Bootstrapping (Multi-cross, Book 2 - Now in Naruto)

Book 1 - Croatoan
So.

Roanoke.

The Lost Colony.

Founded in 1585 on the island of Roanoke off the coast of North Carolina. It lasted, for sure, until 1588, the last time anybody saw it intact. The next time somebody checked on it in 1590 the entire place was found fortified to within an inch of its life, and empty. The entire 120 or so colonists vanished without a trace, the only clue being the word CROATOAN carved into one of the trees inside the colony palisade. It was assumed that the word was a reference to the nearby Croatoan peninsula where a native tribe was known to live, a message left saying where the colonists had fled to. No evidence had ever been produced to prove that theory beyond some rumors that Caucasians were seen among the local tribes in the area.

No hard proof of where the colonists went had ever been found. Even why they left or had to fortify to the extent they had is still a complete unknown. Roanoke island was abandoned, and no attempt had ever been made to reclaim it.

At least that's all the official mundane history has to tell.

The records that Lucifer sent me, and how he got sealed Church records I have no idea and I'm not really sure I want to know, add some rather interesting additional information. According to the Church, they received word in 1587 that the colony was being beset by monsters and suffering under some pagan curse. The colony begged for aid and, in response, the Church sent an Exorcist armed with Excalibur Blessing to defeat the monsters and free the colony from the curse. The ship the Exorcist sailed on should have arrived at the colony in 1589. Of course whether it had or not is unknown as the ship was never heard from again. The colony was found empty and no sign of the Excalibur or the Exorcist was ever found.

Not for a lack of trying though. Several subsequent expeditions had been sent to the island to try and determine what had happened and to recover the sacred blade. None of them were ever heard from again, either.

This is where I'm going.

Island of Death.

I go to all the best vacation spots.

Well, I'm certainly not going in there without as much information as I can get.

I wonder if any of the tribe native to the Croatoan peninsula are still around?



###​





It takes almost a week to get out of Kuoh, even after I know where I'm going. I have to make sure Mia won't burn the house down or starve without me there. I have to make sure that my students will have things to work on without me. I have to find my way to the east coast of the US, which is a place I've never been so I don't have an address Script anywhere useful. Which means I'm reduced to mundane travel.

The entire trip takes just about three days. Two days of flights, with layovers, eventually ending in the Pitt-Greenville Airport. A rented car and another day of driving lands me in a little town called Manns Harbor, which is as close as one can get to Roanoke island without physically being on it. It's also one of the few pieces of civilization in the area that, back in the day, was called Croatoan.

Finding surviving members of the native tribe of Croatoan is both easy and hard. Easy because all it takes is a few internet searches to discover that they do in fact still exist. Hard because there's maybe four of them. They all belong to the same family, and do live in Manns Harbor.

The house I eventually find is... well it's a single story, the exterior is painted in a sort of lime green that can't have been considered a good color even in the sixties. Which given how faded and peeling the paint is, has to be when it was last painted. The windows are clean, but the lawn, surrounded by a waist high chain link fence, is filled with weeds and in dire need of a cutting. A single path made of concrete runs from the sidewalk up to the front door of the house.

I pause to take the entire place in, and for the first time I'm actively glad that my life has turned into the bizarre urban fantasy novel that it has. The constant risk of getting torn apart or enslaved by supernatural monstrosities is vastly preferable to getting trapped in the existential hopelessness and despair of a place like this. I let out a shuddering breath and shake off the feeling of mild creeping dread at the idea that I could have ended up being so much less than I am, and headed up the path to the door.

The front door is covered in the same peeling horrendous color as the rest of the house, and is blocked by a rusted screen door. Set into the wall next to the door is a battered doorbell. After a moment's hesitation I press the button, and can hear a staticy electronic bell go off deeper within the house.

After a short pause the sound of footsteps heads towards the door, and moments later the inner door is pulled open. The man on the other side is about my age, maybe a few years older. He has Native American coloring, and his long black hair is pulled back into a simple ponytail. He's dressed in a pair of battered jeans and a loose flannel shirt. His expression goes from one of irritation, to a rather awkward looking smile once he gets a good look at me.

I think he's trying to be flirtatious?

I give him my best come hither smile back, which is terrible I have no doubt, since I've never tried to make such an expression before in my life. It seems to work on him though, as his smile becomes a little more natural.

"Can I help you?" He asks, sounding hopeful.

"Yes!" I try to sing my words just a bit as I speak, to try and get a little bit of the sirens' mesmerizing voice. Not sure how well it works but I don't sound forced, so at least I'm not making things worse. "I'm working on a project, and I was hoping to get some native accounts of some famous historical events."

"Oh, what events?" He asks, leaning against the door frame, in a voice that I think is supposed to be smooth. It comes off as slimy, instead.

That's possibly just me though.

"Roanoke colony primarily." I try as hard as I can to maintain my smile without letting it curdle. Why is it so much easier to spot that this guy is flirting with me when I really don't want him to, when spotting Lei do the same thing was so hard, even though I was interested?

He makes a face at the name then sighs, "Come on in, I'll see if my grandmother will speak to you. She's the one that knows all the old stories." He pushes open the screen door to lets me in, and smirks slightly as I squeeze past him. "Maybe afterwards I can get you a coffee or something."

I maintain my smile, but don't answer him. To his credit, he doesn't seem put off by the fact that I have four or five inches, and at least fifty pounds of muscle on him. It's not going to get him a coffee date obviously, but it reduces his jackass quotient by quite a bit.

The interior of the house is walking a fine line between cozy and cluttered. Everything inside is old and battered, he led me through the living room and past a couch that must be as old as the paint job. The walls are lined with cabinets and bookshelves, the cabinets are filled with local native art that, it occurs to me, are probably legit and likely belong in a museum. The books are all old and faded, titles nearly unreadable and pages yellowed.

The man leads me through the main room and down a hallway into a bedroom. Like the rest of the house it's full of antiques, that I really believe were placed in their current home when they were new. Right up to the old CRT TV at one end of the room, and the bed facing it. To either side of the bed near the head board are a pair of chairs for visitors to sit on. On the bed cocooned in ancient handmade patchwork quilts, is an equally ancient woman. White wispy hair floats around her head, and dark eyes peer at us from deep within an old wrinkled face.

"Who is this woman, grandson?" The old woman speaks in a rough, but clearly understandable, voice and in a language I've never heard before.

Her grandson replies in English, "She's working on a history project, wanted to talk to you about Roanoke."

The old woman snorts, "Smart to want a better account than what the white histories say. But how will she understand my words? Will you play translator?"

"That won't be necessary."
The strange words fall out of my mouth like it's the only language I've ever spoken.

Allspeak, for the win.

The old woman breaks into a fit of wheezing cackles, and the young man stares at me with open mouthed shock. "You speak the people's tongue girl?" the old woman asks, with a huge smile displaying her few remaining blackened teeth.

"Evidently." I reply back to her, smiling slightly.

"Good. I am impressed. Now tell me your questions and I will try to answer." She waves me to take a seat on one of the chairs by her bed, which I do, setting Sclamhaire's carrying case upright next to me where I can easily keep a hand on it.

"I really only have one. What happened to Roanoke?" Some part of me is hoping that she'll be able to tell me something that will give me a lead on who might have taken the Excalibur when the colony fell, and where. If I'm really lucky, I won't even have to go to the island.

"I do not know for certain." The woman starts slowly, "I am old, but not that old, I was not there. But I can tell you what I was told." I nod to her, that's about what I'm hoping for, "The white men came and built their houses on the island that they called Roanoke, and for a time everything was fine. We had no use for the island, our own lands providing for us everything we needed. We thought that would be it, they would stay on their island, and we would stay on the mainland." She sighs, "It was not to be. First came their missionaries, and when we were not interested in listening to them, the missionaries brought men to make us listen. So we listened, and ignored them. We were not a warlike people, and hunters are not soldiers, we had little other choice. The missionaries grew frustrated and angry at our dismissal of them, so they picked somebody to make an example of. They took the chief's daughter and burned her alive, telling us that they were saving her soul, purifying her of sin in fire. That if we accepted their god such measures would not be necessary." She makes a disgusted noise, "The implication was that they would continue to kill us one at time until we either gave in or were all dead. We were not warriors so we could not fight them, but we had shamans. The shamans did something to the island itself, laid a curse on it perhaps, I am not a shaman, I do not know." The old woman lets out a rattling sigh and closed her eyes, "What I do know is that the white men were never heard from again, nor was anybody who went to investigate."

"Nobody has been to the island since then?"
I ask.

"People have gone, none have returned." She opens her eyes and looks at me again, "Do not go there girl, life is more precious than whatever you seek."

I, of course, plan to ignore the old woman's advice completely.



###​





Actually getting to Roanoke is more difficult than I thought it would be. Manns Harbor has plenty of boats moving in and out of it. Harbor is right there in the name after all. And every single one of them is perfectly happy to take an attractive young woman out on the water.

At least until I tell them where I want to go. Then there's a slew of refusals. Some of them suddenly remember that they have prior commitments, others have sudden and inexplicable mechanical problems with their boats, some just flat out refuse. The change always comes when I mention Roanoke.

It takes a couple of days to find a boat that will take me out, and doesn't balk at my destination. That boat belongs to an old fisherman that doesn't do a lot of fishing any more. He agrees to take me out to Roanoke, and even to check back a day or so later to pick me up should I want to leave. The way he says that implies that I'd either want to leave, or be dead. And after implying it he flat out tells me that anybody who's gone to the island has never left it again.

A warning that I, again, ignore.

Well not entirely. Every time I hear about how much of a death trap this island is, the more paranoid I become. Nobody can tell me why it's dangerous though, which means I can't really judge how large the risk factor is. So I go in planning for the worst, and hoping for the best.

I don't spend those two days just looking for a ride to the island. I learned my lesson from my last attempt at a camping trip, so I check what the weather is going to be like, what kind of terrain I'll be in, and buy supplies and equipment, suitable to what I learn in my free time. This time I intend to be prepared.

Which is why, in the late afternoon, I'm standing on the deck of an old fishing boat near the prow with two large duffel bags of gear around my feet. I watch the coast of the island approach in the distance. I'm in full armor, with my hood down, Sclamhaire is on my back, and my athame is across my hips. Every time I put it all on after having not worn it for a while, I get a lesser version of that feeling of completeness that I felt the first time I touched them. The feeling of being whole again after being in too many pieces, spread too far, for too long.

The armor got a weird look from the fisherman, my eyes without the sunglasses got a second one. He doesn't say anything though, just crosses himself, and when I don't react he just shrugs and moves on.

As we approach the island I get my first real information about it, as it comes in range of my mana senses. It doesn't help as much as I could wish for. Thanks to the way Mana Breathing approaches the energy of the world, and what mana is, there's no such thing as twisted or corrupted mana. Just mana balanced differently, more of some kinds of things that make up mana and less of others. Which isn't to say that being able to read how mana is balanced can't tell you about a thing.

Unfortunately I'm not experienced enough to separate out all the different parts of the mana I'm feeling to figure out what it all means. I can feel that the mana of Roanoke is... darker than the area around it for lack of a better term. There are so many options to explain what could be causing what I'm feeling, that picking one is impossible. There could be a secret cadre of fallen angels hiding on the island. There could be a natural portal to the underworld hidden somewhere on it. The island could be full of angry ghosts. Some other monster could have moved in. The spirits of the island could be angry about something. A lot of people could have been very pissed off or miserable there for a long time. Or it could be the lingering effects of an ancient shaman's curse.

The feeling puts me on edge though, because whatever is causing it, there's a lot more mana concentrated in Roanoke than there is in the surroundings. So whatever it is, it's powerful. Though again, how much of a problem that is depends on what that powerful thing is and what it can do with that power. The island could just have the weight of a lot more dark history than I'm aware of.

Whatever it is, I'm not going to find out, or find the Excalibur, standing on this boat.

The fishing boat pulls up next to the remnants of an old wooden dock. The wood is rotten, and coming apart, and still looking far too good for it's five hundred years of age. I don't have a lot of choice though, so I pick up my camping gear and head for the pier.

"Are ya sure ya want to do this, lass?" The rough voice of the fisherman calls to me as I reach the edge of the boat.

I pause to look back at him, and find him looking genuinely concerned. I give a brief laugh, and a shrug, "Not really. Needs must though." No devil driving this time though, just a Fae.

I wonder which is worse.

The old man nods and sighs, "Aye, I can see that. I'll be back around tomorrow evening to check on ya, and get ya off should ya need it."

"Thanks. Hopefully I'll see you and get out of here then." The old man just snorts and waves me off.

So with a hop, I land on the dock which immediately begins coming apart under my feet. Twenty or so hurried steps, and I set foot on the island of Roanoke for the first time.



###​





The path from the pier to the colony itself is completely overgrown, but still clearly visible despite that. Trees lined a trail of bushes and uneven grass that hid ancient wagon ruts. The entire island seems to be covered in lush green. I'm very quickly glad that I have my armor on, as every twig, branch, and burr tries it's best to catch on my armor. Wood and grass find no purchase on enchanted cloth or fairy metal, but the constant irregular tugs at what I'm wearing as I break free of the grasping vegetation, gets annoying very quickly.

The trail ends as I reach a set of barely recognizable wooden gates. I step through them and am in the Roanoke colony proper. The decaying remains of five hundred year old wooden buildings erupt out of the tall, dry, dead grass like tombstones. An impression accented by the random skeletal trees scattered about. At the center of the colony are the remnants of the town well, stacked stone partially collapsed surrounded by what was once the village square. Circling the entire colony is a log palisade that by some miracle, is still standing more or less intact.

It honestly feels like I've walked onto the set of a horror movie.

Well, my first step is to set up camp.

I find a mostly clear space where the rocky ground is solid enough stone that nothing has managed to grow there, even better I can set up under the shelter of several of the trees. They're barren of leaves, which is odd for this time of year, especially considering the rest of the island, but still better than nothing. Moving quickly I set up my tent under the shelter of two of them, putting the back of my tent up against one of their trunks, and used the other tree close by as a windbreak for my fire pit.

A fire pit which becomes my next priority. I clear out an area of the mostly bare stone of even the smallest bit of flammables. Next I make a circle of smaller stones, then set about preparing a fire so that when the sun goes down, and I need it, all I'll have to do is put a match to the dry grass I'm using as tinder.

With that finished, my last task is suspending all my food supplies in a sack hung from a cord stretched between the two trees giving me shelter. I'm pretty sure that there are no bears on Roanoke, but there's enough wildlife in general that I'm unwilling to take the chance. There are plenty of other animals that would love to hit me up for a free meal, and I'm not willing to feed them either.

Finally with my camp set, fire prepared, and food secured I'm ready to get to what I came here for.



###​





When I heard of the Lost Colony I imagined a grand mystery. A small town where one day everybody living there just inexplicably vanished. Food left uneaten on the tables, clothes left hanging in the closets. An entire population that just up and disappeared without a trace.

What I find exploring the still standing buildings is nothing like that. Whatever happened to the colonists they fought, and fought hard. Bullet holes and ancient burn scars are everywhere. I find a wood axe lodged deeply into the wall of a house, a suspicious stain that I suspect of being long vanished dried blood clings to the rusted metal of the axe head. More telling is the skeleton covered in some of the only green vegetation I've found inside the palisade, right underneath the axe. The bones of its neck are clearly broken by something at least passably sharp and heavy.

With that discovery I start looking for bits of color. I find other patches of green scattered everywhere around the colony. Each of them marks the location of a skeleton. A place where one of the original colonists died. Or more accurately was killed. I find pitchforks lodged in rib cages, bullet holes in skulls. In one case a skull crushed with the sad remains of an ancient rolling pin still lodged in the bone. Even the livestock wasn't spared whatever happened here. I find the heavy bones of horses, oxen, and goats in what used to be pens. Each of them killed by some man made tool.

Whatever happened here it was a massacre, and the people here had fought like hell to save their homes. They'd failed spectacularly, but I can respect that drive to go down swinging. I'm not sure how many colonists there were, or how many little spots of green I found, but it feels like I found enough bones to account for everyone who lived here.

Moving through the houses and other buildings is strange. The mana in the ruins is thick, and heavily weighted towards something I've never encountered before... Or maybe something vaguely like a Fallen? Whatever I'm feeling definitely isn't a fallen angel, but now that the idea has entered my head I can't shake the feeling of similarity.

More than the mana though, is how well preserved everything is. Despite the centuries of age that the wooden buildings have survived, they still stand remarkably intact. Despite the rot that's visible in every board, I can still move around the second floor of the few buildings that have one. Doing so is nerve wracking though, my ears are tuned to every creak and groan, listening for the pop or snap that would indicate a board failure.

Pushing open a door is even more anxiety inducing, as most of the hinges have rusted in place, so pushing on them makes it even more likely that I'll push myself through the floor. The third door I try to open the floor finally gives way, my armored boot plunges through the rotted wood under it. Fortunately my other foot still has purchase, so I end up flinging myself through the stubborn door in an effort to escape falling to my doom. The door is reduced to splinters, even as the floor I'd been standing on gives up completely, falling with a loud clatter to the floor below.

The room I find myself in is a bedroom, even more well preserved than the rest of the town. The furnishings are largely intact, a simple desk and a bed. Or rather bed frame, the mattress and ropes that would have held it up have not survived the passage of time. Lying on the ground in the bed frame though, is something even more odd.

A skeleton lays there in a way that makes me think that they'd been laying on the bed when they died. The bones, unlike all the others I've found, aren't covered in greenery though. The body wears armor, a cuirass, and has a metallic scabbard laying next to him. Once it was probably belted around his waist, now though the belt is long gone and it simply lays next to him on the floor. No sign of a sword though, which ignites all sorts of suspicions about who this might have been. What really grabs attention though, is the small leather bound book clutched in the skeletons' hands.

The book looks to be mostly intact, and might prove to be invaluable. Though every genre savvy bone in my body is screaming at me that if I move that book, the skeleton will come to life and try to kill me. On the other hand this is the best lead I've found yet.

So, carefully, I reach down, tug the book free, and then jump back, cringing slightly. I have the book clutched in one hand, the other resting on the hilt of my athame. I hold my breath for several moments staring at the bed frame, waiting for the skeleton to get up and do something... anything?

Nothing happens.

After several minutes I start breathing again, and relax slightly.

Maybe this isn't a horror movie after all...?

Finally, I look away from the bed frame on the other side of the room, and focus instead on my prize. Carefully I open the first page to see what I've found. Allspeak is a wonderful thing, instant knowledge of the spoken and written form of any language I see or hear. This is the first time I've seen a language before hearing though, and the experience is a little odd. For just a moment all that's there are scribbles on a page. They might make letters, but the idea that there are words, or information contained within them is just absurd. Then the world blinks slightly, and suddenly... well the book still makes no sense, but for completely different reasons. Instead of being incomprehensible because I don't know the language, it's incomprehensible because the penmanship is awful, and time has caused the ink to both bleed and fade in various places.

I can, however, make out a little bit right at the top of the first page, 'Field Journal -orcist...'



###​





The field journal is about half filled with mostly illegible writing. If I want anything out of it I'll have to go looking for the bits and pieces that are still legible and hope. But that's not something I'm going to do on a floor of questionable structural integrity, next to a five hundred year old corpse. Especially not since I have a campfire waiting for me, and the temperature is beginning to drop.

My breath fogs the air as I make my way back towards my campsite. Clouds have covered the sky since I went into the last building, making it seem later than it is. The sun's still up, if on it's way down, but it's already dark enough that I'm grateful for my night vision. The ground has become damp as well, making moving a little bit harder. The softened footing sucking at my boots, and roots that had been safely contained underground are now available for me to trip on. Having that fire ready to go is going to be spectacular...

My thinking grinds to a halt at what I find where my camp site used to be. One of the branches I tied the rope I suspended my food from, has snapped letting the food bag hit the ground. Squirrels are fleeing with my granola bars and trail mix. A team of four raccoons has my fruit, and a few canned goods that I brought just in case I ended up stuck here longer than I planned, and are slinking into the night. Finally a single coyote has somehow stuffed all my jerky, and the hotdogs I planned to roast for dinner, into his mouth. He gives me a challenging look, before casually trotting away. The hotdog buns, and remaining food, have all been torn open and scattered on the ground, rendering them inedible.

