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Lieutenant Arisukawa Haruna

Balance Stats
❁ • Work / Life • ❁
❁ • ❁ Warrior / Princess ❁ • ❁
❁ • ❁ Radical / Respectable ❁ • ❁


Tactical Stats
Gunnery 0, Navigation +2, Command +2, Technology -4, Personal -2, Strategy +3

Stress: 3


PLEASE READ THE QUEST RULES BELOW

You collectively vote on the actions of Arisukawa Haruna, the first woman to serve openly in the Imperial Akitsukuni Navy.

This quest is set in a universe which is much like our own circa 1910, but with different politics, cultural norms, and ideas about gender and sexuality, as well as some unusual and advanced technology in places.

We are using this quest to explore themes like breaking the glass ceiling, divergent outlooks on gender and sexuality, colonialism and imperialism, and the place of royalty.

Content Warning
This quest goes some dark places.

There is violence, often explicit, often unfair, often against undeserving targets.

There are not always good options forward. The protagonist is not necessarily a good person.

There is implied content and discussion of sexual harassment and assault.

This is a world where people are often racist, sexist, queerphobic bigots. Sometimes, even the PC and the people they are friends with.

Voting Rules

We will tell you if write-in votes are allowed. If we do not say that write-ins are allowed, they are not. This is to prevent people from unrealistically hedging their bets.

You may proposal other options in a non-vote format, subject to approval, on non write-in votes.

We will tell you when a vote allows approved voting. If we don't say the answer is no, pick an option. We like making people commit.

Discussions makes the GM feel fuzzy.

Game Rules
When we ask you for a roll, roll 3d6. You are aiming to roll equal or under the value of your stat. If you succeed, Haruna gets through the situation with no real difficulties. If you roll above the target value, Haruna will still succeed, but this success will cost her something or add a complication.

Whenever Haruna loses something or faces hardship from a botched roll, she takes Stress. The more Stress Haruna has, the more the job and the circumstances she's in will get to her, and it'll be reflected in the narrative. Haruna must be kept under 10 Stress: if she reaches 10 Stress, she will suffer a breakdown and the results will not be great for her.

Haruna loses stress by taking time for herself, by making meaningful progress on her dreams, and by kissing tall, beautiful women.

Meta Rules
Author commentary is in italics so you know it's not story stuff.

Please don't complain about the system or the fact we have to roll dice. We've heard it before, we've heard it a thousand times across multiple quests. We're not going to change it, and it wears at our fucking souls.

Just going "oh noooo" or "Fish RNGesus Why!" is fun and fine. Complaining at length because you didn't get what you want less so.

If you have a question, tag both @open_sketchbook and @Artificial Girl. If you only tag one of us, you will be ignored. Seriously, we both write this quest.

And yes this is an alt-history type setting with openly gay and trans people, ahistoric medicine, and weird politics. Just... deal, please?

This quest employs a special system called Snippet Votes. Please read this post for more information.
 
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So subs are a bit more advanced than historically? Because we look to be around the Russo-Japanese war, right?
It seems so. The date is ~1910 I think. On the other hand, at the very least battleships seem to be a bit behind as the Dreadnought-equivalent was only recently built.
 
It's a bit of a departure from the previous quest structure to be voting on actions the entire submarine should take and even rolling with Haruna's stats. It's created a weird dissonance that I feel blunts the impact of the choices we're making. I'm going to vote to abandon the sailors, but it doesn't feel like as hard a decision as previous votes in this quest have been. After all, it's not like Haruna is going to be the one to give the order, or be the one to live with the decision.

[X] We have no choice: It does no one any favors to let your boat possibly be damaged or even sunk in a rescue mission. Then you'll all be in the water yourself. Besides, the Caspians will probably come and pick up survivors, right? But on the other hand, they might think she's the sub that torpedoed the monitor... (No roll, but you have to rely on the goodwill of the Caspian sailors here)
 
[X] We have no choice: It does no one any favors to let your boat possibly be damaged or even sunk in a rescue mission. Then you'll all be in the water yourself. Besides, the Caspians will probably come and pick up survivors, right? But on the other hand, they might think she's the sub that torpedoed the monitor... (No roll, but you have to rely on the goodwill of the Caspian sailors here)
 
It's a bit of a departure from the previous quest structure to be voting on actions the entire submarine should take and even rolling with Haruna's stats. It's created a weird dissonance that I feel blunts the impact of the choices we're making. I'm going to vote to abandon the sailors, but it doesn't feel like as hard a decision as previous votes in this quest have been. After all, it's not like Haruna is going to be the one to give the order, or be the one to live with the decision.

