Nighthawk: Vengeance is Mine (Marvel/MCU-Inspired)

Chapter 8

Chapter 8​


"Hh-"

"Khz-" The radio crackles, "-Ihgtha- ZZk-"

"Hh," One hand in front of the other, dragging Nighthawk across the pavement, through stagnant pools of rainwater, but towards nowhere in particular. His mind, fractured by pain and dawning panic, compels him forward. His head spins with every movement across the parking lot by the warehouse. He can only see out of one eye, the other sealed shut by dried blood. His radio was shot, one of his goggle lenses was busted, and the other one had lost most of its functionality.

"-Lmost the-"

He ignores the voice ringing in his ear, focused only on moving forward. Away. Towards something. Anything. His last thoughts before light and sound erupted his head are a blurry, fragmented mess. Part of him wants to simply give up and die, the pain was almost unbearable. But instinct had taken over, refusing to give in to death no matter how much it promises the pain will go away.

"Kyle," A gentle voice murmurs. He pauses in his crawl, looking up to see a blurry figure standing in the sunrise, reaching her hand out to him.

"M-Mom?" Kyle mutters, reaching out for her, but his hand falls through hers. He cries out in pain, head drooping towards the pavement, equilibrium spinning precipitously, "I can't- I can't-"

"Be strong Kyle," She murmurs, reaching down and gripping his shoulders, helping him stand, "The road is longer than you know," She promises, "And you've got long to go before you sleep."

***​

Charles Greyburn drives one of Kyle's sports cars at a breakneck speed into the industrial park where Nighthawk had gone down, metaphorically suckerpunched by Norton's crazed alter-ego. The car's tires shriek loudly as he takes a sharp corner and races forward, slamming on the brakes as he comes parallel with Norton's abandoned truck. Nighthawk was miraculously standing, leaned against the building and clutching his head. Greyburn grabs his medical kit and jumps out of the car, racing over to Nighthawk's side.

"Kid!" He barks, skidding to a halt, "Kid, are you alright?!"

"N- s' loud…" Nighthawk holds up a hand, slurring badly. His helmet was cracked from the point blank gunshot, and while it had stopped the bullet, Charles could only imagine it felt like taking twelve rounds of left hooks simultaneously. Blood was seeping from the cracks in the polymer, already sticky and partially dried.

"Ah man, he really got you good, kid," He turns Nighthawk around slowly… The folded right wing had taken the second bullet, which caused no real harm to the vigilante… Though he might feel like someone hit him with a crowbar once or twice.

"Feel sick," Nighthawk mutters.

"You've only gotten your second major concussion in a week, no big deal," Charles mutters sarcastically, releasing the clasps on Nighthawk's helmet.

"W-wait," The younger man reaches up to stop him, but Greyburn bats his hands away.

"I've got to see the damage, and there's no one around, you're fine," He growls, slowly peeling the helmet off to reveal the wound on the side of Nighthawk's head. He undoubtedly had a cracked skull, likely some cerebral swelling, and the side of his head had a knot on it the size of a tangerine. The skin had split open, revealing thin muscle and white bone, which would require more significant repair.

"...Jesus Christ, kid," Charles covers his mouth for a moment. Kyle's face had a mat of dried blood across it, and he wouldn't be surprised if the kid could barely see. The inventor's heart drops as he sees Kyle wheezing for breath.

Monica would hate me for this, he thinks, I'm killing her boy.

With some effort, he helps Nighthawk stagger across the parking lot to the car, laying him down in the passenger seat and carefully buckling him in before tossing the helmet in at the vigilante's feet. Taking a moment to steel himself, Charles starts the ignition and peels out, heading back to the Hawk's Nest.

***​

The manhunt for Oliver Norton is on. The Cosmopolis Police Force have yet to issue a formal statement identifying the Doll-Face Killer, but the scanner is abuzz with their activity as they canvas the city, coordinating with the FBI, DECK, and the police forces and sheriff departments of surrounding municipalities and counties to hunt him down. The tension is growing more palpable, as it is now June 18th, with only a week left to go until the twenty-fifth anniversary of the first Doll-Face killing. Nighthawk knows that he has already picked his target, somehow tracking her through her life and knowing where he will find her. The vigilante lies in his cot, convalescing from the gunshot to the head he took, still unable to see completely clearly out of his right eye. Charles told him he should continue to recover, but that corrective surgery might be required to gain some of his sight back, and even then it would require a strong eyeglass prescription to help him see. The cerebral swelling had gone down, and they had done some work to reduce the knot on the side of his head, but the cracked skull would take time to heal as well. If it weren't for the durability of the armor, though, he would be dead.

He takes a deep breath, exhaling slowly. He was on a thick cocktail of anti-nausea medication, painkillers, immuno-boosters, and a half dozen other pills and injections that Charles had gotten too impatient to name. All of this could have been avoided if he had kept his cool, not allowed Mr. Charlie's strange game to get under his skin. His jaw sets as he thinks about it, remembering what he'd seen that night.

"When is a murder not a murder," He had asked Effie almost a week ago, trying to untangle the Doll-Face Killer's pathology. If the act wasn't an act, then Oliver Norton was being terrorized by some sort of dissociative identity manifesting through the dummy, one called Mr. Charlie, who regarded Norton with almost murderous contempt and disdain. Mr. Charlie seemed a back door into some frightening analytical capability of Norton's, able to investigate and compile information in ways he couldn't identify through more rational thought processes. How else could he be able to keep tabs on his targets, hunt them, and prepare for possible counterattacks simultaneously?

Oliver was a coward, that much was certain. He professed no enjoyment of the murders, but carried them out in terror of a figment of his own broken mind. The courts may eventually deem him unfit for trial by way of insanity, but he was still the responsible agent for his decades of terror. He had to be stopped, no matter what… But where to find him? He was in the wind, and the data call on his background was affording no other leads. One would think a tall, bald man carrying two dolls around would garner some attention but it was almost as if he'd vanished off the face of the earth…

Kyle frowns, refusing to descend into thinking like that. Norton was out there and he would be caught, sooner or later. It was only a matter of time. He turns his thoughts to St. Berchard and the Jenkins murders. There was clearly more going on at the monastery than was readily apparent. Charles had been dissecting the latin grimoire Nighthawk took from Father Leonard's office, scanning each page and sending them for translation by scholars at local universities benefitting from generous donations from the Richmond Foundation. He'd also logged a DNA scan from the dried blood on the spiked chain, and found clear liquid was a complex chemical compound he'd not encountered before and was still analyzing. Add that to Father Leonard's rather eerie nonchalance and the hidden steel door in the library, and it was clear something was going on there… But Kyle muses that they would likely be expecting him to make a return visit and be prepared.

The key to unlocking this puzzle lay with Ed Hope and Lonnie Cole, the remaining two members of the Jenkins crime ring who were still nowhere to be found. Looking at the clock, he watches the second hand wind around the circumference, counting down towards sunset, and resolutely pushes himself up and off the cot, heading into the main room of the lair. Charles busily types away at the computer before realizing Kyle is up and walking around the room, pulling out the Nighthawk suit.

"Wh-" The inventor swivels in his chair, "What the hell are you doing, kid? You need to get back in bed!"

"The police are busy looking for Norton and given up on Hope and Cole," Nighthawk replies tersely, "Someone needs to find them."

"Someone, but not you! You've taken two significant concussions, kid, you're lucky to be alive after that last hit! You need at least two weeks of bedrest before you're ready to go back out there!"

The vigilante gives him a cold stare, "In two weeks, both those men could be dead, and with them our last insight into what is really happening in this city." He lifts the torso piece and slams it down on the table, and then retrieves the helmet… He frowns, looking down to see the goggles are removed and the armor plating is stripped down.

"The right goggle got busted by that shot you took," Charles comes around the table, ready to pull it out of his hands, "And I haven't gotten around to adding new plating, so go back to bed and maybe I'll get it fixed." He reaches to take the helmet away, but Nighthawk pulls it back, putting it on the table and retrieving more pieces of the suit from its storage locker.

"Kyle, you need to-"

"What I need is for you to stop talking and to suit me up," He whips around, disoriented for a half-second by the movement. His equilibrium was still a bit off. He balances himself on the table.

"Without the HUD, you'll be flying blind, on instinct alone," Charles growls, "You're only going to be a liability. You're not thinking straight, you-"

"Suit me up," Nighthawk rasps, grabbing Charles by the shirt, "...And you can stop calling me kid."

"I didn't-"

"You did!" He growls, "Just a minute ago you did, and I'm sick of it. Now shut up and help me get the damn suit on."

The two men stare at each other for a moment before Greyburn nods hesitantly, grabbing the torso piece and carefully laying it over Kyle's shoulders, sealing it into place before picking up each individual piece and adding it onto the whole. When the process was finished, he took a step back, expecting that without the fiery orange glare of the goggles, the suit would be lessened… But Nighthawk's icy and ferocious stare, fully given over to his mission, makes Charles' heart drop in a way he hadn't expected. Nighthawk turns and heads to the launch pad, extending his wings and rocketing upwards into the night.

***​

Darkness falls across Cosmopolis as the Nighthawk goes on the hunt. Before, he might have employed more subtle methods for discovering the location of his prey, but not tonight. Tonight, he will be a terror that stalks the city until he finds what he seeks. Adrenaline and a thudding, white-hot rage pump through him as he thinks about how close he has come to failure, to death, how little he has accomplished. Tonight will change all of that, turn the tables on his fortunes, and achieve some real results. He mentally tallies all the criminal groups he has tangled with or heard of in his work, dividing the city up in a plan to work through them until someone gives him the information he wants.

He starts with the Morrisseys, an Irish mob operating in Arsenal Park. He plummets out of the sky and drops onto Colm Morrissey like a bolt of lightning, starting off their negotiation by shattering a dozen bones in his body. Their dialogue intensifies - Colm will have an extensive stay in a full-body cast for his trouble, and his men quickly realize they will be joining their boss in the hospital whether or not they comply with the rabid creature's demands. Confessions spill full-throated, but none know where to find Hope or Cole. The Nighthawk moves on.

Next is the Italian mafia, the Giacomos and Barones, in the Meat-Packing District. Their night of terror begins with finding a hired gun brutalized and hanging from the roof of one of their buildings. Steel flashes through the dark, night-a-rangs biting flesh and drinking blood like talons as the Nighthawk emerges from the shadows, methodically disassembling their henchmen before moving on to the bosses. Old men with fat bellies prove to be ill-fit to take on the Nighthawk and each falls like a sack of bricks before being dragged off, screaming, into night.

The search broadens and he goes uptown. Next is the 66 Ave Gang, who paint their warren red with blood as Nighthawk infiltrates the hideout and pummels them into submission. He then goes after the Albanians, followed by the Russians. To mix things up a little, he pays a visit to Elliot Sion, a corrupt businessman in league with the cartels - They'll find him the next morning, dangling above the sharks in his oversized fish tank. Then he goes after Robin Azul, the cartels' main liaison to the city. She starts talking after a few broken fingers, showing her mettle isn't worth much. He hits the streets again, cutting a path through every outfit, gang, and cell of organized crime he can find, until he arrives at the Neon, a nightclub that's also the base of operations for Dusk Panorama. He first finds the breaker box for the building, slicing off the lock and affixing a remote-activated explosive to the wiring before heading to the entrance, slamming his fist heavily on the metal door. A few members of the Panorama hanging out near the door keep an eye on him while smoking and chatting casually, and their eyes widen with alarm when they see the blood dripping off the vigilante's armored knuckles. When the shutter opens for the bouncer to look outside, Nighthawk pushes a taser into his face, eliciting a scream of agony as the man twitches and jerks before falling over. His allies on the outside drop their smokes and charge Nighthawk with a shout while more inside the building slam the door open, quickly surrounding the vigilante. Nighthawk shrugs, drops a handful of smoke pellets, and pounces on the nearest member of the Panorama as the thumping music spills out of the nightclub. He relentlessly brings his fist down on the poor thug's face until he stops moving and then extends his wing to clothesline a charging mook. He launches into the air, spiraling out of the smoke and adjusting course to rocket back down, delivering a heavy kick into the chest of another gang member, shattering his ribs and bruising his guts. As others wildly attack, their blows find their mark, but the vigilante grunts in frustration and fires his grappling hooks, impaling his victims and dragging them up and into the air to then allow them to fall back to earth with bone-crunching landings. Those couple who remain are quick to run when the smoke begins to clear and Nighthawk heads inside, passing under strobing lights and through hellish red glow and thick mist to find Franklin Edwards, the leader of Dusk Panorama.

Victoria Steele sits at a booth, enjoying the pounding beats and swirling atmosphere with a few pretty morsels she's picked up from the dance floor when her gaze locks on the dark and dreadful figure marching deliberately through the crowd of intoxicated partygoers. Most were too distracted to truly take notice of him or the thugs who were trying to prevent him from reaching his destination, only to be viciously beaten into submission and left bleeding on the floor. The Nighthawk pauses in his advance, rising over one of the brutalized gangsters, and stares across the space, locking eyes with her. The baleful, dead look quickly sobers her up as ice-cold certainty that he recognizes her fills her veins.

"...Fuck this," She decides quickly, clambering over the pawing hands and running across the table to hightail it out of the club. She crosses the threshold to see the half-dozen men and women groaning on the ground before hearing a distant pop and screams from inside the nightclub as lights and music cut out entirely. Victoria considers the circumstances and counts herself lucky that Nighthawk seems to be after the Panorama and not her. She turns and runs off into the night, heading back to her apartment.

Nighthawk watched her flee before cutting power to the building, deciding that if his hunt tonight went well, he would reward himself with a visit to her place later. Maybe things would start to change if she realized what exactly it was she had been messing with. Filing that thought away, he shoves through the panicking crowds to reach Edwards' private room overlooking the club, where his most elite guards were assembling to protect him. Kyle Richmond had scoped this place out on other occasions, killing two birds with one stone by playing into the fiction of his hedonistic high-roller lifestyle while also doing recon on Dusk Panorama. The group was originally from Europe, finding their start in the nightclub scene of Berlin selling designer drugs before taking on a more anarchistic, punk-rock meets arthouse flair in France. Their criminal profile became more anti-establishment in focus and political in theme: defying law and order was the point, not criminal enterprise. Eventually, they found their footing in Cosmopolis, bearing a style that was avant-garde, punk, and very magenta. As Nighthawk deconstructs Franklin's guards, he can see the Panorama leader hurriedly trying to load a weapon, but the vigilante smashes through the door with one of the guards as a battering ram, quickly following up with a night-a-rang to disarm Franklin.

"AAA!" He drops his weapon, hand slashed open by the projectile as he backs away from the vigilante, "Shit- What the hell do you want?!"

Nighthawk grabs Franklin by the shirt and pulls him back, body slamming him through a table and pausing to watch the anarchist gasp and wheeze for breath, crawling across the floor in a daze. Nighthawk's head tilts slightly as he watches Edwards reach the wall, sitting back against it to catch his breath. Edwards was a middle-aged hipster turned criminal leader, with a thick mustache and goatee and undercut that was all dyed a vivid shade of pink.

"Why are you doing this-" He glares at Nighthawk, "Do you want to die, is that it? After killing my men, you think you'll just take down our whole organization?"

"If that were true," Nighthawk takes a few steps forward and plants his boot on Edwards' chest, "You'd already be dead." He presses down for a moment, drawing a pained gasp, "I'm looking for two men who used to work with Zachary Jenkins - Edward Hope and Alonzo Cole."

Franklin takes several gasping breaths, looking around his office before staring at Nighthawk, "Seriously?!" He croaks, "This was all for those two schmucks?!"

"So you know where they are," Nighthawk leans in.

"Yeah, yeah-" He takes a shuddering breath, "Came to us saying someone was out to get them, figured it was you, freak that you are. Since we have beef, they figured we'd be open to giving them protection."

"Who is after them?"

"How the hell should I know?" Edwards growls, "We've got them holed up at a safehouse on Parker and Delicieux. You can find them th-" He doesn't finish the sentence as Nighthawk's foot whips across his jaw, knocking him unconscious. The vigilante turns and stalks out of the Neon, leaving a trail of chaos in his wake and extends his wings, launching upwards into the sky.

***​

Eddie Hope and Lonnie Cole had been holed up in a Panorama safehouse for over a week, quietly watching the news as reports of their old colleagues getting picked off one by one trickled through. They were under guard at all times by some punk outfit toughs, never leaving the safehouse and getting their meals on delivery. The boredom was intense, but it was better than dying in the gutter to some crazed vigilante. They sat around a table drinking beer and playing five-card draw when the bars on one of the windows are abruptly ripped out of the brickwork and a shadowy figure rockets through, spraying shattered glass across the room. The two men reach for their weapons as concussive bombs explode around them, sending their guards flying backwards. Before they can draw their pistols, bolos come flying out of the chaos, wrapping around them and sending them crashing to the floor. Before they can get their bearings, the clawed hands of the Nighthawk lifts them bodily from the floor and throws them against one of the couches, beating them mercilessly until they stop trying to escape and then binding them further.

Lonnie sobs desperately, pissing himself in terror with the knowledge he was about to die. Ed, a bit more stoic, spits blood at his captor, defiant to the very end… But Nighthawk only stares at them, covered in splatters of dried blood, his dark eyes fixed on their faces.

"Well?! Come on! DO IT!" Ed screams, not wishing to drag this out.

"I'm not here to kill you, Hope," Nighthawk growls, walking away to beat one of the Panorama guards into bloody unconsciousness. "I want answers, and I want them now," He says as he returns.

"Answers to what?!" He demands as Lonnie stills, whimpering and staring at the vigilante.

The Nighthawk growls impatiently, "Who is it that's killed Jenkins, Trey, Bowe, and Hogan? What is your connection to the Order of St. Berchard? What did you do?!"

"The- The what?!" Ed stares at him incredulously, "What the hell are ya talking about?"

"The symbol left over their bodies, written in their blood, was the seal of St. Berchard," He explains, "What's the connection?!"

"I dunno!"

Nighthawk backhands him, "WHAT'S THE CONNECTION?!"

"How the hell should I know, I've never heard of them in my goddamn life!" Ed shouts, wincing at the gash across his cheek.

"Then what about Detective Isaac Moreau? He's been missing for over a year, has he been hunting you?!" This draws a reaction from both of them, who immediately grow somber and still. Nighthawk snarls, grabbing Ed by the ropes binding him, "Tell me what you know! Is Moreau hunting you?!"

"Moreau's dead!" Lonnie bleats, "We-"

"Shut up, Lonnie!" Ed kicks him, but Nighthawk grabs the man and throws him aside, grabbing Lonnie and pulling him close.

"W-we-we-" The criminal stutters, almost in tears again as he stares up at Nighthawk, "We g-got the drop on him last year, after Zach got out of prison. He was really bent out of shape about being sent to p-prison again, and he wanted back at Moreau for getting him sent up the river again…"

Nighthawk stares at Lonnie uncomprehendingly, frozen by this new knowledge. They had ambushed Moreau? He was missing because he was… "What did you do?" He asks coldly.

"B-beat him half to death, or maybe he was-" Lonnie shakes his head, "There's no way he survived it. Then we tied up the body in a tarp and d-dropped him off the East River Bridge. Let him get washed out to sea."

"You murdered him-" Nighthawk whispers, "That- That doesn't make sense. Then who is coming after you? Why? How could you not know?"

"We just don't, asshole!" Ed grunts from the floor, trying to wriggle free. Nighthawk ignores him, pacing the room and clutching his aching head as he tries to work through what they were telling him. If Moreau was dead, why would Father Leonard or one of his monks care to undertake this quest? Why was the Order of St. Berchard pursuing these men specifically? He clenches his teeth, deciding that once he's done terrorizing Steele into a confession, he would head back to the monastery and do something ten times worse to that arrogant priest.

"Nighthawk to the nest," He taps his comms, "Come in."

"...Reading you," Charles says reluctantly, "What's up?"

"Found Hope and Cole," Nighthawk explains, "Drop a pin on my location and send the police a tip-off that they can be found here." He starts to tie up the Panorama goons as well, just to ensure they're not getting away anytime soon, "Hurry, before Edwards sends more of his men to move them."

"...Nighthawk, you've been going for hours, and you've been in fifth gear the entire time, you need to come back and rest. I'll contact the police, but-"

"That's all," Nighthawk disconnects the call, stopping to look at the two captive men, "I want you two to know you deserve everything that's coming to you," He says hoarsely, marching back to the window and flying into the night. Cole and Hope stare at each other helplessly, waiting for either Dusk Panorama or the police to arrive. It's been almost thirty minutes of tedious waiting when a blade suddenly rams between the front door and its threshold, drawing a shout of alarm and profanity from both men. The blade wiggles in place slightly before slicing downwards, cutting through the deadbolt like butter.

"Oh no," Lonnie's eyes widen, the door swinging open freely as the fetid stench of shit and grime begins to fill the room. Heavy footfalls signal the arrival of the Angel of Vengeance, who looks around the room for a moment before smiling at the two bound men.

"Good things come to those who wait," The Angel informs them, stomping over to where Ed wriggles, his quarry screaming for mercy and help before his sword flashes, splattering their blood across the room.

