain of the pirate ship so even the flagship could hear. The risens were already shuffling toward the pirate ship. Death and cold were drawing heat from the dead joints, thickening the blood, slowing their movements, but rigor mortis was far from complete, and the dead, indifferent to pain and wounds, rushed to a new victim. The risens ignored the command of the "flagship" as if it did not exist. They were attracted only by the pirates. And ahead of the striding dead flowed a sheer terror, as if the accursed times of the necromancers had returned.

Axes clattered, cutting the ropes. The pirates of the assault team cried out in desperation, realizing that those who did not return in time would be left alone with the furious "merchants". The fight itself spontaneously stopped. Some could no longer continue. Others fled in a hurry to return, running into the dead, trying to escape the cold embrace.

"Damn..." Santelli said, bending, resting his palm on his own knee for lack of better support.

The brigadier saw the pirates had managed to drag the chest back to their ship, which meant the painting was lost. For a moment, the Brigadier hesitated, fighting the urge to rush to wrest it away. But common sense prevailed. The flame of battle rage was cooling in the Brigadier's blood. Biso walked past, deader than dead, and the Brigadier realized that was enough for today.

The ships disengaged. The natural force of the waves pulled the hulls apart but too slowly. The rebels clambered onto the enemy deck with the determination of ants, ignoring the axes and maces that crushed their skulls, the blades that severed fingers that clung to the side like iron hooks. Some of the dead men snapped, falling between the boards into the black water. Some had managed to get across and, from the sounds of it, were making a mess of the pirate ship.

Santelli sank to the ground, the axe jammed into the deck, catching the point in a gap between the boards.

"It's all lost," the foreman whispered.

The rain came down in the same drizzle. Not enough to wash away the blood or put out the fire, but it kept the fire from engulfing the deck. The pirate was getting farther away, and there were wild cries. It was unlikely the dead men who had crossed would be able to kill them all, but the danger was definitely over on this side.

Santelli wiped his face or rather smeared dirt on it. The pirate's axe caught the brigadier's cheek, severed his braid, and sliced his ear so that the lower part of it hung from a thin flap of skin near the lobe. Blood soaked the shirt and covered the leather breastplate with indelible streaks. The beard hung in brown icicles.

"Bandage me up or something," Charley wheezed from the deck, losing consciousness.

Kai went from board to board and finished off the surviving pirates, methodically, viciously stabbing them through with his sword. Santelli grasped the dangling piece of the ear with his free hand, yanked and tore it off, hissing in pain and anger. Threw the bloody piece of flesh overboard. A new red trickle ran down his beard.

"Everything is lost," Santelli repeated, staring into the darkness with a blank stare.

* * *
 
Chapter 24. "Ash to ash"
Chapter 24. "Ash to ash"

* * *

Nearly half of the crew and mercenaries of the Ranyan die during the battle or immediately after it. The damage from the fire and magical explosions was tolerable, but the collision of the ships had split the planks on the underwater part of the hull and opened up multiple leaks, so the pumps were working nonstop. By morning they had to look for an anchorage for at least superficial repairs - the ship was losing speed, and the risk of a second encounter with a pirate remained. By the time it dawned, by the time they found a more or less suitable place, the heaviest wounded died. The bodies were sent overboard without prayer or proper rites, just in case. The horror of the night, the blind, inexpressive faces of the dead like clay masks, was too well remembered. And the terrible screams from the pirate ship in the night.

Hel worked tirelessly, easing the suffering of the more fortunate who hadn't been hit too hard. The healer's face was frozen in a ghastly grimace that one of the routiers said would scare even Death away. It was as if a soul-crushing hysteria had almost burst forth, but was instantly frozen by a powerful cold spell. Never thaw again.

It was gray and gloomy, like the aftermath of a storm. The rain had stopped, but the air was damp, and the rocks on the shore were covered with a painful vapor. The captain chased everyone ashore, intending to hook the mast with a rope and "lay the damaged vessel on its side," but the carpenter stopped him, pointing out that the mast might not hold and it would take too long to change it. It was easier to wait for low tide, but the rope still had to be used to open the right side. Axes clattered, sharp commands scaring away the shore birds.

The process was managed by Einar. The crew had been thinned out in the fight, so the ownership of the ship had naturally passed to the tarred men and the mercenaries. That is, to Santelli, who was still the employer of the routiers and commanded them as his retinue. Since the continuation of the journey was out of the question, the brigadier had his plans for the future and the ship as well. The captain did not share them, but for lack of choice, he submitted to force.

The place was relatively settled, and a few times in the distance, from behind the gentle hills, observers appeared, probably from the surrounding villages. They didn't come close, though. Maybe they didn't trust outsiders, or they were familiar with the coastal pirates.

Kai stood with his back to the ship, sharpening his sword. Or rather, he was mindlessly scraping at the blade with a bar. It was as if the squeak of stone against metal drowned out the thoughts running through the knight's mind. Santelli approached from behind, quietly but not stealthily. The Brigadier held his trusty axe, from which he had never wiped off the blood. The red liquid had been thoroughly eroded by the salt water, promising to turn to brown rust soon.

Santelli stopped just behind the knight's back. Kai ran the bar over the blade once more, sighed, and turned around, gripping the sword by the blade at the hilt. The wet, doubled-up cloak clung to his shoulders like heavy armor.

"These aren't pirates. They knew where and what to look for. They came for us," Santelli didn't ask but stated the self-evident.

The Brigadier and the swordsman stood facing each other, their faces impenetrable. Santelli's hand hung deceptively still, lowering the axe. Kai held the sword still by the blade. The Brigadier grimaced at the pain in his shattered ear and jerked his head.

"Matrice?" The brigadier said only one word. He thought for a moment and put his axe behind his belt.

"Yes," Kai was equally succinct.

"Did she and the Duke make a deal a long time ago?"

"No."

Santelli was silent again, looking directly into Kai's eyes. The knight tried to endure the unblinking gaze, which held no threat, only heavy sadness. And he couldn't. He lowered his head.

"That's funny," said the Brigadier. "I used to think of myself as the most cunning and mistrustful. And so foolishly trusted... As the church says, pride is a sin."

"Are you going to take revenge on her?" Kai asked, already knowing the answer. Just to fill the heavy, bitter pause. "Will you sell the ship and use the money to start a brigade war?"

"Yes. But it's not about her."

"Are you gonna get revenge on me, too?"

"How on earth did that happen?" Santelli answered the question with a question. He tried to hide the pain in his voice, undignified, belittling him as a brigadier who could not complain about life and betrayal. It was partly working, but Kai knew his "sergeant" too well.

"I ... owe you a lot," Kai set the sword point down, leaning on the cross, just like in the studio, at the magic mirror. The knight never looked up, feeling that now it was his "it just so happened" that sounded pathetic. "But this is my family."

"Yes, family is worth a lot," the Brigadier agreed. He sighed and shook his head again. The wound was not dangerous, but it hurt, nasty, annoying as if a swamp spider had burrowed into his head and sucked blood from his shattered ear.

"When was I supposed to be killed according to the first plan?" Santelli asked. "There, in the harbor or on the way?"

"In Malersyde, after handing over the painting," Kai answered bluntly. "But ..." he slapped his wet-gloved palm on the crosspiece. "But I wanted to keep you alive. After you didn't leave me on the shore as a hostage."

"And how?" The Brigadier asked sarcastically.

"After talking to my father. He felt there was no point in having two partners if you could only pay one. I thought I could change his mind."

"Apparently, someone had a change of plans," the brigadier grinned. "Or someone is too impatient."

Zilber came up, limping badly. He handed the brigadier a ladle of seawater. He advised him briefly:

"Pour it on the wound. Hel said it'll keep it from rotting."

Santelli took the ladle silently, and the mercenary walked back, careful not to slip on the wet stones. The sand was almost invisible beneath the layer of pebbles and large, wave-rolled stones. The Brigadier tilted his head to the side and lifted a wooden vessel, letting a thin trickle of cold water run down. He hissed like an angry meowr as the salt bit viciously into his cut flesh.

Kai looked behind the foreman's back. There, farther from the shoreline, Hel was gathering rocks and stacking them into a pyramid. Farther away, Charley was sitting on a wave-swept log, scrutinizing his mangled arm. He looked as if he couldn't get used to the idea that the bandaged stump without a wrist really belonged to him.

"I wanted to save you," Kai repeated. His ugly, bony face twitched into a grimace.

"You have betrayed us ... friend," the Brigadier said, twirling the empty ladle aimlessly in his hands. For a moment, Santelli's eyes flashed with anger. His fingers clenched as if preparing to throw the ladle at the swordsman, distracting him for a moment as the axe swung from his belt to break his enemy's skull. Kai's hands clenched on the cross of the sword.

"We chopped the coin, you and I," Santelli tossed the wood aside as if shrugging off temptation. "You gave your word. You chose the brigade."

"In the end, I chose family. My sisters are a pack of hyenas, and my father is even worse, but they are still my family. Without them, I am nothing. A wanderer who lives only from his sword."

"And you bought your way back into the family by selling us. And me. Oh, yes, how could I forget-- you wanted to keep us alive," the Brigadier's words oozed with venomous irony. "Brotherly, yes."

"That's right, you have the right to mock me, the right to exact blood in a duel," Kai said.

"I have the right to slaughter you like a pig," Santeli said grimly and angrily. "Just call them in," the Brigadier waved his hand toward the ship. "And tell them to whom we owe all this mess."

"Yeah. But I covered for you at the mast."

Kai tapped his sword against the rocks. A deep gouge was clearly visible on the blade.

Santelli was silent. For a long time.

"Yeah, you covered for me," he finally agreed. "Well, let's just say we're even. But from here on out, we'll be going our separate ways."

"If you say so," Kai said again, an empty, useless phrase just to fill the silence. "Well, I have to go."

"I won't wish you luck. And ..." Santelli, who had turned toward the ship, froze half-turned. Kai tensed.

"Don't come back to the Wastelands again," said the Brigadier. "Yesterday, you ceased to be my brother. Tomorrow you will be my enemy."

Santelli walked toward the ship. The swordsman stared after him, keeping his hands in the crosshairs of his sword, and with every step the Brigadier took, Kai's head dropped a hair as if an invisible hand was pressing down on his neck.

* * *

Ash to ash.

There's nothing left. No thoughts, no hopes. Nothing. Nothing at all. Just three words from a past life so far away that it seemed like it had never happened - just a fleeting flap of a dream fairy's wing.

Ash to ash.

There weren't even ashes left of Shena. And Hel was stacking stones into a pyramid. A cenotaph. A grave without a body. A memory of a person who once came into the world and now left it irrevocably.

Forever.

Stone to stone. Memory to memory. A year lived in the same city. A few days were spent side by side. A few hours of confidential conversation. A few minutes of genuine intimacy, preserved in memory like a stamp.

Emerald-chrysolite eyes, at the bottom of which always hide sparks of sadness. A slight, ironic half-smile that easily turns into a wicked grin and rarely, so rarely, blossoms into genuine tenderness.

Memory.

This is all that's left of the green-eyed Valkyrie.


The stones licked by the wave lay in the pyramid, tapping their gray sides. Her hands were frozen, the sea salt eating away at her scraped fingers. Droplets of blood mingled with the water, coating the stones with dark beads. Her tangled wet hair was out from under her hat, sticking to her cheeks like a dirty felt.

Finally, the pyramid was complete. Somehow Hel knew for sure that the cenotaph was exactly as it should be. Not higher or lower. No more and no less. It would withstand the pressure of the waves. It would outlive all who were now gathered on this shore. Time will come, and Hel will die, and with her will finally die Shena, imprinted in the memory of her red-haired friend. But the pyramid will stand, reminding the sea, wind, and sky - a man lived.

Hel was on her knees, hands folded and staring at the cenotaph mindlessly. A small but unquenchable fire was burning in her chest, burning her heart and her very soul. Now that the healer could no longer maintain her iron self-control and could no longer concentrate on helping the wounded fighters, it grew and burned, brighter and brighter. Hel growled deafeningly, like a beast, clenching her fists. And when, finally, the heat seemed unbearable, and her heart stumbled, ready to stop, unable to withstand the torture of extreme grief, a heavy hand lay on the girl's shoulder.

"Cry, child."

Hel looked up at Charley from below. Her eyes were deep-set, her features painfully sharp, adding another ten years to her age. Brether looked no better, pale, like a dead man whose blood had been drained. The blurred eyes indicated that the Maître was on his feet only because of a killer dose of amber elixir.

"Cry while you can," Charley repeated, and a deep sadness flooded his gaze.

"She's gone," Hel whispered, feeling a small, traitorous shiver cover her lips.

"It hurts... so painful..."

She pressed her hands to her chest, where the all-consuming fire of endless grief burned. Her lips trembled more and more.

"Will it always hurt like this?" Hel squeezed her throat through the spasm of the executioner's ligature.

"No," the old Brether said with a soft but firm assurance. "Time heals everything, even extreme grief. The pain will stay with you forever, but it won't cut you like a razor."

Unable to fight the pain in her tearing heart, Hel gave a deafening howl.

"Cry, child, while you can. While you have this great gift of the young to shed tears for those who have left us."

A gift I have long been deprived of, Charley thought. He watched in silence as Hel crouched by the stone pyramid folded herself almost in half with her wet cloak. The girl's shoulders shook, and she swayed like a willow trunk in a hurricane.

Cry while you can...

Hel clutched at the ground, literally hammering her fingers between the rocks, feeling her nails break. Charley ran his hand over her head, a fatherly gesture. And that was the last straw. The tears rolled away, falling on the pebbles as tiny diamonds dissolved into a film of seawater. Ashes to ashes, bitterness to bitterness. For the first time in her life, Hel cried at the stone pyramid, and the old killer looked down at her in silence.

* * *

"Take it. It'll come in handy on the road"

Santelli handed her a purse, not quite full but quite not bad. Even if it was only filled with pennies, it would last for a long time. Hel accepted the gift, again catching the surprised ... no, more of a puzzled look from the foreman. It was the look most people got after the medic cut her hair. Unevenly, with a hand trembling from weakness, but determined and irrevocable. That's how one leaves the plow and his father's trade to become a soldier. They sell everything and outfit a one-way merchant ship. Choosing between wine and poison in a noble and cruel reckoning of a hopeless card debt. Hel has chosen her fate and marked it most irreversibly.

The ship's crew shunned the redhead as an obvious lunatic. Because who else would dare to do such a thing in a foreign land, going nowhere, alone, without any protection? The surviving routiers were surprised but generally accepted the event without much excitement. They had seen more than their share of such things. And Santelli. Yes, he watched like the others. But in the farthest corner of the brigadier's cold eyes, Hel read understanding. Understanding and a tiny bit of approval. So a man accepts someone else's choice - not easy, but worthy - and agrees with it, silently, without descending to trivial words, wishing the traveler to follow the chosen path to the end.

"And here's another," the Brigadier handed over a chain with half a coin. Hel recognized it at once and clutched it like a jewel. It was the most precious thing in the world. The only thing left of Shena. The girl put on the chain, joining another of the same kind on a twisted cord. The metal links felt cold, slow to heat from her body.

"You don't need to go any further with us now."

Hel read knowledge in the Brigadier's eyes as well. Santelli knew exactly to whom the brigade and the mercenaries owed the nightmare of the dead rising. And while recognizing the usefulness of magical horror, he didn't want to go any further with whoever was raising the dead. Actually, he could have just pointed her out as a necromancer in the first place, could have, and should have. But he remained silent, and that was another gift from the Brigadier, the last.

"Farewell, red-haired witch. You have come and gone strangely, but we have seen no harm or treachery from you. And may Pantocrator watch over you."

Santelli walked away toward the ship without turning around.

"Goodbye ... Brigadier," Hel said into his back, and for some reason, she thought Santelli smiled. But, of course, it was impossible to check it through the brigadier's back, crossed by the straps of the half-cuirassa.

Hel found herself alone with the brether. All the others were gathering around the ship, climbing aboard, ready for a new journey.

"Take it," Charley handed her the dagger. It was a fine dagger, even the unskilled healer realized at once. It was not a very long, faceted blade, almost a stiletto with a small grip, and it rested in a special scabbard - not leather, not wood, but tubular bone discolored to translucence. Such a knife is not easily wielded in household matters. Its purpose is death. A valuable object, as important as money in a purse, if not more so. Coins do not scare and do not fend off a robber or a murderer.

"Will you go on with him?"

"Yes," replied the maître very calmly, almost peacefully. "I liked that hand. I am accustomed to it. I want to find the man to whom I owe its absence and express my displeasure to him."

Charley didn't make a sinister face, not even a sinister grin. But looking at him, Hel remembered the house on the marshes. The Brether had become a one-armed man, but the one to whom Charley intended to express the depth of his displeasure should have had a sharper blade and a bigger guard.

"And I will go to the City," Hel said.

"That's a good idea. Just change your nickname first. Calling yourself by a demon's name with a haircut like that and traveling alone isn't very sensible. They might offer to answer for it."

"I'll think of something."

"Do you want to learn a magical skill at the Academy?"

"No. Mastery of the fight."

"Not the best choice," Brether grumbled. "I understand you want to be prepared for the new arrival of a witch's creature. But age... What are you, about twenty, I think? You should have started about five years earlier to get to mastery. At least."

"There's really no choice. They'll be looking for me. They'll probably find me sooner or later," she thought out loud with cold judgment. "If I study magic, I'm sure they'll find me sooner."

"Yes, I hadn't thought of that," Charley agreed after a short pause. "You were being hunted by very powerful people. Few can afford the services of a twisted warrior-mage with a soul mangled by magical transitions. It's unlikely your enemies will back down. I'm also thinking," he looked at Hel questioningly. "That you won't just wait."

She remained silent. The answer was easy to read on the young woman's hard face, which had matured overnight.

Hel put on the belt straps and bounced, "shrinking" the weight. She slipped the bone scabbard behind her belt, thought about it, and decided it was uncomfortable and too conspicuous. The woman placed the dagger in her sleeve, and it fell into place as if it had been intended. The handle reached the middle of her palm, the short grip not disturbing. Convenient and inconspicuous to carry, easy to retrieve when needed. Sharley watched these evolutions in silence, saying nothing, only smiling slightly and approvingly when Hel finally realized the correct way to carry the blade.

"If you get to the City," Charley said as if he'd made up his mind. "Go to the Street of Free Blades. Anyone can point it out. Don't even look at the schools of fencing fraternities, you won't be welcome there, and they're all in plain sight. You'll find Figueredo the Draftsman's workshop, at the very end near the river if he's still alive. You will tell him." the Brether thought for a few moments. "Tell him you want to study the Àrd-Ealain. The Grande Art."

The Brether spoke the last words in a special way. It was noticeable that for him, it was not a high-sounding turn of phrase, not two simple words, but something much, much more.

"The Grande Art." Echoed Hel.

"He'll ridicule you and chase you away. Then you'll say hello from Vincent Mongayard. Remember."

"Vincent Mongayard," Hel obediently repeated.

"Good. And you will say that Vincent asked to teach you the science of the geometry of the circle and the eighty-three angles of the human body, as well as to teach you sixteen simple and sixteen complicated tricks and techniques. Don't be confused. If he takes you into his service..."

Charley's pale face twisted into an ugly smile. The drug seemed to be wearing off, and the Brether was getting worse.

