Riley Alone (COMPLETE)

Oof. A no-win domestic dispute situation does feel like a much more likely incident for a vigilante cape to run into than the stereotypical "I found a Nazi saying slurs and mugging an interracial gay couple" trope you see a lot in this fandom.

I know that's just par the course of superhero media, and man, you really hammer home why here. Just too real.

I do really like the juxtaposition of Riley and Jack to this relationship, and how she does successfully put herself in the victim's shoes, for better and worse.

Unrelated, her bear costume sounds pretty cute, and it reminded me a lot of the Lost Boys in Peter Pan. That felt... sort of apropos.
Thats kind of why i rolled with DV instead of anything simple and easy, bc when does riley get simple and easy? Lol. But yeah u nailed the head right there: its different, it maps onto riley's experiences, and it complicates everything for her.
 
chapter 21: What are you doing here?
"I'm sure you remember the first friend I made."



He sighs heavily as soon as he answers the phone. "You need to stop calling me, Bearclaw. My boss does not appreciate our talks."

"You said I could call you any time, for anything," I remind him.

"That was two weeks ago," Wolfgang groans. "Things were different then. I can't keep giving advice to a vigilante; things get messy like that, and I do not want to be the next Armsmaster."

"Okay, but I need advice."

"My advice: turn yourself in. I appreciate that you trust me so much to call, but we can't keep doing this."

"So, hypothetically, say I saw a pair of people in costumes that I don't recognize going into a store," I say, ignoring him as part of our familiar song and dance. "What should I do?"

"Where is this?"

"It's a hypothetical question." I'm not going to tell him and have the Protectorate swoop in and try to arrest me again. There are only so many moments of good-doing that can be interrupted like that before I get annoyed, and I need the practice handling things on my own.

He sighs again, as heavy as before. Distantly and quietly, as if he put his hand over the phone, he asks, "Why me?" Then, in an appropriately conversational volume, "Okay. Well. Hypothetically, you want to first figure out if they're villains or not. If they're villains, you can hypothetically engage, but remember: a hero's priority is always, always, always to limit risk to civilians, so hold back if there's even a chance of someone getting hurt or killed due to your intervention. If it looks like the villains are going to hurt someone anyway, then it's usually okay to engage. I'd say use your judgment on that, but… Anyway, remember your priority is to protect people, not get the bad guys. Does that make sense?"

"Uhuh. Protect people, hold back unless someone is getting hurt: got it. What else?"

"You know, I could give a better answer to this 'hypothetical' scenario if I had more info to work with," he offers.

"That makes sense," I agree.

"..."

"..."

He sighs again. "Hypothetically, you should also call the PRT or Protectorate for help. We can give backup and assist in the actual arrests if the villains are taken down, and–"

I hear glass breaking in the store below. "Okay thanks bye!"

"Wait! B–"

I close my mobile phone and slip it into my coat's internal pocket/Faraday cage. Wolfgang is so nice to advise me like this so often, even if he acts like it's an imposition. I wish I could pay him back somehow. I drop from the roof and land in front of the pawn shop, then enter.

Attention turns to me as the bell above the door jingles. Inside are the two parahumans I spotted. One is a girl a year or two older than me, wearing a dark blue knee-length dress with long sleeves, a white boa scarf, and a shiny, silver domino mask that matches the dozen rings on her fingers, two of which glow with blue light that matches her dress: a sign of her power. She smiles a haughty smile even as I intrude. The other wears a motorcycle helmet that looks tiny on his bulked up, almost naked body; he wears only a loin cloth and holds a big duffel bag stuffed with stuff. I guess his power is some sort of muscle enhancement that doesn't do much for his bones, thus the helmet.

There are four others in the store with us. One wears a crisply ironed white shirt and black pants, and the other three are in street clothes more appropriate for the less rich part of town we're in. The crisply dressed man – the owner? Worker? – is curled into a ball, weeping, and one of the others is in a similar state, staring at a wall with a haunted expression.

"Crap, a hero!" the bulked up parahuman says. "You said they wouldn't come here."

The dressily dressed parahuman sizes me up, seemingly without worry. "And they didn't. She's not a hero, not really. You're that vigilante that's been running around like a headless chicken. Eclair, right?"

"Bearclaw, actually," I correct.

"Ah, silly me, getting my pastries confused." She laughs. "You can call me Madame, and my partner here is Flintstone."

Wolfgang named me after a pastry? Is a bear claw a tasty pastry? I'll have to try one later. I nod to the two downed people. "Is this your doing, Madame?"

Her smile becomes a smirk. "If it is?"

I move toward the insensate one. Madame takes no moves to stop me. I look him over while keeping an eye on the two parahumans, and there are no external injuries. I know better than to think that means he's completely okay, but it at least means he's not likely in immediate danger.

"What did you do to them?" I ask, standing back up. "Your power: what's it doing to them?"

She smiles wickedly. "Why would I tell you that?"

My lips turn down. "Will they be okay?"

"They won't die, if that's what your asking."

"That leaves a lot of wiggle room," I tell her. I know for a fact that 'not dead' can be a far less merciful state than dead. "Are there any permanent affects? Will they come out of this state? Will they go back to normal?"

"And what if they don't?"

I stare at her and take a moment to consider what I should do if she's just broken two people. She sounds too cocksure: like she's bluffing. If it was permanent, she wouldn't have any reason not to tell me that as an intimidation, so I'm pretty sure she's lying. But if she's not, I have to do something. I could hurt her, but I don't want to. I draw in her scent and commit it to memory.

"I'll make sure you never do it again," I say.

"Make me?" she scoffs. "I'd like to see you try."

I look around again. Four civilians in an enclosed space with three parahumans. I don't know how Madame's power works or what exactly it does. I'm pretty sure it's not permanent, at least. But even if I ignore Madame, that still leaves Flintstone. I don't know exactly how his power affects his biology, so I can't be sure that my toxins and such would affect him. He seems easily frightened: a new parahuman? Maybe; new parahumans with body-enhancement powers are paradoxically often both skittish and reckless. With his bulk and potential inexperience, getting into a fight here would risk these people getting hurt.

"No," I decide.

"No?" Madame asks. She and Flintstone exchange a look. "'No' what?"

"'No,' I'm not going to make you undo it now. I'm going to call Wolfgang, tell him about this, and see what he has to say."

Madame laughs. "Seriously? That's it? You're not going to do anything?"

"If you're not hurting anyone, then I don't really see what I need to do." I shrug. "I'll stick around to make sure this"– I nod at the downed man –"wears off, and if it doesn't, I'll make you undo it."

Madame shakes her head as she laughs again. "Flintstone, keep going; I'll take care of this. It shouldn't take more than a second." She starts walking towards me and Flintstone goes back to stuffing more stuff into his bag of stuff, though he keeps an eye on us. "I heard you were an odd one, but this? This is just sad. You're not even going to try to do something? You're scared, aren't you, Bear Bear? I saw you eyeing Flintstone. You're scared he's stronger than you, that he would put you down without breaking a sweat. And you'd be right. But sweetie, you shouldn't be scared of him. You should be scared of me. I'm the one in charge here, and you have no idea how easily I can ruin you."

She slaps me. I blink at her. Her smile wavers and is forced back in place even as she massages her slapping hand.

"Are you okay?" I ask. "You didn't break anything, did you? I don't think I heard a break."

"I'm fine," she grits out: an impressive act, to sound so aggrieved and pained while smiling so haughtily.

Flintstone's bag falls to the ground. "Shit," he says. "Madame, she…"

"Get back to it, Flintstone," she commands, angry. "It's fine."

"But she–"

"It's fine. Let's finish this and leave. She's not worth our time anyway." Madame gives me a lingering, searching look through her mask, and then turns her back on me to supervise Flintstone.

I watch to make sure they aren't going to try and surprise me, but they just get to smashing cases and bagging stuff. When they leave out the back, I call Wolfgang to appraise him of the less-than-hypothetical situation.



…?​


Over the next few days, I spend my time either tinkering in my super secret lab in an abandoned restaurant, surviving, or looking for good to do on patrol. I haven't run into any other parahumans since that apparent fiasco at the pawn shop – I still don't see how stealing is bad if it doesn't hurt anyone. I've done good elsewhere though: refined my patrolling techniques a bit and found trouble to stop. Earlier just this evening I stopped a stabbing and then later helped a lost person with directions.

But with the falling night, the city gets quieter: businesses shut down until tomorrow, people go home, and the city rests. I sit on top of a BcDonald's, snacking on some cold sandwiches I lifted from the dumpster in the back. It's absurd how much perfectly good food gets thrown away, just waiting behind a lock for someone to eat – I'm not complaining though; it's free and easy food.

As I finish off my third hamburger, I hear a crash and a scream from not far away. I crumple the wrapper and take a searching sniff. The smell of blood and sweat is coming from a block away, and it's dense: someone is hurt. There's a familiar smell mixed in with it: Madame. I hop to my feet and move across the rooftops in that direction.

The smell is coming from a furniture store. It's closed for the night, but it's obvious something's happening, even irrespective of the smell of blood. A window is broken out onto the sidewalk and the glass shards frame a busted recliner, and there's someone posted at the door: a cape, costumed in a red bodysuit with green ribbons wrapped around him suggestively. There are a pair of knives strapped to his thighs and a pair of grenades on his waist.

He's not the only one here, but he's the only one outside; I can smell three or four more people in the building. There's something else in the air, like burning hair. Then, there's another crash and a scream from inside the building.

I step off the building, plant my feet on the wall, and launch myself across the street at the ribbon-clad man. Whatever is going on inside, he's part of it. He's not hurting anyone right now, so I won't hurt him much. Just a nick and he'll be down – I extend a single claw on my right hand.

A knife hits my shoulder in mid air, bouncing off my pelt without even trimming its treated hairs, and the ribbon man who threw it casually steps out of my path, avoiding my toxic claw by the smallest of margins – some sort of precognition or clairvoyance? Maybe a type of body sense?

I hit the sidewalk, roll once, plant my feet on the furniture store's exterior wall, and then jump at him again. He throws another knife at me and I bat it away before it can hit me in the face. I swing my claw at him and he dodges by an inch. I plant my feet rather than overshoot him again and claw at him again and again, and he dodges by a hair every time.

"That's neat," I say. "Is that precognition or clairvoyance? Or a sort of body sense?"

Instead of answering me, he cuts at my arms with his two knives – He has two knives? I could have sworn he only had two to begin with. I let him take a step back and gain some distance, and he throws a knife at my face again. I bat it away and watch as, even though a knife is thrown, the knife doesn't leave his hand.

"Oooh, duplication! That's super fun. There's a size and complexity limitation, right? Inorganic only, no doubt. How long does the stuff you copy last?" While still swiping at him, and while he still dodges and cuts at me, I spare a glance at where I knocked his second thrown knife. It's still there. "At least a few seconds. That makes sense. Oh! Are you part of a cluster? What's your third power?"

"Would you shut up already?" he says as he lunges at my face with his knife. I let it cut my cheek so I can grab his arm. He tugs and I hold fast.

"Sorry," I say. "Powers are neat. I'll stop now."

I sink my claws in, or at least I try to, but suddenly I'm not holding an arm. The knife he cut my cheek with falls to the ground and a paper-thin sliver in the shape of an arm slips my grip and the man backs away. His arm returns to its full proportions in space.

"Woah." I take a step towards him and he takes a step back. "So you can make yourself flat? It's kind of a shame you can't cut anybody with your edges. I wonder what that does to your insides."

I take another step toward him and he continues to back away. He throws another knife and I bat it out of the air.

"Listen, you little creep, you don't have any business here, so why don't you just head home. I'll forget I saw you and my gang won't have to hurt you," he says, trying to sound tough.

I shake my head. "I can't. Someone is hurt in there."

"That's not your business."

"Is too."

He tilts his head at me incredulously. I take another step towards him and he throws another knife. This one, I catch. It feels like a normal knife, if a bit slim and small. There's nothing even on it, just steel with rope wrapped around the handle for grip. It's weighted well, for throwing. Jack never used throwing knives. I pocket it for later examination and continue my pace at him. He takes a step back for every step I take forward. I could close the distance and try to claw him again, but I'm pretty sure he would just dodge, and even though I'm sure that I could keep it up until he tires, that's not what I need to do.

I keep stepping toward him and knocking away his projectiles, and then when we've moved far enough away, I abruptly turn and run the half-block back to the furniture store. I hear him curse and chase after me, but he's slower. I smash the door open and take in the scene inside.

Four or five people in the room, depending on how I count it. They're all together. A man dressed in brown and red with a yellow face mask holds a familiar girl: Madame, who stares at me with sunken, terrified eyes. Two more – a man with a comically large inflatable hammer, dressed in red pants with white trim, a white button up with green cuffs, and a tinkertech-looking visor, and a scrawny woman wearing white fur that practically hangs off of her emaciated frame – stand over Flintstone's body, and I only recognize it as such from the helmet and loincloth. He's either dead or close to it; his body is deflated and small, maybe five and half feet tall in contrast to his previous seven feet, his ribs are concave, his limbs are bent terribly, and there's blood staining the floor beneath him.

"Who the hell are you?" the small woman asks. "What happened to Ribbon?"

"There is no need for that sort of language," I tell her with a glare.

"Shut the fuck and answer me," she snarls.

"'Shut the fuck'?" The man holding Madame snickers. "Nice one, Ab."

"Go to hell, Nut."

The door bursts open behind me and I step out of the way. "Watch out, I–"

"That's enough, Ribbon," the man with the hammer says. "We're aware."