***​

Nighthawk races across the sky, arriving on the roof of Steele's building and smashing through the roof access door. He leaps over the railing of the stairs, dropping several floors in seconds before catching himself with his repulsors on the 22nd floor. He pushes into the main corridor and stalks down the hall towards where her condo is located. Upon arrival, he sticks explosive putty over the hinges and the lock, walks back a few yards, and then detonates it. The explosion rocks the area, setting off fire alarms and waking the neighbors. Dogs bark in their condos as he walks through the shroud and into the familiar interior of her place.

"Victoria Steele," He calls out, marching through her home, "Come out now, and we can do this quickly."

"If you insist," She says, and he whirls around to find her sitting on her couch in the living room, dressed in a silk nightgown and robe, "I thought we might enjoy ourselves."

"You expected me," He grunts.

She gives a coy shrug, "You weren't very subtle, tall, dark, and spooky. From what I've been hearing since I got home, you've been tearing half the city apart just like you did at the Neon."

"If you were expecting me, you know why I'm here," The vigilante takes a step closer, "You murdered those six men that night. The members of Dusk Panorama who were after you. What did they want? Why did you kill them?"

"I have no idea what you're talking about," Victoria puts a hand to her chest, "I could only watch in terror as you brutally killed them."

"Why not come forward as a witness?"

She scoffs, "A woman of my position being caught out hitting the clubs and getting wasted? Please, the media would eat me alive. A girl has to protect her image."

He grits his teeth, "Your lies have inconvenienced me, Victoria, and they've put the city in danger. You will confess to what you did, or I'll make you," He takes another step forward, "I know that was you at the department store too."

That makes her hesitate for a moment, her smug expression dropping as she studies him closely, "I'm afraid you've got the wrong girl," She says slowly.

"Your taste for mink gave you away, I'm afraid," He chuckles, approaching a little more steadily, "I honestly find you pretty disgusting - A servant of the people, an officer of the justice system, and at the same time a thief and a murderer who gets drunk and high at the clubs. You don't deserve the people's trust."

"If you're telling me that their trust should be placed in a masked vigilante who runs around the city murdering criminals, I'm going to laugh," She grins cruelly.

"I didn't murder those people," He snarls.

"Yes you did… And in your crazed mind, to get the police off your back, you decided it was a good idea to threaten a member of the DA's office."

He pauses mid-step, "Wh-" He frowns, trying to concentrate through the fog, "What did you just say-"

"I don't know what's going on tonight, but you're slipping even more than usual," She grins, "Breaking into my home, threatening me… You've got a lot of nerve, Nighthawk."

"Shut up," He shakes his head and immediately regrets it, stepping closer, "Shut up. Time to confess."

She smoothly withdraws a pistol hidden from sight, aiming it at him, "I called the police the moment you broke down my door, asshole," She snarls, pulling the trigger as he lunges at her. He dives to the side, getting clipped in the shoulder, the force of the bullet spinning him around as he crashes through her coffee table. Quickly pulling a smoke pellet and a concussive pellet, he tosses them at her, blasting her back across the room as he takes a running dive and smashes through the window, plummeting over a hundred feet before he can extend his wings and activate his repulsors, rocketing around buildings and trying to avoid crashing. Victoria groans, rising to her feet and wandering over to the smashed window to watch her enemy fly off into the night.

"What's that smell?" She muses aloud, beginning to hatch an idea, "Smells like desperation." Her grin widens as she sees police lights coming down the street.

Nighthawk curses as his suit begins to malfunction, the wings suddenly going into an arresting angle to kill his momentum as his repulsors die down to a gentle hum, lowering him slowly into a public park.

"That's enough," Greyburn says icily, "What the hell were you thinking?"

"Nighthawk's reputation is on the line!" The vigilante roars, "I had to do something! And did you hack my suit?!"

"My suit, asshole, I've never had to hack what I always had access to," Charles responds, "I'm grounding you until you come to your goddamn senses, that was so unbelievably stupid, she was baiting you! She wants you to attack her because it makes you look worse!"

"I CAN'T DO NOTHING!"

"That's exactly what you should do! Nothing! You need to rest, you're not thinking straight, you've never been this badly hurt before and you're in no right mind to be running the suit!"

"Nighthawk means something, Nighthawk means justice, Nighthawk means safety! If there is no Nighthawk-"

"There'll be no Nighthawk if you keep going like this! You'll either end up dead in the gutter or taken down by the authorities! You're only a man, Kyle, you have to accept your limits!"

His head is pounding, his mouth dry. He knows he has gone further tonight than he ever has before. How much time had passed? Had it really been five hours since he started? Or had more gone by… He honestly couldn't tell anymore. The summer heat made his skin itch, sticky underneath the suit, even in the dead of night. The humidity clung to him like the pain in his head, always a footstep behind no matter how fast he runs. He had tried so hard for the last six months to make a difference, to deliver justice to the people who deserved it most… And he feels all he has received in return is pain and misery.

But so what? This is what he deserved. This is his justice - The atonement he had to pay for what he had done… What he didn't do. He clutches his chest, feeling the simmering self-hatred boiling up once more. His mother had deteriorated for years before his eyes, and he turned a blind eye to it again and again and again- Until she withered away to nothing, died of an overdose and was abandoned by the family she loved. It was uncomfortable, so he ignored it. The pain in his head feels like a white-hot nail being driven through his skull. The Nighthawk has gripped him, and will not let go.

Kyle Richmond doesn't deserve to exist anymore, and if he doesn't feel good about the mission, he shouldn't exist, the Nighthawk demands, It doesn't matter if they love us or not. It doesn't matter if we make a difference. What matters is that we don't stop until we've given everything, as much as she gave and more-

"Kyle," Charles says, "You have to stop."

The vigilante prepares to return fire, wheeling around in rage, only to stop short. A homeless man in a dirty green poncho was standing nearby, staring at him with calm resolve. He must be a local here, Nighthawk believes, who had been disrupted by the sudden landing. The two stare at each other for a few moments, not saying a word. Finally, Nighthawk clears his throat, trying to think of what to say through the haze of pain.

"H-hey," Nighthawk raises his hand, "Don't be frightened… I'm not going to hurt you. I'll be out of here in just a minute, so just hang on-"

"Hello, Nighthawk," The man replies, his voice polite and dignified, "I've been looking forward to this meeting for quite some time."

"What was that? Who's there?" Charles asks, unable to see.

Nighthawk lowers his hand carefully, assessing the stranger differently. His clothes were dirty, the poncho smeared with grime. He couldn't see the man's face under the hood, and without his goggles… "Are you a fan? Didn't know I had any."

"Actually, yes," The homeless man starts to walk around Nighthawk, keeping a few feet of distance between them, "I've been following your new career with great interest. Taking the battle to Arthur Richmond, taking on the gangs… You're doing God's work."

Nighthawk twitches, "Trying to make Cosmopolis a better place, in my own way."

"Mm, and the city fights back every night against you," He nods, coming around to the opposite side of where he started, "And like Sisyphus, you continue to roll that boulder uphill, afraid to do what must be done, using only half-measures."

"...What half-measures are you talking about," Nighthawk's gaze narrows.

"I'm also trying to make the city a better place in my own way," The homeless man responds, "But you use fear to keep the element in line. You brutalize them, but they'll only get back up again, meaner and more cunning each time…" He chuckles, opening his poncho to reveal a gleaming sword inset with rubies, "I will put them down for good, Son of Darkness."

"Hh-" Nighthawk doesn't hesitate, immediately throwing his night-a-rangs at the creature before him, but the sword flashes and he easily parries them out of the air. The vigilante extends his wings and launches upwards, but the reduced output Charles imposed doesn't give him the lift he requires. The homeless man chuckles again and hefts the sword, throwing it with deadly accuracy and astonishing force. The blade punches through the wing, the wing that could deflect small-arms fire, and sends Nighthawk into a wild spin. His opponent charges in and leaps upwards to grab his ankle and bring him crashing down to earth, the flight pack whining loudly as it tries to lift their weight.

"Nighthawk, what the hell is going on?!" Greyburn asks.

He groans in response, trying to roll but getting caught up in his damaged wing, which won't retract, "He's stronger than he looks!"
"Who is he?!"

"The killer! Jenkins! I need the suit unlocked!"

The homeless man marches forward, delivering a sharp kick to Nighthawk's chin and slamming his foot down on his chest. The world spins as the kick robs Kyle of his sense of balance. His attacker grabs the hilt of the sword in both hands, dragging it length-ways out of the wing and then bringing it down with a powerful blow that chops the wing into pieces. The repulsors kick on, but without working wings Nighthawk is unable to stabilize himself, creating an opening that the enemy uses to roll around him and drive the tip of the sword into one of the repulsors, causing it to stutter and die.

Nighthawk dashes away, skidding to a halt and closing his damaged wing while folding the other one protectively over his left arm like a shield. This shouldn't be possible, none of this should be possible - He had hacked the right wing to pieces with brute strength, overpowered the repulsors, and then destroyed the flight pack with ease. Every instinct told Nighthawk to turn and run, but a deeper, growing skill at fighting told him that if he turns his back again, he'll die.

"H-how did you know I was here," He demands, tired of his enemies getting the drop on him, "Who in the hell are you?!"

"..." The vagrant stares at him for a moment before shaking his head, "I am this city's salvation… The Angel of Vengeance, a servant of God to purify its wickedness," He begins to circle around Nighthawk again, "I found you because God led me to you, because his justice is on my side. I see so many new paths opening up before me tonight, but I knew I had to meet you, to thank you, to pardon you… And to release you."

Nighthawk quietly checks his arsenal… Mostly depleted from a long night of battling against criminals. He had only a few night-a-rangs left and investigative supplies. He pulls one of the projectiles out and holds it like a knife, circling with the Angel of Vengeance, "So you're with St. Berchard then? Father Leonard I presume, or one of his cronies?"

"You still do not understand," The Angel replies with a sigh, "I must teach you."

"Teach me what-" Nighthawk begins to say, but his enemy crosses the gap in a split-second, the sword flashing as it skates off of the shielding wing.

"Your heroism is noteworthy," The Angel says, continuing a brutal attack that hammers at Nighthawk's defenses, "But my strength is from above. My power is my purpose. I am not with St. Berchard, because they are simply another tool in my mission to serve God and dispense his righteous fury on the wicked."

He ducks and puts all his strength into a sweeping blow that knocks the wing aside. Nighthawk retracts it suddenly, getting in close and hoping to land a few solid stabs with his blade. The Angel instead grabs his wrist and prepares to bisect his head, but Nighthawk reaches up at the last second, catching his enemy's arm before the blow falls. The two are locked in a seeming stalemate.

"I began with Zachary Jenkins and his associates, and tonight that mission has ended," The Angel says calmly, barely exerting himself, "Which is why I must thank you. You made it significantly easier for me to reach the last two."

Dawning horror breaks through Nighthawk's concentration, "Wait- You got to Cole and Hope?!"

"I was there before you even arrived, led by the golden path laid down by God," The Angel confirms, "But you made sure they wouldn't escape. Thank you." He grunts slightly, and then begins to push forward, slowly overpowering Nighthawk in their stalemate. "What is next is your pardon," He explains, lifting his boot and slamming it into Nighthawk's gut. The wind is driven out of the vigilante, his head feeling like it's going to explode as he staggers backwards, extending his wing and swiping at the Angel's head, who easily dodges.

"You use half-measures because you are afraid," The Angel explains, "Allowing this city to suffer because you are weak. Your faith is small, and your efforts are smaller. But God forgives you, Son of Darkness, because you still have tried. You have done more than any others, and that will earn your seat in paradise. You are pardoned for your sin, for your weakness."

"Kyle, you have to get out of there!" Charles barks.

"And now I release you, Son of Darkness," The Angel of Vengeance intones like a benediction, moving so quickly that Nighthawk struggles to keep up. The blade flashes and he screams in pain, the razor-sharp tip splitting his armor and cutting him from hip to shoulder. "Your mission is over, your time is done. I will be the hero this city deserves… Full of wrath, poured out on the wicked like boiling pitch. I will drown them as I burn them, and they will know God's justice as they fall screaming into hell."

Nighthawk staggers backwards, his blood spilling onto the grass at his feet as he tries to keep his balance. He couldn't fly, his wings were clipped and his repulsors unmade. He was out of weapons to use in this fight, and he didn't have the skill to overcome the Angel's sheer strength and power. He clenches his teeth, knowing there was only one way to end this fight. He ignores Charles screaming in his ear, closing his fists and charging back into the fight. Swerve, parry, duck- Jab once, bait an attack- His body shudders as the sword comes down like a hammer, shaking him to his bones. His takes another swipe with his wing, the blade comes up with glaring ferocity, slicing through the composite material, and Nighthawk closes the wing, catching the blade in a joint while using the motion to pull him in towards the Angel and plunging his night-a-rang into the Angel's shoulder. The vagrant screams in pain, ripping his sword out of the damaged wing and swinging it wildly, cutting through the armor on Nighthawk's left thigh, spraying blood across the ground.

Nighthawk pulls out his grappling hooks, firing both at once towards the roof of a nearby building. The Angel howls in rage, barely held back by the pain of his stab wound as Nighthawk lifts into the air, confident that the sword would come flying at him again - and surely it does, severing one of the cables, but the other one is intact, dragging him to safety.

The vigilante stumbles over the edge of the roof, hearing the Angel's howls of rage echo from the park below. He takes several heaving breaths, almost blinded by pain, before retracting the cable on his one working grappling hook and jogging to the opposite side of the roof. He shoots out the grappling hook, locking the mechanism into his armor because he lacks the strength to grip the device. He swings away, before he feels he's made it far enough away to limp back to the Hawk's Nest, using his damaged wing as a makeshift crutch.

Nighthawk wheezes as he descends into the hidden entrance to the Hawk's Nest, barely coherent and barely conscious from the pain of his old and new wounds and the blood loss taking its toll. He stumbles into the main room, collapsing against a table and gasping for air.

"Charles…" He mumbles, "Charles, help me…"

A hand grabs him roughly by the shoulder, turning him around and pushing him back against the table. The armor is unsealed and pulled away, cold fresh air kissing the slash that the Angel had scored across his chest and abdomen. Nighthawk realizes he can't see out of his right eye again, his vision too hazy from the head trauma, and with his consciousness rapidly dwindling, he can only slightly make out Charles' cold fury. He shakes a can of some chemical compound, spraying it on the wound to stop the bleeding. After a moment, Charles grabs Nighthawk's head, holding his gaze.

"I was wrong to help you," He says softly, "I see that now. I thought maybe the suit would allow you to overcome your… Flaws, but I was deluded. You're just some dumb, rich kid playing hero. Crying for your dead mommy and acting like this will make it all better. And I was stupid enough to help you. Stupid enough to enable you, too blinded by my hatred of your father to realize I was only going to get you killed."

"N-no," Nighthawk shakes his head slowly, but Charles only sighs.

"You're on your own from here on, Kyle, so don't come looking for me. I won't help you anymore. If you're going to get yourself killed… It won't be because of me. You're on your own…" He rises, pulling away from Nighthawk, before repeating, "You're on your own."

Greyburn turns away as Nighthawk's hand falls, the vigilante rapidly descending into unconsciousness as the inventor leaves. He had failed, a worthless wreck collapsed on the floor, broken by his own weakness. If he was like the Angel, he would have killed Oliver immediately, before the pistol could have been used to shoot him. If he was like the Angel, he would have had the weapons and tools to overpower Steele and force her to confess. Kyle was holding him back, keeping the Nighthawk from being the monster it needed to be. And if Kyle died here tonight, maybe that would be enough for the Nighthawk to emerge alive from the nocturnal crucible.
Someone watches him, a warmth descending on Nighthawk that he hopes isn't the last gentle feeling of life before his body finally gives up the ghost. He stops fighting and surrenders to unconsciousness, descending into fitful sleep.

A/N: If you liked this chapter, please drop a comment! We're in the home stretch now.
 
Oof, punch after punch. Incredibly injured. He has made tons of enemies rampaging through the criminal enterprises. Lead the police to a grisly murder they might try to connect him to. Threatened a popular public servant, got his ass kicked AGAIN and his suit trashed, and if that's not enough he's been abandoned by his only ally.

What? Does Vukla the Ferocious stage an invasion next? Can't wait to see Nighthawk come back with a vengeance. Nighthawk Rises anyone? Nighthawk Returns? :lol:
 
Chapter 9

Chapter 9


September 8th, 1997



I can't keep doing this. I've given almost ten years to this hunt and shown nothing for it. I don't know what I'm doing wrong anymore, a rat trapped in a wheel, a circuitous hell that I can't escape. No one else wants this job, so they throw me back at it every summer. Keep chasing the Doll-Face killer, even if it destroys your career. The new kid, Solomon, pointed out how comparatively speaking, the killer isn't even that important. More people die from car accidents and normal homicides- from smoking-induced diseases- than from one lunatic with a fetish for dolls. I told her to shut her mouth.



I didn't want her to know she was right. This is all a sick joke, and I'm the punchline. I thought I could solve this case, succeed where Combs failed, but I was just a dumb patsy for him to save his career, his sanity, while he had the chance. No one is interested in doing the same for me. No one goes after the greatest challenges of their life expecting to fail. We assume because it's our life, because we try our best, everything will just work out. We will win, cross the finish line… Get the gold.



But it's not true. It's all a goddamn lie, and I am done lying to myself. I've gotta get out of this hole. Somebody has to help me find my way out. I don't think I can do this by myself. Every time I think I'm close to solving this case, I run into a wall. I always run into a wall. Something in the way.If there is true evil in this world, it sees me, it haunts me. I'm trapped down here with the Doll-Face Killer, forced to watch his horror show. God help me, I want to get out.




Kyle sighs deeply, closing the file and tossing it onto a nearby table, troubled by his predecessor's slow breakdown over the years. That paranoid impulse… The feeling of supernatural persecution, that something was actively working to prevent him from solving the case… It echoes in Kyle's mind and resonates with the words of the Angel of Vengeance and the Doll-Face Killer. Something in the way… A force impeding the investigation of the Doll-Face Killer, warning him of impending danger, a force that guides the Angel on his quest…


He shakes his head, dismissing the thought. Both men were insane, and something in their psychosis, in their pathology, unlocked an ability that could not be accounted for in normal people. It was the only rational explanation that he could believe. He could not accept, could not indulge, could not participate in their delusions. He'd already teetered too close to the edge, and it almost cost him everything.


The vigilante grimaces, still recovering from the wounds he'd acquired almost a week prior. He'd regained most of the vision in his right eye, but bouts of dizziness were still common, and he'd been forced to use medical staples to close the wound the Angel inflicted on him. In any sane time, he'd be in bed rest for weeks, months… But there was no one who could wear the mantle while he recovers. It is June 25th, and if the Doll-Face Killer gets his way, he will find and kill the young woman who could still be clearly seen in the photo as a little girl. Kyle smiles grimly, though, staggering past the Nest's police scanner. Detective Solomon had been hard at work, leading a manhunt that promised to dog Norton's every step. Information on the suspect had been released to the public, his face, his name, his history. Everyone who may have been associated with his aborted show in the '80s were encouraged to come to the police, for protection, and for any information they might have on the killer. The noose was closing, slowly but surely, and if he didn't have the good sense to flee far from Cosmopolis, he would be caught. The attention on the killer also took some heat off of Nighthawk, who was still the subject of his own manhunt in relation to the Dusk Panorama killings and the threat on Victoria Steele's life…


He shrugs those thoughts away, picking up the pace. There was still work to do. Heading into the garage, he pauses to admire his handiwork under several jury-rigged floodlights: a heavily modified muscle car from his own collection, a memento of feckless youth, now airsprayed a heavy matte black and with a window tint applied to every view. Red cellophane was taped over the headlights to give it a more ominous look, and any form of identification he could think of had been discarded, destroyed, or obfuscated. The hardest part was reinforcing the vehicle with ceramic armor panels that he had taken from Greyburn's armory in the Nest, an effort that had taxed his very basic mechanical skills and almost tore his staples out. Boxes of gear and auxiliary supplies were strewn across the floor of the garage, plundered for any resources that he could use in his campaign: the heavy armor of his original suit replaced with a lighter-weight and more flexible jumpsuit with a pierce-resistant weave, spiked gauntlets and steel knuckles, combat boots, and a utility belt. Without his wings, he opted for a heat-masking mesh that he affixed to the shoulders to serve as make-shift cloak for stealth. The only original piece was his helmet, sans high-tech goggles, and the arsenal he now carried on his person: Night-a-rangs, concussive pellets, smoke pellets, tear gas, flashbangs, grappling hooks, capture nets, bolos, and a few highly explosive throwing weapons that could cause much more significant damage. His usual investigative kit was foregone, left behind in service to being fully prepared for any future encounters with the Angel of Vengeance or any other villain. The Nighthawk would not be caught unprepared again, and just to be additionally careful, a full restock of all essential gear was waiting inside the car if he needed it. The only equipment he did plan on taking was a goggle lens repurposed into a monoscope and a listening device.