"Draftsman is a nasty man, rude and arrogant. He hates people and wants them to know it. But remember, if anyone can turn you into a real fighter, it's him. Now, farewell. Pantocrator protects you."

The crew was preparing for low tide. The ship looked decent now, and after the deck had been cleaned, it no longer looked like a bloody slaughterhouse. Perhaps only traces of repairs and a few scorched spots on the deck testified to recent events.

Santelli watched the small figure of the red-haired woman moving away toward the hills. He thought of the medic's face. He thought about how much money he could get for the ship, how to pay off the routiers, and where to hire fighters for the war with Matrice. Engrossed in his thoughts, he missed the mercenary who approached unnoticed.

"It is good that she has left us, commander," the routier, face, and speech a true Highlander, said softly, only to the brigadier's ears. "You did the right thing in sending the witch away."

"Is that so?" snarled the brigadier habitually, as he always did when anyone allowed himself to make the slightest attempt on his authority or even to speak patronizingly.

"Yes, sir," the Highlander immediately lowered his head, showing that he had no intention of being disrespectful. And, as it seemed to Santelli, the routier's reverence was due to the fact that the brigadier had supposedly gotten rid of the medicine woman.

"I can see, a little, the very least, but I can," the mercenary spoke quickly and even more quietly. "And I can see her. She is coisich a'bàs, misfortune is hidden in her right hand, death hides in her left hand, and Erdeg Gozchasar himself looks at the world through her eyes. It is good that the witch is no longer with us."

"Yes..." Santelie automatically made the sign of the Pantocrator. The Highlander repeated the sign, only spreading his fingers with horns. "Maybe you're right."

The small figure moved farther and farther to the southeast. Until, at last, it was out of sight.

Epilogue

* * *

The last few days of spring in Malersyde had been rich in surprising and mysterious events. For starters, one of the warships had returned to port, an ordinary event, but the ship looked as if it had come out of a terrible battle. With its crew hollowed out and its deck trashed, it looked as if a whole crew of mad lumberjacks had tried to smash everything they could into splinters. The survivors were immediately isolated like the plague and kept in the quarantine barracks.

Then a wave of silent deaths swept through the ducal palace. Of course, on the one hand, "wave" is a bit of a mouthful. On the other hand, when in one night, three not the last cronies of the duke hang themselves, leaving penitential letters and bequeathing to the patron all the property, bypassing even direct relatives - how else to call it?

And finally, the middle daughter of the Lord, the beautiful Clavel ausf Wartensleben, the duke's heiress, if not by birth, then by merit and general recognition, was at once removed from all family affairs, locked up under house arrest and married to who the fuck knows who. But that is again. On the one hand, the groom was not the last man on the Island, a real Bonomn of Aleinse, albeit a side branch. On the other hand, where is it seen that the marriage ceremony was held in absentia (!), taking no more than a quarter of an hour, and the bride immediately went to the Island to her betrothed (who, it should be noted, from a young age enjoyed the notoriety of a man corrupted even by the free standards of ancient families). Without introduction, engagement, solemn entries, festivities, festivities, festivities, and distribution of gifts .... Unprecedented!

Evil tongues in the back alleys, on the wharves, and in the darkness of the taverns whispered that the old Duke was in a rage such as had not been seen in forty years. Since that time, when the last and weakest in the long chain of Wartensleben's heirs had once again been humiliated by his elders after he had decided that almost two dozen brothers and nephews were too many, and the number "one" was beautiful in its noble simplicity.

However, no cunning mind has ever been able to unravel the nature of the anger that has overwhelmed the Old Man.....

* * *

The painting was encased in a brand-new silver frame with a spell firmly cast to stop the decay of the fabric and colors. Now, cleansed of the dust of centuries, the canvas seemed unnaturally white, further emphasizing the laconic simplicity of the painting.

The image was not complete. It is in that state when rough work is in full swing, and it is still far from being erased with stale breadcrumbs. However, from the web of "working" lines that formed simple geometric figures, showing the direction of perspective and the boundaries of the images, the artist's intention was already quite clearly visible.

The painting was organized according to the classical principle of "rectangle within a rectangle by a corner". Thin black lines represented the image of a woman wearing a loose jacket with a wide and very loose collar, partly revealing even her shoulders. The model folded her arms so that the left one rested on a fencing mask made of intertwined bars, and the right one rested with an elbow on the left hand, in turn supporting the chin.

The palms of her hands were concealed in gloves with wide sockets and protective pads. The right collarbone, just above the collar neckline, was slightly obscured, a shadow or a bruise. The overall composition suggested the latter, the bruise most likely sustained in a training match. The model had her hair pulled back, only a couple of loose curls falling down to her temples and one, especially loose, reaching her shoulder.

The lower half of the face was only sketched in the most general outlines, but one could say that the unknown painter had managed to capture that wonderful moment when laughter is just emerging in the fine wrinkles, in the elusive curve of the lips. It was the calm, restrained smile of an absolutely self-confident man.

The entire drawing appeared to be done in charcoal. Only the hair was touched a few times with a sanguine pencil, as if the author was trying it on, assessing how the charcoal lines matched the reddish hue.

"What do you say?" The Duke asked

"I think..." The brunette in the routier jacket was silent. Her pale, beautiful face seemed to be a fixed mask. But a careful eye could detect the slightest sign of uncertainty. The dark-haired feminine hesitated - not in her convictions, but in the need to voice them. But she did.

"I'm sure the painting is authentic. This is the hand of Geryon, the last period of creativity, when the master began to cultivate very sparing graphics. From large-scale colorful canvases to portraits in one or two colors."

"That's it?"

"No. I'm also sure... sure. The sign in the corner."

"Yeah, the usual artist's warm-up."

"It's too ornate, even for those times. And if it is mirrored, the symbol looks like a pictogram of the Old Language, even before the primary imperial alphabet."

"And does she mean-?" impatiently prompted the duke.

"It can be read as - portraying myself," the brunette said in one breath.

The old man in the snow-white robe with gold embroidery was silent, gazing myopically at the picture. In fact, the duke's eyesight was as sharp as a mountain bird's.

"Self-portrait," he finally said, not so much asking for clarification as agreeing. The brunette chose to remain silent.

"And that, in turn, means," the Duke continued thoughtfully. "The art fringe who said that Geryon was just a pseudonym for a master who wished to be anonymous was right."

Once again, the brunette didn't utter a word.

"Ogoyo was right. Stigmatized, disgraced, banished from all artistic communities. Died in poverty, forgotten. And yet he was right. We are now the only ones in the entire Ecumene who know exactly what the greatest painter in history looked like. Or, more accurately, how she imagined herself."

The Duke was silent again, sighing. He cast a long, gloomy glance at the window, or rather at the missing wall, beyond which, from a wide balcony without railings, a wonderful view of the harbor opened up. There, in the distance, the last sail of the ship's cortege that was taking the beautiful Clavel to the Island, to her impatient fiancé, was just disappearing.

"Stop dressing like a lowly batalero," the duke ordered brusquely, without transition or introduction. "And get rid of that vile creature of yours at last. It annoys me and shits on the castle floors. After all, it is disrespectful to the ancestors and the best sandstone in Evumene. It is acceptable to desecrate the stone of ancestral estates with the blood of relatives, not the beast shit."

"As you wish, revered Father," the brunette lowered her gaze.

"So... Truly, I am now the most unhappy parent in the two Kingdoms. The first and only son is unfit for the family business. The eldest daughter has devoted herself," the old man seemed to be barely able to keep from spitting on the very floor of the finest sandstone in Ecumene.

The brunette bowed her head as if in readiness to take on all the sins of the family in atonement.

"It would seem that the third attempt was more successful, and the middle daughter finally lived up to the senile hopes, but lo and behold...."

The Duke sighed again. His voice rattled like glass pendants in a thunderstorm.

Well, that makes you the hope of the Wartensleben family.

The old man went to the balcony and looked again at the sail, which had shrunk to the size of a white dot on the line that separated the blue sea from the pale blue sky. It was a glorious day, and a fair wind would drive the ships all the way to the Island.

"Why do you think she's there and unlikely to ever come back?" Duke asked without turning around.

"It is the will of my revered Father."

"Flessa, that was a good answer for a younger and respectful daughter. But a poor one for a man eager to enter the family enterprise. You're nineteen and a member of the family that holds the commerce of the entire continental west in its fist. If you still haven't acquired your network of spies, you have no place in our business. So I'll wait for more and repeat the question of why she's there."

"As far as I'm concerned, the kindly sister ... has been playing around," the brunette didn't hesitate for a second, changing her tone immediately. "She saw the painting as an opportunity for unreported earnings and organized a pirate raid. At any rate, that's what the second, hidden layer of secrecy your spies are spreading, revered Father."

"Not bad, Flessa, not bad. And?" the Duke wiggled his fingers, inviting his daughter to continue the sentence as she saw fit.

"It's not clear to me," the brunette replied with the utmost honesty, clearly realizing that the slightest lie or innuendo would ruin her irrevocably now. "To outsiders' ears, this legend is as good as any other, but ... The plan is too crude, too ... direct."

"Would you have acted differently?"

"Of course. First of all, I wouldn't mess with Herion. This painting can only be bought by Bonomes and Heads of Merchant Guilds. No more than three dozen people in the world. And hardly anyone would agree to bury it in obscurity without boasting of a precious find. So it would be all too easy to walk along the thread between the canvas and the pirates, identifying the customer of the raid. I think there is a third cloak of secrecy, but into it, my spies have not been able to penetrate. One thing is certain, Clavel acted of her own accord, without your approval."

"Nothing is as solid as hindsight," the old man said with a wry chuckle. "And as convincing as a detailed description of why the already fallen stumbled. In truth, however..."

He was silent, turning resolutely away from the panorama of the bay.....

"Looks like your dreams will come true, Flessa... at least for a while. So far, my children have been mostly disappointments in the order of the day. Let's see what you're capable of. And as a dedication, listen carefully."

He approached the brunette almost closely, and she lowered her eyes even further, looking almost to the very toes of her dainty boots.

"In reality, our blonde girl was conspiring. She was approached by a certain, uh, person. Her name won't tell you anything right now, and let it remain anonymous for now. It is enough to know that it was a sorceress, one of the strongest. The sorceress did not waste precious time and immediately offered ... negotiation. A highly radical one. She demanded - exactly demanded! - the lives of all those taken by the copper flagship in the northern harbor. In exchange for a large reward. A very large reward," the Duke emphasized the word very.

"So much so that Clavel would risk valuable family property and your wrath?"

"Yes. Let's just say it was a very elegant offer. It harmonized both the promise of a reward and very sophisticated blackmail."

"So the painting wasn't a bet?" Flessa clarified.

"No, the theft of Geryon is already a private initiative of our dear relative."

"She wanted to use the canvas to organize a false trail?"

"Quite right. And now I'm disappointed, extremely disappointed. Clavel was doing so well with her share of our common concerns... and so stupidly, so ridiculously broken."

"I can do better than that," Flessa finally looked directly into her father's eyes. And withstood their icy intensity.

"Maybe. But first, think about it and tell me why I'm so angry and sad. It's not the first or the last time children have tried to put their hand into their parents' coffers. It's a mundane matter. What is Clavel's real sin?"

"A mage who wants ragamuffin from the wild lands..." reasoned Flessa aloud, almost without pause for thought. "Willing to pay something extremely valuable for their lives, so much so that even Clavel trembled... That's more valuable than any money."

"Indeed," the duke shook his gray head in a subtle gesture of approval. "That's what upset me the most. Why were these people so important? Magicians try not to interfere openly in worldly affairs; they fear the Church and get their way by quiet conspiracies, like spiders in the shadows."

The Duke turned away from his daughter and took a few steps, musing aloud.

"What was it about Santeli's crew that made the powerful sorceress lose her composure and patience, organizing a robbery on the open ocean? This is what one does in view of great danger, which must be exterminated at any cost by one's hand. Maybe the brigade is not only important to the sorceress? Maybe these grimy marauders could be useful to us? That's what the empty-headed wench ought to have realized at once!"

"As far as I'm concerned, that's my job now?" The dark-haired one clarified.

"And this one, among others. Since I have no other choice, I'll start bringing you into the family business. Just like you dreamed of, scheming so cleverly against family members."

He was silent and raised his index finger as a sign that the instructions were to be heeded with the utmost care as if Pantocrator himself were speaking through the mouth of his prophet.

"Find them. Find out what the sorceress wants. Oh, and, uh."

The Duke looked his daughter in the eyes again, this time he pressed his gaze until she repented.

"My firstborn will be back soon. Remember, he's untouchable."

"It's unlikely he'll decide..."

"Oh, you never learned to understand him," the old man hummed mirthlessly. "Kai is alive, and he'll be back to chivalrously confront me about trying to kill him. He doesn't know he owes it to Clavel, who decided to cut off a branch of the family tree. And I need him."

"I don't think so..." Flessa stopped short, realizing that she had let herself go too far.

"I think so," the duke cut her off flatly. "And that's enough. Kai is not a merchant, which is unfortunate. But during his voluntary hermitage, he has acquired other talents that I intend to use. And someone must represent our family in the treaty with Matrice. The artifacts and gold of the dungeons are dust, a trifle. But Santelli was right. We need mercury, and most importantly, the sulfur of the Wastelands."

"Sulphur...?" Flessa didn't understand.

"Another trump card that the cunning Brigadier put aside for later. The world's best raw material for "resin" armor, about which few people know yet. But we'll discuss this matter later. In the meantime, remember, your vendetta is not to my liking. Kai is untouchable until I authorize otherwise. I hope you heard and understood what I said. Now go. Noble Flessa ausf Wartensleben, my word and my hand in Malersyde."

* * *

She burst into the crypt abruptly, like a splinter of a hurricane hurling thunder and lightning. She was tall, coal-black from head to toe, from her loose hair slicked to one side to her hiking boots. Only her face remained white, untouched by even a pinch of blush. In the half-darkness of the cave, it looked like a postmortem mask, forever contorted with a grimace of anger.

"How could you?!" The guest said briskly. The translucent lace cloak over her shoulders fluttered like the wings of a dunghill.

A young woman with skin of an unusual grayish hue and blond hair rose gracefully from the soft mat and turned toward her guest in one cohesive motion. The long-haired woman in black trembled and took a step back, seeing that the pearly-skinned woman's face was covered by a bandage.... no, it was a mask. Strange, sinister, forged of gray metal without a single decoration, only the pre-Imperial sign "lìonra" glowing faintly in the center. The mask covered her forehead and eyes like a fine instrument of torture, tiny droplets of blood oozing from beneath it, pooling to the edges of her lips.

"We could very well have met at my house. Or in the tower," the 'pearl' mage remarked coldly. "Or any other place. It wasn't necessary to disrupt my meditation and... work. Afterimages are not easy and very exhausting, just so you know."

"I've come to demand an answer!" The dark one threw angrily.

"An answer?" even without seeing the light one's face, one could easily imagine a critically raised eyebrow.

"An answer!" repeated the dark one. "You began to play against us! You warned them!"

"Not at all," the masked sorceress said softly, as if to an unintelligent child, carefully blotting her bloody face with a handkerchief.

"You're helping her!" The dark one didn't slow down and seemed to have reached the point of extreme anger.

"Not at all," Pearl repeated, sighing. "I take it you failed again? Did your half-crazed sadist go wrong?"

"She failed," the guest said through gritted teeth, her anger crashing against the unbreakable calm of the cave mistress.

"You can't send performers through magical passages so often. It hurts the mind. And, alas, I am not to blame for your fiasco," the lady of pearls said politely but with rigid finality. "As you may remember, I am not involved in your vanities. I am neither interfering with nor helping your hunt."

"She walked away from the carefully prepared trap, raising the dead to her defense."

"I know."

A graceful hand with pearl-colored skin lightly touched the mask, silently pointing to the source of knowledge.

"Do you realize what's happening?" the dark one took a couple of nervous steps, chopping the air with a small fist. "She's a necromancer, a damned necromancer of incredible power! No rituals, no accumulation of power. And yet, in the middle of an ocean that halves her magical abilities. She took one look, and the dead rose up, fighting for her. It's just like I thought it would be. Just as I feared. As I warned all you, non-believers!"

"You're wrong," the masked sorceress still said softly. "And wrong all along."

"Oh, so reveal the truth to me, oh, greatest of the wise, wisest of the great," the dark one bowed in a mocking half-bow. "It must be the sea demons that have risen from the abysses, must it not? Or has Pantocrator shown miracles of resurrection?"

The Pearl Witch shook her head, and again, despite the mask, her expression was readable without the slightest difficulty. It was a reproachful, unkind half-smile.

"I will reveal. Though, the truth will sadden you, mainly because it is a monument and epitaph to your unwillingness to listen. Your collective unwillingness."

Light took a pre-prepared bowl of wine from the table, which was under a light spell of frost. Just enough to stay pleasantly chilled. As the sorceress drank, the guest nervously cracked her fingers in a way that made it seem as if the joints were going to crunch.

"I warned you," the pearl lady set the bowl down. "Do not touch her. Let her go her own way. You didn't listen."

"Necromancer," the dark one repeated with a quiet and from that even more intimidating fury. "Necromancer!"

"First of all, no. The girl is not a necromancer. It was a spontaneous outburst, subordinate to the main passion that possesses the initiator. Unconscious and therefore uncontrollable. She wanted to resurrect a murdered friend and raise everything around her from the dead. Secondly, she is not actually Riadag. She's not Spark. She is Darkness. Foundation. Nothing."

The dark one gasped, choking on the swear word that was about to roll off her tongue. Pearl one raised her fingers, moving them like a puppeteer controlling an invisible puppet. The air between the sorceresses tinkled, shuddering, shattering the light into a multitude of shards - each no larger than the point of a needle - shimmering with all the colors of the rainbow. A moment more, and a Construct appeared in the space where nothing had been before.

It seemed both ghostly and material at the same time. Inherent in this world and, at the same time, existing in the entire Macrocosm simultaneously. Something unimaginable, uniting light and darkness, as static as a stone and as infinitely variable as a ribbon of time.

"You built it..." whispered the dark one, unable to stop the trembling in her fingers. "The Stein Grid, the Machine of Probabilities..."

"Yes," the pearly one said without further ado. A thin trickle of scarlet blood, as if drawn by the best calligrapher, slid out from under the mask.

"And third, you all forgot the main tenet of Stein's theory."

"False doctrine," the dark one continued to rage, but there was no true faith in her words.

"Scientific truth," the light one continued to conjure, and, obeying the movements of her hands, a ruby thread flashed deep inside the Machine. Elena, if she'd seen it, would have compared it to a laser beam.

"Stein's Paradox," the light one reminded her, playing with the ruby needle, which ran in endless motion, surrounded by light reflections, splitting and coming together again. It was like human life, alternating between light and dark, goodness and trials.

The law of the universe does not allow magicians to reach the divine essence and control time. We can influence the future only unconsciously. And seen and learned means "accomplished". And the stronger our attempts to somehow change the future, the tougher the counter-resistance.

"There is no paradox!" roared the dark one, like a seasoned soldier. "There is only cowardice and fear to face one's fate. To look and then break it!"

"Watch."

The ruby thread flashed and scattered with purple sparks.

"Basic probability. The girl should have died in the first hours of her appearance. That was her real, true destiny."

It seemed the dark one had twisted her finger after all. At least that's what it clicked like.