The branch that had broken has somehow impaled my tent. The poor cloth edifice had one wall ripped open and the floor impaled to the ground, causing the entire thing to collapse and become entangled with the branch. To top it all off somehow the ground around my campsite had flooded, soaking my sleeping bag, the campfire, and the hotdog buns.

I suck in a deep breath, and exhale hard through my nose, white plumes drift in the air for a moment before blowing away, "It's okay." I assure myself, "I can still make this work. Most of the wood for the fire is still good and dry, and grass is easy to find. The matches ought to be around here somewhere." I nod to myself reaffirming my determination, "I'll just..."

With a sound like a gunshot, the trunk of the second tree's trunk shatters, and without even the grace to be slow and ponderous about it, the tree crashes into the campsite. Annihilating the campfire, and anything left of my tent and sleeping bag.

"Fuck it." I mutter. I stand quietly for a moment as the temperature continues to drop, the ground now beginning to freeze, "Fuck it!" I shout that time. With determined stomping that my five year old self would be proud of, I go to find a dry spot to set up my new camp. Such as it is. I find another open area of rock that I somehow missed my first time through. How I have no idea, but it's the top of a slightly raised area, so whatever is causing the flooding hasn't managed to get any water up here yet.

With no ceremony whatsoever I draw Sclamhaire, and drive her half way into the stone under my feet. Immediately her pommel gem lights up as she drinks down the unusually abundant mana on the island, and vents the energy out again as light and heat. As it turns out she's better than any campfire. I don't know why I didn't think of it sooner.

With a sigh I sit down, and lean my back against the flat of Sclamhaire's exposed blade, using her as a back rest. The gem keeps me warm, and provides more than enough light to try and read by.

Try turns out to be the right word.

The majority of the journal has been rendered illegible. I can read maybe three words on every page, and figure out another five or six. Which is entirely inadequate for extracting any sort of information from the journal. Still, it's all I've got to go on, so I go through it one page, one line, one Rorschachesque blob of ink that were once words, at a time.

I almost don't notice when the sun goes down, and it begins to snow. Which is entirely unseasonable, but at this point I'm anything but surprised. The storm clouds overhead continue to grow thicker and darker, the air colder and colder, but Sclamhaire takes care of me, and keeps me in a bubble of light and warmth.

As I reach the end of the journal, something jerks my attention away from the book to my surroundings. Something has moved out there... I'd almost swear that it's human shaped, but I'm more than familiar with how the human mind can find a familiar outline absolutely anywhere. I turn back to the book with only a few pages to go. I'm not really hoping for much, the further along I go the more erratic and messy the writing becomes. That on top of the degradation I'd been dealing with already, and I haven't found anything legible in the last ten pages, and don't expect to find anything in the few pages that are left.

Finally I get to the last page, and blink. Across the last used pages are just two words written large enough that even time hasn't been able to render them illegible. My attention is jerks back to the world around me by a rattling, clicking sound that's only just audible to my improved hearing. I drop the book, and slowly stand, gripping Sclamhaire's hilt, instantly snuffing out the light and heat she produced. The cold comes crashing in on me, and I begin to shiver almost at once. I'm not too worried though. The exercise I'm about to get with the army of vegetation covered skeletons that have surrounded me, their approach muffled by the snow, will be more than enough to keep me warm.

And while I'm doing that, I'll hopefully be able to work out just what an army of animated bones has to do with a genius loci.
 
Lol, that curse is petty as fuck. Soaking someone's only sleeping bag in water right before bedtime is the worst possible nonlethal fate a camper could have. I love how all the little woodland animals are in on it too.
 
Book 1 - Roanoke
Hundreds of skeletons had surrounded me while I read. Snow lies thick on the ground, except for in a circle around me where Sclamhaire has been radiating heat. Even that is rapidly being filled in by the steadily worsening storm. In spite of the vivid, almost fluorescent green color of the flora covering the animate bones, the skeletons seemed to vanish, fading in and out of visibility in the thick snowfall. My sonar isn't working well either, the snow in the air absorbing sound waves making it hard to track anything. Even my mana sense is impaired the amount of the island's heavily aspected mana that filled the air.

Nothing moves other than my hand drawing up my hood, and then my mask. I move slowly, trying not to break whatever stalemate is holding everything still for the moment. I need the time to plan, I can't fight from where I am. Without my extra and improved senses to help me keep track of everything around me, it would be too easy to swarm me under.

So, step one, get out of the encirclement. I don't trust my ability to use my voice for this. I only just figured out how to do a sonic impactor, and I'm not really sure I can do it reliably enough or with enough power to punch a hole through the enemy positions. Telekinesis on the other hand is straight forward enough that even if I'm not sure of my precision, launching something heavy really hard is well within my abilities.

I pull the bow string in my mind back as far as I dare. Whatever I find to launch is going to have to make a corridor through the hostile bones big enough for me to escape through. I search my memory as I turn slowly in place, scanning my surroundings to find something suitable for use as a projectile, when I run out of time.

What I thought was a patch of solid bare rock, turns out to be something very different. Roots and vines explode out of the ground at my feet. The thin shell of rock crumbles away letting the hostile vegetation reach out to ensnare or impale me. I shriek in surprise, my voice not activating only because almost all of my free mana has already been handed over to my TK. TK that in my shock I lose my hold on. The mental bow string in that moment of inattention snaps forward, and everything in my vicinity is launched away from me forcefully.

The vines and roots that had already begun to coil around my legs, searching for a way through my armor, are shredded. The amount of kinetic energy I had accidentally dumped into my surroundings rips the greenery to pieces. The skeletons don't get off freely either. Gravel and loose debris scythed through the first few ranks like a claymore has gone off, shattering and cracking the exposed bone. Then the wave of accelerated air strikes, and any of them still standing are knocked off their feet. The vines and roots not reduced to kindling are pushed out to the limit of their length and slammed into the ground.

That's... new...

I have only a moment to register what's happened, and I don't take it. Acting entirely on instinct I pull the bowstring back again, and fling myself away from the center of what is now obviously a trap, and outside the skeletal encirclement. I don't have the skill to catch myself with my TK so I simply take the impact, roll to disperse it and get myself back to my feet as quickly as possible.

The moment I have proper bracing I lunge back into the skeletal ranks. Sclamhaire goes through them like the proverbial hot knife, the energy animating the undead devoured eagerly like everything else she'd ever tasted. Mana rushes into me to replace what I've already used, and like that, the real battle begins.

Sclamhaire lives up to her name, and feeds me mana every time I fell a skeleton. Mana that I then spend like water. In my efforts to avoid getting surrounded again I adopt a tactic of running away from the bony mob and telekinetically pelting them with anything I can, until a small group separates from the rest. Once I have a manageable group isolated I spin on the ball of my foot, and charge back into the smaller mess of skeletons. Not only does this tactic make sure that I don't get overwhelmed, but it gives me plenty of time to think.

Apparently the island is a genius loci. A phrase that in ancient Rome was used to describe the god or spirit of a specific area. More modernly it's used to describe a piece of land or a building that has gained sentience, some form of magical power, and the ability to manipulate anything considered a 'part of itself' for its own ends.

Which definition a late fifteen hundreds era Exorcist might have been using I have no idea.

I'm not sure it really matters in my current situation anyway. I'm pretty sure I can't kill a god of any size, and I wouldn't know how to even start going about killing an island. I suppose I could stab Sclamhaire into the ground and just let her work. But that's only viable if it works quickly enough for me to survive without my weapon until the island dies. And that's only an issue to worry about if there's any possibility that the genius loci has a limited power supply. If there's a ley line running under the island, or god forbid an intersection of several, then it effectively has an infinite power supply.

So what does...

I nearly trip over my own feet as another squad of skeletons pops unexpectedly around a corner nearly right on top of me.

God damn snow!

God damn ambient mana saturation!

It's all I can do to turn my head and take the tines of a pitchfork, rusted just enough to guarantee tetanus, on my hood instead of my face. The only sound produced is a very soft 'tink' of metal gently tapping metal, my armor absorbing most of the impact. I sweep an arm up knocking the pitchfork out of the way, an arc of motion that's quickly followed by Sclamhaire cutting the skeletal colonist in half. The pulse of mana I get from the animating force of that bone pile is sent directly into another omnidirectional telekinetic pulse blowing the surrounding enemies back. I leap after the ambushing force, Sclamhaire singing through air and bone with equal facility. I can't even feel any jolt of impact from my wonderful sword, only the rush of mana indicates when she meets something that should have provided resistance.

This kind of fighting is heady and dangerous. These undead pose literally no threat to me as it turns out, my fears of being overwhelmed seeming to be unnecessary. I could stand, and just let them pound on my armor as much as they want, and all it would do is feed me mana. I don't feel tired, or any form of fatigue. The constant in-rush of mana keeps me running on all cylinders. The entire experience leaves me feeling invincible.

Which is why it's dangerous.

Even as I move through the mooks like a fox in a hen house, I need to remind myself not to become complacent. My left hand shoots out to grab and crush the skull of a skeleton coming at me with a badly corroded knife, as Sclamhaire cleaves through three others. One with a half rotted scythe that it tries to put in the way. It accomplishes nothing.

Reinforcing my point about not being complacent, a deep resonant roar sounds over the colony. The skeletons around me don't react, except to try and get at me harder. I'm not particularly interested in seeing what made that sound unless I have to.

Which means I can't be tied down here any more, and I really need a few free moments to think. The easy solution is to just... not be here. My glamor wraps around me, and as far as the rest of the world is concerned, quite suddenly I'm not here.

Off pure muscle power I make the single story leap to the top of the building next to me. I have no idea what it used to be, and really it doesn't matter. Continuing to not be here, I get a running start, and in a few moments I've made it to the other side of the colony. Roof hopping the whole way.

Far enough away from my starting point that I hope I won't be immediately found, I drop my glamor and take a moment to try and figure things out. The first question, of course, is what my short term plan is. I don't think I can kill an island. I'm not against trying, but I really don't know where I would even start. Which means 'winning' this fight, in the classic sense, is off the table. So instead the priority becomes survival. My ride off this island is coming tomorrow evening. So that's how long I have to survive. I really wish I knew how these skeletons worked though. It really makes no sense for a nature spirit like a genius loci to be using something like them. The vegetation growing on the skeletons clearly has something to do with what's happening, but what is again beyond me. I guess it doesn't really matter as long as I can keep killing them as easily as I have been.

Absently I check my mana and...

Huh...

I have more mana than I should. I'm not an expert in judging how much mana I should expend vs how much I should get back for a given activity. I just don't have the experience, but I know that what I have seemed like too much for how much I expended getting to my current hiding place.

Further backing up my feeling is the relatively small rush of mana I get from my armor, that I only notice now because I'm paying attention. How long has this been going on? A few moments later I get another surge of mana. Then another. After a few minutes of watching I find that the inexplicable bursts of mana are coming at fairly regular intervals. Though again from no source I can find. I can't see, or hear, or even smell, anything hitting me when the extra mana comes. Which means it has to be coming from some non-physical source...

The wooden roof under me suddenly creaks and groans. I look down and swear. The wood I'm sitting on is rotting away as I watch. Mold grows through the substance of the wood in fast forward, the boards weakening. I barely have time to register this new way the island has to fuck me over, when the roof gives way and I'm sent plummeting back to the ground.

I hit with a crash that echoes through the colony, and moments later is answered by the deep resonant bellow I heard earlier. The rest of the single story house collapses on top of me.

The fall does more to me than the building landing on me does. My armor takes most of the fall, my troll bone handling the rest without more than a twinge, and all of the falling house. I'm still stunned enough from the impact rattling my brain that it takes a few minutes for me to realize I'm stuck. Nothing in the house is heavy enough to keep me pinned, but the way everything's fallen on me I have no leverage to even begin trying to move.

A literal lifetime of meditation helps me keep my breathing even and my thinking calm. No matter how much I want to listen to the tiny voice in the back of my head that does nothing but scream. I've been ignoring that voice since I was eight. It's not hard anymore.

My best bet for escaping is going to be my TK. It doesn't need leverage, so it shouldn't have any problems. Sure moving everything on top of me will take a lot of mana, but mana isn't exactly in short supply around...

Something plows through the wooden debris around me shattering thick and heavy beams and turning them into splinters. It hits me, lifting me off the ground with the force of the impact, overwhelming my armor's absorption ability. For the first time since I got it, the metal of my armor actually matters. The Lady of the Lake does good work though. My armor plates flex just the right amount, shedding impact in the best possible way. Cloth that's metal to the rest of the world deforms, and then falls back into place immediately.

I catch enough air time to actually process that I'm in the air, and acknowledge that landing is going to suck. Then I hit the ground, and I fucking hate it when I'm right. I roll several times, less in the controlled impact reducing fashion that I learned in gymnastics and perfected with parkour, and more in that fish just tossed onto the deck of the boat way.

I groan in pain, my eyes clenched shut, even if I can already feel all the bruises that I've acquired through my armor fading away. I want to take the time to wallow for a moment and let myself finish healing, but a heavy thud from right in front of me prompts me to open my eyes.

Right in front of me is a hoof the size of a dinner plate. Roots slither around it sinking into the ground as I watch. I groan again and, against my better judgement, I turn my gaze upward to get a look at what I'm beginning to think literally punted me out of the collapsed house. The hoof is connected to a collection of thick heavy bones that have never belonged to a human. They're held together by richly colored green moss or mold. The combination of bone and moss create the illusion of a complete, thick limbed, green skinned being. Vines and roots thread through every part of the thing, seeming to take the place of muscles and tendons. The illusion and method of creating it continues all the way up the thing. It has two legs, a humanoid torso with broad shoulders. Instead of hands, it's forearms end in thick, and very solid, looking clubs. It's head, standing eight feet or so above me, is where the illusion of a living thing falls apart again. It's head is an ox skull, bare of flesh and covered in only the thinnest patina of green. The skulls' eye sockets though are filled with beads of dark green fire. I can feel huge amounts of mana pumping through its form as I meet it's gaze.

We stare at each other for a moment, then it raises one of it's club arms, and I frantically try to roll away. Which is the right choice as when the thing hits the ground a huge cloud of dust and other debris fly into the air leaving a small crater in the ground.

I pop to my feet, far enough away that it would have to lunge to reach me, and take Sclamhaire back into both hands. It stands, slowly turning it's skull and glowing eye analogs in my direction, and I set myself in my stance, ready to fight. It opens its jaws, lets out the resonant bellow I've been hearing around the colony, and rushes me. What the hell, I let out my own roar and charged it back.

The sound I produce shouldn't come from a human throat, and makes the air around us tremble. The undead minotaur thing staggers slightly as the sound hits it, it's headlong rush stalled into several staggering steps. By the time it's regained its footing, I'm already on it. It throws out a clumsy counter swing at my head, the motion of it's arm almost like a hook. I smoothly slide my feet apart dropping into a lower, wider stance. The blow flies cleanly over my head, and I swing Sclamhaire into its leg just above it's knee.

I fully expect Sclamhaire to act like it has with every other thing I've ever swung her at, and slide through vine muscle, and moss covered bone without even slowing down.

That isn't what happens.

About six inches away from the thing Sclamhaire starts feeding me a truly spectacular amount of energy, and begins slowing down like I tried to swing a normal sword through sand. By the time Sclamhaire's edge actually touches the undead monstrosity, the blade is barely moving at all, leaving no more than a scratch on the moss green bones. I'm so startled by Sclamhaire failing to bisect something for the first time, that I almost fail to see the artificial minotaur's back hand coming for my head.

Almost.

A hurried jerk of my head backwards ensures that it's club arm only clips my hood. Again hard enough for the cloth to deform slightly, but as before it shakes back to its normal position with a twitch from my head.

So what the hell is that? Another hop backwards puts me at a safer distance, and I glance down at Sclamhaire feeling just a bit betrayed. I don't have time to really indulge the feeling though, because the island's mossy bone golem is charging me again.

I only just manage to sideslip, ducking under the things heavy club arm, and slash Sclamhaire across it's leg bones again. This time I'm paying attention though. I can see an aura from around the thing's leg the color of tarnished gold. The energy of the aura is so thick that even as Sclamhaire drinks it down, it still slows her enough that upon actually reaching the undead construct my swing has nearly no force behind it. Resulting in Sclamhaire barely being able to cause a scratch, no matter how sharp her edge is.

I fling myself away from my enemy to avoid any retaliatory swings, and end up narrowly avoiding more roots reaching out of the ground seeking to ensnare me. I roll to my feet and take a moment to check my surroundings. The snow means I have to work to keep track of the horde of less dangerous skeletons. Less dangerous in that they have little ability to do me direct harm. Enough of them though could probably keep me in place long enough for the minogolem to do some serious damage.

It looks like I've managed to find my way back to the central square of the colony. The crumbling well is just barely visible in front of me, and the skeletons arrive as if on cue, marching their way out of the snow in creepy silence. Behind me the thudding footsteps of the bone minotaur lets me keep track of the thing despite the snow falls' effect of rendering the majority of my senses barely functional.

Suddenly the tactic at work here makes sense. The skeletons aren't really a physical threat to me, but there's more than enough of them to hold me down for a while.

It's a tactic that's probably worked on everybody who's ever come here. It would probably work on me, if not for my staying power and TK. The skeletons are here to swarm me under, and hold me down while the larger bone construct actually does the damage.

A construct that's right behind me.

I spin on the ball of my foot, Sclamhaire swatting the bone golem's club arm to the side. At the same time the bow string in my head is pulled back as far as I can with no notice, and released. The construct is launched a few inches off the ground, before the roots that surround it's hooves, and sink into the ground with every step it takes, snap taught and it's pulled back to the ground.

Fucking hell!

What does it take to hurt this thing?

It swings its clubs down at me together, which I smoothly evade with a step backwards. When it's arms hit the ground though it releases a pulse of the tarnished gold energy that seems to fuel it. The pulse strikes me like an oncoming bus, and even with my armor absorbing a lot of the impact I'm lifted off the ground and flung into the horde of skeletons.

I roll to my feet quickly, and lash out around me with Sclamhaire and my hands and feet, trying to clear a space around me to breathe. Sclamhaire cleaves through a skeleton here, a fist crushes a skull there. I even get a 'This is Sparta' moment on a skeleton when a push kick sends it backwards into the colony well. The sound of it's bones echoing down the shaft shows that there's an entire aquifer that used to be under the island that has run dry.

I only have a few moments though, as my friend the bone golem arrives in a charge with its resonant bellow filling the air. With the horde of skeletons around me I have no place to dodge except straight up, which is stupid if you can't fly.

I really want my wings.

The bone club comes arching down at me, and with nowhere else to go I brace Sclamhaire's blade with my off hand, and catch the swing on the flat of my blade. Mindful that only one of its arms is occupied, I pivot Sclamhaire under the club and step to it's outside. The club I'm blocking slides past me to hit the ground, and it's body blocks it's other arm. It, of course, pivots to come after me, and I find myself right back where I started with the thing, dodging and blocking while trying to find some way through it's aura to actually hurt it.

Only now I have the added bonus of the seemingly infinite number of skeletons crowding around me. Every single one of them is reaching and clawing, trying to get in my way and hinder me any way they can. If I stay in one place for more than a few seconds roots grass and vines erupt from the ground and try to wrap around me. With judicious use of TK I manage to stay ahead of all of them though. Nudges to the bone construct's arms make evading it easier, even if it's legs are seemingly immune to interference because of how well anchored they are.

The time I spend staying one step ahead of my bony dance partners isn't entirely wasted. Now that I'm looking for it my mana sense is finding that tarnished gold energy everywhere. It glimmers inside the skeletons animating them, shines faintly in the plant life lending the growth speed and strength, and saturating the ground like water. Little bits of it are constantly being flung at me from every direction, which is what my armor has been absorbing for the extra mana I couldn't account for.

Not that the information helps me very much at the moment.

Though it does give me an idea of how to deal with the golem.

I lunge backwards from the golem's clubs, and watch them whistle past my face. As soon as they hit the ground I lunge forward, forcing myself through the pulse of energy enhancing their impact, and running up it's arms before hopping lightly over its head. While in the air I spin to bring Sclamhaire down on the golem with the full force of my fall.

Once again Sclamhaire floods me with mana stolen from the golem's protective aura, but fails to do any real damage to the bone construct. Which I'm not really expecting her to. Instead I watch carefully as the mana Sclamhaire stole from the thing is restored, trying as hard as I can to see how the power comes back.