There is pain, oh yes, there is pain… But not unbearable for him. Gritting his teeth, he dons his new armor, testing the fit one last time before attaching his cloak to his shoulders and placing the utility belt around his waist. He flexes his hands, getting a feel for the thick gloves and bladed weapons, and then reaches out to take up his cowl, placing it over his head. Prepared for the night ahead, Nighthawk strides through the Hawk's Nest with grim purpose, slipping behind the wheel of his ride, and starting the ignition. The engine rumbles ominously, like a beast hungry for battle. Gunning the motor once, twice, Nighthawk peels out of the Nest at top speed, passing through forgotten tunnels before erupting into the one of the underground thoroughfares of Cosmopolis, weaving through traffic and racing off into the night.


He flicks a few buttons, pulling up the GPS system in the car and activating the portable police scanner he duct-taped to the dashboard. The desired coordinates are already punched in, and he follows the road at reckless speeds towards the monastery of St. Berchard while the radio crackles.


"Bravo-One-One, this is Hotel Echo. Kzzt- We're requesting back-up at the precinct."


"Copy that, Hotel Echo, what's the code?"


"No code, but we've got a civvie who says she was at Oliver Norton's doll show - Captain wants increased posture, to send a message, over."


"Understood, on our way."


Nighthawk glances at the scanner, weighing his options. Before, he could have relied on Greyburn to pull all the relevant information on this girl straight from the police mainframe… But Charles wasn't around, and the vigilante would have to get close to hostile territory to collect more information about her, risking his own capture. He considers the matter for a moment further before disengaging his GPS and taking a sharp turn, heading for the precinct first.


***​


She looks to be in her early thirties, a plain-looking woman with striking auburn hair, dressed in a waitress' uniform with a cop's jacket draped over her shoulders. She's smoking on the back stoop of the precinct building, guarded by three officers, warily watching the shadows as the ash crumbles from the tip of her cigarette. He's waited a while for an opportunity like this, and the Nighthawk takes full advantage of it. A well placed distraction lures the officers into the darkness, leaving the shelter of the stoop to explore a rain-soaked city street.


"Don't scream," The vigilante whispers, provoking a choked noise from the woman. She drops her cigarette, crawling backwards from the towering onyx column staring down at her.


"I won't hurt you," He assures her softly, glancing towards where the police officers went, "I'm a friend."


"Y-y-you're-" She stammers out the words, and he kneels onto one knee, reaching out towards her.


"A friend," He murmurs, "I promise. I don't have much time. I'd like to talk later, if that's alright. Somewhere we can have a conversation." He turns slightly, looking towards the befuddled police officers.


She stares at him in mute, frozen shock, her lip quivering. She had already been freaking out when the officers left her behind to investigate the noise, but the appearance of a wanted vigilante was a bit more than she could handle. Nighthawk stares at her for a moment before reaching out and peeling one of his gloves off, showing her his hand.


"Flesh and blood," He promises, and reaches to his belt, pulling out a picture that he shows to her, "I've been looking for you. I'm not the only one who is. I'm going to make sure he can't hurt you."


"He-" She grows deathly pale, "He's looking for me?"


"Yes, but he won't get you. Tonight you're going to do something no one has done in twenty-five years… You're going to beat the Doll-Face Killer," He touches her knee.


"H-how?"


"Stay here, where you're safe, they'll protect you," He looks back at the distracted policemen, "But maybe stay indoors." He begins to retreat, but she grabs his hand.


"Y-you kill bad guys, right? You'll keep me safe?" She asks.


"...I'll keep you safe," He says softly, "But tonight I need to stop another criminal."


She stares at him with pleading eyes before slowly letting him go. He stands back up, and pulls his glove back on. "After tonight, we'll talk. What's your name?"


"Marie Ashleigh," She tells him.


Two first names, huh? He thinks to himself, "I'll see you later, Marie. Let's have that talk."


There's a piercing report through the dark as he shoots off his grappling hook, vanishing into the night as Marie watches in awe and fear. The policemen return after some moments, finding her staring up into the night sky, the fading silhouette of Nighthawk's cape the only sign of his presence.


"You okay, ma'am?" One of the officers asks as drops of rain begin to plop on her forehead, and she nods slowly, dropping her cigarette and pulling her jacket closer on her shoulders.


"Y-yeah, just-" She extinguishes the cigarette underfoot, "Ready to go inside."


***​


Father Leonard walks down the candlelit sanctuary of St. Berchard's monastery, his brow wrinkling at the puddle growing along one side of the room, rainwater dripping down from a hole in the windows near the roof. In his hands he carries the monastery's most holy relic, the sword of St. Berchard, though he takes specific precautions… He wears latex gloves to protect the fine steel blade, and even then he drapes a cloth over his arms to carry it to its resting place in the grip of the saint's statue. Once delicately placed, he steps back to admire his handiwork, the sword polished to a state he could see his reflection in the steel… And not just his.


Leonard gasps, but before he can turn around, hands grab him in an iron grip, a fierce kick to the back of the knee dropping him to the ground, his face inches from the razor-sharp edge of the blade. The Nighthawk looms over him, pushing the older man's face closer.


"Good evening, padre," Nighthawk rasps, "Surprised to see me?" He notes that Leonard didn't seem as strong as the Angel, who could cut through Nighthawk's state of the art wings and armor like paper.


"Gnnh!" Leonard winces at how close the blade is to his face, trying his best to not panic, "You're a fool to come here, you were warned-"


"No guardian angel here tonight," The vigilante taunts, "He left his sword here, after all." Nighthawk glances at the blade, wondering why it had been brought back to the church… He had seen it after all the first time he had explored the place.


Leonard sneers, "You are a fool to risk God's holy wrath-"


"Yeah, shut up," A swift knee to the side of the head drops the holy man to the ground in a cold daze, and Nighthawk swiftly binds him with steel cable. He straightens, taking another look at the sword, and a smile slowly grows beneath the cowl. The vigilante plucks the sword from the saint's grasp, walking back a few steps to look up at the stormy night sky.


"May God strike me down," He remarks smugly, holding his hands up as if to beckon the divine bolt to smite him… But even as the heavens rumble, he is not chastised for his trespass. He removes a night-a-rang from his belt and jams it into the chest of St. Berchard.


"Come on, padre," He says while dragging the old man towards the door, "It's time we had a real chat."


***​


A bucketful of cold water upends on top of Father Leonard, startling him awake. He finds himself in a dingy cell, a harsh light illuminating his face, stripped down to his underwear and tied to a chair. A figure moves behind the light, watching him carefully. The monk tries to gather his thoughts through the haze of a throbbing, skull-splitting headache. How had he gotten here? What was going on?


"Having trouble?" The figure asks, looming into the light, "I can sympathize." A cold chill goes up Leonard's spine as he realizes now what happened to him… And where he is. He thinks for a moment to call for help, but soon grasps that this would be pointless.


"I've been having a very bad week, padre," Nighthawk growls, "Not entirely your fault, so don't worry… I won't be paying you back an eye for an eye…" The vigilante slowly circles the man, flipping through the pages of an old, old book.


"But this won't be a comfortable time for you, either," Nighthawk promises.


"The Angel will find you," Leonard threatens, "Our guardian will-"


Nighthawk snaps the book shut with a heavy thud, "His ability to find people is surprisingly good for a filth-encrusted vagrant," He nods in agreement, "And I've taken something quite precious to him, so I have no doubt it will be long before he comes looking, though maybe you won't be his first priority."


Leonard's face drops as he infers the vigilante's meaning, "And by the time he does get here, it will take a miracle to put you back together after I'm done with you," Nighthawk snarls, grabbing the priest's hair and wrenching his head back, "I am curious to test his capabilities… A friend of mine would say to employ the scientific method… Develop a hypothesis, test it… See what comes up. So let's see if your bloodhound can find his sword and then find you before I beat you into a bloody pulp."


"..." The monk smiles coyly, "Despite what the police might think of you right now, I know your heart, Son of Darkness," His eyes ooze malice, "You are no murderer."


"Who said I'd kill you, padre?" Nighthawk asks, his gaze filled with pitiless dread. He releases the man, who gasps with relief, circling further around and looking at the cover of the book in his hands.


"Sacra Secreta Sancti Berchardus… Or as the layman would understand it, the Sacred Secrets of St. Berchard, a journal of apocalyptic ravings, demonology, occult mysticism, and other borderline heretical doctrines," Nighthawk holds the tome up, "A rather curious artifact for a modern-day monastic order."


"A souvenir," Leonard replies dryly, "A collector's item from my days studying at the Vatican."


"Kept in a locked safe beneath your desk next to St. Peter's extra-strength holy water and a relic of flagellation," Nighthawk responds, "Was that also for you? Because the blood sample I took off of it didn't match yours."


The monk grins mirthlessly, licking his lips while contemplating what he would say… "I-" He barely starts the sentence when Nighthawk's gloved hand cracks across his mouth, knocking him sideways to collapse on the ground with a cry of pain. He looks up in surprise at the looming shadow… Had he miscalculated? Were the rules-


A boot drops on his ribs, cracking them, and Leonard's eyes bulge, an inaudible shriek of pain whispered through clenched teeth. He had miscalculated. Whatever mercy or pity had been in the heart of the Son of Darkness had been extinguished already… Which likely explained the vigilante's rumored reign of terror from earlier.


"Tell me about the Angel," Nighthawk whispers, "And I'll stop."


His victim rasps for breath, struggling in vain to break free of his clutches. Nighthawk draws a bladed instrument from his belt and grabs the man's face, dragging the razor tip down from eyebrow to jawline. Leonard screams, thrashes, but cannot escape the grim torture being inflicted upon him.


"You tortured him," Nighthawk growls, "Experimented on him. Used formulas and concoctions from the book to change him. Who is he? Did you find some poor lost soul and turn him into that monster?"


He grab's Leonard's jaw, bringing them face to face, "Who is he?"


"Hhh… Hh…" The monk breathes heavily, but still manages a twisted looking of smug self-congratulation, "Once upon a time… St. Berchard was a hero-"


Crack. One of his fingers is broken.


"HEEEE-" Leonard sucks in breath through clenched teeth, tears running down his cheeks, "He saw the world as it was- impure, corrupt, vile- He did what was necessary to make it right with God."


Crack. Another finger is broken. Leonard screams, but he cannot do anything but continue to talk.


"HE WAS ABANDONED BY A CHURCH THAT-" He whimpers, "They could not abide his purity… And so he passed on his secrets to the brotherhood… To carry on his work… But even we grew impure and corrupt… Soft… Unwilling to do what is necessary… This city suffers from our largesse, we have spared the rod and spoiled the children-"


Crack. Another finger is broken.


"The Angel," Nighthawk reminds him callously.


"AAA… Ahaha… I beheld the Lord's Angel as a bolt of lightning falling from heaven," Sobs wracked his chest, "Extinguished in the waters we fished him out, purified as if dipped in the Lethe itself. He was perfect… The instrument of our Lord's vengeance, to cleanse the city of unrighteousness. He is guided by holy light, even if you took away the sword, that will not stop him-"


Crack. Leonard's pinkie finger is snapped, and for good measure Nighthawk breaks another joint closer to the palm.


"What about Zach Jenkins and his criminal enterprise? Why target them in particular?"


Tears stream down Leonard's face, "I don't know- I don't know! We set him loose and told him to hunt evil, and he chose them! He knew their names, he knew their crimes, he knew where to find them! We didn't question why, we just knew we had won-" Nighthawk interrupts him by breaking his thumb.


The monk cracks, crying out in pain, writhing to break free of his bonds, "I'M TELLING YOU ALL I KNOW!"


"Mhmm," Nighthawk responds languidly, clamping down on his own disgust to continue the bitter work, "And you will tell me everything when the night is through. This I promise you." He twists Leonard's thumb, shattering the socket and drawing out another pained screech.


"...Let's talk more about the book," Nighthawk presses as Leonard descends into sobs of terror and agony, realizing that Nighthawk had promised him a night of torture…


And the Nighthawk keeps his promises.


***​


It was true, the Angel of Vengeance possessed a strange, preternatural gift to find people. He had tracked down the entire Jenkins crime ring single handedly, murdered each of them with ease. Nighthawk had underestimated him before… He wouldn't do so again. Utilizing their old haunts, he kept on the move with the Sword of St. Berchard and Father Leonard for the rest of the night and through the next day, trying to remain one step ahead of the vicious avenging Angel. He deliberately stayed away from the Hawk's Nest, not wanting to draw his enemy to his innermost sanctum. During the downtime, he read the Sacred Secrets of St. Berchard, learned more about the experiments and rituals that the nameless man had been subjected to in order to create a champion of God's justice. Metabolic enhancers, steroids, dangerous cocktails of amphetamines and hallucinogens… For a year the Order of St. Berchard had kept him trapped in their dungeon, torturing and mutilating him until he thoughtlessly complied with their wishes.


The night of June 25th had not passed without comment or notice… Tension was in the air, expectations that a body and a matching doll would be found in the next week… But Marie Ashleigh was still alive and safely in protective custody, untouched by the Doll-Face Killer. After twenty-five long years, the murderer had been thwarted. Nighthawk did not think Mr. Charlie would take this insult lying down, though, and carefully considered the next move. It was too dangerous to allow Oliver and Mr. Charlie to wander uninhibited, even with the manhunt ongoing, and Marie would not be safe until they were in custody…


Nighthawk almost laughs at himself as he muses over the problems before him. In his mind, Mr. Charlie was already a separate entity from Oliver Norton, not just a figment of his imagination given form and substance by his own diseased mind and talent. He taps his fingers on the delicate parchment of the Sacred Secrets, thinking about the Angel and Mr. Charlie, figures of divine and dreadful origin… If they were to be believed. But the Angel was just a man, tortured and tormented into becoming a killer, and Mr. Charlie… He was just a doll, a projection of Oliver's murderous impulses. For all their pretensions, they were not supernatural or paranormal… They could be explained, examined, dissected, and destroyed.


He takes a deep breath, looking over crime scene photos he'd managed to snap in between the trips across the city. His actions had certainly caught the Angel's attention and provoked a murderous rage. Over a dozen homicides were reported since taking Leonard and the sword that matched the Angel's MO, down to the symbol of St. Berchard being splashed across the walls in the victims' own blood. Criminals, all of them… But not deserving of his brutal style of killing. Even without the sword, his enhanced strength and manic energy made him a threat to any normal person. Nighthawk had not yet determined how he would be able to battle against the Angel… Pound for pound, they should be more or less on equal footing, but God's avenger had thrown out all common notions of combat when he sheared through Nighthawk's wing in a single swing. Backed into the corner, wounded, and without Charles' help… His chances of winning were slim.


He'd have to even the playing field, and drastically, the Nighthawk muses.


His communicator beeps softly, lighting up from across the room. The vigilante groans as he picks himself up from an old chair, his joints popping erratically as he stumbles across the room on stiff legs. The waning sunset can be briefly seen through a crack between the boards over the windows, a solitary ray passing over his face as he made his way to the far side. He's surprised when he checks the communicator, answering with a terse voice.


"Detective Solomon," He remarks, "I thought we weren't on speaking terms right now."


"I don't want to hear it, smartass," She responds, "Got something for you. Someone left a letter on my desk, but it's addressed to you."


"Curious."


"Looks like an invitation. Someone wants to meet you in the Sapphire district, in the tower they're putting up over there. Eleven o'clock tonight."


"Any particular reason why?" Nighthawk glances at the room where Father Leonard is tied up.


"Doesn't say."


"Perhaps your colleagues are using you to lay a trap for me."


"No…" She murmurs, "The handwriting is a bit too…"


"Hm?"


"Girly, I guess you could say."


Nighthawk pauses, considering this new information, "How many people know about your connection to me?" He asks quietly.


"It's not like it's a secret, especially with all the evidence you passed to me on the Richmond case that made it into the record," She replies.


"...So someone in the DA's office would know."


"Yeah, obviously."


"I know who it is, then," He grunts, "And what she wants."


Solomon pauses, considering his words, "So is this some sort of love-hate dynamic-"


"Nothing like that, detective. This is a vendetta."


"You did break into her condo-"


He scowls, "I had my reasons."


"Just like-"


Nighthawk's growl cuts her off as he paces across the room, "I need a favor from you."


"This call is a favor, I'm not-"


"I need to know if the police in the Sapphire district are being mobilized for a raid or other operation."


"What-" She pauses, "You're not thinking of actually going are you? This is obviously a trap!"


"If they aren't being mobilized, then I need you to get them moving."


Solomon stops short, thinking through what he just said, "You lost me."


"I'm giving you the opportunity to fix your rep with the force, detective," Nighthawk rasps, pulling on his utility belt and grabbing the Sword of St. Berchard, "Tonight, you're going to catch the person responsible for murdering those six members of Dusk Panorama."


Nighthawk rips boards away from the window, vanishing through the aperture and descending to the car hidden in the alleyway below. Leaving Father Leonard behind at this point would send a clear message to the Angel about the score to settle between them… Keeping the sword would enrage him further. But before they could have their showdown, Nighthawk needed to clear his name.
 
Nice to see it all coming together. Love how brutal Nighthawk is. Appreciate the more pulpy aspects of this gothic noir superhero versus Batman who has some aspects of that but shys away from it. Can't wait for more.
 
Chapter 10

Chapter 10​


The city is alive, its glass carapace and concrete skin crawling with anticipation. It is a living thing, its blood, the millions of people passing through its streets. Night is its natural environment, its gems of light shining in every brilliant color imaginable, defying the darkness. The brilliance of the light only enhances the depth of its shadows, the contrast a natural hiding place for the criminal element. A virus that creeps from haunt to haunt, hoping to go unnoticed. Tonight, they pass unscathed, for the city's protector is intently focused on one place. His gaze is fixed, studying, examining, absorbing. A new skyscraper is being erected in the Sapphire District, the city's metal bones exposed to the elements. An appropriate location for this showdown.

The Nighthawk knows he is walking into a trap. Four dozen members of Dusk Panorama had entered the perimeter in the last hour, with more flowing in sporadically. Their energy is potent, reaching him even high up on the top of a nearby tower. They are hungry for blood, his blood, believing that tonight the vermin will topple the apex predator. He admits to himself that they could succeed, if he makes a mistake tonight.

She is here - The animal, purity of id and impulse. He hadn't seen her nature on display that first night, but he believes he understands her better now, the psychology of her. Victoria Steele's nature was to consume, voraciously, for nothing scared her more than being left with an empty stomach… Her appetites might drive her to consume herself. There was no trespass too great to outweigh that nightmare.

The building is almost sixty-four floors tall now, somewhere around 950 feet, though most of it was steel girders. The structure poked up from the underbelly of the city, where a labyrinthine system of tunnels and pipes encountered the open wound of construction, descending another few hundred feet beneath the surface. If he had his way, that would be the ideal place for taking on the Dusk Panorama… But go too far, and they might no longer give chase. They had to think it was their decision, that they were in control, until it was too late to escape his grasp…

Still, fifty or more gang members was a bit daunting, even with the arsenal he was packing tonight… And fighting them wasn't the mission. There were other paths to victory tonight, if he allowed himself to see them, wasn't blinded by his wounds and his righteousness. Being the hero wouldn't win him the day, this wasn't a fairy tale. He had to be judicious, exacting, and precise.

"No mistakes tonight," Nighthawk rasps, pulling his grappling hook from his belt and pulling the trigger. The line shoots across the expanse between buildings and anchors into the nearby edifice, pulling taut as he steps into the void and soars towards the waiting trap. The wind rushing past deafens him to all other sound, the jewel-colors of the city blend into a single blur around him. Adrenaline was flooding his system, but this soaring arc fills him with a serenity he hasn't experienced in quite a while. His city was beautiful, and he would be its protector. He alights on one of the steel girders, looking down into the intricate criss-crossing structure of the building. Warm lights bob up and down with the movement of the Dusk Panorama, its members spreading out and keeping wary guard of their hunting ground. He detaches the cable and inserts another grappling hook, carefully tip-toeing across one of the beams towards the center of the building. He removes another cable pack, winds it around the girder beneath his feet, and affixes it to his belt, stepping off the beam to descend, near-silently, into the midst of the assembled gang.

Nighthawk pauses, quietly inspecting the dozen henchmen sweeping the floor he was on, flashlights haphazardly duct-taped to their weapons, if they even carried firearms. Some were more crudely armed, wielding chains, blunt instruments, axes, knives. Once, Kyle Richmond felt trepidation getting into close quarters with these sorts of people, feeling the sting of making a mistake as blows rained down on him. Cowering behind the luxury of armor and technology, he had been unable to realize his true potential. The Nighthawk has fought fiercer beasts, and only sees prey. They are oblivious to his entrance, and he enjoys this superiority for a moment before softly clearing his throat.

"You should get your boss," Nighthawk comments, squinting slightly as a dozen flashlights train on his position, "He's expecting me… His little pet, too." A hushed silence follows his statement until one of the gangsters taps another, sending him down to summon backup. The others hold their positions, weapons trained on the vigilante as he calmly waits for them to bring their leader.

The henchmen fidget nervously - Nighthawk tries not to move, knowing he could set them off and the shooting would begin too early. Shouts echo from below, though he cannot see them now. Down here, the floors have been laid, obscuring his line of sight to further below. He imagines them, the leader of the Dusk Panorama climbing the stairs with his men following, boots stamping on the concrete with insistent rhythm. He smirks slightly, waiting.

"...You-" One of those who had stayed behind speaks up, "You're not him."

Nighthawk turns, slowly, deliberately, staring at the one who spoke. He swallows, petrified for a moment, but continues, "You can't be the Nighthawk."