"But you intervened. Your actions provoked a reaction from the other side," With a new movement of her hand, a new drop of blood appeared on her pearly cheek to touch a strand of hair and be absorbed without a trace, like a drop of ink in a calligrapher's brush. "And thus routier saved her, without knowing it himself."

The ruby thread came together from the dancing sparks and turned sharply, at an angle, in the other direction.

"The paradox in action. Interference generates a distortion, a counterwave that repels the attacker. And the side probability becomes the main probability. The girl survives."

"Tricks..." whispered the dark one. "It's all tricks..."

"That's the truth," the light one said adamantly. "Keep looking."

This time, the red thread was intertwined with several other colors. The emerald one came especially close. The two blindingly bright beams trembled, ready to merge. They pulsed so fast that they seemed to be both threads and clouds of light.

New probabilities for a new time, equally possible, equally probable. The first is that the Duke kills all the new arrivals. The bodies rest at the bottom of the harbor until the fish eat the flesh and the sea water dissolves the bones. The second, the Duke's son, manages to talk his father out of it. The girl and her friend go to the South, where they live a normal life for many years together. And die naturally. It was inevitable, one or the other. But in both cases, their lives were inextricably linked to the very end. And you intervened again.

The emerald beam flashed and fell with sad lights that descended, swirling like tiny, weightless fluffs of ash.

"Once again, your attempt to cheat fate has produced a response. A new iteration - the girl is not only alive but now she's wandering around in the middle of nowhere, seeking revenge."

"And then what?!" the dark one blurted out. "Where to find her now?"

"Somewhere," Pearl replied indifferently and clapped her hands together. Obeying the order, the Machine trembled, lost all its colors for a moment, turned into a contrasting black-and-white skeleton, and disappeared. To be more precise, it shifted, no longer visible and tangible to an ordinary person.

"Stein's Paradox," the light one repeated. "Don't try to trick him. You didn't guess the future. You didn't see it with Jyotish or by reading the path of the stars. You saw it, and now you cannot change it. Leave the Spark to its path. You have no control over it. None of us, none of the paod an sgàthan."

"You're trying to trick me," the dark-haired woman whispered, a black waterfall down her right shoulder, covering one eye. The other glowed with angry, fanatical determination.

"Why am I the only one who sees all the danger?" she asked bitterly. "Everyone else is afraid, covering themselves with decrepit fairy tales, obscuring themselves from the truth with fairground tricks. They even get in the way. And I'm the only one trying to stop the avalanche that will destroy us all."

Dark glanced pleadingly at her interlocutor but only encountered the blind face of the mask.

"She's not a girl. Not a victim. Not a random guest," the dark one pleaded openly, unconsciously extending her hand palm upward as if for alms. "And I don't believe in the ravings of the long-dead madman Stein. I believe the creature threatens us all. It will wipe us out if it is not stopped."

"Not believing doesn't make the rules go away. You can't make a rock fall upward. You can't reverse the course of the sun. You can't get around Stein's rule."

"Do you want me to beg you? To go down on my knees, groveling and begging for a drop of help?" the dark one straightened up with a string as if in opposition to her own words, clasping her hands to her chest. "Necromancer she is, Spark, Gatherer, or whatever, the creature must die! For all of us. Help me! Show me where to look. You can find out!"

"You don't listen," said the pearl sorceress sadly. "You hear, yet you do not listen.... What if I told you..."

For a moment, it seemed to the dark one that the blind mask was piercing with a cold, invisible beam, cutting as if with shards of ice.

"If I told you that your actions would turn her into what you fear most in the world?"

The dark one was silent for a long time. She calmed down, or rather, took herself in hand, shackled by the bonds of steely restraint. Her face was once again a pale mask that did not reflect a single thought.

"It's just words," she finally said.

"So listen to my Word. My word as Lady of the Probable," the pearly sorceress's voice rang out in the semi-darkness of the crypt. "You can step back and let Spark create her destiny, whatever it may be. Or you can continue on your way. But you must remember that the most destructive avalanche always starts with a single grain of sand. Droplets of blood from Spark's dead friend will turn into a raging torrent and create a war like the Ecumene has never known before. The entire continent, from edge to edge, will blaze in battle, and we, paod an sgàthan, will disappear because today you have remained deaf to my words. The choice is yours."

This time the dark one did not wait. Her voice still echoed through the stone vaults as she wrapped herself in her cloak, making her look like a giant bat. A sinister ghost creeps into houses in the darkness to drink the blood of the living and kidnap children. An unyielding, iron resolve seared into the thin features of her white face.

"My choice was made long ago. I will save us all. Even if the rest of us, in our carelessness, long for death. The darkness has come to our world, and it will die."

The End.

* * *
 
Book 2 A Grande Arte. Prologue


A Grande Arte

* * *

"The mastery of arms comforts pain, sorrows, and afflictions, gives perfect prudence, banishes melancholy and evil vanity, gives a man perfect breath, health and long life. In addition, it is the friendliest and most convenient companion, and when a person is alone, having only his weapon relieves all fears."

George Silver, "The Paradoxes of Defense," 1599

"I am the noble weapon called the dagger, and I conduct my game at close quarters. One who understands my danger and my art can reach the understanding of any other weapon. Know that I end combat brutally and swiftly, and none can stand against my skills. Anyone who has beheld my deeds knows how deftly I defend and slash, moving to fight, and knows how I take victory by twisting and breaking arms so that no weapon or armor can stand against me."

Fiore de Liberi, "The Flower of Battle," 1408.


* * *

Prologue

The sand of the arena always stinks. Brether had seen many arenas in his life, not a long one, but a long one for his profession. Large and small, round, rectangular, good stone buildings, hastily made wooden structures, and roped-off arenas. All of them - except the newly erected ones - stink.

It is no wonder. When month after month, year after year, blood and guts are spilled on the sand. According to ancient customs, the sand should be changed, but it is expensive, so the servants limit themselves to pouring new sand from the nearest river. A month passes, then another, and another - the new arena is impregnated with a special odor. It is almost insensible to the public, except on the hottest days of summer when the sun fries the earth to the deepest roots. But the fighters know it well.

This odor, elusive, indescribable, unlike anything else, is the first thing that greets a fighter when he steps behind the invisible veil that separates the world of the living from the arena where steel and death reign. It is also often the last thing a fighter feels in life. Brethers don't die in arenas too often. Usually, their lives end in city alleys, where the sand is replaced by the worn stone of the sidewalk. But things happen.

Duelist [1] didn't want his life to end today, right here, but it required a lot of effort. You could say, turn inside out and still need Pantocrator's help. The fighter automatically inscribed himself with the sacred sign and whispered a short prayer with only his lips, addressing the Attribute of War. He quickly went through the saints in his mind, choosing whom he could ask for intercession before the divine face in such a situation. He didn't find any and thought the deity would know how to help a negligent fighter.

Without the familiar weight of the chain mail, or at least the leather vest, his body felt naked. It was uncomfortable and unnerving. A small shiver ran up his spine, traveled to his shoulders, and made the hairs on his arms rise. Brether ran his left hand along the leathery hilt of his saber. Following his instincts, he clamped the blade under his arm and quickly pulled off the tight gloves with his teeth. A little lost in defense, a little gained in weapon control. The latter was more necessary now. Brether shoved the gloves behind his belt, then simply threw them on the stone-strewn ground. If all ended well, he could pick them up afterward. If not ... then he wouldn't need the gloves, even if they were the newest, finest leather.

A glance at the opposite end of the octagonal arena, where his opponent was strolling about, occasionally spectacularly waving his blade. Despite the long tradition of leaving the combatants alone with each other and the arena, the young bonom was surrounded by at least a dozen servants. Encouraging, enthusiastic, and promising a quick and easy victory. Promising honor, respect, and glory after the battle. Ready to pass a romantic note and bring a reply (or vice versa) because women love a winner, and there are a lot of maidens from good families on the three-tiered beds nowadays. They (maidens, not families) would be happy to socialize with the triumphant winner. Not now, but later in the evening, when torches and candles cast romantic shadows on the gloomy castle walls, hiding what should better be hidden from outside eyes.

Murder and death are intoxicating, warming the blood better than any wine, better than the most exotic drugs from the Island and the Wastelands.

Brether, of course, was surrounded by no one. And if anyone wished him victory, it was in the depths of his soul. Not to say that it was a hindrance in any way. The fighter was used to fighting without convention and approval for the sake of victory and results. And still ... now he would not refuse to see at least one encouraging look.

It was quiet, unnaturally quiet. There was only a low murmur rising above the loges, almost imperceptible, like the rustling of waddles in the morning breeze. The audience is too staid, too high-born. Everyone here had been brought up from childhood in the realization that real humanity implied icy restraint, the ability to keep in check any feeling, at least outwardly. Open, public display of passions is the lot of the lower classes, who will never rise above their half-animal nature. Cold faces, like wax masks, flat inexpressive eyes, elegant poses, and sparing movements, each of which is designed for an outside viewer and the most biased critic. And servants to match their masters. Isn't it funny why servants usually have even more haughty faces than their masters?

Puppet Theater.

Brether smirked, thinking that the aristocratic scum who'd gathered to watch him kill him had three or four centuries of nobility under their belts. After all, almost all of the real aristocracy hadn't survived the Cataclysm. As flesh from the flesh of the Old Empire, it was buried by the shards of the lost world. As far as the Master of the Blade could tell, there was not a single full-blooded member of the twenty-two Primarch families, the true rulers of the world, in the ornate lodges.

And there she must also be, sitting, watching. She watched like everyone else, keeping a look of mild boredom on her face, chatting softly with her companions about the weather, society news, and gossip that was harmless enough to discuss in front of witnesses. Hiding deep in her heart her true feelings and intentions. He wonders if she wishes him victory. Or is she hoping a relative will send the insolent upstart to hell, to Erdeg?

Brether grinned even wider and shoved the crooked grin off his face. He must not lose his concentration, not for a moment. He knew a lot. He had fought against one and many, alone and shoulder to shoulder, fought armorless warriors and real armored men. Brether had a private cemetery behind him, where every grave could tell a sorrowful tale of its untimely death at the hands of a fighter who some already called the best warrior of his generation, second only to the great Vensan Mongayar, the Moon Reaper. But this fight promised to be special and a first. If only because the Brether could not kill his opponent.

There were no flutes, no trumpets, no drumming, and no announcements by heralds and stewards. The yellow and blue banner with the House emblem - two pikes biting each other by the tail - was raised and lowered. From this moment, the opponents could start killing each other.

Brether walked from the lattice gate to the center of the octagon without hurry, mostly to leave enough room for maneuvering behind him. He thought the duelists must look rather funny from the outside - a brunet and a blond, a grayish shirt with traces of neat darning and a snow-white cape of purest spider silk, a simple leather belt, and a gold-embroidered sash. Hair down to the shoulders, tied in a ponytail with an ordinary ribbon, and against - an exquisite hairstyle, deliberately seized with varnish. And the weapons are different.

In Brether's hands was a classic two-handed saber of the Brotherhood of Fencers, only with a blade shortened against the canon by a palm and a half and a symmetrical grip, also short. A simple weapon without any ornamentation and even lacking the welded branding on the base of the blade. A faceless tool of the assassin who lives by the principle "at night on the street carry your sword without a scabbard, or at least so that they can be quickly discarded, make sure not to leave a cloak, hat or scabbard so no one can identify you by them" [2]. And the enemy has a weakly curved one-handed blade, with a closed guard and a leather loop for the index finger, for the sake of better handling. A new-fangled thing, a weapon not for war but for one-on-one duels.

Well, now we'll see who's worth what...

The blond man didn't wait and sprang forward, raising his blade with a quick jerk. Strange, too fast, he felt deeply hurt, hiding a storm of anger beneath a mask of restraint. Brether gripped the hilt of the two-handed saber with his left hand, not the usual three-fingered grip on the headband, but with his whole palm, as hard as if he were parrying the blows of a heavy sword.

The steel jingled, that clear, piercing sound that comes from the finest forged metal, the kind that allows you to parry blade to blade. The combatants began with a classic quartet, two blows each, not so much for the sake of a quick kill as to test each other's capabilities and defenses. And right after, the dandy in the snow-white shirt swung his saber, trying to blow off the brether's head. The latter evaded the blow with a step backward, without crossing his blades, a clean maneuver.

The two slid in an invisible circle, glaring at each other. Blades glinting in the morning sun shook like silver serpents, catching every movement of their opponents, ready to strike and deflect blows. The stands fell silent. Men involuntarily leaned forward, pretending to be subtle experts in combat, and women, without conspiring, opened their fans, hiding their gazes behind the painted cloth.

Blood and death are exciting. Definitely.

The blond aristocrat pressed his lips together and attacked again. The saber in his hand was much lighter than Brether's. And in skill, the blond could not be denied. He was trained by very good teachers. But ... Two deep slashing blows the mercenary fencer reflected with hard blocks, finally assured that his first impression was correct. The blond preferred to work at speed and "from the wrist," taking advantage of the lightness of his blade. This meant that he would inevitably lose technique and tire quickly. The main thing was to endure the first attacks. Then it would be easier.

Or not.

Brether crushed the sprout of hope, trampling it with the heavy boots of concentration. He made a test combination, not one of the most complex or sophisticated, more a test of his opponent's reaction and ability to read combinations beyond the typical parry-counterattack twos. The blond fought back sharply but again unsophisticated and attacked again, now with a sharp downward strike, in an arc, with the blade going to the victim's right ear. Brether parried hard again and took a step back, breaking the distance.

He could have killed the dude with his saber right now. He made the classic mistake of swinging too far left to right in a chopping blow. This opened up his right shoulder and left the fighter with no room to maneuver to get away from an anticipatory counterattack by playing with his legs. On a dark street or in a fake fight, Brether would have used an upward jab from the bottom to cut the triceps or puncture the elbow. But that was exactly what he couldn't do, no way.

The dude must leave the arena unharmed. Otherwise, the brether will not even reach the castle gates despite all his art. When an aristocrat, by a challenge to a fight, raises a low-born upstart to his level, allowing him to cross swords, it is always an action with interesting restrictions and reservations. And fights of real, genuine honor are long gone, along with the Old Empire.

Don't kill the enemy, don't get yourself killed. And to finish the fight in such a way that the bastard with the smoothly shaved face and artfully curled hair could then declare his unconditional victory. For anyone else, the task is impossible. But for a fencing teacher who had fought on the streets of the City for years.....

We'll see.

Another "quartet". The dude had a good, indeed, very good technique of the "oblique cross" and the correct scramble behind the line. The light saber allowed him to twist mind-boggling bundles with triple series. Very beautiful, very spectacular, and - let's be honest - deadly for the average opponent who trained for war, not dueling. However, the blond was a bit rushed and overly reliant on the swiftness of his blade. Brether put up a stiff block time after time, without much finesse, clenching his left fist tighter on the headband. He was still testing to see if there was anything special to look forward to. And with each stroke of the blade, he was more and more convinced that the chances of leaving the castle alive were not too high, but they were.

As long as the opponent did not think of grabbing the blade with his free hand, then you'll have to either break his knee with a counter leg kick or leave him without fingers...

Brether intercepted the initiative. He attacked very high, opening his belly dangerously at first glance. The blades clinked and sparks scattered around, sinking into the sand dug by the duelists' boots. Yeah, the asshole had trouble with distance, too, relying too much on his forward point. Now the dude died a second time, not even realizing that he'd missed the "slicing of meat" - a sliding hit two-thirds of the blade across the neck, a typical close combat technique when a proper fight turns into a struggle with dagger snatches, slashes, spit in the face, and bites.

Brether bounced back, moved in a circle again, and intercepted the hilt the right way, not for hard parrying but quick, subtle work with complex blade maneuvers. The lodges seemed filled with the huge multicolored eyes of exotic creatures because of the abundance of fans that fluttered, mimicking the movements of the eyelids. There was more noise as men were already discussing the actions of the duelists. Some were so excited that they were openly betting on victory, and the gambling boon was readily answered. Judging by the scraps of phrases coming from the stands, no one doubted the victory of the dude. They were betting on whether the low-born peasant would be killed on the spot or would only get off with a severe wound.

The blond was no longer in a hurry to attack, seeming to realize that he was facing an opponent at least equal to him. It was no good, and Brether waited for another bid - "before sundown, he'll bleed to death before sundown, I'll bet five dobles!" and then ran in frequent short steps, chopping crosswise, fast, and hard.

The aristocrat's hands were not youthfully strong, albeit groomed and oiled with the finest lotions, like a courtly fashionista's. And good composure. It was worth recognizing. Faced with the frenzied pressure, the blond put his left arm in his belt, stood like a rock - not a step back - and concentrated on the swift work of the blade, ducking a series of attacks from the fencing master, counterattacking in return. Sparks now rained down in a rain of fire, the steel rattling with voices ranging from a deafening clang to a shrill screech. Though the sun was just rising and the morning chill was pleasant, the shirts of the fighters were soaked with sweat. The blond man's fine hair was in disarray, and Brether's saber sliced through one of the curls, which were well-varnished and gave the blade excellent support.

A lady with a loud groan lost her senses defiantly and tragically. The servants scrambled to take care of their mistress while the other spectators kept their eyes on the arena. The contrived indifference of the audience blew away like fallen leaves in the wind. It did not come to shouting and chanting "kill!" like the common people, but the victory of the young bonom was wished in a voice, without shyness. And, of course, they continued to bet on death and injury.

The chopping was fierce. The aristocrat twirled his saber parallel to the ground, stretching his arm almost to its full length, trying to reach the Brether over and under the heavier two-handed blade. Without success, he abruptly, without transition, changed his manner of fighting and attacked his legs, so much so that he nearly severed his tendons. He deflected a deep lunge aimed at the bridge of his nose, moved his blade to the left again, and struck from the bottom upwards at an oblique angle. Blood spurted profusely, playing in the sun with the beautiful carmine hues of the round drops.

Brether stepped back with heavy steps, his feet dragging, his blade so low that his saber raked up grains of sand. The shirt on his belly had split open in a spectacular cut, as if he'd been razored, blood dripping down his leather belt. The blond stepped back, too, and jerked his hand, shaking the blood off his blade.

The master of fencing looked him straight in the eyes and saw fear in the depths of the blue pupils. Real, genuine fear. So, the aristocrat understood everything. He felt the moment when the Brether raised his saber in a seemingly hopeless, unsuccessful attempt to parry, and the cold point slid easily, like a fluff - unnoticed by the audience! - slid down the blond man's neck, where the main vein of the man's neck beat beneath the thin skin. It slid, leaving not a scratch, not even a trace of the powder that keeps the skin free of the plebeian sweat sheen.

The enemy had been killed for the third time, but now, unlike the previous two, he realized it. It remains to be seen what conclusions the powdered bonom will draw. And whether the young man has any notions of nobility in his soul. It was said that he did, and now it was to be tested.

"Honorable Sir..." the Brether bowed, holding his saber as awkwardly as possible and keeping an oblique gaze on his opponent. "I trust you have received satisfaction?"

He clamped the wound with his left hand, feeling the warm liquid still oozing between his fingers. He thought he'd done the right thing by taking off his gloves, or else one of them would be irreparably damaged. And another thought ran after her - here, there was a masterpiece of swordsmanship, which no one would know about and no one would appreciate. To strike deadly blows is a high art, but to receive a strictly measured wound, which will look very impressive and not dangerous to life... this is the evidence of true skill. Brether wiped the cold sweat from his forehead, leaving a bloody smear across half his face, and staggered back, partly because of his growing weakness - the blood loss was still there - and partly because he realized how close he was now to death. Closer than he'd ever been.