[X] We have no choice: It does no one any favors to let your boat possibly be damaged or even sunk in a rescue mission. Then you'll all be in the water yourself. Besides, the Caspians will probably come and pick up survivors, right? But on the other hand, they might think she's the sub that torpedoed the monitor... (No roll, but you have to rely on the goodwill of the Caspian sailors here)
Yeah the structure of the quest is kinda running up against the nature of being a subordination officer in a combat situation right now. It's less than ideal.
 
[X] We have no choice: It does no one any favors to let your boat possibly be damaged or even sunk in a rescue mission. Then you'll all be in the water yourself. Besides, the Caspians will probably come and pick up survivors, right? But on the other hand, they might think she's the sub that torpedoed the monitor... (No roll, but you have to rely on the goodwill of the Caspian sailors here)
 
Inserted tally
Adhoc vote count started by Night_stalker on Jan 10, 2019 at 11:18 AM, finished with 3284 posts and 24 votes.

  • [X] We have no choice: It does no one any favors to let your boat possibly be damaged or even sunk in a rescue mission. Then you'll all be in the water yourself. Besides, the Caspians will probably come and pick up survivors, right? But on the other hand, they might think she's the sub that torpedoed the monitor... (No roll, but you have to rely on the goodwill of the Caspian sailors here)
    [X] Go to their aid: Surface the boat and go in to pick up survivors. Leaving them is unthinkable! (Hard tactics roll, possibility to save the friendly crew)
    [X] We have no choice
    [X] Plan record everything
    [x] We have no choice we can't help
    [x] Message Ha-17 to surrender
    [x] Record the caspians actions in every format we have available to us in case of warcrimes
 
3-18: A Girl Worth Fighting For
"We have to leave." You felt yourself saying. It felt wrong just to think it, but you knew what your duty demands. "We can't help."

The grim reality of the statement settled on the room like a fog. Akio looked sick. You wanted to help, desperately. But surfacing the boat now would only put the sailors that you helped lead in more danger.

"Helm, stand by for full astern. Hold a station three kilometers out and await further orders." Ken said. "Let's wait a bit. Maybe we can help after the excitement dies down."

You returned to your station and sat in a daze. Kwon pulled an ear away from the hydrophone monitor and looked concerned a moment, but went back.

"What's going on out there?" You asked, sort of generally.

"Hard to say, ma'am. Spikes of sound which I think are shell splashes, and I can hear the monitor breaking up as she settles--" He winced away from the ear phone. "Explosion. The monitor, I think--maybe her boilers or the fire reached her magazines?"

You pulled out your logbook and hovered your pencil above the page, trying to think of something you could be doing. There wasn't anything but to wait and listen for news.

"I think our sub just went under." Kwon said grimly. You were about to ask him what he meant when Kenshin spoke up from his position at the periscope.

"Ha-17 is gone. There's sailors in the water, and they're still shelling. There's nothing more we can do."

---

A few hours later, you dragged yourself away from the control room and back to your bunk, sinking defeated onto the thing mattress and kicking off your boots, then wrestling off your work clothes. It was already filthy enough that you swore if you didn't hang it against your door it would probably stand up on its own. You settled your head back against your little pillow (you'd gone and purchased yourself a nice one the first time you got back to port) and stared at the dark metal ceiling just a few feet above you.

A solitary drop of water plopped down on your nose.

A coastal sub for a monitor was a good trade, and the mines had been successfully deployed. The damage would be enormous, and the port would be out of action for days or maybe weeks.

This was a victory, really.

You told yourself that a few times, and you actually started to believe it. You tried to imagine what it must have been like on Ha-17. Probably damned exciting, the tension of the minelaying, the rush of the full-speed sprint out of the harbour, the panic of the evacuation. Climbing out of the ship to dark seas, backlit by a burning enemy ship, shells raining down. Must have felt glorious. Not a bad way to go.

