Interlude 2
"Coffee, please," I tell the waiter. "Cream and sugar, and the day's newspaper if you have it."

"Right away, Ma'am."

I turn away from him as he goes off to set up my order, looking out at the crowd. The sun is just beginning to set, and people are making their way home from jobs in factories, offices, and any of the other numerous businesses that make up the capital of the world's most powerful empire. Most are walking, but the tram system does an admirable job transporting those who live further from the city center. There are even some automobiles, a luxury becoming more and more available with the encouragement of new production practices. Assembly lines of revenants putting everything together, piece by piece.

All in all, it creates a bustling cacophony that I find strangely soothing. One can get lost in the noise, almost hide in it, and sometimes that's pleasant. People talking, tram bells ringing, car horns honking… I could do without the smell, though. All this burning petrol, along with the smog from the factories closer to the river, fills the air with a caustic stench to make the eyes water.

"Hey! Hey, you!" calls out a rough, rasping voice from the alley behind me. "You're that senator! The dark one from the colonies!"

I briefly close my eyes, bracing myself with a deep breath, before turning in my seat to address the man stumbling from the shadows between the cafe and the building next to it. He is dirty and disheveled, the grease staining his shirt a sure sign of a factory worker. In one hand he holds a bottle, and even amidst the miasma of the city I can smell the booze wafting from it and the man's breath. He walks out of the alley, pausing briefly to keep the cap on his head from falling as he stumbles.

"I'm senator Fatima Hajar, yes," I reply, forcing a smile. "Is there something I can do for you?"

"Yeah!" the man shouts, waving his arms. The motion almost sends him tumbling. "You can stop saying all those awful things about our soldiers! They're fighting for us, against Galt and Iber and those savages down where you come from. Keeping Alba strong!"

"I don't recall saying anything negative about our soldiers, sir," I say. "Just how the military is being used."

"It's the same damn thing!"

He comes closer, and I rise to my feet. At this distance he could smash the bottle against my face, or simply lay his hands on me. Slowly, I reach for the collapsible baton in my suit pocket. This isn't how I wanted to end my day, but if I have to…

"Is there any trouble here?"

The man, face ruddy with drink, goes ashen and backs away as a uniformed officer walks across the street flanked by two revenants with todstein spikes in their skulls. I spare him a glance, pale and blonde and smiling with all his teeth, before looking back to the man who may or may not have been about to make a terrible mistake. Something he seems to realize as fear overcomes the bravery only strong drink could bring with the revenants walking closer, deathly silent in their hulking metal armor.

"No, no trouble, officer," I say, giving the drunk a meaningful look. "Just a concerned citizen addressing one of his representatives. Nothing to worry yourself over."

"Right," he says, taking off his cap to wipe sweat off his brow with it. "Yeah, just voicing my opinion. Ain't no law against that."

"Not currently," the uniformed man says, still smiling. "Off with you, then. No need to trouble the senator further."

The man tips his cap and mumbles something incoherent as he all but runs into the crowd. A few yelled curses from those he bumps into, and then he is out of sight. I turn to the police officer, keeping that smile on my face as I rest a hand on my table.

"I don't think he was going to try anything, but you have my thanks all the same."

"Just doing my job, senator," the officer replies. "Be careful, all right? You never know might happen on the streets at night, even in our fair capital."

I nod and continue to smile, keeping my eyes on him and his undead assistants until they too vanish into the crowd. A breath I hadn't known I'd been holding escapes me, and it takes all my effort to sit properly rather than collapse into my seat. My heartbeat is going faster than I would like, pounding in my chest, and not because of the drunkard.

When the coffee comes it is a welcome distraction. The waiter must have witnessed the exchange, but kept his distance while the officer and his revenants were near. A wise policy, all told. It does not bode well to garner the attention of such people. At best they might ignore you, which is the preferable outcome. At worst they might corner you later to ask pointed questions you don't have the answers for, and then take the opportunity to abuse the jurisdiction they have over the populace.

All for the sake of "maintaining the authority of the law," of course. Though this officer didn't strike me as someone on a power trip. No… His ready presence implies something rather more disturbing, but not anything the young man serving me need concern himself with.

I thank him and take a sip of my coffee. The black liquid has become a delightful shade of brown with the cream mixed in, and between that and the sugar they create a wonderfully bittersweet flavor that I don't know what I would do without. There are days I practically live on coffee, forgoing meals so I can have more time to get work done.

Work like I'm doing right now.

The message is hidden in the newspaper I was given, the shop owner having underlined certain words as instructed to when approached by people who for both their safety and my own I have never met. It's short and to the point, as these things must be, and when I take this paper home I'll burn it in my fireplace.

Meeting tonight. Important developments. Colonel.

That draws a frown from me, but I continue the act of reading the newspaper even after receiving the message. Appearances are important, and the coffee is good. I have the time to enjoy myself a little before getting to the night's business.

The rest of the newspaper gives me much the same as reports that have come to my office, if cleaned up and adapted for public consumption. Military recruitment issues are spun as "Our valiant men and women in uniform finding clever solutions to problems in the field." Tensions with Galt and Iber are sold as "We must prepare for the foreign threat to our shores." Meanwhile, discontent in the colonies becomes "Ungrateful malcontents waste Alban lives with needless chaos."

Naturally, even peaceful protest is lumped together with violent terrorism because why should anyone have issue with Alban rule? It's not as if people are exploited and brutalized for the sake of the empire's industry. You won't see such things in the reputable papers, and anyone trying to publish the actual truth is hunted down by those like that smiling police officer with his club-wielding revenants.

Alba is teetering. It's not over the edge yet, but all the signs are there and everyone is happy to keep rushing toward that cliff. And why? The true reason, one that will never get put in the papers, is that there's too much money to be gained in the short-term to care about anything like sustainability. Growth is everything, ever more resources going into a bottomless devouring maw to appease hunger that will never be satisfied.

But no, when war eventually breaks out it will be because the rest of the world is jealous of our prosperity and hates us for noble yet conveniently nebulous concepts like our "culture" and "freedoms." Never mind that the former has become an increasingly hollow justification for ostracizing anything that doesn't fit what is considered socially acceptable norms, and the latter has been a joke for decades.

God, I'm depressing myself. It's time to go home and prepare.

The newspaper goes into my purse and I leave a good tip for the waiter. After that, it's on to the tram system and back to my house. The trolley dings as it approaches its stop, and I take the chance to hop on. There are no seats available, but I'm fine with standing.

The passengers around me give space, but not much. I've avoided the rush, but people are still in the process of getting back to their homes. They're a dirty bunch, grimy from long hours. Inevitably, some of that gets on my nice red suit as people jostle into place to better squeeze into the tram. Sweat and oil assaults my nostrils, bitter and acrid enough I can taste it all through the lingering remains of my coffee, and I can't help curling my nose.

I could afford a car, but prefer to take public transit. Not only do I have an image to maintain, that of a politician fighting for the common man, but it reminds me of why I'm doing this. It's one of the reasons, in any event. I can't forget my most important one, my primary focus.

Kendra… I will save you or die trying.

I look out at the city as sparks rain down with the trolley starting up again. Tall, impressive buildings made of painted brick show tenement houses with shops on the bottom selling any manner of goods. Salted meats from holdings in Galt, fruits from Iber, and even textiles from my native Marak. Not to mention whole buildings devoted entirely to the latest in machinery, like automobiles and radios.

Money changes hands every second of every hour of every day, with well-dressed patrons enjoying spoils from all over the world to delight themselves with. Cafes like the one I just left are also a common sight, as are dance clubs where the latest in music from peoples across the empire are mixed together in new and exciting ways. Lamplights are lit to help facilitate this ongoing merriment, people laughing as they go from one entertainment to the next in a city that never truly sleeps.

Yet the spaces between show not everything is glittering and glamorous. In the alleyways I see broken up hovels made from scrap, dirty cloth and rotting wood broken on the ground where the police stormed through just weeks ago. The results of Aidric Dunstan's proposal criminalizing homelessness. Not that he called it such, of course, but it can't be anything else when the only options given are to join the military or be forced into a workhouse prison to labor until their bodies give out. After which their bodies will be taken, todstein spikes jammed into their skulls, forced to serve the empire in death just as they did in life.

My stomach twists looking at those sights again and again as the tram moves on, and I take deep breaths despite the smell in order to settle myself lest I retch. I hadn't been able to rally enough votes in time to oppose that measure. Too many of my colleagues in the lower chamber had to be convinced this was a terrible plan, one that only hurts the most vulnerable among us, and by that time the window to contest the motion had passed.

It's a relief to get out at my stop, to get away from the stuffy car crammed full of people trailing past the broken remnants of human misery. I take a few minutes in the lamplight to compose myself, then take off down the street. My home isn't far, but I have a meeting to get to and don't wish to linger outside at night any longer than I must.

The winter wind is cool across my face, though warmer than I remember even from just a few years ago. The light from the lamps reflects off my dark skin, making me shine. I am beautiful, even rumpled as I am from the tram. My hair is straight, done every morning to hide my natural curls, while my face is symmetrical and without blemish.

Yes, I am beautiful. I know this, and I use it. I need every advantage I can get, and being both attractive and unmarried sometimes gives men certain ideas when I require them to be more tractable in the Senate.

A place I angle to be distant from while in recess for the upcoming holidays. Perhaps I'll venture out from the city for a time, take a visit to the countryside. Anything to get away from Alba the city even if I cannot afford to get away from Alba the empire.

Not a very original name as far as capitals go. Alba, the capital city of the empire of Alba. But I've come to realize this is just how these people think. Alba must be grand, thus its leaders must be grand, so people must associate their seat of power with the empire itself.

Image and presentation. That's how this game is played. If you do not act in line with your station then you very well might find yourself losing influence, cut off from the connections required to move the world in ways you desire. Even I have to go along with that to a certain extent, though I twist it in such ways I find more palatable.

Like with my home. It's a simple affair, but I know as I walk up the steps this is a neighborhood full of well-to-do people. Two-story houses, three at most, with stone foundations and brightly painted wooden facades. As well, each has a small garden attached to a backyard where one might hold social functions. Large enough to comfortably hold a family and servants, along with the occasional guest.

It's nothing compared to the manors some of my colleagues live in, all in relatively close proximity to the Senate building itself rather than near the outskirts like with my neighborhood. Those are sprawling estates, some even with carefully maintained forests and parks for those old families to take their ease in with activities like hunting or horseback riding. Those are the truly wealthy, but my house shows enough class that I cannot be said to be embarrassing the institution of the Senate.

God knows I get enough pushback from those bastards in the upper chamber as it is.

The door opens before I even have a chance to pull out my key. Aysha, my maid, steps to the side with a bow and gives me room to enter. She's shorter than me, and plumper, but that thin layer of fat hides strong muscle she's had to use on my behalf on more than one occasion. Her skin is lighter than mine, though still dark, and she keeps her curly black hair tied back in her bonnet.

"Good evening, Miss Hajar," she says as she takes my purse and coat. "I trust you had a pleasant day?"

"Not really," I reply, pulling the newspaper free before Aysha could walk away with it. "And it's not done yet. Do you have a fire going? I need to burn this."

"Ah… So it's to be one of those nights, then?"

"I'm afraid so. If anyone calls on me let them know I'll be indisposed for the rest of the evening."

Aysha nods, moving over to the windows and closing the curtains. Together we watch the newspaper burn in the fireplace. It's a small thing, set into the wall of a modest living room set with a low table and plush chairs for receiving company. The ink turns the flames green, giving off a sickly light, before everything finally crumbles to ash. I take out the iron poker and stir the dust just to make sure everything is properly destroyed.

"There have been people watching the house," Aysha says as we make our way to the basement. "Watching the whole street. They drive by in cars, taking slow trips up and down the road. Sometimes they idle, as if enjoying the day, but they are always watching."

"The same car, or different ones?"

"Different cars, Miss Hajar," Aysha replies. "But the same people. They come in shifts."

"Hmm… We'll need to be careful about who we bring into the house."

The sound of our steps is muffled as we walk down into the basement, sturdy wooden stairs and stone walls taking in the vibrations of our presence and giving nothing back in return. Most of the space is taken in with either furniture put in storage or shelves of preserved food, giving the room a claustrophobic feeling. The darkness doesn't help, and even the lantern in Aysha's hand does little but cast strange shadows that dance along the walls and hide amongst the clutter.

One shelf moves away easily on a hidden hinge, its wheels cleverly set into a groove in the floor. Its back is as strong as the door to my house, and only capable of being opened from this side. Beyond is a hole carved into the stone, leading out into darkness. The smell wafts up to meet us almost immediately, the reek of human waste and chemical runoff a faint stabbing sensation now that the barrier has been removed. Aysha hands me a scarf, which I tie around my mouth and nose, and I take the lantern from her.

"Please wait here for my return," I tell her. "This hopefully won't take too long."

"As you wish, Miss Hajar."

Then I am down into the sewers, ducking low to keep my head from scraping the top of the tunnel, and Aysha is closing the door behind me. I hate asking her to wait, but there's no avoiding the necessity. Someone has to open the door, and it's too much of a security risk to give free access to my home.

A brief foray through the carved out passage takes me into the sewer proper, and I shift a portion of the wall aside to step out onto the walkway. The slowly moving sewage beside me is not as bad as one would find closer to the city center, but it still makes my stomach lurch and burns my lungs even through the scarf. A coughing fit takes me, and I put a hand on the wall to keep from hunching over. But the smell isn't going to get any better, so after a few moments I press on into the darkness.

The walk, thankfully, is brief. Colonel Blackwell does not live far away, and the journey is mostly just a straight line from my house to his. But I still cannot help but jump at every sudden noise, pull close to the wall with every movement in the stagnant air. The drip of water, the creaking of metal and stone… Sound echoes strangely down here, as if the earth itself protests my intrusion.

It is a relief when, almost half an hour later, I come to the hidden wall leading to a tunnel similar to the one connecting my own basement to the sewers. I open it, rushing inside and closing the door behind me. The smell is still present, but so separated it is no longer quite so cloying. I take off the scarf, close my eyes, and breathe deep.

"Rough walk?" a familiar voice asks, and I open my eyes to a young woman with pale skin and shining green eyes smiling at me. Stocky and strong, with a face like a brick wall framed by short brown hair, she looks more like one who works construction than a university professor. "Wish it got easier, but it never does."

"Were you waiting for me, Alice?"

"As a matter of fact, yes," Alice Finlay says, pushing off the wall. She's wearing a blue dress and a thick leather jacket, both stained from her own journey here. The tunnel is small, barely large enough for us both to crouch in, but she still comes close. "I was hoping I could get you on side before we deal with whatever has Blackwell in such a tizzy."

"On side for what?"

Alice scowls. "You know what. I'm tired of waiting, and I'm not the only one."

"We've talked about this, Alice," I reply, pushing past her as best as I'm able. "Open conflict is coming, but I'm not going to encourage leaping into action just because you're itching for it to start."

"Why do you restrain yourself?" Alice asks, grabbing my arm. "You can see the writing on the wall as clearly as I do. All those fat cats in the Senate, all those moneyed interests directing them, they're eating us alive! The whole damned country! We have to act!"

