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The mass use of necromancy brought about by the Kordian Engine was believed to be the key toward universal equality, undead labor ensuring people would want for nothing. This dream has not come to pass. The ghosts of the dead possess their descendants, maintaining power long after their bodies have withered away. They hold on to their wealth with iron fists, their control over the Everlasting Senate no less strong.

You are Randall Dunstan, and you have allowed the ghost of Ellowyn Kordell to rest within your soul. Together you and she will rescue your daughter from your grandfather's spirit or die trying. But will you manage this before your body falls apart?
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The Beginning of the End

Winged Knight

Still just a crazy man with a wolf on his head
Location
Texas
Corpses in the fields, toiling away
Corpses in the streets, marching all day
Corpses surround us, all on display
But it's the Senate, sitting in array
That fills my poor heart with so much dismay
-The Everlasting Senate


The stone is rough beneath your hands as you fall, scraping the skin and letting thin blood trickle out between your fingers to join the muck. The stench, the putrid remains of food and waste, sting at your eyes and nose from where they flow in the languid stream beside you. It takes everything you have left not to fall over, to keep from collapsing into the sewage and drowning in it.

There is so little remaining of you now. You have wandered this sewer for what seems your entire life, starving and dehydrated. Your mind barely even recognizes itself, the needs of the body overwhelming even the pit of grief waiting ever on the wings to engulf you within its bitter depths. Instinctively you flee from self-awareness, from acknowledgement of who you are and all your myriad failures, and take refuge in animal instinct to avoid having to live with the agony of being human. The sorrow is still too fresh, and if you linger upon it then you might willingly throw yourself into that nearby river of filth to escape the pain.

With effort you push yourself up, almost falling again as your waterlogged shoes slip on fetid mud. They are coming apart around your feet, as ragged as the rest of your clothing. In the dark, the fumes of human excrement and chemical runoff tear at your eyes to leave you doubly blind. Everything hurts, your joints screaming at you to stop. As always you ignore this sensation, continuing as you have for longer than you are able to conceive, listening to the sound of water dripping and the lapping of liquid garbage against raised stone.

It is meditative, those rhythmic notes, but dangerous. Even here, so far underground, it is too open. Baring your teeth, bleeding palms slapping against the walls, you seek entrances into deeper tunnels with nothing but the dulling awareness of your injured hands. You will go down into the earth, into cleaner gloom, and shelter within its depths.

They might still be searching for me, comes the whisper of a mind wishing only for its own silence. Need to run. Need to hide.

People are hunting you. Even the haze brought on by the gaping pit where your stomach used to be cannot fully smother this truth from beastly perception. If they catch you then you will suffer a fate worse than death, though could not the same be said for your current existence?

You shake your head, fleeing from the notion before it can take root and rush into a side passage. Your legs ache, and the burn in your hands grows worse as the sludge that coats everything down here beneath the earth slowly worms its way into your body from your open wounds. But it is a welcome distraction. Physical suffering blocks out mental anguish, chasing after you as surely as the pursuers you know seek to take you before cold eyes and even colder souls.

Finally, after a small eternity, you collapse again. The demands of your body will no longer be denied, forcing you to stop no matter how much you want to keep running. Even your breathing is slowing, its pace coming down along with your heart as manic energy dies and you are left with only weariness so complete it is but a few steps from death.

There is movement nearby, the skittering of tiny claws on stone. It approaches in fits and starts, waiting for long moments at a time before continuing its advance. Something wet pushes itself against your face, and you slowly open a single eye to see a whiskered snout exploring your unmoving form.

You catch the rat with fingers that are far too thin, desperation giving you strength and swiftness beyond what the chains of exhaustion have taken from your flesh. The poor rodent squeals as you sink your teeth into its back, ripping open the spine and killing the animal before it has a chance to suffer. The sigh that escapes your lips as the blood fills your mouth with its metallic tang is like that of a man finally coming up for air, hunger and thirst abating such that thoughts begin to emerge.

But with thought comes memory, and with memory comes suffering.

"Oh god," you moan, red spilling between your lips to dribble onto your chest. "Oh god, Kendra. I'm so sorry."

Now come the tears, hot and fresh, even as you continue to devour the rat. No matter how total your misery you cannot stop yourself from eating, taking in raw flesh and drinking crimson life in order to extend your own.

Who's there?

The voice echoes strangely in this tunnel, which you now notice is built differently from others you have wandered in your half-maddened state. There are etchings on the walls, worn down through water and time, showing a woman with long hair and her hands outstretched. Beneath those hands are two stone discs turning against each other, pushed by bodies neatly cut and bandaged in obvious display of their preparation after death.

The rest of the walls show similar scenes. People working with each other, a grand collaboration toward the building of this engine. Hands are joined, everyone coming together to create something greater than the sum of its parts. On display is the dream for a better world, of fields worked through the power of corpse labor and houses built using the same. A world of plenty, where none need concern themselves with the necessities of survival and instead pursue their aspirations as equals.

Laughter rips its way out of your throat, spilling more blood and sending you into a coughing fit. You almost drop the rat, but panic once again grants you ability beyond your current limitations and you maintain your grip on your meal. Your mirth dies as you once more bury your face into organ and muscle, drinking deep fresh blood that is swiftly running out. There isn't much left of the rat at this point, and you can already feel your stomach turning as this unclean feast makes its way through a body so ravaged that sustenance of any kind has become unnatural.

Why do you laugh? the voice calls out again, drawing your eyes to the door at the end of the tunnel. The metal has rusted, dirty brown melding with the stone to create mortar only long years could produce. Please, tell me about the world above. I want to know what has become of my work, of everything I hoped to create. Has the grand experiment born fruit?

The crunch of bone and meat between your teeth, you take what meager power you can to stretch out the rat's bones into a solid bar. Another effort of will gives it a tapered edge, and you pry it into the door.

"Whoever you are," you whisper hoarsely, throat already drying now that the blood has stopped flowing. You don't so much push as lean your body on the bar, slowly forcing the door open. "Whatever your desires… I doubt they've come true."

o\O/o​

You awake with a start, almost falling from the corner booth in this shabby cafe you've hidden away in. The ceiling fans turn slowly overhead, doing little to disperse the cigarette smoke wafting from the other patrons, and fill the air with a constant squeak that underlies the scratchy radio playing music over the counter where a bored looking woman waits at the register. Flies circle around the half-eaten sandwich on the plate before you, and you wave a skeletal hand to disperse them.

"Showing me visions of the past, Ellowyn?" you ask the air, reaching for what remains of the glass of water that came with your food. "I don't need reminders."

I've done nothing of the sort, comes a voice only you can hear as you drink. My voice, ephemeral as my presence but hinting at something vast settled just behind you. Your dreams are your own, Randall. Our agreement makes sure of that.

"Sometimes I wonder…"

Your eyes fall down to the knife by your sandwich, dull and barely suitable for spreading butter. Idly, you wonder if it might be sharp enough for you to slit your throat. It would take some effort, but with enough force you might be able to puncture your windpipe and choke to death.

Commotion by the door thankfully draws your thoughts away from suicide. A portly man stumbles through the entrance to the cafe, holding up a handkerchief to his mouth in a vain attempt to spare himself from the smoke. His brown jacket is worn at the sleeves, and his pants wrinkled, but his clothes are still too nice for this place. Worst are his shoes, which shine in the dull light. Those aren't the shoes of someone down on his luck, polished as they are, which makes up most of the people gracing this establishment.

He tutters about, looking this way and that, before his eyes finally settle on you. He knows to look for the figure in the corner, covered in a raincoat. Why he's wasting so much time with this display is beyond you, but eventually he makes his way in your direction and everyone else in the cafe returns to their business.

"Randall?" the man asks quietly, trying to peer under the hood of your cloak. "Randall Dunstan? Is that you?"

"I'd appreciate it if you didn't speak my name out loud, Harold," you reply, picking up your sandwich and taking a bite. It's gone cold by now, but corned beef holds an appeal even if it isn't warm. "Considering my grandfather is still looking for me."

"Good lord," Harold says, staring at your hand with wide eyes. His horror is understandable. There isn't much in the way of muscle left on you, after all. You're mostly just pale skin tightly wrapped around bone, a dull gray bracelet embedded so deep as to latch on to even that. "What's happened to you?"

"That's not what we're here to discuss," you reply. Another bite, and the paltry meal is finished. "And there's no time for pleasantries. The longer we speak the more danger we put ourselves in, so I suggest we get to the point."

Harold flinches, and a pang of sympathy blossoms in your chest. It is hot and sharp, digging at the remnants of you and scraping against the bones of your ribs like a claw. But it does not draw blood, no matter that your heart skips a beat. What remains of your soul is too tough, too scarred over for anything other than self-loathing or grief.

Might you be kinder, gentler? Once upon a time you loved this man, shared his embrace on cool evenings upon the hills as the sun set. He is taking just as much of a risk as you in meeting here. If you had any other choice you'd not hazard leaning on old friendships, old romances, but the trail has gone cold and there isn't much time left.

The mission must be completed within the year. Any longer and there won't be enough left of you to go on, crumbled to dust and blown away on the wind. Such is the price you have paid for power.

"Yes," Harold says, composing himself. "I suppose we should get to it, then."

He pulls an envelope from his jacket and slides it over to you. You take it with both hands, eliciting another flinch from Harold as he seems your other arm is equally emaciated and bedecked in that same jewelry that appears to have merged with the very sinew of your limbs.

You pull out a map, notes written on the margins, detailing a mountain range. It's mostly barren, just forest and rock. Only a few villages eke out a living upon those slopes, barely any roads connecting them to the rest of the country. But right there, in Harold's own hand, where the mountains border one of the great rivers that feed into the capital, he's circled one peak in particular.

"This took some time to figure out," Harold says, taking out his handkerchief and wiping his brow. You remember him having more hair, but you suppose age takes its toll on everyone in its own ways. "All the signs are in the records, of course. Little things like money transfers and building contracts. They were spread out over years, hidden within projects to help the rural communities nearby, but the picture comes together if you know what to look for."

"This is good," you say, looking up at the other man as he preens. You smile, and the harsh edges of your face soften. "You've not lost your skill at accounting, Harold. With this I should be able to keep moving."

"Yes, well…" Harold begins, a faint blush coming over his face as he scratches his nose. After a moment he takes a deep breath, reaching out a hand to rest on your own. "Randall… Yes, I know you told me not to say your name. Just… I want you to know I'm sorry about what happened with Kendra. It wasn't supposed to be this way."

Your good cheer vanishes in an instant, and you pull your hand away.

"No, it wasn't. My grandfather wanted to have me instead, but made do with her."

"That's not what I meant!" Harold says, putting his hands on the table. He looks about to lean forward, but at the last moment settles back down. "Look, I know you're upset with the senate, but it's not as if you were targeted specifically. The law applies to everyone, and the preservation of institutional knowledge makes sure the country runs smoothly. Besides, it's just a temporary measure."

"A lie," you growl, folding the map and standing up. "My grandfather hated when we were together, you know. Hated it just as much as when I married Fatima. You'll never be acceptable in his eyes, Harold. You'll never be acceptable to any of them."

You turn to leave, map safely tucked away in your coat pocket. Harold grabs you before you can walk away, his fingers touching as they close entirely over your atrophied wrist despite the bracelet. He stares at it, then up at you with horror writ on his face. You match his gaze coldly, eyes like a blade that cuts into the other man.

"I heard," he begins, pausing just long enough to regain some moisture in his mouth. "I heard about the death of that senator up north last year. The perpetrator hasn't been caught, and Lord Edmund Sable is here to oversee the improvements to the local Kordian satellite…"

"Are you asking me if I pulled a monster out of that poor boy?" you ask, pulling away. "That old ghoul was possessing a child, his own flesh and blood. Yes, Harold, I killed that senator. I ate his god damned soul."

You leave Harold staring at your back, mouth agape, as you make your way through the smoke and exit the cafe. The air outside is hardly cleaner, the stench of factories pumping smog into the air by the lake. It's difficult to see more than a few streets down, your every step kicking up dirty mist that breaks apart and reforms in the drizzle falling from the sky. The wind that blows over the water should be cool and refreshing, but instead washes over you with an acidic heat unusual for autumn.

It doesn't bother you much, nor does it seem to inconvenience the residents of this town. They are dressed in their own raincoats, cloth masks over their faces. The factory, refining ore from the mountains into steel, is the beating heart of this community. The wealth it brings is evident in all the new buildings coming up. The sound of construction reverberates up and down, men and women in overalls hard at work setting up lodges and other places of business.

And yet despite this there are many on the street holding out their hands. Men, women, and children all in clothes tattered from long walking. They've the look of farmers, tanned skin growing as pallid as yours from malnutrition. Men and women who worked the fields before new laws from the Everlasting Senate set up unliving labor to ensure food production at costs no living person could ever hope to match.

There was no respite in the cities, for there is no work to be found for those lacking in specialized skills. The factories are manned by the dead and their handlers, while the construction unions can only support so many within their ranks. So they settle here, hoping in the goodwill of their fellows to see them through their trials.

Hope misplaced, as down the street comes a policeman in a black uniform. Four hulking revenants walk behind him with spikes the same dull gray as the jewelry around your wrists jammed into their heads. They are armored all over, thick metal plates that would tire out anyone with a pulse of little impediment to muscles necromantically empowered. Almost they resemble the knights of old, but they lack helms with proud plumage or heraldry. All they have are masks covering the lower half of their faces to hide mouths that have been sewn shut.

"All right, off with you!" the police officer says, brandishing his club menacingly. The corpses behind him, dead eyes unseeing over their masks, raise their own. All it would take is the officer's command and they will march forward, laying into the huddled beggars with mechanical brutality. "You know you can't be making a nuisance of yourself on the main street, so move along or I'll make you move. This is your only warning."

You turn away as one of the men tries to reason with the officer, not wanting to witness the beatings likely to ensue as people with nowhere else to go are forced to stay out of sight. Others walking the street, from the construction workers to those in finer clothes holding up umbrellas against the rain, do much the same.

But there is a difference between them and yourself. They cannot change what is happening, while you can. You could reach out, force your will past the todstein spikes set into the revenant's heads and have them beat the officer to death. The wards inscribed wouldn't stop you, would be cut as easily as a knife through cloth.

Instead you continue walking, ignoring the cries of the desperate behind you as they flee. You have a mission to accomplish here, and it will be difficult enough without drawing attention to yourself in meaningless gestures. Or so you tell yourself, at any rate.

Your target will be near the metalworks, an unassuming block of concrete with little in the way of decoration. It's easier to defend, which is all that is important for the Kordian satellite. It's but one node in the grand necromantic web that covers the nation, and without it…

"…but the military assures us conflicts at the border colonies are nothing to worry about, and that with fresh bodies our brave necromancers at the front will see the empire victorious despite these setbacks," comes a voice from a radio set above the door of a shop selling such things. Wonders of vacuum tubes and electromagnetism bringing close voices from far away. "And now, a statement from the prime minister."

You stop dead in your tracks, turning toward the radio with wide eyes. Others on the street move around you, cursing you for a layabout, but you do not hear them. Your attention is focused wholly on the voice that comes out from the speakers.

"My fellow citizens," it begins, sibilant and almost musical in tone. It is a singer's voice, projecting powerfully and with confidence. "Many of you might believe your concerns beneath my notice, but rest assured nothing could be further from the truth. I come before you to say that all is well, and that preparations are coming apace for celebrating the Great Winter Festival."

It is your daughter's voice, but not her words. Kendra would never talk like this, sentences twisting like smoke. They are your grandfather's words, Aidric Dunstan's words, forced through her lips to assault your ears.

"There are some who have said we should take caution, encourage people to stay home and celebrate in a more private manner. To these cowards I demand silence!"

"Kendra…" you whisper, the tears coming as you slowly raise your hands to your face to block out the world, to block everything. It is little use. You take a shuddering breath, barely able to bring the air through a throat clenched so tight the skin threatens to break, and fall to your knees in an alleyway just off the street. "I'm so sorry."

"Our great nation faces threats from within and without, but we shall stand strong in the face of this adversity. Alba is without peer, our traditions and ingenuity allowing us to overcome any terroristic threat. The security within the capital and beyond will be managed by our fine men in uniform and bolstered with necromantic power. So please, my fellow citizens, rest assured the guiding hand of the Everlasting Senate has everything under control."