You remembered the water filling your lungs. Thinking help was coming, and then being abandoned to the mercy of the water and the enemy. Not the best way to go either.

You penned a letter to Aiko quickly, another in the bundle you were going to send her. You'd started writing something small at the end of each day, and then when you could they'd all be sent in one big clump she could sort through. It felt more honest that way. Sort of like a diary, though your mother had always told you that writing down all your deepest secrets somewhere and trying to hide it was just asking to be blackmailed.

Then you buried yourself under the thin sheets and fell dead asleep.

+2 Stress
---

The next few nights were strange. The boat was sober, and yet there was a sense of triumph among the crew. The destruction of an enemy capital ship, even an old coastal monitor, is an accomplishment to be proud of and the radio message you got from headquarters congratulating the I-02 brushed over the loss of the Ha-17. The crew had been happy with the message, since Kenshin had read it out over the ship's public address system and congratulated everyone on their hard work and talked briefly about how the training and drills that everyone did was paying off in the effort to win the war.

The boat made its way back to restock on torpedoes and mines, and pick up mail. You had a blessed few hours out in the open air to take a bath and clean your clothes before once again crawling into the boat and closing yourself in. You were starting to miss the sun.

The same night, Kenshin held his weekly dinner where every officer was brought along and crammed into the tiny table in his 'state room.' You found yourself squeezed, mercifully, between Akio and Kenshin, which kept you from having to interact directly with either of your two 'suitors.' As you all began to dig into the humble fare (all the really good stuff had been eaten at the beginning of the patrol, so you were down to lots of rice, millet, pickled vegetables, and canned fish or meat supplemented by what could be caught over the side if you were lucky) the topic of conversation turned to a very popular topic: home and the people who had been left behind. Particularly girls (or boys depending on who you asked).

"Hatsu finally got a new job," Kenshin was saying with no small amount of pride. "She's moved over to Ohara Airworks, you know, the company that won the race? She says they have a project they're working on but she can't talk about it much because of the war. Very hush hush. They also treat her so much better there, it's ridiculous. No one expects her to fetch tea or make copies anymore! She's doing real engineering work!"

It was hard not to share his happiness. You knew all about being a woman in a male dominated workplace and her previous job at Akibara had sounded downright miserable. Then again, given your luck with new postings, you suspected she might have just traded one miserable post for another.

"It's not going to hurt her career, working for a smaller company?" You asked.

"Well, honestly, she didn't have much of a career at Akibara. She says there are a lot more women at Ohara. She works with another female engineer on engines now. And Mx. Matsura is just as much of a wonder as the newspapers say. I'm really glad she took the job." Kenshin was practically gushing, and you relaxed a little. There was safety in numbers.

"That's good," said Takamitsu. "When are you two going to get married, though? I understand modern women want a lot out of life--no offense, Arisukawa--but don't you think she'd be more comfortable as an officer's wife instead of slaving away for a wage in some office?"

"She trained longer than I did for her job." Kenshin laughed. "And at her new job, she's almost being paid more than me. Hell, I might end up being the one staying at home."

Uproarious laughter burst out around the table. It reminded you of those crude anti-suffrage cartoons that had went around the newspapers, men carrying babies around while their wives went off to work.

"How's your husband, by the way, Jiro?" Takamitsu smiled at the question.

"He's doing well--says things are busier than ever at the mill. The army needs so much cloth for uniforms and bandages and whatever else that they're thinking about adding a second building and even more looms to help meet the demand if they get another big contract. If they do, he's hoping to get moved to be foreman there."

"That would be a big step up," Akio said with a laugh. "...Kaworu has been thinking of signing up for the Army, but I keep telling him he should stay where he is. It's better for him to stay in university--he even gets a deferment since he's studying medicine. Besides, then I'd be a naval officer courting a footslogger." A ripple of laughter around the table.

"Urgh, student deferments." Lieutenant Yagi said. "I can't believe we're letting people get away with that. Everyone should be helping, not learning some leftist claptrap from foreign professors."