"Sorry boss," Ribbon apologizes, audibly cringing. Despite his earlier enthrallment with knife-throwing, he doesn't attack me. He's waiting for his boss's order.

"God, Rib, get it together," Nut teases.

"Fucking worthless," Ab mutters.

"Chestnut. Abominable." At the boss's word, the two thankfully fall silent. He says to me, "You're intruding, and you're not welcome here, whoever you are. I'll give you one chance to turn around and walk away, otherwise you're gonna end up like these here thieves."

He lets the inflatable hammer fall off his shoulder and onto Flintstone's body, and it falls with disproportionate speed and weight, splattering into his head and sending organic matter everywhere, like jello dropped from a roof. If he wasn't dead before, he is now. Not even Panacea could fix that. Drat.

Madame is shivering but barely struggling, limp in Chestnut's grasp as she stares at Flintstone's body. The man with the hammer lifts his inflatable hammer from the body with barely a squelch and not a sliver of effort. It must be tinkertech, like his visor. I want to ask about it and figure out his specialization, but I need to focus on what's important. Flintstone is definitely dead, but Madame's not, and she hasn't hurt anyone. From what I saw of her power, I'm not sure she can hurt anyone; she'd have to get creative, at least.

"Okay, I'll leave, but I'm taking Madame with me," I say.

The boss inclines his head. "You don't get to make demands, little boy. This isn't that sort of situation. This one here"– he points his hammer at her like it weighs nothing, and I'm leaning toward thinking he can manipulate its weight –"thought she could steal from us. So why the hell would I let you have her? Unless you're wanting to kill her for me," he jokes, and Chestnut snickers at it.

"Is stealing bad?" I ask. "Either way, she didn't hurt anybody, so she shouldn't die, I think."

"That's not your call, little boy," Chestnut taunts.

The boss sighs. "I guess we're killing two kids tonight. I need a drink. Take care of him."

There's half a pause, and then Chestnut starts to smoke. Madame falls from his grasp and crumples to the floor, and a moment later an explosion sounds as he's flung bodily at me. I juke left and swipe at him with an outstretched claw – if he's coming to me so readily, I'll make it quick – but as I make contact it's like trying to cut into Crawler.

My arm is thrown away, painfully, though it thankfully remains in its socket, and Chestnut continues past me and through the wall. I'm sent stumbling, and before I can regain my balance, something has hit me in the back – It's Abominable, by the size of the hit: fist, not hammer. She sends me stumbling further and I roll with it, literally, letting momentum carry me heel over head and back upright onto a couch.

Another explosion sounds, and I leap out of Chestnut's way. He smashes the couch I was on, and then two others before stopping. He's steaming. Abominable is in my face and then ducks, and I barely catch the knife before it hits me in the eye.

"Her face is vulnerable," Ribbon calls.

"Everywhere's vulnerable," Chestnut laughs before exploding himself my way again.

I throw myself out of the way, but he stops short, and I have barely a moment to wonder why before I catch Abominable's foot with my jaw. I land in a table and blink away splinters. I catch another knife thrown at my face and fling it at a smoking Chestnut who explodes a few feet forward and sends it flying. Does he have to charge his power? Impacts don't arrest his movement, so there aren't many other reasons for him to not have continued on at me.

I block Abominable's punch, but it still sends me through the table. She's strong, but there has to be another facet to it. In my life of studying parahumans, I've never seen a power as simple as pure strength; there's always something else to it, whether that's the mechanism behind the strength being flexible beyond that sole use or the strength coming with conditions.

Still, whatever the trick, mechanism, or condition, she's not strong enough right now to break my bones, and only maybe strong enough to hurt me with the right shot. She's an annoyance, but not a problem.

I pull myself to my feet, grab a chair, and fling it at her. A knife hits me in the shoulder, thrown from a couch and a bed away, and it's reassuring that Ribbon doesn't seem to have parahuman aim. The chair hits a wide-eyed Abominable and knocks her over.

I don't have time to see whether it did more to her, as an explosion sounds from behind me and all breath is driven from me as Chestnut impacts me bodily, breaking a pair of beds with me. I hadn't realized that mattresses could hurt. I continue limply off of him and onto a broken couch when he comes to an abrupt stop.

"Well look at that. He's still in one piece," he calls out.

"Damn. I knew she was tough, but…" Ribbon trails off.

"Why do you keep call him 'she'?"

"Because she's a girl?"

Chestnut looks down at me, where I'm laying still. "You sure about that? I've never seen a girl this ugly."

"She's one of them monster capes, dumbass."

"Would you both shut up already?" Abominable asks.

"Oooh, someone's getting hangry. Little too late, don't you think?" Chestnut laughs. "Alright, boy or girl doesn't matter – It's dead."

"You sure about that?" Ribbon asks.

"Am I sure? I hit him head on, of course I'm fucking sure! Nothing lives that."

I sink my claws into his thigh as he laughs, and he stumbles away, tearing his flesh further as he tries to escape. It's too late, the toxin is already in him. I pull my aching self to my feet, and he screams as he falls, crippled though not bleeding. He's hallucinating now, increasingly terrified by every stimulus. I based this toxin off some sativa I found at a gas station. He starts to smoke, and then explodes away, through a wall, washing me with a breath of hot air.

He cracked two of my ribs, bruised me mightily, and sent my head spinning for a moment, but I'm fine. He would have been dangerous if he hadn't assumed I'd died to the single hit; past success must have left him cocky, but I'm built different. My body was hand crafted by one of most renowned and infamous tinkers on the planet. My body is the culmination of months of dedicated and meticulous work, backed by most of a decade of experience and knowledge.

Fighting as a brute is weird though, and fighting alone is weirder. I usually have backup in the form of mashups, family, or spider boxes at the very least. But I'm alone here and now. I have no one to rely on except myself, and as terrifying as that fact is, I know I can do this. This is the path I decided on, and I'm sticking to it. These people don't scare me. I just need to make sure I don't kill them.

"What did you do to him, you fuck?!" Abominable screeches. I see she's bruised and scratched from the chair I hit her with.

"Your language is so rude!" I yell back. "And he's fine, he's just scared."

A distant explosion punctuates my statement.

She runs at me, fist cocked back in an obvious punch and I duck it to prick her with a paralytic. She has no parahuman durability, and judging by how she immediately trips and falls face first into the same broken couch Chestnut dropped me into, she has no regenerative or fortifying power either. Weird. I'd love to see how her power works, but I won't have a chance to take her apart with her companions still here. Ribbon is going to be a pain to put down with how well he can dodge, I'll have to get creative. Maybe I can free a hand and use the sleeve as a third–

I'm pressed to the floor by a sudden pressure from above.

"God dammit," comes the boss's gravelly voice.

I force my head to turn so I can look at him. He has a tinkertech gun pointed at me, bright green, with a dozen knobs and switches along it's barrel. Is that what's pushing me down? Must be. Madame is at his feet. New blood stains her dress, and her hands are planted on the ground. She struggles as if to lift them. He must be able to affect gravity or maybe air pressure in some capacity with his tinkertech.

"I just wanted to have a quiet night at the bar," the boss says. "That's all I wanted tonight to be. But no. Stupid kids keep messing with what's mine or interrupting, so I have to put off my own damn life to take care of things. It's ridiculous. I hate to do it, but you damn kids just won't let me drink in peace, will you?"

I pull my arms to my body as he talks and start to push up against the pressure. It's not easy, and is definitely a stress test for my body. I'm superhumanly strong and lack the internal limiter that animals have on their muscular systems to prevent tearing. When someone is tased and they get flung across a room, that's not the electricity doing that, it's their own muscles' involuntary flexing that sends them flying. Normally, people can't repeat that voluntarily. Their nervous system doesn't let them, as it would tear apart their tendons and even break bones.

"And you dumbasses!" he addresses his crew. "Don't think I didn't see your piss poor job 'handling' this brat. You wrecked half the store chasing him around and wrecked the other half getting your asses whooped. We'll be having words later, believe you me. Ribbon, would you quit fucking hiding and take care of him already? Little bastard's getting up."

But my bones and tendons are strong enough to handle one hundred percent of my muscles' strength, even enhanced as they are by my own tinkering. I don't have the same limits, and I'm not going to be put down by a few extra atmospheres of pressure. I won't go down now because I can't go down now – I couldn't tolerate myself if I can't save Madame and do something good for once in my life.

I bring myself to my hands and knees and ignore the knife that scrapes along my cheek. It cuts skin, but not deeply. Ribbon throws another, and it nicks my forehead with a rivulet of blue-green blood. Again and again he throws as I push myself up, and when one knife gets lodged into the seam between my hood and my neck, I realize I'm not noticeably heavier for it, which means that the boss's tech isn't increasing gravity around me, but affecting the air on top of me, making it press down on me. This combined with the varying heft of his hammer must mean his specialty is density, possibly limited to air. That's powerful, versatile, and very cool.

"Ribbon."

"I'm trying, Toymaker, but my knives aren't doing anything. I figured you wouldn't want me to use grenades in here."

The boss – Toymaker – groans. "Just hold this. Keep it pointed at him and don't touch any buttons." He passes the gun to Ribbon, who obeys, and then picks up his inflatable hammer and starts towards me. "I have to do everything around here," he grumbles.

I'm on my hands and knees, and I can inch forward, but I'm not under the illusion that that means I'll escape like that. I… Fiddlesticks. I didn't want to use aerosols. I wanted to keep myself limited to just my claws and bodily enhancements, to better sell the separation between Bonesaw and Bearclaw, but at this rate I'm not sure I have another option. Toymaker probably won't be able to kill me, not easily, at least, but there's nothing stopping him from beating me down, killing Madame, and then leaving me here with their bodies. He might even call the PRT on me, and they would definitely kill me with a concerted effort when they realize who I am, and I'm not ready to die yet, not while I still have so much to–

I hit the ceiling, suddenly unburdened by the air, sent flying by my straining muscles, and a moment later I fall back down. Mid-fall, I see Madame swinging a chair at Ribbon – He's turned the tinkertech away from me. Furniture groans and creaks where he points it. Toymaker snarls and yells at him,

"God dammit! Get your act together and–"

He doesn't have time for more as I hit the ground and bounce his way, claws outstretched and coated in a fast-acting paralytic. He swings his hammer at me like a batter at a baseball, but this baseball has claws, and I grab hold of the hammer, sinking my claws into his weapon – it's decidedly not inflated, but just looks that way; it's solid on the inside – and let him carry me along on the swing.

I disengage at its conclusion, leaping off of it at Ribbon, who ducks my claw and gets a wooden chair to the face for his trouble, courtesy of Madame. He goes down, and as I run back past him to re-engage Toymaker, I draw a thin line in his flesh, downing him.

Toymaker swings his now-slightly-sparking hammer at me and I swing a hook at it, head on. Metal meets meat with a snap-crunch, and meat loses. I can feel the bones in my hand and wrist getting slid out of place as tendons snap and everything loses tension. My bones don't break, but that's little consolation as my hand and claws are rendered useless. I turn off my pain.

Toymaker's hammer keeps going, smashing into the floor and pulling him off balance by a step. He tries to lift his hammer, but it doesn't budge – It must be stuck in high-density. He's out of weapons. I'm not. Dodge as he may try, it's not enough to evade my left paw's claws for more than a single swipe. He drops from a cut across his shoulder.

I stand over him. His group is down or gone. A short laugh escapes me, and I couldn't say why. It might have been a release in tension after my first actual fight as Bearclaw, or relief at the win, or the realization that these gangsters are Christmas themed. It's all so silly, and now she has three parahumans to work with.

She lets out another giggle. There are so many powers to play with, and they all already come with a theme! It's been so long since she's made any art, and the ideas buzz in her head like the hazy drone of a swarm of locusts: Christmas tree bones and tinsel made of meat, duplicating baubles of impossible weight, branches that break in a snap-shut trap! And that's just preliminary ideas! She's sure she'll have more in mind after she actually takes the time to dig into them and figure out the intricacies of their powers: Abominable especially, her power's such a mystery.

A shoe scuffs the floor and Bonesaw's head snaps to attention. Madame freezes. The fancily dressed girl stares at her, swallows, and then forces her shoulders back and her back straight.

"Thank you for the assistance, though it wasn't necessary," she says in a forced-steady voice.

"It wasn't?" Bonesaw asks casually.

This is weird; she's not running or even that scared of her– of me. Me. I blink hard and take a step away from Toymaker's downed form. I can be better. I can do better. Better means not messing around in people's guts and heads no matter how fun it is and how much I so so sooooo want to know their powers. Better means accepting that I might never figure out the passengers, which is almost enough to bring me to tears. Even still, I force myself to turn away from the helpless, intriguing meat– people on the ground.

"Of course not. I had everything well in hand. Still, thank you."

I look over at Flintstone, who is definitely dead. No resurrection or regeneration for him, not with how his body hasn't moved since his head was squished. "I'm sorry for your loss. That sucks," I tell her because that's the thing to say in these instances, I think. That's what Jackson told Kial when his cat got hit by a car.

She follows my gaze and barely fails to repress a shiver. "Thank you. He… He will be missed."

A silence stretches between us.

She breaks it. "So. What now?"

"Uh." I look around. The fight is over unless Chestnut reappears, and the fear toxin shouldn't wear off for a while, so that's unlikely. "What do you mean?"

She flexes her hands, bereft of rings now, and winces. Her left middle finger is already swelling and looks to be broken. "What are you going to do now? Are you going to stop me? Are you going to call the PRT?"

