Sabertooth
Currently on a road trip with Magnus the Red
- Location
- Portugal
So Rafi and Seven are a couple now?
I'm curious to know what valuable characters you, who have not watched the show, think have been killed off. I can recall two TNG characters who were killed, one of whom was a single-episode guest and the other barely a recurring character. This sounds to me like you are recycling complaints from elsewhere.
To this I now must add: sometimes in a single episode.
I didn't get a great look, but they looked like a Star Trek Online design to me.Those were some ugly ass copy-pasted Starfleet ships. Seriously why are the new show designers incapable of coming up with good-looking ships?
And I guess that was a thing. Can't say I'm that excited for season 2, depending if it gets made. Enough with the Romulans though and Evil AI, give us some Cardassians!
I believe it looked like the Avenger Battlecruiser, so make your joke about how much the Federation had to spend on lockboxes.I didn't get a great look, but they looked like a Star Trek Online design to me.
Well, I, uh, initially didn't realize it was another version of Rios. I don't know if it's a weird brain thing that I have but I have a real problem recognizing faces, at least in movies. Often times I'm watching a film and I'm like "who is this guy? I've never seen him before", but it turns out it's like, the same character from the previous scene, but with a slightly different hair cut, or clothes, or maybe presented in an odd camera angle. Kinda embarassingHe screws a holographic version of himself? Where did you get that idea? That's a degree of narcissism that Rios shows no other signs of.
I personally don't really use the acronym in a mean spirited way. Well at least most of the time. When sex scenes are involved I have no choiceIt's been a few years at this point, you can refer to Discovery with a name that isn't juvenile.
Especially because the Avenger is a Zen ship, not a lockbox ship.I believe it looked like the Avenger Battlecruiser, so make your joke about how much the Federation had to spend on lockboxes.
Apparently they had 1 week to produce the special effects for this episode, but I still think they could have done at least slightly better with this time frame.Can I just say for the record that I'm a little disappointed that they couldn't throw another $50 at Eaves to design two more ship classes for the big fleet scene? I get that going wild and having every ship unique isn't in theme but come on, guys.
I... I need a citation on that please (actual sources like proper entertainment journalism or verified Q&A with the production team, not some random YouTube jagoff with an axe to grind) because I have a real hard time believing that a modern prestige-grade TV production could get boxed in like that.Apparently they had 1 week to produce the special effects for this episode, but I still think they could have done at least slightly better with this time frame.
Really? Because Special effects being done at the last minute is basically the norm.I... I need a citation on that please (actual sources like proper entertainment journalism or verified Q&A with the production team, not some random YouTube jagoff with an axe to grind) because I have a real hard time believing that a modern prestige-grade TV production could get boxed in like that.
Sorry I remembered it a bit wrong:I... I need a citation on that please (actual sources like proper entertainment journalism or verified Q&A with the production team, not some random YouTube jagoff with an axe to grind) because I have a real hard time believing that a modern prestige-grade TV production could get boxed in like that.
Before you think we're ignoring something, yes, we noticed that every Starfleet ship seemed to be the same digital model — and an ADR'd line of Frakes dialogue explains away the repetition, saying Riker's got "a fleet of them" — but since the visual effects work for the season only got completed last week according to VFX supervisor Ante Dekovic, we'll chalk that up to a lack of available production time to allow for a wider range of ship variation.
Shots, yeah. I get that final renders and compositing and all of that bullshit eats time like nobody's business. Having a ship design is preproduction work; they should've had at least a couple of sketches and models for variety's sake and ready to be at least stuck in the background of shots that called for lots of starships. They ought to have had the necessary resources on hand just from the natural process of production; as an example, most of Disco's Starfleet started as rejected sketches for the Shenzhou that got built up into models because they needed a fleet for one scene. I can only presume that they had the same thing going for the Zheng He, so if you've got a big fleet take one or two of those that look visually distinct from Zheng He and stick a couple of 'em in the middle ground to break up the look.Really? Because Special effects being done at the last minute is basically the norm.
Especially because the Avenger is a Zen ship, not a lockbox ship.
That being said, aside perhaps from some superficial similarities, neither the Avenger nor the Arbiter looks that similar to the Curiosity-class (which is what I believe Chabon has identified the Zheng He as).
First, consider the underside of the main hull:
View attachment 1602
Specifically note the notch in the front and - on the ship in the upper right - the weird deflector area.