"We must be sure it is the right time to act. We only have one shot at this."

"How can you wait?" Alice asks, her voice coming out in a growl. "Your daughter-"

"Yes, my daughter," I snap back, wrenching my arm away as I turn to face her. She flinches as I move my face right up to her own. "Who is being possessed by a monster. My daughter who I will do anything to see free, even if it means having to wait for the best moment to strike. Because failure means Aidric Dunstan owns her forever. That is unacceptable. And if I can wait, then you and your contacts in the universities can wait."

We stare at each other in silence. On Alice's face, so wide and expressive, there is a resigned weariness laced with anger and fear. Anger at the world, and fear for it. But it's directed at me, as well. Because while I can't be sure what face I'm making, I know for damn sure what comes across in my eyes. I won't budge on this. Any possibility of defeat cannot be tolerated, not against an enemy as vast and callous as the one set against us.

Alice is the first to look away, her lips twisting in the riotous display of emotions still crossing her face. To a degree I empathize. This is the world she and her students are going to inherit. It only makes sense that she demands action.

Slow, careful deliberation can be torturous when everything is coming apart at the seams.

I knock on the door in a rhythm of two, three, and then two again. That's the signal that we're allies and not police or military attempting to sneak close for a raid.

The door, hidden behind the bookshelves lining the walls, opens up into another basement. Unlike mine, this is more like a smoking lounge than a storage room. Above is a small electric chandelier, a carpet of interlocking geometric patterns lines the floor, and in the center are a number of plush couches around a small table. At that table are three men, all of whom look up as Alice and I enter.

"Fatima," says a man a few years older than me in a well-fitted black uniform with its golden epaulettes, gray at his temples and in his neatly trimmed beard. It mixes well with his naturally black hair. "You didn't need to take the sewer route. No one would bat an eye if you'd just gone in the front door."

Colonel Gavin Blackwell is a large man, tall and broad of shoulder, with a face lined before its time with stress. He smiles, and I wish I had it in me to smile back. I'm too tense, lightning racing through my blood, so I don't respond to the carefully managed "romance" he and I have been cultivating in order to distract from why I visit him so often.

Though perhaps there's more truth to those rumors we've developed than we might admit to our fellows. The colonel is easy on the eyes, and I've noticed him glancing at me when he believed I wasn't looking. I certainly wouldn't object if he proposed. At least, I wouldn't if we manage to accomplish what I fear we'll be forced to attempt very soon.

We're not the first group to work against the government. We're not even the only one, if reports of violent unrest simmering up in the Kaledon Highlands is accurate. That's not even getting into the assault at Kirwick a few months back. Alba has plenty of enemies within its own borders who are more than willing to get their hands dirty.

To the best of my knowledge, however, we're one of the longest-lasting. Those who lead the empire have a vested interest in crushing dissent when it arises, and more than one conspiracy has been broken over the last century. Blackwell and I came together in common cause a little over ten years ago, slowly gathering like-minded people in a loose network to share information and aid.

Then the upper chamber passed its law on the act of possession, stole my daughter from me, and things had to change.

"This meeting is dangerous and stupid," I reply, taking off my suit jacket. I throw it across one of the couches and glare at Blackwell. "I'm being watched. I'm sure some of you are as well."

Blackwell's eyes narrow. "How do you know?"

"A police officer responded immediately when I was being accosted by a drunk," I reply. "There have also been cars with the same people going up and down my neighborhood in regular intervals. It's sloppy, but that just means the people observing me have either gotten careless or Dunstan wants me to know I'm being watched."

"It might not be as bad as you think," Blackwell says. "Military Intelligence has been asked to step into roles normally reserved for other departments. Something has happened in the Intelligence Bureau, and that gives us a window of opportunity."

"Yes, you mentioned that," a small, reedy man in a gray suit with thinning blonde hair says from one of the other couches. He darts his blue eyes from the left to the right, wringing his hands together. "Do you know anything more?

"I've assigned some of my people to follow up on it, Jacob. We'll hopefully have more information soon."

"Please let us know when you do," Jacob Hanley says, leaning back onto the cushions. They swallow up his small, skinny frame as if he were made of sticks. "Too many unknowns are bad for business, especially the kind of business we get up to."

"Lighten up, Hanley!" the last man says from the other side of the same couch, slapping the back of it with one large, calloused hand. He laughs as Jacob flinches. "Blackwell might be almost as stuffy as you are, but he's solid. He won't steer us wrong."

"I appreciate the vote of confidence, Fergus," Blackwell says wryly. He waves a hand at me and the still sullenly silent Alice. "Sit down, you two, and close the door. We've matters to discuss."

Fergus McCoy laughs again, his green eyes twinkling beneath a rough mop of red hair, and reaches for the bottle on the table. He pulls a small metal cup from the pocket of his denim overalls and pours himself a liberal splash of whatever is inside, amber and smelling of floral spice, before holding up the glass to the rest of us.

"First, a drink!"

Jacob frowns, the twitching around his eyes revealing his irritation. "Must we do this every time?"

"Rituals are important," the larger man says. He takes a deep pull from the cup and hands it to Jacob. "If we're caught we'll all hang together, so while we're alive and working in common cause we drink from the same cup."

A sigh escapes from Jacob, but he accepts the cup and drinks from it all the same. I take my seat at one of the empty couches, Alice taking the other end, and he passes the cup to me with trembling fingers. The whisky is like smoky fire going down my throat, smooth and hot. It settles in my chest like an ember, and I finally allow myself to relax a little before passing the cup to Alice.

She drinks, smacking her lips loudly to Fergus' noisy delight. Jacob, for his part, simply rolls his eyes. Then Blackwell takes the whisky and finishes what's left, exhaling sharply and thumping a fist to his chest.

"Strong as always," the colonel says as he sets the cup back on the table. "You certainly know how to pick your drink, Fergus."

"I just know people," Fergus says, smiling. "Wouldn't be good at my job if I didn't. Now, why don't you get on with what you wanted us all here for."

"I'll get right to it. Fatima already knows this, but orders have been given to the military that after six months of solidifying gains around the border of Marak we're to push deeper into the continent."

"Have to keep the war machine moving," Alice mutters. "I knew the lull wouldn't last."

"The military can't keep up the rapid expansion the Senate wants," the colonel goes on. "Dunstan's plans are a stopgap measure, buying us perhaps another three years at most before we once more run into the same issues."

"How many others in the military have noticed?" Fergus asks. "It's got to be more than just you, eh?"

"Some, and I've made inroads there. But there are… competing interests that are muddying the waters."

"You mean all the businesses profiting off of the spoils of the colonies," Jacob mutters. His hands are back to their wringing with this news, fingers gliding over each other again and again. "Along with those who supply the army with uniforms and equipment. There's a lot of money moving around from the military being constantly active and no one wants it to stop."

"The world's going to want its pound of flesh when we start running out of men and women in uniform, alive or dead, to hold the line," Alice says. She leans back and crosses her arms. "If our 'dear leaders' don't already have a draft ready to go to send me and mine out to die for them, then they'll have one soon."

"Who else in the military do you think you might be able to bring to our side?" I ask. "You mentioned inroads. Is there finally enough discontent to start pushing?"

"Dangerous," Jacob mutters. "Going to get us all shot…"

"Yes," Blackwell says, settling his hands behind his back. "I believe I might be able to convince General Crawford of the necessities we have all seen."

That makes my eyebrows shoot up to my hairline. Fergus lets out a low whistle, and Jacob shoots bolt upright to stare at Blackwell. Only Alice is silent, still sitting with her arms crossed. But her eyes gleam as she observes the colonel, standing ramrod straight at the head of the table.

"Now what makes you go and figure someone so distinguished would throw his lot in with us?" Fergus asks. "Man's a damned war hero."

"I've not done much as of yet, save put out a few feelers in his direction," Blackwell responds. "He's been recalled from the colonies for raising his concerns about the call for further expansion, as well as protesting the policies proposed for those regions."

"So the old man started to grow a conscience. Better late than never," Alice says. "You think that's enough to get him on board?"

"I believe it's worth trying."

"It's too risky!" Jacob shouts, slamming a hand on the table. We all turn to him, his face flushed with the whisky and shining with sweat. He wipes a hand across his thinning pate and goes on, turning to each of us with wild eyes. "Too much is happening too fast! The Intelligence Bureau starts suffering unknown problems, relying on the military to pick up the slack, and now Ernest Crawford is being recalled? Am I the only one who smells the trap you all are so keen on walking into?"

Silence reigns as we all continue to stare at the little man. Jacob has never been this outspoken before, normally preferring to let others talk. But the fear on his face, twisting an expression already so overtaken with anxiety, is new to all of us. His eyes are wide, his lips drawn into a thin line. He wipes a hand across his scalp again as sweat continues to pour off of him, soaking his shirt and settling the loose fabric onto his skinny frame.

At this moment he reminds me of my ex-husband. Randall also lived with fear, hiding it behind everything he did. It never released so explosively, however. For Randall, it was simply a constant in his life and ultimately what ended our marriage.

As quickly as the mania overtakes him, it vanishes. Jacob cringes at our regard, slumping back into the couch and tugging at his collar. The redness in his cheeks fades away, leaving him even paler than before as the strength brought on by the alcohol passes on. He puts a hand to his chest, taking deep breaths as he visibly attempts to steady himself.

"What would you have us do, then?" Blackwell asks, his voice deliberately soft. "Should we simply let this opportunity pass us by?"

"I just want us to slow down and think," Jacob says, so quiet I can barely hear his words. "We don't know enough, and that's more than just risking ourselves. People could get hurt."

I take a deep breath. The whisky Fergus provided is strong stuff, and that one drink I took is having an effect. Even more, I'm tired. It's been a long day, with many more long days ahead. That's enough to wear down on anyone. It certainly seems enough to wear on Jacob, who must have been holding in all his reservations until now.

Jacob looks up at me as I lean forward across the table and put a hand on his knee. He's such a slight man, so bony and thin. Although he's around my age he looks so much older with his thinning hair and papery-pale skin. This world and its cruelties weigh on him, and I'm afraid I will have to add to that if we're to have any chance of a better one.

"Are you willing to kill?"

Jacob blinks, his surprise evident as he shudders away from my hand. "What?"

"Let me clarify," I say, sitting up straight. "I don't mean a senator, or one of the leaders behind big business interests. I mean the soldier who believes they're doing their job, or the factory worker who is afraid for their livelihood. Are you willing to kill them in order to achieve our goals?"

"I… That's…" Jacob brings both his hands to his chest as if to protect himself. "But we shouldn't have to!"

"You're right, we shouldn't," I say, keeping my voice firm. "But we will. I don't bring this up to catch you in a dilemma, but to impress upon you that this is war and that those are never bloodless. We're talking about the possibility of revolution, and revolution is war. People will die no matter how careful we are. We have to prepare ourselves for that eventuality."

"And when does the killing stop?" Jacob whispers. "When does it end?"

Now there's the important question. The question that keeps me up at night, wondering if I'm a madwoman dragging the rest of the world into my insanity. I grimace, knowing I don't have a good answer.

Because for me, it ends with my daughter free and Aidric Dunstan's ghost vanishing in the wind. Preferably he would be screaming on his way to Hell, but I'll take what I can get. Only when I have Kendra back in my arms will it end.

But those demons in the upper chamber won't abide that. They've seen they can take all their riches past death itself, and they will fight tooth and nail to keep them. The battle is existential. For them, it is eternity. For us, it is our future and the future of everyone who comes after.

Alice is smiling, something I pointedly ignore. She stands up and walks over to Jacob, placing a hand on his trembling shoulder. Alice kneels down so they're both at eye level with each other, and Jacob visibly forces himself to look at her.

"It ends when the country isn't eating itself and the rest of the world," she says. "When you don't need to live in fear looking at your numbers, and I don't have to lie awake at night wondering when I and all my friends are going to be forced at gunpoint to go to war for the profits of dead men."

"And everything before?" Jacob asks. "Even with Crawford on our side… We won't be able to get enough of the military on board to simply remove those in the Upper Chamber from power."

"War is already happening," Alice says. "We just have the luxury of not having to see it here."

"I know what goes on in the colonies," Jacob snaps, his eyes narrowing to glare at her. "I've audited it. I've done the math showing how blood turns to treasure! I've gone overseas and looked through the books and tallied all of the suffering we've inflicted on those poor people! "

"This is part of the reason I asked for this meeting, rather than just sending messages," Blackwell says. "Tensions are high, and I want to be sure about our resolve. Because we're entering a critical stage. Over the years the Upper Chamber of the Everlasting Senate has been removing more of their restraints, coming down harder on protest, and if we don't act soon I fear we might lose our chance to stop greater tragedy. That means taking risks, but we can prepare for those even if our enemies are attempting to lure out dissent."

"Explains a lot, that does," Fergus says. He sighs, but when he looks at Jacob it's with a smile. "We need you, Jacob. You're a wizard with numbers and all your work with the money guys helps keep everything we're doing afloat. You want to know more before we move? Well, we can do that as best we're able. But time is running out, and we need all hands on deck. Are you with us?"

Jacob is silent for a long time, looking down at his hands. He opens and closes them, and I observe how joint and muscle and bone move together. His fingers are ink-stained, but I can't help but wonder if he sees a different color there.

None of us are clean. Each of us, to greater or lesser degrees, has participated in the obscenity that is the Alban empire. We have each enjoyed prosperity bought by the suffering of others, even as we feared we might be the next to be devoured. But that doesn't mean we can't do something, can't throw ourselves against that awful behemoth and say "No. This is not right."

I will these thoughts to Jacob, think them with every ounce of strength I have. Because while I might not have had this exact conversation with my fellows in the Lower Chamber of the Everlasting Senate, I've gone over much the same topics. The words are different, but the spirit is the same.

If we do not stand together, then we will die alone.

"Yes," Jacob says at last. "God help me, yes. I'm with you."

I release a breath, and see Blackwell's posture relax a fraction out of the corner of my eye. Alice nods, while Fergus gives Jacob another smile and a friendly jostle with his leg. Jacob does not share their exuberance, the skinny man letting the couch devour him once again as he keeps staring down at his ink-stained fingers, but he doesn't shy away either.

"Right," Blackwell says. "To that end I want you all to start getting people ready to move. Work through your agents and get everyone who needs to know up to speed. I'm not sure when our moment is going to come, but I know it will be soon. When it does, I want us to be ready."

"It'd be a lot easier for me to get the unions organized if I could just talk with the various representatives myself," Fergus says, standing up and dusting off his overalls. "They're hard put thanks to Dunstan's little stunt with the homeless and the workhouses, and having a face to match with the marching orders would go a long way to easing their minds."

"Compartmentalization of information," I say, grabbing my jacket. "Telepathy might be a rare skill, but we can't be sure which necromancers are versed in it and which aren't."

Fergus opens his mouth to reply, but the door leading upstairs opens and I'm on my feet before my thoughts have a chance to catch up. I reach into my jacket and pull out my baton, snapping it open, and take a step toward the stairs. Blackwell raises a hand before I can go any further, which thankfully keeps me from bashing one of his people over the head. To his credit, the young man in plain clothes does not flinch at the motion. Judging by his posture he's a soldier, likely one of Blackwell's hand-picked agents.