As I more than half expected, with focus I can see the roots surrounding the golem's hooves draw the tarnished gold component of the island's mana from the ground and into the construct, restoring it's protective aura. The golem's return swing, which I really should have seen coming, takes me full in the chest. Already being full of mana from Sclamhaire's work just moments ago my armor absorbs very little of the impact taking most of it on the armor itself. What little impact my armor did absorb is enough to immediately pop my burning wings from my back to vent the excess energy.

I'm lifted off the ground for the second time and flung for distance. I crash through the wall of one of the still standing buildings, and then thankfully another wall before I hit the ground with a crash. The last thing I need is another building to fall on me. My armor finishes venting the small amount of excess energy it had absorbed before I hit the ground, my armor's wings collapsing into my back plate in the air.

Note to self, work on being able to view mana in detail while still being aware of everything around me.

My everything hurts. I'm pretty sure that I'm covered in bruises, some of which must reach bone. Bruises that are already fading, fortunately. If it had hit me just a little bit higher I'd probably have a broken nose even through my hood and mask. I'm still smiling though. Even though I took one hell of a hit for it I still finally have an idea of how to kill this thing.

Or at least get rid of it.

In Greek myth Heracles fought a giant, who's name I can't remember right now, who he couldn't harm or even overpower. The giant explained that he was a son of Gaia, the earth. Because of that, Gaia protected him and he gained strength and healed faster than he could be injured as long as he touched the ground, rendering him functionally immortal. The utter stupidity of explaining your powers to an enemy aside, Heracles' solution was to pick the giant up and squeeze him to death before hanging the corpse on a tree so that the giant never touched the ground.

My problem is basically the same, and while I can't pick the golem up and crush it in a bear hug, maybe I can do something similar. The only issue is it's too well anchored for my TK to overcome.

At least while standing still.

I noticed that every time it takes a step it has to reroot itself. Meaning in mid-stride at least one leg isn't holding it to the ground. In a charge, which it had done several times, there will be moments where it won't be touching the ground at all. The golem's resonant roar, and subsequent thudding sound that I could hear even through the muffling effect of the snow, tells me that I might just be about to get my chance. The timing will have to be precise, but I can't think of any other realistic options for victory here.

I push myself to my feet with a groan. I never would have thought that I'd consider troll healing too slow, but right now it seems to be taking forever. I move away from the building I've been thrown through, stiffly at first but loosening up as I move and my regeneration does its work.

To pull this off I need to see the thing coming at a fair distance away to have any chance at the timing. At the same time holding still just invites the island to try and cocoon me in roots and vines, which doesn't sound like much fun. Not to mention I just don't want to be laying where it expects me to be when it catches up. That very much sounds like giving it a free shot.

Which it does not need.

I clearly made the right move as moments later the building collapses as the minotaur golem crashes through the wall I've just been through myself. It takes a moment for the bulls skull eye sockets, with their burning green light to lock onto me, then it charges again.

I move Sclamhaire into a basic guard position in between me and the onrushing mass of bone and plant life, just in case. Otherwise I hold my ground, watching it's stride and pulling back my bow string. I pull the string back further and further, packing as much mana as I possibly can into what will no doubt be my greatest exercise of raw telekinetic power to date.

I have only seconds to catch the rhythm of its stride. Closer than I probably should have let it get, I let go of the string. Right as it's back hoof comes off the ground, but before it's forward hoof lands, the roots of both just barely touching the ground, it abruptly changes course upwards. The mana rushing out of me leaves me feeling faint, and I drop to one knee as the bone golem soars upwards in a parabolic arc that will hopefully see it land somewhere in the sea, far from the island. Hopefully it will run out of power long before it can find its way back into the Genius Loci's sphere of influence.

Even if it doesn't though, I'm hoping that getting back will still take long enough that it won't be an issue. Sclamhaire plants into the ground, and she once again lives up to her name, devouring the tarnished gold energy that floods through the island, rapidly refilling my network with life energy. I have no idea how long I have to keep fighting, and even though I can last far longer than most, I still doubt that I can last forever.

Thanks to Sclamhaire, my network rapidly reaches capacity and stretches just that little bit further I like to feel when I feed. I pull her free of the island before I overfill by too much, and come back to my feet. The bruises from the first golem have vanished with the influx of mana, any feeling of physical exhaustion washed away with them.

At the moment I'm hoping that I wasn't attacked until sundown because for some reason daylight interferes with whatever power the island is using for all of this. That way I only have to keep fighting until dawn, and then get off the island before sundown again.

If I'm wrong... I'm not really sure what I'll do. Which isn't a good thing, but not something I'm going to worry about until it becomes an issue.

From opposite sides of the colony, two more roars like the one the bone golem made sound out across the island. From the still falling snow the skeletal horde emerges, having finally caught up with me, and the island's botanical minions are no doubt not far behind.

Clearly even if I'm right this is going to be a looooong night.
 
Welcome to Roanoke island!

Our dedicated tourist agency is all hands on deck with the purpose of ensuring that you have an eventful and eye-opening stay. In fact you'll have so much fun here you'll never be able want to leave!
 
At this point, taking skeletons out while you can might be a good idea, or at least their legs. They can't pin you down for the Minotaurs if they can't catch you, and the Minotaurs don't seem fast enough to do so on their own.
 
Funny enough, I've BEEN on Roanoke Island.

There isn't a single thing left of the fort, and in fact about 1/4 of the settlement's north end is underwater now due to erosion. There are however a ton of excavation markers from previous visits (they backfill in the pits to the depths previously dug down to, so they know how dar they can quickly dig down, before needing to go slow to check for items). The dirt escarpment around the fort (or what everyone thinks was the fort's location) by this point is low enough I think a car might view it as an irritatingly big, but surmountable, speed bump. There isn't even a gate.

There are however several nice museuems ON the island, and a pub that cooks a damn good pulled pork sandwich. Yes, there's a small modern town on the island.
 
Book 1 - Excalibur Blessing
This... is not going well.

I have no idea how long I've been fighting at this point, feels like forever. The skeletons are never ending, I'm beginning to suspect that the ones I destroy just get back up when I'm not looking. There were only a couple hundred people living in the colony, and I have to have destroyed at least that many skeletons by now. The plants are taking less and less time to start trying to ensnare me. I think at first the island had to burrow roots underground to wherever I was standing to try and get me. Now though, most of the colony has been covered, so no matter where I am if I hold still for more than a few moments I'm fighting off overly friendly plants too.

And the golems...

The boneitaurs keep increasing in number. Every time I manage to get rid of one, two more pop up. It's a little like what I imagine fighting a hydra must be like, only there's no easy solution like fire to keep it from happening.

There's five of the damn things running around now.

Part of me is proud that I've managed to remove four of them.

Most of me wishes that I'd just kept evading the first one so I wouldn't have so many problems now.

I slip around the thrust of one golem, duck under the bladed arms of a second and slide between the legs of a third. Popping to my feet again I take off running, trying to place my feet at least a little unpredictably so the island can't anticipate where to start grabbing with plants before I arrive. That had happened once, while I may not be a Japanese school girl it still wasn't something I ever want to experience again.

Behind me the three piles of animate plant and bone I've managed to avoid turn to follow me. I've got a little bit of time before they can line themselves up for a charge. Outside of charging they don't move too quickly. The island tried a more nimble construct, something designed to keep up with my acrobatic self, once. The thing was in the air way too much and I managed to launch it off the island almost immediately. Since then every single bone pile that's come after me has been large, tough, and fast, only in a straight line.

Like the two remaining golems maneuvering to cut off my escape from the other three. One is stomping towards me from straight ahead, the other is moving at a charge to intercept where I'll be if I don't slow down or deviate course.

If I do neither, the two of them should reach me at about the same time.

I do neither.

Just as the charging bone construct is about to hit me I pluck my mental bow string shooting myself forward just a little bit faster than I had been moving. The sudden acceleration combined with a quick spin let the rushing minothing blow right past me without slowing down.

Using the inertia of my spin, Sclamhaire swats the second golem's arms aside, letting them slide past me into the ground. I slide my front foot forward, cocking my arm back and pivoting Sclamhaire, using the bone monster's arm as the fulcrum, until Sclamhaire's point is lined up with the center of it's chest.

Using my entire body I thrust my sword forward. Sclamhaire sinks into the thickest part of the thing's aura, devouring it and slowing at the same time. Until she finally stops with her point just resting against the plate of bone and vine that makes up the monster's torso. The moment my sword touches bone I yank my mental bowstring back and release it with the same thought. Sclamhaire launches out of my loosened grip and now, already through the protective aura, punches straight through the golem's chest.

Sclamhaire destroys the golem, consuming it's animating energies just like it's one of the lesser skeletons. The flash of light and heat from Sclamhaire's pommel gem burns away the vegetation that rise from the ground to grab me. An omnidirectional pulse of TK scatters the remains of the golem far and wide to keep the island from putting it back together easily.

Two more resonant roars sound out across the colony from opposite sides. A cry which is quickly answered by the four constructs still here.

For a moment the battle pauses again as I trudge to reclaim Sclamhaire from where she stands, proud and upright in the ground, her pommel gem shining like a beacon from the island's mana. I use the quiet moment to savor the heat she produces, and for a moment I can escape the cold of the island's snow storm. The constructs stomp their way into something like a firing arc, presumably so they can charge at me without having to worry about hitting each other.

I'd gotten a pair of them to do that earlier.

It had been hilarious to watch, though not overly damaging to the necromantic abominations.

With a groan I pick Sclamhaire up, and lay her flat across my shoulder. I'm exhausted. My physical endurance may for all practical purposes be infinite while in battle, but my mental endurance isn't. I have no idea how long I've been fighting these things, but it seems like forever, and I'm not sure how much longer I can keep it up. It's getting harder to focus, my mind wandering and I'm losing moments when I'm not in combat. Finding myself fighting in new places around the colony and not being entirely sure how I got there.

No choice but to keep going though.

I turn to face the enemy, and let out a short shriek as light blasts into my face. I can't help but flinch backwards, throwing up an arm to cover my eyes. Knowing even as I do, that I just fell for this new trap the island has come up with, and I'd be smashed into the ground like a tent peg any moment now.

Any moment now...

...

I crack an eye to look around and find the island covered in heatless bronze and brass colored flame.



###​





The sun came up while I wasn't paying attention, and everywhere the sunlight touches the tarnished gold mana burns. The storm clouds vanish like flash paper held over a candle. The skeletons ignite, physically unharmed even as the animating mana is scoured away by dawn's light. The bone golems last somewhat longer with more mana supporting them. What's burned away is replaced fast enough to keep the golems going for a little while longer. They stagger towards me, bone and vine sloughing off of them as they try desperately to reach me before they come apart completely, finally not having the mana to hold themselves together. The forests have flames running through them like somebody started a forest fire. Which I suppose in a way somebody had.

Minutes after the sun rose, the process the pure sunlight started, finishes. Everything that the light could touch forcefully returned to a more natural mana balance. Which isn't to say that the Genius Loci is defeated. Anywhere the sunlight can't reach is still saturated with the tarnished gold mana.

Cautiously I use the toe of my boot to scrape a shallow hole in the ground, just moving aside some surface layers. I'm rewarded with a brief puff of copper fire as mana saturated ground is exposed to sunlight. Slowly I turn in a circle taking in my surroundings. Everything hasn't quite gone back to normal. Some of the skeletal mob that had been chasing me all night has survived by hiding in the shadows of the colony buildings, but it's clearly a temporary reprieve. More importantly, they can't get to me as long as I stay fully in the sunlight. Everything else is still creepy, but only in the normal ghost town sort of way that it had been when I'd first arrived the day before.

Certain that there's nothing out here that's going to attack me, my legs fold underneath me dropping me onto my ass in the dirt. A moment later I give up entirely, flopping onto my back with an audible and long groan.

I'm so tired.

Even if I can't physically get exhausted, my brain so wants a nap. I can't though. Even if I fall asleep in direct sunlight I wouldn't put it past the island to grow something up through my back.

I'm so very tempted to just rest my eyes for a bit. But after the longest battle of my life there's no way I'm going to stay conscious if I do. Or if I stay laying here for too much longer.

So I'll just take a moment.

Catch my breath.

A yawn big enough to make my jaw pop tells me that if I don't get moving soon... I won't...



###​





I wake up with the sun high overhead, and spearing into my eyes. With a groan I pull myself to my feet. The aches I can feel rapidly fading are highly instructive as to why one really shouldn't sleep in armor.

I really need to figure out that soul storage thing.

Though I'm betting that falling asleep in my armor is the only thing that kept the island from getting me during my unwilling nap. Though I see no signs of it having tried which confuses the hell out of me.

Climbing to my feet I stretch myself out, letting the last few twinges fade away while also trying to ignore the very different ache in my middle.

God damn I'm hungry.

I don't have much hope of finding anything, but I head over to my poor unused campsite to see if anything edible survived. It actually takes a few minutes to figure out where I'd set up, so much of the colony's topography has changed during the night. Buildings have collapsed, new hills have appeared. Trees have fallen and other plants have achieved full growth. My campsite when I find it has actually become a full blown pond.

From what I can see, one complete with fish.

I have no idea how or why, but those are definitely freshwater fish of a sort I wouldn't be surprised to find native to the region.

...

I narrow my eyes at the pond and after a moment a snap of my TK launches one of the fish out of the water and into my hand. A quick smack against my armored skirt kills it quickly, and I look to getting a few more. I don't know what the island was thinking putting these here, maybe it thought I'd be dead already, but I'm starving and not about to look a gift fish in the mouth. So a few moments later I have two more fish.

I like to imagine that I can feel the island glaring at me.

This is revenge for my campsite ya geological jackass!



###​





I know next to nothing about cooking over a campfire, but fish aren't hard. Just gut them and keep them over the coals until the skin starts to peel. The fire itself is started by a lighter that I manage to recover and restore enough to light.

At least once.

It takes me a couple of hours to light, cook, and eat everything, but afterwards I'm feeling much better about the world. More importantly I'm ready to get back to work. I've lost most of the day between the nap brought on by a night of constant high stress and the subsequent adrenaline crash, and the meal.

Now though I'm fed, rested, and have the time to actually figure some things out.

I feel pretty certain that the Excalibur fragment is still on the island. The Exorcist that brought it here certainly didn't leave with it, and supposedly nobody else that has ever made it to the island has ever left. So they certainly didn't take it.

Then there's the mana the island uses.

Gold is typically the color of holy power, as demonstrated by the angel feather that Mia had gotten her talons on somehow. So the tarnished gold to me implies that the mana I'm seeing is holy power, just... corrupted somehow. As weird as that idea is from the perspective of mana. Definitely not balanced properly any more at the very least.

In any case, a Genius Loci, especially one that has nobody living on it and with a reputation like Roanoke, shouldn't have access to holy mana. Which if I remember correctly is produced from the worship or concentrated belief of mortals. It seems like most of the locals try to think about the island as little as possible. Genius Loci should be using mana in its most 'raw' state. The way it occurs naturally for lack of a better term.

The only way I can think off the top of my head, and it might very well be wishful thinking, that the state I see here could come about, is if there's something to act as a converter of sorts. Something to turn raw mana into what I'm seeing. That and the tarnished gold mana reminds me a lot of the feeling I got off the fallen angel feather Mia got me.

So somewhere on this island is a sword pumping out corrupted holy magic that the island is then using to do things like animate the dead.

I just have to find it.

Which fortunately, I think I have an easy way to do.



###​





The hardest part is finding a place to draw the script.

Bone chalk is easy.

Well, it's not really chalk, but bone dust works just as well. There's a certain cathartic, visceral satisfaction in the process of collecting the bones of the skeletons that hounded me all night, and grinding them into powder. With my strength reducing them to dust isn't hard. Containing the dust is a bit trickier, but the cloth from my ruined tent will still work just fine for this. Fishing it out of the pond is a little tricky, but some quick work with my athame gets me a piece big enough for my purposes.

But a place to draw the script is harder.

Anyplace outside is covered in grass or other plant life. The houses are crooked, anything but level, and after last night's fun anything but structurally sound. I'm honestly shocked that any part of them is still standing. Not to mention that if I try anything inside of one of them there's too much of a chance that I'll end up too close to somewhere the sun hasn't reached and, the island will take a pot shot at me.

No, I'll need something else.

My eye drifts back to my carefully constructed campfire. I had cleared the dry grass that covers most of the interior of the colony away from the circle of stones stolen from the colony well for my fire. I made very sure that I'd done everything necessary to keep the fire from spreading because the colony is a tinderbox.

On the other hand... how much do I care if I hurt the island?

I mean at this point?



###​





For the second time in a single day the island burns.

This time, instead of the metaphysical flames produced by the purging of corrupted power, these are far more literal flames. Pale yellow fire spreads the way only a grass fire can. Hot and quick, they rush through the colony leaving black ash in their wake. My armor provides excellent protection against the hot fast flames, as intense as they are, for the brief time I'm standing in the fire.

What it does a poorer job of protecting me from is the smoke.

The hacking cough I develop within minutes is wet and nasty as my body desperately tries to expel the smoke particulate. Globs of black phlegm come out of my mouth as I hunch over, staying as low to the ground as I can trying to find clear air.

This is not one of my better ideas.

Behind me I can hear the already compromised frames of the wooden buildings begin to collapse as they catch and burn. Those piles of ancient wood will burn for a while, the grass fire though has almost run its course. Or it's at least far enough away from me to no longer interfere with what I need to do.

Still coughing I lean over the lip of the well to retrieve the square of tent fabric that I stashed there to keep it safe from my brilliant plan.

Okay, to be fair to myself, my plan did exactly what it needed to. The area around the well in the center of the colony is free of grass and largely level. As perfect a work space as I can hope to find out here. I just underestimated how bad the smoke would be. I thought that in the wide open area of the colony square with nothing to contain it, the smoke wouldn't be a problem.

I also overestimated how effective my regeneration would be in this circumstance. Troll healing is unrivaled in the realm of natural healing when it comes to trauma. For foreign contaminants not accompanied by a wound? It's not nearly as good, as it turns out.

Still, with the way things have worked out, I can still do what I need to.

I pace out the space I'll need with a little extra just to be on the safe side. Then carefully arranging the cloth I start drawing out my pressure Script like one would frost a cake. I just have to go slowly so my constant coughing doesn't make me miss drawing something.

Who knows what could go wrong if I scrawl where I should scribble because I can't clear the gunk out of my lungs.

I really hope that Pua has an easy fix for smoke inhalation.



###​





It takes me a couple of hours to lay out the Script. I go slow and take my time, since not only am I using an unfamiliar medium, but correcting any mistakes I make will be the next thing to impossible. My persistent cough makes mistakes far too likely if I give Murphy any chance at all.

Still, by the end of my careful shaking bone dust off my folded cloth and into the right symbols for several hours, I'm left with an aching back from bending over and a Script that I'm certain enough of to use. A careful hop takes me to the center of the circle where I settle in and try to take a deep breath to start singing the Script to life.

I nearly hack up a lung when I fail at breathing.

It takes me far too much effort and trial and error to learn how to time my coughing fits to places in the Script story where they won't cause problems. Finally though I manage to get the Script to flare to life, drawing in the ambient mana in the area and compressing it to the point that I can simply let it in.

My senses expand explosively, their range increasing to cover almost the entire island and their resolution improving to the point that I can track every eddy and current of how the island cycles its power through the earth. For a few minutes I just take it in, reveling in being so connected to everything. I can't indulge for long though, I wasn't exactly low on mana when the fight ended. It won't take me long to fill up again, so I only have till then to find what I'm looking for.

So I narrow my focus from just taking in everything, to looking for the largest beacon of power I can sense.

The first thing I find is a deep thrumming pulse far below me. A powerful torrent of naturally balanced mana that passes directly under the center of the island. A ley line, a rushing river of the planet's life energy. An example of my own mana network writ large.

There's probably something profound I could take from that, but philosophy isn't really my strong suit and I don't have the time.

Following the ley line though, I find something that feels like nothing so much as a reverse waterfall. A narrow thread of mana, compared to the ley line, pulled upwards into the island's sphere of influence. Below me, though not nearly as deep as the ley line, I can feel the ley line mana meet something else. A pulsing, off balance beacon that takes in natural mana and pumps out vast amounts of tarnished gold power.

That's what I'm looking for!

Now where is it, and how do I get there?

From what I can feel it's off to my left, which would mean somewhere deeper inland on the island. Also it's below me, which is a problem. Clearly there's some way to access whatever cave or pit the island has stashed the Excalibur in. The island had to get it down there in the first place somehow. The question is where is the entrance...?