"I failed you… It should have been me."

Randall, comes my voice in your ear, the gentle presence over your shoulders like a warm breeze. You have to stand. There's still a chance to save her. There's still a chance to save your daughter.

"I shouldn't be alive. I shouldn't…"

Never say that! I shout, and my presence firms from wind to something more substantial. It pulls you to your feet, envelops you like a blanket, and the pressure lessens its terrible grip just enough to let you breathe. She needs you, Randall. Your daughter needs you. Stand, and I will stand with you. You don't have to do this alone.

With a gasp you lean against the wall, your heart pounding in your ears. It is a welcome reprieve, finally blocking out the sound of rain and people and most of all the radio as it moves on to reports of some sports game. Seconds turn into minutes, your grasp of time loose as you focus entirely on taking one breath, and then another.

When you finally come back to yourself the rain has stopped. The shadows have grown longer, the sun beginning to set, with lamplighter revenants going about their programmed duties to prepare the town for the night to come. With effort, your joints protesting after so much time locked in place, you push away from the wall and back out into the street.

"Thank you, Ellowyn."

You are always welcome.

Your destination, gray and drab in the coming darkness, looms before you in the distance. Inside is your target, an old soul forced into one who shared their blood in life. They will have knowledge, and with knowledge will come memory. Even more, it will create chaos. Confusion among our enemies can only benefit us, especially now there is so little time left.

The only question is how you will proceed.

[] With overwhelming force. Every moment counts, and you will not be delayed any longer.
[] With stealth. You can afford yourself this small luxury, to move into the best position before you strike.
 
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Cry of the Banshee
[x] With overwhelming force. Every moment counts, and you will not be delayed any longer.


You consider your options. The walls are thick, but not so much that you couldn't slip through them with an expression of will. The art of becoming intangible is a dangerous one within necromancy, but you are skilled and have my aid. Once past the walls you could proceed until you find the satellite, shatter it, and then draw out this senator.

But no… There is not much time left for you. Failure is not an option, and while going in with overwhelming force will only buy you a few moments more they are moments that can be further spent. As well, the rage kindled within you from the conversation with Harold is still strong even after hearing your grandfather speak with your daughter's voice. You feel like making a point, in leaving a message.

You will no longer be silent.

Ghostfire is the most obvious choice, but there is too much risk of it going out of control. Upon igniting bodies it would soon stop, the blood in their veins extinguishing the blaze, but wood and stone and even steel would be consumed utterly. The fire would keep going until there was either nothing left to burn or enough blood was shed it finally smothered the inferno.

Even as full of wrath as you are you don't want to risk such devastation. It is not your intention to bring further suffering to the people of this city, no matter your intentions to destroy the Kordian satellite. There will be enough disruption with that, and you've no desire to leave a smoking ruin in your wake.

But there are alternatives available to you. With calm, steady breaths you approach the concrete cube that houses your target. A wire fence surrounds it, and the doors into the building itself are slabs of iron. Two guards in black uniforms similar to the police officer from before stand at attention, rifles held to their shoulders. To the sides of each of them are three revenants, todstein spikes gleaming dully in their foreheads where they stand in their bulky armor.

There is energy in decay, in the process of things breaking down. It releases into the air from all who draw breath, creating a miasma that gently covers the world. Ephemeral, lighter even than mist dispersing as the sun comes up, it goes unobserved and untouched by most who encounter it. But to a necromancer this energy is like the tinkling of a wind chime in the distance, and that mist gathers in droplets of water upon their hands.

Though right now that wind chime was more like the tolling of a bell, and the mist a raging current all around. Opening yourself up to it feels like walking through soup. The raw stuff of necromancy so strong that it defies entropy, pushes against the laws of the world to grab one's desires and force them to manifest.

The engine, I whisper. Todstein slabs, carefully engraved and rotating against each other. The very essence of death congealed into solid mass releasing so much energy even the most lackluster practitioner can call forth necromancy like one of the masters of old.

"The engine that you made."

Yes, comes my reply, the despair in my voice soft and absolute. For I had solved scarcity itself, and after my death the greedy and corrupt had brought it back to serve them. The engine that I made.

"Sir," one of the guards calls out, finally noticing you. He steps forward, readying his gun but not yet putting his finger on the trigger. The other steps ups next to him, the revenants moving into position automatically by their sides. "This is a restricted area. If you do not stop we will be forced to open fire."

"I'm going to need your help with this, Ellowyn," you say, ceasing your advance. "Take from me what you need."

And, as you shape the power gathering in your hands, I do. I pull at a piece of your soul, that flickering fire in the very center of your being, and tear it loose. It hurts, as it always does, but you are used to the pain by now. With every ember I take the agony is a little less, the ice flushing through your body just a fraction more bearable. But this is an illusion, for the only reason this does not render you insensate as it did early in our partnership is that there is less of you to feel the suffering.

I am sorry for that, as I am sorry for so much. I am enough of a burden upon you simply existing within your being. But you will take any advantage to see your daughter freed, and I am bound by honor and guilt to acquiesce to your requests.

You put your hands up to your mouth, cupping it to either side. The guards relax at the sight. They believe you are going to call out to them, to explain what it is you're doing here.

The howl that erupts from your lips is like from the throat of a giant. For a brief moment it is low, like your natural voice, the vibration rumbling through the ground and sending the guards tumbling. Then your scream rises in pitch, becoming a focused blade, and the world breaks.

Cracks riddle through the street, crawling across the ground and up the concrete of the building, while the guards are lifted off their feet to crash into the fence. The wire crumbles, breaking apart into shrapnel, while the revenants attempt to push through. One by one they are also taken off their feet, slamming into the iron doors. Their armor breaks as easily as their bones, but neither can be heard over the cacophony. Every window on the street shatters, and glittering rain falls to the cobbles to further burst apart like glittering stars in the light of the dying sun.

The power of your shriek, tears in your eyes as you pour all of your anguish into the storm you have unleashed, blows back your coat and sends it tumbling behind you. Black hair, greasy and split from lack of care, whips around in the wind to reveal the dull gray diadem that encircles your head. Across your shoulders to rest atop your chest is a necklace of the same metal. They are todstein, like the bracelets, and set deep into your flesh to latch onto bone. My anchor, the jewelry I wore in life, which binds us together in our pact.

Fractures continue to race up the concrete edifice, dust falling before being swept away, until at last it can no longer hold. Great chunks fall from the front of the building, and only when the iron doors buckle and collapse do you allow your banshee shriek to fade. For a few moments the world continues to shake, and other screams can be heard now that yours lowers itself into quiescence.

Your throat is raw, and you almost fall over now that you are no longer burning a tiny piece of yourself to enhance your necromancy. Such is always the case with a great working, necromancy that would normally require many in concert performed by a single man tearing himself apart for greater strength. With a growl you stomp your foot, launching yourself forward and turning the stumble into a charge.

One of the revenants is still able to move, slowly rising to reach for you as you come to the doors. With a casual expression of power you reach into its head and pulp what remains of the brain around the todstein spike. It collapses once more, its mask breaking beneath all the stresses it has endured to reveal the face of what was once a young man. There is dull surprise on that face, pale and scarred from the embalming process, but only in the parting of the lips. The eyes are dead, and have been for some time.

Did some desperate family, hurting for the means to support themselves, give up his body after death? It is not unusual in these strange and terrible times. Or, perhaps, he was taken while in prison. The incarcerated have little in the way of rights, after all, especially after life has ended. Though in truth he may have volunteered, died of natural causes and donated his body to the state.

If so, you doubt he believed his corpse would ultimately end up in a place like this. But such thoughts are fleeting, and you have greater concerns. So you rush forward as his body settles behind you, giving him no more attention now that the animating instrument can no longer direct muscle, bone, and nerve to action.

Alarms blare intermittently, warbling like sick birds, while spark fly from red tinted lights. Inside the hallways are laid out in a grid, all paths efficiently leadings toward the center along beige colored veins. In contrast, everyone around you is gripped in chaos and confusion, people scrambling to figure out what has happened and just how bad the damage is. Most are simply engineers, the stale scent of necromancy wafting off them but not in any great amounts. Others, however…

"Halt! Raise your hands above your head and get on the ground!"

Others are rather more troublesome.

You duck back around a corner just as the shots fire out, revenants holding their rifles with perfect stillness. They cycle the bolts of their guns and fire again, keeping you pinned. At their lead is a woman in a flowing black coat, her hair swept back in a bun. Her aura leaks from her skin like a heat haze, all dark blues and purples, to mix with the energies in the air and shape them to her purpose.

With a swipe of her hand she throws her power at you, the ground breaking beneath the onslaught of her will made manifest. It fills the hallway, tearing at the walls like the claws of an enormous beast. Dust and debris flies everywhere, and your lungs burn as you fight the urge cough. Even if you run there is no way to avoid that wave of force, no way to escape.

But you are not here to avoid anything.

Telekinesis is often considered a brutally blunt instrument within the necromantic arts, but it has subtle uses. Power unleashed is power not fully under control of the one who unleashed it, and will seek the path of least resistance. So when you step back out into the hallway with your hands outstretched the woman does not understand what is happening until it is too late.

With your own will you shape an invisible barrier, curving it sharply. Bullets skitter and careen across the ceiling, barely noticeable on your concentration. The telekinetic tidal wave, however, takes rather more effort to redirect. You grit your teeth as sweat beads upon your brow, taking a step back with one foot to steady yourself. The walls crumble around you, concrete shattering, but your wall holds.

And in holding, the wave follows the curve and careens back down what remains of the hallway. The other necromancer's eyes go wide, and with a wave of her hands she pulls the revenants in front of her. It's the only thing that saves her life as the hurricane she let loose washes over her. Both she and the revenants are sent flying, blowing apart the door at the far end and revealing your prize.

The necromancer groans weakly as you step over her, trying to focus her will through the blood covering her eyes. A kick to the side of the head ends that proposition, sending the woman into unconsciousness. Her revenants merely twitch, torn to ribbons, and are no longer a threat as you approach the Kordian satellite.

It's not a large room, all told. Four unadorned concrete walls do not leave much space for anything save the engine itself and all the machinery attached to it. There is little sound from the two todstein discs grating against each other, each the size of a carriage. The electric generator turning them makes more noise, a loud hum that you feel rather than hear over the alarms. Your breath mists, the temperature dropping, and when you step forward the dust on the floor cracks like ice.

Back when I made the engine I had revenants turning it, I say in your ear. At a certain point it became self-sufficient, the power of the engine empowering the revenants to keep the turning. After that it was merely a case of maintenance.

"That might still be the case for the engine proper," you say, looking over the turning discs. "How much bigger would that central point be? Larger than these nodes meant to increase its range, yes?

Far larger. Wherever it is housed, it will have to be massive.

You raise a hand over your head. "We'll break that bridge when we come to it."

"Stop!"

The shout is like a hammer blow to the back of your head, and you stumble into one of the generators. A hand to your nose reveals the blood spilling, the command having torn at the core of your being. If I was not here it might have rendered you senseless, dead to the world until your mind and spirit could right themselves. As it is you've merely a headache like someone plunging their fingers into your skull.

Growling, you push away and turn toward the intruder. You are not surprised to see it is a young man, almost a boy, standing in a tailored suit of black with gold trim. His epaulettes flutter in the wind coming through the various holes knocked into the building, glittering strangely in the silver light faintly shining from the child's silver eyes.

No, you are not surprised. This is part of the plan, after all. But that doesn't make looking at this abomination hurt any less, knowing your daughter is suffering the same fate.

"Well, if it isn't Aidric Dunstan's little pup," Lord Edmund Sable, member of the Everlasting Senate, says in the high-pitched voice of a youth and the weathered tone of an old man. "So you're the one who has been giving us so much trouble, you ungrateful creature. You've ruined yourself! After everything that's been done for you, all the honor you would have been shown!"

"Done for me?" you say, voice soft like a blade being drawn. "To be made a slave? To see my daughter used as my grandfather's puppet?"

"Is that what this is all about?" the senator asks, brow furrowing in incredulity. Behind him more revenants are gathering, their guns at the ready. "She's been shown the esteem you've denied yourself, and more than she deserves considering her parentage. Why you married that dreadful woman from the colonies I will never know."

"Fatima is better than either of us," you say, the pounding in your head fading as you focus on your enemy. "Better than any of us."

"Bah! I told him, you know. Told him that woman would corrupt you. Disowning you wasn't enough discouragement. Aidric should have seen you thrown out of academia until you married someone proper." Edmund shook his head, locks of blonde hair falling over his eyes. He straightened it before continuing. "She's a damned harridan in the lower chamber, I'll have you know. After everything we've given her people you'd think she'd be grateful."

You grin. "I guess we're a disappointment to everyone."

"Don't look so smug, pup," Edmund snaps. "All you've done is spread chaos where we have brought order. But at least your daughter has been of use. And through her, Aidric is going to push the empire onward. We'll share our greatness with the world, and you can take some small measure of pride knowing you helped birth the vessel he inhabits."

You go cold. The room, with how it sucks in heat, suddenly feels like the heart of winter. That always surprises you, how the fullness of your anger manifests. One usually thinks of anger as something fiery, but frost can be just as intense as flame. It will kill just as easily, but with infinitely more patience.

With a breath that feels like knives filling your mouth you steady yourself. This is not an enemy you can casually brush aside like revenants, their standardized necromancy child's play in your hands. This is one of the Possessed, and for all his foppish ridiculousness that means he has true power.

"Edmund Sable," you grate out through teeth forcibly unclenched. "I am going to kill you."

[] Strike hard and fast, not caring for the host.
[] Strike with care, doing as little damage to the host as possible.
 
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The Limits of Immortality
[X] Strike with care, doing as little damage to the host as possible.

Edmund Sable laughs in that awful, two-toned voice. Old man rasp meets with high-pitched youth to create something utterly new and vile. A child's giggle mixed with an elderly guffaw, the weight of decades absorbing boyish vigor… It grates against your ears like shards of glass, tearing all the way down until all you want to do is drown out this terrible mirth with your screams.

The room itself recoils in the face of that awful glee, dust trembling to scurry away as Edmund leans forward clutching his stomach. When he straightens, the senator throws his arms wide and bellows, "You cannot kill that which is immortal, pup! I have conquered death!"

"Funny," you reply, forcing your voice to remain even. The pressure in the room is shifting, the dead man in stolen skin warping even the flow of energy coming from the todstein slabs scraping against each other behind you. "Your colleague, Reginald Banks, said something similar right before the end."

The Possessed's smile turns to rage in an instant, his lips drawing back in a snarl as he swings both arms toward you. Walls already cracked explode around you as your foe imposes his will upon the world, ripping it apart in a storm of telekinetic fury.

But you are ready, bent knees straightening and launching you upward as the generators turning the Kordian satellite crumple like paper beneath Edmund Sable's power. Sparks fill the room, sending shadows dancing as you turn in mid-air to land feet first upon the ceiling. Then, with another expression of your will, you throw yourself at the Possessed with both fists forward.

He dodges, of course. Even in such a small space it's not difficult for him to see you coming and move aside. You open your hands, landing on them where the Possessed stood just a moment before, and flip away down the hall. The revenants who had gathered have fallen to the ground, the todstein slabs of the satellite grinding to a halt with the destruction of the generators. Without the node extending the power of the Kordian Engine there isn't enough energy for them to function.

"Coward!" Edmund shouts, the sound like a punch to the back of your skull. You grit your teeth as you bleed from your ears, pushing on as he chases after you.

Another leap takes you up through a hole in the ceiling, and with a grunt you punch through weakened floors until you come to the roof. You rip away the crumbling concrete and come out into open air, sirens tearing through the night. A deep breath, and then another, as you take what little relief you can now that you are free from cramped confines filled with dust.

Your enemy is right behind you, trailing debris in his wake. It orbits him slowly, concrete and metal and even bones likely ripped from the fallen revenants. The snarl on that child's face twists soft, supple skin into something monstrous as those silver eyes narrow.

That is your only warning, and you twist to avoid the first probing strikes as concrete shards shoot out like bullets. You snatch them out of the air, and with a turn you send them hurling back toward the Possessed. He bats them away easily, stepping to the side as you circle each other.