And no one noticed anything.

The tribunes were raging, and the duelists looked at each other duskily, carrying on a silent dialog. Bonom got his blood, which was enough to wash away the "insult" and honestly tell the enthusiastic ladies about his victory over the master fencer with a true diploma of an honorable, respected fraternity. And he also received a discreet and impressive demonstration that his life was in his opponent's hands.

Gritting his teeth in humiliation, the Brether bowed even lower. It's all right. It's bearable. The deeper the bows, the longer the life. He would bear it and go on living, taking care of the one he was supposed to take care of. Always apart, always on the side, and always near. Bonom curled his lips and nodded very slowly, obviously overcoming himself. He shifted the blade under the arm of his left hand and shook the hand of his right, which was quite tired after a short but tough fight. The tribunes applauded the noble hero, the exquisite victor, who was flawless both in battle and in victory.

He should go to the temple later to make a sacrifice to Pantocrator, Brether thought. Candles, prayers, a little gold - he hasn't much - and everything else, as it should be. To each his own. The blond man, who turned out not to be such a bastard - victory and glory. The nameless fencer - life and ...

The last thought he literally stifled, avoiding throwing even a casual glance at the lodge. Not to give himself away in any way. Not even a glance. Bow to the honorable audience, remember to shuffle from weakness, and spill more blood on the sand from the palm of his hand. Yes, the damned sand... this morning the mute witness of many deaths got his portion of red liquid, though not as much as expected.

The fencer didn't see the powdered face of his blond opponent twitch in a grimace of indecisive, delayed reflection. This is how one returns one's thoughts to an already made decision, falling into agonizing doubt - was it the right choice? Is it too late to change everything? Brether could not see well at all, the enemy's saber had not cut through his peritoneum, but it had left a long cut, so the fighter had lost enough blood. Foggy spots flashed before his eyes, and his ears hummed monotonously as if a swarm of bees had surrounded the arena. And only brilliant training, as well as years of experience, allowed the master in time to notice the blurred shadow that flashed at the very edge of the hazy vision. The memory of his hands and the skills honed to perfection by many thousands of repetitions did the rest.

The metal clanked shrilly, sharp scales flying from the blades as the Brether met the blow with a straight block. The two-handed grip and heavier blade shattered the treacherous attack. Before Brether could even realize what was happening, his body lunged to the right, deceiving his foe into losing momentum, raising his saber in a frenzy, already irreparably late. Then a step forward with a simultaneous swing over his head. And the blow. It has a beautiful name - "Death's worthy bow," but in the brotherhoods, it was called simply - "the undertaker's luck." From top to bottom and aslant, with a step up, a turn of the body to the right, and an additional strengthening due to a light squat. A very simple strike, the most fearsome of the vast arsenal of fighting techniques. Requires a good blade because the blade is not good and has a chance to break on the bones or armor. And after "luck," the healer has little work to do, but the undertaker has a profit to make, hence the name.

There was no armor on the young bonom, who was determined to grab more than fate allowed, and the two-handed brether's saber was very good. And the young man died on the spot.

The graceful one-handed blade with the closed hilt first stuck its tip into the yellow sand, then tilted and fell slowly, almost silently. Silence hung over the arena. Someone had lost their senses, for real, this time. The armor of the castle guards creaked as they rushed to the gates, blocking the exits from the octagon. The sand of the arena was greedily saturated with blood, which no longer gushed - the victim's heart had stopped almost instantly - but flowed smoothly and abundantly, as if from an overturned jug.

"Ahhhh... damn you..." the Brether whispered, straightening up and gripping the rough leather hilt tighter. The fighter realized he had written his name into the legends. But it would cost him dearly, very dearly.

And the legend ends right here on this fine spring morning.

* * *

"Master?"

Ranyan awoke from his memories and silently turned his head toward the servant. His hands remained immovable in thick gloves, barely touching the hilt of a sword with a narrow blade and a very long hilt. Grim and mournful - black hair, black mustache and beard, black gloves, even the leather cuirass beneath his cloak was dyed black - the warrior looked like an ominous bird hunched in a deep armchair.

Grimal stepped forward and held out a thin parchment scroll tied with simple twine to his master. Laconically he reported:

"From the City."

Ranyan tore off the wax seal, unrolled the scroll, and read a few very short lines.

"She..." Brether said and stopped talking, cutting himself off at the very beginning of the sentence.

The pause lasted a long time. The servant waited patiently, accustomed to the fact that his master usually thinks without haste and then acts very quickly. This time, however, the black-haired assassin was silent for too long. The thin candle in the copper candlestick had melted by a quarter, the wandering monk outside the window had time to recite three full prayers extolling the main Attributes of Pantocrator, and Ranyan continued to stare into the void with a paused gaze. As if he doubted something. Or even feared something.

"The unrest is growing," the Master finally murmured. "The commemoration is over, the Tournament is coming, and the capital is restless. Something's going to happen... And she's there. Finally. That's good news."

"Are we going?" Grimal allowed himself a question.

"No," Ranyan echoed almost immediately. "We'll wait a few days if someone has been following you..."

Grimal jumped up indignantly, but his master cut off his tirade with a brief gesture. The servant remembered who was who and closed his mouth resignedly.

"If someone has been following you with magic," Ranyan clarified, and this time Grimal nodded understandingly, agreeing that such a thing was possible. "Let him think the news is insignificant and unimportant. We'll wait three days. And after that..."

Brether stood up in one easy movement, picking up his sword. He shook his head, looking more like a bird of prey, ready to pounce with a merciless beak.

Grimal realized there would be no continuation, bowed, and walked out.

"And afterward, we'll finally meet again," Ranyan whispered, rubbing the newly sore scar on his stomach absentmindedly.

* * *
[1] To call Ranyan a "duelist" is not quite technically correct; at the time described, the institution of classical dueling as such in the Ecumene was just forming. On the other hand, the practice of "substitute fighters" in various versions of God's judgment has a long history, and brethers actively participate in them, so - why not?
[2] Genuine quotation from a fencing instruction of 1599.
* * *
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Chapter 1 Vagrant
Part 1

The science of pain

Chapter 1

Vagrant


* * *

On the narrow door, which was made of old, wood-eaten boards, there was a green metal plate with a ring on the hinge, a handle, and a hammer at the same time. The ring had not been cleaned in at least a couple of years, probably longer. Elena took a step back and looked around again. The house looked more like an old, abandoned fortress, or rather a small fortress. Least of all a school for a successful fencer.

The woman looked back toward the Street of Free Blades, where rope and wax torches were already being lit on lampposts. They turn on the night lights early here! Elena breathed in the damp odor of the nearby river, an amber that mixed the richest tones of dead meat and other garbage in bizarre proportions. She had to make up her mind. I didn't want to make up my mind. Now, at the end of a long and arduous journey, Elena felt timid, as if before an exam for which she was barely ready. She had a strong feeling that nothing good was waiting for her at the door. Nothing at all.

Biting her lip, the woman tapped the ring against the plate. It came out weak and pathetic, partly because of the weak hesitant blow, partly because the ring had not been used for a long time. It was literally glued to the hinge because of the street dust cemented by dampness. Biting down even harder, not nearly bloody enough, Lena pounded again as hard as she could. This time it came out loud enough. And nothing happened.

There was a rustle behind her, like a mouse in the corner running through dry leaves. Lena turned around just fast enough to see several wiggly little heads scurrying for cover, retracting like snails into their shells. Looks like some kids keeping an eye out for an uninvited guest. Elena stood half-turned toward the door and remembered there were no children there. There are small adults who have to grow up as fast as possible and pull the work burden along with the big ones in the daily struggle for existence. By the way, this same struggle Elena now leads by herself and in complete solitude. The dagger under her sleeve on her left forearm seemed to heat up by itself, but the woman was freezing with nervous anticipation. She had imagined meeting with the fencer in many different ways, but not like this.

A new clang of the ring. The greenish flakes hit the flat stone pad that replaced the house's porch, so this time, the metal sounded loud and clear.

Knock, knock, knock.

Once again, nothing happened. Elena waited patiently. The sun was setting, long, dark shadows lingered on the street, and a cold breeze was perceptible. Her back, the back of her neck, her whole skin, the woman could feel the hidden glances from every crevice, every bitch hole. She was being watched very carefully, so Elena was glad her leather purse was safely hidden under her cloak and did not bother anyone's eyes.

At last, there was a noise behind the door, faintly identifiable because of the thickness of the boards but indicative of some life on the other side. With a loud bang, a small window at the level of Lena's collarbones, covered with frequent bars, opened. The window looked more like a loophole than anything else, and the distance between the bars was just right to allow a crossbow arrow to pass through. Lena swallowed, realizing how open and vulnerable she was now.

"What do you want?" A muffled question came from inside. The voice was inexpressive, like a leaf that had been lying on the damp earth and had lost all color, as well as the webs between the veins.

Elena leaned lower so the answer didn't go any further than the bars.

"I'm looking for Mr. Figueredo, nicknamed Draftsman," she said.

The pause lasted about half a minute, maybe longer.

"Why?" asked the colorless, invisible man grudgingly and suspiciously.

Elena hesitated, going over her options for an answer. All her fantasies about this conversation, one way or another, revolved around a personal meeting with the unknown Draftsman. A conversation with a void that could be locked at any moment was not envisioned, and the woman had no idea what to say here.

"I was sent by Vincent Mongayard." She decided to go straight to the point.

Again the pause, but ... now there seemed to be a grudging suspicion thickening on the other side of the window.

"I don't know anything about that," the voice said, and the loophole shut with a clang. The deadbolt rattled, and Lena stood before the door as if it were an impregnable castle.

"Uh ..." she stretched out, unable to believe that this was the end of it and there were no more listeners.

"Damn you!" said Elena, already with much more expression.

The evening was creeping up faster and more frankly. The lantern light was already decisively beating the fading sun, and in a few minutes, the huge pale moon would appear from behind the high rooftops. Elena clearly realized that the chances of spending the first night in the City on the street were not illusory. One could even say, it is very great. And it was scary without exaggeration, given the stares that crawled over her body like tentacles. Lena physically felt how invisible observers were measuring and weighing the profit to be gained from her.

And this is a damn near affluent neighborhood, but what's going on in the local slums and ghettos? And how was she going to distinguish between the local neighborhoods? Now the woman realized it wasn't wise to go into the City at night. First, she should have found a shelter in the suburbs and made a few trial trips to the capital to see what and how it was organized here.

But it was too late for regrets now. Elena gritted her teeth and pounded the ring as hard as she could. The flap opened much faster this time. And, if I may say so, much more viciously. The tirade from inside matched it:

"Get out of here before you get an arrow in your belly."

Instead of answering, Elena tapped Charley's dagger against the grate so the invisible squabbler could see the distinctive hilt without a guard and the faceted blade in the translucent bone scabbard. There was a strange sound from within, and then came another act of silence, which seemed to have become an unhealthy tradition in the protracted conversation. Just when Elena had already decided it wasn't working either, the unlocked lock rattled. The door opened barely, no wider than the palm of her hand, unexpectedly quiet on the well-oiled hinges.

"Come in," muttered from the darkness.

Elena threw off the ponjaga, grabbed her bag, which looked like a long, open pillowcase, and sidled through the door, exhaling to keep from getting stuck. She slipped her dagger behind her belt.

"Put the load in the corner. Follow me," the dark figure ordered grudgingly, locking the door carefully. Before the window slammed shut, Elena caught a glimpse of the "castle" owner's face, or rather, a set of features, poorly visible in the dim light. Solid angles and straight lines, folded into something extremely grouchy, marked by an enduring stamp of angry discontent.

It wasn't easy to walk. She had to move practically by feel. After a short corridor that smelled of well-aged mold, a room of indeterminate volume opened up. More like a hall, judging by the echo of footsteps. A mechanism creaked as if a spring were being wound up, and a bluish light flickered in the darkness, growing stronger and spreading rays of a familiar blue hue. A lamp with a moonlight crystal, an expensive item, but seemingly very old, on its last breath. A remnant of former luxury, she supposes. The dark silhouette stood on tiptoe - the owner of the house was two palms taller than Elena, which made him very tall by local criteria - and hung the lamp on a chain. The woman looked around quickly.

Not a room, but a hall, and clearly a training hall... at least it had been once, long ago. It was large, so two or even three pairs of fighters could train there without interfering with each other. The floor was tiled in white squares with black veins. But no, the veins turned out to be something similar to ... Elena didn't know the name of the method of decoration, when the colored wire, copper, silver, or even gold, was pinned into grooves scratched into the armor so that a bright, contrasting pattern or drawing was created. Here the grooves were scraped directly into the stone and filled with some black mass. Time had rubbed off the drawings, but they were still quite recognizable - several circles of different diameters with lines inside, like on a compass.

The wooden walls had also darkened from time to almost black, and along the one on his right hand were goats that held a meager inventory - a short spear with a disproportionately long tip in the shape of an isosceles triangle, a few straight one-handed swords of varying lengths, a heavy palash sword like the one Kai carried. A pair of typically Brether sabers, similar to Charley's weapons. Sticks and poles. The rest was probably hidden in a large chest that looked more like a coffin.

The opposite - left - wall was surprisingly reminiscent of a shooting gallery, with wooden slates of Elena's height with outlines of human figures painted in different colors. It seemed to be a kind of iconography with outlines of vulnerable places and variants of attacks with different weapons. It was proposed to hit just a man, as well as a fighter in relatively light armor and finally heavy armor. The largest rectangle was made of cloth, and four long double-edged arrows, which formed an octagonal star, glowed with thin red lines on the cloth. Two more lines crossed the resulting figure horizontally, above and below the center line. Each ray was numbered and marked with its sign. In the center of the hall stood, slightly tilted, a wooden dummy, cracked and thoroughly battered. The mannequin had once apparently rotated on a wheel-shaped platform. Now, the mechanism was jammed even to Elena's uninformed eye.

The third wall, directly opposite the doorway, had once been a single large window, more like an exit to the terrace, but now it was covered by large shutters, shriveled and propped up with poles for good measure. The poles looked like exercise equipment that had been put to better use.

The room bore the mark of abandonment, most of the shells were covered with a layer of undisturbed dust, and the colors were hidden beneath layers of cobwebs. Only the corner next to the chest of drawers, where there was a bedstead, looked more or less habitable. A red terra-cotta night pot lay defiantly on its side, a lone eye winking in blue paint at the cracked bottom.

"Identify yourself."

Now Elena could finally get a closer look at the owner of the dilapidated dwelling. He was, as mentioned above, tall even by the standards of her world, and by local standards, he would probably have been considered a giant if he hadn't been painfully thin, on the verge of emaciation. So much so that his clothes - a sleeveless camisole over a linen shirt, mournfully black and repeatedly darned - hung from his skinny fleshy bones like rags on a scarecrow. His face was shaven, and his hair was loose to his shoulders and pulled back into a long ponytail, tied with a string so that the ends hung down over his shoulders. His hair was snowy white. Not like ordinary gray hair but more like some specific form of albinism. From under his bushy eyebrows glittered small eyes as round as an owl's.

This scarecrow looked about as much like a wise mentor-fencer as a girl looked like a knight. But it fit Charleiy's description well: an evil man who hated the human race and wanted the human race to know it.

"Name," the white-haired man repeated angrily.

"He..." the woman hesitated, remembering in time that calling herself by a name from the Wastelands was not a good idea right now.

"Vandera," she improvised quickly.

"A stranger?" snorted the Draftsman, surveying the uninvited guest from head to toe and in reverse order. "A wanderer. Well, that suits you."

Look at yourself, you dusty scarecrow, Elena thought but kept silent.

"Give it to me," Draftsman held out his hand imperiously. The woman hesitated for a few moments, then put the dagger into a palm that looked unpleasantly like a bald spider with long legs.

"Yes, it's a familiar piece. It has many lives to its credit, Though under a weaker hand, Vensan preferred the claw," Figueredo twirled the weapon, squinting critically. He glanced at his companion. "Took it off a corpse?"

"It's a gift," Vandera cut off dryly.

"Yeah," Draftsman snorted skeptically.

Outside, the bells rang, deaf and far away. Evening prayer, it was time to report to Pantocrator about the day's accomplishments and go to sleep.

"You were his bedmate?" bluntly chopped Figueredo. "Robbed him?"

Elena had to make a very serious effort not to spit in the sick freak's face.

Only he can turn you into a real fighter.

"No."

"And I think you're his whore," the scarecrow was openly amused, reading the rage on the young woman's face and the angry desire to punch the asshole in the face.

"No, Master," Elena bowed her head, stifling her natural impulses.

Not the time. And she knew what she was getting into. Politeness itself was unappreciated under the sun and moon of this world. And respect for apprentices was considered a perversion in shop society. And she could hardly slap an asshole. Fencer, damn.

"Ma-aa-aster...," Draftsman said, stretching his vowels. And asked sharply. "All right, tell me what you need."

"Vincent Mongaillard sends his greetings and best wishes," Elena repeated in a rote manner. "He asked to take me as an apprentice and teach me the science of..." she stammered for a moment, remembering the right words. "The science of the geometry of the circle and the eighty-three angles of the human body, as well as sixteen simple and sixteen complex techniques and tricks."

Figueredo was silent, his dagger in his long fingers, and then he made a sudden movement forward, slamming the scabbard under Elena's breath. It all happened very quickly and quite suddenly, without any transition or sign. Here she stood, respectfully bowing her head under her low-crowned triangle hat. Now she was lying on the stone floor, her mouth gaping like a fish, unable to take a breath.

"Neither attentiveness nor quickness....."

Draftsman twisted the dagger between his fingers once more like a drumstick, exposing a narrow, faceted blade that looked more like a thick awl. He looked down with an expression of infinite contempt on his narrow, pale face.

"But why did you, you wretched brat, whore, and daughter of a whore, a creature of the lowest order, get it into your head that you could be my apprentice?"

The woman did manage to breathe in a breath of life-giving air. Her diaphragm ached as if it had been struck with the point of a blade rather than the blunt end of a polished bone.

"I was the greatest of the greats," Draftsman muttered, more to himself than to the defeated Elena. "I taught the best of the best... And now what? The Moon Reaper must have decided to laugh at me."

He glanced at Vandera again and moved his jaws as if the mere sight of her caused intolerable pangs.

"So why did you think you could desecrate with your disgusting, useless, womanizing hands my innermost knowledge? My Àrd-Ealain, the High Art of Death, which I have spent half a century or so mastering?"

Tears welled up in her eyes, her soul burning in a fire of anger turned to hatred. Bitterness came to the base of her tongue. But Elena lowered her gaze again, gritting her teeth in a way that felt like they were going to shatter into tiny shards.

"Because I must master Àrd-Ealain," she squeezed out deafeningly, clenching her fists, so useless in front of the swordsman. "Because my enemies are coming after me, strong and powerful. Sooner or later they will catch up with me. And Vensan said that only you can make me a true fighter."

Figueredo was silent for a moment, then sighed heavily.

"How old are you?"

"Nineteen."