Contrast with the front hull of the Avenger:
View attachment 1608
The notch design isn't similar and frankly neither is any of the saucer rim, which on the Curiosity seems to have an almost TOS-like angle to it. Nor is the deflector/underside similar at all. The Avenger has a Odyssey-like hull separation between the primary and secondary hulls and a prominent deflector, whereas the Curiosity's hull is more sled-like with no visible deflector.
From the rear, there are some similarities:
View attachment 1611
View attachment 1614
But again, not many - note the distinct difference in not just the impulse engines, but also in the connection to the secondary hull and the stacking of the primary bridge superstructure. The Avenger uses a Sovereign-style shuttlebay structure between the impulse engines, whereas the Curiosity appears to have nothing there. And there is of course the complex structure between the 'ribs' on the Avenger that isn't present on the rear of the Curiosity.
From the side there are similarities:
View attachment 1617
View attachment 1623
Notably the forward swept nacelles, and the ridges along the central superstructure assembly - but you'll see that the nacelle pylons on the Curiosity-class are swept forward while the Avenger's pylons are essentially straight sideways, and the shape of the Avenger's pylons makes them much wider and with a much greater curve along their length that the Curiosity simply doesn't have.
And of course the nacelles are just different.
Even if you pick some components out of the Arbiter and try to merge them into something appropriate, you get something like this:
View attachment 1626
Which still is wrong around the shape of the neck and secondary hull and which doesn't have the same shape or design of primary hull. The Avenger and the Curiosity are both relatively squat ships with ridges running along the dorsal side, but that's basically where the resemblance stops...
I mean, if you're going to make fun of on purpose Discovery with a shortened name, use a less crude one.It's been a few years at this point, you can refer to Discovery with a name that isn't juvenile.
Pretty sure that was the idea.Ever since we saw that was an in-universe shirt, my friends and I just call the show DISCO when talking about it.
The show's message was "you should help immigrants, but you can't trust them too much, because if you do they'll climb up the chain of command of your military while pretending to be of another race so they can fuck with and subvert your government". Bravo KurtzmanThe season ending was, like the rest of the show, a horribly jumbled mess of a few good ideas mixed in with a whole lot of bad ones. Seriously, what is with this show? The quality is so incredibly modal, switching from heartwarming moments one second to abject stupidity the next. It's very much like Mass Effect 2 and 3 in that regard.
- Jurati's dialogue is even worse than usual. She talks about "uber-synths" and, while Picard is flying La Sirena she's constantly throwing out these awful, Joss Whedon-esque snarky remarks that kill all the tension. This is an issue I have with series as a whole - it's filled with "modern" sounding dialogue, with characters saying things like "pro tip" or "ass-deep in Romulans" or talking about someone "blowing up" on the local news. Previous incarnations of Trek deliberately avoided using modern slang, which lent a futuristic, idiosyncratic air to conversations. Now everyone talks like they're from the 21st century, which not only sounds jarring compared to previous Treks, but will also date the show horribly.
- Everybody seems to forget that Jurati murdered somebody. In fact, much like Discovery, the show can't remember anything that happened more than one episode ago. The crew of La Sirena team up with Narek, with no one bringing up the fact that's an untrustworthy, inveterate liar. Then he mysteriously disappears from the story because...reasons. Just like how the show brought back Bruce Maddox...then killed him. Just like it brought back Icheb...and then killed him. Just like it brought back Hugh...and then killed him.
- Why did the Zhat Vash fleet back down so easily? This is an ancient, fanatical doomsday cult that has killed millions in its quest to wipe out synthetic life. They should have fought to the last man.
- "Ready planet sterilization pattern number five." - I had to laugh at this line. Apparently the Romulans have multiple means of obliterating all life on a planet...I don't think even the Inquisition of WH40k can make the same claim!
- While it was nice seeing Riker again, why was he chosen to lead the fleet, considering he's effectively retired? Was there really no one else available?
- And the bit where Picard "died" and was brought back as a robot...good god. "Brain uploading" is not a transference of consciousness, despite what the transhumanist nutters would have you believe. You are a not a picture of you. Picard died, and an imperfect digital copy of him sprung into existence. The picard we knew from TNG is dead, and from now on we're going to be watching a robot clone of him. Yippee.
- Seven and Raffi are an item now? So which one is going to get killed off, then?
- Again, the show is tonally all over the place. Since the beginning, Picard has been treated as a pompous old fool who gives speeches about how violence is unnecessary...only for everyone around to reveal that, no, violence is the answer. Then, in this season ending episode, suddenly the show is back on his side? It's a lot like season one of Discovery , which begins with Starfleet committing war crimes and the crew of the ship acting like whinging, petty teenagers. Then suddenly Michael Burnham is giving this lofty speech extolling traditional Federation values at the end of the season.