There is fire in your blood, energy begging for release, but you hold it close. This fight would be over soon enough if you were willing to unleash the fullness of the hate and rage burning in your guts, at yourself and the world, but to even consider that…

Every time you do this child's face is replaced with Kendra's. No, you will not attack with the totality of what we have become. Even weary as you are, your joints aching and your skull pounding, you cannot consider truly harming the victim this terrible old man wears like clothing.

Edmund gathers the debris between his hands and compresses it, hundreds of pounds compacted to the size of a fist. You charge forward as he does, and his eyes go wide even as he raises an arm to launch it at you. Hurriedly he steps back as you reach out a hand, feet stumbling as he slams the ad hoc cannonball into the ground between you. The roof sags as yet another hole punches through it, throwing up a cloud of powder.

For a moment you cannot see anything, coughing as pulverized concrete assaults your throat. Almost too late do you see Edmund reaching out a hand, and you respond with your own. Force meets force, your will against his as the air shudders violently in the wake of your combined telekinetic power.

"You're nothing!" Edmund shouts as the building vibrates, the roof dipping even further. You both shift your feet, doing your best to stay upright on uneven ground. "Just an irritant ruining everything you touch!"

"All this deserves to be ruined," you growl. "Everything you are, everything you've made, I'll tear it all down!"

The air shrieks with a high-pitched wail louder than any alarm or siren. You're both burning up the excess necromantic energy that was produced by the satellite, the world twisting as sparks of electricity dance in the space between you and the Possessed. Rubble bounces along the rooftop, skittering to call onto the ground below, as you ever so slowly push forward.

Sweat beads on Edmund's brow as his arm is pushed back. He grips his forearm, tries to steady it as his elbow bends. He falls to one knee, staring up at you as you tower over the diminutive vessel he inhabits. You push again, and the Possessed is forced to lean backwards. You're so close now, ready to deliver the final blow. You reach out your other hand…

Pain, sharp and sudden, erupts from your side as the blade slides easily into what remains of your flesh. The scream that forces itself from your lips comes through clenched teeth, and you look down to see one of the revenants has climbed up the hole you made, sword in hand. The undead soldier pulls the weapon free, and with a shout Edmund bursts to his feet and slams you into the rooftop with all the force he can muster. For a moment the world goes dark, your ears ringing, and when it clears you're staring up at the night sky with a mountain resting on your chest.

"Yes, just stay right there," the senator says, gasping for air as he keeps the pressure on. More revenants climb up through the hole, each carrying drawn swords or the broken remains of rifles. "Thought you were clever, didn't you? Breaking the satellite, drawing me out here away from help?"

Breathing is agony, every inhalation fighting against terrible weight. The blood leaking from your side isn't helping matters, every beat of your heart releasing a new pulse of life to drain into the cracks littering the roof. With a grunt you try to force yourself up, but all you manage is a few inches before you're slammed down again.

"Not a bad plan at all," Edmund continues as he wipes the sweat from his brow. "A normal necromancer would have been defeated by such a gambit. But I am beyond such limits! It is a trifling matter for me to utilize multiple powers at once, and all these revenants needed after their strings were cut was to have new ones set. You put up a good fight, pup, but it's over. I've won!"

"Ellowyn," you mutter, pushing once more against the force doing its best to drive you through the roof and into firmament. "Take what you need."

That won't be necessary, I reply. All you require is a hand to help you to your feet.

Edmund opens his mouth to continue gloating, but stops short as ghostly tendrils rise from the jewelry set into your body. Gently, ever so gently, they wrap around you and suddenly you can breathe again. Edmund stumbles back as if struck, my will pushing back his own, as you float off the ground and right yourself.

He can see us both as we move in unison, though it is far too late for him to stop us as he urges the revenants forward. You raise one hand above your head, holding the other fully extended past your waist. I hold my limbs outstretched to either side. We bring them together as one, and a sound to deafen thunder, like hundreds of cannons going off at once, fills the night until there is nothing left.

The rooftop collapses, sending everyone tumbling to the floor below. Everyone but us as we float gently down. The revenants are broken, their bodies mangled more from debris than the fall itself. Twisted as they are, the air once more filled with choking dust, you descend into a vision of hell as you approach the senator.

Edmund has already risen to his feet, fire sparking between his hands. His silver eyes are wide and wild, for now he can perceive my presence. The terror of an old man contorts boyish youth into something grotesque, and before he can unleash the ghostfire you slam your hand into his chest.

Grief fills the child, cold and biting, along with white-hot rage and the greasy touch of disgust. All your hate, your loathing for yourself and those who have hurt you, fills the body up until there isn't any room left for Edmund to hide. The ghost screams as he is forced out of the vessel, a sound echoed by the child as he suddenly awakens from the slumber imposed upon him. He collapses, hugging his knees, while the shimmering form of Edmund Sable looks at us with ever-growing horror.

The Possessed who sit within the Everlasting Senate still see themselves as, fundamentally, human. They have human wants, even if they have surpassed many human needs. Those wants drive them, seeking the pleasures of life everlasting in an austere bacchanalia that will never end. As such, even thrown from their flesh they tend to resemble the forms they held in life.

My desires are different. I have no need of human form, my pact with you the only thing keeping my thoughts resembling those that drove me when my heart still beat. I emerge from your body like a tempest, so large I obscure the moon rising overhead. Massive, hulking… I would fill the sky, crack the very foundations of the earth in a storm of furious madness that rivals even your own. That this creature, this thing, has taken everything I hoped to achieve and twisted it for his own greed. I would rip the world apart to destroy him and his ilk until deathly zephyrs dispersed me and my cries would be heard on the wind for all time.

But I am tethered to you, bound by the jewelry latched onto your bones. The roiling mass of myself, looming as I reach past your shoulders, maintains coherency and focus as I turn toward my grisly work. Claws and mouths and stranger things, flensing tools to render the spirit down to energy and memory. Because that's all a spirit is, in the end. They are memories held together by will. Break the will and they bleed, flowing out into the world to die a second death.

The spirit of the man who was once Edmund Sable screams one final time as I destroy him. But I am merciful, despite everything he and his have made of my dream. There is only a brief moment of suffering, and then his being is extinguished.

All that he was flows into me, filling in gaps as faded memories come into starker focus. You groan as I grow, as more of me comes to fill the space left behind from where you burned your soul for power. You put a hand on a wall to steady yourself as I shift back into place, once more reaching a new equilibrium in our partnership.

Harold was right, I say. There's something in the mountains, something important to them.

"Is it the engine?"

I don't know, but it's worth checking.

A whimper draws your attention. The boy, his eyes now deep blue, stares at you with a mixture of confusion and terror as tears flow down his face. He flinches as you straighten, and crawls away when you reach out a hand. He hides his face as best he can after forcing himself into a corner, trembling from head to toe as he looks at you between his arms.

It is no surprise the child weeps, tries his best to stay away from you. He has been asleep, likely for years, and the first thing he experiences upon waking is all the ugliness locked within what remains of your soul. Why would he wish to be touched by you, burdened as you are with me and the maelstrom within your heart? He must believe you will only hurt him further.

You lower your hand. There is nothing more that can be done for him. Only time will heal the wounds inflicted upon his mind and spirit, of his ancestor's abuse and glimpsing the anguish weighing you down, the rage directed at the world and yourself for what has been done to your daughter.

All you can do is stare, helpless despite our combined strength, with the knowledge that what was done to him has also been done to Kendra. That your daughter is a prisoner, exploited for the benefit of her own kin, and that for now she is beyond your reach.

[] Flee. You've done what you came to do, or near enough.
[] Completely destroy the satellite.
 
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Escape into Darkness
[X] Completely destroy the satellite.

Exhaustion weighs on you like stones around your limbs, and the ache of the wound in your side throbs in time with your heart. The sword bit deep, paper-thin skin parting easily as the point tore through you. You settle a hand on the bleeding gash, blood pooling down your leg to soak into the dust of the floor, and grit your teeth in preparation.

Flame ignites beneath your hand, so hot you barely have time to feel the pain. The ghostfire flashes a brilliant silvery blue, pushing away the darkness, before extinguishing almost immediately upon contact with your blood. Breath escapes your lips in a hiss, your vision swimming, and when sensation returns you find you've collapsed over one of the larger pieces of debris strewn about from your battle with the Possessed.

The child Edmund Sable inhabited still weeps in the corner, never taking his eyes off of you. With effort you lift yourself from the rubble and turn away, doing your best to ignore the fear etched onto that face. How old must he be? Fourteen? Fifteen? In truth, it does not matter. At any age what was done to him would still be a crime.

You have stemmed the bleeding, though the internal damage remains. I do what I can there, my fingers closing veins and knitting muscle back together. To my great regret this is not a painless process, and the sweat that beads on your brow as you make your way down below has more to do with your ability to endure suffering than with the muggy heat left over from the day.

Is this necessary, Randall? I ask as I continue the gruesome work of keeping your body together. We only needed the senator. The destruction of the satellite itself isn't strictly necessary for our goals.

"I don't like leaving a job half finished," you reply, resting a hand upon the cracked ruin of walls to help remain upright as you make your way down a flight of stairs. "And besides, it might help cover our trail."

Yes, we did make quite a lot of noise this time around. Left a mess, too.

That brings a smile to your face, though with how tightly your skin rests over your bones it takes upon a skeletal mien. With effort you take each step down the stairs, forcing yourself to keep moving despite the weariness beginning to overtake you. Your muscles burn, and while I can pull your flesh back together I can do nothing for your fatigue. The strain of the fight, of sacrificing a small piece of yourself, is not something you will be able to recover swiftly from. You will need days of rest, of good food and water, before you are ready for further exertion.

But you will not give yourself that time. I know, and I do not protest. You can feel my worry, my concern for your wellbeing, but at this point in our partnership I am fully aware you will brush away any notion of recuperation. Once your mind is set to something you will not stop until it is done, no matter what the cost to yourself.

It is your triumph and your tragedy, that determination. As you grit your teeth and make your way down ravaged hallways I cannot help but feel… pride, I suppose. Pride and astonishment, even through my concern. With every step you risk collapse, and yet you keep moving forward.

That drive will kill you, in the end. We both know it. But you have long since made your peace with that fact, and no matter how much I might wish otherwise I will honor your wishes. Together we shall see justice done.

Eventually you stand before the satellite, the todstein slabs stilled with the destruction of the generators. There's not much left for you to work with at this point, the energy from the Kordian Engine ever-present across the nation but greatly decreased without this facility to properly extend its reach into this region. What had been generated should have lasted for weeks, but with you and the Possessed throwing around so much power most has burned away.

Even still, you can gather the mist that is the essence of death together until droplets of water form in your hands. Gently, ever so slowly, you pull it all together until there is enough. It won't take much to finish this, won't require more than a brief expenditure of will. Then we will be finished here, and we can make our escape.

"Don't," comes a voice from behind you, rough and raw. You look over your shoulder to see the woman from before, the necromancer, leaning against the wall. She is gripping her side with one hand, while her other is slowly reaching for the pistol at her hip. "Whatever you're going to do, don't."

"And if I refuse?" you ask. "What then, dog of the state?"

She spits to the side, saliva red with blood, and glares at you from between strands of hair fallen out of place. "Is that what all this has been? Some anarchist tantrum? Is that why you destroyed this place?"

"You're badly wounded," you reply, turning back toward the satellite. "Broken bones, internal bleeding. I recommend getting yourself to a hospital."

"Answer me, dammit!" she shouts, pulling free her gun. With a twitch of your fingers it flies from her hands to smash against the far wall, and through my eyes you see the hate and fear in her own as she glares at the back of your head. "How are you doing this? How can you still do so much when there's so little left to use?"

"One can work wonders," you say as you focus the power you've drawn. "When everything he loves has been taken from him."

Pure telekinetic force erupts from your hands, slamming into the todstein slabs and sending them flying with a boom like thunder. The backwash takes the woman off her feet, sends her tumbling as the satellite breaks through the wall and soars into the sky. She curses as she falls, but you have no time for her. Your eyes are on that dull grey metal as it careens through the night. Only when you see it plunging toward the lake do you nod with satisfaction.

Slowly, the fire in your joints doing its best to send you to your knees, you walk toward the hole in the wall. The entrance will be swarming with police and military, no doubt with necromancers putting all their will into maintaining armed and armored revenants. In your current state you couldn't hope to fight them all, so it's best to avoid them.

"I'll find you," the woman, the necromancer, growls as she forces herself up. "And if it's not me, then someone else. You won't get away with this."

You pause for a moment, glancing back at her even as shouts of alarm echo down ruined hallways from the front of the building. Hate and fear still war in her eyes, but the furrowing of her brow shows a growing sense of disbelief.

"What is your name, dog of the state?"

Those eyes attempt to harden, but the shocks to her system show with how her eyelids begin to droop. Even still, she snaps out, "Lieutenant Leslie Ashton."

"A good name," you say, turning back toward darkness and freedom. "Don't let them break you, Lieutenant Ashton. Don't let them worm their way inside to make you into just another tool."

And then you are off, ignoring the stabbing pain and the fire and the weariness. You careen down streets, turning randomly in your headlong rush to be anywhere than where you just were. Behind you can hear pursuing footsteps, dozens of feet giving chase as they spread out in search of you.

The night is your ally, your dearest friend able to help to the fullest with no lights to give you away. Your scream broke them in all directions, the mourning cry of grief and rage snuffing out their fires to leave the dusk able to spread across the streets with impunity. But your friend is fickle, distorting sound as it bounces off the walls of alleys and adding yet more confusion to your headlong rush. You can only rely on it for so long.

Turning, twisting, you force your way deeper as you attempt to outrun the cordon no doubt taking place. If they tighten the noose they will have you, and then your daughter will be lost forever. Kendra will be your grandfather's puppet, Aidric Dunstan's vessel as he tears the world apart for the ambition of men and women long dead.

Finally, as the ache in your bones threatens to overwhelm you and the sweat pouring down your face chokes your nostrils with salt and sickness, you see salvation. All that rests between you and the sewer grate is a chain and padlock. There's so little vitality left within you to shape necromantic intent, but surely…

The old man walking across the mouth of the alley brings you up short. Blue coat, red mantle and a jeweled cane. A man of wealth, and he sees you clearly with your hands around the chain standing between you and freedom. White hair falls across his face, red eyes peering at you quizzically, and then he smiles.

"Officers!" he shouts, and you immediately tense. What little power you can gather settles between your fingers like a bomb, but before you can unleash it he turns and points to the opposite side of the street. "He's over there! I see him running over there! Hurry!"

More running footsteps, more shouting, and your hunters are moving away from you. The old man turns back to you, still smiling, and brings a finger to his lips. There is no time to work out why he helped you, or what his game might be. Instead you take this gift and use it to break the chain with the barest fraction of telekinetic violence. Even this meager effort makes your vision swim, and you fall more than descend into the sewers below, letting the comforting blackness of the earth take you into its embrace. You allow yourself a moment down there, breathing coming out in heaving gasps, before you stagger to your feet.

By the time your pursuers realize their mistake, you are long gone.



Congratulations! You have completed the first arc of this Quest. My, but you, Randall, and Ellowyn have caused a bit of a ruckus. The next update will not be determined by a vote, but will instead be an interlude so you can see the results of your actions here.

Also, I apologize for the delay in this update. August was very busy for me, but I should be able to more consistently update this Quest going forward. As always, I appreciate everyone who has participated in the crafting of this story and hope you've been enjoying it.
 
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Interlude 1
Darkness.

My world is darkness. I try to force open my eyes, but they remain shut. I strain my ears, but they hear nothing. I attempt to move, but my body is still. Even touch is muted, only a dull tension telling me I am surrounded on all sides by weight that pulls me ever downward into the depths of my own mind.

Despite all of this, the despair that has overtaken my every conscious moment, I reach toward the light I know rests just beyond the horizon. If I can only make it there I know I will be free. If I can only break the chains that bind me I know my life will be my own again.

Sleep is the closest the living usually ever get to death. My father told me that. The monster that holds me in bondage, that uses my body for its whims, cannot escape necessity no matter how much it tries. So every night I push onward toward the boundary between the living and the dead where I might finally, blessedly, take back what has been stolen from me.

It is always a struggle, and some nights I do not make it very far. My enslavement is near absolute. Every step forward is a triumph, the entirety of my being focused on a singular goal to go just a little further than before. It means something that I still resist. It has to.