I open my eyes and turn, coughing a couple of times, to look at the colony well.

I had kicked a skeleton down there in the chaos of last night's battle. I can sort of recall hearing enough echos to indicate a fairly large cave system as the skeleton clattered off the walls of the well. I can't recall any details of how big it is, or how the cave system is laid out. I was more than a little distracted by the ongoing grand meleem and fighting for my life to really commit an incidental like that to my memory.

My network begins to ache, and I hurriedly shut the pressure Script down.

Carefully I climb to my feet and head over to the well, deliberately scuffing my feet through the parts of the Script which are my inventions, and as far as I know, still secret. Reaching the well, I lean against the partially collapsed wall and try not to hack my lungs out. Once I get my breathing back under control, I take one of the larger loose stones from the well and drop it down the shaft.

Listening carefully, I try to get information from the sound of stone bouncing off stone. Which turns out to not be a lot. I'm not an expert in sound, but something about the specific noise of the rock knocking into other rocks doesn't create echos that carry very well.

I try to sigh, but instead cough a couple more times.

At least that seems to be getting better.

I manage a deep enough breath to let out a shriek at the highest note I can hear straight down the well. I figure bats must use incredibly high pitched sounds for a reason. Given I stole my hearing from one, if it worked for them it'd work for me.

The sound does work remarkably well.

I don't get enough information back to get a clear map of the cave system. I do get enough to know that it extends more than far enough to reach where I felt the potential Excalishard. I'm willing to bet that the cave system used to be a cistern, given that it has a well connected to it. Probably dried up either because of the native shamans directly, or indirectly by way of the Genius Loci. They were trying to get the colonists to go away after all. A lack of water will tend to do that.

I look down the well again and groan. Am I really going to do this?

Climb inside a Genius Loci that would really like to kill me? Where I'm surrounded by its power and there's no hope of a timely save by sunlight?

I cough again.

Yeah, yeah I am.

God dammit.

Cough.



###​





I may be about to literally jump into the belly of the beast, but that doesn't mean I have to be stupid about it. I really would like to have all sorts of spelunking equipment and an expert in cave exploring with me going down there, but that's not going to happen. I'm pretty much stuck with what I've got on me, and my own powers.

Which still provides me with, if not an ideal answer, an answer nonetheless.

When I vault over the edge of the well and plummet a rather impressive distance straight down before landing, I make no sound on impact. Because I'm not here. My invisibility to date has been perfect, except for one instance when the Lady of the Lake spotted me, but Vivain doesn't count. So I'm counting on it working on whatever sense a sentient island uses as well as it's worked on everything else.

Still it's not something I can keep up for too long, burns through mana too quickly. So I keep Sclamhaire unsheathed and in my hand for supplemental mana. I carefully don't let her touch the walls or floor of the cave, afraid that the island will notice the mana being stolen. There's more than enough power in the air though, that I get a fairly steady stream both from Sclamhaire and my armor.

I still use up mana faster than I gain it, but I have hours now instead of minutes.

Sight becomes worthless as a sense almost immediately as I venture away from the well and into the cave system. My mana senses are also once again saturated into near uselessness. My hearing works perfectly though. I may not be able to map out an entire cave system in one go from one end of it, but I can get a remarkably clear image of my immediate surroundings. I can also spot which turns lead to dead ends pretty much without effort, so my progress is relatively quick.

The stone walls sound rough, the echos off of them sounding fuzzy for lack of a better term. The walls narrow and widen without warning, though most of the time I'm able to walk upright, even if I have to turn sideways. Both stalactites and stalagmites are common features that fill any larger cavern, of which there are more than a few. While the cistern may be dry for human purposes, it really isn't anything like actually dry. Water rolls down the walls and drips from the ceiling into shallow pools. Each of these spots is almost like a shaft of light to my sonar. Regular predictable noise coming often enough to make my image of the areas where they appear far clearer than the rest of the caves. I even find myself acting like they're light, I tend to gravitate towards these areas and I'm reluctant to leave. It's difficult to make myself return to the 'darkness' of the quieter caves and tunnels in a way that actual darkness hasn't made me act in a while. Every so often I'll hear a chirp or something scrape along the walls. Cave fauna, crickets and spiders that have evolved in the darkness move about, scattering and hiding from any unexpected sound the way their surface cousins would flee from a turned on light. None of them seem to have been altered in any way by the island though, and I've seen no signs of giant fantasy spiders...

That's a thought I actually managed to avoid having until right this moment. Thank you brain, I didn't need that sleep I was planning to have ever again.

Not that spiders bother me any more than any other kind of bug, but something about facing down a giant one in complete darkness freaks me out a little more than just a giant spider. The close confines of the caves which would limit my high mobility fighting style don't help either.

Still no sign of giant spiders.

No point in worrying about them.

I cough, check my mana levels, and push on.



###​





Time and I have been having an acrimonious relationship recently, as I once again have no idea how much of it has passed. I know it hasn't been days or weeks or anything, but hours could still be a problem. I really don't want to have to fight through everything Roanoke has at its disposal again if the sun's gone down up top. I have no way of knowing though.

Fortunately, I seem to be coming to the end of my trip. Or at least the halfway point.

I come out of a narrow crevice that I manage to only just fit through. My armor scrapes against the stone silently thanks to my glamor. Glamor that I almost lose three or four times moving through that crack in the stone.

Really pushing oneself through the crevasse is more than enough to give anybody sane, claustrophobia.

I wonder what it says about me that the idea of going back through it to get out doesn't bother me?

The chamber I enter into is the first sign I've seen of something that is obviously deliberately made by the island since it became conscious. I don't really count the bone golems top side, those were soldiers thrown together at need.

This is a permanent structure.

The chamber is an almost perfect sphere. The walls are still rough, nothing has been polished, but I bet one could still measure pi to a remarkable number of decimals off this place. The idea of a sphere falls apart at the center of the room. And this is a room, far too deliberate to be a cave. From the top and bottom of the sphere extend two narrow needles of stone. The stalactite and stalagmite meet in what I'm betting is the exact center of the sphere. Between them a blazing beacon of tarnished gold is suspended. The thing is pumping out so much power that it really ought to be producing visible light. Why it's not, I have no...

...

I open my eyes, having closed them at some point in the absolute darkness of the caves without noticing, and find that it is in fact shedding visible light. A harsh, sickly-golden glow pours forth from the center of the room illuminating everything quite well. The stone of the room has become the same wrong gold color of the power, having been soaked in it for centuries by now. The stalactite and stalagmite might actually be gold from the color of them. What really draws the eye though is the beacon.

The sword.

What the Excalibur looked like when it was made I have no idea, but I doubt it was like this. The blade is warped and twisted, the metal having bubbled in some places and the entire thing is streaked with black. The hilt is covered by a thin shell of stone, mini stalactites fall from the cross guard which seems to droop, the accumulated effect like melted wax.

The entire thing is warped and damaged in a way that I can't even begin to explain.

Fortunately, I don't have to!

Carefully, I make my way around the sphere until the Excalibur is between me and the exit. I make sure that Sclamhaire is secure in her scabbard and that my athame is unlikely to escape its sheath. Then I get a running start, and with a telekinetic boost basically tackle the Excalibit, ripping it free of the stone pillar it had been a part of for the last few centuries.

My glamor is broken, but that hardly matters now. There's no way the island could have missed me stealing it's holy sword.

I hit the ground and roll to my feet smoothly, and break into a run for the exit as quick as I can. Which turns out to be the right choice. As soon as I break the sword free, the room begins to shake. First dust, then pebbles, and soon enough I have no doubt larger stones, start falling from the ceiling.

I fling myself into the crevice that leads into the sphere chamber with a recklessness that would have seen me injured if not for my armor. That claustrophobia that I didn't have is showing up now, as I can feel the stone my chest is pressed against start to tremble and inch closer. Deep inside the stone I can hear rock cracking and breaking as something, I'm betting roots, slither through them, breaking up the formerly solid stone, making it shift to my detriment.

At first I think the crevice getting narrower is just my imagination. Then the amount of mana my armor is feeding me begins to slowly increase. By the time I reach the other end of the narrow passage it's gotten so tight that it actually grips my armor, holding half of me in place as the pressure continues to build.

I'm only saved by an instinctive snap of TK popping me free of the stone like a champagne cork. I hit the ground hard, scramble back to my feet and take off running as best I can in the pitch black. The floor is trembling, making footing unpredictable, and the now constant rain of pebbles and larger stones means my sonar again has too much in the air to be clear. Not to mention what the dust is doing to my cough.

I dodge around larger falling stones as I retrace my steps back to the well. That might have been a problem, except that in this environment I can actually sort of follow my own scent trail. With it being the only trail here, and not needing to figure out how it ages everything is simpler. Only one passage will ever have my scent in it, and that's the direction I need to go.

After only a few moments wooden spears start erupting out of the stone both above and below me. Each of them weakening the structural integrity of the cave system. Something which seems to be getting weaker and weaker from moment to moment anyway.

I dive forward, only just beating a falling boulder to the entrance to a tunnel I need to go down. I start to my feet only to get punched in the back by something that slams me flat against the tunnel floor. Half panicking I swing the sword at the spear I can hear emerging from the roof and keeping my pinned to the ground, trying to force its way through my back plate with brute force.

It's only after my wild swing has made contact that I remember that Sclamhaire is safely sheathed on my back, the sword in my hand is the Excalibur. The holy blade strikes the wood and a scream fills the air. The wood rots and twists on itself as though diseased. I don't wait to make sense of what the supposed Excalibur Blessing just did, and instead scramble back to my feet and resume running for my life.

Tunnels collapse behind me as I run through them. Larger caves shed boulders and stones like rain as I cross them. Anywhere neither of those things happen, and increasingly even where they do as I approach the exit, wooden spears jab free of the stone at every angle and roots reach out to grab me once again.

The omnidirectional telekinetic pulse is quite possibly the best technique ever. It pushes angry plants and large rocks away from me with equal facility. It's also the only way I make it through the last large chamber. Boulders are shifted just out of the way, and smaller rocks are flung far and wide from my frantic and nearly continuous pulses. Just ahead of me is the last tunnel before I reach the well...

I nearly pause but don't have the time. Crisscrossing the tunnel to the well, which I barely fit through upright the first time, are now dozens of wooden spears. Spears emerge from the stone and vanish into the opposite side of the tunnel, forming a latticework of thick mana enhanced wooden beams blocking the length of the tunnel. If I had the time I could maneuver through them like a Hollywood thief dancing through a laser grid.

Note to self, I have fantastic body control and I'm remarkably flexible for having troll joints. See if I can dance through a laser grid.

Second note to self, find something to murder to fix my flexibility issues.

I don't have time though, and so instead, pull my mental bowstring way, way back, and then let it go, launching myself down the tunnel at a truly stupid rate of speed. My armor lives up to my vague subconscious hopes, and protects me as the wooden beams explode into splinters and wood chips one after another as I blow through them like a living cannonball. I'm sure I take some damage during the trip. But the mana absorbed from the impacts is hopefully more than enough for my regeneration to ensure the injuries I don't have time to notice won't impede me all that much.

I hit the wall of the well hard enough to crack the stone. Before I can even begin falling, I again telekinetically launch myself, this time straight up. Or mostly straight. I pop out of the well like a ping pong ball out of an air cannon. I get high enough into the air to see the coast, and hang long enough to note that the sun is low in the sky, before plummeting back to the ground, fortunately not back down the well, with a significant thud.

The impact drives the air violently out of my lungs. Which in turn set loose all the coughing that I managed to suppress while fleeing for my life underground. I cough, and choke, and hack up a truly disgusting few wads of black gunk. Once again I'd love to lay here and wallow, but my lot in life seems to be to keep going even when anybody sane would call it a day.

My armor almost seems to warm slightly as I harden my resolve, and I slowly drag myself to my feet. The island I'm on is still trying to kill me, and now I think I might have made it personal. The Excalibur in my hand looks even worse in daylight. The black streaks marring the twisted and mangled blade look almost greasy, and very much like something I'd never want to touch. No matter how long the pole. The partially melted hilt feels almost spongy, and I'm so glad that my gauntlets are full coverage so I don't accidentally touch it.

Still coughing, I stagger my way towards the dock. The ground shaking under me more than convincing me that daylight or not, I don't want to be on this island any longer than I have to be. Never mind if the sun actually goes down. I doubt I'd survive in my current state.

I manage to make it out of the colony palisade quickly enough, behind me the remaining wreckage still burning merrily. Fortunately it seems that the fire hadn't spread past the palisade. Which doesn't surprise me overly much, as the rest of the island couldn't be more different from the dry and dead state of the colony itself. A fast fire like the grass fire I set off in the colony wouldn't last long enough to really catch the rest of the far more lush greenery ablaze.

The problem of course, is that the island can use those still living plants to try and do me in.

Which it does. I stagger down the path to the docks, the faint tugging that I felt on my way to the colony has been replaced with blatant grasping. Still coughing, I skip to the side to avoid a falling tree branch, and then have to dive forward to avoid a falling tree. Vines attempt to trip me, bushes try to worm their way through the theoretical seams of my armor.

Through all of this the ground continues to shake with increasing violence. The ground cracks and parts of the path almost crumble out from underneath me. Only frantic and reflexive use of TK keeps me from falling back into the collapsing caverns.

I hit the ground again, really need to either stop doing this or figure out how to land, and tumble for several feet before the sound of what I'm rolling over changes. The sound of hard packed dirt replaced with the sound of rotting wood.

With a grunt I manage to lift my head, and see the sea before me. The wind shifts and the scent of salt water hits me in the face like a mallet. The gentle lap of waves also provided a rather odd subtle counterpoint to the continued rumbling of the shaking island.

The old fishing ship in the distance though, is the most beautiful thing I've ever seen.

With a grunt I haul myself to my feet one last time, coughing all the way. Breathing as well as I can, I break into a run. The docks had already begun to collapse when I arrived, they barely held my weight now. Still sticking to one edge, and trying to only step on support beams, I manage to make it to the end of the wooden pier, and leap as hard and as far as I can.

I can jump almost two stories straight up. I have no idea how far that translates to horizontally, but it wouldn't be anywhere nearly far enough to get me to the fishing boat. Which is why at the apex of my jump I telekinetically launch myself again as hard as I can. The acceleration is less than comfortable, something that had gotten lost in the adrenaline rush of the previous few days until now.

Still, if this is what flying is going to be like when I get my wings, I can't wait. The wing rushes past me, almost relaxing, the way white noise can be. The view is also spectacular, the sun just beginning to approach the horizon clouds beginning to bleed to orange and pink. The sounds of sea birds wondering what I'm doing up here with them, and in the distance I like to imagine that I can hear Roanoke shrieking in frustration at my escape.

I'm getting closer to the fishing boat, and beginning to descend. A process far less pleasant than ascending or the moment of hang time at the top. Still I'm in line with the fishing boat and should...

I'm still too high.

I'm going to miss the boat, aren't I?

I over shoot the boat by a good thirty to forty feet, and hit the ocean like a cannonball. The cold water is actually almost pleasant for a moment. Then it decidedly isn't. I frantically roll onto my back as I bob to the surface, thankful again that for me, my armor has no weight. I ache everywhere, though that might just be in my head. I certainly feel like I've been through the wringer.

I float there and stare at the slowly darkening sky, clutching the Excalibur in one hand. If I lose it by dropping it after all I'd been through to recover it, I'd never let myself live it down. Never mind anybody else.

After a few minutes the fishing boat pulls up next to me and the face of the old fisherman leans over the side to look down at me, "Ya all right there miss?" I just groan at him, to which he nods, "Believe the stories about the island now?" I cough and glare. I never disbelieved the stories about the island, I just thought I could handle it. Given I'm here and alive with the Excalibur, clearly I was right, "Need a hand there?"

"Or something." I croak out.

He nods again, "I'll get the boat hook then."

Wait... What?
 
As soon as she saw that it was in the well, she should have left and came back when she was more prepared. Going in like that's incredibly foolhardy.
 
Book 1 - A Pause for Breath
"I am victorious!" I crow, throwing wide the door of Pua's designated teleportation arrival room, before dissolving into a bout of rough coughing. I lean against the wall opposite the door I just came through, still clutching the corrupted Excalibur in my left hand, my hood thrown back and my mask down.

From downstairs I can hear the sound of several people running for the stairs and moments later Pua and Ku appear at the top of the stairs, Thea hovering a little ways behind them. I smile and wave at them with my free hand, then cough again, which earns me a frown from Pua.

"What have you done to yourself? I thought you were following a paper..." Pua's eyes give me a once over as she heads in my direction. Probably looking for anything bleeding that she'll have to heal immediately. When her gaze catches on the Excalibur though, she recoils like she just caught a whiff of an open septic tank in the middle of summer, "Oh, by all the honored ancestors, what the hell is that."

That's enough to set Ku off laughing, which earns him a glare from his sister. A glare that he ignores with the ease of long practice. Thea just shakes her head at the two of them and heads downstairs, "I'll go make sure we have enough food for Ericka once you're done with her."

That jerks Pua's attention back to me, "Well?" She demands and starts towards me again.

"This?" I raise the hand with the sword in it, "This is Excalibur Blessing. Though I'm not sure how accurate the title is at this point. As it turns out, Roanoke is a Genius Loci roused by a curse from pissed off Native American shamans. A Genius Loci that's been using this," I wave the sword in my left hand around a bit again, "as a filter to turn wholesome natural mana into corrupted holy energy, and then using that energy to raise the dead to kill visitors." I finish up by coughing again.

Ku is grinning like a mad man, "Wow sis, that sounds like one of our adventures, doesn't it?"

Pua womanfully ignores him, "And the coughing?"

"Um... Smoke inhalation from when I set the island on fire," I tell Pua a little sheepishly. Ku starts laughing again harder. Pua just stares at me flatly, "It was a really open environment! I thought that an open field would have plenty of ventilation." The stare doesn't abate, Ku's laughing even harder though, "It seemed like a good idea at the time?"

Ku actually manages to fall down the stairs he's laughing so hard.

Pua just looks like she wants to throw her hands up in the air and give up on the world.

She certainly wants to give up on Ku and me at least.



###​





Once Pua gets Ku to stop laughing and start helping, something accomplished by beating him about the head and shoulders with a pillow, it still takes almost half an hour to get my armor off. It really hasn't been designed to come off, or be put on, any way but directly to or from my soul.

While Ku helps me to get out of the armor, Pua wraps the corrupted Excalibur in a piece of coconut fiber cloth. Cloth that has, apparently, been enchanted to keep malicious energies from leaking out of things wrapped in it. With both of those tasks done Pua forces me down onto the examination table in her work room and gives me a more thorough going over.

While she pokes and prods me I give a much more detailed and complete retelling of my adventures with the island. Aside from asking for the occasional point of clarification, the two of them just let me talk, and cough, but mostly talk.

When we're both done, me talking and Pua poking, she drops something on my solar plexus about the size of a half dollar coin. Covering whatever it is with a hand she recites what sounds like a prayer in Latin. A prayer with a remarkable amount about God and Jesus in it for the decidedly pagan Kahuna. I know better than to interrupt her though, so I just let her do her thing. From beneath her hand a pure golden light seeps like liquid between her fingers, and a soothing gentle warmth sinks into my bones.

After only a few minutes, the prayer ends and the light and warmth fade. I blink a few times and take in a breath, and keep breathing in. Even with the constant coughing I hadn't realized how little air I had been getting until I could take full breaths again. I actually get dizzy from the sudden increase in oxygen.

"What was that?" I manage to gasp out as I cling to the examination table so that I don't fall off while the room is spinning.

"Modified angelic spell." Pua explains watching me carefully, "They do 'purity' very well, and it only takes a few small adjustments to turn that from spiritual purity to physical. How do you feel?"

Slowly the room stops spinning while Pua talks, so I carefully sit up, pausing to see if the dizziness would come back when I start moving. After a moment I smile at my Kahuna, "Great actually." I take another deep breath, "Air is really one of those things you never really appreciate until it's gone."

