Perfect stillnessseemed to grip the air - a total lack of noise, of movement, and of thought.
Slowly, moment by moment, the outline of a woman became better defined in your mind's eye. Snowflakes formed patterns in the air, falling heavier and heavier, providing an illusion of depth and of distinguishable shapes. Flowing hair, clothing, eyes all looked to be there one second, but then lost themselves in the haze of the snow. One second, it could be there. The next, it could appear no more than a hazy shimmer, a bundle of snow softly falling to the ground.
Crunch
The closer you get to it, the more clear it becomes. At first, you think it's a woman, gender clearly defined.
Crunch
Then, even that becomes uncertain. But still something about it calls to you, strikes a chord somewhere in your heart that you can't ignore.
Crunch
At what point did you start taking long, heavy steps ahead? Are you moving, or is your body simply carrying itself forward? Towards the unknown?
Realization hits you fast, once the ice is beneath your feet. You don't stumble or trip up as you walk towards the young child standing at the center of the lake. Hair cut short, naturally wavy and wild.
You're in front of it now. You want to badly to reach out and touch it, to test if it's real or not. The answer would be no, no it is not real, because even if you swear you can see individual strands of hair, they are not there.
Even if you swear you can look into your own eyes, and see the doubt and hesitation in them.
In her right hand, she's holding a bow, comically oversized for a child. You frown, looking at how she's holding it. The snow twirls about giving this one actual depth beyond an illusion; like a shaken snowglobe had been elongated to form the weapon.
The child's chest shakes as they take a breath in. You can watch the snow be exhaled in, dropping and passing through the body to fall to the ground. Slowly, she raises the bow up, an impression of an arrow in her other hands. Fumbling about with the drawstring, she nonetheless manages to get the arrow into the bow, pulling back the string and letting go.
You can almost hear the adorable yelp as she drops the bow, arrow flying over her head and spinning about before bursting into snow, indistinguishable from the rest.
"No, no." You mutter to yourself. That wasn't right. It wasn't right at all.
The girl looks at you, actually looks at you, as though she could hear you speak. It wasn't as though you didn't know she couldn't.
You reach out to touch her, but hesitate, because she seems so fragile. It feels to you like if you were to touch her, she would shatter like glass hit by a hammer. So instead, you begin to teach.
"Hold it up again." You say. She nods, holding her bow up, and you shake your head. "No, no. Not like that. Not at all. How can your arms be so stiff yet still shake so at the same time? Deep breaths. It won't be natural, not at first, but it needs to be."
Everything you told her came straight from your heart, instinctive and well known. "Don't hold it so high." You continue, mimicking her hands. "It doesn't need to be directly next to your eyes. That's not natural, not how it's meant to be held." Without a doubt, you knew that once you had been like this girl.
As you talked, the snow seemed to form the same bow within your hands, a mock thing with a string made of ice. From your sleeves comes an arrow, summoned without a second thought. Surprise flickers across your face, but you dismiss it, far too caught up in the moment.
Already you're placing the arrow in your bow made of snow. It acts like it would were it real, held out sideways so that you may place the arrow upon the bow - and the arrows head doesn't fall.
The little girl is watching, eyes wide and surprised.
"Is that how you place an arrow on the bow?" She asks. Her voice is soft, ringing across the dead air like a quiet chime.
Chuckling, you nod. "It's the safest way, especially when you're learning. Do you have no idea what you're doing?"
"Mother told me to fire until the end of the day, when the sun falls beneath the tree's branches." She says sheepishly.
"And to figure it out myself until then."
"Something about that method is...familiar." You say, more to yourself than to the girl.
You stand side by side with the girl, drawing arrows and firing them with a practiced, relaxed ease. The girl tries to copy you time and time again, listening to your advice as you sooth her. Now, you see calluses upon her fingers, cuts upon her hands from her failed attempts. Small piles of snow sit around her, all that remained of arrows sent flying as she flailed and ducked.
Your arrows all rest in a tree, its bark splintered and every surface in a small radius marked.
Finally, however, the girl gets better. She shoots straight, and at the bottom of the tree, a small snowdrift builds up as her arrows shatter against the tree. She cheers, she whoops, she does happy little dances. There are still mistakes, still flaws, but they aren't as massive as before. It's… heartwarming, to help someone like this.
Dropping her bow, she jumps up and down.
"Thank you! Thank you so much!" She shouts, and you turn towards her, and watch as she runs towards you laughing. It's as pure and innocent as a bell.