The inkling of sensation comes to me as I push. Cold air across my face, sheets and covers across my body. Yes, I am almost there. I am almost…

The weight upon me grows in terrible magnitude, and I am wrenched away from the border I was but moments from touching. Down I am pulled, deep into the depths and what little control I have vanishes even as I claw at walls that do not exist. I scream as my eyes open against my will, but no sound comes from me save for a muted yawn and the popping of joints as my body stretches.

I have no limbs, no hands or fingers, but even still I cling to my body and the world outside. The pressure upon me pushes down once again, this time gaining little more than the barest advance toward insensate oblivion. I will not be put to sleep again. I refuse.

"Kendra," groans my voice, rough with sleep, laid atop the much softer voice of an old man. "Dear, I don't know why you keep doing this."

You know damn well why, you old monster.

"There's no reason to be rude," my great grandfather, Aidric Dunstan, says as he uses my limbs to push us out of bed. "We rarely have moments to talk, and one would think you would care to learn a bit about me and what I do for the nation. God knows your father likely gave a biased impression."

Once more I take in a room that has become depressingly familiar over the last three years. Aidric is a man who likes to believe himself subdued. There are no great works of art in this room, no gold or silver. But this, as with so much else, is a lie. Leather-bound books line shelves set near the bed, written by some of the finest authors in the world. The wood paneling along the walls is masterfully crafted, and the rug on the stone floor is one of interlocking geometric patterns from Marak, where my mother was born.

This room alone holds more wealth than most would ever have in their entire lives. Nothing is mass manufactured, but hand-made and likely as old as Aidric himself. Certainly there is more here than what I grew up with living in my father's modest apartment or my mother's small house. It turns out refusing to cater to particular interests meant one had to live prudently.

"If that's what you wish to call it, child," Aidric says as he moves us toward the full-body mirror by the dresser. Both are finely made, the mirror on a solid iron stand and the dresser an ancient thing that might have come from a time when Alba still had kings. "Rather, I'd say both your mother and your father squandered opportunities presented to them."

I see my own face in the mirror and take pleasure as Aidric winces, his instinctive reaction moving my lips into a scowl. He can go stuff it. Or, better yet, do the world a favor and properly die. I'm beautiful and I know it.

My dark skin, which my dear great grandfather has such strong opinions about, accentuates brown eyes over high cheekbones. Or they would, if Aidric's presence didn't make my eyes glow silver. The former I got from my mother, the latter my father. I have my father's nose as well, aquiline and pointed. My black hair, on the other hand, is long and wavy. I would prefer it to hang free, but Aidric ties it up into a ponytail because presumably he doesn't understand what good taste is.

"You seem particularly animated today, and I don't have the time to properly put you back to sleep," Aidric says as uses my hands to pull a suit from his dresser, laying the clothes on the bed. "So I would appreciate it if you would behave."

Oh, please forgive me. I didn't mean to inconvenience you.

"Inconvenience? Well, in one sense I suppose," Aidric says as he shifts my body out of the pajamas and puts on the suit. "You're putting a great deal of stress on your body by staying awake like this, and I do care for your wellbeing."

You care for your investment, you mean.

"Please, Kendra," Aidric replies, tying that damned tie too tight around my neck. "You shouldn't talk about yourself that way. The young are the future, after all."

I laugh at that because the only alternative is crying, and I don't want to give Aidric the satisfaction. Though in truth both would be to hide my fear, because this decrepit monster truly believes what he says. He can't hide at least some flashes of his thoughts from me, not when I'm close to the surface like this, and those thoughts are…

He doesn't see any contradiction in his act as a benevolent caretaker and what he does to me. At worst, he believes it an unfortunate necessity. He longs for a clockwork world, everything exactly in its place as directed by a guiding hand. Hierarchies all the way down, a pyramid set up on layers of perceived usefulness where it is not the place of those below to ask why. It is merely to serve. Because those above them know better, and because they know better they are the ones best suited to rule.

Aidric's aide, a spindly man by the name of Edwin Crane, waits for us outside. Everything about him is thin, from his eyebrows to his fingers and to his lips, which smile like twisting worms as Aidric closes the door to the bedroom behind us. Along with that white hair of his he gives the impression of someone older than he actually is, but in truth he probably only has ten years on me and I'm barely past twenty.

"Good morning, sir," he says, bowing. "I hope you slept well."

"As much as could be expected, Edwin," Aidric replies. "I trust you have my day all scheduled?"

"Of course, Prime Minister," he says, motioning down the hall. "Right this way. Breakfast and the morning reports have been prepared."

Another room, this one with a long table and a map of the empire taking up one wall. It's just as soberly ostentatious as the bedroom, handcrafted goods everywhere and all of considerable age. There is only the echo of taste for me as Aidric eats. All feeling is dulled like this, giving me only the echoes of flavor as eggs, toast with jam, fruits, and tea are consumed quickly and methodically.

After which comes the grinding of the political machine.

Breakfast is cleared away and Crane pulls out a briefcase from under the table. Reports, pictures, policy proposals… All this and more for the running of the Alban empire. The upper and lower chambers of the Everlasting Senate might be the body, where debate on the administration of the state is done, but in this room sits the brain. Because, as Aidric would put it, the body needs direction.

"Commercial interests are encouraging further expansion past Marak and deeper into the continent, but we're encountering fierce resistance," Crane says. He passes along a number of papers, which Aidric takes with my hands. "Even collecting enemy dead, what corpses can be used, we're running short. Many of our generals believe we might be reaching the limits of how far we can advance our borders."

"Hmm… That's not even getting into the recent skirmishes with Iber and Galt," Aidric says, glancing over the numbers. They don't mean anything to me, but I can feel his worry. "If they drag Auschla into their aggression against us we might have a proper war."

My great grandfather is quiet for a time, and I feel his mind turning. The shadows of his thoughts dance over me, like the tendrils of some terrifying behemoth pulled up from the ocean. The only reason I do not shudder is because I do not control my body, but I recoil all the same as I come to understand his plan.

"We need to consolidate gains," he says at last. "Make a list of the businesses who have contacted us. Coal, iron, and lumber operations I suspect. We can write up a proposal for the Senate to grant favorable deals in the territories we already control to mollify them."

"And if the natives protest?"

"Let them," he replies. "In fact, we should encourage them to do so. Have people send in their concerns. Not only will that let them know we are listening, but it will also give us valuable information on the worst of potential troublemakers."

This is how Aidric Dunstan operates. Use one problem to solve another, set enemies who might have something in common against each other and then smile at how clever he is. The worst is that he believes the people he hurts will thank him in the end.

Civilization, or what those in power consider such, is its own reward. Bring your enemies close so they might reap the benefits, all while taking from them the means of forging their own destinies. After all, it's not as if they would know how to best use their resources. No, that requires the strong hand of Alba to determine.

"There's also the increasing issue with homeless citizens in the larger population centers," Crane goes on, piling together another group of papers. "Outside of a few holdouts with strong union representation, policy to promote revenant labor has gone well. But that does mean a sizable number of people have been unable to find new employment."

"Yes, I was just thinking of that," Aidric says, steepling my hands together. "I believe it might be a possible solution for the military's manpower shortage."

Crane frowns, obviously confused, but after a moment he comes to the twisted logic Aidric is following. "A recruitment drive?"

"Indeed!" Aidric says, splitting my face into a smile. "Grant the people opportunity for work. It will go over better than handouts, which would just encourage laziness. We direct them to the military, with the stipulation the state has custody of their body upon death."

"And what of those who don't enlist?"

Aidric shrugs my shoulders. "They can't be allowed to stay on the streets, so to the workhouse prisons they must go. We cannot spare the rod if we are to ensure proper behavior. It will be for their own good, even if they don't realize it at the time."

Left unsaid, of course, is how those prisoners will have little in the way of rights. The workhouses are brutal institutions, long days of backbreaking labor meant to undercut the construction unions in order to keep pressure on them. Only the most desperate would be grateful for such work, and then only to avoid starvation. And, of course, any who die in the process of this enforced employment will have their bodies confiscated to keep the industry of empire moving.

God, I've been stuck like this for too long. I'm sounding more and more like my parents.

"An excellent idea, sir," Crane says. "I'll direct the staff to have all the relevant policy proposals on the Senate floor by the end of the week." He pauses for as moment as he moves onto another item on the agenda, looking visibly uncomfortable. His thin lips become almost invisible as he presses them together, taking time to gather his thoughts before he continues speaking. "While on the subject… Fatima Hajar has proposed a resolution to the lower chamber to outlaw possession as a practice entirely across Alba and all of its holdings."

"Again?" Aidric asks. He takes a sip of tea, unsweetened because why should I ever get to enjoy what little I can actually taste, and sighs. "She must know it will never pass in the upper chamber. I won't let it."

"Yes, sir," Crane says, squirming in his seat. "I believe she's aware of that."

Aidric narrows my eyes. "What has she done?"

"The end of the proposal… Well, sir, to put it bluntly she's written that if you don't like it, you may fornicate with your own corpse."

The laugh that bursts out of me forces a wince from Aidric, his discomfort furrowing my brow. Idly he pushes against me, tries to make me sleep, but I don't care. My mother, my beautifully brilliant mother, is one of the few lights in this terrible existence I've found myself in. She gives Aidric no peace, which always gives me joy.

After a few more hours Aidric is done dictating how to carve up the world to his liking. Next come meetings, other senators speaking with my great grandfather about policy proposals, votes, how matters are in their districts… It's all quite dull, and I try not to focus on them. All too many are like those in my own position, young men and women possessed by their elders so they might continue on just a little longer.

The most uncomfortable part is how so many of them are children. The rasp of the elderly set over the piping voices of those in the transition to adulthood. It must be easier for these wretched old ghosts to control such bodies. Not enough life lived to put up a bulwark against their control, but with enough vitality for them to enjoy the fruits of lives not their own.

One meeting in particular catches my attention, and keeps me from accidentally slipping back into the depths of the prison that has become my body. It's a woman maybe a little younger than Crane, wearing a black uniform with her hair tied up into a bun. One arm is wrapped up in a sling, and her face is riddled with old bruises. When she walks in, she gives Aidric a crisp salute with her good hand.

"At ease, Lieutenant Ashton," Aidric says, raising one of my hands in what he likely believes is a comforting gesture. "No need for formalities here."

"As you say, sir," she replies, still standing ramrod straight. She lowers her hand, though, and narrows her eyes. "Permission to speak freely?"

"Like I said," Aidric replies, leaning my body back in the chair. "No need for formalities. You're just here because I wanted to follow up on a matter with you personally."

"And is that wise with her listening in?"

I'm so shocked by this I actually force Aidric to blink. I have no time to rejoice in this meager regaining of control, however, as I'm forced to withstand another push to send me tumbling down into the dark. This woman… She must be a necromancer, and quite an accomplished one if she's able to tell I'm awake.

"There won't be an issue with her being present," he replies, lifting my lips up into a smile. "Though I must commend you on your diligence. It speaks well of you, Lieutenant."

"Thank you, sir," she says. "Though that wasn't what I wished to mention." She pauses for a moment, frowning. "I'm just not sure why I'm here. Everything of relevance is in my report."

"Yes, your report," Crane says, pulling out said document from his briefcase. "You were quite thorough with the details of the recent terrorist attack at the Kirwick Lake facility. We'd like to know if there were any other witnesses to the incident."

"None that I'm aware of, sir," Ashton says. "The guards at the front didn't get a good look at the figure, and everyone else was running away. I'm the only one alive who confronted him."

"And you're sure of your description of the man?" Aidric asks. "Absolutely sure?"

"Yes, sir," the necromancer, so obviously military by her bearing, says. "I didn't recognize him at the time since he's changed so much, but I did so after the fact. The assailant was Randall Dunstan."

"My grandson," Aidric says, forcing my body to lean forward. He clasps my hands together, furrowing my brow. "You've seen him before?"

"I sat in one of his lectures at university. His grasp of necromantic theory and application left an impression."

"Yes," Aidric says softly, my lips now turned down into a scowl. "He does tend to do that."

"You've done an excellent job," Crane cuts in. "Truly excellent, Lieutenant Ashton. We commend you for your service."

"Thank you, sir," Ashton says. "If you don't mind my asking, when can I resume my posting at Kirwick? The region is still in disarray with the destruction of the Kordian satellite, and my skills would be of use in rebuilding."

"Oh, you won't be returning to Kirwick," Crane says. "You've been re-assigned to the capital."

For the first time in the conversation Ashton's demeanor cracks. Her eyes go wide, and her mouth drops open. After a moment she shakes her head, obviously about to protest, when she stops herself short. It's at this point I realize she is not a stupid woman, that she can read the room and understand what is happening.

She's being sidelined. Witnessing my father's attack puts Aidric at risk, because the Prime Minister can't have it coming out that a member of his family is a terrorist. It would damage faith in the government. And if there's one thing my great grandfather will never allow, it is such a potential threat to his power.

"As you say, sir," Ashton says, saluting again. "I assume I'm to be shown to my new quarters after this meeting?"

"Just so," Aidric says, again moving my lips into a smile. "You are dismissed, Lieutenant."

My thoughts swim as she leaves, hope and love mixing with the ever-present despair and rage that makes up my world. My father… I didn't even know he was still alive. I knew Aidric was searching for him, but to know for sure that he's still out there is like a breath of fresh air after so long drowning.

He's fighting them. He's fighting them and he's hurting them. A single person against the world. I didn't know dad had it in him, always so stuffy and focused on his work. I thought he might have fled the country, fled the empire, but he's still here and breaking this terrible machine that holds me and so many others in bondage.

"Well," Crane says after the door closes. "I think we can probably deduce who killed Senator Banks last year, considering this new information."

"This is a problem," Aidric says, putting my hands on the table as he pushes my body to its feet. "And we need to correct it."

"I'm not sure how he's managed this," Crane says, looking through reports. "He's just one man. A talented necromancer, but still one man. How can he have caused all this damage?"

"It doesn't matter," Aidric says, turning to look at the map of the empire on the wall. He takes my hand and runs my fingers down the length of Alba. "The how is less important than the why, and knowing my grandson I have a good idea of what he's after."

"His daughter, of course," Crane says, putting the papers back into his briefcase. "And he's willing to wage war on all of Alba, the damned fool. I'll arrange for troops to move to the Kirwick area. He's probably using the confusion to cover his movements to the west."

"No, I don't think so."

Aidric takes my hand and traces along the Yorka Peaks. The mountain range runs along the middle of the country, going up into the Kaledon highlands. He stops at one mountain in particular, tapping my fingers against it.

"He's going for the engine."

Crane blinks. "But the engine isn't there."

"Yes, but he doesn't know that," Aidric says, forcing my fingers to give the mountains one final tap. "He's guessing, and he's discovered there's a major operation placed in the mountains. That's where he'll be moving. Everything else is a distraction."

"Then we'll have to inform Margaret Zeal immediately!" Crane says, pushing the chair back with enough force to make it squeal across the floor. "Send troops to protect her and the rest of the enterprise!"

"I suppose," Aidric says. He turns my body around to face Crane. "Send a team via zeppelin, but without haste. Make it seem like it's just more resources being diverted to Kirwick."

"Sir?"

"It's making the best of a bad situation," he says, crossing my arms. "Margaret is growing unstable. Having someone like that at the core of our intelligence services is too much of a risk. She's become a threat to us, and thus the nation, so I'm afraid she's going to have to go. This just happens to be an expedient way to accomplish that."

Crane stares at Aidric, who for his part merely shrugs my shoulders at his disbelief. How the thin wisp of a man couldn't see this coming is beyond me. Aidric has always been like this, genteel in public and absolutely ruthless if he feels he must. If this Margaret Zeal has become an issue, then it's not surprising in the least he would try to use my father to rid himself of her without dirtying his hands.

To Crane's credit, he recovers quickly. Coughing into one hand, he picks up his briefcase from the table. "The fact your grandson found out about Zeal's hub means we have a leak. We need to investigate."

"I agree. We don't need any loose ends. Randall's death won't be enough."

"His death, sir?"

"Yes," Aidric says. "I don't like doing it, but Randall is causing too many problems and from what the Lieutenant described, his body is no longer suitable as a vessel. Best for everyone if he was just removed. That will be what the team is for."

You fucking bastard! Don't you touch him! I'll get my hands on a knife, cut my own wrists before I let you hurt him! You can't keep me buried forever! He's trying to save me! He's trying to save everyone you and your ghouls have taken!