Pua nods solemnly, then smacks me upside the head without changing her expression, "What the fuck is wrong with you?" She yells, "If you were anybody else you'd be dead! Your lungs were barely functioning! Somehow your regeneration was keeping just ahead of the brain damage you should have from too little oxygen for a prolonged period of time. If it hadn't been you would have keeled over before you ever got the chance to jump down that well!" Pua throws her hands up in the air, "And what the hell was that about? What were you thinking, 'there's a sentient terrain feature that wants to kill me, but can't right now because sunlight suppresses it. I know I'll just jump into a place where there is no sunlight, and get myself surrounded by it! That's a great Idea'!" And now she's pacing, "I could almost forgive that piece of epic stupidity, brain damage excuses a lot of failures in thinking after all. What it doesn't excuse is why you didn't just call me in the first place! I could have..."

At this point I've had enough, so I reach out with both hands and grab Pua's head. One hand covering her mouth, the other in a plum hold to keep her from just backing up and escaping. The two of us stare at each other for a long moment, her glaring and me kind of reveling in the warm fuzzy feeling of how much she's concerned about me. After a few moments I raised an eyebrow at her, "Are you done?" Pua frowns harder at me and starts to lick my hand, "Really? What are you, six?" I do let her go though.

The tiny Kahuna aggressively crossed her arms under her chest, "Well?"

"Well, what?"

"Are you going to answer my questions or do I have to get creative?" Those weren't rhetorical?

I sigh, "I didn't call you when I found out that there was likely something supernaturally off about the island because that seems to be the first step anytime I get into some new trouble, or run into a roadblock in my current projects. Eventually I'm going to leave, and then I'm not going to have you right there to answer all my questions. I want, I need, to get used to doing these things myself while I still have the safety net of you actually still being there. As to the rest of it?" I pause for a moment thinking of how to explain this before I decide that there really isn't much to explain, "I took calculated risks that I thought I could handle. Seeing as I'm here being yelled at by you, and I got my first Excalibit I'd say I was right." I glance at the cloth wrapped bundle, "Speaking of which, can we do something with that? I plan on being here for at least a few days, you can yell at me more then. Right now though that thing makes me really uncomfortable."

Pua glares at me for another few moments, then slumps where she stands, "Fine. Vivain still has her forge setup and is spending most of her time there."

"Really?" I hop to my feet, grabbing the cloth wrapped sword and Sclamhaire in her sheath, "I figured she'd have gone back to Faery by now." Though this is more convenient.

Pua just shrugs, "I may negotiate with them, but I doubt a human can ever really understand what supernaturals like fae are thinking."

Well... that's probably true enough.



###​





Sun light crashes down on me, filling me with heat. Warming me up in a way that I hadn't known I needed, but have since Roanoke's snow storm landed on me. It's a clear day in the village, the sunlight reaching us unimpeded by anything. The sounds of the village are also comforting after the silence of the island that had only been broken by the cries of the bone golems.

The village is filled with the sounds of life. People talking, working, and children running everywhere shrieking and laughing. A herd of them, the eldest maybe nine, scurries past us. Following along behind them is their teenage minder. The poor boy looks like he'd rather be doing anything else than following the pack of knee biters around, but one of them is probably his sibling, and thus has no real choice in the matter.

The rampaging horde blows past us waving and calling greetings, to both myself and Pua before they're off again. The sound of waves reaches me, bringing a small pang of some feeling from the reminder of Lei, but before I can wallow in that, or even really figure out what that feeling is, I'm distracted again. We pass the field where I'd taught the kids of the village gymnastics, and I'm surprised to find it occupied by a bunch of kids of all ages going through the exercises that I taught them. The older kids keeping an eye on the younger ones, spotting each other as I taught them to. We're spotted by the kids, and end up waylaid as they insist on showing me how much they've improved since I saw them last.

I can't bring myself to mind that much.

Eventually we extract ourselves with a promise that I'll come back and do another lesson before I leave, and keep moving.

The sheer amount of green on the islands never fails to take me aback. Never mind the intensity of the color. For some reason no place ever seems to be as intensely green as Hawaii is. The smell of the air is different too, though that's something that I think Pua does deliberately, because it's less Hawaii that smells different, and more the air of the village that seems changed.

As we approach the fishpond, and the river through the middle of the village, that smell is slowly overtaken by the scent of fire and steel. The small looking shack that's so much larger on the inside that serves as the Lady's forge comes in sight, and is exactly how I remember it. The village hasn't changed much, I haven't been gone that long after all, but the forge hasn't changed at all.

I think it might be a Fae thing.

The Lady of the Lake is there waiting for us though. Sitting in a chair in her smithy, the forge itself is currently unlit, her feet kicked up on her anvil a well worn paperback book in her hands. Pua pauses at the tree line of the clearing around the fish pond letting me approach the ancient fae on my own.

Vivain notices me, or at least acknowledges me, as I reach the threshold of her forge. She glances over the top of her book, and seems a little surprised to see me. Even more so when I place the thoroughly wrapped Excalibur on her anvil.

Vivain pulls her feet off the anvil and sits forward eyes intent on the cloth bundle, "Already? That's rather quick."

I shrug, "I got lucky. I ended up getting a good lead on the missing piece." I wave a hand at the bundle that Vivain is already eagerly unwrapping, "It's not in the greatest shape." I tell her with a grimace, "It was being used in a way I'm pretty sure would void its warranty..."

I trail off as Vivain finishes eagerly freeing the sword from the cloth. She leans backwards grimacing slightly at the condition of the blade, and grabs a hammer from where it's been resting on the edge of the forge proper. Then without even the slightest bit of hesitation, she brings the hammer down on the sword with what has to be a not small measure of her rather significant strength.

The Excalibur shatters.

I flinch backwards covering my eyes with an arm, for a moment really wishing that I still had my armor on. Nothing strikes me though. I half expected to be pelted by shards of corrupted magic sword. After a few moments I lower my arm and see the former Excalibur still entirely contained on the anvil. Vivain is sorting through the pieces, nudging them this way and that with the head of her hammer.

After a few minutes of looking she gives a soft happy cry, and reaches her hand into the mess of shattered metal and picks up a piece of it. Even I can tell at a glance that it's not the same as the rest of the sword, the metal isn't colored the same. Just seeing it produces a visceral response. Which would be enough to tell it's not the same as the rest of the sword even if it wasn't an almost foot long piece of one edge of a sword that had apparently been entirely contained within the blade of Excalibur Blessing.

Vivain holds it up triumphantly and I lean in for a closer look, "Is that...?"

The Lady of the Lake nods, "One of the seven pieces of the True Excalibur, the Sword of Promised Victory." Vivain takes the piece and carefully sets it aside. Then carelessly sweeps the rest of what had once been Excalibur Blessing off the anvil and into a conveniently placed box of scrap metal, "That's the one you weren't sure if you would be able to get, right?" She doesn't wait for me to respond before turning back into her forge and disappearing into the back. A moment later she's back though carrying a beautifully crafted wooden box. The interior of the box, when she opens it, is lined in deep blue velvet. There are seven recessed indentations in the fabric that when taken together make the shape of a sword. The Excalibur fragment fits perfectly into one of those indentations.

Vivain closes the box which flares with mana when it's latched. That done she turns back to me, "Have you decided what you want your extra trinket to be?"

I hesitate, then shake my head, "I have a few ideas, but I'd rather get the rest of the pieces before we talk about it. At the moment I've got a... buffer if you will, just in case something goes wrong with one of the others. It's a bit of insurance that I'd like to hang onto. Things tend to go wrong in the most unexpected ways rather frequently, I've found."

The Lady of the Lake studies me for a moment then glances back to the box, "Very true." She murmurs, "Very true."



###​





Dinner that night is both awkward and something I wouldn't change for the world. Pua spends the entire meal grumbling at me for taking what she calls unnecessary risks. I spend it trying to defend myself, and only sort of succeeding. The only argument I have that really works is that it was my choice to make and it worked out fine, so clearly I made the right choice. Thea periodically scolds her wife for starting fights at the dinner table, and as the night goes on she seems to be getting increasingly annoyed about it. If Pua doesn't give it up soon she might end up sleeping on the couch. Ku just seems happy to have us all there and spends the meal quietly laughing at all of our antics.

The next morning it's back to Hawaiian usual, which means that Ku and I are in our training field hitting each other not long after the sun is up. Or rather I'm trying to hit him. Today we're working unarmed and Ku has thus far been purely on defense. I'm stronger than him by a fairly wide margin at this point, as long as he doesn't start using Mana Breathing to enhance himself, but that hardly seems to matter. He's brushing my punches aside so smoothly that I can't feel any impact when he moves my strikes off line. Hell, I barely feel pressure.

I throw a wheel kick at his head, just to change things up, and he catches my ankle on his forearm, lifting my leg over his head as he ducks without my kick slowing down at all. Then my other leg is swept out from underneath me and I hit the ground like a sack of bricks. For a moment I just lay there and groan.

At least that's what I'm doing externally. Internally, I'm reviewing the high definition movie quality memories I have of everything Ku did thanks to my Tengu talent. The physical motions themselves aren't complicated, it's the judgment of exactly how much pressure and where to press to render strength irrelevant that'll be tricky.

Even with an unknown number of helpings of inhuman physical talent this won't be easy. It'd require a lot of trial and error. Trial and error I'm not quite ready to get into just yet, my subconscious still breaking down the intricacies of the gross physical actions.

So to give myself some more time before the inevitable next step. The one where Ku manifests his Touki and I get to try and defend against him. I decide to ask a question I've been wanting to ask since Pua and Ku rescued me from the rampaging dragon.

"Hey Ku?" He looks at me curiously, "What did you do to kill that dragon? There weren't any visible wounds, you just pressed your hand against it's head and it fell over. At least that's what it looked like."

Ku studies me suspiciously for a moment. I try my best to look innocent. I'm not sure how well it works, as after a moment Ku just snorts a laugh at me. On the other hand he answers my question so... I must not have failed too badly?

"It's a technique originating in northern China called 'Ripple the Still Pond'." He finishes in a dialect, of what I assume is Chinese, that I'd never heard before. Which isn't hard as I've barely heard any dialect of Chinese before, "It uses the shock waves created by sharp impact to generate hydrostatic shock in soft tissue. The better you are at the technique the less impact is required to generate an appreciable result. So when I patted the dragon on the head..."

"It was more like you set off a small explosive in it's brain." I finish for him. That is one hell of a technique, "How long does it take to learn something like that?"

Ku smiles at me, "It took me two years to be able to perform the technique anything like reliably. Another five after that to get to what I'd call basically proficient. What you saw with the dragon is the result of an additional fifteen years of practice."

I grimace, "So not something I'm going to pick up quickly if at all."

Ku chuckles, "No. Really there are plenty of other things that you could spend your time on which would yield results much faster."

He's right really... but if I followed that philosophy, I wouldn't have bothered to learn Script. World Script is incredibly complicated, difficult, and finicky. And also the single greatest tool I've found. Literally every bit of power I've gathered can be traced to finding that book in Cait's shop. If difficult and time consuming but ultimately powerful has worked for me so far, why would I stop now?

"How hard would it be to teach me enough of it that I could keep practicing on my own?" I ask slowly.

"Well... not that hard I guess. The principles aren't that difficult to grasp, it's the execution that's difficult." He looks confused for a moment, then his eyes drift to my tattoos, and he smiles, "I don't know why I expected a different answer from you. Always the more difficult, but more rewarding path for you, huh?" I just smile at him, and he nods in reply to my unspoken answer, "All right, I'll show you what you're trying for and explain how to do it. After that I'll give you what advice I can, but it'll mostly be down to you."

I give him a huge smile, and follow him off to spend the rest of the day slapping the side of a wooden barrel filled with water.



###​





I spend most of the third day I'm in the village, after I escape from Ku continuing the lesson I'd delayed the day before, fulfilling my promise to the village kids and watching them display how they've improved their gymnastic skills. I applaud and act impressed for the older kids, and get roped into giving introductory lessons to the younger kids who hadn't been old enough to join in last time. I break up the get together for lunch, and send them back to their parents for food while I wander off to find someplace to just relax for a bit. Something I'm very aware wouldn't have even occurred to me before I came here and got some pieces of my soul ripped out. As painful and uncomfortable as I found the experience, I can't deny that it was probably very good for me. Even beyond Sclamhaire, and the rest of my equipment.

The Ke'Kua'Okolani beach is pretty much exactly as I remember it. Which isn't surprising since it's only been a few months since I've been here. My last visit I avoided the beach just because I wasn't sure I was ready to see Lei again after our odd... relationship? We went on a few dates, but it never really got past that. Though they were enjoyable, and the end of our time together was amicable.

Now though, seeing her out on the water again, still teaching village kids how to surf is almost comforting. I've changed a lot since I left. It feels like it's been a lot longer than just the few months it has been, but seeing her out there makes me feel like not everything has...

"Weird tattoos, stupidly tall, and staring at my girlfriend. You must be Ericka." I turn to look at the hostile voice that's just interrupted my musing, and find somebody I've never seen before. Which means she's not a resident of the village. Even if I can't remember everybody's names, anybody who lives in the village is at least familiar, which this woman isn't. Which is unusual. Given how much magic is part of the daily life of the people here, and how badly some people take its existence. Most of the time strangers aren't let into the village for any real length of time. Pua and the ali'i generally don't think it's worth the risk. Her Caucasian complexion reinforces the idea that she's an outsider, and goes well with the light blue bikini she's wearing. She's in decent shape, certainly no extra fat, though not the kind of shape I'm in. Which to be fair, aside from Ku and people with a similar drive, nobody is. Her rich brown hair is done in a pixie cut which works for her. What doesn't work for her, is the expression of anger and narrow eyed resentment she's pointing at me.

"Yes I am." I'm smiling, I think I know what's going on here and if I'm right it's very amusing, "You are...?" I ask, and hold out a hand to shake.

Which she takes almost on autopilot, as it seems that my rather friendly response to her decidedly hostile greeting has thrown her, "Um... I'm Beth." After a moment she rallies, and goes back to being hostile, "Why are you staring at Lei? A little late to try and get her back isn't it?"

I sigh, "Beth, Lei and I stopped seeing each other because we wanted different things. When I met her I wasn't in the best place, and thought for a little while that what I wanted might change, but it didn't. So we went our separate ways. That isn't going to change now, but that also doesn't change that she was there for me at a very rough time in my life, and she's my friend."

Beth seems taken aback for a moment, but then growls, "Just stay away from her."

"Yeah, I'm not going to do that." I nod towards where Lei has surfed onto the beach, spotted us, and starts waving happily before heading over, "That being said, if Lei and I had wanted the same things I never would have let her go. I recommend you don't, and don't let your insecurities drive you from her either." I take a step towards Beth, lowering my sunglasses so that I can look at her over the top of them, and Beth can see my eyes, "It's really not your choice who Lei spends time with. I wouldn't recommend trying to take that choice from her. In the normal course of things, if I were somebody else, this would probably be where I would try to give you the shovel talk. I generally think threats are something that should be taken seriously though, so I'm not going to do that. Instead I'm just going to say again, she's precious and you're lucky to have her. Don't fuck it up." I step back and push my sunglasses back up, "Glad we had this talk."

That's as much as I get out before Lei pounces on me, hugging me tightly around the neck, and wrapping her legs around my waist so that she can stay there. Lei's affection probably isn't doing anything for her girlfriend's peace of mind, though I appreciate it. I'd never start dating her again, but she's still a friend and I enjoy her company.

Beth will just have to get used to it, Lei's an affectionate person by nature. It's part of why she was so good for me in the first place.



###​





Pua finds me in the evening writing emails, and trying to organize my thoughts about that evening.

Lei had invited me to dinner with her and Beth, something that Beth agreed to with gritted teeth, and I accepted. The meal had started out spectacularly awkward, any sort of friendliness between myself and Lei set Beth on edge. Something she dealt with by drinking. A lot. It turns out that Beth is a very friendly drunk, so things got easier the more drunk she became.

The evening ended when Beth confessed that she'd been acting like a bitch because she found it threatening that I'm, 'incredibly fucking hot', and that I'm still on such good terms with my ex.

Then she downed another glass, and proposed a threesome.

Lei looked like she didn't know whether to be intrigued at the idea, or scandalized that her girlfriend had just come out and said it.

I took the cowards way out, and after saying goodbye to Lei, fled.

When I got back to my room at Pua's place, I had to do something with myself after that, so I wrote to Sarah about the whole thing. Including everything to do with Roanoke and the proposed threesome.

After I got done with that email, I decided to just get all my correspondence out of the way, and wrote to Asia. I'd just started on the email to my mother, when Pua knocks on the door and lets herself in.

I sigh, and push away from the computer to turn towards her, eyeing her carefully, "Is this going to be another rant about everything I did wrong on Roanoke?" I ask her warily, "'Cause I'm really not in the mood for that."

Pua sighs, and sits down on my bed, "No, it's not. I wish you'd handled it differently, however Thea and my brother have pointed out to me that you are in fact an adult, and can make your own choices. And as you pointed out you got out with minimal injury, and with the sword so it's not like your judgement was wrong. You even had the good sense to come straight back here so I could heal you as soon as possible." She sighs again, "So no, I'm not going to yell at you anymore. About this at least."

I visibly relax at that, and let out a relieved breath. I don't like it when Pua is mad at me, "Oh good. So what can I do for you?"

"What happened with the kitten you were asking me about last time?"

"Well I'm pretty sure that she both has severe depression, and that it's the least of her problems." I tell her with a groan, "The girl needs professional help. I don't suppose you'd be willing to commute to Japan every week or so, and be the girls therapist?"

Pua opens her mouth then pauses. After a moment she closes it again and stands up and walks over to me. Leaning forward over me, her actually having a small height advantage while I'm still sitting, she cups both my cheeks holding my head still as she stares into my eyes.

Have I mentioned that Pua is really pretty?

Like really really pretty, the mix of Asian and Polynesian ancestry really works for her.

After a moment she steps back looking at me a little strangely, "This really matters to you doesn't it? Like not just a little bit, the way this girl has been treated legitimately pisses you off." I don't really know what to say to that, so I just nod. Pua examines me for another moment then sighs, "I'll see what I can do. I'm not making any promises, I've been really busy here recently as healer for the village. The village has to be my first priority, I may not have time."

That actually reminds me of something else I've been meaning to bring up...

"I may be able to pay you back for your help then and lessen your workload while I'm at it." I tell her with a smile. She looks back at me more than a little skeptically, "We're coming up on the point where my friend Asia is going to be kicked out of the church. I've been thinking that, when that happens, I could send her here. She's got Twilight Healing, and is a really sweet girl. A healer by nature, she'd jump at the opportunity to learn more from you, and could lighten your workload at the same time."

"So let me get this straight. Your plan to pay me for taking care of one of your friends, is to give me another one of your friends to take care of?"

Well, when she puts it like that...

No! I can still sell this.

"Well, you were just complaining that you were overworked as a healer, and Asia does have a lot of experience in that field." I point out, "And anything she doesn't already know how to do you could probably teach her quickly."

Pua glares at me, "Like I said, I'll see what I can do. And when she gets kicked out you can send your healer friend along, and I'll see how that works out. I make no promises."

"That's all I can ask." I tell her with a smile.

Pua leans forward, planting her hands on the armrests of my chair, effectively trapping me in place. The look on her face as she leans forward, has me pressing myself into the back of the chair in an effort to escape, "In thanks, you can answer a question for me."

"Uh... I can try." My eyes are flicking back and forth looking for a way to escape. I don't know what the trap is, but the fact I can tell it's there means it's probably already too late.

"Oh good." Pua purrs, "What's this I hear about a threesome?"

Oh shit, "How do you know about that? It happened like two hours ago!"

How the hell am I going to get out of this with my dignity intact?

"Kahuna~."

Pua's evil laughter tells me that I'm not.
 
"One of the seven pieces of the True Excalibur, the Sword of Promised Victory."
You know, if Vivian manage to reforge Excalibur in your story...

It should be a much more powerful sword because of all what happened to its fragments. Because I'm almost sure that it remained the Sword of Promised Victory even in a fragmented state and if being reforged isn't a victory...

Oh well, I'll see.

"It's a technique originating in northern China called 'Ripple the Still Pond'."
That sounds like a technique from the Panzer Kunst in Gumn.
 
Book 1 - Fox Finding
I appear in my workshop in Kuoh, the last notes of the Script that brought me here fading from my lips. I drop the bag containing my armor, promising myself that I'll put it on it's stand later. It's just so fiddly and I don't have the energy right now.

Pua may have started out teasing me about the threesome, but the conversation had turned into something very different. Pua had apparently taken my desire to become more self sufficient for when I didn't have her around to heart. My Kahuna had taken my reaction to the threesome offer, and used it as a springboard into talking about healthy sexual practices for a variety of different kinds of relationships she thought I might have in the future. Flings, relationships with a planned expiration date, long term relationships, distance, everything she could think of.