- Picard started out with a plot thread about the Romulan refugee crisis, with some interesting parallels to real-world events...only to ditch in favour of yet another Terminator/Skynet/AM/Reapers plot. Discovery already did this story with Control, and it was handled terribly there, too! Seriously, why is this the only story ever told about AI?
- The Mystery Box method of storytelling is an absolute millstone around the show's neck. It results in a fractured, disjointed, meandering narrative that's constantly lurching from one plot to the next, with character dialogue largely consisting of infodumps and exposition.
- It's quite clear to me that she showrunners of NuTrek are a catastrophically poor fit for Star Trek. They want sci-fi action and Game of Thrones-style soap opera melodrama (they even brought in the incest, with Narek's sister) with a dash of Joss Whedon and Marvel superheroes thrown in. They're obviously not interested in big ideas science fiction, or engaging with any kind moral or philosophical issues.
The season ending was, like the rest of the show, a horribly jumbled mess of a few good ideas mixed in with a whole lot of bad ones. Seriously, what is with this show? The quality is so incredibly modal, switching from heartwarming moments one second to abject stupidity the next. It's very much like Mass Effect 2 and 3 in that regard.
- Jurati's dialogue is even worse than usual. She talks about "uber-synths" and, while Picard is flying La Sirena she's constantly throwing out these awful, Joss Whedon-esque snarky remarks that kill all the tension. This is an issue I have with series as a whole - it's filled with "modern" sounding dialogue, with characters saying things like "pro tip" or "ass-deep in Romulans" or talking about someone "blowing up" on the local news. Previous incarnations of Trek deliberately avoided using modern slang, which lent a futuristic, idiosyncratic air to conversations. Now everyone talks like they're from the 21st century, which not only sounds jarring compared to previous Treks, but will also date the show horribly.
- Everybody seems to forget that Jurati murdered somebody. In fact, much like Discovery, the show can't remember anything that happened more than one episode ago. The crew of La Sirena team up with Narek, with no one bringing up the fact that's an untrustworthy, inveterate liar. Then he mysteriously disappears from the story because...reasons. Just like how the show brought back Bruce Maddox...then killed him. Just like it brought back Icheb...and then killed him. Just like it brought back Hugh...and then killed him.
- Why did the Zhat Vash fleet back down so easily? This is an ancient, fanatical doomsday cult that has killed millions in its quest to wipe out synthetic life. They should have fought to the last man.
- "Ready planet sterilization pattern number five." - I had to laugh at this line. Apparently the Romulans have multiple means of obliterating all life on a planet...I don't think even the Inquisition of WH40k can make the same claim!
- While it was nice seeing Riker again, why was he chosen to lead the fleet, considering he's effectively retired? Was there really no one else available?
- And the bit where Picard "died" and was brought back as a robot...good god. "Brain uploading" is not a transference of consciousness, despite what the transhumanist nutters would have you believe. You are a not a picture of you. Picard died, and an imperfect digital copy of him sprung into existence. The picard we knew from TNG is dead, and from now on we're going to be watching a robot clone of him. Yippee.
- Seven and Raffi are an item now? So which one is going to get killed off, then?
- Again, the show is tonally all over the place. Since the beginning, Picard has been treated as a pompous old fool who gives speeches about how violence is unnecessary...only for everyone around to reveal that, no, violence is the answer. Then, in this season ending episode, suddenly the show is back on his side? It's a lot like season one of Discovery , which begins with Starfleet committing war crimes and the crew of the ship acting like whinging, petty teenagers. Then suddenly Michael Burnham is giving this lofty speech extolling traditional Federation values at the end of the season.
- Picard started out with a plot thread about the Romulan refugee crisis, with some interesting parallels to real-world events...only to ditch in favour of yet another Terminator/Skynet/AM/Reapers plot. Discovery already did this story with Control, and it was handled terribly there, too! Seriously, why is this the only story ever told about AI?
- The Mystery Box method of storytelling is an absolute millstone around the show's neck. It results in a fractured, disjointed, meandering narrative that's constantly lurching from one plot to the next, with character dialogue largely consisting of infodumps and exposition.
- It's quite clear to me that she showrunners of NuTrek are a catastrophically poor fit for Star Trek. They want sci-fi action and Game of Thrones-style soap opera melodrama (they even brought in the incest, with Narek's sister) with a dash of Joss Whedon and Marvel superheroes thrown in. They're obviously not interested in big ideas science fiction, or engaging with any kind moral or philosophical issues.