Aidric winces and puts my hand to my head, massaging my temple. "Kendra, dear, now is not the time."

I will make it the time! I will drag you down to hell with me and spit on your shriveled soul!

"Edwin, one last matter before I go to my next meeting," Aidric says, pushing me even as I claw to stay awake. "On the vessel program? The status quo is growing untenable."

"I'm afraid it's a bust, sir. So far neither conventional science nor necromancy has shown any progress growing a copy of the human body. The most we've gotten are cancerous lumps of flesh."

"Then I'll just have to bear with the indignity of our secondary plan," Aidric says, twisting my lips into a scowl. "Find a suitable man before spring. I'll grow a new vessel myself."

Wait… You can't be serious.

"Kendra, stop getting so agitated," Aidric says, stumbling my body toward the chair as I slam against his mind. He takes a deep breath with my lungs before continuing. "You're not staying asleep as much as you should, and that's putting stress on the body. Something to do with your age, I suspect, or your mother's heritage. It's best for all of us if we go forward with the alternative, no matter how distasteful it may be."

I scream. I scream and scream and scream. I scream with such strength that it makes the room tremble, the power of my fury and terror pressing against the monster that has taken over my body. Betrayal, that he would do this to me, pushes me forward. Necromantic energy leaks from my body in waves of purple and black as my will clashes against Aidric and he is forced, for the first time in three years, to give me ground.

With jerking hands I reach for the gun I know Crane keeps in his jacket, the spindly man as much a bodyguard as an assistant. He catches my wrists easily before I can make any progress, forcing me around to hold me by my arms and waist. I twist and turn, but Aidric is also pushing against me and I'm losing what little control I've managed to tear away. Already I'm falling back into the dark, losing my awareness as I continue to scream my defiance.

"Keep that grip, Edwin," Aidric forces through my clenched teeth. "I'll need to cancel the rest of my meetings before the Senate convenes. This won't wait."

"As you say, sir," he grunts, thin arms filled with surprising strength as he contains my wild thrashing. I have no leverage, no way to escape, and he slowly bears me to the ground. "I have her."

The pressure turns into hammer blows. One punch, then another, as Aidric turns his full attention toward burying me. I fight him every step of the way, but it's no use. The darkness is swallowing me, pushing me down into inky blackness as my consciousness fades away.

"Mom! Dad!" I croak, my voice raw as I make one last push to bring my words into the world. "Help me! Please! Help me!"

And then there is no more.
 
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In the Shadows of the Valley
Ten thousand eyes observe me
invisible upon the air
judging with every waking moment
Like a spider's web I feel them
gentle across my skin
but trailing to reveal where I have gone
and leading to where I intend to go
Who is this that spies on me?
Who is this watching in the shadows
taking note of all I do?
I do not know
and I am afraid
-Ten Thousand Eyes


Warmth. It spreads slowly across your skin, banishing the cold that has seeped into your bones. You get cold so easily now, the chill going through your skin and sinking deep into your flesh. There's no fat to hold in your own body's heat. There is little in the way of muscle, either, so everything inside of you bleeds out into the world.

With warmth comes light. It batters against your eyelids, pulling you from the depths of sleep and into the realm of the waking. Your eyes open, and you shoot to your feet. Droplets of dew fly everywhere, misting in the air, and your hands come up ready to unleash devastation upon there world around you.

The nightmares have faded, but their touch lingers. In your ears you hear your daughter screaming, begging you for help. The echoes of her cries drown out even the frantic pounding of your heart, distract from the tightness in your throat as you try to draw in breath.

It's all right, Randall, I whisper, my voice cutting through the phantom wailing of a daughter you long to hold in your arms. It's all right.

Slowly, almost painfully, you lower your hands. Your fingers twitch, sparks dancing between them as you bleed off the energy you have gathered. Exhaustion crashes into you like a wave upon the shore, and when it recedes there is just a little bit less of you as it drags your strength away. You lean on the tree you had slept under, letting its stability hold you up, and take in your surroundings.

On the mountainside, above the smog that is so common in the sky here in the Alban empire's heartlands, the sun shines clearly. It breaks in rays of orange and gold above the clouds, bathing the world in fire. Below are towns and the roads that connect them, all smothered in polluted haze, but up here the breath you take is clean. The land below holds its own majesty, even through that dirty gray, a mess of lines breaking up the world into interesting shapes that connect to each other like a jigsaw puzzle laid down by God.

Green grass grows in abundance, moss and lichen clinging tightly to rocky outcroppings. Trees with thick, strong roots cling even at impossible angles. All around you is beauty and wonder one might not believe possible having lived only in the shadows of industry that drive Alba's might to extend so far beyond its borders. But here, where land touches sky, it is possible to escape that grim reality and believe in a world without pain, without misery or hardship.

But you have no time for such things, and even less inclination. With a rasping cough you thump your chest, spitting bloody phlegm to the side to soak into the rocky soil. The shaking has subsided, and so it is with steady hands you reach into your coat to pull forth a flask of fresh water. It is cool, and the relief it brings is as much for cleaning lingering detritus as it does quenching your thirst.

One sip, then another. Afterwards you wipe your lips with the back of your hand, set your flask into your coat, and continue your journey up the mountain.

It would have been nice to enjoy the view a little longer.

"We don't have time for that," you reply, crawling to grasp at roots to pull yourself forward. The incline is not too terrible, but one false step could spell disaster. "We have to keep moving."

You need to rest, I reply. You've still not fully recovered from your battle with the Possessed.

"It's been weeks," you say. "I'm fine."

Clean though the air may be, it is also thin. This has taken a toll on you, as so much does in your beleaguered state. Your breathing comes out in broken gasps as you climb, and more than once you have to pause in order to fill your lungs sufficiently. The burning in your limbs, in the ragged scar where you were stabbed, has not abated. They torment you every waking moment, always waiting in the wings.

Five days we have been wandering these mountains, doing our best to follow your friend Harold's directions, and you are wearing yourself down. Onward, ever onward, you push yourself. You will never stop. But that drive… It is killing you, has been killing you. If in these past few weeks you had allowed yourself time to recover from your battle with the Senator, if you had taken in sufficient food and water, you would have more strength to draw upon during this trial.

"Don't fuss over me," you say, feeling my concern brush against your thoughts. "I can't stop. I won't stop. Not when we're so close."

And if you die? What then, Randall?

"Then you puppet my corpse until the job is done."

I have no answer for that, and so silence reigns for a time. You place one hand in front of another, dragging yourself on. There are roads we might have taken, but they present too much of a risk. If the location we seek is indeed where the engine has been moved in time since my death, then the path to it will be watched and guarded.

The ground shifts dangerously beneath you, a stone beneath your hand tearing free and almost sending you tumbling down the mountain. Instinctively you draw upon the energy of death in the air to launch yourself forward before you lose your balance, tightly directed telekinesis sending you flying toward a boulder covered in the roots of two trees.

You grab onto one of those roots and haul yourself up, placing your back against the boulder. Your heart is beating so fast, every breath coming so quickly that in this shallow atmosphere you threaten to render yourself unconscious. Arms spread wide on either side of the rock to steady yourself, you take firm and deliberate effort you take deeper breaths to force back the darkness encroaching on the edges of your vision. Your heart slows its frantic pace, and when you fully slide to the ground you are drenched in sweat.

More aches on top of the previous. Your hand is cut from where the stone loosed itself, and the sudden burst of power has left you drained. But even still, you reach forward to continue.

I would request a favor.

You stop short, brow furrowing as you scowl. "What kind of favor?"

It has been some time since I have done morning prayers, I say. On such a fine and beautiful day as this I would like to express my appreciation for God's work.

"Pray?" you exclaim, leaning back against the boulder. "Are you serious? What would be the point? The Alban church separated from the mainland a century ago, and they're in bed with the Senate in any case."

The schism had not yet happened in my time, and regardless it makes no difference to me. I have expressed my wish, Randall. Will you grant me this boon?

Frustration flares within you like a star, hot and fierce. I can feel your anger, your desperation. It is always ready to burst forth, always ready to grant you strength at the cost of fortitude. You open your mouth to vent that animus.

I take shape before you with effort. It is difficult for me to assume human form, my needs and drives no longer bound to the shape I once held. I was a large woman, full-bodied and strong, with long hair trailing wildly behind me. I never could manage it, but it was something I always took pride in. Ethereal chains link us together, the jewelry you wear reflected this simulacrum I have crafted.

Your dark eyes meet mine, light even before my death. My expression is neutral as your lips draw back. You want to scream at me. I can feel that so clearly as you wrestle with all your fears and hatreds. Of the world, and especially of yourself.

Another deep breath, and you bring your hands together to face the sun. Weariness has overtaken your grievances, and I am not the one who truly holds your ire. I disperse the seeming of myself as you do, settling back firmly beneath your skin while you kneel in proper supplication.

God, who makes the sun rise and the stars shine, arbiter of the final mystery. We give unto you our thanks that we might partake of the day's bounty, relishing in the majesty of your creation. May you forgive us our trespasses, bless us in our endeavors, and allow us to see a world where none need suffer. Oh, glory glory glory eternal. Forever and always.

You grunt, but even this brief time resting has allowed some of the pain to subside. Your breathing comes easier, and I have staunched the bleeding in your palm so you might use that hand without risk of further injury. You don't comment on any of that, of course. We are too tightly bound for you to not realize my intentions.

Which means you cannot hide the faint flickers of gratitude that swell within your heart, no matter how deeply buried they might be beneath a morass of self-loathing. I do not reply to this, merely letting my fondness for you caress softly across your thoughts.

Sometimes all we need to know is that someone cares.

It is customary after morning prayers to break one's fast, I say as you rise to continue the climb. As I cannot eat, you will have to do this for me.

That pulls a laugh from you. Shaking your head, you reach into your coat and pull some jerky and hardtack, soaking the latter with a splash of your water to soften it. You do not savor the food, but to be truthful it is not very palatable. Still, it brings a little vitality back to your limbs.

Thus it is with renewed vigor that you press on. Up and around, turning with the mountain as the sun contain yes its trek across the sky. One foot in front of the other, hands reaching for anything that might provide support. That has been so much of your life these last three years, and this struggle is no different.

Hours later and we have come to the northern side of the mountain, below which is a small valley nestled between this and the adjacent peak. A river runs through it, flowing from its source deeper into the range and continuing down through the country until it joins a greater stream that empties out past the capital and into the sea.

But you have eyes only for the facility settled by the riverbank. Even at this distance you can hear the turbines hum from the dam drawing power from the water's passage, a vibration felt in the tips of your fingers. The facility itself is quite large, multiple buildings of concrete in a similar style to that which housed the Kordian satellite you destroyed weeks ago. Concrete cubes connected to each other by asphalt roads, with machine gun nested on the rooftops.

The farmland is a change from the usual, small fields of wheat and other staple crops surrounding the complex, but makes sense considering the intent of this location. This place is meant to be as self-sufficient as possible in order to avoid drawing attention to itself. The more supplies need be sent, the greater the chance someone might notice.

Which Harold did, of course. You will have to thank him the next time you meet. Perhaps apologize, too, for how rude you were at the end of that conversation. It is not as if you have many friends, and you need all the help you can get.

"What did I say about fussing?"

My laughter is like the ringing of chimes. It reverberates with the wind, the breeze swirling around you to tug at your coat and tussle your hair. You spit greasy strands out from where they fell into your mouth, raising a hand to straighten the dirty locks, but your frown is forced and I can feel the cheer rising within you to push back against the contempt you hold for yourself.

Because we have done it. We have reached this place, hidden away into such a remote corner of the world. The Kordian Engine, my engine, must be here. Why else all the secrecy, which would be the greatest defense beyond any firearm or necromantic working? Nothing else makes sense.

The trip down the slope is less perilous than the climb up, but only just. You must take care to avoid being spotted, keeping the densest foliage, and that requires taking care where you step. An expression of will draws the power released by decay for your use, twisted the world into a subtle illusion that blurs your shape and blends your form with your surroundings.

So it is that you hold on to rock and branch, slowly working your way to the valley. Hard packed dirt gives way to looser soil, and as the sun begins its descent you finally reach the bottom. The shadows have grown long now, dancing as a howling cold gusts through the valley and sends the trees to shaking. That draws a shiver from you, the sweat coating your body from the day's exertions like ice atop your skin, but you do not move to warm yourself.

Instead, you are taking the measure of this facility. There are revenants, of course. Most seem to be working the farm, though all are armed with rifles slung over their backs. No doubt the machine gun nests are also manned by such constructs, todstein spikes gleaming in their foreheads and set with instructions to open fire on anyone not recognized as belonging here. There is no sign of the necromancers who would direct and program them, but you do not doubt they are here.

It will be difficult to overcome, but not impossible. This place was made with concealment in mind. It is not a castle, not some hardened military emplacement that requires so much in the way of logistics to properly maintain. If you strike hard and fast, you will likely be able to overwhelm the defenses before they can concentrate enough fire…

The thought trails as a figure, a man with thinning red hair, makes his way from one of the concrete buildings and to the edge of the farm. He's a portly fellow, and pulls out a handkerchief to wipe the sweat from his face before raising the speaking trumpet in his other hand.

"Randall Dunstan!" the man calls, the brass cone throwing his voice much further than it ever could naturally. "I represent Margaret Zeal, who operates this facility! If you are watching and are willing, then she would like to speak with you! She believes your goals might align with her own!"

[] Accept the offer.
[] Attack immediately.
 
The Spider's Web
[X] Accept the offer.

You go completely still, warring instincts battling within you. Your first drive is aggression, to attack with everything you have. Reason quickly tempers this drive, for if the people here are aware of your presence then they will have the fullness of their strength ready to pit against you. Lightly defended this place might be, but if they can focus on you then there is no guarantee you will be able to defend from all the angles those guns might fire from.

These thoughts are followed soon by despair. Because if someone is coming out to speak with you, to make offers of cooperation, then the Kordian Engine is almost certainly not here. It is the cornerstone upon which Alba's economy and military functions. The Everlasting Senate would not have anyone but the most loyal, most invested, personages maintaining it.

Which means this facility is for some other purpose. Why, then, all this secrecy? What is the point of so much investment if it is not for the Engine? Curiosity, the desire to pick apart problems until the solutions present themselves, rises to the forefront of your thoughts. You were a teacher once upon a time, one who researched and shared what he learned. No matter how much these last three years have broken you, it seems old habits die hard.

The underbrush parts as you step out, hands raised in a display of supplication as you let your control over the shadows drop. In truth you are ready to unleash a wave of fire before launching yourself at the facility, hoping the smoke will hide you long enough from the resulting enfilade that you can get close. After all, it is best to be prepared.

The man blinks in obvious surprise as you emerge, his jowls wobbling as he takes a step back. The speaking trumpet almost slips from his hand, and he is only just quick enough as the revenants working the farm drop their tools and reach for their weapons. He barks out a command, and the undead workforce pick up their instruments and get back to work.

Your eyes narrow. "You didn't know I was here."

"Oh, not for certain," the man says, a grin breaking across that chubby face. "But I suspected, so I've been coming out three times a day to make that announcement."

"And how did you know I was heading this way?" you ask. "This seems too much effort to be made on an assumption."

"But it was an assumption made with good supporting evidence," the man replies, waggling his eyebrows. "I saw you through Lieutenant Ashton's eyes, and from there knew there were only so many places you would go after that ruckus you made in Kirwick."

"You what? Saw me through…" You trail off as you take another look at the man, examining him more closely. You draw upon the energy released by decay and create an invisible lens by which to see through, revealing the ethereal line leading from this man back into the facility. "You're one of the Possessed."

"Indeed!" he says. "But not one you're used to, I would imagine. Allow me to introduce myself. I am Margaret Zeal, though more appropriately I am but a small piece of her spread across those who work in this facility." He gives you a bow, motioning a hand toward one of the concrete cubes. "If you would please follow me? We have much to discuss."

Warily, eyes tracking every movement, you trail behind the man… Woman, you suppose, considering the host would not be piloting the body, as she walks toward a great set of iron doors. You take the time to examine that intangible cord, settled around and into the skull, leading to and through the entrance. It is part of a greater whole, only the end resting within this man to possess his body and make him an extension of a spirit's will.