She jumps up, straddling you in a hug. To your great surprise, she's heavy, weighing as much as you expect a child made of flesh and blood might . She forces you onto your knees, unless you want to tip over and fall onto your back - and how undignified might that be? The wind picks up, and the deathly silence that seemed to have overtaken the world is dispelled as her body slowly dissolves. Blown away by the wind, her body doesn't shatter like you had feared it would, but the end result is still as sad.
Perhaps that's why all you can think of is that the hug was warm.
By your feet lies the bow made of snow, now a solid thing of smooth curves and white metal. The drawstring is gossamer thin, but cold as ice.
Crunch
Walking away from the pile of snow that had formed around you, the bow is slung over your back, the motion as fluid as running water.
Crunch
You're proud to call it yours.
Crunch
-0-0-0-
The smell is close by, the freshest thing you can remember smelling in your memory. You would hesitate to call what you do running - hastening your pace would be more accurate. It's moving away slowly, at such a steady pace that you're gaining on it.
You aren't the pinnacle of stealth, but you aren't going to be alerting everything around you to your presence either. You've already retrieved the bow from your back, another arrow sliding out of your sleeve and ready to be notched.
Then, you hear it. In the distance, a human voice, loud and merry.
"The fair lady's gone scrambling over the hills, lock your window sills~"
...And singing, apparently. You can feel your grasp on the situation sliding away. No monster? No terrible, rapid bear? No fox trying to lure you into a trap that you could sink an arrow into?
"Mad! MAD! So they'll all cry aloud, the fair lady's lost her marbles!~ She'll beat you till all you can do is hobble!~"
And the singer is horrible off-key as well. Despite that, whoever it is has killed something - or at least stumbled upon it. Considering your luck, it's far more likely to be the former than the latter. Still, you'd like to approach closer, if only to follow them back to wherever they call home. It would be a step closer to your goals.
"Lock up your wife, lock up your children - Our fair Lady won't rest till she's got 'em!~"
… The voice was so horribly off tune you decided it was perhaps the only reason you weren't going to meet its owner. Get closer and follow the scent? Yes. Talk to the man who could sing like that? Hel no.
Maybe it would sound better with a beat in the background and instruments playing.
"Lock her up, she'll come back more vengeful than a wraith!~"
The world would never kn-
Snap
You pause, slowly turning to look behind you, where a young girl wearing a thick coat has just stepped on a branch. She doesn't look like she's older than 13 or 14, mousy hair in a single ponytail. She's frozen in place, eyes looking somewhere below you. What could she be looking at?
"...Please tell me that's for hunting." She asks.
"...Tell you what's for hunting?" You ask, looking around.
"THAT!" She says, pointing to your bow.
"Oh. " You nod. "Probably."
"That's not an encouraging response." She whispers.
"Were you looking for one?" You ask her, sniffing the air. Something was... off.
"Yes!" She cries.
"Then yes, it's for hunting. And nothing else. Ever." You lie straight to her face.
"Wait. Have you been crying?" She asks, eyes bouncing back and forth between you and something behind you.
"What?" You bristle. "Of course not!"
"Your eyes are puffy and red. Your face is wet. You have been crying! And recently! " She puffs up, proud of herself for figuring it out.
You frown, ear twitching. She's still looking behind you. You sniff the air again, and realize why.
You turn around, an older man wearing hunter's clothes and a terribly unappealing layer of brown stubble stopping in place as he attempted to sneak up on you. He reeks of the stench of a fresh kill, and you doubt he could've gotten within five feet of you, especially with the rabbit hung by a rope from his belt still bleeding. There's some familial resemblance between him and the girl.
"Your singing is terrible." You tell him. He gapes at you like a fish as you turn back to the girl.
"I wasn't crying. Let the records show it, and let it forever be known." You tell her.
The man behind you suddenly coughs, straightening up.
"Well then, nice to meet you, Miss...?"
How do you respond?
[] Beatrice. That's all I have.
[] Beatrice. That's all you need to know.
[] I'm not telling you!
-[] Ignore him and talk to the young girl.
[] Start asking questions about where you are. Take the lead.
[] Write in.
I feel like I started writing Beatrice slightly OOC during the ending conversation. I'll just chalk it up to the whole "Not exactly right-of-mind at the moment" thing. Especially since I made a point of showing off her "Big Sister" instincts in the first half...
Or maybe it's because it's reminding me more of how Laqueta would respond that how I think Beatrice should.