"We'll need doctors and engineers and others after the war is over," you pointed out. Him and his stupid fucking Purity Club nonsense again. "I don't begrudge them it at all--and I'm no leftist! Our whole society can't just be soldiers and sailors, you know?"

"If he gets his degree, he can join the army and be even more help. I hear they need more medical staff with the way things are going," Akio added with an annoyed glare that he didn't bother to hide.

"Besides, the army is no place for a pretty boy like him." Takamitsu added, and Akio's glare turned his way as well. "What about your girl there, whatshername? Isn't she also in university?"

"No. She helps her parents with the family business. Tailoring. She's a seamstress." Akio was bristling again and you gave him a little nudge in the ribs with an elbow between bites of dinner. Calm down, guy, sheesh!

"Oh? I thought you said they were living together while you were gone, so it made sense to me that she was probably a student…" Takamitsu's eyebrows got higher, and you thought that they might knock his hat off if he wasn't careful.

"No. They just--they're fond of each other, too--I mean, he introduced me to her and--" Akio fumbled for words, his face turning a brighter shade of red.

"What? Really? You just let them live together?" Yagi asked incredulously.

"She's cheating on you. You know that, right?" Hayashi chimed in, voice grim.

"It's… it's not cheating! I… it's not like I don't know… and it's just cheaper for them to share a flat and--and I'm not going to tell them who to be attracted to--" Akio floundered, his usual angry bluster failing him as he was attacked on multiple fronts.

Hayashi shook his head sadly.

"You're being played, Akio. You need to get your boy and get out." Takamitsu said. "Or she'll steal him away. I've seen it before."

"T-that's not what's…" Akio was clearly lost for words. "We all care about each other--"

"Hey, ease up everyone." you jumped in. "You know it wasn't always like it is now--it's not that weird historically. Remember The Tale of Prince Genji? Or do you not read your classics anymore?"

"Prince Genji is a tragedy, though…" Hayashi said.

"Well, it had nothing to do with their relationship, which was completely perfect." You said. You had opinions on this.

(You might have a composition book full of your ideas about how the story should have ended stashed in a closet at home somewhere from your secondary school days. Maybe. Not that you were telling anyone that.)

You'd successfully drawn the heat off Akio, but unfortunately brought it down on yourself.

"Hey, what about you, Haruna? Still single?" Hayashi asked, and you glared at him. How dare he be that familiar, the little prick?

"That's my business," you replied sharply.

"I'm just curious," he said, pressing you. "You do get a lot of mail from Horonai University… With a woman's handwriting."

Fucking. Gross. He was looking at your mail? You were going to tell Aiko to start sealing her letters in fucking wax.

"A woman, huh?" Yagi said.

"She's the sister of one of my old shipmates. Kehara knows her. We're friends," you emphasized. "I don't have time to be courting anyone." You felt a little slimy denying Aiko but… the last thing you needed was one of these assholes leaking your relationship to the press.

"How much time would you need, Haruna? I know you well enough. I mean..." Kenshin said, laughing. You realized with horror he was about to launch into a story, and you tried your best to disappear into your chair. "Oh shit, I haven't told this story. So I met Koide at this tea house in Joeson, because Haruna here…" Kenshin laid out the story of the two of them meeting with your help with great embellishment. From the way he told it, Koide was just about to throw herself onto you when you redirected her to Kenshin.

"... last I saw her that night, she was talking to a tall businesswoman, and, funnily enough, I didn't see her on the ship until late the next morning. How about that?"

Right. Because you hadn't told him what had actually happened that night, and there was no way you ever could. Fuck.

You were about to respond to defend your honour, but you were interrupted by Kwon entering the room and leaning next to your ear.

"Sorry ma'am. We need you in the control room." He whispered. You nodded and stood up.

"My apologies everyone." You excused yourself with more than a little relief and made your way down the hall, stepping into the tiny radio closet. Another of your sailors was working there, Murakami, who'd been transferred to the boat on account of his understanding Caspian, with the expectation the sub would do some spying through the radios while operating in coastal waters.

"What do you have?" You asked. Wordlessly, he tore the current page off the notepad and handed it to you, still writing on the fresh page, and you and Kwon stepped back to talk it out without interrupting him.