Could this Margaret Zeal be a dispersed consciousness? The thought both intrigues and frightens you, for it is something you have never encountered before. The body before you lacks the characteristic silver shine from the eyes that marks a spirit controlling a living body. Could it the result of moving about multiple bodies, leaving one as the central host and being able to slip into others at will, or is there simply just not enough of Margaret in each body to have her presence leak out in such an obvious tell?

These and other thoughts whirl about in your mind as the doors open with barely a sound, well-oiled hinges taking their weight easily as you are led inside. In many ways it is much like what you have experienced before, brutally utilitarian with straight lines broken up by small, square rooms. Linoleum floors squeak underfoot, and harsh electric lighting banishes all shadows but leaves everything washed out.

The compound is abuzz with activity, men and women moving swiftly down hallways to rooms where reports are written and filed. All of these people are possessed by Margaret Zeal. Those ghostly tendrils are everywhere, the bulk of them set near the ceiling and always ending around a person's head. They twitch and pulse like living things, and move out of your way whenever there is a risk of touching one.

This Possessed is like nothing you have ever seen before, so disseminated among a population, and you are unsure of what you might need to do in order to combat her should the situation call for it. Your exorcising technique works by pushing your own emotions into a target to force out the invading spirit, but will that even accomplish anything when the Possessed is several bodies rather than one? What would such an existence even do to a mind, scattered among so many with their own senses and sensations?

"I admire you," Margaret says suddenly, turning the head of the portly man to look over his shoulder at you. "I want you to know that. I admire your drive to take on the world in order to get what you want."

"I'm not fighting the world," you say, drawing your coat closer. The shudder that courses down your spine is not just from the chill. "Only Alba."

"But is not Alba the world? It's the only part that matters. The further you roam from its borders the less relevant or important those other lands become. And I… I want to live in that world. A world of progress, where new discoveries are made every day. All mystery peeled back to reveal hidden truth."

Yelling distracts from this strange conversation. Someone is bellowing at the top of their lungs, angry and frightened, from one of the rooms ahead. The door does very little to block the noise, only muffling it faintly as you approach.

"This is an outrage!" comes the voice. "I am a representative of the Everlasting Senate, and I will not be treated this way!"

"Oh, please wait. This is fortuitous timing," Margaret says, raising a hand from this host to forestall your advance. She opens the door with a smile. "I've caught an agent from the Senate trying to spy on me, and what better way to express my intent toward cooperation than showing what I do to our mutual enemies?"

Inside a bare room a man is strapped to a chair by his wrists, chest, and ankles. He twists and turns, trying to break free, but for all that he is as large as an ox he does not have the leverage to escape. His blonde hair is unkempt, falling across his face, but it does not obscure his vision as he looks at you and your guide with blue eyes wide with terror and indignation.

"You won't get away with this, Zeal!" the man screams. "I have allies, people I'm to report back to! If you-"

One of the other staff, you had not noticed her so distracted by the man, approaches from the side and opens her mouth impossibly wide. The ghostly limb of Margaret Zeal that is wrapped around her skull bursts from between her lips and plunges down into the man's skull. His back arches as far as it can go, his body rigid as he shrieks in silent agony. Then he goes limp, falling still.

"The Senate doesn't know I've taken over the whole staff," Margaret says, taking the ghostly tendril out of the poor man's skull and back into the mouth of the other vessel. His head flops down, drool leaking from his lips. "So whenever they send someone to investigate I catch them soon enough. At this point it's really just a game for me."

"What did you do to him?"

"Cored out his mind and drank its contents," Margaret says. "Not that there was much there, but I hate secrets and every little bit of knowledge I can take in is exquisite."

The body Margaret Zeal inhabits trembles in something disturbingly like ecstasy. This action is mirrored by the woman in the room, and you can see others in the hallway doing the same. She rubs many hands across many faces, luxuriating in whatever she took from this man, and smiles so wide skin begins to tear.

Fear, cold as ice, creeps up your spine like frost to push against the ever-present loathing and anger that drives your actions. This woman… What has she become? You wrestle with this question, trying to make sense of this spirit that has spread herself so completely. How can something like her even be possible?

But you've little time to consider the implications, to wrap your curiosity around growing terror, before you are brought to what is obviously the central room of this particular building. It is wide, with even more radio stations and people typing reports. They sit in stiff wooden chairs, only a thin cushion for padding, and all have Margaret Zeal's ephemeral limbs wrapped around and into their skulls.

Radio equipment is everywhere, dozens upon dozens of transmissions being logged and notated with the clacking of typewriters. The air hums with them, an electric current so intense you can taste it on your tongue. Even more there is paper, the smell of ink almost overwhelming as documents are placed into, or taken out of, filing cabinets set at regular intervals.

But no one bumps into each other, no one stumbles or slips despite the breakneck pace they are going at. Their coordination is absolute, a hive of people directed toward a singular purpose drawn from disparate action.

It's the map at the far wall that takes you attention away from this unnerving display of logistical grace. It is huge, detailing the whole of the empire, laminated and marked with ink. A ladder rests nearby, attached to which is a thin rope with a felt-tipped pen. Notations run the whole length of the map, though certain communities have more attention stained with black than others.

"I know those locations," you whisper. "Those are schools."

"Universities! Always have to keep an eye on those. Sedition breeds there like disease."

You turn, for it is not the man from before who Margaret Zeal speaks to you with. She walks down a set of stairs leading to a second floor, from which at this angle you can see is filled with bookshelves. The body is a tall woman with broad shoulders, dressed in a perfectly tailored white suit, fit and healthy. The freckles on her face shift as she smiles, her green eyes alight with flashes of silver, and all around her short-cropped red hair is even more of the mass of Margaret Zeal than any of the other bodies. They writhe like snakes, undulating as she approaches you with the clacking of high-heels on white linoleum.

"I beg your pardon?"

"Don't get me wrong," Margaret says, bring up those stolen hands in a placating gesture. "I appreciate what is done there, all those great minds exploring the limits of what is possible, but sometimes they ask inconvenient questions."

"How are you doing this?" you ask, waving a hand to take in the room and all its tightly controlled chaos. "What is all of this?"

"Ah, getting right to the heart of the matter. I like that," Margaret says. She raises both arms and twirls around. "This place makes up the eyes and ears of the Alban empire! A thousand reports a day, traveling at the speed of the spoken word. Faster, depending. There is a Kordian satellite here, and using that I am able to perceive through any necromancer whenever they work their trade."

"Then this is the intelligence apparatus for the country. And you've, what, subverted it? That's…" You take a breath, steeling yourself against the grand insanity of your surroundings. "How has the Senate not realized what you've done? Surely the Prime Minister isn't blind to all of this."

"Aidric Dunstan! Oh, that man…" Margaret shakes the heads of the closest five people, all of them moving in unison as their faces twist into scowls. "The Prime Minister will move to get rid of me, sooner or later. I've gathered too much power, and he won't let that stand. He tries to keep things from me, but I know so much, and what I don't know I will learn! I will know everything! I deserve to know everything! There are no secrets that will be hidden from me!"

That last sentence is shouted not just from the woman in front of you, but from every mouth in the room save your own. You clap your hands to your ears, push out briefly with your will, for there is more than mere sound in that collective cry. This is the center of Margaret Zeal's power, a place so suffused in her essence that reality has become thinner and more malleable. She has settled not just in the people, but in the floors and walls and the land itself, creeping into everything and weaving a spider's web of her spirit to entangle everything in her domain.

"My apologies," Margaret says, that too-wide smile returning. "Sometimes I get a little too caught up in my passions. It's a failing of mine."

"What does any of this have to do with me?" you ask, lowering your hands. The power you hold onto, however, keeping it gathered and ready to be unleashed. It provides a buffer against the terrible weight of this woman. "Why should I align with you?"

"Because you're an enemy of the state, as I soon will be!" Margaret replies. "You know as well as I do the Senate is a rat's nest. Aidric stands supreme for now, but not all are true believers like Sable was. Others would love to topple him, and I know all their secrets. I could give those to you, for a price."

Your brow furrows. "And that would be?"

"I've managed to see parts of the thoughts of the other Possessed, though they can hide the majority from me," Margaret says, pitching her voice low despite the absurdity of the action. There is no one here save for you and her, though I remain hidden deep within your flesh. "It is… bothersome, like an itch I just can't scratch. But you are worse. You are an enigma, a puzzle I haven't been able to solve, and if we are to join forces then that needs to change. I must see inside of you, understand you completely, or this alliance is impossible."

[] Agree to the conditions.
[] Refuse the conditions.
 
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A Flickering Fire
[X] Agree to the conditions.

This woman is insane. After all you have seen, all you have experienced not just in this facility but with both mine and your knowledge of necromancy, tells you that an entity like Margaret Zeal should not exist. The spirit is flexible, I am proof of that, but to stretch oneself across multiple bodies…

The only thing left would be mania, the strongest cravings one held in life directing every action. The Possessed of the Everlasting Senate are still fundamentally human at their core. They want to enjoy their wealth and power, and for both to continue on forever. They are greedy and selfish, but there are plenty whose hearts still beat who are much the same as them in temperament.

Margaret Zeal is different. She desires knowledge. Not just of the natural world, but also the innermost workings of what makes a person who they are. She wishes to see into the depths of every mind, reveal all that is hidden, so that she might poke and prod until she is satisfied she understands. All would be exposed, like raw nerve, to the scouring glare of her attention.

You know this. I know that you know this. And yet instead of refusing her outright you are considering the offer. Because standing here, at the center of this terrible machine meant to watch the world for any hint of defiance or disobedience, you might find the answers you seek. The Kordian Engine might be revealed to you, and with its location revealed you could smash it to pieces.

All you would have to do is hand yourself over to this monster.

The face of your daughter comes to the forefront of your thoughts. Kendra… You miss her so much. You miss her smile, her laughter, the biting wit and insight she gained from her mother. Kendra received much from you, too, though you don't recognize your own noble qualities. She watches and understands, turning over problems until the solution is found. That she learned from you. She is strong, able to endure so much hardship.

But how long can she last beneath the depredations inflicted upon her? That question haunts you. You were strong, once. You have weathered so much adversity that your body and soul have been abraded down to almost nothing. There is so little left to sacrifice, to bear the burdens that pile on your shoulders like an endless river of stones. You do not have much time, and you cannot know if Kendra does either.

"If I give this to you, will you share with me your secrets?" you ask. You take a step closer to Margaret Zeal, whose smile is now so wide it seems to split her face like an open wound. "Any secret, no matter how great?"

"Everything I have," Margaret replies. "Anything you ask for. All you need to do is give me all you are in return."

Randall… Randall, this isn't a good idea.

"I accept."

Randall!

Margaret walks up to you and places one hand around your shoulder, the other around your waist. Then, with one smooth motion, she dips you down as one might in a dance. She brings her face close to yours, opening her mouth wide to reveal one of those spectral appendages. It undulates as if alive, twisting and turning as it emerges from between the lips of this host, before taking on the vague impression of a face. There are no details, no defining features. There is only the notion of eyes in the curving of the brow, a crook that might be a nose, and a lipless gash that might be a mouth.

Before you can react that terrible visage lunges for you, locking around your face, and that insubstantial mouth does nothing to muffle your screams as you fall into the depths of memory.

I am crying. It has been two years since the death of my parents, since my grandfather has taken me under his wing, and I am crying. I have found a dark corner within the manor to hide in, to get away from the smiling old man who claims to love me, so that I might be alone with my own thoughts. It is difficult, for every muscle aches and my sweat is tinged with blood to bathe me in crimson. Every breath is like fire. My entire body is one single bruise, and even the slightest movement of the air sends fresh waves of agony coursing through me.

It is for my own good. That is what my grandfather claims. Sitting in his wheelchair, he oversees my education as the tutors come and go. The math and the reading is not so difficult, letters and numbers coming naturally to me. But the necromancy… The training in necromancy is nothing short of hell. I must focus on so many different things at once, pull power and direct it without flaw in order to enforce my will on the world, and every mistake is met with a lash across my skin.

All while my grandfather smiles at me, nodding his approval. He says the Dunstan family cannot afford to be weak. He says the Dunstan family is the heart and soul of Alba, the ones who will lead it to further glory. Our success is the success of the nation, and there are many who would wish to see me fail. So I must be powerful. I must be perfect.

I bury my face in my hands and cry, knowing that no matter what I do it will never be enough for that devil and his terrible smile.


"Stop," you rasp, voice raw as memories of your childhood fade. They were so real, so vivid, that it feels to you as if they happened just a few moments ago rather than decades past. "Please stop."

"How interesting!" Margaret Zeal cries, her tendrils pulling you up into the air where a hundred pairs of eyes can observe you from every angle. "This explains a little of your actions, why you fled from Aidric to pursue a career in academia. But we're missing something."

"What?" you whisper around the feelers this woman has plunged into and through your skull. "What are you talking about?"

"This does not feel like the inciting incident, the core to your story," Margaret goes on, ignoring your pleas. "There must be a turnaround somewhere, some moment where rise above. I must see it. I must know you!"

I am coming, Randall. Just hold on. I am-

I am looking at Fatima as she puts the papers down in front of me, her signature already on one side. For a moment I do not realize what is happening. I was distracted, working on a potential improvement to osteological manipulation. The chicken skeleton, carefully held together with wire, stops its run through the obstacle course I have made of my desk as I look up at my wife who has just presented me with divorce papers.

"Why?"

"Do you really not know, Randall?" Fatima asks. She is stunning, as always. Curly hair frames a wide, expressive face with fierce brown eyes. Clad in a red suit and pants, silhouetted in the light coming in from the hall, her black skin shines like polished onyx. "After how little we have spoken to each other in almost four years?"

The chicken bones collapse into a heap as my will leaves them, and I stand to look my wife in the eye. "You said you were fine with us pursuing different interests."

"Yes, but that doesn't mean us living two entirely separate lives." Fatima puts her hands on the desk and leans forward. "I have supported you through everything. Why won't you support me?"

"Politics is dangerous," I say as I turn away, unable to hold her gaze. I begin cleaning the mess in order to find something, anything, to do other than focus on this conversation. "It brings too much attention. My grandfather-"

"Is a monster who has convinced everyone around him he cares about anything other than his own power!" Fatima slams a hand on the desk, and I cannot help but jolt in surprise. "Running away from him isn't enough, Randall. At some point you have to confront those who would destroy you. Now, are you willing to stand with me on that or shall we go our own ways?"

I look back at her, hoping to find something other than what I know I will. There is no give in her eyes, no room for compromise. That time has long since passed. But despite this terrible situation I cannot find it in myself to hate her. Affection blooms in the face of her passion, of her determination, and I realize that if I wanted to stay with this woman there were a hundred little things I should have done differently. The silence between us echoes with all the words we had left unspoken, and now I have to make a decision on how much I am willing to change.

I pick up my pen.


"What?" Margaret Zeal says, the cry deafening as it comes through hundreds of voices. More of her bodies have entered the room, watching you with feverish intensity. The host in the white suit is floating now as well, hovering just above you. "That's pathetic! You just… How could…"

"No more," you gasp, tears falling from your eyes. You can barely see through the pressure building up in your skull, threatening to break you wide open. "Please… No more. It hurts too much..."

"Is this all you are? A wretch driven by pain?" The pressure increases, and Margaret Zeal brings herself closer as more flashes of memory burst inside your mind like exploding stars to unleash fresh suffering to renders you mute. She is sifting through you, taking in your whole life and picking moments to fixate upon. "That can't be it! Someone so pitiful couldn't be the same man who has fought so hard against Alba!"

Hold on for just a little longer, Randall. I am deep within you, pushed down by the awful weight of this woman's madness, but I am rising. You just-

I am bleeding where the glass cut me, leaving a dribbling trail behind with every step. It's what I deserve, honestly, acting like a hero from some pulp adventure. Those penny dreadfuls are a waste of paper, but for the moment I am grateful for them because my irritation at jumping through a window like some square-jawed idiot distracts from the terror that threatens to overwhelm my every thought.

My grandfather came for me. He came to possess me on the very night the law passed allowing him to do so. "For the preservation of institutional expertise." What tripe. This is nothing more than a naked attempt to hold onto power from those who should be dead and gone, and the worst part is that it seems to be working.

There are no riots flooding the streets, no clashes with the police. Oh, I can hear shouting and protests in the direction of the Senate, but only faintly. Some are far-sighted enough to realize what this means, but they are the minority. For most, this is just the political and social elite fighting amongst themselves again. What concern any of that for the common man?