"Oh! Fiddlesticks, yes, that's something I should do, isn't it." I pull my phone out of my pocket, but it won't turn on. I remove its casing. It's broken and the battery is loose. I ask Madame, "Can I borrow your phone?"

She licks her lips and then hesitantly retrieves her phone from a thigh strap under her dress. She tosses it to me. I catch her phone out of the air. I thank her, and then call Wolfgang's number.

"How did you get this number?" comes the hero's no-nonsense voice after the second ring.

"You gave it to me."

"Bearclaw? Did you get a new phone?" His voice has lost its edge. He sighs tiredly.

"Mhm. I'm using Madame's," I tell him.

"Madame? Why are you with her? Are you okay?" he asks, edge re-engaged.

"Oh yeah. I've got couple broken ribs and some cuts and scrapes, but nothing to worry about. My hand is kind of mangled, actually, but I'll be fine."

"What?! Stay on the line; I'm coming to you. And don't let Flintstone hit you again, he doesn't have a record of violence but he's even stronger than he looks and you need to be careful."

I look at the smear of a body that was once Flintstone. "He's dead actually."

"What?! Bearclaw, no…" Wolfgang sounds heartbroken.

"I didn't kill him!" I deny. "He was like that when I got here. Mostly."

Madame makes a disgusted sound and walks over to me with her hand outstretched. "Give me the phone. You are doing this all sorts of wrong."

I hand it over to her.

"This is Madame. Bearclaw has assisted me in bringing down the Misfits after Toymaker killed Flintstone. All of the Misfits except Chestnut are– Hold on." She turns and asks me, "They're not dead, are they?" I shake my head. "They're incapacitated in the Grant Home Furniture store on Second Elizabeth street. You're welcome."

She hangs up.

"What kind of hero are you, that you don't even know to call the cops? Is this your first fight or something?"

"Uh. Kinda?"

"Wha– Seriously? This was your first fight?"

"Yes." It's not entirely a lie. It's my first fight as a not-monster.

She looks around at the wrecked store and three drugged-into-unconsciousness villains. She lets out a laugh.

"It's not that funny," I tell her. She only shakes her head.

"You are a fucking riot."

I frown. "You really shouldn't use language like that. It's rude."

"What are you, twelve?" she asks.

"I'm thirteen." Then, belatedly, I remember to add, "I think."

She lets out another laugh. "You're a vigilante and you can't handle the f-word? My knight in furry armor might be more innocent than I thought." She winks at me.

I frown. "I don't know about that. I wouldn't say I'm exactly innocent."

She tilts her head at me. "Oh? Are you a bad boy, then? I should have known, the way you're running around late at night without supervision."

I frown deeper at her calling me a bad boy. It feels weird, like a reminder of my past in general and my time as Aron. "I'm not exactly a boy."

"That's fine. A bad girl as handsome as you is just as fun."

I make an uncomfortable noise and shudder at the Bonesaw of it all. "Not really a girl either. I'd really like to not be bad also. I'm trying to be good. But not a good girl."

"Oh. Okay." She shrugs. "Well, you're still handsome in an exotic, furry sort of way. Very chic. Tell me, is that real fur?"

I blink. "Wait, are you flirting with me?"

She shrugs and smiles coyly. I find myself blushing, and absently wonder how that looks with my skin tone and the blue-green blood I'm sporting tonight. I think this is the first time someone's flirted with me, and I'm not entirely sure how to handle it. I can't ignore it, not after asking her directly, and I'm not sure I'd want to – That's what Jack did with Shatterbird, when he wasn't playing with her for his own fun, and I don't want to be that. Best to head this off and let her down.

"Uh, listen, Madame, I'm flattered, I think, but I'm really working on myself right now. You seem nice – you haven't hurt anyone, at least, and that's good – but I don't think I'm ready to think about having a relationship like that."

She blinks.

"Sorry. Really, I am."

She blinks again, then rolls her eyes. "I'm just flirting for fun. It's not like I'd actually want a relationship with you. We only just met." She gives me another once over, overtly checking me out. "You are cute though. And sweet. I could see something happening, but not right now. It takes more work than a single rescue to win my heart."

"Oh. Good. That's a relief."

She hums and looks around. Her eyes linger on Flintstone's corpse for an uneasy moment. She visibly steels herself, then stands and walks past the body toward the back of the store. I watch her curiously. She ducks behind a counter and stands back up holding a backpack. She gives me a long look, swallows, and then slings the bag over her shoulder as she walks toward the exit.

"Walk with me," she says as she passes me.

After a moment, I follow her outside. I expected her to stop outside the store, but she continues on down the sidewalk. I jog to catch up and ignore the way my muscles pull against my broken ribs. I'll fix those and my knuckles when I get the chance.

"Shouldn't we wait with them?" I ask.

She shakes her head. "No. You're a vigilante. That means the heroes are expected to arrest you, same as Toymaker's gang."

"Oh. Hm." That follows what Wolfgang's been telling me about turning myself in, and things getting worse the longer I run.

"Now, you obviously don't know how things work. You've been active here for like a month now and only just got into your first cape fight, you can barely make a phone call, and you don't even know how to avoid arrest." She abruptly stops and pivots on her heel to face me. "I'll be blunt. You need help. I – the charitable and magnanimous being that I am – am offering you that help. You stick with me, and I'll keep you out of trouble. Sounds good, doesn't it? I'll even throw in a shower and a warm meal before bed tonight. Now, those flashing green lights down the street mean the PRT is close, so let's go back to my base."

Without waiting for me to answer, she turns back around and continues down the street and into an alley. I don't follow, not immediately.

She sounds like Jack, almost. She's manipulating me, or at least trying to, and it makes me want to cut her and leave. She can't be as well practiced as Jack – not unless her powers involve keeping her looking young – so it's obvious she wants me to replace her now-dead partner/underling. It feels scummy. Is that who she is? A scummy manipulator who uses and discards people? Jack's power seemed underwhelming at first too.

She reminds me of Jack, and that makes me want to rip her head off. But she's not Jack. I don't know her well, but she's not Jack. Bearing a resemblance to a shitty person shouldn't deprive her of a chance, should it? After all, I resemble Bonesaw but I'm giving myself a second chance. Pushing down the bad feeling, I move after her.

I catch up. She turns to look at me with a lofty smirk that disappears as soon as I grab her shoulder. She lets out a small hiss as I prick her with my claws. I don't let out any poison yet. She knows she's completely at my mercy – whatever her power is exactly, she used a chair instead of it when she attacked Ribbon, so there's a prerequisite for its use that I've historically avoided – but she does a decent job of burying her fear under an aloof and unimpressed look.

"What's the worst thing you've ever done?" I ask.

She stares me down. "Why?"

"Answer the question. And don't try to lie. I'll know."

She continues to stare me down. "I offer my aid and expertise to you while you are confused and unpracticed, and th–"

She grits her teeth and strangles a groan as I sink my claws in another millimeter. "I am trying to be nice right now," I say as evenly as I can. It's not very even. "It would be very helpful if you would answer me."

She swallows. She pushes her spine as straight as it will go with me holding onto her. She's taller than me, by two inches.

"Fine," she spits. "You want to know what the worst thing I've done is? I brought a boy home to my daddy. I knew he wouldn't approve, but I did it anyway. He didn't even tell me to. I knew Daddy would ruin that boy, and he did. He destroyed that boy from the inside. Last I heard, he got moved to an asylum, but even that can't help."

I blink, caught off guard. From what I can tell, she's not lying, but… "Is that it?"

She smirks. "My daddy was Heartbreaker."

With that declaration, she reaches a glowing hand up and grabs me by the face.

I ignore it. She's Cherish's sister. I only knew her for a couple months, but that woman was as messed up as they come: arrogant, entitled, joyfully mean, kind of stupid. She tried to brainwash the Nine, for peat's sake. Still, Madame isn't anywhere near Cherish's level of messed up. For one, the worst thing she did was something someone else did, and even so that only affected a single person. Madame is like a smaller, less angry, less stupid version of Cherish. She seems to be about the same amount of entitled and arrogant though.

"Is that really the worst thing you've done?" I ask.

Madame's smirk falls and she swallows. She's more open with her fear now that her power has proven ineffective, but she rallies and buries it. "You know who Heartbreaker was, don't you? You know what he could do?"

"Yeah, of course," I say. "But that can't be the worst thing you've done. There has to be something more. Haven't you ever killed or mutilated anyone? You've never eaten a baby in front of its mother? Or cut someone's legs off and left them in the woods to try to crawl to safety while covered in predator-attracting pheromones? You've never forced someone to kill their family? Never psychologically tortured someone for days? You've never made someone trigger? Anything?"

Madame shakes her head through all of my questions, her eyes getting wider and her shivers more pronounced as I go. I think I might be legitimately scaring her.

"Huh. Sorry, I guess."

I release her shoulder and she stumbles back against a wall. One of her hands presses against it and comes away bloodless, and she stares at it in confusion.

"One of the things my claws can excrete is a coagulant. You won't start to bleed from that for about an hour, and by then it should be safely scabbed over," I explain. "It's good that you haven't done anything that bad though. Let's keep it that way."

She stares at me and swallows. I start to rock back and forth on my feet.

"Sooo," I say. "You said something about a base? I could use a shower, and it's been a couple days since I last ate."

Her eyes drill disbelieving holes in me. They slide past me and to the mouth of the alley. I can't smell or hear anyone there; Madame's pondering running. I frown – I didn't mean to scare her that badly. I just wanted to make sure she isn't like Jack. Before I can decide whether to clarify, Madame straightens up and clears her throat.

"Fine," she says. "Let's go. But just so you know, it's very rude and unbecoming to handle a lady like that. You won't do it again."

"Your voice is trembling."

"Shut up."

I follow her to her base.
 
past success must have left him cocky, but I'm built different
Lol

This was really nice. Love that BC made a friend. Wolfgang continues to be a sweetheart, he definitely cares even though he's had to put up with so much bs.

I do wonder who the intro text has been told to. I wonder if we'll meet the person eventually and they'll be called you in the narrative? Presumably it's someone we'll see in the story soon, given they remember Madame. I'd say probably Wolfgang, absent anytime else?
 
Madame: Well, Flintstone died, so I guess I'll have to get myself a Care Bear.

Bearclaw: (oh great, Cherish Jr. I guess this is my own fault for stumbling into Canada, isn't it?)

Seriously. Can't get away from these dang Canuck Capes. The reveal for Madame was really good, and a solid capstone to a great chapter. I was expecting her to be more of a Damsel small town loser villain type, but it turns out she's... basically stealing Regent's schtick, lmao. I can only imagine his (extremely subdued) exasperation at how unbearable all his stray siblings are.

I'm kinda feeling like they're gonna bond over both being weirdly sheltered because of oppressive patriarchal figures who ruined their childhoods. Big doubts on Riley ever telling Madame that Riley has met Regent before, and definitely never telling her about Cherish.

Oh, and a Christmas themed gang? Bruh, that sucks so bad. Taking them off the streets was an act of true heroism and a public service.
 
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chapter 22: Are we Friends now?
"I hadn't been around so many other parahumans before without, you know, doing stuff to them. It was, and still is, kind of weird and surreal – in a good way – to be Just Another Parahuman."



I seal the incision on my chest and relax, letting the hot water beat down on me. It's been too long since I've had a hot shower, and it's nice to just be for a moment: well worth the wait for Madame to shower first. I breath deep the steamy, humid air and pay attention to how it stretches my ribs. It doesn't hurt, and nothing catches or tugs unduly. My work is good; they're fixed back into place, same as the bones in my right hand. The shower has long since washed away the bits of blood that stuck in my hair and on my face.

I hear the door open and close, and smell food a moment later. I turn the shower off, dry myself, and redress in just my shorts, leaving my pelt off; if I'm eating, hands are better than paws. Upbeat music in an unfamiliar language begins to play as I exit the bathroom and join a maskless, uncostumed Madame in the spacious den, where she has set out a few Chinese takeout containers.

Madame's dressed in a pair of tight, white jeans and a sparkly green top, with a tight band around her neck. Her hair is down, but instead of the hairband she wears while in costume, she has a pair of berets keeping it out of her face. Her broken finger is mundanely splinted. She does a double take at the pelt in my hands.

"What?" I ask.

"That's a coat?" She sounds more confused than she should be.

"With mittens," I tell her happily as I hold up a paw the size of my head.

"Huh." She shakes it off. "Well anyway, you didn't tell me what you wanted, so I got a spread. There's beef and chicken chow mein; vegetable, chicken, and beef lo mein; shrimp, veggie, and chicken fried rice; and sweet and sour chicken, but that one is mine."

"Thanks," I chirp. "It smells good."

I drop my pelt into a chair and grab the container that smells like shrimp as I sit. I tuck in, and it is delicious. It's the best food I've had since Mannequin left, but he never made rice. A moment later, Madame sits and starts in on her sweet and sour chicken. We eat quietly, and as I move into a second container, this one full of noodles, Madame breaks the silence.

"So what's your deal?"

"Hm?" I ask, mid-slurp.

"You're a hero right? Or a vigilante or whatever?"

I nod and finish my current strand of food. "Trying to be, yeah."

"Why? You just woke up one day and said 'hey you know what would be fun? Obeying all the laws'?"

"Well, no. I don't really know what the laws here are. I'm pretty sure I broke some on my first night doing stuff too. Wolfgang keeps trying to tell me to turn myself in."