"Oh, God," sighed Draftsman. It seemed impossible to show any more contempt than he had already shown, but the old teacher managed to do it unimaginably. In every feeble gesture, in every note of his voice.

"Do you have any experience?"

"Y-y... No," the woman wanted to refer to her rapier skills but remembered how easily Figueredo had knocked her out. She also remembered the outcome of the training bout with Kai. Sadly, though, here, with real blades and real wounds, her skills were useless. She supposed her ranged skills would give her some bonus, but she still had to start from a local base.

The bells fell silent. Draftsman chewed his colorless lips. The woman struggled to rise on woozy legs.

"You realize you're too old?" Figueredo measured her with his gaze again. "Long arms are good, strong legs, yes. But to learn proper fighting, you should have started much, much earlier."

"Char ... Mongayar said the same thing, for five years."

"Five years!" snorted Draftsman loudly. "The Reaper has been too kind to you. A woman is inherently flawed by nature. Her bones are thin, her muscles are weak, and her bodily infirmity can only be balanced by sophisticated skill. Therefore, it takes twice as much time and effort for a woman to step even one step below an ordinary fighter. If your enemies are so dangerous, you should have picked up the blade only a day after your first step! But time is the one thing you can never get back. Now no one, not even Pantocrator himself, can make you a good fighter!"

Figueredo turned away and crossed his arms over his chest.

"That's impossible," he sentenced briefly. "Go away."

Elena stood, swaying slightly, trying to suppress a bout of nausea. Unable to believe that it had ended ... like this. She'd assumed by default that Charley's recommendation would be her ticket in, and it turned out Draftsman didn't give a damn about the reviews. And the asshole's not only a misanthrope, he's also a headline-grabbing misogynist.

Was it all for nothing? And now the grim streets of the City await her, hostile to the lonely wanderer more than the northern Wastelands? All in vain?

Elena finally felt herself standing more or less firmly.

"Give me the dagger," she said, holding out her hand and hoping it looked as demanding as it had a little earlier in Draftsman's performance.

"What?" the fencer looked at the guest with a look of utter amazement.

"Give me the knife," repeated the woman. "It was given to me by Vincent Mongayar after he gave me the advice to find you. Vensan said you were the only one who could mentor me. Well, I guess he was wrong. Give me the knife. I'll go find another master who isn't afraid of a challenge."

"Take it," Figueredo extended his arm slightly but held it out so the hilt of the dagger stopped in the void, just short of reaching Elena's outstretched fingers.

The woman gritted her teeth, feeling like a complete fool. The fiery monologue, which she managed to utter in one breath, almost without stuttering, had taken the last drops of strength. Mentally, first of all. She wanted to sit down on the cold stone floor and cry. The only thing that stopped her from crying was the realization that Figueredo would only be glad to see her tears, and the rest of the world wouldn't care about her.

"Well, you've got some backbone," Draftsman finally remarked, still not returning the blade. "But it's weak. And you can't bluff. And, of course, no one else will take you on as an apprentice, you anonymous loner. But even if they did, you'd have no luck. High-flying Maisters only take noblemen as apprentices these days. The lower ones will test your skills and durability with other apprentices. They'll mess you up with knives. And not with knives. Because a woman with a blade in her hand is not a woman, but a man with a weapon, who took it of his own free will and is ready for the consequences."

Elena felt like her teeth were going to shatter and her jaw muscles were going to tear. She tried to keep at least some of the shards of her poker face. For the sake of what was left of her self-respect.

When Figueredo finished his unusually long speech, he gave her another piercing stare. Only now, Elena noticed the Draftsman's eyes were shining unnaturally bright, and it was hardly the result of drugs. In fact, it seemed the evil prick was seriously and chronically ill. Now Elena felt only immense fatigue. And the desire to finish this useless, very sad event.

"Give it back," her voice came out dull, devoid of color, but the woman didn't care anymore. "Give me my weapon back, and I'll go. Whatever happens."

She was silent for a few moments. And finished, looking directly into the fencer's eyes:

"And you're staying here."

And Elena could have sworn Figueredo read in her eyes the unspeakable:

You'll stay and die here in the dusty hall, alone, unwanted by anyone. Forgotten.

The fencer tossed high and caught the dagger easily. Whatever ailed the vile quarrelsome man, it didn't affect his coordination. The master moved with the ease of a dance teacher.

"Well ..." Draftsman smiled for the first time in the entire conversation, and Elena flinched. In the shadows of the magic lamp, it seemed to her that an old skull was grinning at her with yellowish teeth. There was a change in the old fencer that was completely incomprehensible and therefore, alarming.

"Are you sure?" Draftsman asked as if spitting.

"Yes," Elena replied, catching a reckless wave of "YOLO" style. And also thinking fleetingly that Elena, Hel, Teina, Vandera .... that's a lot of names for one person.

"I've seen strong men leave this place in tears, and you're no match for them."

Elena wanted to say, "I'll try," but hesitated, realizing that such an answer was unacceptable here. In this room, they didn't try. Here, they did. Or leave in tears.

"Yes," she said laconically.

"You know that by the sacred traditions of the shop judiciary, I can beat an apprentice to death. And then, to escape punishment, it is only necessary to swear that it was accidental, against intent."

"Yes."

"You brave. Or infinitely stupid. I think the latter," the Draftsman chuckled. "And you don't expect me to teach you for free, do you?" The Master squinted.

In fact, the woman had cherished such a hope, but now she had to say goodbye to it. As well as with the supposed image of a wise old grizzled man, angry outwardly but kind at heart.

"Dobl a month," Figueredo put a price tag on it, taking his vis-a-vis's silence as agreement.

Elena snickered, completely thrown off balance. Dobl is the Island equivalent of a "good" gold coin, which in turn is equal to sixteen silver coins. But the Dobl is valued higher because the Island mints good coinage, better than the thoroughly lighter continental coins. It is already seventeen or eighteen, or even twenty silver coins. A month's pay for a good - not the best, but good - infantryman without steel armor but with weapons.

The purse on her belt jingled with silver, about a measure and a half, the remnants of the "severance pay" given to Santelli. The girl didn't know the city prices yet, but she clearly realized the financial abyss had suddenly opened up at her very soles. Her boots, by the way, were already worn down to the second layer of goatskin and were in urgent need of repair.

"Dobl a month," she nodded.

"As you wish," the swordsman grinned even wider. He returned the dagger to his mistress and suddenly ordered in a completely different tone, with a categorical, unyielding demand. "On your knees!"

What a turnaround!

Elena-Vandera's legs snapped up as if of their own accord, her kneecaps thudding painfully against the stone floor. Figueredo raised his arms up and forward, covering the woman in a jagged shadow like a giant bat.

"Pantocrator witnesses, before the image of the Father of Swords and the First Master, I take you as my apprentice. As long as you can pay your tuition, I will reveal to you the secrets of the blade, long and short, curved and straight, as well as the secrets of the spear and the lord of weapons, the dagger. If my knowledge is beyond your mind and body, I will cast you out. If you become strong in the Art, I will call you apprentice and allow you to openly call yourself my apprentice."

Figueredo was silent for a moment and then added in a different tone as if he had performed a ritual that had become stale and was back to his old self again:

"And you'll never be a master, so there's no need to talk about it. But..." The ugly smile grew even more comprehensive, turning into an evil grin. "Comprehending the High Art is difficult in itself. Even for someone born a fighter. And for you, it will be the science of pain. If you're ready, come tomorrow after the noon bell. By the way, don't forget the first dobl. I'll take the fee upfront. And I'll call you..."

"My name is ..." Wanted to remind Elena.

"Who needs it?" waved away Figueredo with splendid indifference. "Until the time I call you an apprentice worthy of a real blade, you are nothing. Worse than a pig or a sheep. Because a pig is useful, and you will be a drain on my time for months to come."

And bring you dobls, you dried freak, on which you will at least eat, Elena thought but kept the thought to herself.

"I'll call you Vagabond, for that's all you're worth. Now get out of my sight, and do not defile this place with your helplessness before the noon bell. Away!"

* * *
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Chapter 2 About saving and painstaking multiplication
Chapter 2

About saving and painstaking multiplication


* * *

It is believed that death on the gallows is unpleasant but quick. Well, it can be so, but not always. The rope, the knot, the physique, the skill of the executioner, everything matters.

The gallows man gasped for a long time, pounding his heels furiously on the shapely bronze bars. Flessa looked past the executioner to the harbor of Malersyde. The wind from the east drove the merchant ships, deeply settled under the weight of their cargoes, and helped them out into the open ocean. Autumn... the last weeks of good winds and calm waves. Time to hurry closing out the year's trade and bringing the balance sheet to a close. Those who rush too fast and close early will lose profits. Those who delay risk being caught in storms. Under the bright but already cold rays of the sun, the blue surface of the Great Harbor sparkled with sapphire dust. And Gatekeeper's Island, with its shining lighthouse needle, looked like an exquisite salt cellar of gold.

The second visitor, on the contrary, contemplated the agony with keen interest. Judging by the expression of his unpleasant, almost square face, he was no stranger to such spectacles. Flessa, who by the order of her revered father had stopped with the fashion of routiers, looked down at the clothes of the guest, who was dressed just in military style. A quilted jacket with over-extended shoulders and many silver nails imitating the steel hem of a brigantine. Narrow, tight stockings of fine cloth. Stiff boots with extended paddle-like noses. A mercenary. Not a knight - that one would wear pointy-toed shoes that mimic a steel boot for mounted combat. Unarmed, though, he carries a belt with a distinctive scuff where the sling is suspended. Behind the mercenary's right shoulder stood a silent statue of a guardsman from the personal guard of the ruler of Malersyde.

The duke thought, wiggling his gray eyebrows and stroking the crystal vial that hung around his neck. The unrhythmic thumping of the bare heels against the bars didn't seem to distract him. Most likely, it was. According to legend, thirty-odd years ago, the Old Man (who was not old then) had ordered the hanging of his older brother on the palace wall, thus marking the end of the intra-family competition for the ducal hoop crown. The zealous servants used an old flagpole as a rung, and the sole survivor, Wartensleben, drank wine while watching the long, very long agony of the most hated of his enemies.

The room opposite to which the first hangman had been hanged, the new Duke ordered to be turned into his study, and the flagpole was reinforced with iron and used from time to time for a new purpose. For special occasions or according to the master's mood.

The mercenary broke away from contemplating the corpse and began to examine the Wartensleben coat of arms in two-colored travertine. Flessa suffered silently, keeping a mask of respectful contemplation on her face. The heavy folder was weighing down her arm, and her riding boots were not properly worn and stung. She had only herself to blame, though. The court shoemaker had honestly warned her to keep the boots on the heated pads for at least a couple more days. To give them the marvelous softness for which, among other things, the leatherworkers of glorious Malersyde were famous. The woman was not used to being restricted in any way, and so the discomfort was doubly felt. She wanted to whip someone with a whip.

The sun cast its tenacious rays through the bars. Flessa wrinkled her straight, pedigreed nose. The hangman's trousers of mottled cloth with hemmed ribbons were getting wet fast. The Duke took the vial and flipped off the golden lid. The indescribable aroma of the finest southern pepper, otherwise known as the "phoenix of spices," wafted through the study. The most expensive spice in the world, which was measured by weight with gems, and was not even put in food because of the price. The old man held the vial to his nose and took a drag, squinting in pleasure. In addition to the wonderful odor, the pepper made it easier to breathe, cleared the lungs, dried up phlegm, and generally invigorated him.

"All right," said the formidable old man at last. "It's a deal."

"My honor and gratitude," the mercenary mimed a bow, not too subservient but still courteous enough.

"My treasurer will issue you funds to hire ..." the duke pondered. "Fifty fighters. Good foot soldiers. And a dozen sergeants. That will suffice."

"Excuse me..."

"I will not allow it," retorted the lord. "You forget I too, have spent much time in the saddle with a spear in hand. All you have to do is to bring the arrogant monastery into submission. The priests have no money, and the walls have not been repaired since the Cataclysm. Fifty good warriors are more than enough, even without cavalry."

"I daresay," the rather disappointed routier persisted. "The stone ages slowly, so the walls there are still quite decent. And the monks are not going to give in. And the abbot is quite popular with the people. I'm told they've announced a voluntary collection of donations from the surrounding lands and may well raise enough to hire their troops for defense. They will have to be led to obedience quite ... vigorously."

"Curse the negligent servants of the Lord," the duke said angrily. "They have forgotten that God is God and that on earth, thanks be to Pantocrator, worldly rulers have their hand. It has been so since the fall of the Old Empire, and it must continue to be so. All right, seventy infantry. No more."

The mercenary bowed again, a look of displeasure and disagreement on his face, but routier knew he would not get more than that here.

"And tell that ..." the duke held back the epithet, ready to burst on his tongue. "That he owes me even more now. He owes me very much."

"You could write to him," Routier suggested. "I am ready to be a messenger."

"I could. But I won't. I trust your eloquence, and I believe that ..." the duke grinned. "You will be able to convey the depth of my displeasure to him most accurately and expressively. If a gentleman in authority is unable to solve the problem of stubborn priests, it speaks ill of him. And in time, I shall certainly return to the matter."

"It seems my employer will greatly regret seeking your help," Routier grinned.

The guardsman pressed his lips together and caught his lord's gaze, ready to punish the insolent guest immediately. But the Duke was in a relatively good mood today, so he ignored the joke and confined himself to a philosophical maxim:

"Everything in the world has consequences, bad and good. Some bring me good news and receive a just reward. Others, on the contrary, multiply my worries. They, too ... are rewarded."

Routier seemed to want to ask if the dead man behind the bars was a member of the second group of gifted, but he held back and bowed his head in silent understanding and agreement. With a faint movement of his palm, Duke indicated that he was no longer detaining either the visitor or the guard. After waiting for the heavy door to close, the old man took another puff of pepper and focused his attention on his youngest daughter. As usual, she felt uncomfortable under the penetrating gaze. And as usual, she muffled her anxiety with her usual effort and looked at the calmed hangman in turn, raising her left eyebrow slightly.

"Dark, sour oil," the Duke explained briefly, exhaustively.

Flessa bowed her head understandingly. She had heard of a merchant who had brought a large shipment of vegetable oil from the southern cities at a very favorable price. The negotiation must have gotten him into trouble.

"Won't we get in trouble with the guild?" the young woman cautiously inquired.

"Of course," the old man reported grouchily and reached for the peppers again. "It's business as usual. The fox children can't understand that the Wartensleben family can't be deceived."

"Such ... excesses ruin a trade's reputation," Flessa ventured to insert. "Sellers of good goods ponder whether it's worth the risk."

"Never mind the fears of peddlers. Merchants must suffer and know their place," replied the Duke even more angrily, omitting with splendid indifference the fact that he was one of the greatest merchants of the West, the representative of all the trading interests of the Island as far as the Middle Mountains.

"Truly, the land of Malersyde is miserable," the old man said sadly. "There seems to be plenty of sunshine, a warm ocean nearby. But the land is salty. The grapes and oils do not grow ... And once the local wines were supplied even to the capital. Now instead of pure clear nectar, we're filling our dishes with some kind of tar. And the saddest thing is that the land is salty, and we have no salt to eat. The founders of the Wartensleben family must have greatly angered Pantocrator, and we are paying for the sins of our fathers and mothers."

"They recommend desalinizing the soil with alfalfa," put in the daughter cautiously. "Gypsum also works well, it binds the harmful impurities in the good soil."

"My girl," the duke said patronizingly, on the verge of insult. "Do you think I haven't asked the best agrarians in Ecumene?"

"I'm sorry, Revered Father..."

"They get all this nonsense at universities," the Duke muttered. "Alfalfa, gypsum, padun-grass, these are all, scientifically speaking, palliatives, or half solutions. Only rain or heavy irrigation can actually clear the salt from the soil. And until magic returns in its former abundance, allowing us to wring the clouds dry, our harvests will remain miserable."

Flessa bowed her head, trying to look as penitent as possible. She'd made a big mistake, displaying her scholarship at the wrong time and place and in light of the Wartensleben patriarch's disdain for classical education. But it seems to have worked out.

"Alright then," the old man signaled that it was time to move from empty words to business. "So...?"

Flessa eagerly stepped toward her father, opening the folder of the newfangled style that had come from the City. The boards, so thin that light and darkness could be distinguished through them, were covered with embossed leather on the outside and a special compound on the inside that kept the contents clean while allowing her to write with a stylus like a regular wax tablet.

"Spell it out," commanded the duke.

"In fulfillment of your will, revered father, I have audited the accounts of the merchant communities for this year. I have also audited all the active Fueres and Arvettes [1] of the subject lands. Here is a list of them."

A large sheet of parchment, folded in half and written in very small handwriting from edge to edge, almost without margins, fell onto the stone lectern. There seemed to be quite a few Fueres and Arvettes.

"I must say, our affairs are quite messy. There are too many rules that were introduced at different times and haphazardly, according to current needs. Therefore ..." Flessa drew in air, making up her mind. "I have taken the liberty of proposing a reorganization of the trade duty system."

The duke raised a gray eyebrow.

"... And address the issue of the city's constant supply of provisions. Move from incentive rules to prohibitive and punitive rules."

"'Well...' the Duke stretched out, flicking his fingernail on the crystal of the pepperpot. The noble material echoed with a transparent, vanishingly thin ringing. "I didn't tell you to do that."

"Such is my duty," Flessa faded modestly, mimicking a shallow bow. "A respectful child should strive to please his parents and find something to do, avoiding idleness, the mother of all vices."

"Beautifully phrased," smiled the duke sourly and, after a short pause, relented. "Well, let's see."

"So..." Flessa pulled out two sheets of parchment already. "I have evaluated all the goods that pass through our harbor..." she trailed off for a barely perceptible fraction of a moment, realizing that she had said something stupid and this 'our' could cost her dearly. But it was too late to correct it anyway.

"...and the markets and fairs of Malersyde. Of these, one hundred and fifty-nine are worthy of mention. I've divided them all into six parts. The first is craft goods ready for use. The second is raw materials. The third is the position between the raw materials and the finished product."

"What that?"

"Leather, furs, fabrics, fluff. Anything else that has already been processed but is not yet usable."

"Keep going."

"The fourth list is craft goods, which are already self-valuable but are purchased in bulk for manufactories. Shoe straps, parts of harness, and so on. Fifth - tools, sharpening and potter's tools, scythes, hoes, and so on. Sixth - food and livestock. Accordingly, here are my proposals for duties."

"So..." the duke took the parchment with thin strong fingers. "And what's the point?" the old man was definitely interested.

"The current Code is excessively confusing, cumbersome. There are many old privileges, too many separate Fueres, and different interpretations. By bringing everything down to a simple and intelligible system we shall, with little or no change in the basic rates, make bookkeeping simpler and much more convenient for inspection. In other words ..."

"Easier to collect, harder to steal," articulated the Duke.

"Yes."

Flessa wanted to add a few more phrases, but prudently decided it wasn't too appropriate right now.

The duke read on, wrinkling his nose, not so much out of frustration as out of attention. He read for a long time, first taking a cursory glance at the entire detailed document and then going over each paragraph, line by line. Flessa waited patiently.

"The merchants will be furious," summarized the duke abruptly, without preamble or transition. "How much they will now pay...? Тot less than a twelfth part more. Enough to start sending assassins to me again. Admit it. Is that your goal?"

Flessa shuddered but outwardly remained calm. At least, she wanted to believe it.