"...Why not?" Nighthawk asks softly.

"You're just some guy in a mask," He responds, brandishing his pistol.

"Heh," Nighthawk's chuckle empties their bellies, cold fear oozing in and settling like lead, "Am I?"

They have no response for that, animalistic fear warring with higher reason. Even standing still in the sight of their guns, the dancing spotlights help play eerie tricks on paranoid minds - Was it a mask? Where did the mask end and flesh begin? Were his eyes just dark, or did he even have eyes at all? Somehow they missed the stories of the piercing orange eyes in the dark… This creature's unsettlingly hollow gaze stared through them, like they weren't there - just vapor-thin obstacles in his path.

More members of the Dusk Panorama arrive, climbing the stairs to reach them. More guns pointed at him, more weapons brandished in a futile attempt to assert control. They feared the Nighthawk, and this gave him power over them.

"You're awfully confident," Another voice speaks, the familiar figure of Franklin Edwards reaching the top of the stairs, "For a dead man." He holds up one hand, wrapped in bandages, as the burglar from Vale Department Store follows behind him in her tightly-fitted jumpsuit, her unmistakable saunter filled with smug triumph.

"...Only dead men have the certainty to be confident, Franklin," Nighthawk responds, "How's the hand."

"About to be feeling a lot better, my friend," Edwards stops a safe distance away, not wanting to become a human shield from his own men. The thief stops behind him, a few steps away, watching Nighthawk closely. The vigilante's attention slips from Franklin, appraising her.

"Don't tell me you're still sore about it," Nighthawk replies casually.

"Me? Naw," Franklin grins, circling the hero, "I should be thanking you. Half the organized crime of Cosmopolis is in a hospital, in lock-up, or running scared thanks to your little stunt. The other half will fall in line when I show them your head. A whole new day is about to dawn on this city, thanks to you."

That comment did earn a twinge of annoyance in the Nighthawk. The one-night crusade was, perhaps, ill-considered. Short-sighted. Throw a rock in a pond, you don't know where the ripples will go. "Franklin," He says evenly, masking his frustration, "I promise you, tonight one of us will walk away with a prize, and it won't be you… But I am going to do you a favor."

"Oh yeah, what's that?" He growls.

"I wasn't the one who murdered your men two weeks ago," Nighthawk says quietly, "The ones you sent after Victoria Steele to collect her debts."

To give Franklin credit, he controlled his reaction well - he didn't glance at the thief, but his henchmen were less self-controlled, and Victoria herself took a subtle half-step backwards. "Oh yes, I know about your arrangement," Nighthawk continues, "Those two years in Europe after law school ran up a hefty bill, one that she couldn't hope to pay back, and slipping away to Cosmopolis didn't help her escape the reach of the Dusk Panorama. She steals for you, you fence the goods and pocket the money, dangling her freedom in front of her like a carrot."

Nighthawk almost laughs, "I'd be sympathetic if she wasn't also a murderer. It took me a little while to piece it all together… Her impulsiveness, egomaniacal behavior… It was her lucky day when I showed up to rescue her, giving her the perfect opportunity to distract you from her debts. Let me guess… This is all for your benefit, right? She told you she'd deliver the vigilante who murdered your guys, tossed your club, hurt your reputation, and she'd get… What? The debts wiped away?"

He tuts softly, shaking his head, "Almost got away with it, Victoria. Almost."

Victoria swears softly, eyes locked with Nighthawk's, "You're not listening to this, right?" She asks, glancing quickly at Franklin, "Huh? He's trying to get inside your head! Shoot him now, take his head, wipe my debts!"

Franklin stares at the Nighthawk as well, coolly weighing the vigilante's words. The thief looks between them, snarling, "Are you kidding me? You saw the news when it broke, the coroner's office confirmed his weapons were used to do the murders! He killed your men, Frankie, not me."

"Stop talkin'," He sighs, running a hand through his vibrant magenta hair.

"Stop-" She replies breathlessly, "Up yours, I'm not-"

Franklin rolls his eyes, gesturing towards the shadowy figure in the center of the floor, "He's not talkin' to me, idiot," the gangster shakes his head, "He's trying to rile you up. He's got your number, and good."

Nighthawk laughs again, shrugging, "And it was working so well, too. The thing about high-functioning narcissists with machiavellian tendencies is that, well, they simply can't stomach having their personality dissected-"

"You can stop talkin' too," Franklin raises his own pistol, unimpressed, "No reason I can't bag you both tonight-"

"What did you just say?!" Victoria pulls her own pistol, pointing it at Franklin, who sighs aggressively. The Dusk Panorama henchmen look between the three taking center stage, their guns alternating between the Nighthawk and the thief.

"Victoria," Nighthawk says, "It's not too late. He'll kill us both, but I can protect you. We can walk away, together."

She laughs incredulously, "Go with you? That pitch supposed to work, you think you can manipulate me?! You're the easiest mark there is, you didn't look at me twice that night I killed Frankie's boys-"

"Victoria, shut the hell up!" Franklin barks, his voice echoing around them, "Put down your goddamn piece and maybe I'll let you walk away from this with your pretty face intactYou're outgunned, don't do somethin' stupid!"

"Oh, we're well past that, aren't we, Victoria?" Nighthawk needles her, "You can't help yourself, no matter how smart you think you are, you always do something to mess it up, getting yourself in another sticky situation."

"Shut up!" She points the pistol at Nighthawk.

"And it's not like mommy and daddy neglected or abused you, no, you were just born broken, born to cause them trouble. Their smart little girl who can't help but self-destruct her own life-"

"SHUT UP!" Victoria roars, "I am not stupid, I fooled you twice!"

"Yeah, but tonight I got you," He responds, opening his cape to reveal a recorder in one hand, "In more ways than one."

At his signal, Detective Effie Solomon removes her disguise as a member of the Dusk Panorama, emerging from the shadows and leveling her pistol at Franklin, "Cosmopolis PD, you are all under arrest!" Around the skyscraper, red and blue lights begin to flash, helicopters emerging from behind other buildings to blanket them in spotlights. Below them, officers of the Cosmopolis police force swarm the building, prepared to take the members of Dusk Panorama into custody.

"Your move," Nighthawk rumbles, his cape drifting in the wind. Victoria looks around desperately, trying to find a way out.

"DROP YOUR WEAPONS AND SUBMIT PEACEFULLY!" Effie bellows, her steely focus locked on Franklin while Nighthawk is zeroed in on Victoria. In her disguise, he couldn't get a read on her face, truly tell what she was thinking… But he wasn't surprised by her next move.

"...Fuck it," She decides, spinning and shooting Franklin before unloading in Solomon's direction and making a break for it. All hell breaks loose as gunfire erupts across the floor, the Dusk Panorama attacking no one in particular and rushing to defend their boss. Effie falls back, dropping behind cover as Nighthawk throws a handful of smoke bombs and flashbangs into the air, chasing after Victoria as she makes her escape.

"AGH!" Franklin hits the deck, covering his eyes at the blinding lights, before gathering himself to shout orders, "KILL THEM ALL!"

"Shit!" Effie breaks into a run, weaving in and out of cover and firing blindly as the members of Dusk Panorama fire indiscriminately. Nighthawk pursues Victoria as she swaps her clips, letting one clatter at her feet as she slaps the other one home, pulls the slide, and spins to unload into Nighthawk's face - only to find he isn't even there. She scans the darkness only for him to come flying out of her peripheral vision, slapping the pistol away. The sidearm skitters across the floor, coming to a rest near the edge.

"RAH!" Nighthawk and his quarry erupt into melee combat, both ducking and dodging as the Dusk Panorama encroach on their position and the police begin to erupt onto the floor. While the vigilante had the physicality needed to overpower her, Victoria was fast and agile, and most importantly, not bearing several debilitating injuries. Inside the construction zone she was in her element, using the verticality of the place to her advantage to dodge his hits, keep him pursuing, and delivering her own vicious attacks. She ducks around a steel beam, using it with her momentum to spin around the other side, delivering a sharp kick that lands on Nighthawk's ribs, sending him sprawling. Victoria wastes no time following up, for escape is her primary concern.

The vigilante leaps to his feet, prepared to chase after her, but Detective Solomon dashes past, yelling instructions, "I've got her, watch my back!" Nighthawk turns and sees a mob of Dusk Panorama thugs chasing after, taking cover and preparing to open fire. He shoots a zipline into the air, lifting him above their heads to the next floor, running along a beam and throwing flashbangs and concussive Night-a-rangs into the midst of the pursuers, leaping off the beam and landing atop one as explosions rattle off around them. Pinning the man to the ground, Nighthawk delivers several savage blows in rapid succession, dislocating the man's jaw and rattling his skull. He finishes off the first and dives onto another thug, continuing his merciless work.

The police and the members of Dusk Panorama trade fire, the gangsters looking for any way off the tower and to freedom as more members of the police force SWAT burst onto the scene. Franklin staggers to his feet, his blood dripping onto the floor as he stumbles towards one of the staircases. Victoria had assured him that this would be a surefire scheme to capture the Hawk, but it was turning into a disaster before his very eyes. As he begins to descend the stairs, blinding lights sweep over him, causing him to fall back against the steps.

"DON'T MOVE!" The police roar, grabbing him and cuffing him.

Victoria sprints from the gunfight towards a crane at the corner of the tower, its hook and cable fully extended to the ground. She makes it halfway when a spark lights up above her head, the sound of a ricochet making her stop cold. A warning shot, the last she would ever get tonight.

"FREEZE!" Detective Solomon holds her at gunpoint, "HANDS BEHIND YOUR HEAD, STEELE!"

The thief hesitates, slowly turning around to face the detective, who motions with her fun for Victoria to follow her directions. She trembles with barely contained rage, her eyes betraying the depths of her hatred for Solomon. This wasn't fair, this couldn't be happening… Not to her. How dare this woman point her gun at her? Who does she think she is? The swirl of despair, disbelief, and pure indignant rage boils over in Victoria, her teeth bared. Solomon is saying words, but she can't be heard over the ringing in the thief's ears.

"I SAID GET ON THE GODDAMN GROUND, STEELE!" Effie bellows, "I WILL SHOOT YOU-" She's cut off as one of the Dusk Panorama breaks through Nighthawk's defensive line behind her, her focus diverted for a moment to assess the threat. Victoria only needs a moment, dashing forward and closing the gap.

A lucky shot catches Nighthawk's shoulder, shattering his armor and sending him spinning to the floor, a flash of pain telling him that there was likely a new hairline fracture in his clavicle. Roaring in pain and focusing his attention, he rolls and throws a Night-a-Rang, the bladed weapon sinking into the attacker's chest and sending him sprawling backwards. Many of the Panorama who didn't have guns charged in, an unlit brawl exploding as the rest try to hold the police at bay. Nighthawk is a whirlwind of action, blocking, feinting, disarming, and delivering brutal hits that send his opponents to the ground with broken limbs, shattered bones, and significant internal trauma. Through the haze of adrenaline and the pain of his accumulated injuries, a small thread of thought maintains control. He cannot go too far, cannot cross the lines that his enemies mock. And most importantly, he cannot be the monster like Victoria tried to frame him. He had to capture her, restore his reputation, once and for all. Locked in combat, he is able to see Effie and Victoria fighting… And one of the Dusk Panorama about to shoot both. He roars in fury, throwing a bolo that catches the man at the feet and sends him off balance, falling through a gap in the floor to the next level.

The detective is no match in a hand to hand fight with Steele, the thief a trained combatant. Her razor-tipped claws whistle through the air as she swipes ruthlessly for Effie's most vulnerable spots, the detective trying her best to get a clear shot while avoiding the attacks and Her razor-tipped claws whistle through the air as she swipes ruthlessly for Effie's most vulnerable spots, the detective trying her best to get a clear shot while avoiding the attacks. A subtle shrill pitch as she steps backwards, dodging an attack that would slice open her nose, gouge out her eyes, tear open her mouth. Victoria is in her element, a wild and gleeful grin signaling her intent. The detective had to die after all, the lone credible witness to her true identity beneath the mask. No, the witness to what was under the true mask, the animal that so desperately wished to rattle the cages of this stodgy society.

Nighthawk's instincts were being honed with every encounter, every near-miss and close call a whetstone on the razor's edge of his skills. One eye is on the detective and the thief, even as he dips and weaves around attacks. He catches a chain, feels it wrap around his wrist and tighten on his gauntlet, using it to pull his attacker into a move that sends the man flying end over end to slam against cold steel. His instincts tell him that the danger is reaching a fever pitch. The wildness in Victoria's eyes reminds him of Tyson Raine, the apex predator who almost killed the Nighthawk. A ringing in his ears signals the zenith, and he breaks contact, rushing towards Victoria and Effie.

Too late. Too close to the edge. Masterfully played by the thief, who disarms Solomon with a move that sends the detective staggering backwards, followed by a sharp kick to the chest that sends Effie tumbling backwards and over the edge.

"...Oh," Effie turns to glance at Nighthawk, who was rushing to help her. Too far away. The vigilante vanishes out of sight as she plummets into the dark.

"NO!" Nighthawk screams, reaching the edge, prepared to dive after her… But she's gone. He took too long. She was too far away. He catches the merest glimpse as she disappears from the glow of city light and into the cavernous foundations below. For a second he thinks about the sight of his mother, peacefully sleeping in a hospital bed. It looked peaceful, from afar, but she was already gone. Lost to the drug her own husband allowed her to take, so that he could argue that it was safe.
When the ringing in his ears slowly fades, its replaced with Victoria's cackling laughter, triumphant over the Nighthawk. Her laughter echoes, lost in the city's din and the final echoing gunshots from the battle. The two stare at each other for a long moment, Victoria's grin fading as she considers her opponent. She picks up Effie's lost pistol, aiming it at the vigilante as he stares back, almost lost in a fugue.

When he moves, it's almost too fast for her to see.

The attack is vicious, and instantaneous. The gun ripped from her hands with such speed it breaks a finger. She pulls back, lips parted as a gasp fights its way out. Too fast, too fast- How? She parries a blow that reverberates through her arm and into her chest, the bladed gauntlet tearing her suit and spilling her blood. He drives her backwards with a relentless assault, but there's no thirst for blood in his eyes. He seems… Resigned.

And that terrifies the animal inside her.

"Get away-" She shouts, lights flashing towards them as the police hear the noise. They're her only hope now, how ironic. But they won't get to her in time, they won't save her from the rain of blows that are bruising her arms, slashing her skin, numbing her with each blocked punch and kick.

"GET AWAY!" Victoria shouts, reaching for a mace canister to break the flow of the beatdown, but a hand catches her wrist, and breaks it. She screams with considerable pain, her eyes flashing wide as his hands reach out, grab her by the throat, and lift her, slamming her against the steel girder behind her with such force it almost knocks her unconscious. Tunnel vision quickly sets in, her claws tearing at his armored gauntlets, her feet kicking uselessly against his chest.

"What was it you said?" He asks, his voice a snarled rasp, "About snapping some necks?"

What? She doesn't understand his meaning, does not connect her ironic fate with the words she spoke to Kyle Richmond. Her mouth hangs open, gasping for air that's not coming, the darkness closing in on her from every direction. Not like this, not like this, not like this, not to me, not me, please not me-

Nighthawk remembers the split-second, earth-shattering bang that preceded Mr. Charlie's bullet to the head. Maybe he died that night, and didn't even know it. Maybe this was hell, a hell where everyone abandoned him, where the only choice was to become just another monster. He remembers the piercing white light when Raine set off the bombs that were meant to kill them both. Maybe he died then, and this had all been a hellish nightmare.

A hand touches his, softly, momentarily. A warm, maternal voice says his name, reminding him that whether this is life or death, hell or reality, the deepest, blackest nightmare-

"You get to choose who you are."

Victoria feels life-giving air fill her lungs as she slams to the ground, coughing and sputtering, barely able to croak from the bruising of her neck. Her vision brightens, the Nighthawk standing over her, reaching to pull handcuffs from his utility belt. Even now, instinct tells her to run, but she cannot move - too weak to move at all, except clutch her throat. He grabs her roughly by the wrists, binding her and placing her against the ground.

"You're sick, Victoria," Nighthawk says with a somber tone, "You're only here because you've gotten lucky. Lucky that your own impulse didn't destroy you. And now you have nothing left," He pulls the mask from her face, and she screeches in rebuke, unable to form words.

"I see you," He says softly, "And I pity you." Without another word, he fires a zipline to anchor onto an overhead girder and jumps off the edge, descending into the abyss where Effie fell. He reaches into his belt, pulling a light that pierces the darkness, dimly, guiding him into her tomb. Grim determination, regret, and anxiety war in his chest, his heart pounding as he waits to find her body, spread across the pavement. Despite the recent issues, she had been a good partner, he reflects. Helping him learn the ropes of the detective game, working alongside each other to catch his father, investigate the murders of the Jenkins crime ring, and catching other criminals besides. He had to admit, he'd been growing fond of working with her.

His feet touch against something that only barely catches the light, the twang of metal cable echoing around him as it gives slightly under his weight. Nighthawk raises an eyebrow beneath the mask, testing the flexibility of the cable… It had plenty of give, sinking under his weight, but snapping back up.

"I guess I owe you one," A voice says, and he whips around, light shining on Effie as she sits at the end of the net that rescued her.

"...How…?" He wonders aloud, casting the light over the net, whose miraculous appearance was a mystery to him. Something about it seemed familiar, but he hadn't cast the net, fishing for a last-ditch rescue.
"What I want to know is how you knew she'd kick me off the building, to set the net in advance," Effie grimaces, feeling her bruised ribs, "And why you couldn't just warn me in advance."

"...This wasn't me," Nighthawk says softly, delicately stepping across the wires to take her hand, "Hang on." She grabs his shoulders, the two descending the last twenty or so feet to touch the cold ground.

"If you didn't deploy the net, who did?" Effie asks, frowning.

He shakes his head, bewildered, "I have no idea." Silence follows his answer as the two consider her close brush with death, and the question of who saved her.

"I'm glad you're alright," He adds, "...I've captured Steele. The rest of them were caught by the police, I think."

"Glad you got her," Effie says, "And if we have Franklin, I'm sure he'll take a plea deal to throw her under the bus. Your testimony, my witness, and his knowledge of her debts will put her away for a very, very long time."
Nighthawk considers this, walking over to sit on a block of concrete. Effie stares at him, hugging herself as the adrenaline ebbs. "You don't seem happy about it."

"..." He sighs slowly, exhaling through his nose, "What about- What about Arthur Richmond?" He asks, glancing at her, "Will this clear my name? Will losing her scupper the trial?"

"Like hell," She shakes her head, "You don't need to worry about that, Hawk. There's other prosecutors, and we'll clear your name. Richmond is going to be behind bars sooner than he thinks."

He nods, numb, staring at his hands. Hands that almost killed. Part of him has no regrets for how far he almost went… The rest of him knew he came far too close to the abyss. Trying so hard to ensure that his mother would get justice, he had lost sight of why it was so important. Justice, not vengeance, had to drive the Nighthawk's actions. He almost jumps when she touches his shoulder, not realizing she had crossed the gap.

"I'm going to go back up," Effie says quietly, "I really can't wait to see the look on her face when she sees I'm alive. Want to come with me…?"

He considers this for a moment, but shakes his head, "No… No. I'll find my own way out. I'll…" He looks at her, "It isn't over, not yet."
"What do you mean?" She asks, confused.

"Norton… The Doll-Face Killer and the Angel of Death, they're still out there. We have to stop them. Once and for all."

"We will," Solomon nods confidently.

He thinks about it, "I have an idea. But you'll think I'm crazy."

"Birdbrain, I know you're crazy," She pats the top of his helmet, "We'll talk about it later. I need to wrap up tonight first."

He almost laughs in response, remaining seated as she withdraws, borrowing his light to find her way back up to the surface. He had to admit, the idea of seeing Victoria realize she failed to kill Effie and clinching her own self-destruction for attempted murder of a cop would be quite entertaining… But he had too much on his mind. He was just relieved Solomon hadn't died.

When footsteps approach, he doesn't react. He figured whoever had cast the net would be close by, watching them, waiting for the right moment to approach. Nighthawk looks up, curious who is unknown ally was… And a flicker of elation brims in his heart as Charles Greyburn walks into view, holding the depleted net gun in his hands.

"...Hello, Nighthawk," Charles says awkwardly, not making eye contact.

The vigilante almost seems amused to see him, "Hello, Charles. What are you doing here?"

"Ah, hmm, what indeed?" The old man chuckles, hands on his hips, "Taking an evening stroll, I suppose?"

"With a net launcher," Nighthawk observes.

"This?" Charles holds it aloft, "A larger version of the nets I designed for you. A bit impractical to carry, I thought it might be an emergency release mechanism to catch you if the wings ever failed. I couldn't get it small enough to fit in the suit, and of course there were concerns that in a free fall you wouldn't be able to orient yourself such that the deployed net would actually catch you instead of flying off somewhere else."

"Charles."

"Mhmm?" He looks back at the vigilante, who tiredly and painfully shifts over to make room on the block.

"What are you doing here?" He asks again.

Charles seems to deflate with a sigh, setting the net launcher down and sitting beside Nighthawk, "I, uh… Still had one of the police scanners. Been keeping my ear to the ground, trying to glean anything about how you were doing."