"Wait seriously? What'd you do?" She leans over, intrigued.

"I… Gosh I'm honestly not even really sure. I thought I was helping, but Wolfgang said it was bad, but I don't think it was bad, even now."

"Okay. But what'd you do?"

"I clawed open a guy's chest because he hit his wife."

She blinks. "And the heroes got pissed at you for that?"

I nod.

"That's stupid. The fuck?"

I cringe. "Can you please watch your language?"

"Oh désolé, petit enculé. Est-ce que c'est mieux?"

"Non."

She snickers at my glare. "Sorry. But seriously, what's the big deal?"

I open my mouth to explain how rude it is to speak like that with a child in earshot and… then I close my mouth. I'm thirteen. I'm hardly a child anymore. I'm a bonafide teenager. My frown deepens. Even without the reason, rude words rankle.

"I don't like it," I finally say.

She raises an eyebrow, then shrugs. "Okay. I'll stop saying the fuck word."

I growl, but try to let it go. "Thank you."

"Back to it: why do you want to be a hero? What's your deal there?"

"I already told you; I just want to be good."

She appraises me as she bites into and chews a sauce-dunked chicken chunk. She points her chopsticks at me and swallows. "So, you're like an anti-hero. That's cool. Very cool, actually. Fit's your whole uh"– she gestures at me with her chopsticks –"look."

"Thank you?"

"Mhmm." She chews her lip thoughtfully. "Alright then."

She declares it, but what 'it' is, I haven't the faintest clue. "Alright then… what?"

"We're anti-heroes now: you and me. I fell into villainy out of convenience more than anything else, honestly. There weren't really any other options unless I joined the PRT like Samuel, and since I personally enjoy being able to go outside without asking fifteen different people for permission, that wasn't going to happen. I've had more than enough of that." She mutters the last sentence under her breath, like she didn't want me to hear.

"So… You want to do good with me?" I ask. "We're going to be a team of good guys?"

She shrugs. "Sure, why not. However, I do have a standard of living that I'm used to that I will not be giving up, and if this anti-hero thing doesn't bring in enough dosh to keep with it, we're going to have serious issues. Also I don't know whether a duo makes for a 'team', per se, but if it does, we'll need a name. How about… Apex? No, that's too generic. The Besties? That's even worse. Beauty and the Beast? Wait no, definitely not, Disney would definitely kick our asses."

"Hey. You just said you would stop using bad language," I fuss.

She balks at me. "I can't say 'ass'?"

I shake my head at her, frowningly serious.

She groans. "At least let me get it out of my system? I didn't know I'd have to give that one up too."

I purse my lips, then sigh. "Fine."

"Ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass."

She stops, and I hope that means she's done, but it's just so she can catch her breath before starting again.

"Ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass ass–"

"OKAY THAT'S ENOUGH!" I tell her as the table splinters under my white-knuckled grip.

She stares at the break and the splinters. She bites her lip. "One more and then I'm done."

I say nothing.

"Ass." She's grinning wide. "Okay I'm done."

I take a deep breath. "We're not doing that for all of the bad words."

"Sure, I had my fun anyway," she says with a shrug. "Since we're teammates now: introductions! My name is Chastity, I'm fourteen years old, and my favorite color is the blue of the moonless night sky in the countryside. Your turn."

"Uh. I'm… Bearclaw? I don't really have another name. Should I get one?"

"We can figure something out," she answers, waving it off. "Keep going."

"I think I'm thirteen, but I already told you that. My favorite color is…"

She raises a brow at me, silently questioning my pause. I don't have a favorite color prepared, certainly not something as detailed as a blue, moonless sky. Blue is nice, but so many of my dresses as Bonesaw were blue or yellow, and that kind of left a bad taste to those shades. I try not to think of red. When I decided to pose as an amnesiac, I didn't realize I'd need to prepare these sorts of details for my cover.

I glance at my pelt. "Brown?"

"...I probably shouldn't have expected much more from a monster cape," she sighs. "Oh well. We'll go shopping sometime, figure out what you like and all. You've never gone shopping, have you? Wait, please don't tell me the coat and those shorts are the only clothes you own."

"Okay."

A beat of silence before she sighs. "You wouldn't happen to know how to do laundry, would you?"

Not without copious amounts of homemade chemicals and enzymes. I shake my head.

She stands. "Alright! Goodie. I'm going to get you some more pants and a shirt from my closet, you're going to put them on, and then I'm going to burn those shorts – Wait no, we'd better toss them instead. I don't want to risk inhaling the fumes."

"But I like these shorts."

"They're disgusting. They have to go. They are stained to hell and–"

"Hey."

She blinks, and then her face screws up. "Hell isn't even a bad word!"

"Is too."

Her face twists further into disgust and offense, like she was just sprayed by a skunk. "Fine. I'll stop saying hell if you let me get rid of those shorts. Deal?"

"You already said you'd stop saying bad words though."

"Yeah, and hell isn't a bad word. So, deal?"

"Fine, deal." Even if they are nice shorts, they have gotten kind of grody over the last month. Well worth getting her to stop saying bad words.

Chastity leaves and comes back a minute later with some khaki capris and a pink polo shirt. She tosses them my way.

"Thanks," I tell her, more because it's something to say than because I feel thankful.

She shrugs. "What are friends for?"

I blink and my mouth opens, but for a moment nothing comes out. Finally, I ask, "We're friends?"

"Friends, partners, coworkers: whatever you want to call it." She's brushing it off, but the term still wriggles weirdly in my tummy, warm and unsettling.

I nod, having nothing else to say, and then escape to the bathroom to change into her clothes. I run my fingers over the fabric. It's soft. A little ill-fitting, but it's nice. I make for an odd sight in the mirror, as my currently green blood-lines clash with the pink of the shirt. Flexing an internal muscle, I release a chemical into my blood stream to slightly alter the makeup of my hemoglobin. It's purely a cosmetic change – the effects on its oxygen-carrying efficiency are negligible – but it's definitely cool to watch as the green lines that criss-cross my skin like a system of endless tributaries begin to run pink instead of green, matching Chastity's shirt. I smile at myself.

I return to the dining room and toss my old shorts in the trash can at Chastity's request, then sit back down to finish eating. She rejoins me, though she's mostly finished with her meal.

"So…" I start.

"Hm?" she prods.

"I don't really know how to ask, but. You offered to help me?"

"Yep."

"Is this it?"

She raises an eyebrow.

"I appreciate the shower and the food and the clothes, but is that all?"

"Oh." She laughs a little. "No, this is barely even anything. No, the help I'm offering is much more substantial than this."

"Okay? I'm listening."

"First off, you're okay with meeting villains, right? Like, just being around some isn't going to make you go all claws out?"

"I'm with you, aren't I?"

"Good point. Just wanted to make sure. Second, how willing are you to do jobs for said villains and other, unsaid non-villains?"

I narrow my eyes at her. "That depends on the job. I'm not going to hurt people unnecessarily or do anything bad."

"Good enough. Then I know a great place where we can go for some info, maybe find a job or two worth doing, and introduce you to the city's players."

"Why do we need to do that?"

"Correct me if I'm wrong, but until now you've just been aimlessly wandering town around until you stumble across stuff, right? Patrolling, I think the heroes call it," she says dismissively.

I hesitate, but nod.

"Well, that was your first mistake. Patrolling randomly doesn't do jack sh– squat."

An image of Jack somehow needing to squat to use his power crosses my mind and I shake it away. It's uncomfortable for many reasons.

"If you want to 'do good' or whatever, you need to cut out the middleman. Instead of wandering around until something falls into your lap, you find a cape club and see if anyone has a job worth doing. That's your best option unless you know where to find trouble, and the jobs are more reliable. Could be something as simple as posing as muscle for a meetup, stealing something for somebody, or if you're really good, taking down a rival. I think you'd be good at that last one."

"Thanks, but that sounds like hurting people."

"We'll only hurt bad people if that–"

"No."

She blinks.

"I'm not going to hurt someone unless they're hurting someone else. I don't know enough about good and bad to judge anything else."

She clicks her tongue and frowns, but concedes. "Alright, no headhunting. Still, plenty of stuff we can do, and now's the best time to do it. Well, day after tomorrow is the best time to do it. That should give plenty of time for news to spread that we took down the Misfits. We'll be the hottest girls in town when that news breaks."

"I'm still not a girl, but okay. I'll try this out with you."

She grins and holds out her hand for a handshake. It doesn't glow. I still don't know what her power does, or much of anything about her, but she's not too bad and harmless enough. I take it and shake it.

"Oooh, soft hands," she coos. "Do you moisturize?"

"I don't think so? The inside of my paws are moist, I guess."

"Oh." Her grin turns brittle and she lets go. She tries to be sneaky as she wipes her hand off on her pants. "Okay. That's cool."

I chew on my cheek for a moment, and then decide to just ask, "Can I ask you something? About your power?"

"Sure, as long as I get to ask you about yours."

I grin. "How does your power work? What does it do? I know it does something to put people into a catatonic or emotionally distraught mode, but how does it activate? What are the conditions? You've tried to use it on me a few times now, so there has to be some conditions to its use that you're not aware of until you try, right? Otherwise you wouldn't have tried. Are you limited to only that one mode of distress, or can you inflict other emotional states? It is an emotion-based power, right? I'm assuming so, because you're Heartbreaker's daughter, but I might be wrong. I suppose it could be an oblique body control; I know at least one of his children got body control. How long have you had your powers? Also is that the only aspect of your power? The distress? Or is there more? It's kind of odd you can't sense whether your power will work or not, I'd typically expect to see that in a power like yours, but that you can't is fascinating and makes me think there might be more to it. Is it just your hands that it channels through, or can you use other parts of your body? And what was with your glowing fingers back at the pawn shop? Was that a– OH! It was a marker! Two people downed, two glowing fingers, two uses of your power: right? Does something happen when you get to ten? Are you only limited to ten, or can you do more? Do your toes start glowing then? Does your power get stronger or weaker at that point? I'd be surprised if it stayed the same. I'd be more surprised if you were limited to just ten uses though."

Chastity stares at me with wider and wider eyes as I bombard her with question after question, but eventually she cuts me off and says she'll answer me, one at a time. We talk for hours. Her power is to touch someone and instill a sense of "distilled defeat," as she puts it, but it only works if the target thinks she's better than them; the greater the assumed difference, the harder it hits and longer it lasts. There's also a sort of backlash, where if her defeated targets see her brought low while under her power, they're released and she'll suffer some sort of backlash, though she's uncomfortable to elaborate on it. She also has a clairvoyant sense of bodies within arm's reach, which probably explains why she was so confused about me being able to remove my cloak.

In turn, I tell her about the powerset I'm using. Though my fingers itch to see the physical expression of her power, it's nice to just have a conversation with someone else.



…?​



The 'neutral space,' as Chastity named it, isn't what I expected. Honestly, I'm not entirely sure what I did expect – the Nine hadn't attended any meetings or been invited to the table with anyone since before I joined, and the closest I'd ever come to a non-hostile meeting were one-on-one recruitments – but it wasn't this. It's distantly loud, the sound of music thumping through the wall. The building is divided, with an actual bar and nightclub taking up most of the space, and this smaller room set aside for capes, complete with a separate entrance and everything.

The cape room is dimly lit. On one wall is the door. The adjacent walls are lined with booths, and the opposite wall has a bar. Glass of some sort extends from the ceiling to the bar, with holes between to exchange the drinks and such. It reminds me of a convenience store. There's some space in the middle or the room, enough that the owners could set up two or three tables, but it's empty instead.

A few booths are occupied. In one is a pair of identically dressed parahumans; it's striking, because other than their burgundy and slate costumes, they look nothing alike; one is large, soft with fat but dense with muscle beneath, and the other is almost phasmid in appearance, he's so tall and thin. Another booth is occupied by a single man in his early twenties with a green army coat and an opaque gas mask with an attached straw that he uses to sip at his ochre drink. A third booth, on the other wall, has either a changer or a case fifty-three – deep purple, slightly steaming and almost liquidy, with teeth or eyes occasionally appearing on the surface of their skin for a moment, and then falling back below – and two girls in their mid-teens, both with dark skin, one with large hair and a muted clown costume and the other with braids and a deep green robe.

The fourth booth has a familiar face at it: Chestnut. He's talking to three other costumed parahumans. One is a heavyset man dressed in a black shirt with a patter of white lightning across the chest and a matching porcelain mask over his whole face. Another is a woman in a red dress with an open firefighter's coat over top and a scarf around her lower face. The third is a fit man dressed in a grey bodysuit covered in dark sworls.

Everyone's eyes flick to Madame and I as we walk in, sizing us up. None, however, make any moves of overt aggression – The closest anyone comes is Chestnut, who snarls at us as Madame leads us to a booth. She gestures for me to sit first, and I do. She takes the seat beside me.

The woman in the red dress asks him, "Is that the one?"

The man in black answers in Chestnut's stead. "Yep, that's Bearclaw."

"We won't have to fight him for the job, will we?" she asks.

Chestnut turns his body back to his group but keeps an eye on me. "Should just be Protectorate, but who knows whether he'll show up. That a problem?"

The fit man and the woman shake their heads, but the man in black says, "For what you're offering?" and leans far back in his seat.

Chestnut sniffs derisively. He nods his head and stands. The woman and the fit man in the bodysuit follow him out the door, leaving only the man in black behind. He watches Madame and I from his booth.