"I'd say at least a tenth," the woman objected cautiously. "But ..." she held out the next document. "These are the arguments that should reach the ears and wallets of the representatives of the trading communities."

This parchment the duke ran his eyes over very quickly.

"No, it won't work," the ruler hummed.

"They will pay more, substantially more, but the turnover will speed up, and there will be less confusion in warehouses. And in general, clear and comprehensible rules will improve commerce."

"Not really," grinned the duke, now almost good-naturedly, but only almost. "The clearer and simpler the rules, the harder they are to circumvent. And if there is nothing to circumvent, then why offer and take bribes? The merchant curses and hates bribe-takers, but the first is ready to 'grease' the right decision or privilege."

"I thought about it. But I thought the work should be done anyway. And you'll make the best use of it."

"Flattering," the duke snorted. "Frankly. But flattery is such a seasoning that it is difficult to over-pepper a dish. I will reread it again and think it over. To introduce it all at once ... premature. But the idea itself."

The old man curled his thin, colorless lips.

"The idea itself is not hopeless."

Flessa bowed again, hiding an already barely visible smile of triumph.

"Is that your idea?" The Duke inquired suddenly.

"Yes. But I used the writings of Klecken of Rovia."

"I've never heard of it."

"He is a monk-book-writer, rumored to be of the Demiurges Church. He has traveled widely, and has written a book in three parts - "On the Preservation of Wealth," "On the Painstaking Multiplication of Wealth," and "On the Fanciful Ways of Money, and Six Methods of Concealing Income and Nine Ways of Exposing It." It is very popular in the City and Universities."

"Another clergy..." the duke frowned.

"His thoughts are reasonable," Flessa allowed herself a little liberty.

"On the Preservation of Wealth," the duke repeated. "Order me a copy. I want to read this book."

"It will be delivered immediately. I thought you might be curious about it, and the scribes have made two copies." [2]

"Now for provisions," the Duke changed the subject curtly.

"Yes..." Flessa turned to the thinning stack of sheets in the folder.

"The old problem of Malersyde is the lack of provisions. Our sea is very scarce, the land gives birth poorly, and the city grows and grows. The more trade and craft, the less farming. Food prices accordingly also rise, and supplies are small. This unpleasantness was solved by bread purchases and back rents when your revered grandfather went back from monetary taxes to a food tax. But now, the city has expanded too much, and the peasants are free. We can't naturalize them that easily. A partial solution is preferential duties..."

Flessa paused, remembering how she had spelled it out beforehand in front of the mirror. The moment was a slippery one, for now, it was no longer about the tariff policy of the grandfather but of the current duke's father. Who, according to one legend, had been poisoned by his respectful son in a brief but infinitely brutal power struggle that, having erupted only once, had reduced the Wartensleben family several times over three months. And according to another, less formal one, he strangled him with his own hand, repaying him for the years of humiliation.

"Nowadays, only sea fish, honey, liquid oil, lard, spices, and fruits are subject to duties. That is luxury and delicacies. This has encouraged merchants to import provisions. But it's still not enough. Encouraging measures are no longer justified."

"Prohibitions and fines?"

"Yes. Penalties for taking food outside of Malersyde, the whole county, not just the city. It used to be only for fish and game, but there's no edible fish in our water, and the only game left is in the hunting woods. Besides, we need price controls. A ban on trading on certain days. And ..."

"And?"

"The salt monopoly," Flessa exhaled.

"Not the tax levied by the Arvettes," the duke clarified. "A monopoly, exactly?"

"Yes. We need more corned beef to fill the cellars for at least a year's supply. With imported salt at fair prices, even the cheapest, island salt, it's too expensive."

"Flessa," the old man measured her with a cold stare. "Are you suggesting I have a small war on my hands? With that approach, I'll have to triple the number of executioners to nail all the troublemakers."

"Rumors are rife that the mountains have had another crop failure after the summer rains. The crops are rotting at the root. Last year, half of the grain was harvested per measure sown. This year, it will be good if the harvest is at least a third of a measure. Then, in the spring, prices will rise, perhaps many times over. We should stock up on provisions, and execution nails are cheaper than gold. If we gather enough provisions and sell them to the same mountaineers, we shall get more than enough back."

The duke thought again. He walked to the window as if not noticing the hangman. Flessa faintly frowned, taking advantage of the fact that the old man had no eyes in the back of his head. The dead man stank too much. The Duke looked at the harbor and took a long look at the multicolored scales of the houses descending to the quays, the large and small shipyards, the ship arsenal being built on the model of the Island. Sails were added - merchants were hurrying to leave the comfortable shelter, catching a tailwind. Fewer ships were coming in, five or six at most.

Autumn... life grinds to a halt, wars end, and commerce shuts down like a snail in its shell until the warmth returns. Autumn and winter are the time to reap the results of tireless labor and dispose of the accumulated wealth of the abundant seasons. And also - a lot of hard thinking, preparing for the next round of life. This is how it was from the beginning, and this is how it will be until the end of time. An eternal spiral that moves continuously, remaining in place.

The old man wondered whether he should tell his respectful daughter that the kind Flessa would have saved a lot of time and effort if she had asked a respectful question at once. After all, the elaborate plan to reform duties and taxes had been lying in a secret drawer for years and, frankly, decades. But, unfortunately, it was too early to overturn the established edifice..... The Duke perfectly understood the limits of his power and did not tempt fate beyond what was necessary. It's normal to hang an arrogant merchant, and the guild's way grumbles, but in their hearts, everyone treats such excesses with understanding. Sometimes, you even have to show excessive cruelty when you can do without it. Just to maintain the image of a ruthless despot - it's good for business and power. People look at the cruel but restrained Bonom Wartensleben family and compare it to the high-born ghouls from the southern cities, where they may well hang all the falconers for the disease of their favorite hunting bird.

But tearing down a structure that had been built over decades... This is what the young Emperor is doing now in Milvess, forgetting that his power outside the palace walls is shaky and ends where the interests of the Twenty-Two, the Island, and the Merchant Guilds begin.

It's not time. Unfortunately, it's not time yet. We have to wait for the right moment, for some crushing calamity, for the horror to overwhelm everything, and no one will pay attention to the rewritten Fueres, the revoked privileges, or the disappearance of malicious troublemakers. And then everyone will accept the new order because it will become habitual.

Will such a time come in his lifetime? Or will that be the concern of the next generations? But then, who will take the burden? Flessa? Kai? Should the girl be encouraged, pushing her onward? Or, on the contrary, should she not think before her time about how comfortable a ducal crown could be and how weightlessly comfortable a ring with a ruler's seal was? However, Flessa is venturesome and overbearing. She certainly thinks about it daily. It is required thoughts remain mere thoughts, and they recoil in unbearable terror.

Or still...

I must make up my mind. To trample the overgrown shoot before it braids the trunk of the father's tree, depriving it of the sun. Or, on the contrary, risk letting the young tree grow to its full height.

Power is like the finest porcelain, my father used to say. It is a fragile thing, and it does not tolerate intrusion.

"Nice work," he said without turning around as if he were pouring out gems, one at a time, sparingly. He inhaled another sniff, feeling the precious dust invigorating, rushing the blood through his veins. But only just barely, like a single coal in a cold warmer.

But I am not getting any younger... Who will continue my work? Four children and three are already unfit. The beautiful and greedy wretch Clavel. The elder recluse, devoted to the Demiurge. Kai. So much hope. And such disappointment. A brilliant warrior who will never be a ruler.

"Yeah, it's not bad. But the tariffs will have to wait. As for provisions and salt, yes. Your suggestion is timely."

He turned to his daughter abruptly so the hem of his loose robe, white - cleaner than freshly fallen snow - swept up like a street dancer's cape. Flessa froze, trying to interpret the incomprehensible expression on the ruler's face. It was as if he was waiting for something, hoping for something. It was strange. And unfamiliar. The Duke was always clear about what he wanted. His questions were short, and the answers must be immediate.

My God, how tight the boots are... and how silly - the noble heiress of an honorable family suffers like a common city fool for having thoughtlessly spent her husband's money on a shoddy outfit.

"I try to consider the reports of spies," Flessa realized that something very, very unusual was going on. And decided it was worth the risk. "The news ... is not encouraging. The harvests in the southern lands will be barely a crop or two. Grass leprosy is ravaging the butter. And the City is seething with new trends. The Emperor is no longer a risk-taker but a freak. And then there's the Tournament of Faith. Next year's Milvess will bring together the best Brethers and knights from around the world. I'm sure..."

Now, she was silent, searching for the most precise words. The duke waited patiently.

"I'm sure this year will end badly. And next year will be hard, very hard. If the Highlanders have lost crops, they've already had five hungry years in a row for the first time in two centuries. And in the spring, the clans won't have enough grain at any price. It's bad enough when the fiercest infantry in the world finds itself starving. Regardless of the will of the Princes, the tukhums will start plundering again, descending to the plains."

"The mountains are far away."

"And neighbors are always close. And good mercenaries will be cheap."

Flessa was silent, thinking that that was enough. She wanted to go on and on, revealing thoughts and plans as best she could, but the woman knew her father too well. He had already understood everything. To go on would only increase his displeasure.

"Are you suggesting we prepare for hard times?"

"Always buy land by the river, salt, and long provisions, these goods don't go down in price," the woman was quoted as saying.

"Demiurge's ideas, too?"

"Yes."

"A clever man," the Duke approved. "Sound advice. I approve. Well ..."

He stepped closer to her, almost right up to her. It was only now that Flessa noticed how different her father was. Not aged, but tired. Dead tired under an intolerable burden. And again, the woman thought that the old man knew more, far more than she did. About the world. About Malersyde. About what is to come. And the knowledge of it oppressed even the Duke of Steel.

"Prepare a plan," said the lord curtly. "The duties will wait. Forget about them. The main thing now is provisions. I leave in two days on my flagship."

Where? almost came out of Flessa's tongue, and she bit down on the unreliable organ to be sure.

"For everyone's consumption, I'm off on a whale hunt to the northwest. In my absence, you will handle our affairs alone. When I return. We'll discuss some things. Perhaps."

The woman cheered, keeping a carefully held mask of nonchalant compliance on her face.

"Yes, what about that girl?" asked the duke suddenly when it seemed the audience was over.

Flessa hoped the question wouldn't come up, but she was ready for it. The answer came immediately, quickly, clearly, with no attempt at justification or embellishment.

"Spies traced her to the Crossroads of All Roads. Beyond that, her tracks are lost. She moves smartly and never stays anywhere for long. But the girl is heading for the City. Apparently, she thinks it's the easiest place to get lost. The search continues, and instructions have been sent to agents in the capital."

"What do you think?"

"That's silly. The danger is not measured by the number of people around but by the number of snitches per city and neighborhood. The girl made a mistake. When she comes to the City, we'll find out sooner or later. Father, I'll find her."

"Maybe... Maybe. But there's another side to the concern. Our spies may be needed for other, uh, concerns."

"Other concerns? There's something I don't know. And this sudden departure. Something extremely important has passed me by."

"Should I hire more spies? Intensify and speed up the search?"

"No. Let things take their course for now. If it pleases Pantocrator, she will fall into your net. If not... I will weigh the problem and make a decision. After I return."

The duke nodded, or rather, lowered his chin to the width of his fingernail. Flessa quite correctly understood this as a signal of completion. She retreated three steps, remaining in a half bow, only then straightening up and walking toward the heavy door, taking advantage of the family member's privilege of turning her back to the lord. As the woman grasped the hard cold handle in the shape of a boar's head, the duke spoke softly:

"Prepare your dresses."

Flessa stopped and looked at her father with a silent question in her gaze.

"Order dresses after the island fashion," commanded the duke grimly. "For all occasions. And learn to wear them properly so you will seem your own among the islanders. I authorize the treasury to pay for the tailors' services. Go."

* * *
[1] In this case, Fuer - a rule of law, a statute of the city, and shop level. Arvett - an order of a lord on the lands under his jurisdiction, usually regulating financial matters.

[2] Handwriting, of course, takes a long time, given the primitive instrument, but medieval scribes eventually refined the process and achieved decent speed. Entire teams worked on the census, embroidering the book sheet by sheet and copying several chapters in parallel.
 
Chapter 3 An Englishman in New York
Chapter 3 An Englishman in New York

* * *

Dawn was dawning, announcing its imminent arrival with a pinkish streak at the edge of the horizon. Frightened shadows thickened, hurrying to take one last drink of the night's darkness. A cold wind swept through the city, clinging to weathervanes, and blowing over spires. Torches, wax, and rag torches were still burning in the street lamps at the crossroads and on the main roads, but Milvess, "the city of a thousand wells," was already waking up. The slothful man rises with the first rays of the sun, and the honest citizen at least a quarter of a small watch before dawn.

The lamplighters turned out the lights, and the alarmers rattled and banged on the shutters. In churches, the priests' first prayer was to praise the Father of the Universe who, in his inexhaustible mercy, had granted the world and men a new day. Demiurges necessarily added non-canonical words of gratitude for the last and greatest creations of Pantocrator the human intelligence and freedom of choice between good and evil. For a fact, the Creator allows everyone to determine his own life by his actions, defying the machinations of the Unclean and thus deserving of posthumous bliss. The believers in the Two Creators were also praying but more secretly because the pogroms had begun again in the capital. Not even pogroms, but rather some unrest, even without the normal arson. And still, nobody wanted to tempt fate.

The thin scarlet stripe on the boundary between heaven and earth was brightening, becoming a vivid color, so vivid and intense that no painter could have rendered it with his brush. The moon, shimmering with reflected silver light, was leaving the sky, dragging the waters of the sea behind it. The tide was coming in, and the red lights on the lighthouse of the coastal fort flashed warningly. While the water was still high, ships that had ventured into the night were hurrying to enter Stone Harbor, which was securely covered by an old fortress wall two men's height thick.

The city was waking up... Only in the stone houses of the aristocracy, safely hidden behind high walls amid dense gardens, reigned silence. For a man of noble birth should not get up in the early hours of the morning. It causes damage to health and spoils the skin of the face. As the sun rises to the heavenly dome only after dawn, so the noble lords should not be in a hurry. After all, all the goods of the Ecumene already belong to the best of men.

Here, too, on Remembrance Island, there was silence. It was like a graveyard, which, to a certain extent, it was. A graveyard of old pleas, of desperate hopes, of forgotten destinies. There were no brigands on the island. It was avoided by otherworldly creatures. And even the wicked sorcerers who despised the precepts of the Church did not conduct their rituals here, for the air of the island was completely devoid of sorcerous power. It was simply ... this place was shunned. Thousands of stone statues - from crude statues made of boulders and bonded with mortar to refined sculptural groups - kept in themselves the memory of times that had long passed, of people who were long gone. And this neighborhood made the most hardened sinner uncomfortable. Besides, sometimes people just disappear here like magic. There was a man, and then he was gone. Without a trace.

Yes, it was very quiet. And gloomy. The dawn rays had not yet slipped over the palace roofs of Milvess, and the night was clinging to power with its last strength. A figure in a dark cloak with a very wide hood was almost invisible among the stone statues. But whoever knew where to look found it quickly.

Shoehorned boots clattered faintly on the stone slabs. The one who came to meet him held his sword open, under his arm, hilt forward. A fine weapon, made in the newfangled southern style, for fights on city streets that go fast and are fought only to the death. A long, light blade, a one-handed hilt, and a bronze bar spiraling from thumb to pinky.

"Hello," with those words, the waiting man threw back his hood. Only the sturdy netting kept the wave of long, heavy hair the color of the darkest night from falling apart. Dark eyes glittered, reflecting the light of the departing moon. Barely visible tongues of blue flame ignited in the stiff, succulent fall grass. The sorcerer's fire, flowing along carefully measured and drawn lines with a flint knife, kept the meeting place hidden from sight and hearing. Rare, very complex magic requiring a lot of borrowed power, especially here. Few could produce such a ritual. The dark-haired sorceress could. And she could do it without paying the price, spending months of other people's lives rather than her own.

"Hello," echoed the guest, removing his leather triangle. The hat hung on the outstretched arm of one of the statues without any reverence for the dead. At the same time, the guest removed the mask of illusion with a flick of her fingers, and her mesmerizingly beautiful and, at the same time, eerie, completely inhuman eyes flashed in the shadows. Dark blue, almost violet whites turned to irises, the color of dark ruby, without pupils.

For a few moments, the women stood facing each other as if they had met after a long absence and were trying to remember something. They looked very much alike, both tall, black-haired, and, at the same time, as different as the sun and the moon.

"You're late," the waiting woman stated.

"Once the bridge was released," the guest said briefly, the faintest note of uncertainty ringing in her voice. As if the conversation made her uncomfortable and promised some difficulty. "I do not command the tides."

The answer was fair; the island was so called because it was connected to Milvesse only by a narrow shoal with a bridge built in time immemorial, which was hidden by the tides. And yet the first woman did not deny herself a poisonous prick.

"What about the magical transition?"

The guest gritted her teeth and clenched the blade under her arm, feeling the thin, hard strip of metal forged by the finest southern weaponsmiths.

"You know, I try not to overuse transitions," she retorted, trying to maintain a look of cold calm. It was the same as the icy cold of the blade under her arm, which didn't seem to want to be warmed by body heat.

"Really?" sarcastically inquired the "hostess" of the meeting. "And I thought you were openly ... disregarding the schedule I made for you."

Instead of "neglect", "spit" was clearly heard. The armed lady bowed her head, simultaneously acknowledging some guilt and showing that she did not want to continue this line of conversation.

"You know transitions are bad for us," the unarmed mage sighed hopelessly. She was clearly repeating this not the first and most likely not even the tenth time. Her voice was drenched in hopelessness. "If this keeps up, I won't be able to reassemble your soul anymore, and madness will finally consume the mind."

"I know," the red-eyed woman retorted with seeming indifference. "But it's a risk you have to accept."

Ruby eyes sparkled like the lights of a hidden lantern.

"Or do you wish to decline my services?"

"No. And I'm very interested in what you have to boast about," the woman with the hair in a net ended the preparatory-pleading part of the conversation and got down to business. She seemed distinctly displeased.

"Almost nothing," the guest answered honestly. "We know that Hel has reached the capital. She is most likely already in the city..." The witch looked over to where the finally awake Milvess, the largest city, and heart of the world known to humans, was already bathed in pinkish light.

"And?.." The interlocutor said curtly and angrily, literally snarled.

"That'll be all," the witch grudgingly admitted. Her usually beautiful, expressive voice sounded dull, like frayed rags. "That's all for now."

"That's not very encouraging."

"Yes. But the net is wide open. She doesn't know the city, and she doesn't have any useful contacts. Sooner or later, Hel will go to the temple, or the magicians, or the parlor, or jail. She's conspicuous enough, I'll get word."

"A wide-spread net, that's bad," the sorceress cut off. "Raises questions. Besides, we have rivals."

"Who?" the witch asked quickly and sharply.

"The Masters of Malersyde, for sure. Probably someone else. They're looking for the girl, and they're looking hard."

"Clavel Wartensleben," the witch hissed, flashing her devilish irises again. "I shouldn't have messed with her. Greedy thing ruined everything."

"Let me remind you that the 'greedy creature' has fulfilled everything that was agreed upon," the sorceress blurted out. "You're the one who failed."