"You could have come back to the Hawk's Nest," He observes.

"...Yeah, but… I didn't," The inventor fiddles with his fingers, "Look, k- …Nighthawk, I've never been really good at… This. Being a team. Your father and I made it work for a while, but it was always a more transactional relationship. Your mother and I… She was my friend, but it wasn't the same. When I left… I know it must have hurt. That you were scared. It was shitty of me to do. I was just… I was scared."

Nighthawk stares at him, but his expression isn't sharp… Gently inquisitive, he waits for Charles to continue. "I used to resent your mom so much for introducing me to Arthur. We were young then, so young… After he forced me out, she sent me a letter, and I'll confess I tore it up instead of reading it. She died before we ever got the chance to reconcile. Some days I wonder if her addiction, her death, were my fault. I wasn't there to protect her. And Arthur never cared."

"I joined up with you to get back at your father, sure, but… I also wanted to atone. Try and make up for abandoning her. I thought if I could help you, it might… Make things right, somehow? And if it kept you out of trouble, then I was honoring her memory. But that night, when the Killer shot you…" He closes his eyes, reliving the memory, "God, I wondered if I had made a terrible, terrible mistake. That I got you both killed. That if I kept feeding into this… Obsession, it was betraying her. But even then, even after I left, I… I had to keep an eye on you. So when I caught wind of this sting, I knew you would need my help. I'm just glad I showed up in time to save the detective."

"...Me too," Nighthawk claps a hand on Charles' shoulder, squeezing it gently. Dried blood flakes off his fingertips, "You saved her life. I couldn't get to her in time. But I did catch the thief, Victoria Steele, and my name will be cleared for the men she murdered. But like I told her, the work is unfinished."

"Right, I heard… You want to settle accounts with the Killer and the Angel."

Nighthawk nods, "They are… Different from Arthur. Or even Victoria or the Dusk Panorma. Their power is more… Terrestrial. Their motivations tied to human desires. Both Norton and the Angel are plagued by delusions of divine and diabolical natures. And for the Angel…" He sighs, relaying his kidnapping of Father Leonard, the subsequent interrogation, and what he learned of the Angel… And what he suspects is the truth behind it all.

Charles swears under his breath as he comes to grips with Nighthawk's adventures in his absence, "Mr. Charlie is looking for a fitting antagonist, the Angel fatally purges anything he considers evil… It seems almost like fate that they'll find each other. Especially given their… Unsettling capabilities in finding people."

"The Demon and the Angel," Nighthawk agrees, "But it's all a delusion. Their minds perceive information differently than us, see spirits where none exist. It's just how they are able to cope with their capabilities. How it has manifested in them both is… Difficult to say. It doesn't matter. We need to stop them, and to do that, we need to lure them into another trap."

"Big on traps now, huh?" Charles observes wryly.

Nighthawk glances at him, "I'm not going to fight on their terms anymore. On their territory. The predator hunts in the conditions most advantageous for it. With my name cleared, the police can assist, and we can work together to catch these two."

"So how are we luring them in?"

The vigilante smiles grimly, "We appeal to their sense of destiny. Manufacture the conditions of their fated meeting, and steal it from them for ourselves. I have a plan… It's crazy and it's stupid, but it will be something neither can ignore. Especially the Angel… He's enraged over kidnapping the monk and stealing the Sword of Berchard."

"I wonder why he would bring it back?" Charles muses.

"Who knows? Cleaning, religious obligation, simply to avoid suspicion? It doesn't matter. I know where it is, and he'll be desperate to get it back. We just need to lay the clues for him so that his twisted mind follows the trail, thinking it's his idea. From what Leonard said, he truly buys into the delusion they sold him, that he is an angel… And I've been reading the Secrets of St. Berchard, which has been… Enlightening."

Charles nods, standing up and stretching his back, "No time like the present… But…" He turns to give a hand to the Nighthawk, who takes it with amusement and stands, staring down at the old man, "Listen, I'm proud of you. You did what no one managed to do in over two decades, you saved someone from the Doll-Face Killer. That's meaningful, that changes the culture of this city, gives people hope that evil can be thwarted. You've done… Good. Like actual good. So, I'm proud. And I know your mother would be proud of you too."

Nighthawk smiles softly, hugging the other man, "Thanks, Charles. I appreciate it."

They hug for a moment before he pulls away, "Yeah, well, you earned it. Now come on, if you're going to take on the Angel of 'Roid Rage, I need to repair your suit. And make a few upgrades, I think."

"Upgrades?" Nighthawk asks, walking alongside Charles as they venture out from the shadowy complex beneath the tower.

"Oh, you'll see my friend," Charles laughs theatrically, "THEY'LL ALL SEE!"

"You're gonna bring the cops down here."

"Oh, shit, right," He clams up.

***​

Detective Solomon filled Nighthawk in later on the show she got when Victoria learned she was inexplicably alive. The district attorney had a full nervous breakdown, almost killing herself in her hysterical state. Solomon took a great deal of pleasure in this, after the pain and trauma she endured at the thief's hands. Steele would be held at the 13th precinct lockup, but it seemed more than likely an extended stay in Priors Island Prison was in her future. Nighthawk considered it worthwhile to eventually make a stop to have one last talk with Victoria, though whether it would be under the mask of the vigilante or the mask of the rich socialite remained to be seen. It would perhaps be a bad idea to visit as Kyle Richmond, in case it tipped her off to his true identity. It would be a conversation for after the Angel and Demon were dealt with. He prepared his plan, trying to work out all the details in advance before it was time to fill Effie in. She would balk, of course, and the police force would think him insane for even suggesting it… But at the end of the day, it wouldn't be their choice whether or not it could happen, or if it would work. There was someone else he would have to convince too.

Across the city, wandering dimly lit streets, the Angel of Vengeance walks the path of violence and blood. His enemies do not get the luxury of a prison cell, and their freshly spilled blood drips from his knuckles. His rage was incandescent, the only light he needed in this filthy, darkened city. The Son of Darkness had gravely miscalculated by attacking the monastery, only staying one step ahead of the Angel through fiendish trickery. Taking both Father Leonard and the sword was a gross violation of the monastery's sanctity, one that the Angel longed to pay back in full. He arrives at a condemned building, one of the boltholes that he tracked Zach Jenkins to over a month ago, by his twisted reckoning. Kicking in the door, he begins to explore the decrepit interior, searching, searching… And finding.

Father Leonard was inside, barely conscious from lack of food and water, plus the vicious torture that Nighthawk had subjected the holy man to. He was tied to a wooden chair, head lolling gently, a strip of duct tape ensuring his silence. The Angel approaches Leonard, a soft, subtle thread deep in his mind wanting to reach out and throttle the semi-conscious man, aware of the torture and experimentation he was subjected to at Leonard's hands. He compromises by ripping the duct tape off.

"Gaahah!" The priest cries out in pain, tears running down bruised cheeks, "No more, no more… Please, no more, I beg you…"

"Hush now, father," The Angel circles him, ripping off the bindings with ease, "An Angel of the Lord arrives to rescue you from the clutches of the wicked."

"Ohh… Bless you, bless you my son," Leonard weeps openly, staggering out of the chair and barely able to stand, "The Son of Darkness is truly the spawn of Satan, our enemy through and through."

"An enemy," The Angel acknowledges, "The divinity speaks to me, the demonic creature called the Doll-Face Killer is flushed into the open. My spirit hungers for his blood, his victims cry out for vengeance."

"Then, my son," Leonard tries to clutch the Angel's face in broken fingers, "You must kill them both."

The Angel stares at him impassively, disgusted by his touch, "Yes, Father. As you say, so the Lord wills, and it will be done."

"As above, so below," The words echo in another place, a dingy, man-made grotto beneath the city. Bootleggers used to use these old spaces to run liquor past the police, generations ago. Now, the demon called Mr. Charlie waxes philosophical as Oliver Norton curls up in a corner, whimpering. While Mr. Charlie occupied one hand, the doll of Marie Ashleigh was clutched in the other, preventing Ollie from doing much but sit and prevent both from being soiled by the grime pervasive to this place. The Nighthawk's discovery of their lair, of Ollie's identity, his insults to Mr. Charlie's artistry, the failure to find and kill Marie at the anniversary… It meant all of Charlie's wrath was poured out on Ollie, just like the old days, before they had reached an understanding. Ollie tried not to think about those times, when Charlie had inflicted all manner of torments on the boy for simply existing. Now a man, Oliver had no choice but to comply. It was easier that way… Better.

"This insult cannot stand, Ollie m'boy," Charlie muses softly in the dark, "Twenty-five years of the highest, purest art, destroyed because the Nighthawk meddled in our affairs. It's unforgiveable. He's not worthy of it. He doesn't elevate our art at all. He's just some SCHMUCK with WINGS!"

He could almost laugh, the rage pushed him through to a hysterical amusement, "Well, he'll get what's coming to him. We just gotta think about it, now don't we? Too bad the shop is ruined, we coulda made a doll just for him. We'll have to improvise."

"...What's the plan, then?" Oliver asks numbly, trying to appear present lest Charlie punish him for zoning out.

"Plan? We don't need no stinkin' plan, dummy!" Charlie turns to look at him with wide, crazed eyes, lighting a cigarette that glows in the dank confines, "We find what he loves, and we squeeze!"

"...We don't know what he loves. We don't know anything about him," Oliver says miserably.

"You leave that to me, Ollie m'boy, I don't expect a useless pig like you to do anything right," Charlie scowls, "We'll get him back, oh yes we will… And he will regret ever crossin' me, I promise you that."

A/N: Nearing the end. Two more chapters and an epilogue to go, though I think Ch. 11 is going to be an absolute beast to write. Got most of this done earlier today on a 16 hour flight, thank God google docs lets you edit offline.
 
Chapter 11 New

Chapter 11


"-Takes to the sky like a bird in flight, and who will be her lover?" Marie wanders her studio apartment, putting groceries away delivered by Detective Solomon personally. The radio sitting on her window sill is tuned to one of her favorite stations, and she sings along to the music, "All your life you've never seen, woman taken by the wind - Would you stay if she promised you heaven? Will you ever win?"


Discovering her childhood self in the picture published in the Cosmopolis Daily Star had been… Unsettling. Seeing it tied to the long series of murders perpetrated by the Doll-Face Killer was alarming, even more so when the Nighthawk confirmed she was his next target. The vigilante claimed to have seen the doll for her in the killer's workshop. It was surreal knowing that a man like Oliver Norton had fixated on her for twenty-five years, waiting for the moment to strike. If she had been higher up on his list, she would already be dead. Just another name at the charity events she heard about from the vigilante as well. A woman, Margaret Pell, had been allowed to visit. She brought a care package, baked goods and other treats, and told Marie that surviving her night was the best revenge Margaret could imagine on the man who murdered her husband.


Marie wasn't sure what to think about that.


She'd been allowed back into her home by the police, though they were still keeping an eye on her, guards posted discreetly outside the building. The police had gone door-to-door through the whole building, making sure every resident knew what Oliver Norton looked like, should he try to sneak inside somehow. His face was also pasted on every bulletin board, street corner, and bare wall for five blocks in every direction, making sure anyone who saw him would recognize him. Some fairly solid police work, she had to admit. Looming over it all she knew that the Nighthawk was watching closely as well, and that provided her some comfort as well. Mrs. Pell had confided in her own encounter with the vigilante, a similarly unnerving but ultimately affirming experience.


She closes the refrigerator door, setting some water to boil on her tiny stove while preparing some cheap ramen for dinner. An egg, a little chili oil, some green onion, and a thick slice of tofu sat on her counter as she got to work elevating her basic dinner into something a little more gourmet, chopping the green onion into thin slices. When the water was boiling, she dropped the dry noodles in, and when they became tender she cracked the egg into the boiling pot as well. The seasoning packet was next, and when the pot was ready, she pushed in diced tofu and the green onion, mixing it all together before transferring it to a bowl. Finally, chili oil was drizzled on top, and an ice cold beer cracked open to accompany the meal. Grabbing a fork from the drying rack for dishes, she sets it all down by the window and sets out a book to read. She couldn't afford her own TV as a struggling young actress in the Cosmopolis theater scene, much less a DVD player or cable, so she settled for stacks of books borrowed from the library.


There was a certain irony at play, she thinks, being hunted by a performer who had wanted to be successful on the same stage as her. When she was a little girl, she had begged her parents to take her to the cheap shows at the Old Cosmo, never knowing until much later in life how so much had been accomplished on shoestring budgets. Those people did it for love of the craft, and their performances had inspired her to follow in their footsteps and be an actress herself. The career was aspirational, of course… She spent more time as a waitress, bartender, or doing odd-jobs and gigs than she spent in the playhouse. She felt sorry for Oliver, tormented by a demon of his own mind, desperate for the same taste of success she craved. It was intoxicating to be up on the stage, the limelight on you, even for an instant…


Marie slurps her noodles, feeling a bit melancholy over the whole thing. It was hard for her to decide how sorry she should feel for the killer. How much was he the victim, how much was he the killer? She wasn't sure she could ever know how that dynamic played out. Nevertheless, he had targeted her for death, promising a ghoulish end with a scarred doll in her likeness, just like poor Mrs. Pell's husband. It was surreal too, thinking he was there that night. She barely even remembered the 'comedy' performed by Ollie and Mr. Charlie. She had been too young to truly grasp it, how unsettling it should have been. A call with her parents confirmed she probably didn't want to know how bad it had been, the ugliness and violence Charlie displayed towards those who didn't understand his twisted sense of humor.


She downs her beer and cracks open another one, trying to focus on her book instead.


"A good read?" A voice rasps behind her. She jumps slightly, but is becoming accustomed enough to the visits of the Nighthawk to not overreact to his arrival. She shifts, turning around to face him with a comically dour face, expressing her lack of amusement at his sudden and quiet intrusion. Nighthawk once again wears his fiery orange goggles, staring back at her inscrutably.


"Depends on how you feel about Polish literature," She responds, "Are you just going to stand there?" She sets her meal aside, her appetite lost to nerves.


Nighthawk circles around her, politely pulling out a chair and sitting across from her quietly. They stare at each other in silence for a few moments before she clears her throat, trying to move on with the conversation, "So what's going on?"


"Hmm…" The vigilante touches his chin thoughtfully, "I was told not to bring this up with you."


"Yet, here you are."


"Here I am," He agrees, nodding, "I want you to write a letter to Oliver Norton… And act as bait to draw him out."


A queasy feeling settles in her belly and the noodles no longer satisfied, instead feeling like oily eels curling inside her. "I think I understand why you said you weren't supposed to talk to me about this…" She says hesitantly, trying to contain her nausea.


"It's risky, and blatant," He acknowledges truthfully, "But the neurotic part of Oliver's mind, the killer, is vain, aggressive, and controlling. A provocation will enrage him. He has tremendous analytical skill, and we will lay the bread crumbs leading him to you. Then we'll catch him."


"Sounds so simple," She says, trying to sound strong but her voice a hoarse croak.


"He won't be alone," Nighthawk continues, "He will be the bait we use to lure in another killer."


The silence stretches out as Marie absorbs this. She studies the surface of her table carefully, trying to keep her turbulent emotions under control. "Another killer?" She finally asks.


"A deranged man playing at being a lethal protector. He will be hunting the Doll-Face Killer, because he sees me as a rival. He will likely seek to remove me from the equation as well."


"...So why are we trying to stop him?" Marie asks, shaking her head, "Sounds like he will take care of the problem."


Nighthawk stares at her for a moment, carefully considering her response. It's understandable, her fear and hesitancy. Fear could inspire violence, or despair. She wasn't willing to submit to despair yet, she wanted to fight. She shouldn't be expected to uphold nuanced ideas of justice when her own life was on the line.


"Why are you asking me to do this?" She asks, looking at her hands.


His mask betrays nothing. "Because you are the only one who can."


"Is this really about Norton, or is it about this other guy?" She asks, "Will you protect me, or will you go after the guy trying to kill the serial killer who wants me dead?"


"I will do both," Nighthawk says.


"You should just let him kill Norton," She insists.


"I can't," He responds.


"Why not?!"


Her outburst echoes briefly, ringing off the glasses on her countertop, waiting for their turn in the sink. Nighthawk sighs softly, tapping one claw on the table between them.


"Because I don't want to," He says simply, "Because it is in my power to achieve the greatest good. Because I don't believe I decide which deaths balance the scales. Vengeance isn't mine, Marie. I am a servant of justice… Unconventional, outside the bounds of the law, but I serve the truest form of justice nonetheless. Vindication for the victim, protection for the helpless. That is what it means to be the Nighthawk."


Her nose wrinkles, "Are you sure you're not just a coward?" She asks harshly, "Why do I have to risk my life to uphold your pompous sense of morality?"


"You don't," He gently shakes his head, "You don't have to do anything, Marie."


She stares at him, distrust evident in her chilly glare, and he continues, "You've lived your entire life marked for death, whether you knew it or not. June 25th was supposed to be the day you died. You now realize the burden you carried your entire life. The funny thing is that you could have dodged it by leaving, but you never did. Your love of this city, of the very thing that brought you into Norton's sights, kept you here. Call it destiny, providence, impulse, or fortune, you've been on this path your entire life, walking each step set out for you with unerring obedience."


"...I am offering you a choice," He explains, "What do you want to do?"


Our appetites will eat us too, Victoria's words echo in his mind.


The silence following his question for her seemed to stretch out for hours. They sat together, waiting for an answer she did not know she could deliver. Eventually, Nighthawk stood, looking down on her… Without condescension, he seems apprehensive and a bit apologetic for his intrusion. When she had nothing to say, he passes by and vanishes from her home.


"If you change your mind, you know how to find me."


***​


"Do you think she will change her mind?" Charles asks skeptically, sparks flying past his face as he repairs the wingsuit. His question flies over Nighthawk's head as the vigilante studiously takes notes from the Sacred Secrets of St. Berchard, jotting down fundamental details that could prove useful to their future confrontation. Summoning circles, satanic incantations, alchemical brews with tantalizing connections to real-world drugs… Berchard had been onto something in his time, and it was a wonder how he used his knowledge to serve his own twisted vision of divine justice.


"Kyle," Charles says again, sparks flying past his face as he welds pieces together.


"Mm?" His head doesn't even lift as he continues reading.


"Do you think she will change her mind after all?" Greyburn repeats.


The vigilante's gaze lingers on a woodcut illustration of an ominous, spectral agent of divine retribution, the 'Spirit of Vengeance' which came upon St. Berchard in the days of the French Inquisition. A blazing skull perched atop a cloaked figure, astride a flaming horse. Myth and superstition fueling his mad quest for divine purity.


"Who can say?" Nighthawk responds quietly, jotting down more notes.


***​


Kyle Richmond steps off of the elevator on the penthouse floor of the Hotel Houston, pausing in his stride through the corridor to look at himself in the mirror. The man who looked back at him was barely recognizable… Haggard, exhausted, with bloodshot eyes and a clenched jaw. He exhales gently, reaches into his pocket for eyedrops, and carefully applies them. While he waits for them to soothe his red eyes, he rolls his shoulders, unclenches his jaw, and practices putting on an easy smile. The haggard look wasn't the result of long nights and watchful prowls, but the curated stubble of a socialite whose taste for fashion had room for a certain rugged edge. He takes a deep breath and continues on, pushing the doors to the penthouse open.


Inside, Arthur sits in a fluffy bedrobe, his incensed glare fixated on the TV as the news relays how Nighthawk has been exonerated of any wrongdoing and his testimony would hold in the Richmond case, which would proceed to trial. Streaks of red on the wall and shattered glass told the story of a Bloody Mary that had been the recipient of Arthur's rage.


"..." Kyle stuffs his hands in his pockets and saunters over, standing behind his father. The old man doesn't bother to look at him, too focused on the TV. Kyle idles for a moment before looking at the bar, moving to pour himself a drink.


"You think I'm gonna let you have a drop of my liquor, boy?" Arthur growls, finally acknowledging Kyle's presence. The Richmond scion lowers the decanter in his hand, glancing questioningly at his father.


"Like I don't know what you've been up to," Arthur presses, getting up from the couch, "Like I don't know."


Kyle stares at him for a moment and sets the glass and decanter aside, "You're going to have to unpack that for me, pops," He says with a smooth smile.


"Bullshit," Arthur spits, "You come prancing up here in your fancy clothes you buy with my money, think you can drink my liquor, in my house, but what have you done to earn any of it? Huh? What have you done? While my ass is on the line, what have you done? Nothing! You're not here, you're not at the office, you're out in the clu-u-u-b with your girls dancing the night away! You should be watching over my empire, but you're doing nothing! Just like everyone else! We're under attack, the barbarians are at the got-dayum gates, and no one cares!"


Kyle tamps down a smug smirk, feigning wounded innocence instead, "There's nothing to be worried about," He responds, walking around his father, "Your prosecutor is in a jailhouse cell now, half the evidence is from a deranged vigilante, you've got the best defense lawyers money can buy-"


"Ha!" Arthur barks, "Don't even talk to me about those bastards, I'm about ready to fire Root and his cronies!"