My eyes circle the room again. Even with three people leaving, there are still so many parahumans in the room: parahumans I don't know anything about. I can make guesses, based on costume and body language, but they would be just guesses until I see them in action or crack them open to peek at their secrets. There's so much to learn, and so much more to do that she–I have to hold myself back. I won't vivisect these people, no matter how pretty it would be to see them strewn up across the walls. This is a bar, so maybe I could make some sort of liquid dispensers? It wouldn't be hard to add some carbonation to make a sort of fizzy pop. Should it dispense alcohol as well as other things? It is a bar, so alcohol would be appropriate even though it's yucky and–

And I won't be doing any of that actually, because that would be bad and involve killing and/or mutilation. Which are things that I don't want to do, even though they're fun. Bad fun. No. Instead of doing anything bad-fun like that, I turn to Madame.

"Why are we here again?" I ask her.

"Because," she murmurs, just barely audible over the muffled music, "we want info so we can do hero stuff, and maybe a job if the right one comes around."

She told me that before we left to come, and again before we walked in. I frown. "Sure, but we're just sitting here."

"Be patient."

I sit back and try to be patient. Being patient. Just waiting. Waiting for something indeterminate to happen while doing nothing. I should have brought something: a novel, a coloring book, a toy, or something. I pull my hands out of my mittens to stop from further scratching the table, something I only just realize I've been doing, and Madame shoots me a curious look.

"What?" I ask.

"Nothing. That's just weird to see," she answer before returning her gaze to the bar.

Is she talking about her body-sense? I suppose with how the coat links into my nervous system, it would seem odd to her, that one sense says I'm suddenly much smaller and less furry than a moment prior. That she can sense me means I also can't tinker on myself inside the coat without tipping her off. Drat. Stinky phooie crap drat!

When an old man limps our way with a pen and notepad in hand, my attention is entirely and completely on him. Is he what we've been waiting all this time for? He's old, much older than a parahuman could be, unless he only looks old. But Madame said people aren't supposed to use their powers here, and if we do everyone will try to kill us immediately, so he's probably just actually an old man. It'd be stupid to risk death for a deception like this.

"What can I get you to drink?" he asks.

"I'll take a virgin rum and coke," Madame says with a smile. "No ice."

The man jots that down, and then turns to me expectantly. He wants my drink order.

"Do you have apple juice?"

He shakes his head. "No apple, but we do have pineapple, cranberry, and orange."

"Uh. I'll take pineapple juice then. That's like apple, right?"

He hesitates and makes an indeterminate gesture with his head and shoulder. "Not really."

"Oh. I'll try it anyway." He jots down my order as well, and just before he leaves I ask, "Can I also have that pad? And the pen? Please?"

He raises an eyebrow at me, but Madame makes an expectant gesture and he shrugs, tears the page with our orders on it out of the book, and passes me the supplies. He leaves.

"What do you want that for?" Madame asks me when he's gone.

I'm already doodling, my arms sticking out from under the hem of my coat.

"Oh. Well okay then. Just put that away when someone approaches. The right Thinker could pull a lot from just a glance, and I don't know everyone here."

I make a sound of acknowledgement and continue to doodle. I can't do what I want to do to these people, because that would be bad, but I can at least draw it and plan it, right? That doesn't hurt anyone. I sketch out, roughly and then in greater detail, what a drink machine of flesh would look like.

Something taps me on the shoulder and I shrug it off to put down more detail on how the amygdala should link to the kidneys for the best adrenal infusion. The kidneys would work as a shaker, and the amygd–

"Hey!" I say as a hand sets itself down on top of the page, preventing me from drawing more. I look up and see it's Madame's hand. I look further up and see someone – the parahuman in black clothes with lightning decor – is nearing our table. I blink, and then pull the pad off the table, remembering what Madame said earlier.

"Ozone. Nice to see you again," Madame greets.

"Madame. A pleasure as always," the man greets in turn. Ozone has a confident swagger and sharp eyes. Those eyes cut into me in a way I don't like. "And you must be Bearclaw."

Madame responds after a beat. "That's right."

"You know, you're quite the hot topic today. Feels like you're on the lips of every other person in here – at least, the ones I've talked to." He spreads his hands in a mild shrug, and I notice he's wearing fingerless gloves.

"Is your power touch range?" I ask. "Your costume makes me think it's electricity, or something that mimics it, so maybe it's a ranged power and you're avoiding the insulation? That would be weird though. Unless: did you trigger nude? Or–"

"Bearclaw," Madame hisses. She's digging her heel into my foot. She looks mad. Ozone looks upset too.

"What?" I ask looking between them.

Madame takes a breath and turns to Ozone. "I'm sorry about my friend. I'm still teaching them manners." She shrugs. "That's the cost of working with a monster cape. I'm sure you understand."

Ozone is tense. "Of course. I've worked with my share of… impolite people." He turns to me. "Let me give you some free advice; you'll burn a lot of bridges, asking those sorts of questions."

After a moment, I nod, and some of the tension falls away. Ozone smiles like he wasn't considering killing me just a moment ago.

Madame gestures to the booth opposite her and me. "Would you like to join us?"

"I'm here, aren't I?" He sits.

"What brings you around? It's been a while since we've talked."

"I just came by to say hello and meet the man who got Chestnut so heated, pardon the pun," Ozone says. "But you're just a boy, aren't you?" He's judging me. I'm still not entirely sure what for.

I shake my head. "I'm not a boy."

Ozone clicks his tongue. "Yet another thing he got wrong, then. My apologies, miss."

I shake my head again. "I'm not a girl either."

He blinks and looks to Madame, who just smiles at him. She says, "They're quite the character, as I'm sure you can tell. They're my new partner as well."

"Flintstone lose his luster already?" Ozone asks jovially.

"He's dead. Toymaker killed him." Madame's voice is only slightly tighter than it was before, almost unnoticeable.

"Ah. My condolences." Ozone looks to the door. "Chestnut didn't mention that."

"What were you all talking about?" I ask.

"That depends; what's the answer worth to you?" Ozone replies.

I shrug. "Not much."

He hums. "It's not even worth a drink?"

I exchange a look with Madame and she gives no indication. "I guess, but I'd have to go home to get one."

He blinks, and then lets out a loud laugh. "Buy me a drink, is what I was saying."

"Oh. Wait that takes money, doesn't it? I don't have any right now."

He lets out another laugh, smaller this time, and waves it off. "A laugh can cover it just as well, since it's about you. You're a funny one; that'll serve you well. Until it doesn't."

"Uh. Okay?"

"You said you were going to answer?" Madame prompts.

"Right, right. Well, long story short, Chestnut's trying to bust his gang out of transport before they get shipped off to jail. He's paying well, but not well enough for me to jump in front of the white caps, especially not with another death on his gang's record. His next offer should be about right though, especially if I press him on it."

"Next offer? So you are going to help him?" I ask.

"Hey, if the money's good enough." He shrugs. "That a problem?"

I'm not sure how to feel about that. I hurt them and called the heroes on them because they killed someone and were going to kill Madame. Is it okay for them to be freed? What even is 'jail'? I get that it's a place to put people after they do bad things, but… why? What's the point of that? Does it help them not do the bad things again later, like some sort of brainwashing program? If so, it makes sense Chestnut would want to stop his bad-thing-doing friends from going. I'll ask Chastity about it later, maybe do a Bing search too.

While I'm thinking, Madame answers glibly, "Depends if the money's good enough."

That earns a wry smile from Ozone. "You're doing mercenary work now?"

"That's right."

He gives me another appraising look. His eyes are cold and calculating. I can tell he sees life as a series of exchanges and bargains, and this conversation is no exception. "What sort of work are you two looking for?"

"Nothing too dark. No hits, no kneecaps. We'd be open to hearing offers on most anything else."

Ozone leans back and spreads his arms across the back of the booth. He hums thoughtfully. Before he can voice whatever thought is forming, the old man returns with our drinks in hand. He sets a glass of yellowish juice in front of me and the cola in front of Madame, a straw in each.

"Anything for you, sir?" he asks Ozone.

"Gin and tonic, if you please," he answers. "With a cherry."

The waiter writes down the order and then ambles off. I take a sip of my juice and recoil at how tart it is. Is that bromelain? I take another sip and smack my lips. It is. This juice is trying to eat me. Neat! It's going to have to try harder than that. It's tasty otherwise, though not at all like apple juice.

"I might know of a job for you," Ozone says when we three are alone.

"Oh? Might you?"

"I might. Hook ups like this don't come for free. It's going to cost you a bit more than a laugh."

Madame leans in and places her chin on her palm. She sips her Coke through a straw. "What kind of job."

Ozone smirks. "I might know about something that someone has and someone else wants. Anything more is going to cost you."

Madame looks to me, silently asking if I have objections. I set down my empty glass and ask, "You're talking about stealing, right?"

Ozone chuckles. "More or less."

"No one gets hurt?"

"Hurting people isn't part of the job description, so that would be up to you, I believe."

That… should be fine. At least on the surface. If we're stealing something intensely weapon-y that might be less fine, but that remains to be seen. I turn to my partner and shrug affirmatively.

"We're interested," Madame says.

Ozone grins. "Alright. Let's talk fees, and then I'll get you in contact with the interested party."
 
Lovely, as usual!

I'm really curious how Bearclaw… okay it even rhymes with Bonesaw I can't believe I didn't notice wtf. Anyway, I wonder how everyone else sees Bearclaw, and how close they are to putting two and two together? It seems obvious being on the inside, like we are, but intuitive leaps are tough to make when you aren't looking out for things. Chastity got the vivid description of unspeakable horrors last chapter, and has been exposed to the biotinkery bear mittencoat and extreme attitude towards swearing here. Not to mention that drawing of a biohorror soda machine. It feels like she should have all the pieces right there. I guess the question is, what will she do if she figures out what's up?

Okay, maybe not the real question that needs to be asked though. That is this: will Bearclaw get to eat a bear claw?

Lol
 
I'm really curious how Bearclaw… okay it even rhymes with Bonesaw I can't believe I didn't notice wtf. Anyway, I wonder how everyone else sees Bearclaw, and how close they are to putting two and two together? It seems obvious being on the inside, like we are, but intuitive leaps are tough to make when you aren't looking out for things.
Bonesaw is a cherubic girl in attire that emphasizes the contrast between apparent innocence and carnage.
Bearclaw is an agender beefy Brute that most people think masculine by default because Big and Strong
 
Chapter 23: This is Nice, Right?
"Ozone's lead was a bust since we didn't want the attention from robbing the PRT, especially after Wolfgang congratulated me over the phone on my low-maim takedown of the Misfits. I was feeling high from that praise for like a week, remember? But you did find another job for us to do together. At the time, it felt kind of like a turning point. I guess I was wrong about that though. Or maybe it was one, and then I turned back? I don't know."


I'm glad to be targeting a gang. I've heard from Chastity, Wolfgang, the internet, and television that gangs are bad. I'm not sure the people in the gangs are bad though. Parahumans run gangs, and parahumans are encouraged by their passengers towards violence and power usage, so it's hard for me to say that they're bad people for doing what's natural to them. But I at least understand that a gang – the organization, not the people – is bad because…

"Why are gangs bad again?" I ask Boss – Chastity's new name as a vigilante; she said she had to change it to change sides – in a low whisper. Boss dresses similarly to Madame, in a dark blue skirt and matching jacket, with a white shirt and leggings underneath and the same mask as ever. She dresses more like a person with powers than a cape. It sets me a little on edge, a reminder of the Nine. Unfair, maybe, but still.

She looks at me and purses her lips. "Didn't your hero friend answer that for you?"

"Yeah."

"And what'd he say?"

"Something about violence, drugs, and innocent victims."

"Well, there you go."

I stare at her.

She tries to ignore me, but quickly cracks. "What?"

"If you don't know, you can just say that."

She glares at me. "I don't not know. You just already have the explanation, so I don't see why I need to repeat it."

"Uhuh," I say, full of doubt.

She pouts but doesn't otherwise respond. I take the opportunity to check on the storehouse we're watching. It's a Tim Hortons, and Boss and I are on top of a building across the street, in the shadow of a taller, adjacent building. I move from the middle of the roof towards the edge and check to see if anything's happened at the safehouse.

A deep breath through my nose tells me that the heroin is still there; it's apparently a really bad drug, according to Wolfgang, when I asked him what drugs are bad. It was pretty easy to find this stash with Boss's help; she'd pointed out which gang operated where and what that meant for their supplies and stores, and also helped me find some drug samples to sniff so I could track them.

We've been up here for an hour now with just a quiet radio for company, waiting for the store to close so it doesn't look like we're robbing a Tim Hortons, which would be bad. It would make us look deranged and dangerous, according to Boss, which are not traits heroic capes want. Customers linger fifteen minutes from closing, and I watch as a car pulls into the parking lot and four teens disgorge and loudly enter. I frown at the potentially extended wait time – We can't go in until after closing time, when the customers and regular employees are gone; then we gently take down the guards that are left there, if any are left there, confiscate the heroin, and call the PRT.

It's a simple plan, but…

I retreat from the edge and return to Boss. In a low voice, I ask her, "How does this do good again?"

"What do you mean?" she asks in return.

"Well, like. We're stealing drugs from the Midnight Crew and giving them to the PRT, but what does that do?"

"We're not giving them the drugs, we're selling them the drugs," she clarifies unhelpfully.

"Okay. And that's good because…?"

She stares at me and then shakes her head. "It, you know. If the Midnight Crew doesn't have the drugs, they can't sell the drugs, right?"

"Okay?"

"So then they don't have money."

"Uhuh?"

