We dove into the maw of darkness.
All about us the sea swirled, a titanic whirlpool as big as the entire island of Uzushiogakure had been. A single misstep could see us sucked into that torrent and crushed under a mountain of water.
There
was a safe way down into the ruins. Mito-baa had told us, a lifetime ago, of the seals specially designed for this very eventuality. Kushina and I had planned to someday return home, but now…
The eye of the whirlpool seemed to go down into infinity. I hugged Konan close to me as fell. We weren't quite falling through air, not quite sinking through water. There was so much spray and foam here the there was no distinguishing between liquid and gas here. So we plummeted through the foam.
It slowly grew more dense. The sky vanished entirely. Our whole world became a narrow tunnel walled all in by the ocean.
And below us, there was water.
"We're going to hit the water!" Konan shouted.
"Use your paper to funnel us through!" I called out, "Wind Style: Piercing Breakthrough!"
Unlike the wave of air from Breakthrough or Great Breakthrough, this jutsu shot a cannonball of air out of my mouth. It crashed against the water surface, creating a colossal splash and sending a huge plume towards us. Konan yelled something and all her paper shot forwards, forming a hollow cone around us and spinning rapidly like a drill.
My senses vanished amidst whirling spray and paper for a few moments, and then we were past.
"Oh, my god…" Konan whispered.
I nodded, "It's beautiful.
A wide flat circle, with the village of Uzushiogakure in the middle, amidst a pocket of dry air. A great dome powered by glowing seals kept the rushing torrent of water away and the motion of the dome created the massive whirlpool right above our head. The entire village seemed eerie, like something out of a long forgotten dream: the air was stale and still, the streets and houses utterly empty. There's no litter, as if the whole place had just recently been wiped clean. Soft golden light from lamps, powered by seals, lit up the whole village.
It's quite a fall to the ground, but Konan unfurled her wings and lowered me to safety. With a muttered 'thanks', we landed on grass. It's damp, like it's recently rained.
"It's beautiful, but… strange." Konan commented, as I began walking across the field towards the village proper. I didn't have memories of the actual layout, but I did know that the Uzumaki were methodical in the planning of their home in the same way they would methodically design their seals. The dome, likely activated by the last of my clansmen who'd remained behind, in a desperate attempt to stop the island from sinking. It'd been a futile effort, since the entire bedrock of the island had been blasted apart by the forces of Mist and Cloud and they hadn't been build the correct sealing arrays to counteract that in time.
I was torn for a moment between searching my old family home for anything I could find, or examining the seals at the edge of the dome to figure out exactly what was going on here.
Realizing my entrance here could've easily disrupted the seals maintaining this place, I move to the edge of the dome quickly. The dome is like a swirling torrent of air a lot like my Taker of the Skies kyūjutsu, supported by a solid, transparent barrier.
The seal, one of nineteen placed equidistantly in a circle around the village, was engraved in a silver disc, about a meter across. The ink actually glowed to show it was active. I motioned for Konan to stand back, as I approached it. It looked like one big seal from the distance, but at a closer glance, the seal itself was made up of dozens of smaller seals arranged at perfect angles to form the bigger shape. I squinted and realized the smaller seals were themselves made up of hundreds of tiny shapes.
I wasn't really into sealing. A lot of other self-inserts went that route, but I'd quickly learned that either you were naturally talented at it, or you spent twenty years figuring out the basics before you called yourself a connoisseur at making anything more than storage scrolls or explosive tags. It wasn't so cut and dry as reading a few books and making a few scribbles.
I did know some of the basics, though, and a smattering of more advanced aspects.
For instance, I knew that the seal in front of me had branches for blood and soul. There shouldn't have been enough chakra available naturally to hold this seal up for as long as it had.
"Ah, fuck." I muttered, and rapidly, deliberately, stepped back.
Sheets of paper rose up at my alarm, settling down only when I did.