"...That seems highly ill-advised," Kyle responds, glancing backwards, "You have to trust the system-"


"The system?!" Arthur doubles over laughing, "THE SYSTEM?!" He grabs the liquor cart and upends it, shattering bottles across the floor. "There is no system that wants to see a man like me succeed! This is working as intended, boy, they want to see me fail! They've always wanted to see me fail! There's no world where a black man gets too big for his britches and sits at the table with all of them."


"...Ha," Kyle laughs dryly, staring at Arthur, "You really believe that, don't you?"


"Who do you think you're talking to?" He snaps, pointing a finger at his son, "Huh? Forget that I'm your father? I believe it because it's true! All my damn life, people been keeping me down. People don't want me to succeed! But every time, every time, I've come out on top."


"But not this time, huh?" Kyle almost laughs, "This time, you think they might actually get you."


"Yeah, but look how damn low they've had to sink to do it," He snarls, pointing at the television, "I don't damn well know how they got to Root, but the bastard isn't doing his damn job! This business with the prosecutor, the- the testimony of a freak in a costume, in any sane world, that would kill this whole sham of a trial dead!"


"Dead," Kyle agrees. He stares at his father for a moment before walking to the window, staring at the skyline, "So then it isn't true?"


"You damn well know it isn't! It's all lies! A smear campaign to drag me down, back into the gutter!"


"You'd never do it, then," His voice hitches, "Give mom medicine you knew was killing her… For the publicity, to shield yourself from the accusations."


Arthur blinks, knocked off his train of thought for a moment, "There's nothing wrong with- You mother was sick, Kyle. We couldn't heal her."


"You wouldn't give her a drug you knew could kill her, right?" Kyle presses, turning on his father, "It's just another lie, right? Told by people who want to steal your success, right?"


"Watch your tone with me, boy-"


Kyle snarls, grabbing Arthur by the throat and slamming him against the couch, the old man sputtering and choking, feebly trying to slap at his son's face before Kyle relents, letting him go. Arthur gasps for air, slumping over the couch and rolling to the floor.


"I've talked to Charles," Kyle reveals coldly, "One of mom's best friends, who you used and abandoned when he was no longer useful. Like her. You never loved mom. You wanted her fortune. You never created anything, you are a parasite who is finally, finally going to get what he deserves."


He circles around the couch, grabbing Arthur and dragging him across the floor to press him against the window, "I should beat you to a pulp for what you did to her," Kyle hisses, "You destroyed our family, for nothing but your own selfish gain. You've poisoned our country for nothing but your own greed."


"...Ah, aha," Arthur looks at his son, a cynical smile growing, "You think it's just me? Huh? You've got a lot of growin' up to do, boy. You think your grandpa was such a saint? That the money, the privilege I inherited by marrying your mother was clean? This country was poisoned long before you or I were ever even born, you pathetic-"


Kyle roars, slamming Arthur's head against the glass so hard it cracks, a thin trickle of blood running down the transparent pane and catching into one of the weblike cracks, "You really have no remorse, do you?! You murdered her, you murdered her and countless more and you don't even care!"


"These are the rules, Kyle, I didn't make 'em, I just play the game. I just play- the- game," He laughs, "The world just hates that an upjumped black boy like me-"


"NO ONE IS OUT TO GET YOU," Kyle hauls Arthur back and gives him a punishing right hook, "You deluded asshole!"


Arthur only laughs, wiping blood from his lips and smearing it across his face, "So what if I killed your momma, huh?" He looks at Kyle darkly, the grin vanishing, "My only regret is that I allowed her weakness to infect you too. Mark my words, boy, you aren't getting another cent out of me, you are finished after this little temper tantrum. No more privilege, no more-"


"I DON'T WANT IT, YOU STUPID-" Kyle grips his head, his vision swimming as the wound pounds. He gasps for air, taking a few steps back, "Mark my words, you stupid bastard, I don't want your money, or your power. I want none of it. I renounce you. I-" He closes his mouth, taking a deep breath, "We're done, you and me. By rights I should beat you 'til you're dead, for what you did to mom. I should beat you 'til you beg me to stop, and then keep going 'til you can't beg no more. But I'm not going to do that. I'm not going to be that man. I'm going to trust in the system. You're going to go to trial, and you're going to rot in prison for the rest of your fucking life." He's said about all he can, leaving his disowned father behind on the floor and slamming the doors to the penthouse open, before pausing to shoot one last barb over his shoulder.


"And I made sure when the subpoenas came for discovery, they got every damn document they asked for! You're going to burn in that trial!" He spits, rushing to the elevator and calling it for the ground floor. He leans against the wall, sighing. The last parting shot was trivial, in the long run. But the die was cast now, and he had to work solely as Nighthawk now to bring his father down.


…Good, he decides. He was tired of being Kyle Richmond.


***​


Nighthawk watches over the city that never sleeps, his cape billowing in the wind behind him during his vigil. Wailing sirens in the distance beckon his attention, but he waits, listening to the police scanner. The manhunts continue fruitlessly, with no signs of Oliver Norton or the Angel of Vengeance. He wonders, worries, that the Doll-Face Killer has made a run for it. It would be the rational thing to do, to jump in a car and start driving, never looking back.


But these creatures, they weren't rational. They were gripped by pathologies, neuroses, and superstitions. He risked his life getting close to them, but doing so had broadened his understanding of these unstable elements. It had allowed him to outmaneuver Victoria Steele.


It wasn't rational for him to use Marie as bait, either. Too many variables there, too much that could go wrong. But it had to be real. The bait had to be live, it had to be personal, the real thing, or the killers wouldn't be drawn in. Blood had to be shed, so the sharks would go into a frenzy. It had to be Marie. It had to be her.


"But if she dies, it's on you," He says aloud, looking down at his clenched hands. It had to be her. It couldn't be her. Solomon was right, it was insane to even ask her. Of course, what part of this wasn't insanity? How far down the rabbit hole would he be before the unthinkable was reasonable? He slowly reaches up, pulling his cowl off and holding it over the gut-twisting drop to the street below. Kyle Richmond had grown up with privilege, removed from the worst the world had to offer. The discovery of his father's perfidy had enraged him, the loss of his mother had broken something inside him… But he had to recognize that neither of these things were what drove him to the brink, teetering on the point of no return.


His head throbs. The lines were becoming more and more blurred. Throttle Victoria, torture Root and Leonard, but his father gets to simply wait before being sent to prison? Was Marie right? Should he leave Norton to the Angel of Vengeance, allowing murder to be the foundation of justice?


Kyle imagines for a moment he is not holding just a cowl, but that the Nighthawk is staring back at him. They stare at each other for a long moment, weighing one another and passing quiet judgment.


"The mission is almost finished," Kyle says finally, breaking the silence, "My father is going to trial, and then he'll go to prison. My mother's death will be avenged. Everything past that… It was just vanity. Solomon said it herself, weeks ago: more people die every year from reckless and drunk driving than the Doll-Face Killer has murdered in his entire career. This is just… It's stupid. Reckless. This violence is poisoning me. The moment I consider using a civilian as bait is the moment I need to walk away."


He ponders the silence, waiting for a reply, his breathing becoming more ragged as he clutches the helmet, "Kyle Richmond can't be Nighthawk. And Nighthawk… Can't be Kyle Richmond. We can't exist at the same time. I want to avenge my mother, but you are driving this closer and closer to the edge! …One of us has to go." He extends his arms, holding the cowl out over the perilous drop. His head aches terribly, feeling like the raw scar could split open, pouring blood and brains out onto the concrete ground. Even as his hands shake, he can't quite release the helmet.


He could let go, hand the costume back to Charles tonight, renounce his ties to his father, and live a normal life. That all was possible. He could leave this city to the Doll-Face Killer and the Angel of Vengeance, allow the Order of St. Berchard to continue as it pleases, to allow forces outside his control to influence and manipulate the culture of his city.


"I was going to dangle her like meat," He grits his teeth, his arms shaking harder, "All to settle this score. "Can't you see- How wrong it is? To think like that?!"


"You were going to make me do it!" He gasps for breath, his chest heavy, his head bursting with pain. He sees the face of Tyson Raine, engulfed in flames. Victoria turning purple as he throttled the life out of her. The faces of every man he brutalized and crippled on his night crusade. Father Leonard, screaming in pain as his fingers are snapped like dry twigs. "I'm- I'm not built for this! I never wanted this, any of this! This isn't a game, or a mission, it's a suicide note! But-"


When he opens his eyes, his hands aren't holding the helmet anymore, he has no control over the timing of the precipitous plunge. Now he is being held out over the edge, teetering on the brink, looking into the glowing eyes of the Nighthawk.


"Who do you think saved you that night Norton shot you?" The cowl asks, tilting his head curiously, "Was it Charles, who found you bleeding out in the gutter? Or maybe the ghost of your mother, reaching out from beyond the pearly gates. You were ready to give up. It hurt too damn much. You should have died that night, but it wasn't Charles who saved you, or your dead mother, it was me. I have held you together for longer than you would like to admit, Kyle, you just haven't had a name or a face for me to wear. You are right, we can't both live at the same time, but I make room for you… You just didn't need me as much as you did the night your mother died and you realized how truly awful your bastard of a father really was. You blame me for wanting to hang Marie out to dry, but it wasn't my idea… It was yours. Oh yes, Kyle, it was your idea. You don't get to blame that one on me. You want to be the hero of this city, to be a beacon of hope… You can be that, sure… There are lines you don't need to cross to do the job. To follow the mission. I respect that. Even on your worst day, no one has been sent to the morgue, have they? But you wanted to use Marie as bait because you don't want to get in too deep with the monsters. You don't want to admit to yourself how far you've gone. To think you might be too far gone, that it isn't being a killer that will be the point of no return, it's being a lunatic. You want to think you're better than them, that you're different. But you're really, really not."


Nighthawk's free hand reaches up to peel the cowl away. "Does this look like the face of a sane, rational man? No… No it isn't. The day you decided that the only way justice could be reasonably served is by you dressing up as a vigilante and sneaking around at night, you officially lost- your- mind!"


"They're dying to see us, Kyle. We shape them, we complete them. We give them a reason to live, not just exist," Nighthawk whispers, "You wanted Marie to be bait because the Doll-Face Killer isn't a man, he is a system, with rules that you think you can pull and manipulate clinically and dispassionately… You're playing an old game that he created twenty-five years ago because you want to walk out of this with your mind in one piece… But there's no sanity where we're going. There's no heroism, no spotlight, no memorial for the crazy man in a costume, running over the rooftops!"


"You were broken long before you became Nighthawk. We are both sides of the same damn coin."


He pauses for breath, surfacing from the psychological hall of mirrors he had immersed himself in. The vigilante opens his eyes, staring into the cowl of the Nighthawk, held over the streets of Cosmopolis, and quietly replaces the helmet over his head, sealing it shut. "We feed our appetites, but we don't let them consume us," He promises himself, retrieving a grappling hook from his belt and anchoring himself to the building. With a single step, he plummets into the abyss, feeling the cable pull taut and carry him through the blistering wind towards another rooftop.


"Charles," He calls his partner, "I have an idea, but I'm going to need your help."


***​


"You had no right to talk to Marie without my say-so," Detective Solomon says icily as the Nighthawk appears in her office, "You should never have brought it up with her."


"You're right," Nighthawk affirms, moving around her desk to stare at her evidence board for a moment. The missing persons poster of Isaac Moreau stares back at him.


Effie pauses for a moment, the wind taken out of her sails, "I was expecting a stronger argument from you."


"No argument," He shakes his head while turning to look at her, "It shouldn't have happened. I am… Determining my position. I operate in a gray area in regards to the law. But I am not above the law. My first obligation is to see justice fulfilled, but I struggle to see what my purpose could be when Arthur Richmond goes to prison."


The detective stares at him for a moment before sighing and taking her seat, "He hasn't even gone to trial yet. Don't count your chickens, man."


"..." An icy chill grips the room as Nighthawk stares at her with seething denial of her realism. The detective stares back for a moment before relenting, dropping her gaze to the paperwork on her desk. The Nighthawk approaches slowly, his footfalls heavy as he towers over her. The silence stretches out for another moment.


"There have been setbacks," He says slowly, "But he will go to prison. Count on that. I had a lapse of judgment with Marie… Because I have been reluctant to do what is necessary for the mission, what it will cost me to accomplish it. It is not my first lapse…" He fights the instinct to touch the healing wound on his head, "But it will be my last."


"You can't know that for sure," Solomon says carefully, "You put on a scary mask, but I know it's just a man under there… Man makes mistakes every day. You can fight it, or accept it, but it'll happen all the same."


He stares at her again, smiling softly beneath the mask. This was… Bittersweet. "I'm going to catch the Angel of Vengeance and the Dollface Killer, Effie," He says softly, "But I don't want you or any other cops there when I do it. I'm going to do this my way."


"Your way…?" She looks confused, "Nighthawk-"


"It's been good working with you, detective," He interrupts, "But I think it's time our partnership came to a close."


"What are you saying?"


"Have a good night, detective," He glides around her, opening the window, "But you're right, you have seen there is a man beneath the mask… And that is not-" He hesitates for only a fraction of a second, "That man is the Nighthawk, detective. That is who I have always been. And it is the Nighthawk, and only the Nighthawk, who can find and bring men like Oliver Norton down… Or an Angel."


Effie's confusion fragments into many thoughts, crystallizing into certainty, "You know who the Angel is," She says, rising from her chair, "And you don't want me to know."


"..." Nighthawk is silent, perched in the window, "I beheld an angel fall from heaven like a bolt of lightning," He paraphrases, "And as his savior was a fisher of men, he was fished out of the waters too. You do not want to see what he has become." He dips backwards, vanishing into the night as Effie rushes to the window, too late to stop him.


***​


Oliver wanders the streets of Cosmopolis, his head ducked down and hooded to avoid recognition by anyone. More than a dozen times he had seen his face slapped on wanted posters pasted to walls or signposts… But he walks amongst them, unseen. They do not want to see him. Mr. Charlie did not want him to be seen, because Oliver was a pig, ugly, and not the true artist. Mr. Charlie was the one who should be seen, who should be lauded and feared for his artistic genius. The shadowy and ghoulish presence follows Oliver everywhere, flitting through the alleys and between streaking cars, ranting constantly about the utter failure of the 25th anniversary, of how the Nighthawk ruined it. A gauche philistine, an enemy of art. Charlie couldn't help but construct elaborate and borderline nonsensical plans to get back at the birdbrain, plunging into obsessive schemes of payback. A new work of art, a new doll, a new entire medium, perhaps? Oliver almost wanted to cover his ears, desperate to escape the constant noise.


"Wait," Charlie stops just ahead of him, staring upwards at a flickering screen on the side of a skyscraper. The demonic manifestation was not the only one to notice, pedestrians coming to a halt to look up at the flickering screen. Strange glyphs and runes, strings of words in a language Oliver didn't recognize flash across the black screen, drawing him closer in curiosity. Sometimes there was a sigil that seemed familiar, blinking in and out so quickly he could barely-


"Ah-" Charlie grins, pointing, "That's been in the papers! That's the sign of the guy who kills the crooks and burns their corpses!"


The black screen suddenly dazzles them with a pure white screen, only to cut to a haunting visage - Nighthawk's mask appearing, his fiery orange eyes glaring down at them. A startled gasp cuts through the crowd, but before they can react, every street lamp, every light in every building, begins to flicker and turn on and off in staccato rhythm. Oliver looks around in confusion, running down the street to the intersection to look both ways - The disruption was stretching up and down the roads, every block affected by the Nighthawk's ominous message.


"How's he doing this?" Charlie asks wonderingly, looking around with the biggest grin.


"Uh- uhhh," Oliver begins to shake, looking back up at the screen.


"What is it, idiot?" Charlie asks, too engrossed in the lightshow. Oliver points up at the screen, his hand shaking as the blood falls from his face. The artist turns to look, his manic glee growing to explosive eruption as he sees what strikes such dread into Oliver.


Charlie


The word, the single word, flickers across the screen, glitching in and out of sight.


***​


"What the hell is going on?!" Detective Solomon rushes to the roof of her precinct headquarters, coming to a halt as she sees Cosmopolis flickering in the dark, every available screen for advertisements or flash and glitz portraying the terrifying mask of the Nighthawk… Or a twisted, charged message of challenge for the Doll-Face Killer.


"...Is this some sorta stunt, detective?" One of the beat cops asks, staring at the city in wonder and just a bit of fear.


"I-" Effie looks down at the message.


The End Is Coming


The Show Is About To Close


The Masterpiece Is Almost Finished


A Story, Twenty-Five Years In the Making


"I don't know anymore."


***


The Old Terror Of Cosmopolis Versus The New Horror


"Ff-" Arthur stares at his television screen from across the penthouse, a creeping dread filling his chest as he sees the Nighthawk gazing back at him.


"What the fuck is wrong with this city?" He asks.


***


Find Me, Where This All Began


The Winner Etches Their Name On This City Forever


The screen flashes one last time, briefly displaying the grim mask of the Nighthawk, before shutting off entirely. Oliver quakes in fear, wondering why he can't be free of this nightmare… He isn't sure what to expect from his tormentor, but it certainly wasn't laughter.


"Hahahaha-" Charlie runs a hand through his hair, his eyes wide, too wide, "Now that's more like it! Yeah yer damn right- YER DAMN RIGHT! ALRIGHT THEN, BIRDBRAIN! YOU WANT ME?!" He points up at the screen, cackling, "HELL YEAH! A SHOWDOWN FOR THE AGES!" He reaches for his cigarettes, lighting one up as ideas flash through his twisted mind. Back where this all began, eh?


"PIGGIE!" He turns on his heel, grabbing Oliver's shoulder and dragging him down the sidewalk, "DON'T JUST STAND THERE!"


"Wh-What? You're not serious- We can't possibly-" He protests, but Charlie grabs his head and blows smoke in his face.


"Oh, we're gonna," He chuckles, "Feathers wants to go mano-a-mano, and we're gonna teach him a lesson. We're gonna teach 'em all a lesson. When they find his doll in the streets, this whole city will fear my name fer real now. Ain't no one gonna write me off anymore, and no one is ever going to remember you. They'll all know it was me."


He lets Oliver go, grinning as he takes a drag on the cigarette, "Man though," He turns on his heel, "We need a real nom de guerre after this. The Doll-Face Killer just ain't gonna cut it no more."


***​


Nighthawk and his accomplice stand on the rooftop of the Hawk's Nest, watching the city plunge into temporary confusion and chaos in service of his theatrical laying down of the gauntlet. The vigilante was grimly certain this would be the necessary step to get a reaction out of both the Doll-Face Killer and the Angel of Vengeance simultaneously.


"Well, the die is cast," Charles says, a touch nervously. His expertise had helped crack the city's power grid, which he was still a little uncomfortable about. "What now?"


"We've set the bait," Nighthawk extends his new wings, flying upwards into the sky, "Now we spring the trap."


***​


Detective Solomon's phone rings off the hook, her connection to the Nighthawk making her a clear target for bitter recriminations about his theatrical stunt. The power grid was back to normal, the city's lights and screens functioning as they should… She picks up the receiver and slams it back down, ending the call quickly. He had deliberately pushed her away for this one. Not to protect her reputation, that was for sure. That ship had sailed, capsized, and sunk beyond recovery.


"...Where this all began…" She mutters, heading to the office window, looking out at the city. Spotlights flickered on across the precincts, trying to spot the Nighthawk flying by. Maybe the commissioner wanted to punish him for the stunt.


Pondering it for only a moment longer, Detective Solomon grabs her holster and jacket, shrugging them on before heading out the door.


***​


"One by one we have some fun," The words are sung quietly, but in the expansive main auditorium of the Old Cosmo theater, there's still a whispery echo. "Two by two we don't feel blue." The Doll-Face Killer walks down the center aisle of the grand old auditorium, one of two in the theater. This place was from another age, with baroque decorations, rich red wallpaper, and gilded accents. All the seats had been removed through laborious effort, replaced with glass cases the memorialized the history of the venerable old theater. It had been here for 123 years, renovated three times over the decades. He pauses, staring wistfully at the darkened stage. His performance hadn't been up there, but in the auxiliary auditorium, smaller… No less grand, though.


"But baby, three's a crowd," Oliver sings, encumbered by the tools Charlie had him bring, "So cut him out and let's leave it at two," As he proceeds towards the stage, spotlights click on, positioned on the floor amongst the glass cases to point upwards at the stage, aimed for someone to stand and illuminated from below.


"You answered my invitation," Nighthawk's voice booms across the auditorium. Oliver startles, looking around for the source of the voice, but unable to find it.


"Good," The vigilante comments, "I'm glad you're here."


Mr. Charlie chuckles darkly, "Feh," He responds, "You know, birdbrain, I misjudged ya." Oliver heads up towards the stage, taking each step with trepidation. "Coulda sworn I put a bullet in that dome of yours! Y'wanna tell me how you're still ambulatory after that?" Oliver felt the deep urge to go stand in that spotlight, an invisible lead tugging at him to take pride of place.


"Charlie," Nighthawk answers, "Creatures, such as us, cannot die." The shadow falls from the rafters, landing beside them as a dark mass spotted with burning coals for eyes. Something was… Different about him, Oliver frowns - the wings were larger now, more expansive and enveloping, a shroud. He and Charlie stand in the intersecting spotlights, and slowly the puppet lifts his puppeteer. The doll that calls itself Mr. Charlie grins eternally, a macabre and disturbing blank stare that befits a derisive smirk.