Apparently my lack of interest in pursuing that sort of thing now had her a bit concerned, the same way she had been concerned about my ability to socialize. Fortunately she didn't take the same route to fixing this perceived problem, I'm perfectly comfortable leaving DxD a virgin. Instead of setting me up on dates, she just talked about every kind of romantic, or at least sexual interaction she could think of. And she made sure I would have at least a basic idea of what interests me, what doesn't, and how to take care of myself when confronted with any of them.

It was the single most embarrassing conversation I've ever had in my life, even more so than when my father tried to give me The Talk, and I couldn't look at Pua in the face afterwards.

I hadn't gotten a lot of sleep, left early, and now just want to take a bit to unwind and deal with less stressful things. Like devils, gap stuff, and the source code of the universe.

Which of course means that Mia tackles me the moment I step out of my workshop.

"Oh, thank all the Kami you're back!" She almost wailed clinging to my middle tightly, "I thought I was going to have to start foraging."

I winced slightly. Tengu had tastes that ran very similar to their animal cousins. Which means that if one goes looking for an easy meal you have to hope they find it in a restaurant, and not on the street outside of the restaurant.

Not something I want in my house.

That being said, "What happened to the food in the fridge?" I ask, my eyes narrowing at the top of her head in suspicion.

"Weeeell..." Mia hesitates.

"Mia..." I prompt, my voice ominous.

"I got bored of what you made so decided I'd make something myself." Oh god, no. Tengu tastes meant cooking the 'fermented' meat that they like, and that would ruin any kitchenware used in the process.

"Mia? What. Did. You. Do."

"Well, my first try didn't turn out so well, so I kept trying and pretty soon there was no food left!" She dissolves into slightly awkward laughter. I did my damnedest to set her on fire with my glare. She doesn't ignite, but the laughter quickly fades, "I'ma dead bird, aren't I?"

"No, but you're certainly a poorer one. You," I poke her in the chest, "are going to replace everything you ruined in my kitchen. While you're cleaning up, I will go and get new groceries." I glare at her harder, she still doesn't have a courtesy to spontaneously combust so I move on, "When I come back I want it to be at least spotless. I can wait to have all the cookware replaced, which you will do, and I don't want to see what you've done to my kitchen."

I adjust the strap of Sclamhaire's carrying case, and head towards the front door, "Right after I get home too, what the hell." I mutter. Quickly enough I'm out the door and off down the sidewalk, trying as hard as I can to not think about what state my kitchen might be in.

Depending on what state things are in when I get back, I may never leave Mia at home alone again.



###​





Kuoh is a very strange city, and not just because of its inhabitants.

Well, I guess it probably is down to them, but it's not just their presence. The place is abnormally clean, everything is shiny and new, at least in the most frequented areas, and it clearly didn't grow organically.

Really, Kuoh is a bunch of small towns all pressed up against each other. In walking distance of just about anywhere you can find grocery stores, pharmacies, and anything else you might need. To me, it seems like these places aren't servicing a large enough area to stay in business, but it seems to work. Only a few things are less frequent, such as schools, hospitals, and the train station.

Which isn't to say that all these local services are created equal. The grocery store in my neighborhood is particularly pathetic. If I was a starving college student then it would work great. It has all sorts of easy prepackaged foods that all you need is a microwave to make at least basically edible.

I hate prepackaged food. I don't know what it is, but ever since I started dealing regularly with spirits, my tolerance for artificial anything entering my body has plummeted. It's not that I can't eat processed foods, it's just that, like brussel sprouts, that I can doesn't mean I want to. It was another reason for me learning how to cook for myself.

The result of my preferences in the immediate, is that even though there is a close available source of things technically food, I rarely go there. The better store is a longer walk, but I've always thought it a worthwhile trip. I have to be a little more picky about what I get this trip, just because I don't know how much damage Mia did to my cooking implements. So I get things that will be simple to put together, and hope for the best.

It's on my way home that I figure out that it's going to be one of 'those' days. The neighborhood I'm walking through is pretty upscale, and largely empty. The houses are all set a half floor above the ground, staircases jutting out on to the sidewalk providing access to the front doors. The houses themselves are town houses packed closely together, narrow buildings that get their floor space by being tall and deep. Really they're the sort of buildings that I've seen in San Francisco on one of my few visits there growing up.

What catches my attention though, is the young man across the street who looks slightly familiar. He's behaving in a fashion that sets off alarm bells in my head. It takes me a few additional steps to see that he's cornered two girls between a staircase and the front of the house it's attached to. They're wearing some sort of school uniform and can't be older than nine or ten. The boy has a grip on one of their shoulders, his other hand in the process of trying to get under her shirt.

"It's okay," I pause when he starts talking, "big brother just wants to play wit-hurk." Somehow without conscious input on my part, I find myself across the street with my hand wrapped around his neck. I have him dangling a good few feet off the ground, holding him easily at the end of my fully extended arm. I really don't want him getting any closer to me than necessary.

He has both of his hands wrapped around my wrist, and his feet are kicking frantically. All things that I very deliberately ignore to focus on the two girls. They're both wearing the same uniform, one a little shorter has her hair in loose pigtails tied towards the top of her head, the other a little taller has her hair in a princess cut.

"Are you two okay?" I examine them as well as I can from where I'm standing, not wanting to make them feel trapped, or bring the boy any closer to them.

The tall one with the princess cut, curls in on herself and starts crying softly. The one with the pigtails tries to comfort her, wrapping her arms around her friend's shoulders, while putting on a brave face, "Yeah big sis. We're fine, Mariko-chan was just a little scared."

I smile at her, "Not you though." It's a question, though I don't say it as one.

The girl shakes her head looking adorably proud of herself, "Nope! I was gonna kick him in the balls, but you got him first big sis."

That gets a chuckle out of me, "Good move, exactly what you want to do. Though next time, if there is one, kick them before they get you cornered so you can run while they're down. For now though, do either of you have a cellphone?"

The taller girl, Mariko I guess, nods still crying and largely hiding as best she can in her still nameless friend's shoulder. After a moment of sniffling she fishes a flip phone out of her school bag. For a moment I'm surprised that flip phones still exist, then I remember that this is a ten year old, and it's probably an excellent choice for a first phone. Smartphones are hardly standard yet, and still pretty expensive... I think?

When's the last time I actually thought about what the non-supernatural world is doing?

Something to think about later. "Good. Would one of you two call the cops? Just because I can hold him here all day doesn't mean I want to, and that would only solve the problem for today."

Pigtails nods, and take's her friend's phone since Mariko seems incapable of speech at the moment.

"Hey! I didn't do anything!" Oh god he's talking. I turn to acknowledge my captive and the camera hanging around his neck finally connects the dots of why he looks familiar. He's one of Issei's pals. The pedophile, unless I miss my guess, "What's wrong with appreciating the beauty of a young girl?" Yup. I'm gonna need to boil my hand when I get home, "The flat che-ack..." I squeeze hard enough to cut off his air, and his rant, before he can really get going.

"Shut up and be happy I'm not popping your head off." Oops, voice got away from me there.

At least it seems to have shut him up.



###​





Conspiracy theorists everywhere are validated when the cops arrive, after a longer wait than I would have liked, with Sona Sitri and her Queen in tow.

The cops take the... boy, off my hands, and soon enough he's in handcuffs and stuffed into the back of a cop car. The Sitri Queen, Shinra I think, follows along behind them doing something with the kid that I find I don't really care about unless it ends with him out on the streets again. Another officer is getting a statement from the girls, and a third is doing the same with me.

My statement is short enough that I quickly find myself alone with Sona, "Is this going to be a regular thing Rhostana-san?"

"Depends." I answer honestly, though Sona doesn't seem to like that answer.

"On what?" She demands hands on hips.

"On how many pedophiles I catch in the act of trying to molest girls on the streets." That takes some of the wind out of her sails. I'm not done yet though, "Any idea why he thought that he could get away with that kind of behavior?" I ask pointedly.

She's at least got the decency to wince, "You recognized him?" I nod, "Either he or one of his two friends has a Sacred Gear, though we're not sure which yet. We've been..."

"Protecting them from the consequences of their actions?" I ask with a raised eyebrow. Sona nods and I sigh. For a moment I think about telling her that Issei's the one she's looking for. It wouldn't be hard to justify the knowledge, the sensory abilities that come with senjutsu are legendary. Pointing out that I practice a form of it is all I'd need to do, and nobody would think twice. Except maybe about how I learned senjutsu.

On the other hand, I don't really want to start messing with canon more than I already have. If Issei becomes a devil early, will the fallen angels still show up to watch him? The only way those four fallen could be more acceptable targets is if they wore swastikas. And since they ended up dead in canon anyway I wouldn't be risking anything by offing one of them myself. It's about the best bet I'm going to get for wings. I'm not really letting anything terrible happen by not messing with things…

In the end I just look back to where the Queen piece is finishing up with whatever she's been doing to the pedophile, "At least you've narrowed down your choices a little bit?"

Sona turns to look in the same direction that I am, and we watch her Queen finish up. After a few minutes of silence Shinra turns to her King, and shakes her head, "Not this one then?" I ask to make sure I follow the nonverbal communication.

"Apparently not." Sona looks mildly relieved. Which I can't blame her for. Whoever has the gear is going to end up in her friend's peerage. I wouldn't want somebody like that boy around my friends either. The remaining two of the perverted trio are at least marginally more tolerable, if only in the sense that they're not likely to try and molest young girls.

"Does this mean you're going to let the courts do their thing?"

Sona nods, "If he doesn't have a gear I have no reason to protect him. I have no desire to either."

"Good. I should be going then. I've left my roommate alone with my kitchen again. Given what she apparently did to it while I was away, that's not really something I'm comfortable with." I glance around, and find the groceries I purchased still in their bags on the sidewalk across the street.

At least it looks like I won't have to go back to the store. I nod to Sona and start on my way only to be brought up short by her hand on my elbow, "Before you go, Lucifer sent something for you." I raise an eyebrow in curiosity as Sona pulls an envelope from her uniform, holding it out to me.

I take it, and carefully open it to get a look at what's inside. I find a feather colored red and gold flickering with cool fire, and a note.

Fishing it out, I glance over the short note;

Not his, but it should be close enough.
-Lucifer

I grin pulling out the feather itself to get a closer look at it, now recognizing it for what it is.

A Phenex feather.



###​





I frown as my pebble hits the ground again, I wouldn't have thought that this would be as difficult as it is. Especially given how smoothly everything else has gone since the jackass with the camera got arrested. Though I didn't manage to escape before promising to meet up with Sona for another chess game. I think these games are going to end up being a regular thing. I am happy that Sona seems to be taking the idea of being my liaison seriously.

My kitchen was fine when I got back home. So fine in fact I suspect that anything that had gone wrong with it had been cleaned up long before I left Roanoke. Meaning everything that had happened in the hall way when I had returned was just Mia being a drama bird purely for her own amusement.

I'd complain but... honestly she could be doing so many, much worse things to entertain herself, that I decided to just leave this alone.

Adding the Phenex to the Kuoh map was equally easy. Finding out that there was a Phenex in the city at the moment I started the map back up again nearly gave me a heart attack though. I nearly went out looking for him right then, but he wasn't anywhere near any other devil so I decided to call my client first.

Lucifer told me to leave it alone. Apparently, as Rias' betrothed, Riser has access rights to her territory. Meaning that until she gave him the boot he had every right to be there. Which, fair enough, was not my problem yet. I did give Sona a heads up that Rias' fiance is hanging around in her city though. She didn't seem happy but also seemed resigned to the idea that she can't do anything about it.

With those two things taken care of, my life turned back to routine rather quickly.

Part of that routine meant getting back to training Rias' peerage. Which is what I'm going to be doing today. In a little while. I arrived early to practice my TK as my trip to the killer island had brought to my attention some issues.

Using my TK as a method of rapid movement works rather well, except that yanking myself around like that causes all sorts of problems with acceleration and deceleration. I'm not sure how to counter my internals getting slammed around by the initial movement, but I'm sure I can make stopping easier if I can catch myself.

Thus me standing around trying to juggle pebbles at range. I glare at the dropped pebble again. It's a work in progress.

I start trying to bounce the pebble in the air again, determined to get it this time.

At first I'd thought that catching something larger would be easier. Easier to target, and easier to keep track of. As it turns out, thanks to my various enhancements, keeping track of a small rock at the range of a few yards is stupidly easy. Add to that the smaller object is actually easier to juggle because I don't have to pull my mental bowstring back nearly as far to catch it. So it's easier to generate the necessary force to bounce the pebble again quicker...

The foliage just past the tree line closest to where my pebble is rustles. I narrow my eyes focusing my senses to try and spot what might have moved.

Everything has stilled, I can't smell anything, and whatever it is isn't moving so I can't hear it... My mana senses though, show me something familiar. A slow smile grows across my face and I resume bouncing the pebble.

The brush shifts again.

The stone bounces up and down in the air.

Suddenly a white streak shoots out of the brush flailing wildly at my practice rock.

Shirone misses the stone, and hits the ground on all fours, spinning around to face her prey as quickly as she can. Her two tails thrash back and forth hard enough to drag her rear end slightly behind them. Her giant kitten ears are visible on her head, and perked forward focused on the stone, waiting for it to make its move.

After a moment's pause to build the tension, I send the rock skittering across the ground, and Shirone takes off after it. Just as she's about to catch it I snap my bowstring again, and her prey suddenly changes course forcing her to scramble after it.

A smile grows on my face as I continue to send the stone darting around for Shirone to hunt and chase. It's not the training I had been planning on, but it works just as well, and I already feel better about... everything.

Quickly enough, I fail to catch my pebble, leading to Shirone leaping through the air to pounce on it. She lands on it hands first, and manages to send herself tumbling ass over teakettle. Only to almost levitate, though as a devil for all I know she did, and spin back onto her feet to lunge at the stone again. Her hands stretched out and batting at the rock.

After a moments epic battle, Shirone secures her target, and comes trotting back to me. Her tails high and waving back and forth like flags. Upon reaching me Shirone head buts my hip hard enough to send me staggering backwards a step, and purring loud enough to be confused with a diesel engine.

I can't help but laugh and rub her head, which gets me another smile and even louder purrs.

"So what brings you here early?" I ask her after a moment as she continues to rub against me, and I continue to pat her head between her giant ears, "You're not due for training for another half an hour or so."

Shirone shrugs, and scuffs her feet slightly, now more girl than cat, "Wanted to see you." She mutters towards the ground.

I raise an eyebrow, "You'd see me at training." I point out, very careful to not give any hint that she should have waited. I'm just asking a question, no judgement involved.

She shuffles her feet again, "Wanted to play. Training isn't play time." Her soft voice would be a struggle to hear with the way she's looking at the ground, if it weren't for my enhancements, "None of the others will play with me. Kiba's too serious, Rias just wants to watch anime, and Akeno's idea of fun isn't anybody else's." She pauses for a moment then looks up at me with giant golden kitten eyes, "But you're a cat too. You know how important play is."

I blink, I'm a what now?

Cait, I have no idea what's going on, but it's all your fault.

Still, I don't mind playing with her, "Are you going to give me the stone back?" Shirone shakes her head, eyes bright. I narrow my eyes at her and dart forward, shooting a hand towards where she has the pebble clutched in her hand.

The nekoshu darts backwards, her ears perked and tails waving back and forth. Her body language and scent clearly screaming 'play'. I dart forward after her, and for a few minutes I chase the girl around the clearing.

She runs away from me laughing, until I decide that I need to get back to my own training. I snap my bow string, and Shirone's head snaps to the side where another stone just skittered away from her as though startled. She freezes, and stares eyes wide, and after a moment or two the stone skitters away from her again. As it moves so does she, darting closer to it, freezing again as soon as the rock stops moving.

Slowly, a little at a time, she closes on the rock as it moves. Finally she's close enough, and pounces at it. I snap my bowstring though, and her prey darts out from underneath her. She takes off after it, and we're off to the races again.

Me trying to keep a consistent acceleration and erratic course.

Her trying to catch the evading stone.

It's almost a shame that Kiba will show up soon and we'll have to do something more serious, but for now we can play.

Shirone is right after all, play is important.

Especially if it's training at the same time.



###​





Kiba lunges for me, swinging hard. His attempt to step around my wooden practice sword without anything else to occupy it fails dismally. I shift slightly to track him, and step into his swing, thrusting forward. The blunted tip of my practice sword strikes him in the chest hard enough to knock him backwards, making his swing something I can watch go past in front of my face.

The Knight hits the ground hard, frustration in every line of his body and filling his scent. I let out a sigh and glance to where I have Shirone practicing footwork and precision drills. She's dancing around a post taller than she is, that's covered in twenty numbered circles, each the size of her fist. Her job is to maneuver around the post as quickly as she can, striking each circle in order. The trick being that she has to perform two evasion maneuvers in between each strike, and she can't use the same two evasions in a row.

The exercise should increase her hand precision, and get her used to moving around a target while dodging. So far it looks like it's working, she's darting in and out, slipping from side to side and even lifting her forward leg on occasion to evade what I assume is an imagined low kick. Through all of it, she moves continuously and smoothly exactly as she should. She's not moving quickly, but speed will come with time and practice.

I turn back to my other student who's only just now picking himself up. Kiba isn't doing as well. We've gotten rid of most of his flourishes, mostly via him going through his practices and me yelling 'no' at him every time he tries to do something unnecessary. After doing that for an hour, I make him spar with me, under the assumption the only way he's going to start closing up other openings is by me hitting him every time he leaves one.

After beating on him for another hour or so though, I'm beginning to think his problem might be his state of mind. Which isn't to say he doesn't still have copious technical flaws, but as Ku points out to me every time I go home to Hawaii, everybody has those. Kiba's thinking is what we need to correct now.

"All right, break time everybody. Shirone come over here and sit down, Kiba you don't have to stand up." Shirone stops her exercise and trots over to where I've sat down myself, and flings herself onto the ground next to me with a thud. Kiba simply drags himself to a sitting position obviously still frustrated at what he perceives as a lack of progress, "Kiba," I sigh as he looks at me resentfully. The Prince of Kuoh is gone, replaced by a sullen teenager. I am completely unsurprised. "in a fight, what's your number one priority. What's your goal?"

Kiba looks at me suspiciously. He's smart enough to know that when asked an obvious question, the obvious answer is probably not correct. After a moment he goes for the answer I'm kind of expecting anyway, "To defeat your opponent?" I shake my head. Kiba looks confused but not surprised, "Then what? Kill your enemy?"

"Which is basically another way of saying the same thing." I point out.

The boy flips onto his back with a frustrated hiss, "What should be my priority then?"

I look down at the little cat girl sprawled next to me, her eyes closed as she basks in the afternoon sunlight. If she was cat shaped at the moment, I don't think I'd be able to resist rubbing her tummy, "Shirone? You want to venture a guess?" Shirone shakes her head without opening her eyes. I roll my eyes at her, which is less than effective since she's not looking at me. And may not be conscious now that I think about it, "Any time you get into a fight, your number one priority, your overriding goal should always be to survive. First make sure you live, then worry about the state of the other guy."

Kiba picks his head up, looking at me with a frown down the length of his body, "But I'm a knight, I'm prepared to give my life in the defense of my King. If I must take a blow to land a blow isn't that what I should do?"

"Ever been on an airplane?" He blinks at the apparent non sequitur, but nods anyway, "You remember what they say about putting on air masks? Make sure your own is secure and working first, before attempting to help anybody else." He still looks confused, "Think of it this way. You're fighting somebody in Rias' defense. You see an opening that would let you kill them, but taking it would let them get a crippling strike on you. Do you take it?"

"Of course." He's frowning at me now, "I just said I'm prepared to give my life for Rias." God, hearing him say that makes me uncomfortable.

"Right, you take the shot, you kill your enemy, you're now down a leg." I raise an eyebrow at him, and he nods again seeming satisfied, "Now his six friends blow right past you and have a free shot at Rias."

"Hey!" Kiba sits up, "You didn't say that there were more of them!"

"I didn't say he was alone either. You assumed. Even if there weren't more enemies right there and then, the injury you were willing to accept would have kept you out of action for at least a few days, even as a devil. Most likely you would have been down a few weeks. What if Rias is attacked while you're convalescing?"