She spreads her hands in an open conclusion.

I frown at her.

She frowns back. "They want money," she says. "They need money. For anything. Like uh." She gestures vaguely. "Oh! You remember how I gave Ozone money, and he told us about that other job? Everything is like that. If you have money, and you give it to people, they'll do stuff for you. So, if we take the Midnight Crew's drugs, they can't sell them and get money, and then they can't… make people do stuff," she finishes a bit lamely.

I smile wryly at her. "You sound really confident in that."

She groans. "I'm not an economics expert, okay?"

"I see." I hold back a laugh.

She glares at me, knowing I'm holding back a laugh. "I told you who my daddy was. We didn't really have much use for money. Most of the time, if we wanted something, we'd just go out and take it or trick one of Daddy's girls into getting it. I'm doing really good figuring it all out as fast as I have, okay! No one else is doing it as good as I am."

Compared to myself, I have to admit she's right. But something else digs at my attention. "You said 'was'. Is Heartbreaker dead now? How'd that happen?"

She gives me an odd look. "Let me get this straight; you knew who Heartbreaker was, but you didn't know he died?"

I freeze as I realize the inconsistency with that and my amnesia. I'm in too deep to try to correct it. I nod.

She looks oddly for a moment longer, and then seems to mentally shrug. "Yeah. He's dead. My brother Jean-Paul and his team did it, back in January. They killed him. It was messy. The family kinda…" She shrugs vaguely. "He took most of our younger siblings with him. The ones who lived. I could've gone with, but…" She sighs heavily and wraps her arms around herself, almost unconsciously. "Fuck that. Sorry, language, I know, but Candy was the only half decent person in the family and he couldn't even be bothered to keep her out of it and she's– Just, fuck him and his whole fucking team."

She shakes her head and I swallow my complaint as best I can, leaving me feeling like I swallowed soda wrong.

Chastity looks so small now. Her eyes are looking out over the city, and I can tell her mind is far away. She's thinking about her family and I suddenly feel a deep connection with her. She had a messed up family too – Not exactly like mine, but like mine in that they were both messed up and horrible: variations on a terrible theme – and now they're gone. She could rejoin them, just like I could probably join back up with the lingering legacies of the Nine, Mannequin and Shatterbird. But neither of us did that. Both of us chose to be alone instead.

I want to tell her I understand and to offer compassion and kinship, but I can't. If I tried, it would be empty; all I could give is quarter-truths about vague feelings. I couldn't tell her how I understand, and vague platitudes would only make her feel lonelier still.

She shivers. All she has on is a jacket. There's still a few minutes until the Tim Hortons closes, and then a while longer before the staff leaves; we'll be up on this roof for maybe another half hour or so.

I pull my hands out of my bear paws and open the newly installed front seam to shed my coat. I hold it out to my friend. "Here."

She blinks and looks at it, then at me, then back to it.

"You're cold. It's still going to be at least another few minutes until we move, so come here." I step to her and drape it over her shoulder.

She stumbles under the weight. "What the hell–ck. The heck? This weighs like thirty kilos!"

"Only twenty-seven, actually," I correct.

She looks at me like I'm insane. She looks almost offended by my correction.

"What?"

"You are ridiculous, you know that? Just absolutely unbelievable. Did you get this from a real bear?"

I nod my head and she shakes hers. I frown. "I can take it back if you don't want it."

She frowns and pulls it closed across her chest "I didn't say that. I'm not going to let you hog all the heat to yourself."

My frown melts at her petulance. The clash of our costumes on her looks a bit silly, crass consuming class, like a wooden limosine covered in spikes and champagne bottles. Chastity, my friend, sits to try and ease the weight of the pelt, and I sit next to her, our backs against an air conditioning unit that's turned off for the night. Music plays quietly from the radio at her side: a pop song in French that I can only catch every fourth word of. Despite all the times I've been to Canada, I never picked up much French.

Chastity leans against me, her head resting on my shoulder, and I freeze, unsure of what it means. She's not trying to use her power on me, not trying to instill distilled defeat; she's just resting against me. Despite my uncertainty, I find myself relaxing against her. My head comes to rest atop hers and I close my eyes to drink in the sensation of touch. I had been without for so long, I somehow forgot how nice it feels to be physical with someone.

"You know," she says in a low voice, "if you keep this sort of stuff up, I might fall for you."

Her words linger in the air between us, adding an odd charge of anticipation and trepidation as I consider a response. "Like, romantically?"

A soft laugh shakes her chest once. "Yes. Like romantically."

I hesitate again before responding. Romance can be nice, like the comfortable and stalwart companionship I saw between Aron's mom and dad. But it can also be terrible, like the unending and painful infatuation Shatterbird had with Jack. Most of all it is distracting, like the dozen relationships I saw bloom and burn at Burgess Middle School; it's an obsession that can rip away everything else from one's life, and I can't afford that right now. And it wouldn't be fair to be romantic with her without being honest with her too.

"I'm sorry, but I can't," I tell her. "I'm still trying to figure out who I am, and I can't try to do romance until then. I don't think it would be fair to you, or good for me."

"You know, we could figure out who you are together. That's one of the cool things about love."

I don't respond, and she takes my silence as the negative it is.

"Well. Fine. You may not like me, but you can't stop me from liking you. And it's your own fault for being such a perfect gentleman anyway." She snuggles up closer onto me.

I lean more securely against her in turn. "I'm definitely not a man, gentle or otherwise."

"A gentlething then," she corrects. "Is that better: my gentlething? Yeah, you're smiling. You like it."

And she's right; I do like it. After so long of seeing other people as things, it's weirdly nice to let myself be a thing too. I know I couldn't explain why, but it is. It's better to be seen as such, and so kindly too. It's a relief. A thing doesn't have to be anything but itself. I find myself dreading the Tim Hortons' closing and the raid ahead, if only because it means this quiet, comfortable moment on a gravel-strewn roof will end.

When it does end, when the Tim Hortons is emptied of all but those who must be gangsters, we part with barely a word and strike.

The plan goes off without a hitch.

"Good work, Bearclaw," Wolfgang says, less than an hour later. Red and blue and silver and green lights flash around us as policemen and troopers survey and lock down the area. "It's good to get these off the streets. You've done this city a service."

"Thanks," I say. Boss clears her throat and I add, "I couldn't have done it without Boss's help. She helped me figure out where and what to sniff. She's great."

Boss preens. "All very true, yes."

"Yeah?" Wolfgang drawls. He glances at the trio of defeated gangsters being loaded into police cars. More than one of the officers is giving me the stink eye. He looks back to Boss: at her glowing fingers. "You know, your power reminds me a lot of a villain that went missing last week: Madame."

"Hm. Weird." Boss is playing dumb.

"Yeah. Weird. It was after helping bring in some pretty high profile villains too. I hope she's doing well." Wolfgang smiles. It looks like he's playing along, just like Boss predicted.

"I wouldn't know, but if she's as competent as you're implying, I'm sure she's fine."

Wolfgang snorts. "Right, of course. Are you here to stay, 'Boss'?"

"I don't see why not. I'm quite good at this whole hero thing."

He looks back to me. "I'm glad you stuck around for this one. It's good to see you again, and see that you've made a… good friend and are continuing the good fight. My higher ups were impressed by your handling of the Misfits. You showed a lot of restraint with that: few injuries, minimum destruction of property, and almost an entire gang taken in."

"Does that mean you're not going to try to send me to jail anymore?" I ask.

"Officer McGill has changed his mind about pressing charges, so yes. As far as the law is concerned, it was a misunderstanding that got a bit out of control."

I nod, and a tension falls away. I relax and let go of the escape route I'd been keeping in mind. Mostly. "Cool."

"That being said, consider it an unofficial first strike. No matter how good you are, there are limits. You mess up again, and I can almost guarantee you won't get this sort of leeway. I'm surprised they gave you so much this time."

"That makes sense, I guess." Even if Siberian had killed an endbringer, she'd've probably still been in trouble for eating so many people. Doing good doesn't negate the bad you've done.

"But," Wolfgang continues, "since you've shown such restraint in your take downs since, you might be interested in some joint patrols? I know it'd be nice to talk to you again and get to know Boss a bit better."

"Ew," says Boss. "Creep."

Wolfgang frowns slightly. "Don't start that. I guarantee it doesn't go well for you, ma'am."

Boss snorts. "Oh? Wolfy's got spine? You gonna make me stop?"

His frown increases. Should I do or say something? No one is getting physically hurt, but the body isn't the only place to gather wounds. I'll cut this off before someone's feelings get hurt.

"Anyway, there's drugs in there," I say. "A lot of heroin. We're giving it to you."

"Selling it," Boss hastily corrects. "It's not free."

"You're talking about the vigilante buyback program?" Wolfgang asks. Boss nods and I follow her lead. "Alright. We'll weigh it at PRT HQ and cut you a check. Come by the day after tomorrow to pick it up; that should give us plenty of time to get the paperwork ready."

"Sweet!" Boss cheers. "How much are we talking?"

"With what I saw?" Wolfgang considers. "Two thousand. Maybe two-five."

"What." Boss's cheer disappears – disacheers. I hold down my snicker. "But that's like, half a million in horse."

Wolfgang makes an amused sound. "You're at least an order of magnitude off, from what I saw. Plus, the buyback program is intended as a bit of recompense for a job well done, not as a get rich quick thing."

"You're fucking kidding me."

"Hey, language," I snap. "We talked about that." She doesn't have the excuse of dead family she did earlier.

Boss turns to me, insult evident across her entire body, and Wolfgang cracks a smile at her expense. "You're whipping her into shape, huh?" he asks. "Keep it up. And seriously, you two did good tonight. Don't discount that."

"Thanks," I say. A warmth settles into my chest.

A police officer calls for Wolfgang from inside the Tim Hortons.

"Be right there," the hero responds. "I've got to get back to it. It really was good seeing you on the right side of the law, Bearclaw. Think about those joint patrols, if you would. And keep out of trouble. Don't earn yourself a second strike."

We say goodbye and Boss continues to grumble about "getting ripped off by the white hats." The cops have this in hand and it's late. I pick Boss up with one arm in a modified bridal carry and she wraps hers around my neck, and then we're off into the night to go back home and sleep. It was a good night, and with luck tomorrow will be just as good.
 
Yeah! Nice to get that reveal. I was thrown off by this:
"I'm sure you remember the first friend I made."
But it must be referring to Wolfgang?

A gentlething then," she corrects. "Is that better: my gentlething? Yeah, you're smiling. You like it."

And she's right; I do like it
This is real sweet. Though we're at 76k words now, only a few chapters left, and we got that ominous foreshadowing hinting that shits hitting the fan soon… Nice to have some moments like this which don't have anything hanging over them, really, before all that. Not like with Aron's folks.
 
Oh? So it is Chasity who she is talking to in the italics.

Interesting. My bet was on Yamada.
ngl in my first draft of this, i didn't know who Riley was talking to until I got to this arc and decided on Chastity to be its friend. Yamada would mean PRT, and Riley navigating that system wasn't somehting I was interested in writing because it was too authoritarian and top-down morality, and I wanted it to experience the world and come to conclusions about good and bad and its self more freeform, without yet another person telling it what it did was bad and how to be good.

Yeah! Nice to get that reveal. I was thrown off by this:

But it must be referring to Wolfgang?


This is real sweet. Though we're at 76k words now, only a few chapters left, and we got that ominous foreshadowing hinting that shits hitting the fan soon… Nice to have some moments like this which don't have anything hanging over them, really, before all that. Not like with Aron's folks.
Riley was talking about Chastity in that line. It was being glib and jokey about Chastity being its first friend.

And yeah, it's nice to get out from underneath the dread that pervaded the story for so long. Like you said, there's still a bit of it with the introductory framing device, but mostly it's just two people having a nice time. One of them used to be a mass murderer and torture enthusiast, but it got better I promise ;3c
Just 12k left to see how it all shakes out.
 
Riley Alone, Or: How I Learned to Stop Worrying and Be the Bear.

I'm really glad they've finally made a friend. I'll have to go back and reread those narration sections now that we know they're talking to Chastity.
 
Chapter 24: Why is he Naked?!
"The first time I ever went to the movies was… That was so mean. I had no idea what was going on in there and you were laughing the whole time. It was one of the best days of my life. I'm glad we got to spend it together. I hope it's still a good memory for you."



Chastity and I are both munching on microwaved breakfast burritos as music plays through the kitchen; Chastity always has music playing; maybe it's a Vasil thing. It's good, but I can't help but frown at the black, charred attempt at omelets that's stuck to a warped pan in the sink. The stovetop didn't make it out much better, covered in char, oil, and bits of food.

Chastity pats me on the back reassuringly. "At least there was no fire this time."

"Yeah, I guess that's true."

"You know, we could just have these every morning. And there's a coffee shop down the street; we could just grab food there."

"I can do this though! I should be able to cook, easy," I insist.

"It's really no big deal you can't cook," Chastity says. "I'm no good either."

"Yeah but… I should be able to do this."

I cooked at the cabin, even if that was just stirring two or three things together over heat. Cooking is chemistry and art, and I'm good at both of those things! It shouldn't be this hard, even when I'm not tinkering to do it. But no, either I tinker and create life – and have to quickly put it down and hide the remains from Chastity – or I don't and either burn everything or make a disgusting, grey mush.

I pop the rest of my burrito in my mouth and get up to start the cleanup. Chastity finishes as well and tosses her plate and scraps in the trash. Instead of moving into the living room to watch television or play the Sims, Chastity returns to her seat and watches me as I try to free the pan from the attempt at food without destroying it. I quirk an eyebrow at her, but she just smiles.