This is all but confirmed when he salutes the colonel, one hand snapping up to brush short brown hair. Blackwell turns his attention fully to the young man, and waves a hand to put him at ease.

"I trust you've a good reason for intruding on this meeting?"

"Yes, sir," the young man responds. "We've had a break in the mystery surrounding the disturbances within the Intelligence Bureau. We think we have an eyewitness to what might have happened."

"How can you be sure?" Blackwell asks. "It's only been a few days."

"Too much activity around the upper Altyne River, sir," he says. "Necromancers directing revenants to search for something. They're doing their best to keep it quiet, but you can only do so much when moving around that many bodies. We managed to slip in close and abscond with who we believe they were searching for. We've got him inside the city now. He's near dead, but if we're lucky he'll make it through."

"Who is it?" I ask, collapsing the baton and putting it back in my jacket. "It must be someone important if they're going to such lengths to find him."

The young man pauses, looking over at me. Then he takes a deep breath and says, "It's Randall Dunstan."

The jacket slips from my fingers. Everything has gone very quiet, even though I can see Blackwell's lips moving to further interrogate his subordinate. Alice and Fergus are also on their feet, trying to get a word in, but I cannot hear them over the ringing in my ears. Only Jacob does not move, continuing to stare at his hands.

Randall Dunstan. A man I've not spoken with since our daughter was taken away from us. A man I believed had left my life forever.

I grab the bottle of Fergus' whisky and take a deep, long pull. I don't stop until every drop is gone.
 
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Old Flame
You who come from across the sea
With dead men walking so carefree
A question, if you permit me

You use our lives to fuel your fire
All with the claim we should aspire
Gratitude lest we draw your ire
Thus moves the world by your decree

Is your arrogance so complete
Are you so blinded by conceit
You cannot see your own defeat
Rising to final apogee

Without or within, it will show
As your pride itself brings you low
Beckoning your ultimate foe
You who come from across the sea
-A Promise



Darkness.

You float alone in darkness, encompassed on all sides by a void so vast that it seems to hold gravity unto itself. It presses on you, gently but firmly driving against your skin like ten thousand needles. In response there is a pulse within you, pressing back. It is this that has kept you whole in such an inhospitable setting, kept you from dissolving utterly into that formless black.

With every pulse, there is pain. Push and pull, with you at the center of these two forces. It twists you this way and that, turning you around and around in this endless space emptied of everything but the sensation of weariness and the dull ache that has become your world. Sight and sound are lost, as are taste and smell. There is only touch, with the void pressing in and the force within you pressing out.

There is only a dim awareness of self beyond this torment, only the barest dregs of ego to separate yourself from this vacant realm. In its own way, the pain helps with this. To hurt is to be separate from that which inflicts the hurting. Disparity, separation… It is a small thing, all told, but enough for you to hold on to something of yourself.

On and on this goes. You do not know for how long you have been in this place that is not a place. Time, like most of the senses you would use to perceive its passing, is without meaning. You may have been here for but moments, or perhaps have languished in this abyss for the span of eternity. Without a frame of reference, without context, it is all the same.

So it is that you almost don't notice the change when it arrives. It comes as a new, unique pain in contrast to the gentle throbbing of push and pull. After some time you realize it is in your ears, that something is making them hurt in a different way than what you have become so accustomed to. It takes even longer for you to comprehend that the reason for this is noise has intruded upon the silence, battering against your atrophied hearing such that even this faint impression is enough to make you writhe in fresh convulsions of suffering.

With effort you turn toward the sound, forcing yourself to move with an expression of will. In the distance there is light, like a flickering candle. It blinds you, and you press your hands instinctively over your eyes to protect them. Spots dance, and in that dancing you recognize that you have vision.

More of yourself returns, for with harmony broken there can be more discerning of distinction. You are a man. You are a man with a name. With that name comes identity, proper separation from formless chaos. Identity brings forth thought, and with thought comes understanding. With understanding comes horror, for you recognize the sound that has helped you return to yourself.

It is your daughter, and she is screaming.

"Kendra!"

It is an attempt at a shout, but your voice comes out only as a whisper. Your throat is atrophied, withered from so long locked in mute stillness. With overwhelming effort you exert your will on your surroundings with force only desperation can bring and push yourself toward her.

"Kendra!" you croak, breaking into a coughing fit before you can speak again. "I'm coming!"

It is so much effort to keep going, to go even just a little bit further. Your muscles scream, your flesh tearing as you set yourself against the weight of this place. Every previous agony is magnified a hundredfold. Existence is pain, and anguish, and misery that seems as if it will never end.

You do not care. Your daughter needs you, and that is all that matters.

You can see her clearly now, shining brightly against the darkness. Her curly hair turns this way and that as she struggles against ethereal chains, fighting against their pull as they attempt to drag her deeper into the obscuring depths. So close now you can understand it is not just fear in her screams, but also rage. Your daughter does not abide her confinement, will not meekly accept her circumstances, and even in your terror you cannot help but feel proud of her courage.

Kendra notices as you approach so agonizingly slowly. Still twisting against her bonds, she reaches out to you with one hand trembling against the chains. You force your own hand out, your fingertips inches away from reaching her.

From the out of the darkness comes the face of Aidric Dunstan, your grandfather. He is grotesquely huge, every line and wrinkle as large as a man framed on that enormous visage even as the rest of him disappears into the void below. It is so similar to your own, yet still so different. The eyes are sharper, the lips thinner, with stark white hair haloing in a wispy cloud. How many times have you awoken in the middle of the night in a cold sweat, having seen that face in your nightmares? How many times have you looked in a mirror and loathed the resemblance, perceiving him on your skin? The monster you can never escape from.

The chains around Kendra lead to him, into his mouth as Aidric opens it wide. They drag her back, drawing her inexorably away from you and into the immense depths of your grandfather's designs. Kendra struggles, but it is no use. Aidric's's power is beyond her strength. You attempt to push forward, but it is similarly futile. Your grandfather doesn't even notice you, and the pressure from his closing maw drives you away with force akin to a hurricane.

"Dad!" Kendra yells as she is engulfed, still fighting despite the futility of her efforts. "Dad, help me! Please, help me!"

The mouth closes. You cannot see your daughter, cannot hear her cries. There is only the smiling face of your grandfather looming over you, indifferent to your screams.

o\O/o​

You are still screaming as your eyes snap open. You claw at the air, limbs thrashing and fingers spasming as you fight against the remnants of that terrible nightmare. Then your throat locks up, and with a strangled cry you fall from the bed you were lying in and tumble to the floor in a tangle of sheets.

The pain has not stopped with your awakening. If anything, it has become worse. Every nerve is on fire, ripping apart at the seams, and you collapse from the bed in a twitching heap. You cannot breathe, can barely even think, through the awful burning that has become your reality.

Then I move in. I soothe the pain, numbing its touch upon your flesh. The inferno ebbs away, fading to dull embers, and blessed relief comes as you are one again able to force air into your lungs. You take in deep breaths, trembling where you lay, and try to organize your racing thoughts. It is difficult, for your stomach is tight and your heart is beating so quickly you fear it might burst. It pounds against your chest, a constant thumping that resounds to your ears, and with effort you slow your breathing until at last the world begins to make sense and you can perceive your surroundings.

You are in a plainly adorned room barely large enough for the bed. Sunlight is coming in from a thin window set near the ceiling, giving you enough to see but not allowing you to view the outside world. The walls are whitewashed with no adornment, though beneath it you can make out the faint outline of brick. On the floor next to you is a stand for a saline drip which tipped over as you fell, and you can trace the line to a needle embedded in your arm. Sparse for a hospital, but seeing as you're not chained to the bed you figure it is unlikely to be a prison.

Which is only marginally comforting because you have no idea how you got here. The last thing you remember is an explosion, then weightlessness and the cold embrace of the river. Everything past that is a blur, suffocating cold mixing with formless dreams as you fell in and out of consciousness. Until, at last, the horrible phantasm your mind conjured that forced you awake.

"What…" you gasp, gripping the edge of the bed to pull yourself upright and free yourself from the entangling sheets. The effort nearly renders you senseless, the room spinning in a harrowing twirl before I am able to once more separate you from the sensation of your body's agony. "Ellowyn, what's happening? Where-"

This is all you manage before the pressure welling up inside releases itself violently. At first you choke again, and then retch as blood streams from your mouth to splash all over the floor in a crimson tide flecked with black. The whole ordeal lasts only a few seconds, but it feels much longer until finally your stomach ceases cramping and you lean back against the bed feeling raw and empty.

"Unpleasant," you mutter, wiping your mouth with the back of your hand. "Ellowyn?"

You're dying, Randall.

"I already knew that."

Yes, but it's worse now. The explosion, and then the river… It took so much to keep you alive, and you had so little left. I'm sorry, Randall. I'm not sure you'll last the month, much less the year.

"A month? Is that enough time? Is…" The fingers of your right hand twitch. You stare down at them, eyes narrowing as you try and fail to make them stop. "Nerve damage?"

Among other things, I reply. So much of you is broken that without my presence I don't think you'd be able to function. I'm blocking most of it, but it's a fine balance between making you able to move and rendering you comatose.

"Then we'll need to act quickly," you say, forcing your shaking hand into a fist. It is a meager gesture, but it gives you strength to pull yourself up off the floor to sit on the bed. "We know where the engine is now. The capital, you said before? That's enough, and what life I have left will have to see me through to the end."

You won't need to face it alone.

The door opens before you can ask what I mean. You tense, ready to unleash what power you can in this weakened state you've found yourself in. Any such thoughts die immediately upon seeing the woman who stands in the doorway.

Fatima Dunstan… No, it would be Fatima Hajar now after the divorce and her retaking her old surname. She is how you remember her, beautiful and strong in a dark red suit set with sharp edges to present outward the immense inner strength you know she holds. An affectation for the benefit of those foolish enough to mistake her for anything other than what she is, who might believe her nothing more than a foreigner ignorant of Alba and its ways. It is for those unaware that they stand before a woman of titanic willpower and drive to alter the course of the world, no matter the cost to herself.

She stands in the sunbeam coming from the window, making her dark skin shine with radiance as she looks down at you. A strong face framed with straight black hair takes your measure with hard eyes. It brings back so many memories, both of joy and of sorrow, to gaze upon her now. Nights of extraordinary passion when you both found you could align in common cause, and nights of quiet bitterness when you could not.

Is she thinking of how the latter became more frequent than the former, in the end? Does she think of how neither of you could find ground to stand on together, and thus had to go your separate ways? It is something you considered often, before Kendra was taken, dreaming of Fatima's hand on your own as you slept alone in an empty bed. It is something you cannot help but consider now.

Fatima sighs, and her expression softens. The smile she gives you is sad, but it relaxes the set of her shoulders as she takes her hand away from the door.

"Hello, Randall," she says. "It's good to see you awake."

[] Stay
[] Flee
 
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The Fate of Empire
[X] Stay


For a brief, terrible moment you are torn between the urge to stay and the urge to flee. Your breathing quickens, drawing forth a fresh wave of pain from your chest that I must push down lest you send yourself into another fit of convalescence. This woman… You want to reach out to her. You want to push her away. This and so many other conflicting drives assail you as the world seems to spin in a wild tumble leaving you unable to right yourself.

How must Fatima see you? The thought manages to push through the cacophony in your mind. Bone thin, malnourished and weary, you must seem more like a rabid animal backed into a corner than a human being. Not like her, tall and strong as ever.

A spike of envy, cold and toxic, pierces through even as shame pushes it down. It is unworthy of her. It is unworthy of anything good in this world. But even smothered by guilt you cannot deny its existence. That you have suffered so much, have given so completely, to which your only rewards have been failure and misery. All while this woman stands hale and healthy to look down at you.

"We were worried you might not wake up," Fatima continues, still smiling that sad smile. But there is care and love, as well. Care and love for you, for what you both shared. That voice, soft yet firm, reminds you of better days and quells the bitterness flowering within your breast. "Ellowyn assured us it was only a matter of time, but I've been checking in on you daily just to be sure."

Checking in on you… In this secret place, so tenderly cared for, it would be Fatima's own hands that would feed you. It would be her own hands that would wash your ruined flesh as I set myself to the task of putting you back together. She must have been so careful, taking such a risk. Everything she has worked for would be in jeopardy, her political aspirations and even her very freedom, because for lingering affection she took you in when she could have left you to die.

Envy flares once more, edging ever so close to hatred, and then dies completely as you break.

This is too much. You are falling, fading into yourself and the endless ocean of anguish inside. The world focuses on a single point, on Fatima's face, as you spill forward to crawl toward her on your hands and knees. Tears trail down your cheeks, mixing with the blood still dribbling down your chin, but none of it matters. None of it means anything in the face of this woman who you loved so dearly and failed nearly as much as you did your daughter.

"I'm sorry," you whisper. "I'm sorry. I'm sorry. I'm sorry."

"Randall…"

"I lost her," you croak in a voice like what its left of your spirit scraping against your throat, the pain of its clenching tearing fresh gashes to send yet more blood tumbling from your lips. "I lost Kendra. I lost our daughter. I'm so sorry."

With trembling hands you embrace her. You cannot stand, and your grip is feeble, but even still you lock your fingers together with your arms around her waist. Fatima tenses at the contact, but relaxes as you cry into her shirt. She rests a hand on your head, stroking your hair, as you weep for all that has been taken and for all that never was.

You do not know how long you remain this way, holding on to her as if she were the last remaining rope to pull you out of dark waters. It must be for a long time, however, for when you finally manage to take stock of the world outside of your grasp upon Fatima you realize she has led you back to the bed. Your head is in her lap, her hand still gently stroking your hair.

Fatima looks down at you, and asks, "Are you back with me?"

"I… Yes," you say. "Yes, I think I am."

"Good," she says, looking away from you. "Good."

Silence stretches, but it is a comfortable silence. You do not get up from Fatima's lap, and she does not force you away. It reminds you of better times, when you were both young and in love before everything fell apart as you both found there was not enough to maintain the connection. You would rest on her, or her on you, or you would both simply hold each other in your arms.

She smells vaguely floral. It is a familiar scent, that of the shampoo she uses to wash her hair. Fatima has never been one for perfume, but for all her efforts at moving amongst the masses of humanity for her political career she still enjoys staying clean. You used to be similar, before your daughter was taken. Now, though…

Now you have trudged through garbage and filth, the waste of an empire, all to get Kendra back. Suddenly, you are overtaken with the sensation that you are an impure thing. That you are dirtying Fatima just by touching her. You tense, wanting to pull away, but Fatima's other hand is firm on your shoulder and keeps you in place.

"I must admit," Fatima says at last, still looking away. A smile curls the edges of her lips."It's a bit disheartening that you seem closer with a dead woman than you ever were with me."

You laugh, and the terrible dread that your presence is contaminating Fatima slowly fades. It is good to laugh. You have almost forgotten how, so consumed by hardship. Even when you break into another coughing fit, you cannot help but smile along with this woman who means so much to you.