Kiba looks like he doesn't know how to respond for a moment, then he grows angry, "Then what the hell am I supposed to do? If I only defend and never attack how am I supposed to..." He cuts himself off then and looks away with gritted teeth. I'm still pretty sure I know what he was going to say though. Something about vengeance for all his companions who died in the holy sword project. I'm beginning to wonder if I'm going to have to warn Rias that Kiba's passively suicidal.

Instead I let out a long suffering sigh, "Kiba, have you ever landed a hit on me?" Kiba shakes his head angrily, "No. And yet I beat the crap out of you regularly. So it's obviously possible to preserve your own life while attacking somebody else. We just need you to learn how to do that. Which is what I'm trying to do. All right?" Kiba looks dubious but rises back to his feet. I ruffle Shirone's hair, "Break's over, time to get back to work." Shirone whines, but dutifully heads back to her post.

I pull myself to my feet, and face my second student again, "This time, before you rush me, get my sword out of the way. It's called beating, I know you know it. We'll deal with other options later." Kiba comes at me again after knocking my sword off line, and with less frustrated fury. Those are the only things that have changed though.

This is going to be a lot harder than I thought.



###​





I get home later than I'd like from training. Kiba's stubbornness should be the stuff of legends. Unfortunately, the only way I can see to get him to fix his problems if he won't listen to me, is to beat them out of him. Even if he's not overly attached to his own skin, pain is still a great teacher.

Opening the door I'm met with chaos. Mia is running around, pulling weapons that I didn't know were in the house, out of hiding places that I wouldn't have thought could hold them. She's tossing the results of her lethal scavenger hunt into a bag with little care, aside from the fact that her finds are actually in the bag.

Her head jerks up as I come through the door, "Oh thank all the Kami you're here! I was afraid I'd have to leave a note!"

I stare dumbly for a long moment before I can find some words, "Um... Okay?" Not my best words, "What's going on?" Much better.

"I just got a call from Kyoto. We've got an all hands on deck situation. Kunou's gone missing." I blink several times as I let that sink in, "Was there an attack? Some part of the coup that got missed?"

Mia goes back to packing as she talks, "It doesn't look like it. Or at least there were no signs of a fight. Kunou's maid went to wake her up in the morning, and she wasn't there. Her bed was slept in, but no kit. The entire Yokai forest was searched before they determined that she wasn't anywhere inside the wards. We're all getting called in to search the city, if we don't find her in Kyoto we expand the search."

I groan. It's always something, "Should I get my armor on? Do you want my help?"

"You weren't mentioned. I'll bring up your offer when I get there, but for now stay put. Everybody is going to be really trigger happy right now, don't want you getting attacked by accident." Mia shoots me a strained grin.

"Right." I scrub my face, and run my hands through my hair, "For now I'll just..." The doorbell rings, "Go answer that."

I head to the door wondering, what fresh hell is waiting on the other side. I pull the door open and for a moment, I think I've been doorbell ditched.

Then I look down.

"Mia?" I call over my shoulder.

"Whatever it is Ericka, I don't have time. You know that." Mia calls back to me.

"I really think you have time for this." I tell her, bemused.

"What on earth," Mia stomps her way over to me, her voice clearly irritated, "could be so important..." Mia trails off as she looks around me. At my front door, in an oversized sweatshirt, and carrying a My Little Pony backpack, is Kunou. She looks more than a little sheepish, and worried upon seeing Mia, but otherwise looks exactly like she did the last time I saw her.

"So I think this makes me three for three at fox finding." I tell Mia, who just glares at me.
 
"I took calculated risks that I thought I could handle. Seeing as I'm here being yelled at by you, and I got my first Excalibit I'd say I was right.
This is an absolutely terrible argument. Just because your choice turned out to be right doesn't mean it was the right decision at the time. You're a mage who has to prewrite stuff. Your first priority when getting surprised should be gathering information before running away. That way you can come back prepared.

Also, the learning to be on her own bit: What's the benefit of learning how to operate on your own now as opposed to later if you do it all at once? Like, the whole point of learning to do stuff alone now would be either so you still have SOME safety net, if less of one, OR you carefully pick and choose situations you get help with based on difficulty. This was something with UNKNOWN DIFFICULTY, and considering that excalibur fragments usually act as power multipliers and we know that the curse was strong to begin with (and that some curses get stronger over time), it could very well have been literally any power level, and you'd not be able to tell.

When it comes to the well, she doesn't know how fast the Genius Loci could collapse the entrance. Remember, it only needed to get the weakest section in the whole network.
 
"But you're a cat too. You know how important play is."

I blink, I'm a what now?

Cait, I have no idea what's going on, but it's all your fault.
"Cait..? Explain to me WHY do I have cat ears and a tail!?"

"Err... Surprise..? Cat-girl essence-infusion..? Seemed like a good idea at that time..? Oh dear... Really, Ericka you don't have to show me your sword... Especially that close..."
 
Book 1 - Chekhov's Gun
"All right kid, get in here." I wave Kunou through the door, and shut it after her. Kunou looks more than a little uncertain. Like she somehow got all the way to Kuoh without the reality of what she's done sinking in until she actually crossed my threshold. I take her backpack, and set it down next to the front door, then leave Mia to settle her while I head to the kitchen. One large mug of hot chocolate later, and I take a seat across from the little fox. Mia looks much more relaxed now that she has eyes on her boss' daughter, and Kunou is starting to relax as well as she sips at her drink. "All right, here's what's going to happen. Kunou you're going to tell us why you're here, then you're going to go to bed, and we'll work on fixing whatever's going on tomorrow."

Mia starts to say something, but I shoot her a look that has her snapping her mouth shut with an audible clack.

Once I'm certain that Mia's going to follow my lead on this, I turn back to the kit and gesture for her to start talking. Kunou fidgets for a few minutes, further delaying by sipping at her hot chocolate. I just keep gazing at the girl until she gives in and actually starts to talk, "I ran away." She says sullenly.

"We grasped that." Mia manages to get the words out sounding almost normal.

Almost.

"Why did you run away, Kunou?" I manage to make my voice much more soothing. There might even be a hint of Siren mesmerism in there, just to get everybody to relax. I'm not sure though, it's not something I've practiced. Either way it works.

"I was going crazy!" Kunou says with all the serious drama that the ten year old can produce, "Mom has gone nuts! She won't let me go anywhere without at least four guards! She won't let me leave the palace at all! Not even to go into the gardens! She's checking in on me all the time, won't let me close the door to my room. And I was supposed to be able to start human school next year!" The little fox rants, gesticulating wildly with the arm not holding her drink.

I raise an eyebrow as I listen. Apparently Yasaka has gone full parental paranoid. Which I can't exactly blame her for, her daughter had been kidnapped for political ransom only a couple of months ago. Still, it's also clear she's gone entirely overboard, and Kunou reached her breaking point rather quickly as a result.

Good news? At least she isn't escaping some sort of new threat that managed to evade Yasaka's intelligence services, again. She's just being a little girl, and doing the running away from home thing. Though far more effectively than normal, it occurs to me as I eye her sitting on my couch in an entirely different city.

I'm suddenly very glad that I told her my address, because who knows where she might have run off to if she didn't have a ready made safe place to go. Or what might have happened to her wherever she did end up.

As it is, she'd made it to my door, and the hot drink and late hour are clearly doing their work. Her rant finished, Kunou is beginning to slump on the couch, and her eyelids are beginning to droop.

I'm honestly amazed that she's remained conscious for this long, given the adrenaline crash she has to be experiencing right now. I save the still half full mug of hot chocolate from Kunou almost dropping it, "Just wanted to have friends. N'body's gonna wanna be my friend when it comes with a background check." I snort softly, and pick up the little girl, "Noooo... Don' wanna g' bed..." Her eyes close, and her complaints fade into indistinct murmurs. As she slips into unconsciousness her ears and tails appear, the sleeping girl no longer able to control whatever she's done to conceal them.

"I'll put her to bed in the guest room." I tell Mia softly. Which jerks her out of what ever deep thoughts she's been having.

"Why aren't we taking her back immediately?" Mia asks just as softly.

"Because we'll likely end up having to take her back on the train unless you have the ability to teleport all the way to Kyoto from here?" The Tengu shakes her head, "I'd rather start that trip in the morning. And, if we wait, I can probably squeeze some back up for her protection on the trip out of the local devils. Who should really be told that Yasaka's daughter has wandered into their territory, just to make sure nothing stupid happens from ignorance or idiocy." Mia sighs, and nods as I start for the guest room, "Besides you have a phone call to make don't you? Tell Yasaka we'll bring her back tomorrow."

I strip the girl down, and tuck her in easily enough. She ends up snuggled into and clutching one of her own tails like a body pillow. Looking down at her asleep like she is, I feel a slight twinge of regret, and for the first time I wonder if I was too hasty giving up on ever having kids of my own.

Then my sanity reasserts itself, and I remember how much I'm escaping by being able to give her back, and even then how much of an annoying handful she'll likely be when conscious. Not to mention the nine months of consecutive biological nightmares I'll never have to suffer through.

Having regained my connection to reality, I head off to find my cell phone so I can make my own phone call.

Finding it, I find the correct contact and wait while it rings. I only have to wait for a couple of rings before, "Yes, Sona Sitri speaking," comes the very professional sounding greeting.

"Sitri-san." I greet her back, I'm finally getting comfortable with using Japanese suffixes. They really do allow for a lot more gradient of meaning than English prefixes.

All the professionalism vanishes from Sona's voice, and she sounds downright happy all of the sudden, "Rhostana-san! It's good to hear from you."

"You too." I try not to sound confused, and I think I manage, "I wish this was a social call but it's not."

"What's the problem?" The professionalism returns with maybe just a hint of disappointment.

I sigh, and glance back at the bedroom I've just left, "I have a potential international incident currently sleeping in my guest room."

"What." Ah, the sound of Sona's brain rebooting, and her concern with anything other than the current situation dying a messy death.

"Yasaka's daughter ran away from home today. I know this because she decided to run to my house. I plan on taking her back tomorrow, but I figured you should know what's going on, and I should probably meet with you and Gremory-san before I leave. Any chance you could arrange a meeting tomorrow? Early."

Sona sighs into the phone, and I can just hear her addressing somebody else on her end of the phone for several long moments. Then, "We can meet before school starts tomorrow at the ORC room. Does that work for you?"

"Yes." I feel a little bit relieved, I was slightly afraid that Mia and I would have to do this alone. With a chance to talk to the two devil Kings face to face, I'm certain I can get some help out of them, "That will work fine. I'll see you then Sitri-san."

"Good night Rhostana-san."

Conversation over, I grab my laptop from my work room, and head into the living area to see how Mia's phone call went. I flop down onto the couch, and raise an eyebrow at her.

Mia sighs, "They're calling off the search in Kyoto and will meet us at the train station to take possession of Kunou there."

I nod, and start checking my email... Oh! Sara sent me a reply to my last message to her. I open it up and start reading as I reply to Mia, "I'm amazed she's that laid back about it given what Kunou was saying."

"Not hardly. She wanted to send an entire detachment down here to get her, complete with magic support. I convinced her that it would just attract attention, and that everything would be much safer if she let you and me handle getting her home with local support."

I nod again, paying more attention to what I'm reading than what Mia is saying. It's about what I expected after all, though I'm flattered that Yasaka trusts me enough to let Mia talk her into this...

I snort at the end of Sarah's email, which gets a reaction from Mia, "What's so funny?"

"Just my friend Sarah. She finished her email to me saying that I should get my head examined, since I must be injured. As no friend of hers would turn down a threesome with my gender of choice unless there's something wrong with me. So either I've suffered some form of brain damage," Closer to accurate according to Pua than I'd like, "or I'm a pod person, and she'd like to know which."

As soon as the words leave my mouth I realize that I've made a mistake. Slowly my gaze pans upward to find Mia hovering only inches away from me, a manic grin painted across her face, "You're getting some on your 'business trips'? Why didn't you tell me!?"

I groan.

Sometimes, I just shouldn't be allowed to say words.



###​





The Occult Research Club room, in spite of how big it actually is, feels small. I'd make a clever quip about it being due to the egos involved, but the truth is that with both peerages stuffed into it, it's just not quite big enough.

We manage to make it work though.

Rias sits at her desk, with Akeno and Kiba standing on either side of her. Sona sits with her queen on one of the couches. The remaining space on that couch and the other, is taken up with Sona's knights, bishops, and rooks. Except for where I claim the seat opposite Sona, and Shirone immediately takes up residence in my lap. An act that draws a raised eyebrow from everybody but Kiba, who's seen us interact before. Nobody comments though, even when I start absently patting the nekoshu between her ears, earning myself a soft constant purr. The rest of Sona's peerage, mostly her Pawns and one Rook that drew the short straw, end up leaning against the walls behind the two couches.

A position that makes the spot between my shoulder blades itch. Sclamhaire in her case leaning on the arm of the couch in easy reach helps me ignore it though.

A little overly paranoid on my part? Probably, but I'm comfortable with the healthy paranoia I've developed since being reborn in this world, and I don't plan on getting rid of it until I've left. Also, strangely enough, I find myself trusting Sona enough that the itch and paranoia is really just a reflex.

"Sona, you called this meeting?" Rias finally gets us started.

I wonder if Rias usually takes the lead because Lucifer's her big brother, or it's just an artifact of the lead character being in her peerage.

Sona immediately passes the buck to me with a wave of her hand, "Rhostana-san called me last night with something she felt we all should know."

Every eye turns to me, and I sigh, "Last night Kunou showed up on my doorstep." Everybody looks at me blankly, "Yasaka's only kid." That gets more of the reaction I expected, "Apparently she'd run away from home, and headed straight for my place. I figured you guys would want to know that she's here, and that if you sent some back up for getting her home, it might start improving your relations with the Yokai. You know after..." I nod to where Shirone is laying totally relaxed against my chest, dead to the world, as I continue to pat her.

That idea gets some looks of interest from the kings at least.

"Why did she run to you, Rhostana-san?" Shinra, Sona's queen, asks.

I blink in surprise. Did they somehow miss the massive purge in Kyoto? "Because I rescued her from kidnappers, and helped foil an attempted Coup of Yasaka's throne. Afterwards I stuck around for a few days, taught her a little bit of swordsmanship, and we've kept in contact since." The room is silent and staring at me, "What?"

Sona shakes off her stunned state first, "Rhostana-san's heroics aside," My actions were hardly heroic, given that I was after something, but I'm not going to argue with them about it right now. Instead, I just grimace at the term, and keep quiet, "the idea of earning some good will from the Yokai by helping to return their princess to them is a good idea. The question then is, who should go? Not too many people otherwise it might look somewhat hostile."

"Especially to a paranoid mother with a bad opinion of devils." I point out, "Two maybe? One from each peerage. Somebody who can negotiate for you, and somebody else who won't... set the Yokai off." I offer.

Akeno takes a step forward, and looks to be about to say something when, "I'll go." Shirone gets there first.

Not as dead to the world as I'd thought then.

The sound of Shirone's voice seems to take most of the assembled devils aback. It occurs to me that this is quite possibly the first time most of Sona's peerage has heard her speak. I wouldn't be surprised to learn that most of them thought her mute. I know at least a couple of her teachers do. She's complained to me before about teachers wanting to put her in a 'special' class during breaks in training.

"That's... not a bad idea." Sona says slowly, though Rias doesn't look thrilled. She doesn't say anything about it though.

"I want to talk to a few people there too." Shirone adds, making this officially the most words I've heard her say at once since I coaxed her back story out of her.

Rias sighs, "Very well then."

Which just leaves someone from Sona's peerage.

Sona glances to her Queen for just a moment, receiving the slightest of nods, "Tsubaki-chan will go as well. She's more than powerful and skilled enough to be an effective guard, and highly placed enough to do preliminary negotiations on our behalf."

"Well then, get what you need, plan for a fight, and meet me at the train station in about two hours." I tell my two new travel companions, and try to stand. Only to fail since Shirone is still on my lap, and holding me down with the massive weight of a totally limp cat, "Shirone, that means I need to get up."

"Nyooooo..." Shirone wines, and somehow gets heavier.

I roll my eyes, and poke her in the ribs making her squeak and levitate off my lap, then flop onto the floor. Free of my captor I make good my escape amidst the giggles of two devil peerages.



###​





Everybody heading to Kyoto meets on the train platform, with Mia, Kunou, and me arriving only a little late. Once again I needed help getting into my armor, and after that I had to help Mia get into hers to make sure we weren't any later. Mia's armor is much easier to put on than mine. Kunou tried to help, but she spent most of her time laughing at how much work I had to do compared to Mia.

Mia's armor is largely the same as the other Tengu guards I've seen, though she has two wakizashi as opposed to the single katana the other guards used. Both of us toss long coats over our unusual garb to at least try to avoid attracting attention. Leaving my hood down and wearing my sunglasses is about as innocuous as I can get.

It works well enough that I can ignore anybody who does stare, and nobody comments.

Finding our companions is easy enough. The long red velvet bag holding a pole longer than she is tall leaning against Tsubaki's shoulder is a dead giveaway. Though I'm not really one to talk with the way that Sclamhaire's hilt is clearly visible over my shoulder, and clearly deforming the lines of the coat I'm wearing over it. What nearly throws me for a loop is that both she and Shirone are wearing their school uniforms.

I mean... I guess them having armor too is too much to hope for. They never wore anything else in the anime that I can recall. But not even casual clothes? I'm really hoping that nobody stops us to demand why the two aren't in school, because I don't have an answer for that. At least not one that'll keep us out of trouble.

For now though, "Shinra-san, Shirone-chan." And dear god, do I feel weird every time I use the 'chan' suffix. The two turn to look in our direction at my shout and quickly we're all clustered together, and I start introductions, "This," I wave to Mia in her next gen tactical gear standing next to me, "Is Blackfeather." I blink.

Blackfeather, as far as I know, is a proper name. Why the hell did that translate?

...

Something to ponder later.

"And this," I put a hand on Kunou's head, "Is Kunou. The kit we're delivering home." The pause between my introductions is quick enough that nobody seems to have noticed. Well, Mia might have noticed, but she's in 'work mode' right now. Which means I'd have more luck reading a statue.

The two young girls, who look about the same age now that I'm seeing them next to each other, which is weird, eye each other suspiciously. Kunou hanging onto the bottom of my coat peaks around my legs at Shirone.

Shirone for her part maintains her blank expression. But even though her ears are hidden at the moment, I swear I can see them pinned back.

Do foxes and cats not get along?

I don't remember Cait saying anything about that, though she did mutter about dogs from time to time. Maybe vulpines are close enough?

I quickly finish introductions, and we make our way onto the train.

We settle in for the trip. It's early enough that the car is largely empty, so I have no trouble finding a seat. No sooner have I sat down though, than Kunou darts forward and claims a spot on my lap. She takes a moment to get comfortable then turns back to Shirone, and sticks out her tongue.

Shirone narrows her eyes at the two-tailed fox. She finds her own seat right next to me, and lifts one of my hands, placing it on her head, right where I would normally rub her between her ears.

What the hell is going on with these two?

Kunou pouts for a moment, then grabs my free hand and puts it on her own head.

I look up at my two companions, pleading for explanation or aid.

Tsubaki is leaning on one of the grab poles and covering her mouth as she tries, and fails, to suppress her giggles.

Mia gazes at me, blinks once, and then quite deliberately turns her back to me and gazes out the train window.

Traitors, the lot of them.

Kunou tries to snatch the hand that Shirone has claimed off her head, only to have her hand swatted away by the rook.

This is going to be a very looong trip.



###​





Dear god, I hate being right. I don't know what's got into the two youngest members of the group, but it's annoying as hell. They behave like two little kids stuck in the backseat of a car on a long road trip.

Kunou shoves, taunts, pokes, and leads Shirone on wild chases around the train car, and tries to trick her with illusions.

Shirone is at least aware enough of her strength to not shove Kunou. Which doesn't mean she can't find ways to retaliate. So she... cats. Shirone would pointedly get her hand as close as possible to Kunou, only to not touch her. She nudges the kit off of the train seats. Chases her around. Pulls on her tails. Stares at her in an entirely unnerving fashion, and generally is a pest.

This, of course, is when the two of them aren't playing king of the hill with my lap.

I more than once almost toll them to cut it out or I'll turn this train around. The only thing that keeps me from doing just that, is that it would mean the two girls in the same place for longer. Which at this point is the last thing I want.

Mia and Tsubaki, those traitors, just laugh at my pain.