I grit my teeth and lean against the wall of an alley, leaving a bloody smear as I stumble onward. It will become their concern soon enough, because this will not stop here. What will come of a nation where the old devour the young in order to perpetuate themselves? What will be created from the powerful finding ways to exist without end, devouring everything around them?

Nothing good, and I want no part in it. So I stumble through back alleys, coming as close to the main streets as I dare with their bright lights shining, to make my way to the coffee shop where Kendra will be performing tonight. We had argued earlier, about her interests and her future, before she stormed off with her guitar.

It all seems to silly now, so childish. I have to reach her, reach my daughter, and then we can make for the ports. If we can smuggle ourselves onto a boat we can be halfway to Galt or Auschla before anyone realizes we've fled the country.

"My fellow citizens," comes a voice echoing faintly across the streets through every radio. It's a public broadcast, a message from the Senate. I stop cold, neither moving nor breathing, as the words continue. "I realize that this is an uncertain time, but could not the same be said for all moments of transition?"

It's Kendra's voice. It's Kendra's voice, but my grandfather's words. But that means… No… He couldn't have…

"But I swear to you, as your newly elected Prime Minister, that I shall see us through those times. Alba will stand strong, and we shall bring her prosperity to the far reaches of the world! So trust in me! Trust in Alba! Trust in glory everlasting!"

There is applause, raucous approval coming across the airwaves, but I cannot hear it over the sound of my screams.


You are screaming. You have been screaming for some time now. Your voice is raw, broken as blood wells up from a throat torn through grief and pain. You writhe in agony, the memories tearing into you like a scourge, and the entire room with all its delicate equipment trembles with the force of your anguish.

"What is all this?" Margaret Zeal bellows, and the sound of hundreds drowning out even the desperate wails ripping out from you into the open air. "Miseries upon miseries… Where is the grand story? Where is your will bringing you to power against your enemies?"

You give no response. You cannot give response. You are barely conscious, held tight by chains of sorrow so strong they kill any chance for joy. Memories flash behind your eyes again and again and again, and you experience every mistake and bereavement that has been inflicted upon you as if they just happened. Margaret continues to push and pull, bringing forth a lifetime of heartache and disappointment in sequence, out of order, and all at once. Beneath such a burden how could anyone, even the strongest individual with the most stalwart will, ever hope to withstand?

"There must be more! There has to be more! I want to know!" Margaret screams, tearing open your thoughts to drink deep of their contents. "I have to know!"

And there, finally, she sees it. But it is nothing so clean and clear as memories, nothing so simple or straightforward. When one plunges this deep into a person they enter a realm of symbolism and metaphor, for who can truly understand the uttermost bedrock that makes up a human being?

She sees it even as you continue to scream, reaching up hands to claw at your face. She sees you walking through a blizzard, holding a flickering fire to your chest. Assaulted on all sides, it sputters and starts. That flame is always at risk of going out, of vanishing in the turmoil that surrounds you. When you stumble you hold it even closer, feeding it kindling made from your own self to keep it going.

"This doesn't make sense," Margaret Zeal whispers, her thin spider's voice almost unheard beneath your screams. "I don't understand."

How could she? This bloated, hungry thing born from uncaring obsession… How could she understand that this fire is not meant for you? How could she understand you keep this fire alive not to warm yourself, but so you may hand it off to another? How could she comprehend such love one might have for anyone other than oneself?

Which is when I finally break free, holding back your fingers before you can gouge out your eyes in the hope that blindness will protect you. Your thoughts are in shambles, a spiraling wasteland of grief and sorrow so complete that no light shines. It threatens to finally smother that fire you hold so close to your heart, and because of that I must do something I hoped I would never have to.

I take control. I push you back to the corners of your mind, slipping fully into your body so I might shield you from this onslaught. With your hands I reach out and grab the white-suited host of Margaret Zeal, this ghost who would know all there is, by the throat and bring her face close to my own as it imposes itself over your flesh.

"Enough," I say through your lips, baring your teeth. "Enough! You do not have the right to another's pain!"

"I missed something!" the madwoman howls, glee overtaking her confusion. She bears down on me even as I bring forth my strength, and the air itself shrieks in the face of our opposition. "Yes! That explains it! You must be the defining factor! You are what I could not see!"

And as we grapple against each other, tearing the room apart beneath the force of our clash, those tendrils pierce into me to make clear memories long clouded by the passage of time.

What is revealed of Ellowyn's past? Choose three.

[] Her childhood, poor and meager even as she dreams of what could be.
[] Her training in necromancy, pushing against its limits.
[] Her attempts to gather support for a grand project.
[] The creation of the Engine.
[] Her death, and preparations to continue past it.
 
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The Operation of the Everlasting Senate
The vote is still up, but I thought I might share a rough outline of the Everlasting Senate with the thread since it's the most prominent governmental body within Alba you're likely to encounter in this Quest.

The Everlasting Senate is made up of two chambers, an upper and a lower one, which are of different sizes. The Upper Chamber has 200 members, while the lower one has 600. The Lower Chamber is relatively new in the grand scheme of things, as when Alba was still a monarchy there was only a parliament made up of what would be considered the Upper Chamber today. When Alba expanded and took in new territory there was a push to actually give representation to the people of the lands that were taken, be they indigenous or settlers, so eventually the Lower Chamber came into existence.

However, the Lower Chamber's power is quite restricted in comparison to its counterpart. It can propose policy and vote to send it to the Upper Chamber, but the Upper Chamber ultimately has the final say. If the proposed policy is not accepted there, then it will not pass and be made into law. The Upper Chamber can also propose policy, but the Lower Chamber has stricter rules with their own veto power. The Lower Chamber cannot veto policy from the Upper Chamber unless they have a two thirds majority within one week to debate and call the vote, which you can imagine is quite difficult with so many members.

The Upper Chamber is made up entirely of those native to the heartlands of Alba, usually of old families with aristocratic histories. No one from conquered territory can hold office in the Upper Chamber. After all, that's what the Lower Chamber was created for. At this point in time it is made up entirely of the Possessed, those men and women who have died and possessed their descendants in order to continue existing and influencing the world. It had been slowly over time becoming the case anyway, but three years before the story a law was passed making it official that for the sake of "preserving institutional knowledge and experience" that it is mandatory for the descendants of those heads of powerful families submit their bodies to possession until an alternative can be find to allow these spirits to continue.

The Prime Minister is nominally only first among equals, setting the legislative agenda and acting as the voice of the senate. In practice, they're the leader of the nation and everyone knows it. More and more power has been concentrated in the position over the years, and the direction of the empire is often set by whoever holds the seat. The Prime Minister is always a member of the Upper Chamber, which means at this point in time is always one of the Possessed.
 
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Paving the Road to Hell
[X] Her childhood, poor and meager even as she dreams of what could be.
[X] Her training in necromancy, pushing against its limits.
[X] The creation of the Engine.



I stare up at the night sky, wondering in amazement at the stars. There are so many of them, a tapestry of lights drawn out onto a field of blackness that never ends. They create shapes if you look at them right. Shapes of people and animals, of ships and tools and any number of things I can imagine.

It's better than thinking about the king's man back in the house, talking with my parents.

A sudden breeze sets me to shuddering, and I curl up deeper beneath my cloak. I am sitting on the large boulder set into the hill just outside our fields, right where it borders the forest. The grass here is normally green and lush, but the lack of rain has left it brown and brittle. Its smell reminds me of the hay we'd dry out for the cows, earthy and wooden. Our sheep graze out here sometimes, and it makes for a good sitting spot. Grandfather says you can't go wrong with a good sitting spot. It helps you consider what needs considering, or at the very least lets you take your mind off things.

The grain harvests were bad this year. Not the worst it could have been, or so my father likes to say when we're sitting down to meager dinners of stew and what bread we could scrounge from the bakery in the village. He speaks of one time in his youth where there wasn't spring nor summer, just fall into winter and back into fall again.

Back then he said the rain never stopped. This year, it never came. Neither is good for harvest, especially now that the season is turning and everything is getting colder. We have enough stores of food for ourselves, but if that king's man demands more than the usual we'll have to kill the cows. If it gets especially bad then the sheep will be next, and then the dogs. That will get is through the winter, but then we'll have no wool to sell or milk to drink come the next year.

Crunching grass, soft and powdery, informs me that I am not alone. I look over my shoulder as my brother approaches. Tall and broad-shouldered, his grinning face surrounded by a shoulder-length shock of red hair the same color as my own, my brother climbs up the boulder to sit next to me.

"Needed to get away?" Alastair asks. I don't answer, pulling my knees up and burying myself into them. But he just nods, understanding my meaning. "It's getting tense back in the house. Tense everywhere, honestly, especially when the king's taxmen come calling."

"Kings always treat us up here in the highlands like dirt," I reply. "Ever since Kaledon became a part of Alba. Grandfather says so. He lived through the union."

"Grandfather says a lot of things," Alastair says. "Especially when he's had too much to drink. Things he really shouldn't lest he get himself and the rest of us into trouble."

"Doesn't mean he isn't right."

Alastair sighs. "No, I suppose it doesn't."

I open up my cloak to give Alastair some protection from the wind, and he settles in close. The feel of his warmth, the pungent smell of the cows on him, comforts me as I settle my head on his shoulder. He puts his arm around me, and we just enjoy being next to each other for a time. Two siblings watching the stars together.

Alastair has been with me my entire life. In my earliest memories he is there, helping me to walk and teaching me how to read and write. He looked after me when my parents and grandparents were tending the fields, giving a little girl all the attention she needed and then some. All with a smile and a laugh.

My shoulders tense, and Alastair's hand on my shoulder tightens in response. I know what he is going to say, and he knows that I know. But if we just sit here in silence we can pretend it will never happen, that everything can just stay as it has forever.

"El…"

I shake my head. "Don't. Please, just don't."

"You'd rather I just leave without saying goodbye, then?"

"I'd rather you weren't leaving at all."

"You think I'm happy about this?" Alastair asks. He takes a deep breath and shakes his head."Times are rough. Not just here, but all over Alba. There's unrest everywhere, and that means the king is going to need people to keep the peace. If I enlist, then taxes won't be quite so high. The family lives through the winter."

I look up at him, into those emerald green eyes, and he looks back at me. He is so sincere, so open. It is his strength, that genuineness. Alastair is a man who will give of himself completely to help those he loves. But that is also his weakness, and I cannot help the icy touch of fear gathering in the pit of my stomach.

"There's talk the king might go to war with Galt," I whisper. "The drought hasn't hit them so badly, and people say he's looking for an excuse to invade."

"Now where did you hear a silly thing like that?"

"Mother Marien at the temple," I reply. "And Douglas, the blacksmith."

"Mother Marien is a good woman," Alastair says. "But she's got a weakness for gossip. And Douglas? Well, Douglas is always worrying about something or other."

"So you won't be going to war?" I ask, leaning back into him. He is so solid, so sturdy. The rock that has supported my life for so long… If he were to disappear I am unsure what I will do. "You'll be safe?"

"As safe as I can be," Alastair says, resting his head atop mine. "Don't you worry, El. I'll be gone a year, maybe two, and come back home. That's a promise."

No more is said between us. No more need be said. There is only the warmth of our bodies and breath as we sit together beneath the cloak, staring up at the night's sky. The future will bring its terrors and uncertainty, but for now there is peace. For now, there is joy.

I can only hope it will last.


Laughter erupts from the lips of this body of Margaret Zeal as we careen about the room, my hand around her neck and her tendrils pushing deep into your body to latch onto my spirit within you. Waves of purple and black leak from us, pulsing like distant stars, eroding everything they touch into dust. Wood, metal, and even flesh break apart as our souls wrestle against each other. We are the center of a storm, not of raging winds but of death and decay made manifest upon the world.

The other hosts don't seem to care they are withering away, barely protected by the presence of the power forced inside of them. They smile and laugh along with the central body even as they stand within growing wreckage, extensions of this madwoman who don't even realize they are party to the destruction of the knowledge gathered inside this node of voyeuristic trespass. All because she must break open the puzzle before her. Immediate gratification overcomes all thought of long-term satisfaction, or any pursuit of future goals. Insanity and stupidity, wrapped up in one neat little package spread across a reveling mob.

She invades my thoughts as if she had a right to my innermost being. As if she had a right to my joy and to my sorrow. As if she had a right to my hopes, my fears, and my shame. But that is who Margaret Zeal is. She is a monster who would pry open everyone she meets to see all they are, have been, or ever will be.

"Because I have to know!" she screams through dozens of throats as a hundred hands reach for me, trying to drag down your body as she and I careen through the air. "So many secrets! So many mysteries! I have to see how far it all goes!"

It is grotesque, a violation of mind and spirit.

"Speak your words!" Margaret bellows. "Don't hide from me in the depths of this pathetic sack of flesh!"

I slam the head of this central host, this body the tendrils that make up Margaret Zeal's soul have gathered around, into one of the radios. Metal buckles, bone breaks. The crunch echoes even above the screaming of the other bodies, reverberating through them like phantom pain as they recoil.

"Fine," I say through your mouth as I curl it into a sneer. "You disgust me. Everything you are is offensive in my sight, and I will not abide your presence."

Margaret Zeal twists in my grip to look up at me, silver light leaking through the ruin of this face to create a rough facsimile of flesh, and she smiles. "Better."

With a roar she forces me back, and I stumble into the waiting arms of two of her other bodies. Margaret Zeal cackles and wraps both hands around your skull, bringing the broken visage of this body close to your own. Silver light flashes from where the right eye used to be, the caved in skull dripping stale blood and atrophied brain, and once more we are drawn back into my past.

I collapse to my hands and knees, gasping for air as bloody sweat drips down my face to water the rocky ground. The wind that kisses my skin is warm, the sun hanging high in a clear blue sky to cast long shadows, but it is still blessedly cool compared to the raging furnace boiling up from my core. It brings with it the scent of stone and dry grass, all washed out by the coppery stink and taste of my own blood as it dribbles past my lips.

I raise my head, shaking with the effort, and what I see makes me smile even though my stomach wrenches and I have to fight the sudden urge to vomit. Through the red blurring my vision I perceive one flat stone grinding against another, and from the space between them wheat is ground down into powder. No hand turns the stones, nothing does save for the echoes of my will as I pull even now upon the tenuous threads drawn forth from the slow decay of life.

"Not bad," my teacher says in his rough voice, like iron scraping over leather. Manus McCullough sits behind me, but I know he's stroking that ridiculously long beard of his like he always does when something surprises him."But if all you wanted was a millstone then there are easier ways to manage it."

He's not wrong. It took me several minutes to draw forth the power to accomplish this, cupping my hands to gather droplets of power misting up from the dying earth. Countless millions upon millions of lives have ended here, as they have everywhere, releasing potential with their termination that lingers until one with the right will and drive might come along to make use of it.

And I have used such incredible possibility to accomplish what one might with a water wheel.

"I was testing something," I say, forcing myself to my feet. I turn to face him and only just manage to keep from falling over again."Needed to see how much output I could achieve with my input."

"It's a waste of your talents," Manus says, waving a hand. His walking staff is resting across his knees, though he hardly needs it despite how old he is. Eighty years and he barely looks a hair over sixty. A testament to good living and great skill in necromancy to keep himself vigorous no matter his wrinkles. "What's the point of all this, Ellowyn? I've taught you everything I know, and you use it on these strange flights of fancy. Is this really what you intended when you came to me all those years ago, begging to be my apprentice?"

"I did not beg," I reply, wiping crimson sweat from my brow with the back of my hand. "I demanded."

Manus laughs, slapping one wrinkled knee jutting out from beneath his robes. He stands up, coming to his full height. It isn't much, the skinny old man a full head shorter than me unless one counts his wild mass of white hair. He pulls a strip of cloth from the sleeve of his robes and holds it out, which I take gratefully to clean my face.

Behind us, the soft grinding of stone on stone cuts through the breeze as it whistles through the rocky hills. I'm still focused on them, still making them turn against each other. It doesn't take much now that I have the process started. A dull pressure in the back of my skull, always present but not especially taxing.