"You've been talking with Ellowyn, then?"

"I have," she replies. "She's told us a little of your exploits over the last three years. It's answered some lingering questions."

"Us?"

"Yes, us," Fatima says, looking back to you. "I've been working with a group of like-minded people."

"To what end?"

"Revolution, of course. Or, at the very least, overthrowing the government."

Slowly, you push yourself up to a sitting position and stare at her. Fatima maintains your gaze, cheer and relaxation replaced with an expression like steel. The narrowing of her eyes, the set of her jaw… You saw this expression many times before, and after, you married her.

"For Kendra?" you ask. "You would do all this for her?"

"For her, and for so many others."

More silence, this time laced with tension. It is not uncomfortable, however, but rather feels full of potential. This is a moment of choice, a moment between you and this woman who you still care so much for and who seems to feel similarly. How many such moments have you squandered, so full of fear and doubt? How many moments has she waited for an answer from you that you could never push yourself to give?

But things are different now. There is nowhere left to run, nowhere left to hide. There is only what you decide to do, and what you are prepared to sacrifice, in order to see your daughter free.

"I would like to meet these people you are working with."

Fatima smiles, and says,"All right."

You are led, slowly and leaning on Fatima's shoulder, to the sitting room. The effort takes almost everything you have, and you are out of breath by the time she sits you down on the couch. The room smells of sweetly of hickory and is not especially large, one wall filled with a fireplace and two others with bookshelves. Across the floor is a rug set with geometric patterns, and a low table rests before the couch. Above the fireplace is a pendulum clock, gently ticking away.

A maid, you do not know her name, comes with broth and soft bread, while Fatima sets off to summon her colleagues. You take great care in eating, dunking the bread in the broth and taking small bites to avoid upsetting your stomach. Even with this there are moments you have to stop and let the food settle lest you risk vomiting again, and the broth is cold by the time you finish your meal hours later.

But despite the effort, you find yourself fortified as people begin to arrive. First is a man of military bearing, no matter that he is out of uniform. His posture is sign enough, standing rigidly straight. He comes in from the front door with Fatima, the two standing comfortably close as they wait for the others to make their way over. Fatima touches his hand, very briefly, and the military man's stoic demeanor breaks just slightly as he smiles at her and she smiles back.

That hurts, just a little, but it is a dull ache of opportunity long since lost. You and Fatima went your separate ways over ten years ago, acknowledging differences that you could not then reconcile. Was she to wait for you? Put her life on hold until you could finally bring yourself to support her in the ways she needed?

No. The very idea is ridiculous. Time has passed, and the both of you have changed. There are more important matters to dedicate your dwindling reserves to than regret and jealousy over what new life your ex-wife might have found for herself.

Everything else is secondary to seeing Kendra free.

The others do not come in from the front door, but rather up from the basement. A young woman with short brown hair and green eyes, her face set in a scowl, is accompanied by a man in overalls with red hair and eyes the same color. For his part, his expression seems set in perpetual amusement.

Finally, there comes a terribly thin man with balding hair and a nervous demeanor. His eyes dart this way and that, as if expecting attack at any moment, and his hands never seem to stop wringing. Even when tea and coffee is served for each of you, his fingers do not stop their constant motion.

"Forgive me if we are not forthcoming with our names," the military man says. "Even just seeing our faces is a risk, Mr. Dunstan, and this is a sensitive time."

"I imagine so," you reply. "What with my burning down what I believe was a central hub of Alba's intelligence apparatus."

Everyone in the room stares at you. In response, you pick up your tea and with effort manage to bring it to your lips without spilling it over yourself. The broth and bread really have done you a world of good, and in a few days you might even be ready to do more than stumble around Fatima's house.

"So you're the cause of all the ruckus, then?" The man in overalls says with a grin. "Been a hectic few months, thanks to you."

"Details," the young woman says. "We need details."

"Yes," the military man says. "Please, Mr. Dunstan, if you could tell us what you know then we would be most appreciative."

You tell them everything. You speak of your flight from Aidric when he came for you in the night, of fleeing into the sewers where you lived like an animal until you found my tomb. You speak of our pact, and show the todstein jewelry that binds us. You speak of three years searching for the Kordian Engine, of the two senators you killed along the way, and of the battle against Margaret Zeal before the Everlasting Senate's forces sent us tumbling into the river.

Their expressions shift from ones of sympathy to horror, before finally settling on wary consideration. They are measuring you, taking stock of your words. It almost makes you laugh, weak and weary as you are, that these people might consider you dangerous. But what other conclusion could they come to, listening to our story?

The air is heavy when you finish, shadows growing long behind the curtained windows as the day turns and night approaches. You lean back into the couch, getting what rest you can to husband your strength. The only sound is of the clock, measuring time that has become so precious as you close your eyes.

Tick, tock. Tick, tock. Tick, tock. The seconds while away as they stare, trying to make sense of you. But how could they? Determined and dedicated though they may be, for none can consider rebellion otherwise, the lengths you have gone to must at best border on madness in their eyes. To wear yourself down until so little remains, merely bone and gristle fading away into dust… How many of them would go to such lengths?

Only one you can say for sure. Only Fatima. You have both grieved over what has happened to your daughter, connecting as only parents can when their child is in pain. For Kendra you would do anything. You both would.

The military man says, "Does that alleviate your concerns?"

"Yes," the thin, nervous man replies. "Yes, it does."

Differences between members of the group. Unsurprising, but also potentially dangerous in endeavors such as insurrection. One must be careful when moving against great power lest its gaze be turned upon them. And where the attention falls, soon follows the closed fist.

"Mr. Dunstan," the young woman says. "Are you aware of how long you've been unconscious?"

You open your eyes. "Some time, I imagine."

"A little under five weeks," the military man says. "During which there has been a great deal of movement."

"We've been getting things going," the man in overalls says. "There'll be protests in all the big cities for the Great Winter Festival. We convinced General Ernest Crawford to throw his lot in with us, and with him we're hoping to ride popular will into dissolving the Senate."

"There can be no victory so long as the Possessed exist," you say. "The systems of our society are built around the old and wealthy, and none are older or more wealthy than the Possessed. Too many will defer to them, and that means civil war."

"These are all concerns we've had as well, but a certain amount of violence is simply unavoidable," the military man replies. "Our best hope is to move quickly and arrest them before they can properly mobilize. With luck, that will keep the fighting to a minimum."

"They're too powerful," you say back, leaning forward and only just managing not to fall off the couch. You settle you hands on your knees to steady yourself. "Stronger than any single necromancer. Some will escape, and in doing so rally loyalists in the army to their cause."

"And you propose?"

"The Kordian Engine sustains them," you say. "So we must take that away."

More silence. More staring. Idly, you wonder just how often you're going to surprise these people. Everyone but Fatima, at any rate. Her expression does not change. Still, you would have figured revolutionaries would be made of sterner stuff.

But then again, Alba is all they have ever known. It's all you have ever known as well, but you've long since given up on caring about that. For all these people realize the Alban empire is rotten and in desperate need of substantial change, they still care to maintain something of its shape. You do not.

Let it all burn if it must. Your daughter will be free.

"Alba depends on the Engine," the skinny man says, his knuckles white as he grips his hands. "Undead labor works the fields, the factories. Without that…"

He doesn't need to finish the sentence. You all know what will happen if the Kordian Engine, my Engine, stops releasing the abundance of necromantic power that Alba has enjoyed for so long. Production will grind to a halt. There will be shortages of everything, and people will suffer until alternatives can be made.

But it is necessary. You know it is necessary, and I am in agreement with you. The Engine must be destroyed. So long as it exists, as it releases its bounty to suffuse the Empire in the essence of death, then the spirits of the dead will rise and the Possessed will continue. Even if those in power now are deposed, all that has come before will come again.

You must convince them of this truth. Or, assuming they cannot accept this, then you must lie to them. You can say the Engine need only be shut down for a short time so the Possessed fade away. Anything to gain their help in reaching the Engine so we might destroy it.

As you observe the assembled conspirators, all of which save Fatima look at you like a beast who might attack at the slightest provocation, you know you must make a choice.

[] Try to convince them of the necessity of the Engine's destruction.
[] Attempt deception, claiming the Engine need only be stopped for a short time.
 
Lies in Service of Truth
[X] Attempt deception, claiming the Engine need only be stopped for a short time.


But really, what choice is there? The only thing that matters is the destruction of the Engine. The people of Alba will suffer, but that is already truth. Inequality between those with an abundance of resources and those who are lacking them, often pushed into joining the military to kill and steal to feed a bottomless pit. The poor being made to feel ashamed of their poverty, manipulated into turning against each other rather than standing together to get what they need in order to do more than merely survive.

To live as one of the masses in Alba, which calls itself the greatest nation in the world, is to be constantly pushed into feeling grateful for the lash so those who consider themselves "better" can enjoy their luxuries. There will be distractions of bread and circuses, not to mention how often the populace is told outside their borders exist only lesser people who can only become truly civilized by Alba's grace. But perhaps the greatest deception, or at least the most foundational, is the belief they might one day rise to the exalted heights of the wealthy if they but work harder and without complaint.

Alba's people are already suffering, and without drastic change this awful state of affairs will continue. But this is not your driving reason. That is, and will always be, Kendra. It will always be your daughter, and everything else is secondary to her freedom.

So you have absolutely no guilt in your heart about lying to the leaders of this conspiracy.

"It only needs to be for a short while," you say. "A few weeks, perhaps a month at most. Enough time to let the energy of the Kordian Engine disperse. Without that the spirits of the Possessed will fade."

"How exactly do you know this?" the man in overalls asks. "And even assuming you're right, how would we even turn the damned thing off? I can build a house or fix up a car, but something like that is a bit beyond my expertise."

"He's a master of the necromantic arts," Fatima answers for you. The look she sends your way is calculating, as if she is appraising your words and thus your character. "He even taught the subject as a professor in Alba's premier universities. He would know how to operate it."

"What of the satellites, then?" the military man asks. "Would those be enough to sustain the Possessed?"

"The satellites came about decades ago because the Senate is paranoid," you reply. "The Engine could empower necromancy in full across all of Alba, but that creates a central point that might be tracked. But if it's not operating on full power, and instead has other smaller engines to boost its effectiveness and muddy the waters, then that hides its location from potential sabotage."

Fatima nods. "They're old records, but I've seen the paperwork approving their construction in the senatorial archives. National security was one of the reasons given."

"That doesn't answer my question," the military man says. "Would the satellites be enough for the Possessed to sustain themselves with the Engine turned off?"

"No," you say, shaking your head. Inwardly, you are smiling. They're listening, and that means they're not dismissing you out of hand. "It could maintain necromantic infrastructure in localized pockets, but the Possessed require far more to sustain themselves than revenants. Without the Engine they will eventually disperse."

"Means any fighting would only go on for… What was it you said? A month?" says the man in overalls. "After that the Possessed go poof and there's no one leading the loyalists. Seems a good deal to me."

"It would be a bloody month," the skinny man says, his lips drawing into a tight frown. "The Possessed would know their time is numbered. It would make the fighting even more intense."

"Do we need to have this conversation again?" the young woman cuts in before the skinny man can build himself up into a proper rant. "It was always going to be bloody. At least now we've got a potential timeline to work with."

They turn to each other and away, muttering between themselves in heated discussion that doesn't require any further input from you. With a sigh you lean back into the couch, resting weary muscles and aching bones. The throbbing agony is always there, hovering just beyond the periphery no matter how much I dull its burning touch upon your body. But this does not bother you, for very soon your pain will not matter.

You've got them. You know you've got them. Even better, you spoke but a single untruth. Only your claim the Engine need be temporarily shut down was a lie. For everything else you were completely honest.

Which likely helped. Subterfuge was never your strong suit. Interaction of any kind has always given you trouble, with but a bare handful of people able to see past what you consider your flaws. It is why you believe lecturing came so easily to you since it is such a controlled environment. The reality is more complex, and not one you are able to perceive with any kind of objectivity. For while you are far from a perfect man, should any such a creature even exist, you are also excessively hard on yourself.

"Poking fun, Ellowyn?" you whisper as you settle your hands over your stomach. They almost touch either end of your torso with how gaunt you have become. "Even at this late hour, with death hounding my heels?"

Simply attempting to lighten your dour mood, I reply. Though if you must maintain your focus, then look toward Fatima. She was not taken in by your deception.

You turn your eyes to Fatima. She is not speaking much, opting instead to listen. Mostly it is the skinny man, the younger woman, and the military man talking. The man in overalls cuts in as needed, smiling in a way that hints he is used to keeping the peace amongst this group. But Fatima is looking at you out of the corner of her eye, and she nods as she watches you watching her.

There were times like this in your marriage, more frequent early on and becoming increasingly sparse later as fear drove ever more of your actions. Times when the awkwardness and confusion gave way to understanding. When you didn't need to stumble over words and half forgotten propriety your grandfather did his best to beat into you, and instead you and Fatima just connected as if you were one mind.

Your daughter will be free. The both of you will see it done no matter the cost. And if you must tell lies in service to this truth, then so be it.

Eventually, the discussion ends and the group turns back to you. They finally take seats rather than stand over you, a sign they are treating you more as an equal rather than a subject for interrogation. With effort you sit up straight, joints cracking as if you are a man twice your age, and you take a deep breath.

"I trust you have come to a decision?"

"We have," the military man says. "Anything that can destabilize the Possessed makes the chances of victory, and of averting a protracted civil war, more likely. During the time of the Great Winter Festival we shall spark an uprising, which aside from its main purpose will provide a distraction so you can render the Kordian Engine inoperable for as long as is needed."

"We just need to find the damned thing," the man in overalls says, leaning forward to put his hands on his knees. "Don't suppose you've got that one figured out too, eh?"

"It's underneath the Senate," you reply. "There's a secret way down from the House of the Upper Chamber."

The skinny man narrows his eyes "And how…"

With effort I manifest, condensed down to a human shape so I do not fill the room with the vast expanse of myself. Even still I loom, a shadow that drinks in the meager light, and my hair flows around me as if underwater. What illumination is left comes from the threads of shining silver connecting me to my jewelry around your wrists, neck, and forehead.

"Because with my hands and blood and soul I created the Engine," I say, my voice shifting the air in a breeze reminiscent of an oncoming storm. "And though time robbed me of my memories, I have broken the spirits of those who believe themselves high and supped of their essence so as to know their innermost thoughts."

"Ellowyn is being dramatic," you say as I dissipate, spoiling the show I put on as the darkness fades. "But that's essentially the facts of the matter."

There is silence for a time, the group unsure how to respond. You take this moment to reach for your tea and take another sip. It has gone cold by now, but the more fluids you get in your system the less lightheaded you feel. There is only so much I can do with keeping your body together before certain biological necessities make themselves known, and dehydration is one of them.

"I know you said he had a spirit riding with him," the man in overalls says, tugging nervously at his collar. "But that was something else."

"What I wouldn't give for a chance to interview you," the young woman says. "A primary historical source…"

"Something you will have to do later, assuming we have time," the military man says. "Right now I'm sure Mr. Dunstan requires as much rest as he can before the festival."