As I scrub, my thoughts turn inward. I should get back to my lab at some point today: a little thing set up in the walk-in fridge of a disused restaurant. I stayed there before I teamed up with Chastity. I'd like to move my stuff here – my larger and more specialized tools along with the half-finished projects I have lain out – but I know I can't. Even if I have my own room here, there's not enough security to guarantee Chastity won't see something I need her to not see and ask questions I need her not to ask.

There's a new toxin I've been working on that could be nice to finish: one that induces temporary amnesia by confusing the associations between memories that build a person's mind. But maybe I should work on something else? Toxins are getting kind of boring; as varied as they can be, I can't really make any of the funnest ones because they're too Bonesaw-y. I can't do permanent, irreversible, or overly painful effects, and that doesn't leave as much as I'd like.

I could work on my muscles, maybe? Toymaker's air-density gun was able to pin me, which wasn't good. But there's only so far I can take that unless I find a super strong parahuman to use as materials or inspiration, and that's not something I can allow myself. Being a not-horrible and secret tinker is so troublesome. My bones, maybe? Yeah. Yeah, I've got that idea for internal wiring to reinforce them, like rebar. That's what I'll do. But what to use as the wiring? Something springy for sure, it's better to flex than–

"Let's do something today," Chastity declares, pulling me from my thoughts as I set the pan back in the gross sink water to soak. "Something fun. Something other than cape stuff; we've been doing that every night this week and I'm bored."

I give her an curious look as I wipe more crust and grease from the wall. "Like what?"

"I don't know. Something. Oh! Let's go to the movies."

I smile as I grab a rag to wipe off the stovetop. Her excitement is contagious. "Sure. What movies do you have?"

"No no no, let's go to the movies. Like, let's go out."

My smile turns upside down. "I don't know if that's the best idea," I say, gesturing to myself with a discolored, blue and grey hand.

"We can figure something out," she says. "I'm pretty good with makeup, and if that doesn't work you could wear like, a burqa or something. I think that's what they're called."

I consider it. I've never before been to a movie theater while the projector still works. It could be fun. I'm not over-the-moon-excited about any of my projects at the lab, and I have plenty to work with already, so why not? I can make time to tinker later.

I blink. I blink again and shake my head as I do my best to give myself a scrutinizing look. I can make time to tinker later? That doesn't sound like me. My neural mods should still be working, remnants that they are from my Bonesaw days, so I shouldn't be vulnerable to most avenues of parahuman control, and the ones I would be vulnerable to would likely be far more obvious or much less detectable than chasing an out of character thought.

I can make time to tinker later. The thought doesn't feel uncomfortable or intrusive, nor does it feel perfectly at home in my head or absolute. I know I could, if I wanted, leave Chastity and go to my lab right now, but I don't want to. That's weird. But is it bad-weird? It's not hurting anyone, and yesterday I worked on making a beanie baby that will never see the outside of my lab, so I'm not at risk of entering a fugue, so…

I can make time to tinker later. And that's okay. I can just… do that. Or rather not do that, in this case. I have something I'd rather do than tinker, which while odd isn't bad. It's kind of nice, actually. It's new, and that's good. I don't want to be someone whose drive and goal and life is tinkering, even if I put limits on what I do.

"B? Bear? Beeaar? Bear!"

"Hm?"

"You okay?"

I give her a big smile. "Yeah. Yeah! I'm excited. Let's do this!"

She returns my grin and sticks her hand up. "Alright!"

We high-five.



…?​



My friend returns about an hour later with a big bag, heavy with cosmetic supplies. In that time, I put together an outfit from our closets, changed my blood back to red, and did a bit of basic maintenance on my ankles – They were weakened by all the running and jumping I've done. Chastity drops her bag on the dining room table and tiny bottles of makeup spill out across the table. Chastity doesn't seem to care though; she's grinning widely, almost manically.

"Good, you're red again.That makes this easier," she says. "Sit, let me get a good look at what I'm working with. You picked out clothes, right?"

"Mhm." I take a seat in the table's chair.

"Good, let me see them," she commands as she starts sorting out the bounty of beauty supplies.

I stand and go into my room to grab the clothes, amused by her lack of focus and bemused by her contradicting orders. I return, bearing loose blue jeans, a black graphic t-shirt, and a plaid overshirt. She takes them from my hands and holds them up in front of me with a critical frown.

I feel the need to explain, "I figured long sleeves would mean less work."

She hums and then smiles. "Yeah okay. I can work with this." She sets the clothes down on the back of another chair. "Now sit. I've got a lot of work to do to make you presentable."

She grabs me by the chin and tilts my face up, stilling any remark I could have made. Her fingers are cold, but the touch is still so nice, and she's so close. I swallow. Dropping my face, she sifts through her pile of cosmetics and pulls out a green tube. It opens and reveals a thin brush, smothered in green gunk, and she starts to smear it across my face with a determined expression on hers.

"This color correcter should help cover the lines on your face and help the foundation stick and make things even."

She coats my face and neck with lines of green over the next few minutes, intensely focused the entire time. I'm almost scared to breathe for risk of interrupting her or making her err. It's a tense few minutes as she brushes my face, but then she pulls back and caps the tube and I take the opportunity to catch my breath. She sets the correcter aside and sifts through the bags for something else, quickly pulling out a tube identical to the last, except this one is pink.

"And this one should help with the grey." She leans back in to get back to it, and I try to savor the feel of her painting my face pink. A minute later, when she can't be more than half done, she giggles.

"What?" I ask.

She keeps giggling.

"What? What is it?"

"Y- your face is–" She can't finish her sentence through her laughter. She roughly passes me a mirror from a bag.

I take it and look at myself in it. I blink, and then laugh along with her. I have dull, pastel streaks of green across my face, with blotches of pink and grey. I look silly. I giggle along with her and set the mirror down.

She leans back in with a smile and gets back to covering grey with pink, then moves on to foundation, blush, contouring, and finally lipgloss. My breath catches as she brushes the gloss onto my lips. Chastity is so focused, it's like the only things that exist to her are her brush and my lips. She's pouring so much attention into me, it makes me almost queasy, but in a good way. I like this queasiness, and I like spending time with my friend. It's uncomfortably comfortable.

"Done," she announces.

She leans back with a satisfied smile. The cap goes onto the lip gloss, and it's tossed into the pile with the rest of the makeup; we used maybe a fifth of what she picked up. She hands me the mirror.

"What do you think?"

I take the mirror from her and peer into it, and for a terrifying moment I think I see Bonesaw in it, but she's not there. Not even an echo of her face remains in mine. Instead of the youthful, rounded face of perfectly false innocence, with blonde ringlets and dimples, the face in the mirror is slim to the point of jaggedness, resembling a rat. A weak chin, sunken eyes, and slight cheekbones are ironically my most prominent features, now that I'm mostly within standard deviation for a normal human. The only things that betray that normality are my eyes and my hair.

"What's wrong?" Chastity asks, and I realize I've been frowning.

I shed the frown. "Nothing. You did good. I look… human."

She frowns at me, thoughtfully. "You say that like it's a bad thing."

"No, I don't mean it like that. It's not bad to be human."

"Heh. Good to know you're not a… What would you even call that? A monster supremacist?"

I crack a smile, equal parts for her benefit and my own humor.

"So. What is it then?" she presses.

"I just… I don't know if I like it. It doesn't look like me, you know?"

Ponderously, she says, "I thought all monster capes wanted to be human."

I give my reflection a long look, and then set the mirror facedown on the table. I wish I could explain, but anything deep would skirt too close to the past. How can I explain that dressing up like this feels like putting on another new facade, after having finally stripped away so many of the layers I'd build on top of myself? I'm not stealing this face, but it feels like I'm stepping towards another Aron – like I'm hiding from myself.

So instead I just say, "Not all of us, I guess."

Neither of us speak for a minute, maybe two. Long enough that the current song ends and another starts. Then, she asks, "Do you still want to go to the movies with me?"

…I nod. "I don't like this mask, but I still want to go out with you."

Chastity grins again, though it's subdued. "Cool. Let me get those hands, and we should be good to go. I've got some sunglasses and a hat too. Your eyes and hair don't really fit in, if that makes you feel better."

"It does," I say with a slight smile. "Thanks."

A half hour later, we're heading out the door. It's a Thursday afternoon and the streets are busy. It's loud in a distant way: everything everywhere is making noise, and it all bounces together into a cacophony, but one without much that stands out. Occasionally a car will honk its horn or someone will shout especially loudly, and that will give me a source to latch on to, but otherwise the bustle is ambient.

This isn't the first time I've been in this sort of situation. When I was with the Nine, we'd spent time in cities like this and it was similarly loud before Shatterbird announced us. But this is calmer, somehow, despite the equal bustle. Instead of itching for a game to play with the Nine, today I'm just going to the movies with a friend. No one around me cares about me, if they even take the time to glance my way, and I don't care about them.

Is it bad that I don't care about all of these people? If they all died randomly, at someone else's indiscriminate hand, or if a meteor flattened the city, I don't think I'd feel bad about that. I'd try to help and save them, but I didn't even care about Chastity while I was rescuing her from the Misfits. How much can one person care? How much should I care about the random strangers I pass on the street? Does this passerby in a blue coat care about me? Would they mourn my death despite not knowing me? Should I mourn theirs?

Chastity takes hold of my arm. It's a ginger grip, a light hold meant to link us together rather than hold me in place. I look at her, but she only looks forward with a smile. I smile as well and we continue our walk. The theater isn't far, only a few blocks from Chastity's apartment, and we make it there in only ten minutes of walking.

"What looks good?" she asks as we inspect the movie posters plastered over the entry doors. There are uninformative posters for all sorts of movies, none of which I recognize. I don't even know what to look for that would indicate quality.

"Uh… I don't know. This is my first time at the movies."

"Oh! How about Magic Mike? It's got Chris Evans; he's hot."

I eye the poster of five dehydrated, muscular men wearing pants and little to no shirts. Two wear Legend-style masks. Another has a firefighter jacket across his shoulders like a cape. The fourth looks almost like a cowboy, with a hat and vest, and the last has only a tie that comes down between his scarred pectorals. It's a group of professionals from all walks of life, it looks like.

I shrug. "Sure."

She grins and leads us to the ticket window by the entrance. The line is dominated by teenagers, predominantly ones a few years older than Chastity and I. The people in line chatter about a movie called Starlight, and I glean from the chatter that it's about a Ward saving his city and having to keep his identity secret despite close calls. A poster shares that name: Starlight 3: The Other Side.

When we make it to the front of the line, the ticket seller asks in a friendly voice, "How can I help you girls?"

She thinks I'm a girl. Is that what this face and outfit says to people? The other people our age are dressed in a manner similar to myself. I'm wearing similar pants to two of the girls, but that guy over there is wearing the same shirt as me, so why would this woman think I'm a girl?

"Two for Starlight," Chastity says. She pulls out her wallet, slides two pieces of money through a hole in the partitioning glass to the young woman selling tickets.

I give her a confused look but before I can open my mouth she takes and squeezes my hand, and gives me a saccharine smile. I keep my mouth shut and let her do whatever she's trying to do. The woman takes the money and returns change and two tickets to Chastity, who takes them and leads us inside.

Once inside and out of earshot of the ticket-seller, I confront her. "I thought we were seeing Magic Mike."

"And we are," she answers. "But it's rated R so we can't just buy tickets to it."

"So, we're sneaking in?"

"Exactly. It'll be easy, just follow my lead like a good uh. You."

I feel like I should be insulted at her almost calling me a good girl or boy, but the delivery was so stilted that I can't help but feel oddly flattered and amused. I smile wryly. "So what's next?"

"Snacks! Snacks is what's next." She pulls me toward the concessions counter. "Popcorn is a must, can't watch a movie without popcorn; we should get one of those big buckets, and some candy too. And then soda and freezies, though we'll have to get two freezies because they melt."

We make it to the front of this, our second line, and the employee greets us. He's an older man, pushing sixty. He asks me, "Hello. What can I get for you?"

"Extra large popcorn with extra butter and salt, a bag of M&M's, skittles, milk duds, and sour patch capes, a large Coke, no ice, four freezies, one of each flavor, and then whatever my friend here wants to drink," Chastity rattles off.

The employee's eyebrows raise fractionally with every item, though he rings them up on the register. He turns his eyes to me.

"Apple juice, please," I say and he chuckles.

"You've got quite the girl," he says cryptically. "That'll be sixty-seven forty-three."

Chastity pulls her wallet out of her pocket and passes him a bill. He shakes his head but takes it.

"What happened to the days when the man would pay for the date? Kids these days," he mumbles mostly to himself, and I find myself frowning.

I'm not a man; should I correct him? He didn't mean for me to hear, so that would be weird. Before I can make up my mind, he's handing Chastity her change and turns from us to ready our snacks.

She and I step out of line to wait. I ask her, "Are we on a date?"

She shrugs with a smile. "Are we on a date?"

My brow furrows. "I don't know. Are we?"

She grins and winks. "I don't know. Are we?"

"Seriously, are we?"

"Seriously, are we?"

I frown and shake my head, certain she would just continue to parrot me were I to continue. The working man returns with our snacks and sets them on the counter before us, piecemeal. Chastity passes them to me as he sets them out, and it gets a bit precarious.