"Maybe you're right, cuckoo, but unfortunately for you, you're about to become my next art piece," Charlie chuckles as Oliver lifts a pistol in his offhand, "I regret callin' ya a philistine, buddy. You've got the right idea - it's time to elevate my art. Twenty-five years of the same old routine, and what has it gotten me, eh? They whisper about me, make blogs about me, but do they fear me? Nah… Nah. They do not. I deserve their worship, but if I can't get that, I'll taste their terror."


"So we're gonna put that theory to the test," He chuckles, "Whether or not you can really die, that is. I kinda hopes for your sake you can die, because you're gonna be really goddamn uncomfortable for a real long time when I get done with you," Charlie glowers at his foe, "I'm gonna peel out your tendons and put 'em on wires, make you dance like a marionette in front of this whole city."


"Before you do that," Nighthawk says, rising from his crouch, the shroud parting for one claw to point to the shadows of stage-right, "There was one other person we were waiting on."


"Oh yeah, who's that?" Charlie replies mockingly.


Heavy footfalls answer the doll as a figure emerges from the shadows, tall and broad-shouldered, wearing the tattered green poncho of the Angel of Vengeance. His hood was drawn over his face, but his killing intent oozes out nonetheless, betraying his agenda tonight. The Nighthawk retreats slightly, squaring up against the opposing warrior.


"Oh- Ohohohoho-" Charlie claps, "I do apologize, Nighthawk, I was unfamiliar with your style! Now this! This is art! Are you two dark n' dreadful bruisers gonna fight over l'il ol' me?"


To the eyes of the Angel, corrupted miasma pours off the soul of Oliver Norton, the golden footsteps of God leading up to a twisted, perverted creature that sinks its claws deep into the soft head of a poor man. They are inextricably tied together.


"..." The Angel swings the sword up to hold the hilt in both hands, the blade in front of his face, "I am sorry, Oliver, but you are too far gone to be saved. For the innocents that you murdered, for the crimes you have committed, and for the sin of your heart that opened you to this demon, you must be purged."


"Wait-" Oliver blinks, "Wait, what?"


"He sees me for my true nature," Charlie cackles, "My essence, twisted and despised, laid bare-"


Nighthawk's wings flutter, interrupting Charlie's gleeful rant by drawing the Sword of St. Berchard, which glitters in the stage lights, its ruby-embedded hilt shimmering in the glow. All chatter ceases as the Angel begins advancing with determination, but a hidden spotlight above cuts on, beaming down on him from above.


"Not so fast," Nighthawk says softly, "Look down before you take another step."


The Angel is tempted to cross the distance nonetheless and remove the vigilante's head from his shoulders… But he does look down, a confused expression creasing his face as he sees dark circles and sigils drawn on the wooden platform.


"Oh, nice penmanship," Charlie cracks, irritated at not being the center of attention.


The Angel looks up slowly, "What is this?"


"Something I picked up from the Sacred Secrets of St. Berchard," Nighthawk replies innocently, "A binding circle to oppress spirits, angels, and demons. Quite unbreakable, I believe. You are powerless within it, unless I release you. And if you try to step out, you will be incinerated."


A bloodthirsty growl emanates from the Angel, his hands shaking with rage, but he does not move. Nighthawk paces back and forth as Oliver vacillates between pointing his pistol at the vigilante or the hooded man who promised to kill him.


"Of course," Nighthawk continues, "That circle is useless on mortal men. I could step in and out with no worries, no inhibitions. Father Leonard said he saw you fall like a bolt of lightning from Heaven… I have other theories, though." He pulls out a set of cuffs, throwing them to Norton's feet. "Oliver," He says quietly, "You have the chance to end this nightmare. Put on the cuffs, go to the authorities. You'll get help. You don't need to suffer any more."


"Whoa, whoa, whoa," Charlie puts up his hands, "You don't talk to this pig, you talk to-"


"Mr. Charlie is not a demon," Nighthawk says, "He is a delusion, a fixation of a broken and hurting mind. You've been compelled by forces outside your control to do terrible things, Oliver. You're hurting yourself too. This illness cannot be appeased, because it isn't a person you can bargain with, it is-"


"DON'T LISTEN TO THIS WISE GUY!" Charlie roars, "SHOOT HIM IN THE FUCKING HEAD!"


"I don't-" Tears run down Oliver's cheeks, "I can't-"


"You can, Oliver," Nighthawk responds, reaching out, "You can be saved."


"NO YOU CAN'T!" Charlie responds.


"Please- I can't do this-" Oliver pleads.


"He is a demon, he must be purged!" The Angel barks from his prison.


"There are no demons!" Nighthawk snarls in response, "No angels! You're both sick and you need help! I can help you!


"SHOOT HIM IN THE FUCKING HEAD, PIGGY BOY!"


Nighthawk takes a step forward, but the gun snaps in his direction, and he raises one hand, "You just need help, Oliver. I can help you," Nighthawk sees the crying man, trying desperately to appeal to his humanity, "I know what it's like to live your life with someone who uses you, who only appreciates your value if you're doing what he wants. I am sorry it's been so hard for you, I can't take any of that away, but you have a chance to do the right thing, Oliver. You can do this."


Tears stream down Oliver's face as he smiles helplessly. "I really can't," He responds, shooting Nighthawk in the chest. The shroud of wings immediately spring forward, shielding Nighthawk from the bullets as his thrusters engage, launching him forward to kick Oliver in the chest and launch him backwards off the stage to crash into one of the display cases. Sparks and glass fly as the Doll-Face Killer lands in a heap. Nighthawk quickly snatches up the handcuffs on the stage, replacing them on his utility belt before preparing to apprehend the killer, when the Angel of Vengeance addresses him from the binding circle.


"Nighthawk," He rasps, "You would torture a man of God, but you won't kill a murderer? A remorseless serial killer?"


Nighthawk feels less than impressed by the accusation, "Leonard may be a man of God, but his heart is of the Devil. He's a sadistic psychopath who tortured you into becoming his living weapon. Brainwashed you into a delusion that God chose you to kill people as punishment for their crimes." He glances at the groaning mess on the auditorium floor, "Maybe he does deserve death. I won't be the one to decide, though."


"If I'm so crazy, then why draw the binding circle?!" The Angel bellows.


Nighthawk shrugs, "It isn't the circle binding you, it's your own crazed delusion," He takes a step closer to the Angel, "What's keeping you in that circle isn't magic, or divine power, it's your own insane hope that you really are what Leonard said: an angel, imbued with the divine justice of God. Because if you're not, if he's wrong, then you killed those men for nothing." His grip tightens on the hilt of the sword, "Well… Not for nothing. I know why you killed the Jenkins crime ring. You targeted them on the pretext of a quest for justice, but really you just sated your taste for vengeance-"


"NIGHTHAWK!" The Angel roars in fury, so overcome with rage that he leaps forward and slams into the vigilante, the two rolling across the stage as the Sword of St. Berchard comes free, clattering off to the side. Both men lay on the stage for a moment, facing each other, before the Angel's gaze flickers to the sword.


"Look at that," Nighthawk chuckles darkly.


"Just a man, after all."


With a wordless scream, the Angel dives for the sword as Nighthawk's thrusters engage, launching him forward to grab it first - The Angel grabs him by the ankle, possessed with mindless rage as he swings the Nighthawk around in a circle and releases him to go flying uncontrolled into the rafters, crashing through a catwalk. The sword lands point first into the stage, wedged deep. The Angel screams again, grabbing the hilt and trying to wrench it free.


"You should stick to the silent and brooding act," Greyburn says waspishly in Nighthawk's ear. The vigilante struggles vainly as ropes entangle him, pausing to center himself before popping his gauntlet blades and starting to hack through the entanglement.


"Not helping," Nighthawk growls in response, feeling some slack as he cuts through one rope.


Down below, Oliver pulls himself upright, a sharp pain in his side causing him to reflexively gasp, reaching down to feel blood staining his jacket. A shard of glass from the display case stabbed him in the back, just below his lowest left rib, more pain than he's accustomed to.


"Focus Piggy," Charlie says dourly, "Three's a crowd and we're getting upstaged, literally-"


They look up at the stage, where the Angel of Vengeance towers over them, struggling to free his sword - and when he does, the blade ripping out of the stage in a hail of splinters, God's Vengeance turns towards them with frothing hatred in his eyes.


"Y'know what, let's leave this to the birdbrain, he's the professional," Charlie decides, shaken, "Exit, center aisle! Post haste!"


The Angel launches into a screaming charge as Oliver limps away, Charlie screeching insults and pleas for the piggish puppet to run faster. "NORTON!" The Angel rages, leaping off the stage in pursuit, "GOD WANTS YOU DEAD, NORTON! I AM GOD'S HAND OF VENGEANCE UPON YOU!"


"RUN, FUCKING RUN," Charlie shrieks in terror, Oliver blindly firing behind him as he limps for the doors. Just as the Angel catches up, hefting the sword for an overhead swing, the Nighthawk lands between them and sets his wings in an intersecting block, catching the swing. The Angel screams, spit landing on Nighthawk's helm as his opponent unleashes a flurry of exaggerated, powerful swings - the sword is more of a club in his hands, meant to batter Nighthawk into submission.


Glass shatters and sparks fly as the Sword of St. Berchard swings wildly, cutting through displays and sending their contents flying. Nighthawk takes advantage of his foe's erratic movements, incorporating what training he has in hand-to-hand combat and the advantages of his suit and wings to block, parry, and divert the Angel's powerful swings. He jets backwards, throwing concussive bombs that blow the Angel backwards to crash against the stage, but the weapons barely even wind him. He charges back into the fray as Nighthawk grits his teeth, wincing in pain as the sword bites into his gauntlets and puts a hairline fracture in his forearm. The teeth of his gauntlet blades catch the sword though, and he uses the leverage to swing it around and create an opening - talons fold into a fist, powerful haymakers bludgeoning the Angel in the face. Cartilage bends, bones break, flesh bruises, but the Angel catches his other wrist and delivers a savage kick to Nighthawk's leg, sending him down to one knee.


"THIS IS THE LAST TIME YOU GET IN MY WAY!" The Angel promises, but Nighthawk jets upwards, avoiding another kick and launching a stunner Night-a-Rang to electrocute the Angel.


Outside in the lobby, Oliver slams against the front doors he entered through… But now they're solidly locked, chained from the outside, and no matter how hard he shoves against the doorway, it won't budge. "The roof, we have to get to the roof!" Charlie breathlessly orders him, "C'mon, MOVE!" Oliver stumbles towards a door marked "Employees Only" with a stairs sign on them, when the doors to the auditorium slam open, Nighthawk flying out with the Angel of Vengeance clinging to him. They yell at each other with ferocity, beating each other until the vigilante crashes into the ceiling and then slams into the floor, separating them. Nighthawk flies out of control into the concession stand while the Angel plants the tip of his sword into the floor, pulling himself to his feet in a daze before locking eyes with Oliver, who vanishes into the stairwell and begins climbing desperately.
"Wait!" Charlie shouts, "Throw the gas." Oliver nods, opening the door to see the Angel of Vengeance running towards him, popping open two canisters of toxic gas they salvaged from the old workshop and throwing them through before running back up the stairs as fast as his injury would allow him. As he stumbles upwards, bloodied hands fumble with a second clip, discarding the first one and slotting a new, full one into the pistol before chambering a bullet. He can hear footfalls behind him, someone screaming his name, but he focuses on going up, fleeing for his life, while the demon in his head screams for him to run as fast as he can.


Oliver slams through the door to the roof of the Old Cosmo theater, but is immediately buffeted by winds and half-blinded as a spotlight sweeps over him. Skidding to a halt, he sees a helicopter swooping by, its spotlight trained on him as he shields his eyes. A person, dangling from a ladder attached to the side of the helicopter, addresses him with a bullhorn.


"FREEZE!" Detective Efigenia Solomon orders him, "THIS IS THE POLICE! YOU ARE BEING DETAINED, SURRENDER NOW!"
"The fire escape, get to the damn fire escape!" Charlie barks, prodding Oliver to dash for the nearest available ladder to freedom. He squeals in fright as the bullhorn cracks to pieces beside him, lobbed by Effie with all her might before she leaps from the ladder as the helicopter passes by, slamming into Oliver and shattering the shard of glass in his back. He screeches in pain, crying out desperately as he hits the ground, his feet flailing like a toddler throwing a tantrum as she struggles to handcuff him.


Effie had no idea if this was really Norton, but he sure looked like some of the pictures she had seen. She fumbles with her handcuffs as he cries and begs, shooting off rounds from his pistol blindly - one bullet pings off the helicopter, causing the pilot to jerk away to prevent any further damage. Effie reaches out to take control of the gun hand, but someone grabs her by the shirt, pulling her off of the Doll-Face Killer and throwing her bodily across the rooftop. A hulking figure clad in dirty, soiled street clothes and a tattered poncho towers over her, coughing erratically. When the spotlight of the helicopter washes over him, a choked noise is pulled out of her, just as Nighthawk launches upwards to fly onto the roof.


The man standing before her was her mentor, her partner: Detective Isaac Moreau.


"I-Isaac…?" She looks at him in utter shock, only glancing down at the Sword of St. Berchard, "Oh my God… You're the Angel of Vengeance."


"...Isaac Moreau is dead, Detective Solomon," He replies, his voice rasping from the toxic gas and his earlier screams of rage, "He died a long time ago. The Spirit of the Lord came to indwell in his body, and I-"
"SHUT UP!" Nighthawk roars, tackling Moreau from behind and launching forward with him to slam into an air conditioning unit, which sparks and smokes as it buckles under their crushing momentum. "SOLOMON! ARREST NORTON, BEFORE HE ESCAPES!"


"R-Right!" Effie stares at Isaac for a moment longer before breaking into a run, following the trail of blood to the fire escape ladder, which Oliver was clambering down rather speedily despite his handicaps. She hesitates for a moment, weighing whether to try jumping down before deciding to take the ladder as well, chasing after the Doll-Face Killer.


Nighthawk and the Angel of Vengeance duel in the stark white glow of the spotlight, the vigilante wielding two Night-a-Rangs as daggers while the Angel continues his rampage, cutting through ducts and piping like paper. Steam and smoke billow across the rooftop as the two trade blows, the Nighthawk throwing a bolo to tether the Angel's sword arm to metal pipework running across the roof. As the Angel struggles to free himself, Nighthawk closes the distance and unleashes a bestial roar, using his jets to accelerate himself into a powerful body blow that cracks ribs. He doesn't relent, raining body blow after body blow into the Angel's chest until his opponent is spitting blood. The Angel retaliates, slamming one fist on top of Nighthawk's head, scrambling his senses as his head wound explodes with pain and he's only seeing stars.


On the fire escape, Efigenia struggles to overpower the tall, bulky physique of Oliver Norton, even with his hands taken up by a pistol and the doll of Mr. Charlie. Using all of her might, she slams his left wrist down on the railing, the pistol coming loose and plummeting to the alleyway below as the doll is suddenly shoved in her face, the mouth ratcheting open to reveal razor blades hidden within. It catches on her cheek, biting down cruelly as she screams, trying to break free.


"You don't get to take me in," Charlie whispers through her screams, tasting her blood, "You don't get to end my story. I will eat this city alive, and none of you can do anything-"


Efigenia plants her feet against the brick wall of the theater, puts her shoulder against Oliver's chest, and pushes off with as much strength as she can muster, the two plummeting into the alley below.


"RAAH!" The Angel slices off the bolo tying him back, delivering an overhand slash that cuts into Nighthawk's shoulder, not just drawing blood but a scream of pain. Another kick provides ample space for the Angel to work, and he levels the sword at his hip, charging forward to drive it into the Nighthawk's belly. One wing flits in the way, catching the blade which still continues to pierce straight through and puncture his armor, drawing another pained grunt. Nighthawk grabs another stunner-rang, slamming it directly into Moreau's face, not caring that his own hand is being rendered numb by its powerful electric shock even as the murderous assassin of God screams in pain. He lifts Nighthawk bodily and swings him around, slamming him against the air conditioning unit once, twice, and a third time before letting him drop to the ground. He picks up the Sword, his face scarred and smoking, and walks steadily towards the fire escape. As he reaches the edge, Nighthawk comes in from behind, grabbing him around the torso and using the repulsor jets to launch them both into the wall of the neighboring building, which cracks and craters under the force.


Efigenia coughs, barely able to feel anything. What she can feel is sharp pain… Coming from many places at once. She wants to die. This was too much pain for anyone to handle. As her vision starts to clear, she sees with dread certainty Oliver Norton stumbling towards her, blood pouring from multiple open wounds. His head is cracked open, but his one open eye is focused on her… As is Mr. Charlie. While Oliver moves to shoot her, she closes her eyes to accept this inevitability… Mr. Charlie laughs.


"No-" He corrects Oliver, who leans in, "Time to kiss the detective good night!" His razor blade mouth opens to grab her neck-


"This city-" Nighthawk growls at Isaac, "-Does not belong to you. It will never accept your draconian terror. And as long as the Nighthawk is here," He angles the thrusters, uses his wings for leverage, and spins Isaac as hard as he can for another slam into the theater's wall, "YOU WON'T WIN!" Nighthawk does not notice the Sword of St. Berchard fall from Isaac's grasp, twirling end over end and glittering in the thousand lights of Cosmopolis.


He doesn't see it cut clean through the arm of Oliver Norton, embedding into the concrete between him and Detective Solomon… As Mr. Charlie falls free, falling to the ground splattered in Norton's own blood. But Nighthawk does hear Oliver scream as he slams Isaac into the wall with full force, shattering bones and knocking the murderous angel unconscious.


"Ahhh…Ahhhh…" Oliver slumps to his knees, blood pouring from the stump of his right arm. He stares at Mr. Charlie blankly, but is surprised to find… That instead of lobbing insult after insult at him, Oliver can't hear Charlie at all, now. "AAH- Aha- AHAHAHA! AHAHAHAHAHAHA!" He collapses onto his side, laughing in delirious joy, his life's blood anointing his demon in a final sacrifice.


He was finally free.


Nighthawk lands beside them, discarding Isaac's broken body to the side to check on Effie, who grabs the vigilante's arms and struggles upright. Police sirens wail in the distance… But this is Cosmopolis. Those could be for anyone.

A/N: This was a tough chapter. I rewrote the ending twice, because the original plan was for Marie to act as bait and that ended up not sitting right with me for a number of reasons. Then the revised ending required Nighthawk picking up an egregious idiot ball to work, so I opted for something a bit more believable, even if it doesn't have the same impact of the ending I wanted. I'm going to give my own thoughts and analysis of this particular episode going over some of the grand ideas behind its conception and why this story took me three years to write while Hyperion only took one... Look for that at the end of Chapter 12 and the Epilogue, which I'll release simultaneously. Thanks to my dedicated reader, singular, because I'm pretty sure only one person is reading this now. That's showbiz.
 
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Chapter 12 New

Chapter 12


In the final reckoning, Nighthawk was glad that Effie had ignored him and showed up anyway. There was a high likelihood that without her, the Doll-Face Killer would have escaped, and maybe never seen again. Oliver Norton had shown no resistance to his capture and arrest when the police finally caught up with them - nevertheless, he was shackled to his stretcher and held down to prevent any chance of escape. The paramedics were positive about his chances, even with the fall and the blood loss.


Nighthawk watches as they close up the ambulance to take Norton away. The second one to go. Solomon had already been carted off to the hospital, with multiple broken bones, contusions, and other injuries. She had little to say to him before her departure, lost in a haze of pain and opiates. He felt bad, though… He had never told her of his suspicions that Moreau was the Angel of Vengeance, and never intended for her to find out the way she did. He wanders back into the alley, finding the Sword of St. Berchard still embedded in the asphalt. He grips it with one hand, wrenching it free, and marvels at the sight of it… Not a single knick in the blade, no damage at all. Just a streak of dried blood. It shouldn't be possible, but the odds of it perfectly slicing through Oliver's arm to cut off Mr. Charlie…


He shakes his head, ignoring where that thought led, hefting the sword and stepping over the fallen, silent doll, drenched in blood. He walks back towards the ambulance and police cars, red and blue lights washing over him as the cops give him a deferential amount of space in which to move. As he approaches the ambulance though, Nighthawk frowns beneath the mask - Men and women in unfamiliar uniforms were loading him up and talking to the police.


"Who are you?" Nighthawk demands harshly as he approaches, and the leader of the strange officials only chuckles in response at first.


"Agent Joseph Kingsley," He flashes a badge, "We're with DECK. Individuals such as Mr. Moreau, individuals who have received some form of physical or mental enhancement, fall under jurisdiction. We'll be taking him in, making sure he is incarcerated somewhere that can hold him." He glances at the sword, "We'll be taking that as well. Artifacts of interest also fall under our jurisdiction."


Agent Kingsley extends a hand to take the sword from Nighthawk, who looks quietly at the unconscious Moreau for a moment longer before quietly handing it over to the agent. He doesn't let go, however, the two staring at each other before Kingsley breaks the silence.


"You're not my type," He says dryly, "So, soulfully staring into my eyes isn't going to work." Nighthawk grunts, releasing the sword into Kingley's custody.