"Which will be?" you ask, setting your empty cup aside. "I'm afraid I'm not completely sure as to the date, what with the recent coma."

"Three weeks," Fatima says. "Which will give you time to recover and give us time to get everything in motion."

"Not least of which is putting people in place to organize relief with the Engine down," the skinny man says. "It, along with the fighting, will break the chain of supply. We need to be ready to accommodate for that so people will not needlessly suffer."

The military man frowns. "I still say it risks revealing our hand."

"I don't care!" the skinny man replies, standing up to glare at the other man. "We'll already be moving people in order to get the uprising underway, which is itself a risk, so if you want my continued support you will give me this!"

There is more heated discussion, but as before it does not concern you. Right now you must rest, conserve your energy as much as possible for the trials to come. The embers of your life are weak, and will only grow weaker. But is fine. You have time enough to do what you must. Let these conspirators work out the details of their revolution amongst themselves, for you doubt you will live to see the end of it.

Fatima glances at you again, and you look back at her. She gives you a tightly controlled expression, lips pressed together, and you nod your understanding. She knows what you have done, what you plan to do, and has given her support. Nothing need be said.

As papers are brought to the table, maps and numbers and names, you lean back into the couch and close your eyes. And as sleep approaches, you imagine Kendra's face and smile.

o\O/o​

It is snowing on the morning of the Great Winter Festival, white flakes coating the world in a fine powder while you observe from your vantage point as a cold wind blows. There are decorations everywhere, colorful ribbons and globes hanging from storefronts and little fir trees set out to celebrate the solstice and the coming of the new year.

In every window there are signs proclaiming sales of any luxury good one can think of.. From rich delicacies to fine watches, the latest radios to immaculately tailored silk suits. If one can imagine it, then the great marketplace of Alba's capital has it. The very center of the city, a circle hundreds of feet across and connected by a wide road all the way to the Senate rising in the distance like a small mountain.

At the center of the marketplace plaza is an enormous pile of carefully stacked logs. It will be set alight at the coming of evening, providing warmth and illumination for the revelry. Men and women will gather, drinking and dancing as music plays to welcome the death of the old year and the birth of the new.

And to spend money, of course. So much wealth comes here, taken from all across the world and set with bright lights to reflect gold and glitter. It is so vitally important to have the newest trinket, to show off the shine of jewelry, the roaring engine of a new car, and the latest innovations in necromantic products. Revenants that can follow detailed instructions, the broken bodies of the poor gathered and put on display to be purchased as accessories to a household with todstein spikes jammed into their skulls.

It makes me wonder when the solstice became about such things, rather than a celebration of fellowship. When did love, and family, and friendship become overtaken by materialistic desire? When was appreciation for living through another year, honoring those who have passed while appreciating those still with us, replaced by empty pageantry?

There are no merrymakers preparing for a day of festive debauchery. The sun rises to find all the shops closed, the windows boarded and the doors locked, with the plaza walled off by barricades of cars and people. Thousands of people, filling every available space and blocking completely this place of commercial celebration. Many are young, some are old, but all are holding signs protesting war and policy while demanding equality under the law. Chants go up, and while they are not coordinated as one their overall intent is clear. There will be no festival so long as injustice persists.

Early birds, eager to be first to the party and the products of empire, are turned aside. The immediate response is anger. This is, after all, supposed to be a day of amusement and entertainment. There are shouts, raised voices and threats. Those cries are silenced when blades and guns come out, firm warnings that violence will be met in kind.

Matters escalate swiftly after that. The police respond within the hour, marching down the road from the Senate in wide ranks that fill the street. Armored revenants are at the front, shields locked together with heavy clubs at the ready, while the necromancers controlling them stand back in their black uniforms. Beside them are officers of no necromantic ability, but the shotguns in their hands make them dangerous enough in their own way.

A tall man steps forward, his uniform covered in gold trim, and adjusts his tall cap. He cuts a striking figure with the assembled force behind him, which is likely the intent, and raises a metal cone to his lips. Even at this distance you can hear his voice as it roars over the din of the crowd.

"This is an illegal gathering! You have five minutes to disperse! If you have not dispersed in that time then we are authorized to use force to remove you!"

There is almost certainly more he intended to say, for this alone is a lackluster threat, but his calls die as one figure in the crowd steps forward to address him. She is followed by others, each in fine suits noting their station, and while you cannot hear her response you can assume it is excoriating. Fatima, after all, has always been quite the eloquent speaker.

This makes the small army of police pause, unsure of what to do in the face of this new development. The general citizenry, even in such a large gathering as this, is straightforward enough to deal with. Not easily, perhaps, but there is no confusion as to what is expected to be done with them. But to have senators standing with them? Well, that is something else entirely.

Something the crowd recognizes as they begin hurling invectives at the police, along with no small amount of detritus. Bricks and bottles bounce off the shields of the revenants, and the officer hastily retreats back to the safety of the defensive line to get away from the now emboldened crowd. A cheer goes up, acknowledgement of an early victory, and despite a few aborted rushes from either side a tense standoff ensues.

There are hundreds of police down there, including the revenants, with more doubtlessly on the way. All attention has been brought here to this place where there is supposed to be carousing and currency changing hands, with taxes gathered for government coffers. With how much money is not being collected something has to be done, but so long as people of importance are there it cannot be handled with brute force until permission from yet higher authority is granted.

Now it is time to move. With an effort of will you leap from your position, telekinetic power launching you from rooftop to rooftop toward the Senate. It is a mismatched thing, a mixture of older buildings with columns and towers alongside newer ones of squat, brutal cubes that clash terribly in their sensibilities. The only concession to blending the two together is that the newer buildings have the same style of windows as the older, multi-paneled and meant to actually open rather than simply bring in light.

It takes longer than you would like to reach your destination, taking care not to draw on so much necromantic power you alert the police to your presence. But even moving carefully you find you are out of breath by the time you jump down from the rooftops and over the stone walls that separate the Senate from the surrounding capital. You pause for a moment, one hand on that wall, and steady yourself.

Your heart is beating faster, and not just in anticipation. With effort I soothe the ache building there, prevent the attack that was coming with this exertion so that blood may continue to flow freely throughout your body. There is pain burning in your chest, but that cannot be avoided now. Though I shield you from the majority of your suffering, there is no hiding the fact that you should already be dead. Even the most meager of efforts tire you, your body slowing down and failing even as I do my best to hold it together.

But there is time enough left for this. You push yourself off the wall and stumble toward the main building, one of the older ones built long ago back when the Senate was Parliament newly in power with the deposing of the monarchy. You do not head for the main doors with their imposing columns, however. There will certainly be some form of guard, and you can ill afford to make this a fight. Instead, you head to one of the walls.

You take a deep breath as you place your hands on the thick, smooth marble. With every inhale you pull in the air, pull in the essence of death that pulses throughout Alba and shape it to your will. You suffuse it into your body, every part of yourself, and then step into the wall.

This technique is dangerous. To become insubstantial requires absolute focus, risks a terrible death should concentration lapse. You would imbed in your surroundings, suffer agonizing moments of suffocation and pressure until blessed release comes as you are finally crushed by all that would be displaced by your sudden solidity. Most necromancers never attempt this even if they know how to do it, such is the peril.

At this moment, however, it is the best tool for the job at hand. You push through the wall and into the floor as you make your way into the Senate. The world is white and grey as you make your way through the marble, filled with seams so thin that resemble hair as you make your way. There is no sound, no smell and no touch. There is only sight, and a faint taste reminiscent of grave soil in your mouth as you swim through solid rock.

Alas, there are limitations to this approach. You know the House of the Upper Chamber is connected to the main building, it being part of the original construction, but you cannot see where you are going. Even worse, you are running out of air. So with a wrenching pull you force yourself up and through the floor to come out back into the world.

Your gasping breaths sound incredibly loud in the hallway as you collapse on your side, unable to bring yourself to your feet, but thankfully no one comes rushing to stop you now that you are so deep into the complex. The Senate is in recess for the holiday, as are many of the clerks and other administrative officials whose job it is to keep the empire running. And with so few people left there is little need for a full guard.

So it is a surprise when you look up to see two people staring, one being carried by the other. The first is wearing the uniform of a soldier, though her black coat covers most of it to protect against the chill of winter. The other is a man wearing rags, his white shirt torn and bloody and his brown pants barely hanging on by a belt to an impoverished frame that can only come through starvation.

Even more surprising is that you recognize them both.

"You crazy bastard," Lieutenant Leslie Ashton says, her eyes wide with horror and no small amount of awe. "You made yourself insubstantial."

"Is that what he did?" Harold asks, his head lolling weakly. He seems barely able to stand, one arm over Ashton's shoulder to keep him upright. "And here I thought… I was just… seeing things."

The effort of speaking sends him into a coughing fit, flecks of blood and bile spattering the ground as his eyes roll back in what appears to be the beginnings of a seizure. The Lieutenant puts her free hand to his chest, drawing necromantic power and pushing into his body. After a few moments Harold calms down, his breathing settling into an easy rasp as the episode passes.

"What is this?" you ask, getting to your feet with effort. "What are you doing here?"

"I could ask you the same," Ashton says, settling Harold's arm more comfortably across her shoulder. For a moment you think she is going to confront you, but then she shakes her head and sighs. "After Kirwick I was sidelined and kept in the Senate. But I've had enough of being a prisoner just for seeing inconvenient truths, so I'm making my escape."

"That explains you," you reply. "But him?"

"She found me because one of her army friends let her know I was being held prisoner here," Harold replies, his voice stronger after Ashton's infusion of power. "And that I was to be an… oversight, now that they'd gotten everything out of me they wanted."

"It wasn't right," the lieutenant says, scowling. With her hair tightly bound in a bun, it makes her already severe face resemble a knife. "None of this is. I didn't join the military to sit on my hands or look the other way at murder."

"No," you say. "You simply allowed yourself to become a tool for the interests of wealth that doesn't care who it hurts so long as it remains in power."

Ashton's eyes go wide, but Harold's laugh cuts off any response she might give as he says, "Oh, there we go. Randall Dunstan, always so charming. Ever-ready to tell you what you're doing wrong and expect you to thank him for it."

You look over your old friend as he goes into another coughing fit, requiring another necromantic intervention from Ashton to keep from passing out. He bears marks of torture, bruises from beatings and scars where blades have cut into his flesh. But worst of all is the loose skin hanging over his bones, indications that he has not been fed nearly enough to support himself. And underneath that…

"You're cursed," you whisper, narrowing your eyes. "They put a curse on you to keep you from leaving your cell."

"I'm keeping it at bay with regular infusions," Ashton says, moving closer with effort as Harold's feet drag. "And I'm hoping if we get far enough away from the Senate that it will break the tether between him and his cell. Assuming it doesn't kill him."

"Enough about that," Harold says, reaching out one hand to grip your arm. He looks into your eyes, and you see fear twist his face into something wretched. "Randall, he's here. Your grandfather is here. I think he might be waiting for you."

The world goes still and silent. Ashton is talking, but you do not hear her. You cannot hear anything save the beating of your heart in your ears, nor feel anything save the chill that crawls over what remains of your flesh. Your grandfather, Aidric Dunstan, is here. Your grandfather, who abused you for your entire childhood and called it love. Your grandfather, who disowned you when you married Fatima and took up a career in academia rather than continuing on the family legacy in government.

Your grandfather, who stole your daughter from you. Who, even now, wears her skin as if it were his own. It is a crime that has gone on for almost four years, hounding your dreams and drowning you in an ocean of your own tears. Aidric Dunstan is here, and he is waiting for you.

But that also means Kendra is here, and there is no more running. That time is long since past, and if you wish to make up for all your mistakes then this will be your only chance. There is so little left of you, so much burned away to get to this point. All that remains of you to give, you shall in this moment to see your daughter free.

Ashton grabs your shoulder and shakes you, but you still can't hear her over all the noise filling your head. You barely even see her, your eyes instead taken in by the sight of your old friend Harold. He gives you a smile, but you see the pain there. It goes beyond the merely physical, for you can see the curse wrapping around Harold's heart thin and twitching like a centipede. He winces every time it contracts, his breath hitching as dozens of tiny barbs stab into the sensitive flesh of his insides and threaten to tear him apart.

You could remove that awful thing. Doing so is obviously beyond Ashton's skill, for while the lieutenant is an able necromancer she has turned most of her skills toward military application. But yours is a finer touch, honed from long experience both in research and practical appliance. You could take a moment to free this man who you once loved so dearly and relieve him at least a part of what he has suffered no doubt for the crime of helping you.

Only if you are to confront your grandfather, and thus make it to the Engine, you will need all that remains of your strength. He will be fresh, in the young and vigorous body of your daughter, while you are broken and weary. Can you afford this act of kindness, considering what rests ahead?

[] Break the curse on Harold.
[] Leave them and press on toward the Engine.
 
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Release and Rest New
[X] Break the curse on Harold.

Of course you can. For in these final moments of your life, no matter how much you have given up or how much has been taken from you, there has always remained something deep within that has driven all of your actions. Beneath all the fear and all the pain there is a core that shines no matter how much it is obscured.

It is your heart, which your grandfather did his best to make a cold and lifeless thing. To an extent he succeeded, for you cannot help but think through bitter calculus where others would act without thought to help their fellows. But he never fully killed that part of you. The part that cares, the part that loves.

And that part of yourself will not allow any chance for Harold to die.

"God dammit are you even listening to me?" Ashton asks as the world finally comes back into focus. "Dunstan, if you don't-"

"I hear you," you say, your voice soft. With one hand you gently remove hers from your shoulder, while the other you place on Harold's cheek. He looks up at you, eyes full of pain, as you give him a sad smile. "I'm sorry."

"You're always sorry," Harold replies. "You've been sorry so many times, but it never seems to change how you act."

You flinch, but do not step away. Harold's words are without heat, given merely with blunt stoicism that only comes from long acceptance. He knows you, has known you ever since you were both children. Because of this he is aware of all your failings and all your fears, the things that drove so much of your life leading to this point. At one point he believed there might be the possibility to reconcile all of that with what he wanted, that there was a chance you could be together.

It was not to be. There are so many reasons for this, and not all of them are your fault. But that does not change here and now. Harold is standing before you, and you have the power to save him. What you could not give him, and what he could not understand, are irrelevant in the face of this truth.

"They hurt me," Harold says, voice breaking. Tears gather in his eyes as a fresh bout of pain rocks his body, the curse wrapped around his heart ripping into his flesh. "They hurt me for helping you."

"I know."

"I suppose you do," he says. "You tried to warn me, but I…"

You move close and slowly, tenderly, set your lips upon his. Harold goes completely still, limp in both your grasp and in the increasingly uncomfortable Lieutenant Ashton's. Then he leans into you, wrapping his arms around your neck. He tastes of blood and stale vomit, and you are not much fresher despite your time recovering with Fatima, but at this moment you are both young again. You are running through the forest of your family estate, moving for the sheer joy of it. You are sharing a night looking up at the stars, chill winds giving you both an excuse to lean into each other and enjoy the feeling of your bodies. You are kissing, awkwardly and without skill, but with all the passion that comes from discovering something wonderful and new.