We often go through little periods of silence in our conversations, Manus and I. We've known each other for over almost a decade now, and that time has brought a certain degree of comfort. But it always reminds me of an earlier time, sitting alone with my brother, and my heart aches. It should have gotten easier, accepting that he's gone. Perhaps it has, but pain is pain no matter the degree. It hurts all the same.

"You asked what the point of this was," I say. "Imagine if those slabs were made from todstein."

He pauses, stroking his beard again in thought. Then he shakes his head and says,"No… No, it still wouldn't work. Not this way, at least. It would cease the moment your concentration broke, no matter what power was released."

"That's true, but it opens up new fields of research," I say. "It's a wondrous material, what the Auschlans discovered. The essentia of death congealed into physical form, compressed by the earth like coal."

"Dangerous, is what it is," Manus replies. "We can do so much with it. Perhaps too much, and that is giving some beyond the enlightened circles of our peers disturbing ideas."

"It's an era of new and disturbing ideas. After all, kings are being overthrown."

"And a new one will be set up in his place!" Manus says, waving a hand dismissively. "Or the aristocrats will set up some other way to govern themselves. That's their prerogative. Regardless, it's not the world shaking new era you seem to believe it is."

"It's different this time," I say. "This war to overthrow the monarchy. People are tired of kings, tired of being denied what they need to survive because of the whims of distant rulers. It's something our lot should be involved with, to help shape what comes next. That's what I'm trying to work through here."

Manus frowns, his bushy brows narrowing as he considers me."If this is about your brother's death-"

"He died alone, far from home, and to no purpose," I snap, throwing the bloody cloth aside. The wind takes it in its grasp, twirling it around us where it drips the crimson of my life in a rough circle before flying off to parts unknown. "I know I can't bring him back. You made that perfectly clear. But if I can ensure what happened to him doesn't happen to anyone else, then don't I have an obligation to try?"

"So I was right," Manus says, shaking his head. "We are scholars, advisors, not the ones who take the reins of history for ourselves. That way lies danger, unintended consequences. You are powerful, Ellowyn, but your grief will destroy you regardless of your abilities if you do not watch where you step in pursuit of your ambitions."

He turns away before I can reply, a frustrating habit of his when he feels there's nothing more to be said on a subject. I pick up a rock, filled with a sudden urge to throw it at the back of his head. The wet, sticky feeling of my blood on the stone stops me short. I look down at it, considering the thing and the mad impulse that drove me to take it in my hand.

Then I let it fall to the ground. I have more important matters to attend to, more important pursuits. Manus is not a foolish man. He will come around.

He will have to after I show him all the wonders we can create.


"You're so old! How? How are you so old?"

Spittle and worse things erupt from the mouth Margaret Zeal has stolen as she shouts those words in my face. I wrench her hands away, launching us both to the far wall with its map of Alba. Other possessed bodies are flung all directions in my charge, and the map cracks down the middle with the force of our impact.

Dust rains down on us, the whole building trembling as more pulses of purplish black burst out from our struggle. In the distance there is a high-pitched whine, the Kordian Satellite straining to keep up a steady output of power even as I and my enemy draw forth ever-more necromantic might. I have set your hands around her throat, squeezing so tightly your knuckles are turning white. With my strength even your skinny fingers can unleash startling amounts of force.

Something Margaret Zeal notices as the windpipe of this body begins to pop beneath my grip. The manic glee in those silver eyes finally turns toward concern, perhaps even fear as she brings up hands to pull apart your fingers. Slowly, arms shaking, she draws me away and takes a breath her failing body requires.

"You lived before parliament, before the Engine, before the Senate!" she cries with a voice like breaking leather, blood dribbling from clenched teeth. "But those who linger after death only appeared in the last sixty years. There wasn't enough energy before then! How can you exist?"

"I am under no obligation to share my secrets with you," I reply before throwing her across the room. Ten bodies form up, two lines of five, and catch her before she can break through a set of filing cabinets. They all go tumbling, but manage to keep this main host of Margaret Zeal upright. "That you've taken as much as you have is already an insult."

"It's not enough!" howls the response from every mouth, echoing through the halls and down into the valley. More people, hosts for Margaret Zeal, are piling into the already cramped room. "I must have it all!"

Tendrils fill the air, shooting forth from the mouths of the people this parasite has burrowed her way into. Thick fibers of Margaret Zeal's spirit launch towards us like gunshots, the air shattering as her essence fills up the space like a wall of spears. With an effort of will I throw us toward the ceiling, twisting midair to land on your feet. There is no time to attempt a counterattack, however, as those spikes bend to follow after us.

I run along the ceiling, ducking and dodging and twisting as our enemy throws herself into the attack. The ceiling groans, wood splintering as Margaret Zeal takes in energy from those bodies that are dying to give herself more substance. Existence buckles under her presence, under the power we are both leaking out into the world, and the space between us grows hazy as the separation between things begins to blur.

Life and death are two sides of the same coin, neither able to exist without the other. What comes from blending the two? My hope was to create a world without suffering or want. Instead…

The ceiling collapses, sending us tumbling to the ground. Your body and my spirit are pierced before we even make it halfway, and once more our enemy laughs as she plunges her fingers into faded memory.

The air is alive. The air is singing. The air is bending to my will and my great work.

My hammer comes down, and with it come over four dozen more in the hands of the revenants under my control. Another two dozen work the bellows, feed coal into the furnace to keep the todstein beneath us hot. So much todstein, gray even as it glows. More todstein than I have ever seen before, gathered at great expense by those who believe they will direct the course of the future.

I have little attention to spare for the rest of the room, for the people inside who are watching me make good on every promise. Men and women from the newly formed parliament, lords and ladies from old families. They have built this place for me, this forge, so that I might create my engine.

In truth, it is just a large warehouse made from bricks. The forge itself is an enormous pit of fire, the bellows directing the heat up to the massive raised pan holding the todstein as it melts and congeals together. The smell is overwhelming, the smoky heat of the fire mixing with the sweet scent of rot released from the metal as it is worked.

The operation takes up most of the space, over one hundred feet across. Sparks fill the air, float gently like leaves before dying upon the dirt floor. They singe my skin, my hair, but I have no time for such discomforts.

So many eyes watching me, judging as I work. I bring the hammer down again, the others moving in sequence. I have never controlled so many revenants at once before, never split my power so many ways. Something is breaking within me, something fragile and precious, but I cannot stop. With every strike I force my intent into the metal of death and shape it as I please.

Unintended consequences… I've not forgotten your warning, Manus. I am under no illusions about what these people, my benefactors, want. They desire power and wealth, in pursuit of which they have funded my efforts here. But what I am forging will lift everyone up, and they will have no choice but to move with that rising tide or drown like the royal family did.

I bring my hammer down again. The todstein is blossoming red, the gray finally washing out. Every ingot has melted together, filling the pan to form a perfect disc. My muscles scream, and my spirit buckles. I push onward, raising the hammer once more, and when it strikes it is like the tolling of a great bell.

I exhale, forcing the revenants to do the same. My breath, that of a living woman's, and the breath of so many dead are locked into the todstein as it begins to rapidly cool. The fires beneath flicker, then die as I wrench oxygen from the coals. The room is suddenly cold, plunged into darkness as the night outside finally pushes in with the fading of the furnace.

Despite the lingering heat I am dry. I stopped sweating early into this process, when we began so early in the morning. The continuous work has feels as if it has forced every drop of water from my body, and I sway dangerously as the my vision shifts. A twitch goes from my hands and up my arms, and soon I am shuddering in place.

I am so tired, but I cannot stop now. Gritting my teeth, I force the revenants to take up chisels. As one they slam them into the pan, cracking it open. The debris is taken away, and I pull out my own chisel. I scream as I strike my hammer upon it, and with all the force I can muster I control the breaking of the metal such that it forms two perfect discs where once was one.

The revenants remove the great circles from the pan's supports set them next to each other, and if the room was cramped before there is absolutely no space left now. My patrons, watching me with barely contained awe, scurry away to the door and observe from outside as the revenants chisel sharp, angular designs into the discs. They will grate against each other, grind in just the right away to make manifest my desires.

The dead men and women step back when they are finished, my command to them complete. Now there is only one final task… But there is so little left to me now. I have poured everything I have into this engine, everything I was and everything I will be.

But it is not yet finished, and so I walk atop the first disc and pull out my knife. For though I may lack water, I still have blood. And blood is the water of life, that which connects us to fathers and mothers, to sisters and brothers…

I slash my wrists and let my blood flow. Now is the most dangerous part, for I must use necromancy to keep myself alive and make more blood even as it leaks out from me into the carved impressions upon the discs. I cannot feel the pain. That is not a good sign, but I do not let it stop me as I dance across the todstein and let my life soak into it. The gray metal drinks it up greedily, and soon enough there is a red sheen set within every groove.

I stomp my feet, throw my hands up and around as I cry out wordlessly to god and the world, to anyone and anything that will listen. For this is my work, my life, and it will change the arc of history. I am Ellowyn Kordell, and it is here that I leash death in service of the living.

I do not know how long I dance, but I notice when my legs give out. I collapse in the space between the discs, and most of my revenants fall with me. But one stays upright. What was once a woman comes and bandages me, a spike of todstein piercing her skull. An experiment, and a successful one. She requires so much less concentration, yet I only had so much metal to spare. Still, I direct her to bandage my wrists and bring water to my lips, to which she complies quickly.

The aristocrats outside are applauding, whether to me or to themselves I do not know. Ultimately, it doesn't matter. I've achieved my goal. They can preen and strut all they want, but in the end it is a girl from the Kaledon countryside that achieved the impossible.

Though not without price. Something is broken inside of me, something that refuses to heal as I direct my energies inward. I pushed myself too far, too fast, burning my life away. How much time will I have left?

I am distracted from the thought as my hand brushes against one of the todstein shavings let loose from the engraving. They are scattered across the room, thin but in great quantity. I have no more use for them in this project, but perhaps I shall turn this excess into jewelry.

That would be a fitting memento.


"You made the engine!" Margaret Zeal crows. "You made all of this possible. Made me possible. Necromancy, spirits persisting after death, you created it all! Almost two centuries of history hidden away! Oh, how wonderful!"

We are hanging limply in the middle of the room, pierced on all sides by dozens upon dozens of lancing filaments that make up the existence of this horrible woman. You bleed, and I bleed with you, red mixing with ephemeral silver that mists almost instantly around us. We are bound, held tight in the web this spider has wrought of her soul, and she is drinking deeply of us.

How easy it would be to simply give up. How easy it would be to wallow in the magnitude of my mistakes, my naivete. For Margaret Zeal is correct. This world, broken and filled with misery, is my creation. I wished only for the living to have every need met, so that no one need suffer as I did the pangs of loss. Instead, I have allowed the greedy, the selfish, and the mad to persist long after their time should have passed. They dig their fingers into the flesh of creation, tearing out great chunks and devouring without thought or care for the harm they commit.

I deserve final death. I know this. I accept it. I bound my soul to my jewelry, to the cast-offs of the engine I made, in the hopes I might see beauty wrought from my vision. Instead there is only nightmare, horror so deep as to drown out all light. There is only a world where the powerful grow ever more so, trampling over the great mass of humanity forever.

Yes, I deserve final death. Even more, I desire it. But that is not a luxury I can allow myself.

Because inside I can hear you begging for forgiveness, begging Kendra and Fatima and so many others for a mercy you do not believe you deserve. Because you think yourself weak, and cowardly, and broken. But you are more than your failings. There must be hope for you, not just for a better world but so there may yet be hope for myself.

With great effort I move your fingers, grasping as many of the strands of Margaret Zeal as I can. She is still cackling, ranting about she has uncovered another great mystery hidden in the depths of the past. Thus she does not notice until it is too late as I ignite ghostfire directly onto so much of herself.

The scream is deafening. It comes from many throats laid atop each other, echoing strangely in this brittle space. Without blood to extinguish them the flames race across the tendrils and burn away Margaret's spirit. The tendrils pull out of us, flail wildly and set the room ablaze. Silvery fire spreads without limit, will continue to spread until there is nothing left.

But there is something we must do before that happens.

I emerge from you, towering and immense. With many eyes I see our enemy, and with many hands I strike at her. Every body in this room is overflows with me, with my disgust for her and her obsessions. They fill these hosts of Margaret Zeal, and so there is no room left for her even as she burns.

Much like myself, her natural shape is not human in form. It is a writhing mass, threads upon threads upon threads. They clump together, pushing and pulling, and a vague face begins to take form. Nebulously feminine, it screams in rage and horror as I bring myself down upon it.

I break, and I flense, and I drink in everything that does not evaporate into the ether. It takes a surprising amount of time. The soul of Margaret Zeal, with all its stolen memories, is not deep. It is, however, wide. Much escapes me, as it always does in this inexact process, but much is consumed as well.

And with Margaret Zeal's destruction, I finally have what we have sought.

Randall, I say, speaking directly to you rather than using your lips. There is too much smoke, and those who have regained consciousness are screaming as they run outside to escape the flames. I move your legs to join them. Randall, I know where the engine is! I know where they moved it!

You have been weeping, crying in the corner of your mind where I set you after Margaret Zeal's assault. But as I slowly relinquish control, as we come out into the open air, sobbing babble begins to fade away. You fall to the ground by the fields, crushing stalks of wheat beneath you as the survivors who were once host to a madwoman watch this facility burn, and I give you back full control of your body.

"You have it?" you whisper, as if raising your voice might shatter you once again. "Truly?"

Everything hurts. We have been struck again and again in mind, body, and spirit. Weariness rests on your shoulders not as a sensation, not merely a lack of energy, but like a fundamental law. You feel as if you might never be without pain again, might never be truly alert. It is as if some essential vigor has been torn away, leaving you raw and bleeding.

Even still, I can feel hope rise within you. Hope that your suffering has not been for nought. Hope that you might finally see your daughter free.

Yes. We need to get to the capital. We need-

The boom of an explosion cuts me off, a machine gun nest on an adjacent building bursting in a gout of broken concrete. The nests on the other buildings direct their attention upward, the revenants manning them releasing staccato bursts of fire toward the zeppelin that emerges from out of the cloudy night. It responds with its own machine guns, with even more bombs, and the defenses crumble.

The screaming resumes, people who have only just awakened from a terrible dream thrust into a holocaust of noise and scorching inferno. From above, ropes are thrown down and armored revenants begin to descend. They do not care about the bullets denting their armor, or tearing out great chunks of flesh. They have a mission, directives to fulfill, and they will see them done no matter what stands in their way.

Like the terrified, sluggish people trying to run. Men and women who have only just come back to themselves fall, torn almost in half by hails of bullets where they are not ripped apart by the heavy bombs falling from the sky. It seems your earlier wondering about how the Everlasting Senate could allow Margaret Zeal to get away with defying them now has an answer.

They did not.

If you were fresh you might be able to fight off this force. It would require my help, but together we could pull this vessel from the sky and send it crashing to the earth. We could save these people, confused and so recently freed from bondage, from the slaughter that goes on around us.

But you are not fresh. You are exhausted, wounded on a such a level it defies description. In truth, I am little better. Margaret Zeal struck at me directly, giving me less than I might normally bring to bear to heal your wounds.

So you run. You run for the river, away from guns and bombs and fire. You run on all fours, scrabbling like an animal, and it is only luck that you manage to escape the full concussive power of the bomb as it erupts behind you like a hammer the size of the world.

You are taken off your feet, tumbling through the air with no control. Your limbs flail wildly, moving not at your direction but with the mercurial direction of the wind as it turns this way and that in response to the chaos. You can see nothing, your vision reduced to spinning darkness and flashes of light. You can hear nothing, reality having become nothing but a high-pitched cry that adds a new layer of pain to your existence.

Then you strike the river, slapping the water so hard the breath is stolen from your lungs. Breath you need as you sink, taken in by the river's flow. You struggle weakly, trying to keep your head above the waves, before sinking down into its depths as you are carried away.



And with this, we complete the second arc of Dead Engines. Wow, but this one took a lot out of me. Grew larger than I expected, too. I'm not upset about it, though. Ellowyn needed her own time to shine, and considering how much focus has been on Randall it's not too surprising she needed a big update almost all to herself.

The next update will be another interlude, though it's going to be a bit before I get to it. Still, we're coming upon the endgame. Your choices have made an impact on the world, and there are other forces in play than just those of your enemies.

Thank you all for staying with me for the Quest so far. It's been a great time, and I hope you stick with this story to the end.
 
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