"Yes, I failed," the red-eyed woman was unexpectedly quick, unopposed to accept the obvious, not needing to be reminded of the horrifying effects of necromancy that had covered Hel one step away from death.

The sorceress was silent for a moment, squeezing the gloves nervously as if she were about to tear the thin but surprisingly strong leather. From the Wartensleben tanneries, by the way. She remained silent for a few moments, recovering her composure after her outburst of anger. It was stupid and senseless - to be angry at the failure of a faithful performer who followed all the instructions and did not succeed for quite objective reasons. But still ...

One step away from success... May Erdeg take you all. One blow with the sword, and it would be done!

Inhale. Exhale. She is a sorceress. She stands above the crowd, above the Bonoms, even above the Primarchs of the Twenty-Two - the great families, the only aristocracy to survive the Cataclysm. Anger, fear, and malice are for the lower creatures. And her destiny and virtue are pure reason, which is like water from the depths of the great ocean. Water does not doubt, does not fear, does not hesitate. It simply crushes the obstacle with the unstoppable pressure of the waves.

"Too many outsiders," the enchantress said curtly. "A good spy always has at least two masters. At least two. And when he gets an order from one, he runs to tell the other for a reward. That's how we learned the Wartensleben are looking for Hel. That's how something else will find out we're looking for her, sooner or later... if it hasn't already."

"She can't be killed from a distance," the witch caught the patroness's train of thought on the fly, especially since it was a possibility they had been meticulously considering.

"It can be done."

The sorceress fell silent again, whipping her gloved fingers against the sleeve of her velvet jacket a couple of times.

"It can be done," She repeated. "I sent an order to the Wastelands. I need the Colorful Ribbon."

The witch held back her feelings, for it was impossible to read anything in the devil's eyes. She drew in air noisily.

"There are none of them left..." There was not so much a statement as a question in her words. A doubt. "But even if one could find such a ... relic, it has no price."

"It is," grinned the enchantress grimly. "Only it's measured in barrels of phoenixes."

"I understand," the witch said very seriously. "I understand. Someone is going to come back to the Kingdoms a very rich man."

Now, she paused in her turn, pondering what she had heard. There was no point in recounting the danger and difficulty of using the Ribbon in a city of several hundred thousand inhabitants, full of odors and many streams of other people's lives. The sorceress was ready for extreme measures, and it should have been simply accepted.

Or...

"I'll prepare everything I've managed to gather," the witch promised. "All the things that were Hel's."

"Yes. I'll let you know where the Ribbon will be delivered. You will build a circle, arrange the symbols, and infuse the power of the sign. Then, I will perform the ritual. After that, you do the rest."

"I'll wait for instructions."

The red-eyed woman asked with a single glance whether the meeting was over. With a wordless nod, she removed her hat from the statue's hand, stepped back a few steps, and disappeared into the shadows, vanished among the stone. The sorceress whipped the gloves on her hand once more and threw her hood back on. She glanced at the nearest statue that depicted a woman with her arm outstretched in mute supplication. Time had not spared the sacrificial figure erected in support of a request to the Father of the Universe. Wind and rain have gnawed at the soft stone and stained the smooth surface with sores and splotches, but the sculptor's skill was beyond the centuries. The image of a long-dead woman preserved the ultimate despair, the ultimate plea addressed to the silent sky. It was as if the higher powers were responding to the sorceress's fierce striving, hinting at the futility of her efforts.

The blue lights went out. The sorceress finally tore her glove, tossed the useless thing away, and then the second, the one without a pair. She walked away, invisible and inaudible among the silent monuments. She thought of Spark's need to die, to return to the Hell from which she had been summoned. And of the mad expenditure that would be required for properly executed preparations.

And what the witch with the ruby eyes was thinking, only she knew. But if the witch could read those thoughts, she should have thought hard about where to aim the terrifying and deadly Ribbon. Because the mind, distorted, poisoned by magical transitions through great distances, can be visited by very strange and bizarre thoughts ...

* * *

... damn...

There was a loud knock on the shutter. A nasty, shrill voice whined as if into her brain - "Morning, good citizens, the dawn is coming!" As if accompanying the voice, the landlady rattled a copper pot, heating yesterday's sausage for her husband. A mug of heated water for drinking, a bowl of cold water for washing, and a pinch of tar and soot from burning oil seeds were waiting for her to clean her teeth and strengthen them. There was no breakfast, as it was paid only for a night's lodging. There was also no possibility to sleep a little longer. By default, it was assumed that the next seeker of urban happiness was either in a hurry to work or was in active search. That is, he wouldn't laze around in the master's bed.

At the dawn of a new and joyful day, Elena went out into the City, full of either joyful hope or gloomy pessimism, and she did not quite understand her own state of mind.

... damn...

It's sad when a day (what's a day, perhaps a week, or even a whole damn month) starts with the same thought. And with it, it continues. Elena was tired of nomadic life. Of inn houses stinking of urine and sour broth. The small towns and villages of the remote provinces, where strangers were treated as if they had come from the other side of the world, and every glance scrutinized their ability to defend themselves. From the endless roads that in her homeland would have been, at best, cattle drives symbolically sprinkled with gravel. No, there were good roads here, too. Some date back to the Old Empire. It was real transcontinental highways, organized and paved, as well as Roman ones. But Elena avoided them. It is too crowded, too dangerous.

The woman usually hit on another group of pilgrims going to a certain "Rainbow Temple." It was relatively safe. It also raised fewer questions about her cut hair. Still, Elena had grown accustomed to the sucking feeling under her belly from regular malnutrition, the constant sliding of evil glances down her back, and the bone hilt of her gifted dagger under her arm. As well as the need to dye her hair weekly, and inconspicuously at that. Yes, she traveled brunette now.

But there was a prize at the end of the journey - Milvessus, the capital of the former Empire, now a conglomeration of fragmented half-states that had grown out of it. A marvelous city on a huge cape, deeply embedded in a freshwater lake the size of a real sea. Almost like Constantinople.

Elena didn't know exactly what awaited her in the City of a Thousand Wells, but it was assumed by default that it would be good, certainly better than the current one. A fencer was waiting there, and in general, the city was progress, culture, and at least normal stationary toilets. This is important in a world where a terracotta night pot is already a luxury, a source of pride for the whole inn, and finding a mug of hot water for paint is a small quest because you have to boil it on an open fire.

But everything was going wrong again... Nevertheless, Elena tried to believe that her travel ordeal was finally coming to an end and that at least some orderliness awaited ahead. And minimal amenities. In the meantime, she wandered along the river, thinking darkly that early risings were evil. Or, as Grandfather used to say, "God created sleep and silence, and the devil created rise and foreman."

On closer inspection, it's not that Milvess was disappointing ... although it was disappointing. Elena had expected more from the capital of the world. Yes, the local metropolis was big. That could not be taken away. It was many times bigger than all the towns and cities she had met. And ... that's it. Frame houses are slightly larger than usual, all on stone foundations. Stone buildings, almost all of them old. Cobblestone streets, also ancient in appearance - the stones were thoroughly worn away, giving away centuries of use. It was all subtly reminiscent of old Moscow with its chaotic layout.

Helena supposed that she had only seen a small part of the City and that there were probably more interesting places in the capital. She was still wandering around the northern part of Milvess, divided by the river into the "North," called Gearr-Fearainn, and the "South," called Babarren-Fearainn. The northern part was considered poorer, "artisanal" and generally new. Here, among other things, ran the Street of Free Blades, where fencing schools and residences of the largest Brether communities gathered. The South belonged to the merchant class and was noticeably richer. It was connected with the river and bridges, but Elena didn't quite understand how.

There was confusion about names in general. For example, Milvess was also called "Taididdo" - "Sun City." For example, Milvess was also called "Taididdo" - "Sun City" - but the river was also called the same, and it had its toponym, which was used rarely and as if out of necessity.

The sun finally broke its rays toward the southwest. There. Beyond the dull tiled roofs, like trunk lids cut off at the corners, something sparkled, playing in the sky like a web of colors in the finest crystal. What phenomenon could have produced this rainbow Elena had no idea, but the glow added a bit of optimism and cheerfulness. Not everything around was so gloomy. The girl even began to hum softly to herself:

I'm an alien

I'm a legal alien

I'm an Englishman in New York

She was desperate for a bath. Her clothes had not been washed for a week, and Elena had bathed three days ago by a simple stream. The process was accompanied by thoughts that if she had a heart attack because of the sharp cooling, it would still be merciful. You can get, for example, meningitis (short hair also had to be washed, it was impossible to make a fire, and the water was so cold that it seemed like liquid nitrogen). Or pneumonia. And both in local conditions promised a long, agonizing death. There was still money for a bathhouse and laundresses, but it was still necessary to find an appropriate place, to conduct reconnaissance, and to spend time in general. Besides, any visit to a place of presence was perceived by Elena as a test of spirit and a risky endeavor. So, it was unpleasant, of course, to appear to the fencer as a dirty pig, but today, both of them would have to be tolerant.

She was on time, though she had to walk back and forth across the street twice. On the way she caught attentive scrutinizing glances, but there were no conflicts. At least one advantage of the big city had become clear - a single independent woman was not a novelty and did not attract special attention.

It took a long time to pound on the door, but Draftsman didn't open it. At last, something rattled and rattled on the other side of the door, very old and feeble, so Elena wondered if she was wasting her time. But she remembered how Figueredo had struck her with the scabbard and decided, no, she wasn't. The window opened with a loud bang, and a round owl's eye flashed out of the semi-darkness. He stared at Elena for a long time, unblinking, with a fixed pupil like a glass ball.

"Come in," said the master at last, rattling the key in the lock from inside.

"So, now let's test what you can do."

With those words, Draftsman handed her a small axe with a crescent-shaped blade and an armor-piercing beak on the opposite side. It was a compact but heavy weapon with an all-metal handle. Elena had seen them many times before - a purely knightly tool designed for mounted combat. It's a sort of penultimate chance weapon when both spear and sword-puncher are lost.

"Turn it over," the master ordered curtly and, seeing that the apprentice did not understand, explained irritably. "Change the striking part."

Elena obediently turned the axe the other way around. Claw forward, crescent toward herself.

"Once more."

The student tossed the axe a little, caught the right way.

"Again."

Done.

"One more. And continue."

The first twenty or thirty repetitions seemed easy. Then Elena quickly felt the full weight of the forged metal. Figueredo paced around like a hyena waiting for his prey to weaken. He held in his hand a long, thin stick that looked like a stack or a thick rod. Alas, there was no reason to doubt the purpose of the instrument. In the center of the circle, Elena clenched her teeth and grasped the axe. Blade forward, clave forward. Blade ... claw...

"Change hands," Draftsman ordered and condescended to explain. "In battle, it is often necessary to change opponents and choose the right way to fight them. Armored - prick, defenseless - chop. However, it must be done very quickly. Continue."

At first, the change of hands brought relief, but Elena quickly realized her left arm was definitely weaker. An excruciating pain crept along her tendons, filling her wrist and shoulder with a leaden weight. The girl clenched her jaws even tighter and leaned back slightly, bringing her elbow to her side, trying to relieve the working arm at least a little. The reward was immediately a whipping blow to her shoulder.

"Don't slack off," Draftsman ordered. "Faster. Clearer."

It all seemed different to her ... very differently. Elena was generally prepared for Figueredo to be harsh and mean. She was already aware of the craftsman's traditions and knew she would spend months cleaning the latrines, taking out the master's pot, and so on. It was the price of science. A price that could not be avoided in the world of shop corporations. But it was assumed that science would follow. The girl's imagination invariably drew something in the traditional Japanese style. Training at dawn, dawn rays sliding across a mirrored blade, meditations in the morning chill, and all that. The more so because meditations were familiar to the Breters of Ecumene, but they were called differently - "èistris`Sgrìobhaiche." It's literally translated as "listening to the Creator."

Figueredo was more unpleasant than she'd imagined. And the training... strange. And somehow very late, which was not practiced at all. There was a growing sense of impropriety. It was as if Draftsman not that he was having fun... but was loading her with a rather pointless activity, preparing a cruel joke. However, Elena continued. And a couple of interceptions before her fingers would refuse to obey, Draftsman ordered:

"Enough."

The apprentice struggled to keep from dropping the axe. She picked it up with both hands, remembering it was shameful and unworthy to drop a weapon according to local traditions.

"Throw it."

The girl looked at the teacher, perplexed.

"Drop it," Draftsman repeated impatiently, irritated, and another blow burned her hand. The axe clattered to the stone floor, and Helen clenched her aching hand, which was now sore from her mentor's blow as well.

"Take it."

Something changed in the atmosphere. The dark, dusty air, in which the shadows of the lamp's grave light danced, seemed to thicken, to sparkle with invisible tension. Elena grasped the hilt of a short cleaver, very similar to those used in the Wastelands. They were the most widely used bladed weapons in the Ecumene. Only axes were more common.

The blade is from the elbow to the fingertips. The hilt continues with a long "rat tail" bent forward to form a finger guard. The handle is sheathed with a leather cord or simple rope, often loose, designed to grip a hand in a thick leather mitten. A simple weapon, heavy, rather crude, but cheap. Any blacksmith capable of forging something more complicated than a nail could make such a weapon. Despite being "democratic" and popular, cleavers were also popular among professional warriors who valued cheap efficiency and widespread use. Learn to wield such iron, and you can arm yourself in any corner of the Ecumene.

"Position!"

Elena automatically adopted the rapier stance, the familiar, subconscious stance. Draftsman circled her again, scowling and making angry faces.

"I see," he said softly, more to himself than to his student.

"It's just as I thought..."

Elena didn't notice the blow. She didn't realize what Draftsman had done, but her right side felt as if it had been doused with boiling water. And almost immediately, the mentor's stick whipped her just above her left ear with a second blow. The student cried out, recoiling. Figueredo grinned, looking into her eyes full of pain and tears.

"You have a blade in your hand," he reminded her. "And all I have is a stick. So defend yourself!"

The other side, the point just below the collarbone, the thigh. This time Draftsman wasn't in a hurry, he seemed to be enjoying himself, showing Elena the blows she could see, but didn't have time to parry or at least evade.

"Kill me, you trashy wench!" barked the master. "Act!"

Elena lunged at him, remembering how Shena had tried to run over the witch on the ship with a desperate attack. She swung, gripping the awkward hilt with both hands. Figueredo evaded the attack with a professional ballerina's move - a step back with a ninety-degree turn and a tilted torso - letting Elena pass him. Once at her side, the master continued with a beautiful, smooth turn that ended with an exemplary leg hook. It seemed to Elena that the stick in Draftsman's hand had severed her hamstrings. The girl fell down, her nose hitting the stone painfully. This time she screamed out loud.

"Get up, animal," the master commanded, his nostrils flaring predatorily as if he were reveling in his victim's pain. "Get up unless you want to die in a pool of your piss like a pig in a slaughterhouse."

He waited until the student was on her feet, wobbling, balancing on the verge of falling. Then, with a quick under-step, he struck from top to bottom, across the collarbone, until the bone crunched, and immediately performed an arm-and-leg double. The girl knew what pain was. After all, the medic had nearly been killed by a night demon of the swamps, so her lower back still ached on damp nights. But now ... Now.

"Don't!"

The air whistled like a woken hornet under Draftsman's stick. The fencer lunged to the right and struck to the left, slowing down like a demonstration, but Elena still had no time to defend herself. The cleaver in her hands became traitorously heavy and seemed a useless piece of iron compared to the master's fluttering stick.

"Please!" The girl pleaded desperately.

"You didn't last long," Figueredo grinned. "You should have pleasured Vincent better, then he would have been kinder to you. And he didn't send you to me."

"No ... please ..."

Her chest hurt so badly that she couldn't breathe deep enough to speak loudly. Elena felt every bruised rib and sobbed, trying not to fall, struggling to balance on one leg, the one that hurt a little less.

"I've paid ..."

"And I accepted you as my apprentice."

The master's evil grin turned into a mask, his teeth in the light of the lamp seemed to glow with their own fire, as if illuminated by ultraviolet.

"I promised to teach. I am teaching. And now I'm going to teach you a great lesson. The most important lesson of your useless life. You won't need any others after this one."

She didn't want to sob; screaming was a shameful weakness. But the intolerable pain was squeezing the tears from his eyes. And there was no way to bear it silently. Now Elena realized what Draftsman meant when he mentioned "the science of pain," and she screamed again, now despite the pain, out of sheer terror. She realized that Figueredo had no intention of teaching the intruder at all. He was going to beat her to death.

Elena thought she knew the pain before she picked up the cleaver and received the first blow. Thought she knew pain after Figueredo started beating her. Well. she was wrong both ways. A good brether knows the vulnerabilities of the human body. A good fencer knows them much, much better. And Figueredo was very good and set himself up for a great result. The warm-up was over, and the master began the main lesson by breaking the student's right arm just above the wrist with one blow.

* * *
 
Chapter 4 Jackals
Chapter 4 Jackals

* * *​

They marched elbow to elbow, knowing that only unity would give anyone a chance to leave this field alive. The formation had been thoroughly shaken by a series of heavy cavalry attacks, and the men stood in strange ranks and rows. The remnants of the regiment lost strict order, but the infantry did not turn into a miserable herd. Training and discipline, gentlemen! It takes little more than a dozen attacks by cowardly riders in tin armor to destroy it without a trace. One or two more, maybe three. Fuck fear. The line's still standing!

The rectangle, which had become an irregularly shaped oval, was bristling with peaks. Many of them are broken. The drummers, already without any command - the Kapellmeister had long been deader than dead - pounded on the stretched leather with heavy mallets, setting the rhythm. All the flute players died in the fifth, most furious onslaught of the knights. Two dozen armored lobes broke through the formation and reached almost all the way to the banner. There, they were all put down, of course. Some with spades, some with daggers, and some with their bare hands. No, they weren't avenging the flute players. It just happened! So the flutes were silent, but the drums sounded even more impressive and even more terrible, churning out a deadly beat.

Left! Left! Left!

"Sleagh air a ghualainn!" yelled the colonel. "Tha a'cheum!"

The commander's throat was torn from hours of battlefield management, and his voice sounded like the shrieks of a saw through the fibers of a damp pine deck. The colonel growled, mingling words of different dialects. And he was answered by the same roar of the exhausted, wounded, and exhausted soldiers.

In the morning, the "Hog Dogs" tertia, numbering nearly two thousand soldiers, took the field. By day's end, no more than five hundred were left on their feet. Five hundred warriors, the toughest, ready to fight to their last breath. All the rest mostly remained there, in the meadow where the tertia had taken the first battle and on the long road of retreat as the battalion marched heavily toward the river, snapping at crossbows, fleeing small units, taking on halberds and surviving pikes heavy cavalry.

Yes, it was a day of comfort for Pantocrator in his capacity as the Father of War. And the night promised a feast for wolves, corpse-eaters, and marauders. The regiment, having knocked down another barrier, was slowly marching towards the crossing. The spades on their shoulders swayed over their heads, clashing and rattling the strained steel, drowning out the groans of the wounded. They were being carried. Not all of them. Those who could still survive.

The enemy commander changed horses for the fifth time. The previous ones were a meal for crows. And once again, he rallied the cavalrymen to attack. To strike, to smash, to tear to shreds, and to chase them down, killing them in their defenseless backs and backs of their heads! The warlord's armor had shone in the morning with polished steel and abundant gilding. Now dust, dirt, and blood clung to the metal like a viscous putty. Fresh dents in the armor were formed into fanciful pictographs, indicating how many times in the past hours death had passed by, only to be touched by a shroud.