You wrap your arms around Harold and hold him to yourself, taking him from Ashton's arms. With an exertion of will, the air rippling as the light tinges with shades of black and violet, you reach out for the curse tormenting your friend and first love. It resists, of course, latching on hooks to keep from being wrenched away. Harold moans in your mouth, his embrace becoming painful as he crushes you with manic strength, but you do not let go.

With delicate care you unlatch the barbs of the curse from Harold's flesh and bind them to its form, curling the malevolent necromancy into a ball. He gasps as it comes up his throat, and when you finally allow Harold to stumble back the thing is writhing in your teeth. It twitches like a living thing, a narrow sliver of shimmering amethyst and obsidian, reaching for Harold and attempting to tear at your face so it can fulfill its function.

You bite down, and with a high-pitched squeal the energy sustaining the curse disperses.

"You're free now," you say as Harold almost falls into Ashton. He is pale, and his breathing ragged, but the pain that was a constant feature on his expression is gone now. "They don't have any more hold over you."

Harold puts a hand to his chest, gazing down in wonder. The lieutenant, on the other hand, is staring directly around you and to a certain extent at me. I would be only a faint shimmer in the air, something wide and deep compressing itself down until it can fit inside a person. But I cannot fit comfortably, cannot inhabit you without strain. There is too much of me and not enough of you, and how much you've given up has not helped matters.

Even what you have done for Harold leaves you sweating, and you were already short of breath from coming through the wall. Efforts that even just a few years ago would have been difficult only in the technical sense require so much exertion, and weariness has become so constant you can barely imagine what it means to be truly rested. It is merely a spectrum of enervation, your frailty growing to the point where you cannot live without me and yet I will still be the death of you.

I know you hold no hatred toward me beyond momentary animus given to all animals when suffering injury. Brief flashes of almost-thoughts pulled from the depths of instinct are the only indication of any ill will you might feel for what my presence has cost you. You are a good man, no matter what you might think of yourself. What you have done here for Harold, as I both buttress and drag you down, proves that.

How I wish I could give you more. But I cannot live your life for you, can only advise and support. And, ultimately, I will be with you when everything is said and done. It is the least I can do.

"You're being ridden," Ashton says. And, with that awareness, she understands more clearly the state you are in. "But you're not asleep."

"No," you reply. "I am not. I have participated in every step of this journey, and will continue to do so until the end."

"Which is going to rapidly approach if you confront the Prime Minister," Ashton says. "Because, respectfully, you look like shit."

It's true, but she doesn't need to say it like that.

You frown, both at her observation and my quiet agreement, but do not respond. Instead you walk past her and Harold, who seems ready to fall over if not given any support. You can sympathize. Every step is an effort of will, like the weight of your entire life dragging you down.

How much longer can you last? It only needs to be for a little while yet. Just a bit further, and then you can finally rest.

Ashton grabs your arm, and says, "If you do this he will kill you."

"Probably," you say. "But it doesn't matter."

The lieutenant's face twists, and she looks as if she is about to say more. But Harold leans into her, almost sending them both tumbling, and when they both steady he only shakes his head. He knows that once you have set your mind to something you will not be dissuaded. Further talk will only waste time.

So Ashton loops one of Harold's arms over her shoulder and continues down the hallway. You observe them for a time, looking over your shoulder. The soldier who you defeated, and was punished for it, and your old friend who has suffered only for the crime of coming when you called.

Alba does not deserve either of them. Alba, and those who lead it, do not deserve much of anything. But if Fatima can create something better from the ashes of the old… If your sacrifice can mean something…

You shake your head, brushing off those thoughts as the two turn a corner and vanish from sight. There are no more distractions. There is only your goal. There is only your daughter, and her freedom. Everything else is secondary.

A short walk, just a few turns, takes you to the imposing oaken doors that lead to the Upper Chamber of the Everlasting Senate. Over three times the height of a man, they are carved with motifs important to Alba's modern mythology. At the center is a torch being held up by a faceless figure shining enlightenment, with the overthrow of kings symbolized with the crown tossed underfoot. To either side are falcons with wings outstretched, the leftmost holding a bell in one talon and a key in the other. Its twin holds a bloody sword, which contrasts with the lotus flower in its other claw.

And above them all are the words "With Wisdom, Justice. With Justice, Liberty."

It is interesting for me to observe which parts of this heraldry were inspired from what has come before. Falcons have always been an important symbol, as have swords and keys. The lotus, as well, has long been considered a flower with connections to divine providence and peace. But bells and torches, along with the faceless figure, all came about in the years just before and after my death.

But that is not important now. You place a hand on either door and push. They are too heavy for you, but I place translucent arms over yours and add my strength to throw the doors wide. They boom as they strike the walls to either side, revealing the Upper Chamber.

The entire room is a half-circle, a four-tiered auditorium with fifty seats at each level. Set before each seat is a desk made of polished wood inlaid with much the same symbols as the door. There is little light, but what comes through the doors behind you reflects off the marble floor to show little hints of color among the austerity. Red cushions on the chairs, gold on the pens, silver on the desk mats…

The only difference is at the bottom tier, which has but forty-nine seats set in the manner of the others. For at the end, set against the wall with a mural of that same faceless figure holding aloft a torch, is a high-backed chair that could almost be a throne if not for the lack of gilding. The desk before that chair is larger, inscribed with falcons bearing their various panoplies, with an ornate gavel and block made of black wood lined with gold and a single gemstone of icy blue at its head where the handle would emerge from the top of the hammer.

Sitting on that throne is a familiar face set with a familiar expression, though neither belongs to the other. That face stares up at you, bounded by five revenants to either side holding rifles. You barely notice them, however, so overtaken are you at finally seeing your daughter's face after almost four years.

Your first instinct is to call out to her, to rush to her side and hold her close. You take a step forward to do just that before your thoughts can catch up to the reality of the situation. It is her eyes that draw you short. Silver eyes instead of brown, narrowed in disappointment and no small amount of contempt. This and other things, like how she sits so straight-backed in that chair with her hands on the armrests, how she furrows her brow and twists her lips to express her obvious annoyance, drive home what you already know.

The tightness in your chest takes on a whole new dimension, twisting beyond mere physical pain into something nigh transcendent. Those are your grandfather's eyes, shining with the light of death, peering out from your daughter's face. Tears well at the edges of your vision, to be so close and yet so far to one who you have missed so dearly, but you blink them away. You cannot show weakness to this man who has stolen everything from you.

"Randall," comes the voice of your daughter overlaid with that of your grandfather. Hers is light and musical. His is soft and deep. Together they create a distressing blend that sends shivers down your spine. "It's been some time."

"You've been expecting me, then?" you ask, forcing the words to come out calm. "Didn't think I'd perished when your thugs bombed Zeal's little den of nightmares?"

"I would not believe you dead until I saw the body," Aidric replies, putting your daughter's hands into her lap and leaning forward. "You're a clever boy, but I know you. I know your mind and your inclinations. That being the case, anticipating your involvement with the fools causing a mess outside was not too difficult."

"I wager they've better understanding than most," you say. "And they're making their discontent known."

"Insolence and ingratitude," Aidric mutters, standing up. The revenants follow his motion, stepping in unison to remain at his side. "I hope you understand the damage your wife is causing with this little tantrum. One of the busiest days of commercial activity in the entire year and she has every major city closed off! She has brought the beating heart of Alba's economy to a standstill!"

"Ex-wife," you reply. "We divorced years ago."

"But despite this you both still find ways to conspire," Aidric says. "Properly married or not, I know you two are in collusion."

"What can I say? You inspire the best in us."

"Very droll."

"Maybe people are just tired of being told to suffer for the sake of wealth they will never truly be a part of," you say. "Maybe you and all the rest brought this on yourselves."

"Then they are children who do not understand the truth of how things work," Aidric snaps. "I'll see her career ruined for this. We bring order to a chaotic world, civilization to savagery. Without us, there is nothing."

"And yet you're always surprised when people resist rather than throw flowers at your feet."

Aidric scowls, an utterly alien expression on Kendra's face compared to your memories of your daughter. Kendra was not so reserved, was more expressive when displaying her irritation. Your grandfather, in contrast, does little more than turn up your daughter's nose.

"Enough of this," he says. The revenants move forward as one in response to his unspoken command. "I'm not here to debate with you, Randall. Surrender peacefully or suffer the consequences."

The grin that twists your face is unpleasant, as is your laughter. The tears that you have been holding back finally draw down your face, unable to be contained, and you raise a hand to hide the sight of them from the judging gaze of your grandfather. Aidric, for his part, simply waits out the display to hear your response.

Your reply is vocal, though it does not take the shape of words. With a wrenching pull you draw forth the energy born of decay and center it in your chest. Purplish black light glows through your skin as you take a deep breath, and with a furious exhale you let loose a howl to break the very foundations of the earth.

The world shudders in the face of your scream, trembling with all the rage and grief and misery that has festered inside of you for your entire life. This banshee wail, portending death. Your death… Or, perhaps, a death long since gone. The death of your innocence, your hope. It rips across the senate chamber, throwing chairs and desks into the air as this mournful vibration tears toward your grandfather in his stolen flesh.

Aidric lifts your daughter's hand, and the shriek dies.

Wind roars between you, great twisting eddies that further ruin the carefully constructed mask of governance and send the Prime Minister's desk flying to join its fellows. Directly in front of Aidric is an invisible wall, an expression of telekinetic force brought into being through sheer exertion of his will. Around those stolen fingers glows the violet and ebony light of necromancy, a perfect counter to your attack as he vibrates the air in just the right way to nullify and redirect the vast majority of the force you brought to bear.

All that remains beyond that is a quivering breeze that brushes Kendra's hair. Aidric pays it no mind, maintaining his shield until all the air is expelled from your aching lungs and you've nothing to show for your efforts other than the destruction of the room.

"You are, perhaps, more skilled than I," Aidric says, closing your daughter's hand into a fist. You are wrenched from your feet and lifted into the air, clawing at your throat as Aidric hoists you by your neck. "But you lack strength."

He flicks that hand that is not his own, and you crash into the towering doors with enough force to slam them shut. All breath remaining to you escapes in a gasp, and you cannot draw any more into your lungs from the pressure of Aidric's will pushing down. There is a low creaking sound as the wood buckles, and below even that there is the sharp pain of your bones bending.

"You've always lacked strength," Aidric goes on. "No matter how much I've tried to teach you. Oh, you took well to the study of necromantic arts. That was never in question. You are a once-in-a-lifetime talent. But this alone is nothing without the will to use it."

Breathe. You have to breathe. Without breath you cannot draw power and without power you are doomed. But the pressure only mounts, making every effort to take in air a task of truly monumental proportions as your body compresses in on itself.

"It's a pity, Randall. You could have been useful, part of something glorious. But I look at you now, at the ruin you've made of yourself, and it breaks my heart."

Aidric motions with your daughter's other hand, and the revenants raise their rifles. They take aim, ready to execute you, but in the time your grandfather has been talking you have managed to take in a breath. Shallow it might be, but it is enough. With an effort of will you shape the ethereal substance of death into something you can use to survive the next few seconds and perhaps find a way to grasp victory.

The rifles boom, the report perfectly in sync to create a sound like thunder in the confined space, but the moment before they do you render yourself ethereal. Aidric's power pushes you through the doors of the chamber, bullets punching great holes in the door as you collapse in the hallway outside. Beyond his sight, Aidric cannot focus on you and the pressure lifts.

Then, roiling with entropic might drawn from the slow death of the world, you slam your hands against the doors. The heavy wood bursts into pieces, blasting into the room with the force of cannon fire. Three of the revenants rush forward, locking arms to take the shrapnel with their bodies.

Aidric idly waves away what remains as the revenants fall, their flesh cut to ribbons, so he is ill-prepared to respond as you rush forward in a burst of telekinetic force with your hand upraised. His eyes go wide, Kendra's face twisting into an expression of fear, and you hesitate.

Your technique fills the target up with all your hate and disgust so that there is no room left for the possessing ghost to reside. But can you really inflict that on your daughter? In this moment, even with those silver eyes shining, all you can see is her terror as you are about to not only strike her but force everything you despise about your grandfather and yourself into the depths of her soul.

That brief pause is your undoing. Aidric recovers from his shock and leaps back, sparks flickering across Kendra's fingers as he summons a stream of ghostfire. A chill wind surrounds those flames, screaming as all its heat is drawn into the blaze to leave the surrounding air cold as the heart of winter.

There is only a second to respond, so you reach out to a nearby revenant and dig your hand into its skull. It gives way easily, the todstein spike falling to the floor as the head breaks open. With that gone it is easy to twist dead flesh into a barrier between you and the ghostfire. Bone and fat warps beneath your fingers, what once was at least vaguely a human shape flattening out into a wall that sizzles beneath Aidric's onslaught.

Most burns away before your grandfather stops. Revenants barely have any blood left to them, most of it drained and replaced with embalming fluids to better preserve the corpse. But some blood always remains, and even a little is enough to quench ghostfire.

You have little time to wonder at your grandfather's foolishness, or perhaps desperation, to unleash such necromancy not only in within a populated area but also his own seat of power, as he drives Kendra's fist into the side of your face and sends you hurtling across the room.

Teeth break and fly from your bloodied mouth as you slide across the floor, telekinetic power enhancing Aidric's strike to something beyond human. Only my presence, reinforcing your body and holding pain at bay, keeps your skull from cracking open. As it is, the electric fog in your head banishes all capacity for thought as Aidric steps forward and raises Kendra's foot to finish the job.

I reach out with many translucent arms and drag you away just before the heel comes down where your face used to be. The floor cracks beneath the force, marble shattering into dust, and Aidric glares at us both as you rise unsteadily to your feet.

"So that's it," he says, turning Kendra's lip down into a scowl. "That's why you have achieved so much, and why your body is so wizened. You've taken a passenger."

Aidric slashes one of your daughter's hands across the air between you, and on impulse you stumble to the side as the wall behind splits in two. There is barely time to register the pain before your left arm falls away, a bloody stump just below the elbow. Then agony hits, hot and raging like the sun, and you scream. But as you scream I am reaching out from the gore of your elbow and grabbing the arm, pulling it close and knitting flesh back into place.

Even through lingering spasms you are moving, and thus avoid another razor thin wire of telekinetic power as it tears through marble so cleanly that not even dust rises in the wake of its passing. Gasping, you are barely able to stay ahead of the assault even as your muscles scream their protest. You were weary coming into this contest, but the depths of your fatigue now threaten to overwhelm you as darkness encroaches at the edges of your vision. Your body simply cannot keep up with what you are demanding of it.

Another scream as Aidric takes off your foot, your rolling dodge just a little too slow to escape completely, and I pull it back onto your leg as you stand up and continue your flight. You need only a second, just a brief pause to gather enough power for a shield, but your grandfather does not give you that moment. Aidric never loses sight of you, never ceases his attack, and so you are left scrambling across the room to find anything to defend yourself.