"They didn't have enough time to channel chakra into the seal to power it." I explained, "As a last contingency, it was designed to use a human to power it. Blood and Flesh and Soul."
Konan raised an eyebrow, "What nice in-laws I must've had."
"Shush," I said, "So when the island went under, the seals activated. To stop the rush of all the water at the same time, they grabbed as much energy as possible. Every living Uzumaki clansman was literally absorbed completely into these seals, except for those who'd already left the village. Most likely, the seal searched for the presence of a soul and grabbed that, and pulled the owner's body, flesh and blood and all, in with it."
"Aren't those kinds of techniques forbidden?"
"Yeah. Definitely forbidden, but I don't blame them. It would've been a good thing anyway. If someone had managed to penetrate the dome, they could've, well, done a lot of things with a city full of Uzumaki corpses."
"Anyways," I looked up, "Less about corpses and forbidden blood seals, and more about finding my house."
We headed to the residential district. It looked a lot like Konoha: a lot of the same architecture, though with distinct influences from Kiri as well. There was sealwork everywhere, the majority simple seals adapted for daily use such as storage and force. The sealwork was mixed in with actual artwork. They were quite pretty to look at, really.
"Do you smell that?" Konan suddenly stopped me. "Somewhere up ahead…"
Ohh, we knew that smell well.
Death.
"Someone died here." I stated.
The house was the third one on the right down a side street. It was nothing out of the ordinary, then I saw the sealwork painted on the door.
Nine spheres, curving across, painted ice at the leftmost end and red at the rightmost side.
"This is it!" I spoke, and pushed open the door.
The smell grew stronger instantly. There was a body propped up against the far wall. I knelt down in front of it and examined the corpse: it was partially decomposed, but there hadn't been enough living organisms around to finish the job. The face was recognizable, though. So very close to my own, only older and deader.
"Kazan Uzumaki." I murmured, "Hello, Father."
"Found it!" I pulled out a old leather-bound book from one of the drawers.
At Konan's inquisitive glance, from the other side of the room where she had been looking through sealing notes, I explained, "Since I found one journal in Stone, I had a hunch. I- He would've been the type to write things down, I think."
Unlike the one I'd been given by Kitsuch, this one was intact. The writing was sharp and clear as the day it'd been written, a testament to Uzushio Ink.
And like the other, it was written in English.
I flipped it open to the first page, as Konan walked up to me and leaned over to read it. She couldn't read English, but I read it out loud for her. The handwriting was so creepily similar to my own.
I can't believe I lost my journal somewhere in Iwa. I can't get it back now either, but Ohnoki and I have an agreement. I can rest assured he will safeguard it if he finds it.
Sometimes I wonder if keeping this is worth it. But father and grandfather, and all those before them to the First Sun, kept them. Since I remember each of them keeping one, I'll have to keep mine too. After all, the time hasn't yet come. It'll be Renaro who finally fulfills His destiny, my destiny, our destiny.
Our destiny? And what the hell did he mean, remembering each of them? I didn't have any memories of my ancestors' lives, only my own and those of Earth.
This must've been what Elder Rabbit meant, when he said my memories had been lost. The… transfer of memories or whatever between me and my father had been incomplete. That was the only explanation I had for it.
I read on.
By putting two unknown element (MC and Tobi, each with his own bullshit even by the standard of Elemental Nation) without even stabilizing (the background of) one of them in the mind of the reader make the story weaken despite the strong start.
To summary, a suspension bridge (of disbelief) should be anchored on both of it's end in a solid material. You can't anchor a suspension bridge in another suspension.
As a note, You should in no way rewrite your story unless you have finished it. I believe that rewriting a story is a TRAP!!! Most of the story that is rewritten DIES. As such, while you should take my post into consideration, please don't rewrite it.
Mm, well, the former gets addressed this arc, as I planned, and the latter, kek, I'm too lazy to actually go to all the work of going back to rewrite it. The most that might ever happen is a recompilation of the scenes with a couple more added, if I think that's worth.