It takes actual effort to balance the bucket of popcorn on the filled drink caddy with the variety of candies pressed between my arms and my body, but I do it. Chastity, carrying only two drinks and a bag of M&Ms, marches toward the ticket taker and I follow in her wake.

The theater's ticket taker takes the tickets, tears them in twain, then 'turns the ticketstub to 'tity. He points us down the hall behind him, to theater seven, and we head that way. But we pass theater seven in lieu of theater eleven, which is marked for Magic Mike. I glance back at the ticket taker to see if he's watching, and he isn't.

And then we're in the theater. It's not very full, with only a dozen sporadic small groupings of women and men. A preview to a movie that looks to be about clocks and the Russian-Italian mob plays on screen; the release date goes unmentioned. Chastity heads toward the back row and I follow as she explains that "You have to watch from the back row. It's the only way to get the full experience."

We sit comfortably, chat softly, snack deliciously, and wait eagerly for the movie to start. It's exciting, even if I don't really know what to look forward to. I've seen movies, of course, but never in a working theater, never with a real friend, and never purely for tinkerless fun.

Commercials for other movies play, showing exciting snips of scenes from other movies that I'm pretty sure are supposed to make you want to watch them. It works. Then the screen reminds us to silence our cell phones. The lights dim, almost going out, and Chastity nudges me.

"This is it," she whispers.

A black and white logo appears on a red-lit screen and a voice from all around us says, "Let's fucking get it on right now. Let's go."

I can't hold back my gasp. "Chastity, they said–"

"Shh!" a man in front of us says, momentarily turning to glare at me, then returns his attention to the screen, where the cowboy from the poster is talking about rules regarding touch.

Chastity leans in and whispers in my ear, "You can't talk during the movie."

I whisper to her, "He said a bad word."

"Yeah. There's going to be a few of those. It's pretty normal."

I frown. Should I leave? I don't want to abandon Chastity, and she was excited for this movie. I'm not even sure what other movie I'd watch, and waiting in the lobby or going home alone sound like miserable ideas. I… I guess I can bear a few bad words. The man on screen's only said the one, so maybe that's all there will be?

I have a hard time believing that, but I hope for it anyway. The cowboy finishes explaining the rules and then weirdly implies that they don't matter since there aren't any cops in the room. Why explain them then? The movie cuts to a different man waking up in June and—

"Ohmygod!" slips out of my mouth. He's naked!

I'm not the only noise-making rule-breaker, as others let out giggles or quietly excited whoops. My hands fly up to shield my eyes from the screen as the characters talk. There's a woman there too. Is she naked as well? I fear looking. I chance a glance at Chastity and she's watching shamelessly.

I work up the courage to peek through my fingers and oh thank goodness everyone's wearing shirts. My hands fall and I try to still my anxious heart. Michael and the woman talk about furniture, and then he leaves for work: a construction job. There's more swearing and I grit my teeth and squirm in my seat to try and dislodge some of the discomfort.

Another character comes in, Adam, and I think he's another main character. He's all scruffy, and rude-mouthed too. He's apparently an independent hero by night and hops between jobs by day.

This movie isn't very musical. No one has sang even a single song. Oh! There's some music; none of the cast is singing, but there's music playing and people dancing in the building they entered, Amphitheater. The two men talk and meet new people, and it's alright, but I'm not really sure what the movie's trying to do. It's kind of boring and dim.

And what's a stripper? Now we're back at the opening, with the cowboy and… Oh! They're dancers! The five men that were in the back with Adam are on stage, dancing with umbrellas: fun! They're wearing mostly matching outfits under their matching trench coats. And then suddenly the dancing turns into… something and I can't help the choking eep that escapes my frogged throat.

The men on stage are moving in weird ways: flexing, gyrating, and thrusting rhythmically, pulling off more and more of their clothes all the while. The people in the theater with me are cheering and it mixes with the on-screen cheering. It's a brain- and eye-searing minute before my brain resets and I think to look away, hiding behind my hands again.

Chastity has the biggest grin on her face.

"What are they doing?" I hiss.

She looks at me and snickers, but quickly returns the bulk of her attention to the screen. She leans in close and whispers, "They're dancing."

I peek through my fingers and see the dancers pressing against each other, and neither of them are wearing shirts: just pants and ties. My fingers clamp shut to block the– the– the I-don't-even-know-what-it-is of it all but I know I shouldn't be looking.

"That is not dancing," I choke out.

"It totally is. See, look."

"No! I am not going–"

"Shh," she interrupts. "Watch it or don't, but you have to be quiet."

I mewl and slump into my seat. After a minute of watching Chastity have a good time watching the movie, I peek through my fingers again and oh geez he's not wearing any pants now. I should look away. But I can't. I should stop watching. But I don't.

My heart thumps in my chest, louder than almost ever, and I don't know why. It's the movie, obviously. It's the men and women on the screen, of course. I don't understand, but I'm enthralled.



…?​



I'm shaking as we exit the theater. The building's interior rushed past me without a single detail sinking into my mind; my attention is occupied entirely by remembering flashes of the men moving on screen. I knew bodies could move like that, but I never imagined it as… whatever that was. I didn't think a body moving could inspire a feeling like… whatever this is.

"So? What'd you think?" Chastity asks as we leave the theater.

"I uh–" Mike's abs rippling as he dances on stage. He drops to all fours and continues to move. Words flee in the wake of the image.

"Yeah?" she asks with a laugh.

"I didn't…" Adam slowly rising from the floor, glistening with sweat, his body stretching sensually. I can feel my face heat. I manage to squeak out, "It was something."

Chastity bursts into unbridled laughter and my flush grows hotter. I want to be angry and indignant that she took me to a movie like that, but before she took me, I didn't know movies like that existed. And people watch them! That was playing in a theater that anyone could get in to! It was rude, foul-mouthed, confusing, exciting, and so many other things that feel so weird and wrong, but that sort of stuff is normal.

"It was fun though, right?" Chastity asks when she's calmed down enough for words.

"I… admit I didn't have a bad time." And honestly I didn't. It was weird and confusing and full of entirely new and uncomfortable things, but it was kind of… exciting. Still, "I wish you would have warned me about it though."

"You might have said no if I told you," she says simply.

I frown because she's right. There's no way I would have entered the theater had I known it would be so… exciting. That's not at all the right word but it's the one I'm going to use.

"Ha! You know it! You fucking know I'm right!" she cheers.

"Would you please watch your language?" I beg. "There was enough of that in the movie."

"Oh come on, it's just a word," she gripes. "Everybody says it."

"It's one you said you wouldn't say," I remind her.

"Yeah but like, why? Why do you hate cuss words so much?"

"Because. They're rude."

She rolls her eyes. "Okay? And? You can be rude if you want."

"Well I don't want to be rude."

"Why not? It's fun as fuck to be fucking rude."

"It's inappropriate!" I hiss. I cast uneasy looks around. Against all sense, I like that we're talking about this instead of that movie. It's more familiar.

"Says who?"

"Says–" Uncle Jack. I blink rapidly. "Um."

"Come on," Chastity says, seemingly unaware of my dissonance, "You're not a little kid anymore. It's okay to cuss. No one's going to get you in trouble."

Good girls and boys and polite men and women don't cuss, especially around children. But I'm none of those things. I'm not a good girl or a good boy, and I'm not a gentleman or a lady. I'm pretty sure I'm not a child anymore. The only thing I am is trying to be a good person and not hurt people.

"But words can hurt people," I say. It feels flimsy even as it leaves my mouth.

"Sure, yeah, but me saying 'ass' doesn't hurt anybody. Me telling you you'll never have an actual friend because you're a violent, broken weirdo who's impossible to get along with and will never be part of the world because you're intrinsically off-putting is the sort of thing that hurts, and I didn't use a single cuss word in that."

I can only stop and stare at her as a pit grows in my stomach and a chasm grows between us. She stops a step later, looks at me quizzically, and then groans.

"I don't actually think that," she says. "It was just an example."

"...You promise?"

"Of course. It's obviously not true anyway, since we're friends."

The feelings of hollow smallness lessen but don't disappear. I continue walking, and Chastity falls in step with me. She bumps against my shoulder, and then again when I don't respond. I bump against her and she smiles. The pit inside is a bit more filled. I try to match her smile.

"Sooo…" she says leadingly.

"What?"

"Can I say fuck again?"

I glare at her. "You're already saying it."

"Yeah but like, are you going to keep getting mad that I say it?"

I huff and my shoulders bunch upward. "I guess not."

Her eyes light up and she lets out a cheer. "Fuck fuck, fuckity fuck fuck fuck," she sings, and then giggles.

It's uncomfortable to hear that word, but… but no rude words was Jack's rule. That was him telling me how to behave and how others should behave, and nuts to that. So I push down the oil-slick discomfort in my belly and try to smile with my friend.

We're nearing our apartment when she gives me a sly look. "Soooo…"

"...Yes?"

"Are you gonna say it?" Her eyes gleam with excitement.

"Say what?"

"Say fuck."

"What?! No!"

"Come on. Say it. Say fuck. I know you want to."

"N-no! I don't!" My raised voice draws a few momentary stares. I lower my voice. "I don't want to say– that word."

"Come on~. Say fuck. Do it. It's fun."

"No."

"Why not?"

"Because it's–" My words catch in my throat and I press my lips tightly together.

"See? You don't have a reason not to," Chastity says with a smug grin. "Say it."

Do I need a reason not to? But there's nothing wrong with just a word, right? It's not hurting anyone? And it's a stupid rule that Jack made anyway. I open my mouth and Chastity's eyes sparkle with excitement. Nothing passes my lips and I close them. I try again.

"F…" I stop, unable to get past that first half-breath of the word.

"Come on~. Say fuck. It's easy as fuck, and so fucking fun."

I try again but all that escapes me is a squeak. "Can I try a different one? Please?"

"What? No, why?" she despairs.

"It– The f-word is too much. It's too much too soon."

She groans with disappointment, but concedes. "Fine. How about ass, or hell? Those are baby cuss words."

It's still uncomfortable even hearing those, but "I'll try."

The gleam of excitement that fled in the wake of my inability to say the f-word returns to Chastity's eyes. I take a deep breath.

"H… He-" I growl at the looming spectre of disapproval behind me. Fiddlesticks to that. I can cuss! It doesn't hurt anyone! You don't get to tell me what to do anymore, Jack! I summon my anger and all of my courage and whisper-yell, "Hell!"

I flinch at my own soft-spoken word, waiting for the bad thing to happen. After a moment of nothing, I crack open an eye and see my friend smiling wider than ever before at me.

"Oh my god. You just cussed," she breaths. Awe laces every word and I start to choke.

"I'm sorry! I'm so sorry, I didn't mean to, I was–"

"No no, it was good!" she says to interrupt my apology.

I start to shake, and she starts to blur as tears start to fill my eyes. I double over as something tries to push it's way from my diaphragm up through my esophagus and I start to heave. It's psychosomatic, it has to be, I can't actually accidentally puke, so it's all in my head but that doesn't help anything.

"Wait no, don't cry. Definitely don't puke either. Shit– I mean shoot, uh. Crap. What do I do? What do I do? Uh."

She's upset. I don't want her to be upset. But more than that I have stuff inside me that needs to get out, things that have festered for half my life, inserted by Jack and internalized by myself. I screw my eyes shut and force another shard of it out.

"Hell." The word is like a shot of adrenaline and terror. I gulp it down and take another. It makes me heave harder. I say it again. I let myself puke onto the sidewalk to try and ease the pressure, popcorn kernels visible in the freezy-blue bile – It helps, a little. I pant for breath and then say it again, and then again, each word a dying croak that feels like freedom. "Hell. Hell. Hell. Hell. Hell."

Chastity watches me with bemusement and worry as I repeat the bad word again and again. She takes me by the shoulders and sits me down on the sidewalk, heinie against a wall and her hand rubbing calming circles on my back, and I continue to expel the bad word. I expect to expel more again, but only the words leave my mouth. Fuck. I'm rude now.
 
Great chapter loved the not a date.

A preview to a movie that looks to be about clocks and the Russian-Italian mob plays on screen; the release date goes unmentioned.

I love a Goncharov reference such a great film.

I'm glad we got to spend it together. I hope it's still a good memory for you."

I'm about 100% more suspicious of the epigraph now that it's revealed as talking to Chastity the tone feels very 'confessing to fiance who is in a coma before going on a rampage'.
 
Great chapter loved the not a date.

I love a Goncharov reference such a great film.

I'm about 100% more suspicious of the epigraph now that it's revealed as talking to Chastity the tone feels very 'confessing to fiance who is in a coma before going on a rampage'.
Epigraph. Neat new word, thanks. It's fun to me that you're seeing their relationship as subtextually romantic in the epigraph, now, after the "not a date," as you put it.

I'd totally forgot I put a goncharov reference in here, it took me entirely by surprise during pre-post review.

This was real sweet. Good to see the last bits of manipulation (hopefully?) getting excised.

I hope BC uses this shortening out loud, though I guess it'll gave less impact now.
Well, it's definitely not the last bit of jack's influence, it's just one of the last obvious ones. Riley's going to spend its entire life noticing little tics and habits and thought patterns that feel Jackian and having to force itself to push past that. That's just how abuse, especially longterm child abuse, goes.
 
This was real sweet. Good to see the last bits of manipulation (hopefully?) getting excised.


I hope BC uses this shortening out loud, though I guess it'll gave less impact now.

In addition to what the actual author said, also remember that Riley implied she's going to have a relapse in last chapter's intro. I can only imagine that Jack's influence over her is going to somehow tie into that.
 
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