The other revenants have gotten back to their feet and aim their rifles. In response you cross your arms, the left still stinging from rapid regeneration, and protect your head as they fire. Bullets slam into your flesh, but just beneath your skin I catch them with many fingers. Lead falls to the floor as I release them, and then you are among the revenants.

You duck as Aidric swings your daughter's arm in another slash, and all six of the remaining undead soldiers fall to the ground in two clean halves. The top halves flail weakly, still trying to fulfill their objectives in stopping you, but the bottom halves are limp now that they are disconnected from preserving todstein.

With an effort of will you grab six pairs of legs and twist them into a wall of meat and bone between you and your grandfather. All you need is a moment, just a moment, to breathe and regain your footing. A moment to gather the necessary power, shape it to your will…

The barricade shudders beneath relentless attacks, breaking apart piece by piece, and you barely have the time you need to put a much firmer defense of telekinetic force across your skin. Your corpse wall breaks, and you are lifted into the air as you are struck again and again and again. You slam into the ceiling of the chamber, breaking wood and cracking stone, as dozens of invisible blades strike you at once. Your clothes are torn to ribbons, but you are not ripped apart as your barrier holds.

It keeps holding even as Aidric launches Kendra's body at you, breaking through the ceiling and sending you both out into the winter air. Your daughter's hands close around your neck, but that is secondary to the terrible snapping sound of your bones breaking. I dampen the pain, but even with this every nerve is alight and roaring.

Alba unfolds around you as your grandfather halts your momentum, hovering in the air as the wind of your passage sends falling snow careening wildly. Streets set haphazardly in older quarters, and in more uniform grids in newer. Grand estates and crumbling slums, parks and ponds near the former set apart from factories belching smoke to stain the snow falling on the latter. And beyond all of that…

The ocean, such a deep blue it is almost black, shines red at the horizon with the rising of the sun. Waves crash and roll against the shore and the ports that dot them, ships still harbored but ready to go out into the world beyond. A world that Alba would claim, just as Alba has claimed all that is good left in your own.

Your grandfather tosses you aside, and you fall just for a moment before he grabs you once again with necromantic power. All you can do is hang limply. You've nothing left, can barely even shudder as I snap bones back into place, and it is only because Aidric forces you to look at him that your head can remain upright.

"It didn't have to come to this," Aidric says, smoothing out your daughter's hair to rid it of the dust your passage caused. "None of this had to happen."

In the distance you hear the chanting of the crowd. They yell their displeasure so loudly that it can be heard even over the constant breeze, so rhythmic it almost creates music. That same call, for change and equality and justice, is being taken up not just here but across the whole of the empire's heartlands. A call for a different world.

Aidric turns Kendra's head in that direction, twisting her face into an expression of annoyance. It is so strange, seeing this perversion of your daughter's features. But mostly, you are just happy to be able to see her face so clearly. Her full lips, the curve of her nose… She takes mostly after her mother, though there is no small part of you there as well, and you cannot restrain your desire to reach out a hand to cup her cheek.

Your fingers twitch, but otherwise do not move.

"I see a bright future, and by your own actions it does not have you in it," Aidric goes on, returning his attention to you. "Only we have the knowledge to hold chaos at bay and direct the lives of these foolish, shortsighted people."

"And it's just coincidence that you get to enjoy yourself in the meantime?" you croak, blood pouring from your lips to join the red rain you are spilling onto the ground far below. "Cheating death again and again at the expense of children? You burn the present for this senseless future, and then act surprised when all that's left is ash."

Aidric scowls. Then he raises your daughter's hand and, with a casual flick of her wrist, slices through both of your eyes.

You scream as the world goes dark. Your face is wet, and your fingers twitch again in an instinctive urge to clear the dampness away. But not even pain can drive your weary body to action. All you can do is scream again as the pressure around you increases, your broken body a monument to your grandfather's cruelty.

"Any more clever responses, boy?" Aidric asks, his voice now your entire world beyond the agony of your flesh. "Or are we finally done with this petulant defiance?"

You do not respond, can do nothing but weep for the dying of the light. You tremble, head bowed, resting within the heart of Aidric Dunstan's designs. It is a familiar sensation, and even if the suffering is more potent the flavor is still the same. You've lived all your life in this man's shadow as he took from you and so many others, claiming it was for their own good.

That ends today.

"Take it all, Ellowyn," you whisper, "Take it all."

I'm sorry, Randall.

"I hope this tantrum has brought you some comfort," Aidric says. "Because all this foolishness stops here. I'm going to crush this ridiculous dissent your woman is fomenting, and you will die never seeing your daughter's face again. Alba's glory will reign eternal, and I will not have you standing in the way."

You open my eyes in the ruined pits of where yours once were, smiling as silver light outshines even the illumination of Aidric's own, and say, "And what makes you think I can't see my daughter's pretty face?"

I pull from the embers, all you have left, and convert it into power. Steam wafts off of you in the cold air as your body turns into a furnace, your soul fuel for a fire you have carried all your life. Everything you are, everything you were, everything you might have been, drawn into a single explosive moment and thrown at your grandfather to send you both tumbling back towards the earth.

A hurricane is unleashed as you both slam into the ruined Senate, a roaring cacophony that drowns out everything. Dust billows up in a cloud, but through my eyes you know where your grandfather is. With strength born from sacrifice you rush toward him, toward the body of your daughter. Even as Aidric raises one of Kendra's hands, ghostfire dancing around her fingers, you wrap your arms around her.

Because you have found the answer. Even while your grandfather was tearing you apart, you considered the issue of how to remove his soul from Kendra's body without exposing her to the ugliness inside of yourself. And through the pain, and the fear, and exhaustion so great you can barely imagine a world without it, you discovered the solution.

You draw your daughter close even as Aidric unleashes the ghostfire, burning a hole through your chest and out your back, and give to her all the love you have. Everything you have ever said, and more importantly have never said, flows from this physical connection and into Kendra. Warmth, and gentleness, and care. A desire for her to succeed, to be happy even at your own expense. A desire for her to live on, free and unburdened.

The flame you have been carrying through the blizzard of your own misery, all for her sake. It passes from you, and into your daughter. It touches upon her soul, buried so deeply by your grandfather's violation, and gives it strength. It grows, fills the container that is her flesh, and there is nothing left for Aidric to cling to.

Your grandfather screams as he is forced out, and you smile even as you fall.

She falls soon after, collapsing now that Aidric is no longer inhabiting her body. You know that you should be hurting, that everything should be agony. It does not, and you know that your death is finally here. I have taken too much from you, and you have pushed yourself too hard. There is nothing left to give, nothing left to build from in order to rise again.

But as Kendra groans, and opens brown eyes blessedly free of silver light, you cannot bring yourself to care that this is the end. There is no more suffering, no more anguish. You can finally rest, knowing you have succeeded in releasing your daughter from her torment.

Kendra looks at you, for a moment uncomprehending. Then she blinks, and awareness dawns as she takes in her surroundings and your ravaged form. Your clothes are in ribbons, and what remains is stained with your blood. But even worse than your ruined eyes is the hole in your chest, burned and cauterized all the way through from the quenching of the ghostfire.

It is the end of you. It is the final punctuation on a life of anguish and fear. Yet despite all of this you cannot say you hate the time you have spent on this earth. Because despite everything there has been love. Rage may have carried you on this tortured road, but it is love that saw you to its end. For that love you have endured so much, set yourself against all the myriad evils that sought to destroy you, and for that you have no regrets.

"Dad!" she yells, crawling over to your still form. "No no no no no no!"

She grabs your shoulders and holds you close. You feel nothing but a soft pressure and a peculiar chill, and with strength you hadn't realized still remained you raise an arm to return the embrace. Her warmth bleeds into you, and your smile widens. It is nice to hug your daughter again after so long.

"I'm sorry," Kendra whispers, tears falling down her cheeks. "I'm so sorry."

"It's fine," you say in a voice like a gentle breeze, unable to raise it any higher. "It's fine. You don't need to fret over me."

"But I killed you! I…"

"No, you didn't. I did this to myself, and did it gladly. I love you, Kendra. I… have… always…"

And then what little life remained leaves you, and you say no more.

Kendra wails and buries her face in your lifeless breast, weeping even as she struggles to feel the beat of your heart. But there is nothing. Your body is cold, and no blood flows through your veins. Without my light your eyes are nothing but empty pits, but that smile remains on your face even as your daughter cries out her grief onto your chest. You are dead, but undefeated. You are dead, but you have won.

From behind rises mist, twirling despite the lack of wind. It rotates upon itself, spiraling ever upward as parts of it branch off from the greater whole. It is vaguely human in shape, though its bounds are blurry and breaking off into the open air. Its mouth, if it can be called that, opens impossibly wide as it reaches out with tendrils that make up the closest thing it has to arms.

Then I reach out and grab the shade of Aidric Dunstan by the throat. A shriek builds from the ghost of the man who killed you, but I do not let it release into the world. He struggles, but it is futile. He is a small and meager thing, while I am so enormous I might block out the sun if I were to unfold myself completely. His time is finished, and I will not allow him to sully what you have sacrificed so much to achieve.

I take nothing from this man, this wretch, for I desire nothing from him. But I still break and flense all the same, scattering his essence so completely there is no chance Aidric Dunstan will ever be able to come together again. I give him final death. A fitting end to one who has orchestrated so much suffering upon the world.

Kendra does not notice. She is too encompassed in her heartbreak, overtaken by her sorrow. I do not interrupt this as I settle back down into a more appropriate shape for interacting with people. I simply move from behind her to settle before you, threads of light binding me still to the jewelry latching on to your bones.

Time passes, though how much I cannot say. The bonds holding me are fraying, and without them it is difficult to maintain proper perspective. But eventually Kendra looks up with red eyes still streaming tears to look upon me.

She does not flinch. I think perhaps there is no room left for fear in her. She sits up straight and cradles you close, her arms resting possessively over your corpse.

"You were with him," she says. "You were with my dad."

I was.

"You're why he was so broken. You killed him."

In part, yes. He asked it of me, and I could not deny him.

"And that makes it better?" Kendra asks. "That makes it right?"

I smile, and that draws a frown from her. Your daughter is rallying, Randall. Even now, your lifeless body in her arms, she is rallying. Even bereaved, newly freed from years of torture, she faces me without shying away. The wound is still there, is still fresh, but still she sets herself ready to fight for what she has gained. It gives me hope for the future.

It does not, but nothing ever will, I reply, reaching out a hand to brush your face. Kendra pulls you away, and I let my hand drop. In so many ways I think this was a long, drawn out suicide. When you were stolen, Randall gave up on his own life. Only his love for you kept him moving. His love, and his hope that you would have a future. He was… beautiful. If I could have taken his place, died a thousand times to give him just a few more moments with you, then I would have. But I can't. He's gone, and there is only our work left. But if you're willing, then I can tell you his story.

"His story?"

Walk with me and I will tell you, I say. It is all I can offer now, here at the end of this era.

"Walk with you to break the Engine?" She puts a hand to her head, wincing at the memories. "Aidric… Sometimes I was awake and could feel his mind. He was sure dad was going to destroy the Engine."

And he was right. But Randall cannot do that now, and I cannot accomplish this alone. I will need your help.

"You're not going inside of me," Kendra says immediately. She hugs you closer, as if she might hide herself from me. "Never again."

That will not be necessary, I say. The jewelry unlatches from your body, todstein moving in accordance to my will to settle before me. It melts beneath my hands, and I mold it like clay into a thin shaft set into an oval head. You need only carry this.

Kendra eyes the hammer suspiciously, but takes it all the same. Then, reluctantly, she sets you down and crosses your hands over your chest. Your daughter looks down at you, fresh tears forming in her eyes, before turning away with visible effort. You rest there, a smile still on your face, as we walk toward your grandfather's throne.

It is easy enough to find the mechanism to move it. Kendra knows of its function from Aidric's memories, and I have gleaned it from the spirits of those I have consumed. The floor that imposing chair rests upon shifts aside to reveal stairs going down into darkness.

I light the way as Kendra descends. Deep down into the earth, the stairs going around and around, there is a smell of musty dust that speaks of few venturing into these depths. The already frigid air grows colder, your daughter's breath coming out in puffs of fog as we carry on into the gloom and I make good my promise to share with her your story.

It is a trial to compress almost four years into such a short span, but I make it work. I tell her of your sadness, of your despair. I tell her of the pact we made while you were at your lowest, climbing out of the earth to wage war on all the injustices of the world. I speak of your bravery, and of your determination. But most of all I speak of how your daughter was always on your mind even at the most harrowing moments of our time together. How for her you walked through bullets and blades and fire, spilling your blood so that she might one day be free.

I do not know Kendra's thoughts, for we are not bound as you and I were. Even still, her emotions roll off of her. Grief and rage, the twin sides of her mourning, but beneath it all there is pride. Not for herself, but for you. Kendra is proud of you, Randall. Your daughter is proud of what you have accomplished, and grateful despite her heartbreak that you would give so much of yourself for her sake.

We are far below even the sewers now, so deep it almost beggars belief. How much effort must it have been to do this, and to keep it so secret? How many lives were used up, just so those with power might ensure it could never be taken away? The air grows thicker as we walk, as if through mud and clinging syrup. Musty air becomes stale, and then completely without smell as all semblance of life vanishes. I stand before Kendra so she does not get locked in the mire of the energies released, so that the heavy air does not choke her beneath its weight.

Eventually the stairs end, opening up to an expansive room. Kendra gasps as I expand the light, revealing my work in all its depressing glory.

The entire room is a concrete box more than one hundred feet across. Nothing else adorns this place, nothing fills it save for the Engine. It is made of two thick discs of todstein, the grey metal inscribed with markings to better grind against each other. Surrounding the discs are the revenants wearing nothing but drab jumpsuits. They push at the spokes settled against the metal, and every time they do there is a wave of energy that threatens to wither Kendra away into nothing.

But she does not wither, for I am there. I shield her from this power, just as my presence allows her to breathe when to do so would normally smother her beneath the gravity that is the end of all things. Todstein is death made manifest, a testament to the inevitability of entropy. To harness it is to unleash incredible potential, but so much gathered in one place and set to that purpose will not allow anything else to exist unless guarded.

The revenants move in unison, taking one step every minute. It is the slowest the revenants, themselves empowered by the energy they release, can turn the Engine while still remaining effective. All the better to hide its presence with the satellites. The massive discs ring out each time they scrape against each other, a sonorous call reminiscent of a bell. But it is not truly sound the Engine is making. It is the absence of sound, a silence so deep it warps the world around it and creates the sensation of vibration even though the air remains utterly still.

This is not a place of honor. It might have been, if it had fulfilled its potential to the purpose I designed. But it did not. Instead it was used to give those with abundance the means to steal more and more from those who have so little. To take, instead of give. To wage war, instead of promoting peace. To deny opportunity when all I wished was to give everyone the chance to live free of want.

Those who did this have forgotten a fundamental truth. Life is not a problem to be solved. People are not the means to an end, but ends in and of themselves. When we lose sight of this, when we treat living with our fellows as a burden rather than an experience, we open ourselves up to the most abominable of evils. We treat lives as if they were coins, currency to be spent in accomplishing our desires. If ever anything could be considered sin, it would be that.