Finally, as the sun sets, they seem to finally run out of steam. Shirone has passed out across my legs. Kunou has somehow wormed her way under Shirone, as some sort of last ditch attempt to win the lap wars.

The girls' issue, whatever it is, has driven the few other passengers in the car away, so we had the place to ourselves. Which at least means that we don't have to worry about Kunou popping her ears and tails. Which she seems prone to doing when distracted by her ongoing feud with Shirone.

Now things have finally calmed down, though I'm sure it will all kick off again as soon as they wake up. Tsubaki sits a few seats away from me, her pole weapon, whatever it is, still in it's travel bag leaning against her shoulder, and she seems to be on the very edge of drifting off herself. Mia stands almost directly across from me, staring out the window.

I kind of wonder how well she can actually see out of it. Given how it's getting dark, and how well lit the car is, the windows might as well be mirrors. Do crow's eyes deal with light differential on semi reflective surfaces better than humans do? How would that even...

"What the hell?" Mia murmurs, then spins on the ball of her foot, her hands darting to the hilts of her two short swords.

"What?" I ask, sitting up as well as I can without disturbing the two kids on my lap.

"I thought I saw something behind me." I blink at my friend. If we were in any other circumstance I'd suspect her of fucking with me, but she wouldn't play around at a time like this. Especially not with Kunou's safety on the line.

"I didn't see anyth..." My first hint that something has gone wrong is the look of panicked shock on Mia's face. My second clue is the large something that grabs me by the collar of the large coat I'm wearing over my armor.

I react before I can really process what's going on, shoving Kunou and Shirone off my lap. Just in time, as whatever has a hold of me yanks me backwards. I experience the odd sensation of being pulled from dry air, through a curtain of still water, and back into dry air.

I'm flung through the air briefly before impacting the train's plastic seats hard. My head bounces off the wall of the train car, making my vision fuzz and the world spin.

Groggily, I pull myself to my feet, and try to figure out what's going on. A little ways down from me Tsubaki pulls herself to her feet as well, though her weapon is missing. Otherwise the train car is empty. It takes a moment for that fact to register. When it does though, the adrenaline rush that comes with panic does a wonderful job of snapping everything into focus.

Mia is gone.

Shirone is gone.

And worst of all Kunou is gone. The other two can at least sort of take care of themselves.

The absence of Tsubaki's weapon gives me a moment of worry. But I can still feel Sclamhaire on my back, and my athame across my hips with that strange proprioceptive awareness I have of the two partially detached pieces of my soul.

I start making my way to the still recovering queen while shedding my now torn long coat, when something catches my attention. Out of the corner of my eye I see movement. My head jerks around almost painfully, and I find myself staring at the reflection in one of the dark windows.

Only in addition to seeing myself, I see Kunou crouched behind Shirone. Shirone facing down what looks like a hairless gorilla, with thick leathery skin the color of unworked clay, and long spiraling horns that are riddled with cracks that glow red with heat.

Shirone's putting my lessons to good effect though. She's playing pure defense as the gorilla's heavy limbs swing at the little cat girl. A little cat girl that, just like I taught her, never meets the blows head on. Instead she deflects, unable to dodge completely due to her need to keep between the attacker and Kunou.

Each blow knocks her back a step, though. Which leaves me wondering how long she can keep it up. At least until Mia appears out of nowhere near the ceiling of the car dropping behind our attacker, her swords cutting deep into the gorilla's back as she falls. The gorilla moves with a speed that seems impossible for something as heavily muscled as it is, its back fist blowing through two of the grab poles like string. It still misses Mia though, as she doesn't land on the floor, instead falling through the beast's shadow like it's water.

The thing bellows in frustration, and then pain when one of Mia's swords reaches out from under the train seats and cuts a major tendon in it's leg. It drops to one knee growling. Which is about the time that Shirone apparently feels that she's been ignored for too long, and darts forward. Planting her feet at the last moment, she throws a picture perfect straight into where the things kidneys ought to be. She hits hard enough that the metal floor under her feet bends and wrinkles like cloth.

The gorilla spins, again faster than should be possible, and slams an overhead blow straight down on Shirone. But like the good kitten she is, she follows her lessons and darts backwards as soon as her punch lands. So instead of squishing my cat girl, the punch merely puts a hole in the already stressed metal of the floor.

Mia rolls around the low wall that separates the end of the row of seats from where the train door leads out of the car. Which is on the opposite side of the train from where she'd tried to hamstring our attacker earlier. This maneuver doesn't work quite as well though, the gorilla thing catches her with a casual backhand sending her flying down the length of the car. Instead of hitting the door between train cars though, the Tengu snags one of the grab poles on her way by, and slings herself into another shadow, vanishing again.

I glance back at the window in front of me just in time to see the gorilla thing lunge right at me. I fling myself to the side on instinct, which turns out to be the right choice as instead of breaking the glass, the thing passes through it like water, landing in the train car in front of me.

Now that we're on the same side of the glass I'm getting a lot more information. My mana senses can clearly feel the out of control dark aspected mana of a stray devil.

The god damned things are everywhere.

The red glow that oozes from the cracks in its horns, is also visible shining from it's eyes and mouth. It's bent over slightly, it's hand wrapped around the spot where Mia damaged something important, and glowing green.

Healing magic I bet.

I pull up my hood and mask, then reach for Sclamhaire as the devil and I eye each other. This one isn't like the last stray I fought. It's not nearly as limited for one thing. The speed it moves with, and the agility that it used to get through the window quickly, are unnatural. Especially with it's bulky build. Punching a hole in the floor and ripping through the grab poles isn't that impressive, given the construction here. The casual way it did so though, implies a whole lot more strength in reserve, and it barely flinched from Shirones punch implying a significant degree of durability as well. My eyes flick down to it's still glowing hand. It's proficient with magic too, and assuming that all it can do is heal would be stupid.

So, super strength, speed, durability, agility, and magical skill.

I'm looking at a stray queen aren't I?

Fucking hell.

I grip Sclamhaire's hilt, and start to draw her, then pause. Doing another once over on the train, I spot a couple of things that hadn't been there a few moments ago. Specifically two grab poles that have holes ripped in the middle of them. And another hole in the floor of the car. An exact mirror of the damage done to the train car on the other side of the glass.

Normally using a sword as long as Sclamhaire in tight confines is difficult because you can't swing the thing. It would bind and get caught on everything in the surroundings. The problem with Sclamhaire is that she won't bind, or get caught on anything. She'll cut through everything without me even feeling it, and I'm not sure how much damage this car can take before it comes apart. Or where it can take that damage, for that matter. It's possible that damage on this side of whatever the hell is happening won't transfer to that side, that the link only flows one way, but I'm not really willing to take that chance.

Fortunately I have other options.

"I don't suppose you'd tell me how to get back to the same place as my companions?" I ask casually.

"It's a Sacred Gear," My answer comes not from the devil in front of me, but the one behind me, "called 'Through the Looking Glass'. It allows the bearer to move in and out of an empty mirror dimension through reflections." Tsubaki explains from a few feet behind me, "And apparently take others with you, should you wish."

"As knowledgeable as expected from a fellow queen." Dear god, there's that utterly horrid voice again. It scratches at my composure in a way that I haven't felt in twelve years.

I haven't missed it.

Fortunately I also have a lot more composure now, "Sacred Gear..." I murmur almost to myself, "So we need him alive for it to work. Do we need him conscious?"

As close as Tsubaki is standing, my sonar has the resolution to show her shrug without me having to look, "I don't know."

"Well let's find out." Before I've finished speaking I lunge forward. Unexpectedly, it seems as I land a clean one two combo on the stray's face. The hits rock it's head back slightly, but otherwise it doesn't seem overly bothered. I just barely manage to block it's return swing in time. I only make it because my arm doesn't have nearly as far to travel to get to my head as its does. I still nearly don't get my arm in the way in time because it moves so quickly. The blow is strong enough that even through my armor I get knocked off my feet and into the seats again.

I roll off them to avoid the follow up that shatters the hard plastic chairs into a million pieces. The damage done to the seats and what I felt from the hit I just took, means that I can't trade blows with this thing. It's too much stronger than I am, and it's probably just as damage resistant as it is strong.

I still have options, though they're not good ones.

I pluck my mental bowstring, and rise to my feet like a movie vampire rising from it's coffin. This puts me much closer to it than it's probably expecting, which gives me the opportunity this time to punch it in the throat. That it notices a little more than hitting it in the head.

The stray devil skips backwards to gain distance faster than I can keep up. Once it's satisfied with how far it's retreated it inhales deeply, the glow in it's horns and eyes intensifying as it does, then it exhales a pale yellow gout of fire, the heat of which I can feel even through my armor.

I don't really have any good defense against this, I'll just have to minimize the impact and hope my armor can protect me...

Tsubaki steps in front of me and claps her hands over her head, arms fully extended. Then keeping her elbows locked, she lets her arms fall to her sides, her palms facing up. Following her hands an ethereal almost transparent full length mirror forms in front of her, facing the stray. The gout of fire strikes the mirror which seems to collect the fire, then launch it back the way it came down the already slightly molten train car.

The mirror fades, it's job done, and I step around Tsubaki ready to resume my attack, only to find that the stray devil has taken the better part of valor, and crossed back through a reflection.

And I'm back to watching the action instead of being in it.

I don't like it.

The devil is about as far away from Shirone and Kunou as it was from me and Tsubaki before it crossed again. Mia is nowhere to be seen, but clearly that's just the way it is until she decides to announce her presence by stabbing you with something. The stray immediately bellows and charges down the aisle in a bounding rush that uses all four limbs, destroying seats and grab poles as it goes. Something that's interesting to see reflected on this side.

Shrione responds beautifully, grabbing Kunou and flinging both of them under the devil's charge. The devil agilely spins on an arm, it's back end destroying more of the surroundings as it does, and comes to a stop facing my cat and fox, only to come face to face with the bird. Mia lays into the beast with a fury of flashing blades. Blades that unfortunately don't do as much as they should to the stray queen.

Mia leaves cuts deep enough to be felt, and bleed, but the devil doesn't seem to be really slowed down by them. Mia sticks with the assault though, dancing around blows and weaving through limbs to leave an almost continuous assault on the stray. Unlike me, Mia has no trouble keeping up with the devil when it tries to make distance, somehow taking advantage of it's motion to get through it's defenses even easier.

Finally the devil seems to decide that it's not winning this exchange, and once again darts through the reflections in the train windows. Where it's met by me advancing on it. I don't know what it was trying to accomplish by dividing our group like this, but at this point I feel comfortable saying that the tactic has backfired on it horribly.

I pull my athame, tossing it from my left hand to my right, holding it backhanded, and then lunge at the devil. In some ways this is a terrible idea. Of all the many methods of combat I've learned knife fighting is what I've spent the least time on. But I'm still not comfortable using Sclamhaire in these tight confines, and I'm evidently just not strong enough to do damage to it with only my fists.

At least I'm better off than Tsubaki, who judging by the muttering I can just make out behind me, has never spent any time learning unarmed combat, so is feeling mildly useless without her weapon. Though given her pole arm would be even more hampered by the environment than Sclamhaire, I'm not certain how much difference having it would make. Still she sticks close enough to me to be able to defend me against any magic that the beast throws at us, which certainly takes a load off my mind.

The stray decides not to wait for me to reach it, and attacks first. As much as I'm not strong enough to beat the thing to death, that's a problem that it most certainly doesn't share. Ku has spent a certain amount of time trying to teach me a method of soft defense that would make relative strength irrelevant. At least if one is good enough at it, Ku claims to have defended against the punches of a mountain giant without trouble.

I've never really gotten the hang of it in the limited amount of practice time we've had, but it's exactly what I need now.

The first punch I try to slap to the side, and feel the impact jar my entire body, and I have to lean out of the way of it's fist anyway.

Nope, that's not right.

It's second punch comes before I can counter attack, so I have to defend again. This time by letting the blow impact my blocking forearm and twisting my entire body to try and roll the force of it past me.

That... almost worked.

I get a solid left into its chest, which it ignores, and instead tries to cave my head in again.

This time the arm I'm recovering from my punch seems to move at the same speed as it's oncoming blow, and without ever feeling any sort of impact I just... brush the punch to the side.

... That felt... different.

Two exchanges later I manage to do it again, if not as cleanly, and then a third time, and then something just... clicks.

My Tengu gifted physical talent comes through for me, and my defense takes on an odd flowing feel. Punches that would have knocked me around like a pinball moments ago, I now guide gently around me without apparent effort.

Which isn't to say the effort isn't there. The intensity of concentration needed to find the right moment of contact, how much force to use, it feels like riding a wave. Like if I take a moment to actually think about what I'm doing I'll fall. Or in this case get hit. Which is worse.

But what I'm doing is working well enough that I start being able to sneak in counters with something I'm not as comfortable with, like my athame.

I guide a punch past me, and take the moment of opportunity to plunge my athame as deep as I can into the inside of it's elbow joint.

Push a looping haymaker over my head, and try to slip my knife between it's ribs.

Guiding a lunge around me, and nearly planting my knife into its neck. Only missing thanks to a last moment jerk backwards with it's knight speed.

For all that I'm now holding my own, I'm not really doing enough damage. I either miss, or can't get the knife deep enough to get at anything vital...

Which, it occurs to me, right at this moment is a good thing. If it dies, Tsubaki and I are stuck here. Which doesn't change that we're going to have to kill this thing somehow. With healing magic it'll just show up to cause problems later if we let it get away.

Still, goal one, get everybody back on the right side of the glass.

Finally, the devil seems to decide that this exchange isn't going it's way and dives for the glass again to escape. It moves fast enough that I almost miss the action entirely. Something that bulky looking should not move that fast.

Still 'almost' only counts in horseshoes and hand grenades, and it only 'almost' gets away from me.

I lunge forward and manage to grab hold of it's ankle at the last moment. The force of getting dragged along behind it nearly dislocates my shoulder, but I do get dragged through the reflection after it. Once again I have the feeling of being dragged from air, through still water, and back into air, and then I hit the ground again with an audible thud.

Mia is on the devil again before it can take advantage of my disorientation, keeping it thoroughly occupied by trying to cut, or peck, out it's eyes.

...I guess that really was a reflex after all... huh.

Grabbing onto it was a gamble, but a fairly safe one I figure, and now that I've confirmed that aspect of it's Sacred Gear I have a pretty good idea how to end all of this. With a groan I pull myself to my feet, and discover a down side of the zero impact strength irrelevant defense I've finally gotten to work.

Without impact, there's a lot less for my armor to absorb, especially when I'm not fighting with Sclamhaire. So by now I've used up enough mana from healing, and pushing my strength and speed as hard as I can, that my regeneration is starting to slow down just a bit. Still, I just need to last a little bit longer to finish the fight, and then I can look into getting more mana.

Reaching a mostly upright posture, I sheath my athame and proceed to do something that most of the time would be deeply stupid.

I tackle the stray devil queen.

The move takes it completely by surprise, and judging by the squawk, Mia doesn't see it coming either, which allows me to perfectly plant my shoulder just below it's center of gravity. Wrapping my arms around its middle, I manage to lift and turn before slamming it into one of the windows.

As I'd been hoping, rather than take the impact, the upper head and shoulders of the stray devil pass through the glass, and into the mirror world where Tsubaki is still trapped. There's a moment of stillness where everybody is stunned trying to catch up with what I've done.

Fortunately my companions are quick on the uptake.

Mia pins one of its arms by plunging her swords between it's radius and ulna, and into the metal of the car. The other arm is about to be a problem as it starts reaching for me, but Shirone pounces on the still free limb like it's one of the stones we play with. She wraps herself around it, pitting her entire body against the arm of the older devil. She can't quite overcome its strength enough to follow through with the armbar, and break it's elbow. But she's quite successfully tied up that limb. Meanwhile I struggle against the rest of the thing's body.

"Through the window!" I manage to growl out looking at Shirone. She looks at me confused for a moment, then glances at the window to find Tsubaki attempting to encase the devil's head in ice, with little success.

Catching on, the cat girl nods. She unwraps her legs from where they'd been helping to keep her attached to it's arm, and drops them to the floor. Then, once again pitting her entire body strength against the devil's single arm, forces it's hand through the window.

Tsubaki has been paying attention, and grabs a hold of the devil's limb, which Shirone then pulls back through the window along with Sona's queen.

The moment we're all on the right side of the glass again, I put the last part of my plan into motion, how to kill the devil none of us are strong enough to deal a fatal injury to.

I take a deep breath, and scream.

Every bit of glass in the train car, and probably an unfortunate amount of glass outside of it, explodes like a bomb went off. Fragments of shattered glass fly everywhere, but importantly none of them are big enough to hold a reflection, and certainly not one big enough for the devil's upper body to fit through.

The devil immediately goes limp, from the shoulder up it's simply gone. A moment later the body begins to dissolve until only the queen piece is left. The rest of us flop limply to the ground now that the fight is over, adrenaline seeping out of us.

It's been a short, but intense fight. One that clearly demonstrates, to me at least, a couple more things I should be working on. I wonder if Ku would be willing to give me a one or two week knife fighting intensive. Given the way Tengu talent lets me process movement now, that would probably be enough to give me a good enough grounding to start making up the difference.

For now though I just want to lie here. Once again I feel bruises and aches in places I don't remember getting hit. Which isn't totally surprising, the devil and I went at each other very hard and fast a couple of times. Something was bound to get through. It just means that I've really earned my nap.

"Ano... are you okay big sis?" Kunou's voice interrupts my half conscious mental wanderings.

Or I could get up and take care of the little fox.

That works too.



###​





The rest of the trip goes quietly. Kunou takes a little calming, and refuses to let go of me, or Mia, for the rest of the trip. This leads to Mia and me sitting on the floor next to each other, with Kunou squeezed between us. I spend most of the trip napping, because god damn I'm exhausted. I'm low on mana, but I don't have a pressure Script premade with me, or a place to put one in the train car if I did.

The train car itself is a wreck. Holes in the floor, seats and grab poles destroyed, windows blown out, and a huge dent in one wall where I'd tackled the devil into it.

Shirone sits on my other side, leaning into me, and seems to be unconscious herself. Tsubaki has claimed a spot across from us, her pole weapon across her lap. She's clinging to it pretty hard, probably nervous about losing it again.

Eventually though, we arrive at the Kyoto central station.

We scrape ourselves off the floor, and force our way through the car doors, which seem reluctant to open for some reason. Probably more battle damage.

We trudge through the empty station heading for where we're supposed to meet whoever Yasaka sent to collect her daughter...

This is Japan.

This is a major city in Japan.

This is a train station, in a major city, in Japan.

Why the fuck is it empty?

I glance back at the train and see plenty of people in other cars, packed just as tightly as I'd expect. But none of them are getting off, and a moment later the train starts up again, and then even those people are gone.

I turn back, and step into the long echoing empty space in the middle of the platform that leads to the stairs up to street level. For a moment, there's nothing. Then, as though waiting for that moment of dramatic timing, six people step out into the open. First comes an armored dwarf carrying a large hammer, accompanied by a very large minotaur. Next comes a black horse with a mane and tail made of fire, with eyes that glow a dull red, with it comes a living shadow that I can only track thanks to my mana senses. Finally a woman with a seal skin wrapped around her waist, and a younger girl sitting on a large mortar that floats through the air, pushing herself along with a pestle.

I study the six people spreading out across the platform in front of the staircase. They all seem familiar to me for some reason. I don't know any of them, but I swear that I've seen them somewhere before. I absently pull my hood and mask up again as I try desperately to figure out who these people are, when a seventh figure strolls down the staircase. Hair expertly coiffed, his cloak blowing dramatically in a nonexistent breeze, and a rapier drawn and crackling with electricity in his hand.

I know this one.

He's haunted my nightmares for years, along with the toad stray.

The one who invaded my school.

The one who'd taken my memories, and fucked with my head!

I see red.
 
"Well then, get what you need, plan for a fight, and meet me at the train station in about two hours." I tell my two new travel companions, and try to stand. Only to fail since Shirone is still on my lap, and holding me down with the massive weight of a totally limp cat, "Shirone, that means I need to get up."

"Nyooooo..." Shirone wines, and somehow gets heavier.


I roll my eyes, and poke her in the ribs making her squeak and levitate off my lap, then flop onto the floor. Free of my captor I make good my escape amidst the giggles of two devil peerages.
Behold, the most ancient, terrible and well-practiced art of all felines: the immobile furball.
 
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