The horsemen were again gathering under the banner of the "soldier's duke" [1], a standard with four empty fields on a gray, unpainted cloth. They were built in the likeness of lances [2] - weak, unsteady, and yet capable of striking. Everyone was tired. And men, and horses, and the iron itself.....

The colonel stopped the burliest soldier from the banner guard and climbed on his shoulders. He almost collapsed from weakness, but he held on. Someone set up a spade. The officer took hold of the broken spearhead for greater support and looked in the direction of the gathering cavalry. Yes, the Duke had enough strength for one more attack. Exactly one, in which the forces and horses would be completely finished, like a beer barrel on the table of drunken soldiers. They will not be able to repeat it, even if the Lord himself descends from heaven, waving a flaming sword and blowing thunder from the divine ass. But this last onslaught must still be withstood.

The colonel glanced in the other direction, wondering if the regiment could move faster to reach the crossing before the knights struck. From all indications, there was a chance. Only to do so would require the abandonment of the badly wounded. Then, rushing light, it was possible to pass to the bridge, and this, in fact, is already a salvation.

He jumped heavily, nearly twisting his leg. The cuirass and helmet bent to the ground, and his bones ached. The commander allowed himself the luxury of a few moments of reflection...

"Regiment, halt!" shouted the colonel. There were so few soldiers left that the command did not have to be repeated by any of the lieutenants. And there were only three lieutenants left. "U-turn! Wall of spades!"

The infantrymen carried out the order hard, slowly, getting out of the rhythm of the drumbeat. Preparing for the last battle of the day and most likely of their lives. Preparing to live through the finest hour of the armored infantry or to lie down forever in the trampled, bloody grass. However, many could do both. With the right kind of bad luck, of course.

The riders finally managed to gather into some semblance of formation. No wedges or other shock formations, just a rectangle, as conventional as the square of infantry in front of it. The horses were no longer neighing but wheezing, dropping wisps of foam from their bloody lips. The Duke took the standard from the standard-bearer and rode out in front of his sparse horde. Behind the mounted formation could be seen the uncertain-looking infantry, who were no longer good for anything but moral support and encouragement with wishes for every success. The tertia, which was holding the heavy cavalry strike, was able to stomp the usual colleagues in the craft
in passing.

"First rank, kneel!" shouted the colonel. "Crossbows to the second line!"

There were very few marksmen left on either side, and the losses from plinking death were, scientifically speaking, a statistical error in the total losses. But those who fell on the hot, overheated ground or sagged helplessly on the high "ram" saddle" were not relieved by the fact that they were killed by bare statistics.

The riders approached at a measured pace, conserving the strength of the exhausted animals. And a general uncertainty pervaded the gray evening air. The hooves still clattered on the ground, chugging as the horseshoes stepped into the pool of blood, but the clatter was becoming less and less regular. The colonel realized this and felt it with the instinct of a born warrior, soldier, deserter, and officer. Hope scorched his soul like a ladle of healing, herb-infused boiling water in a bath.

Shall we live longer?

"Crossbows, fall back! Close ranks!"

The Duke, too, realized that his final attack was choking before it began. Half a minute, a minute - and that's it, no force in the world could move the cavalry mass forward. Maybe it was for the best... The commander had already lost everything that was due to him for this battle. Now, the battle was a net loss. Four slain horses - real destriers, not "economic" coursers - amounted to the annual income of a good estate with all the rents and vineyard. Oh, and the fifth and final beast of war was also staggering from fatigue and blood loss. And at least a third of the knights were lying on the wet red grass or in the infirmary. That's not counting sergeants, squires, and other support.

A third! Unthinkable, unimaginable losses worthy of the crushing battles of the Old Empire. It was time to retreat. To count the losses, to think how to justify to the ruling families the massacre of highborn relatives. Even harder to think how it happened that the ordinary continental infantry, mercenary rabble that is lower than the most despicable, fought like the best pikiners of the mountain princes and tukhums. And what to do with it next time.

It was reasonable, it was right. And the duke...

The colonel saw the horseman throw the standard to the standard-bearer and spurred his horse. He rode along the cavalry line, shouting something. And then he turned the unfortunate animal, exhausted under the weight of armor, and gave spurs. A moment's hesitation, interminable as all the time in the world, and the whole cavalry moved after him, step by step, with evident indecision. The riders were now pushed forward only by their fear of being the first to be recognized as the first to abandon their leader and leave the glorious battlefield. Such "glory" could not be washed away by their grandchildren.

"Spades in hand! Stand firm!" barked the colonel, realizing that the "soldier" had gone to the bank, bet everything, including his own life, on a decisive attack.

The Duke spurring his coal-black stallion, rode straight at the pikey hedgehog, accelerating like a ramming log. The warlord's lance was lost or broken. His saddle sword was still in its sheath. The rider gripped the reins tightly, concentrating on controlling the destrier. The knight was ready to sacrifice his horse and, very likely, his own life, punching through the infantry formation with the inertia of dead bodies encased in steel. Seeing this insane, suicidal bravery worthy of real ballads, the small mounted army rushed after the leader. Forward to glorious victory or no less glorious death, which centuries later will be remembered by descendants, defending the privileges of families. Straight at the cursed, hateful black and white banner that towered above the line of pikemen.

"Stand firm! Raise the banner!"

The colonel snatched a halberd from someone and, pushing the soldiers aside, spun into the front rank, right up to the demon rushing at the infantry. He pressed the iron-plated shaft into the ground, pressed it with his boot, and took hold of it with both hands, aiming the steel feather at the horse's muzzle. From the front, the rider seemed a very small target, covered by the steel armor of the horse. The crossbow arrows did not harm the Duke. His armor was too good.

"Stand to the end!"

He was answered by a ragged chorus of infantry that grew and grew as the soldiers shouted louder and louder in encouragement:

"Stand to the end!!! Stand to the death!!!"

"The Rule of the Law!" roared the colonel, and the infantry answered him:

"The Rule of the Law!!! The Power of the Law!!! The Power of the Empire!!!"

Quite close... The colonel saw flakes of foam flying through the slit of the horse mask. He saw the observation ports covered by the frequent grating darken. He realized that even if the rider wanted to stop the fearsome beast now, he would not be able to. His fingers closed on the halberd's shaft like stone. The officer realized that now he would probably die. And so would the knight. The only question was whether the slain rider of death would stop on the third or fourth row, bogging down in the corpses, or whether he would break through to the end of the line, opening the way for his fellows who were coming in a final tidal wave.

He really wanted to close his eyes so it wouldn't be so scary.

He wanted very much to stay alive, so that someday he could tell his children how he, a former peasant and a beggar, became a colonel, took command of the best regiment on all four sides of the world, beat the heavy horsemen - the kings of the battlefield - and sent a real duke to hell with his own hand. The commander had no children, at least not known ones, but they could appear in time.

He wanted...

With a terrifying clang, the knight broke into the steel bristles of the spears.

* * *​

Elena was everywhere and in everything. She saw everything and was everything. She became grass under the hooves of horses and the muddy boots of infantry. The life of those who hoped to see the next dawn and the death of those who would not see the sunset. The blood under armor and the pain in stumps from amputations in the marching hospital. And she knew for a fact that all of what was happening hadn't happened yet. It was only destined to happen. Or not. One of the probabilities. The result of a long and unimaginably complex chain of events that would hook like fishing threads, weave together a new future and make the probable inevitable happen. It will not become "bad" or "good." It will simply be.

But it's decided here. Here and now. And the epiphany of what's to come lies. Elena knew that better than anyone. It had deceived her before by promising the life of the person closest to her.

Fate is not a sentence.

Whose words were those? She didn't remember. She remembered nothing. The vision crumbled like a shattered crystal castle, falling into itself with glittering dust, turning to nothing. An abyss where only endless pain remained. And an equally endless resentment.

She came to her senses and snapped out of the unconsciousness-filled delirium of a battered man. Fast enough, considering the state of a man beaten unconscious.

"Get out."

God, it's so loud... The voice from the void rumbled like a rockfall. She wanted to scream, but there was no air left in her lungs. Her chest filled only with fire and cutting pain. The stick of the 'mentor seemed to have broken a few ribs, maybe all of them. The world around her came into awareness as if piece by piece. Here was the grave coldness of the stone beneath her cheek. The smell of dust and damp mold and something copper ... strangely, the smell mingled with the taste. Probably because her mouth filled with blood. And the sound. The voice of Draftsman, a half-crazed creature, a liar, and a sadist.

"Get out of my house. You've already laid around enough. It's getting towards night. I want to sleep."

Towards night ... it's towards nightfall. So she's been unconscious since noon. A long time.

Elena tried to get up on all fours, but her arm reminded her of itself. The pain ran its claws into every nerve and began to tear them methodically, like a wolf tearing raw meat. The girl couldn't hold back her scream again. Well, that is, the scream tried to escape from her throat, but it was slowed down and faded along the way, bursting out only with an agonizingly long groan.

"Now you're going to taste my stick again .... Tramp. Get out of here."

It was strange and even somewhat funny, but now, despite her deplorable condition, Elena was more interested in the dobl she'd given the "master" in silver, coin for coin. The money seemed the embodiment of her dashed hopes. Еhe symbol of the blackest betrayal. She didn't feel sorry for herself (not yet, anyway, because of the shock Elena didn't really realize how badly she'd been hurt), but more than sorry for the silver.

Charley, you didn't warn me about that...

She managed to get up on all fours first and then settled on wobbling legs. Her arm didn't "almost" hurt unless it was touched, so the girl assumed a strange position, the crippled limb determining the position of the rest of her body like a center of mass. She had to carry the broken arm, wiggling her whole body to disturb it as little as possible.

She stumbled, gritting her teeth in pain. There was nothing to say, nothing to reproach and appeal to conscience. She didn't scream, trying to retain some pride in the face of her evil tormentor. Though Draftsman probably didn't care what a beaten-up little thing, lonely, without help and support, thought.

"Faster."

It was humiliating more than anything. Her whole life, all her plans and hopes gone in an instant. And the sneaky bastard would go to bed having stolen her money. In a week, he probably wouldn't remember her right away, and in six months, he'd forget her altogether.

God, that hurt... How many times she'd seen such beatings on others, how many splints of rags and planks she'd put on while she'd been in Matrice's service. And now, it was time to look at it from the other side.....

She didn't get a chance to think about it. The door slammed loudly behind her. The lock rattled, and Elena was alone in the dark street. Dark, but not empty. For some reason, that was important. Something had to be taken into consideration, but what was it...? Her head was splitting with pain, and in a complex way, responding to the general exhaustion with her pain because her skull was also hurting. Here, under the moon, well covered with night clouds, Elena realized why she could see so badly. Her face was swollen from the beatings. One eye was completely closed by a hematoma. The other one turned into a narrow slit. One joy - the nose, it seems, remained intact. Well, that's something.

Yeah, she was no Cyrille. Though God knows what will happen to her face when the swelling goes down. Fractures of the facial bones are interesting things, and a neat scar might seem like a blessing... She wanted to swear, as dirty and harsh as possible, from the bottom of her heart, but she didn't have the strength. Elena leaned heavily against the stone wall. A beaten person usually suffers from thirst, and there is no water nearby. It seems up the street there should be a well... And there was still a long way to go. To get to the well, make a cold compress. It'll make her feel a little better.

God, she is such a fool! If she'd taken her time, if she'd rented a corner at an inn not too far from here, she'd have a place to go back to, a place to rest.

Gritting her teeth even harder (though it seemed impossible), the girl literally peeled herself off the wall and stepped forward. A step, another step. She was almost accustomed to the canted walk, in which the broken arm was the alpha and omega, the center of the universe around which every movement was built. And on the fifth or sixth step, the thought that had escaped from her tortured mind returned with painful sharpness.

This street was by no means empty. The rustling seemed to come from everywhere. Perhaps it was the noise in her ears, which had also taken a beating from Figueredo's stick. It was undeniable, however, that Elena was not alone.

Like most streets in the northern part of Milvess, this one was a rather confused system, not something unified and planned, but rather a thoroughfare with numerous branches, dead ends, and parallel paths. Two or three-storied houses, where the first floor was usually a basement raised above the ground and covered with stone, were crowded together in a very conventional order. The space between them was built up with latrines, outhouses, pigsties, barns, poultry houses, and simply fences. The owners were regularly engaged in "squatting" of the street territory proper, extending palisades, wicker fences, and simple vegetable gardens from the house walls. Therefore, the street proper could be called only a certain conventional space, free for the passage of two not-too-wide carts. And on the edges of the street, there was a tree-stone jungle where only a local native could navigate. And now, out there in the darkness, something ominous was happening. A movement of some kind, the nature of which, alas, was not to be doubted.

The jackals of the night city were out hunting. They surrounded Elena unhurriedly and methodically, with patient caution. They moved in the darkness of the chaotic buildings with the skill of experienced predators, skilled in robbing late travelers.

Elena tried to remember the local topography. It was possible to try to go back the same way. There, after a hundred meters or so, the wild building ended, and the actual quarter of fencing fraternities began. But this hundred meters still had to be passed. And if you went down further and lower, you could get to the river, where you could easily find a boatman ready to take anyone from bank to bank at any moment. At least, that's what the travelers said. There was still some money in the purse, so it would be enough to pay for the crossing. However, the closer to the water, the narrower the street became. It would be more difficult to break through.

Damned if one does. And the arm ached again. Or rather, it resumed its brutal attack of cutting pain. One of the corralers appeared, stepped out of the deep shadows, and let himself be seen, assessing the reaction of his victim. Naked to the waist, clearly visible in the moonlight, tattooed according to the criminal fashion of the East. The wind had dispersed the clouds, so in the moonlight, the tattoo was clearly visible in detail.

Southerners used to put tattoos imitating peeled skin with bare muscles. Here, they adhered, in general, to roughly the same canons but with more complex concepts. For example, not just a cut flap, but with lace, like a corset, edges. The man flaunted beautifully rendered images of three parallel wounds full of some kind of spiders and other insectoids. When the man tensed his muscles, the tattoo would move, and the insects would move their legs as if alive as if trying to get out from under the cut skin.

Elena stood there, still hesitating. On the one side, the girl realized she had to act quickly, incredibly quickly, because every second was precious and irreplaceable for her now. On the other... It is good to talk about quick action when you are unharmed, at least moderately healthy and well-fed. But when a person is terribly beaten up and can barely stand on his feet, his worldview changes very much.

Her consciousness was hopelessly bogged down by the weakness that had set in. She wanted more than anything to just lie down, curl up, and forget about her surroundings, if only for a moment. None of it. There was nothing.

A dream, just a dream.

The rustling, the whispers multiplied, thickened. The enemies were tightening the ring, hiding much more weakly or, rather, hardly hiding. The girl had nothing. All her possessions had been left in Draftsman's house, even the cloak with the bone hairpin. Even Charley-Vensan's gift - she was only now discovering it was missing - had been left with the thief Draftsman. But the clothes she wore were already paying off the enterprise, not to mention the wearer herself. Rape and slavery appeared at arm's length, like a fatal inevitability. Slavery was somehow forbidden across the continent, but human trafficking seemed to be beyond worlds and times.

Something had happened. A noise came from the river, a company of three or four people approaching. By torchlight or bright lamp, evidently, from the very crossing, Elena was to reach. Men, talking loudly, quite sure of themselves. Seemingly drunk but not wasted. Drunk enough to look at the world in a drunken complacency, yet ready to kick anyone's ass. The shadows of the bandits retreated, and the naked freak with the bug tattoos also took a couple of steps away. Elena staggered toward the noise and light.

There were three of them young men, oddly dressed but not without dignity and luxury. A boy ran ahead with a lamp made of copper strips. The large candle gave a good light, just enough to see where you put your foot. The men seemed disproportionately potbellied until Elena realized that were not huge bellies but girdles tied at the navel in a complicated knot with long dangling ends. Each of them had a short sword like a Landsknecht "Katzbalger," a faceted dagger without a blade, another smaller knife, and a cloth purse tied around the resulting construction for various small things. To the uninitiated, it looked extremely silly and funny, especially in contrast to the tight stockings. However, an experienced man immediately noted that in such a "bag" all valuable property at hand plus a good additional protection for the groin and abdomen. It was also said that such girdles were used to execute criminals and prisoners.

Highlanders, she recognized. The famous Highlanders, something between the Swiss and the Caucasians of her home world. Wild, desperately brave, beggarly, and eternally hungry. Those willing to fight for silver and gold under the rule of princes and free communities of "tukhums." The most vile, badass bandits and the finest mercenaries of the Ecumene. A force that would rule the world if there were something that could unite a hundred or so clans, each fractured into dozens of families united by an endlessly tangled web of territorial-tribal alliances, blood oaths, no less blood feuds, and a million other ties that were completely incomprehensible outside the mountain range in the center of the continent.

"Help ..." whispered the girl, feeling her strength was finally leaving her. She was dizzy, a bloody pall of blood swirling before her eyes. Her arm was not just aching but literally screaming, sending pulses of unbearable torture throughout her body. Elena sank to her knee, unable to stand any longer. Then, the other leg collapsed as well.

"Please ... help..."

They stopped two or three paces away, calm, confident, armed to the teeth. And Elena experienced a nasty, infinitely humiliating sensation when a man's own life no longer belonged to him. It was the second time. The first happened when the girl met with Santeli's brigade. God, how long ago that was...

The mountaineers exchanged a few phrases, speaking in a dialect of their own, but Elena could not understand a word. One grinned with apparent disdain; the other seemed to insist on help. His voice sounded almost compassionate and concerned. Elena imagined what she looked like from the outside - face swollen with a solid hematoma, askew, one arm hanging limply along her side. Eyes-slits, as at the last drunk, all in bruises and tears. And a sniffling nose.

The argument dragged on, the boy with the lamp shuffling his bare feet. The shadows-in-shadows waited in silence. Lena smiled weakly, pitifully through her tears and pain. From the bottom up and without thinking about what she would have to pay for her help. It would all come later.

The Highlander smiled back at her, a very young guy with a funny hairstyle of several braids coming down his face and tied together at the level of his lower jaw, right side up. He smiled and held out his hand to her. Highlanders didn't wear rings, believing the bling interfered with holding a weapon. Instead, they wore on their fingers cunningly knitted "rings" made of valuable fabrics, at worst, embroidered linen. The young mercenary's palm was covered in red silk. A successful warrior.

Elena stretched out her left hand. The Highlander smiled again, unclenched his fingers, and a short knife clattered to the sidewalk, which was crumbling with broken stones. It was an ordinary, palm-length, all-purpose camping blade, with a wooden hilt that had been aged in oil to keep it from rotting from the damp. The mercenaries looked at each other, exchanging incomprehensible phrases again. All seemed to have reached a consensus and were satisfied. Then the eldest nodded, and the trio moved on. The boy with the lantern hurried on, lighting the way.

"You've got to be kidding ..." the girl couldn't think of anything better to say. The hackneyed punchline popped up from her memory all by itself. It all seemed too much like a drawn-out prank.

* * *​
[1] That is an aristocrat who vowed not to own land, not to feed from the land, and to live only by war.

[2] In this case, a "lance" is a tactical unit of the knight and his support i.e. 3-5 men.
 
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