Kendra looks down at the hammer, so small in her hand, then back to the Engine. The revenants push again, releasing another burst of power with that sound that is not sound. The illumination I release twists, for a moment inverting itself into a strange darkness deeper than mere absence of light, before I shift my working to accommodate for necromantic disruption. Kendra blinks and holds a hand to her head, blood dripping from her nose as she stumbles forward to stand next to my creation.

"This will do it?" she asks, raising the hammer. The revenants, dull-eyed and pale, do not respond to her presence. "This will break the Engine?"

Yes. It need only be hit once. I will do the rest.

Kendra closes her eyes, and says, "Let it end. Please, just let it end."

Then the hammer comes down.

Inside it is myself, the creator of this Engine. As Kendra strikes there is resonance, a reverberation between the hammer and the Engine as my energies and its substance synchronize. She cries out and drops the hammer, which is already crumbling as she clutches her trembling hand, but I have already flowed from what I made of the Engine's castoffs and into the greater whole.

I expand within to a sound like the roar of waves crashing upon the shore, one continuous barrage that sets the whole room shaking. The todstein buckles beneath my presence, its gravity eclipsed by my own. Metal bulges, deforms horribly with a faint scream that is felt rather than heard beneath my cry. It knocks the revenants to the ground, and after a few moments of twitching they lie still.

All of this should be impossible, for I am but a single ghost and the Engine a masterpiece that has empowered an empire. But I know this thing. Oh, but I know. It was formed with my sweat and tears, with my breath and blood. Without thought it attempts to crush me, and I direct that terrible strength against itself. Without intent it seeks to silence me, and I fill it with such defiant noise that there is no room for the calm of death. And, so bereft of outlet, the Engine stalls.

I release a sigh as the Engine decays. Todstein, normally so robust, turns to dust that falls to the floor. That sigh pulses outward, taking Kendra off her feet as it penetrates through the earth and washes out toward the whole of Alba. It crosses mountains and streams, encompassing the sky like a soft blanket that covers everything and everyone in a gentle embrace. It is absolution, the end of myself and my great work.

I cannot withstand what I have unleashed, and I make no attempt to avert my fate. I have existed for too long. I will not become like the Possessed, those thieves of children. I will not perpetuate myself further at the expense of those who come after. My time is done, and I bow out gracefully so they might inherit the world.

The last thing I see as my consciousness fades, disappearing to join you into that final mystery, is your daughter stumbling toward the stairs to leave this darkness and venture forth into the light.
 
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Epilogue New
I open my eyes to a familiar ceiling, painted a light pastel blue like the sky on a clear day. Then, as with every morning, I raise my hand and stare at it. Slowly, I open and close my fingers. The digits obey, and I can't help but stare at them in wonder. The pull of tendons, the soft grind of bone on cartilage… Even now, after almost a month, it is still amazing to me to be able to move under my own power. To have control over my own body.

Then the sun peeks out from behind the clouds and light from the windows hits my eyes. With a wince I pull the covers up over my head, groaning as I roll in bed to turn away from the window. I don't want the day to start. Getting out of bed means being beholden to certain uncomfortable responsibilities and acknowledging even more uncomfortable truths. But if I close my eyes I can return to blessedly dreamless sleep. I can avoid thinking about anything and just let life pass me by.

It's a forlorn hope, of course, but I've lived the last four years on even less. It's comfortable here, and warm. God, but it's nice to be able to properly feel such things again. I just want to enjoy it and not have to worry about anything. I've earned that much, haven't I? So if the world wants me out of bed then it's going to have to damn well make me.

As if mocking my resolution, there is a knock at my door.

Another groan escapes my lips and I bunch the covers more tightly over my head. If I just ignore it then perhaps it will go away. I'll just curl up into a ball. A nice, tight little ball. I'll be so small no one will notice me or bother me and I can sleep true sleep instead of oblivion clawing at my every waking moment trying to drag me under and dammit I'm thinking about everything now and I don't want to.

"Kendra," comes my mother's voice from behind the door. "You can't just stay in bed all day."

"I can certainly try."

If Mom hears me she gives no response. She just opens the door and walks into my room, sitting down on the bed to place a hand on my shoulder. There's barely enough room for her, especially considering the mattress is only just large enough for me, but Mom has this ability to take up space and command attention. It's probably why she's so good at her job.

It's unfortunate for me, however, as she gently but firmly shakes me. I give a muffled protest and try to hide deeper under the covers. This is a mistake, as with my mother taking up half the bed my movement sends me tumbling off the side.

I wish I could say I handle this with dignity, but the truth is I let out a squawk and almost knock over my bedside table in my flailing. I emerge from the bedding, my hair unkempt and deep bags beneath my eyes, to glare up at my mother. Mom, for her part, just smiles.

"Rough night?" she asks.

"Not really," I say as I stand up. My back pops and there is a delightful feeling of releasing tension. "The sleep is fine. It's just that it takes a while for me to actually get to sleep."

"Is that why you're so late getting up?" Mom asks. "You're still in bed most times I go off to work."

"That's part of it," I say. "Actually, speaking of that, why aren't you at the Senate? Isn't there more you need to do?"

"There always is," Mom says. "But things have settled enough that I can spend the day with you."

"Oh…"

Mom raises an eyebrow. "Is that a problem?"

"No! No. It's just…"

I frown as the right words to describe what I'm feeling don't come to me. Mom doesn't push the issue. She just pats the space on the mattress next to her, encouraging me to sit. I take her up on the offer, looking down at my hands for a time before taking in the rest of the room.

It's my bedroom, the one I used when visiting Mom. The walls are the same blue as the ceilings, though covered with posters of various stage plays and music troupes. Mostly jazz and swing music, but while those are my favorites there were a few groups in other genres who hold places of honor on my walls. I enjoy anything that mixes styles together, that pulls from different corners of the world to make something new and fun. These kinds of music are often peppy or sad, but even more they usually have a satirical bite that appeals to me. Listening to tracks on the radio has mostly been how I've distracted myself these last few weeks.

Everything here feels small now. I've grown a few inches over the years, so nothing quite fits like how it used to. Even my guitar over in the corner feels strange to my hands, and when I strummed a few chords my fingers didn't respond with the same grace they used to.

Just another thing Aidric took from me.

I sigh and fall back onto the bed, looking up at the ceiling. Mom has kept this place tidy, and when I first came home there wasn't even a hint of staleness to the air. One might say that was just her coping with my situation, but I know her. She never gave up on getting me back, just like Dad…

"I don't know," I say at last. "Everything is familiar and different and I don't know what to do with it. I can't even play music to clear my head like I used to. The sounds just don't come out right."

"You'll learn again, if that's what you want," Mom says. "You've done it before."

"Sure," I say, turning over to look at her. The lines on Mom's face stand out more than I remember, and there's gray in her hair. Not much, but it's there. "How are you holding up?"

"As best I can," Mom says. "It was touch and go in the beginning, but we've managed to get everything stabilized. The Kordian Satellites have managed to keep the farms and factories going long enough to start pulling more people in, so hopefully in the next few months we'll see the economy settle with everyone getting what they need."

"That's good," I say. "I'm glad Dad and I didn't just end the world."

I mean it as a joke, but the look on Mom's face tells me she caught the tremor in my voice. She gently pulls me up and cups my face with both hands, forcing me to look at her.

"Is that what you thought you did?"

"Well, yeah," I reply. "Necromancy is more difficult without the Engine, right? And the whole empire runs on it, so…"

"Honey, no," Mom says, drawing me into a hug. "We had plans in place, and with all the Possessed gone it's been easier to get those plans in motion. It's rough right now, but the nation isn't falling apart. You just helped precipitate its change."

I wrap my arms around Mom, pulling her close. It's nice to hold someone, to feel someone and not have it come across as if through a wall of cotton. To smell the scent of flowers from Mom's shampoo, and to feel her heartbeat next to mine. After so long it still seems unreal to me that sensation is more than just an echo. That I'm free, and all this is mine again.

On my bedside table I see a photograph. It's in color, which had to have been expensive, but Mom and Dad must have thought the price was worth it. It's a picture of the three of us together, before the divorce. I'm still little, maybe six or seven, with Dad holding me up and Mom leaning her head on his shoulder. We're out by a lake, and we're smiling in the sunlight surrounded by green and blue.

That smile looks strange on my father's face. I don't recall him being happy often. Mostly, I remember him being very quiet and sad save for the times he was frustrated with me. But he must have been happy at least a few times in his life, with me and Mom. There must have been more to him than the melancholy that led to so many arguments between us when I was growing up.

"Can we tell them what Dad did?" I whisper. "Can we let them know he's a hero?"

"They won't see it that way," Mom says, her voice just as soft. "They'll just see him as the man who made their lives more difficult."

"But he saved me!" I say, leaning back from Mom. "Hell, he's probably saved all of us! They don't know what I know, what Aidric and the others were going to do! More war, more people begging for scraps. Desperate, hungry…"

I trail off at the expression on Mom's face. Her eyes narrow, and her lips are set in a tight, thin line. I know that look. It's one she's given me before when she won't be swayed by any amount of cajoling or tears. Mom is set, and she's not moving.

"You said it yourself," she says. "They don't know, and if we tell them it reveals our involvement. It makes it look like we enacted a coup, which brings more uncertainty. We've only just avoided civil war, and we're going to need time to get things settled properly so we can make something better than what came before."

"It's not fair," I say. I'm crying, wetness falling down my face and I can't stop it. I wipe it away, but it just keeps coming back. "It's not."

"No, it isn't," Mom says, drawing me back into another hug. She brushes my hair as I cry. "But this is also to protect you. No one knows you destroyed the Engine, and I'm sure Randall would prefer it that way."

I sob into Mom's chest for I don't know how long, the shadows slowly moving in my room as she holds me close and rocks me back and forth. It's comforting, reminding me of a time when I was very small and safety was always a few steps away in the arms of my parents. I should be embarrassed. I'm a grown woman bawling my eyes out to my mother. But there's no shame. There's no room for shame. There's just grief and confusion at an unfair world, and my mother helping me through it all.

But I can't just keep crying. Nothing gets better if you hide away. Nothing changes if you just give up. So when I finally stop shaking, when the tears stop flowing, and look back to the photo. I look at how happy he is, how happy we all are, and can't help but wonder what happened to all of that.

"She told me about him," I say. "The ghost that worked with Dad. The one who killed all the Possessed when I broke the Engine. She told me about him."

"And what did she say?"

"She said he suffered," I say. "She said he bled and screamed, but that he kept going. That he kept going for me. And when she said that I couldn't help but think it was strange. That we always argued, that he was always so busy and scared he never had time for me or you or anything."

Mom doesn't speak. She doesn't need to. Even as the silence stretches on and I wrestle with what to say next. Because it's horrible, admitting all of this. It's horrible admitting that I have mixed feelings about a man who died for me. A man who died by my hands, even if I wasn't the one in control of them.

What am I supposed to do with that? What can be done with that? Dad and I are never going to get the chance to talk things out, never going to clear the air. All the times he berated me about my music, about how I was wasting my life, and every time I yelled that he was a miserable bastard who hated everything that brought me joy. We're never going to get the chance to make things right and that sits like a weight in my stomach I'll never be able to shake off.

"I was never sure he really loved me," I say at last. "And the last thing he said to me was how much he did."

Mom sighs and gets off the bed, kneeling before me and taking my hands in hers. I look down into her eyes, and that earlier sharpness is gone. There's nothing hidden there, and the softness and love I see in her gaze almost makes me turn away.

She fought for me too. She's still fighting, and I'm not even sure I'm worth it. Four years in hell, and now that I'm out I don't know what to do with myself.

"Your father… He was a man of ideas and vision. It's one of the things that drew me to him when we married. But he always had trouble accepting that other people had their own perspectives, and he couldn't just impose himself to make everyone go along with what he viewed as 'correct.' And that's one of the reasons we divorced."

"I remember him being like that," I say, my voice so quiet it can barely be heard. "It reminds me of Aidric."

"That old monster did more harm to your father than I think any of us will ever know," Mom says with a grimace. "But I believe Randall did this because he wanted you to have a future. Because he realized, when you were taken, that it was more important that you make your own choices than to live by what he or anyone else felt was best."

More tears, but this time when I wipe them away they stay gone. I think I'm probably all cried out for the day, and even if I'm still sad and confused and angry I'm starting to feel a little better. I don't really know why. Maybe it was what Mom said, or maybe it's the fact that I know Dad loved me despite all of our differences. That I felt it all when he pushed Aidric out, pure and shining like the sun. There's no doubt left on that end, even if it's difficult to understand.

I still don't know what to do with it, or myself. But I suppose I'll have the chance now. I can't waste that. Too many people have done too much to give me my life back. I'll cry again, I'm sure. I'll question myself and my parents and a world that did its best to break everything good in it. And despite all of that, I'll get back up again and keep moving forward.

It's what Dad did. And if he could do it, so can I.

Mom stands up and claps her hands, drawing me out of my musings. She's smiling, and despite how puffy and red my eyes are from all the crying I find myself smiling too. Mom helps me to my feet, and she smoothes out my dress before leading me to the door.

"I only have a few days with you before I have to get back to the Senate," she says. "And we're going to make the most of it. I'm thinking lunch, maybe in the garden. The sunlight will do us both good."

"Yeah," I say. "That sounds nice."

Mom is first out the door, calling for Aysha the maid to prepare something in the kitchen. I'm close behind, but I linger for a moment to look back at the picture of all of us together. How happy we all are. That will never come again, but maybe there's a chance to find new happiness in the future.

"I love you too, Dad," I say, and a little bit of that weight in my gut goes away. "Goodbye."

Then I follow after Mom, closing the door behind me to walk out into a brand new day.
 
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Postscript New
So it is that the story is finished. In this form, at least. I plan on improving and expanding on Dead Engines to make it into a proper novel. This likely won't be an especially quick process, taking at least until the end of this year at the earliest, but if you're interested then keep an eye on this space for updates.

Writing this Quest has been an interesting, and sometimes frustrating, experience. Original Quests and Stories don't tend to get a lot of attention on SV as compared to those attached to already existing IP, so I'm grateful to everyone who participated and gave me the impetus to push through to the finish line. Special thanks goes out to @mothematics, @Bewarethewarp, @TheOneMoiderah, and @Tricia for encouraging me and acting as beta readers to ensure I put out good quality work. I think I've improved quite a bit in writing Dead Engines, and it's due in no small part to their help.

If you're interested in other works I have written, you can my find books on Amazon. The first is titled Desolate Company, and follows four strangers chasing after a man who has stolen from each of them. But distrust dogs their every footstep, and it is an open question on whether they will even reach their quarry before killing each other. My second book, Bladedancer, follows after a young woman who has returned home after over ten years of exile. She struggles with the weight of her past as she interacts with family she never expected to see again, both bolstered and burdened by the many adventures she has had in her time wandering.

Finally, because I do so love attention, I open the thread to questions and comments. Ask me anything at all, or even just express your thoughts on the Quest now that it is finished. Don't be afraid if time has passed. I can assure you that I'm not bothered.
 
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