"Umeda heard this about twenty minutes ago." Kwon explained as you smoothed out the sheet and started reading. "Identified itself as a New Alleghany transport ship, but then started talking a lot of Caspian, so I sent for Murakami. They've been chattering ever since."

You read the hastily translated transcript over. It started off innocuously, listing the name of the transport (The SS Cordelia), its make (a 4500 ton small goods carrier), its course, and its business (supposedly, moving coffee). Akitsukuni wasn't at war with New Alleghany, so civilian shipping like this wouldn't be subject to much more than boarding to ensure everything was on the level, if somebody had the time to go check.

But something was off.

For one, they hadn't attempted to contact the Akitsukuni fleet with similar information, which is generally a very good idea when you're entering a war zone. For another, what followed after the regular transmissions was a frankly nonsensical exchange of random numbers and letters with a Caspian station in both words and Vail code.

You knew a secret code when you heard one.

This boat wasn't exactly equipped to intercept civilian ships and conduct boarding actions. There were four rifles on board in a locker, along with half a dozen revolvers and maybe two of the newly adopted semi-automatic pistols (ew) and some of the officers had their pistols as well. You were pretty sure that was the grand total of the guns on board. If the civilian cargo boat turned out to be carrying military personal or a hidden naval gun, well, it'd be a very embarrassing way to lose a very valuable cutting edge submarine.

But on the other hand, there was a very good chance this was… while not innocuous, not something you could usefully do anything about. If the boat was carrying spies, you'd never know.

[ ] Report to the captain, immediately. (Moves to a tense scene of possible violence.)
[ ] Have the incident recorded and sent on. (-2 Stress)
TWO HOUR VOTING MORATORIUM AS USUAL
 
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we're not in a position to search her either
probably best to note it and the try to get rapid fire weapons added to our ships locker for the next time
 
[x] Report to the captain, immediately. (Moves to a tense scene of possible violence.)
if nothing else pass it up the chain of command.
 
[X] Report to the captain, immediately. (Moves to a tense scene of possible violence.)

They heave to for inspection or we start shooting. If they pull out a deck gun and fire at us, they get torpedoed.

Trying to think of a way to get aboard the ship without them knowing to burn the code books, though. Might be worth it to play stupid and offer to buy some cargo off them in exchange for half-assing the inspection, then grab the ship once we've gotten men aboard. A shame it's unlikely anyone on the boat knows Caspian and can speak it without an Akitsukuni or Joseon accent.
 
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[X] Report to the captain, immediately. (Moves to a tense scene of possible violence.)

Remove Caspian spies from pure Akitsukuni seas.
 
Report and pass it on. If they're a spy ship, even surfacing risks them ramming us. And unless it's a tiny fishing boat, we'd lose.

Hell, even if it was a fishing boat, our odds might not be that good.
 
I'm with the report and move on group, not only are we not armed for a halting of and checking of any kind of merchant ship, we'd need to close to even send aboard a party, this opens us to A) counter boarding or B) ramming. And don't tell me ohh, if they do anything suspicious we can torpedo them. They'd only do such a thing after having closed the distance. And the closer we are the more dangerous the shockwave of a torpedo is to us. Our deck gun (I think we have one) probably doesn't have a gun shield and as such is probably useles for anything but night combat or ambushes. Really, interdicting and searching civilian vessels is not a submarine's strong suit. And that's not even with me touching the diplomatic diastaser this could be if it went wrong.
 
[X] Have the incident recorded and sent on. (-2 Stress)
 
[X] Have the incident recorded and sent on. (-2 Stress)

I feel a bit bad for taking again the "cowardly" option, but stress is quite high already and, as others have said, we are not really equipped for anything resembling a boarding action.
 
I am somewhat conflicted. I think taking the pass is the right option, re: our stress and foreign troubles, but I can't see Haruna doing that.
I think informing the captain would be a logical thing to do, especially if she doesn't know that it will necessarily lead to an engagement.

Edit: I suppose I'll go with my interpretation of the character's motivation.
[X] Report to the captain, immediately. (Moves to a tense scene of possible violence.)
 
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