"You know," Kingley speaks up as Nighthawk walks away, "DECK could always use individuals like yourself as special agents. You should come by, see if you've got what it takes."


Wordlessly, Nighthawk extends his wings and rockets into the sky, vanishing amongst the skyscrapers. The agent sighs, scratching the back of his head, "Well," He remarks, "There goes my recruitment bonus. Velez, Lennox, take Angel Eyes here to the Panopticon, and bag and tag the sword - it's going to TAROT headquarters." He hands the sword to his team and prepares to head back to DECK HQ. "Let's move it out!"


***​


Kyle Richmond sits outside the Cosmopolis 2nd District courthouse, wearing a ratty hoodie, sunglasses, and a thick carpet of stubble to mask his true identity. He's been waiting for a few hours, practicing patience and keeping awake after days and nights without any sleep. It was still a challenge for him to stay fully awake. He rubs his eyes tiredly beneath the sunglasses, sipping from a cup of cheap coffee to try and perk himself up. He needn't wait much longer as the front doors of the courthouse slam open, Arthur Richmond storming out with his entourage as a mob of reporters follows after him, surrounding him and slowing his retreat to his car. They hound him, shouting his name and demanding answers. But Kyle is not here for Arthur. He's watching one of the reporters.


"Mr. Richmond, Linda Lassiter from the Cosmopolis Daily Star-" She jostles with the best of them, "Mr. Richmond, you just took a beating on your first day in trial, what are your-"


"No questions!" Arthur spits, "No questions, leave me in peace, you damn vultures!" He shoves his way through, climbing into the car and speeding away. Kyle doesn't follow him, though. Kyle follows the reporter from the Cosmopolis Daily Star. He'd been doing this for a few days. Once his suspicions were confirmed… A letter, the first of three, is placed into a dropbox across the street from the Daily Star's temporary headquarters. Their original building had been destroyed earlier that year in a terrorist attack, he recalls.


Hyperion,


If this is a good way to reach you, fly by the Panopticon at 11am on Thursday.


We should talk soon.



-Nighthawk


***​


Efigenia's eyes flutter open weakly, feeling wakeful despite the soporific whisper of painkillers telling her to go back to sleep. She felt stiff and exhausted, wiped out from days and nights recovering in an uncomfortable hospital bed. She wasn't sure the day or the time, and felt utterly parched - She fumbled with her hands to find the call button for the nurses, when a gloved hand reached into view, holding a cup of water for her. She doesn't think at first, greedily drinking, but it occurs to her that she should be alarmed if someone else was there with her, throwing the cup reflexively. Nighthawk dips to the side, the cup clattering off the wall and dropping to the floor.


"You scared me," She gasps, clearing her throat.


"Sorry," He murmurs, "Didn't think you would wake up. Been checking on you. Making sure you're okay."


"You didn't catch me this time," She accuses him weakly.


He pauses, "I didn't catch you the first time either. You need to stop falling off of buildings."


"I need to stop helping you with traps," She shakes her head, settling back into the pillow. They're silent for a few moments, the detective staring at the ceiling. Eventually, she lets out a heavy sigh.


"When did you figure out it was Isaac?"


Nighthawk doesn't respond at first, considering the question. "A while ago. It made the most sense. When I interrogated Ed Hope and Lonnie Cole, they revealed that they had gotten the drop on Moreau as payback for putting them in jail. They beat him half to death, bagged him, and threw him off a bridge. This lines up with the account of Father Leonard, who said he saw the Angel fall like lightning from heaven while walking along the river. He was able to fish Moreau out, and then used the order's ancient remedies to restore life to him… At a significant cost to his sanity. Leonard didn't even know why Moreau was targeting Jenkins and his associates. He simply let him off the leash."


There's a long pause following his explanation, Effie taking several deep breaths to calm herself, "Why didn't you tell me?" She asks.


"...I didn't want to burden you."


"You didn't trust me to handle it," She accuses.


"It wasn't something you should've had to handle."


She jabs a finger at Nighthawk, "He was my partner, my mentor! He was my friend! I could have helped him!"


"Isaac Moreau died that night, Detective," Nighthawk replies softly, "The only thing left is a revenant whose motivation is vengeance and bloodlust. Maybe he can come back from that place…" Nighthawk shakes his head, moving to the window, "But I doubt it."


"...It's been good working with you, Detective," He says at the window, opening it.


She laughs bitterly, "So that's it, you got Arthur Richmond, you even got the Doll-Face Killer, Steele, and the Angel of Vengeance. You win? Ride off into the sunrise?"


"No…" He looks at her grimly, "The mission continues. The criminal element stirs. My rampage against them to find Hope and Cole first has created several vacuums… Forces from outside the city are coalescing to fill those gaps. They will know to fear and oppose the Nighthawk. Those who made it through that night will have a score to settle against me. This city still needs protection. It still needs the Nighthawk."


"And what if I need your help with a case?" She asks, "Will you answer my call?"


This makes him pause, "I don't think your career would survive any additional scrutiny of our… Association."


"So we be more discreet," She replies caustically, "But my career is not your concern. We've changed this city. The Richmond case started that, and we'll keep doing it."


"Our association is not healthy for you, personally," He points out.


"Yeah…" She touches her stitched-up cheek, "Occupational hazard." There's another long pause, "But if we're going to keep working together, you need to trust me even with the stuff you think I can't handle."


"...I'll consider it," He acknowledges, slipping out the window and into the night.


***​


For the first time in a while, Kyle returns to his penthouse apartment in the heights of the city, prepared to take a night off for once to catch up on much-needed sleep… He had some perks still despite his bitter falling-out with his father, and a chauffeured ride back to the apartment was a small luxury he was affording himself this late evening. He blinks in surprise as his cell phone buzzes in his pocket, wondering who could be calling him at this late hour - he ignores the dozens of missed calls and flips the phone open.


"This is N-" He pauses, rubbing his face, "This is Kyle Richmond."


"Kyle!" An unfamiliar voice says, "Finally picked up the phone. We've been trying to reach you for days!"


"Uhuh," He nods, "Who is this?"


"Oh, uh, this is Rod? Rodney? Croft? The acting Chairman of the Board for Richmond Corporations?"


The words wash over Kyle before things start to register, "Right- Sorry. Been a long day. How can I help you?"


"Yeah, well, thanks for taking my call, Kyle- Kyle, the board have been talking, and the consultants have been talking, and the shareholders have been talking, and we won't bore you with the details, but all's to say, what do you think about stepping up and taking the reins from your old man? Figuratively speaking?"


"Wait-" Kyle squints, "What? My father and I are estranged, now. He'd never-"


"Oh yeah, yeah, we heard about the fight!" Rod replies cheerfully, "Personal matters, family business, we at Richmond Corp like to make sure that's all behind closed doors, but Arthur did give us a call, haha!"


"So there's no way I could ever run Richmond Corp," Kyle pressed.


"Yeah, well, while Arthur can write you out of his will and make sure you never see a single one of his shares when he passes, he still hired you as an executive VP in marketing… And the court injunction means he has no say in the actual day-to-day business proceedings of the company so… He can't actually fire ya, no matter how much he wants to!"


His head spins for a moment, processing that information, "And what do you mean take up the reins, figuratively?"


"Well it's still got to be voted on, but the idea our consultants floated is that the general public might be a bit more receptive and welcoming of our company on the market if we had a more familiar, family-oriented face on things. Just to show that things aren't gonna capsize, not have another Burbank situation, you know, ahaha… And so we thought, what the hell, why not give Kyle a shot? Now, this would largely just be a figurehead role… All real decisions would be made by the board, the Chairman would be voted on by the shareholders, all standard business practices… But you'd still be attached to the company, be the face of the company, and help get our stock price out of a freefall, haha!"


Kyle almost says no. This sort of crass business practice made him want to vomit, and he knew that a man like Rodney was the same sort of poisonous vulture as Arthur, a corporate raider trying to protect his own nest and willing to take any means to do it. The name of Kyle Richmond would become synonymous with selling out and shilling for the company name… But the safest hands were still his own.


"I have two conditions," Kyle responds coolly.


"Name 'em, kiddo!" Rod responds cheerfully.


He takes a deep breath, "Apart from galas, shareholder meetings, the usual parade of bullshit, I make my own hours and you work within my schedule. I'll remain uninvolved in the day to day affairs, so don't be dragging me into pointless meetings."


"Sounds agreeable," The chairman responds, "What's your other condition?"


"Richmond Corp establishes a charitable foundation for the development of pain-management and elimination research and help for those who have suffered because of the ongoing opioid epidemic," Kyle says resolutely, "Under my leadership. The Monica Richmond- No… The Monica Washington Foundation." He opted to use her maiden name.


"Proceeds will come out of your salary," Rod says flatly.


"Done," Kyle nods, "Glad you called, Rod."


"Glad you picked up, finally! Only had to call you about a dozen times, ahaha, we'll have to get you a personal assistant, make you a little more accessible."


"Only if they like the midtown club scene and bubble foam parties," Kyle jokes, dying a little inside at the same time.


"Oh- Oh that's funny! Okay, we'll let you know when the vote is all sorted out, and we'll call you in to sign some paperwork. Pleasure talking to you, Kyle."


"Pleasure is all mine, Rod."


The phone clicks, and Kyle slowly lowers it to his lap. He'd always thought this journey would end with him leaving the company behind… But perhaps there was a way to use Richmond Corp's resources to further the mission of the Nighthawk… And prevent them from backsliding into bad habits. Kyle Richmond would have to maintain the masquerade they expected of him - an aloof, hedonistic party boy, only useful as a figurehead and a patsy. If it brought shame on the Richmond name… Well, it would only serve to humiliate Arthur more.


Nighthawk could live with that.


***​


"If everyone could take their seats- Please quiet down now, please take your seats everyone," A gavel wraps curtly on the block, "Our fifteen minute break is over, the committee meeting is now in session. Please take your seats, thank you." Miles away from Cosmopolis, in the New Troy Statehouse, a gathered crowd observes proceedings of the State Judiciary Committee. Months have passed since Victoria Steele, Oliver Norton, and Isaac Moreau were taken into custody. The chairman, state delegate Hampton Reed, adjusts his thick glasses.


"Now we've heard a great deal in the past two days in this committee about what to do with cases of extreme and disturbing mental and psychological problems, and the crimes committed by those unfortunate individuals… Afflicted by these maladies. There are some amongst our ever-so-enlightened colleagues from the opposition party that believe that no matter the circumstances, the punishment ought to fit the crime… That there is no room in a modern, civilized society to rehabilitate the lawbreaker, no matter the extenuating circumstances… No matter if they cannot even control the sanctum within, their own mind. Some esteemed members of this committee already believe our only recourse is to cast these souls forever into an endless carceral state, a system from which there is no… True escape. This committee has heard from experts in criminal psychology, criminal justice, and from those concerned citizens who have tragically lost loved ones to violent crime. I would now like to invite a renowned and celebrated expert on the subject, a lifelong and born citizen of New Troy, to provide his testimony on the matter. Dr. Theodore Langer is an accomplished clinical psychiatrist, a noted expert in the field of cognitive neurology, and one of our foremost minds in the subject of criminal pathology. His thirty-two year career in the field has reached its zenith at the Feuerstein Mental Institution, where Dr. Langer is director of the wing for psychologically disturbed violent offenders. Dr. Langer, we are honored to have you address this committee, and the floor is yours."


"Thank you, chairman," Dr. Langer nods politely, "And thank you, members of the committee and the audience, as well as my fellow experts, and those affected members of the community. It is only through open and honest public discussions like these on policy and law that we may arrive at best practices for treating all members of our society, even those who are tragically not able to control their own impulses."


"THEY'RE MURDERERS!" One of the audience shouts, quickly pulled away from the room by state police, "YOU'RE CODDLING MURDERERS!"


"Now-" The chairman bangs his gavel, "There will be no more interruptions like that. My apologies, Dr. Langer, you may continue."


Theo nods, smiling tightly. He's a tall, skinny man, with thin lips, deep-set eyes, and graying, pale skin, which is difficult to distinguish from his graying, receding hair. His voice is deep, deeper than people usually expect. "As I was saying… It is understandable to me that most people in our society hold a dim view of my profession, or the work that I feel is so important. The common person is not capable of committing violent crime except under the most extreme of circumstances. Very few people who commit crime do it knowing, or fully cognitive, that it will condemn them to a lifetime of criminality. That our system will rarely let them rise above their mistakes. Most people cannot even visualize or imagine themselves committing truly violent crimes, even fantasies of beating your boss over the head with his desk plaque are, amusingly, coated in saccharine, cathartic release. They do not wake up with an impulse as primal and basic as our need to eat, our need to breathe, our need to procreate, hardwired into their very consciousness, telling them that people must be murdered."


He folds his hands atop the table, "These individuals are profoundly sick, and despite their actions, they are still deserving of our pity. They did not ask to be born with the impulse to kill, to defile, to slake a thirst that cannot be sated. But our prison system, like the venerable old Priors Island State Penitentiary… Are simply ill-equipped and unfit to handle these extreme cases. They lack the training, they lack the resources, they lack the mindset. They cannot give proper care to this subset of criminals, those who are declared legally insane and thus cannot be tried by a jury of their peers, for what peers could sit on their jury? Priors Island is certainly not equipped to handle the increasing volume we are seeing in the population of those who have overblown narcissistic, megalomaniacal, and severely antisocial traits. Violent egomania, centering around grandiose, theatrical personas, caught up in fantastical worlds of good and evil, fixated on a dread, imaginary persecutor… These are childish concepts, ladies and gentlemen of the committee, conjured by broken, childish minds, that never grew up in their dark and twisted Neverland. They will not receive proper care at places like Priors Island. They will provide only pyrrhic vindication to their victims' loved ones by a visit to the executioner's chair."


He smiles, broadly gesturing in a warm, accepting way, "At the Feuerstein Institute, I promise you, they will receive the care they deserve."


***​


Those trapped within the Feuerstein Institute might disagree with Dr. Langer's assertion. They might instead call the mental asylum a hell on Earth. The incoherent screams of the truly disturbed echo down the halls. Life was spent confined to small, almost windowless cells. Only a small portal, smudged and grimy, offers any view of the outside. The food, if you could call it that, is bland and repetitive. There is no privacy. There is no freedom. And there is no hope.


Isaac Moreau, Victoria Steele, and Oliver Norton find themselves confined in this hell. Little consideration is given for separating the sexes, not for violent offenders with sociopathic, unhinged traits such as these three. Their cells are transparent to the guards, circling a singular post where they can all be seen simultaneously, at all times, with no room for courtesy or privacy. They are garbed in drab tan uniforms, and a harsh white light illuminates their cells from 5 AM until 6:45 PM. Then, it switches to an unpleasantly red light. They tried to talk to each other, compare stories - Victoria had heard about these two during her time in city lock-up, and Moreau was still content to rant of his moral superiority over Norton, and how the ventriloquist deserved to die for his many crimes. Oliver just wanted company. He was unaccustomed to silence. But their sound-proofed rooms only allowed muted, muffled shouts. Victoria learned she could fog the glass with her breath, but no one else was willing to indulge her attempts at hieroglyphics. She insisted she was sane, that if she had known her attempts at faking insanity would lead her here, she wouldn't have tried at all.


The staff of the Feuerstein Institute were quite convinced she was actually as crazy as she pleaded not to be.


It was during the night, after those lights flickered from stark white to hellish red, that Isaac first noticed that while the first guard had left, it was not in time with the carefully synchronized change of shifts. No relief stood at his post, no back-up. There was no apparent signs of life from the guard post. The Angel of Vengeance carefully got out of his cot, wandering over to the glass… And in the mere moment of all the lights flickering off and back on again, the Nighthawk stood there, glaring at him intently. A mere mortal might have startled or flinched, but the Angel only glared back, implacable.


"You look comfortable, Isaac," The vigilante notes, nodding towards the double-bound kevlar straight-jacket, "You must be an angel after all… White is definitely your color."


"Who's there?" Oliver asks, cowering back in his cell, "You're not one of the guards."


Nighthawk paces the room, passing by Victoria's cell, his boots causing heavy footfalls that echo in the ward, until he reaches Oliver, seeing the large man curled up in the corner of his cell, covering his eyes in utter anguish and fear. Nighthawk pauses, placing his hand against the glass.


"...Oliver," He says softly, "I wish there had been another way."


"You could have killed him!" Moreau shouts, slamming his head against the reinforced glass. These three could hear Nighthawk, but did not know he was tapped into the microphones inside their rooms, able to hear them quite clearly despite the sound-proofing.


The cowering man slowly uncovers his face, looking up at the grim visage of the Nighthawk… And he slowly shakes his head. "...Dr. Langer… Says there's hope of my recovery. That I won't be trapped inside this place forever. There's… Better wards… For non-violent patients. He said he may let me try group therapy soon."


"When I set out to bring down the Doll-Face Killer, I had something to prove," The vigilante responds truthfully, "I wanted to show this city that I could overshadow even her darkest legends, with no thought as to what I was becoming. Or what I would find in the darkness. When we first met in your workshop, you were not what I expected."


"I'm glad you stopped me," Oliver's hand drifts to the stump of his arm, "Even in this hellhole… For the first time in my life, I'm truly free. I can't… Atone… For anything that I did. Even if I had all the time in the world and my right hand, I can never make it right. I was too weak to stop myself. Too weak to resist the darkness inside of me… But I can still thank you, Nighthawk," He smiles softly, "You saved me, from myself."


Nighthawk stares at him for a moment before stepping away, approaching Victoria's cell. She slinks closer, tapping her nails against the glass, pausing to exhale slowly and fog up the pane. She draws a heart at first, only to break it with a jagged line. "You're a much more vindictive son of a bitch than I thought you'd be," She sneers, "To get them to lock me up in this horror show."


"I believe the attempted murder of a cop had something to do with it, actually," He replies dryly, "I thought you liked vindictiveness."


She looks at him with uncertainty, picking up that he was referencing something that she wasn't catching on to… But he turns and begins to walk away, and the moment of quiet revelation is forgotten in favor of incensed rage.


"Sorry, I didn't know you were so precious about your damned reputation!" She shouts, slamming her palms against the glass, "You could have been so much more! A true freak like the rest of us, just as deserving to be behind this glass! I saw it in you! I saw it that night you almost killed me!"


He turns back, towering over her, "The difference between us, Victoria… Is that your gluttonous appetites devoured you, and you never even realized it," His orange eyes burn in the dark, "Consider that, as this place shrives away layers of your soul you did not even realize you had."


Finally, he returns to the Angel of Vengeance, who regards him with hatred and disdain. The two men hold a silent competition until Nighthawk finally relents, not terribly worried about machismo under the circumstances. "Father Leonard is no longer at the monastery," He says innocently, "The city police and much higher authorities are becoming more and more interested in the activities of the Order of St. Berchard… Leonard was transferred to another location, pending some internal investigations… Though he may not be around long enough to be defrocked by the church personally, seeing as how an anonymous tip, a well-written search warrant, and a SWAT team uncovered many interesting things hidden beneath that monastery…"


The Angel is silent, his eyes searching the mask, but finding no guile or deception. He groans in rage, slamming himself against the glass, but even with all his strength… He cannot break through. He cannot punish the son of darkness like he promised.


"Someone told me recently that systems of law and order were built by guilty men, to protect them from the thing they fear most," Nighthawk says quietly, "Vengeance. That one day the common man will realize he is not as powerless as he has been led to believe, and strikes out with violent hand and furious anger, murdering his oppressor. If the downtrodden man breaks the law to kill his oppressor, who is evil, Isaac? Who deserves divine punishment? Is it the guilty man, who built the systems of power to oppress and extort the common man? Is it the common man, who struck out in great anger and murdered the guilty man? I know how good it feels, in the moment, to pursue vengeance…" Nighthawk turns away, "But it doesn't change what is broken. It doesn't make anything right again. One hand does dole out vengeance…"


He pauses, looking at Isaac's expression, fueled by self-righteous rage and a bottomless appetite for retribution. A killer, without conscience or remorse, who will kill again the moment he is free. Maybe that is his destiny. Or maybe his wrath will be broken here, so that he might finally find peace.


"But the other hand, Isaac," Nighthawk opens his right hand, "It offers mercy. I think… I think you forgot that."


The lights shutter off for another moment, and when they return, the door opens and the guard enters. He takes his post, acting as if nothing is amiss, but the Nighthawk has vanished. Perhaps he was never even there to begin with.


Nighthawk spreads his wings and flies into the deepening night. Cosmopolis is a city that never sleeps, her gleaming lights ever-present and defiant of the dark. But no matter how bright her days, or how warmly her skyscrapers glittered with jeweled lights, they could not dispel the pooling shadows in her gutters and alleyways, the festering rot that was always intent on devouring her. The city is a living thing, with her own appetites and impulses, and they are as self-destructive and consuming in her as in the people who call her home. The Nighthawk is a creature more and more at home in this world, a predator whose appetite is vast, and feeds on the fear and superstitions of the criminal element. The mission is never complete, but as long as the Nighthawk's watchful eye is on her, Cosmopolis will always have a dark protector.
 
Epilogue New

Epilogue


Burbank Tower was once the beating heart of a nouveau riche tech giant - a center of operations for international business, product development, and technological advancement. Not only was it the birthplace of popular tech products such as phones, computers, watches, and other luxuries, but it had been home for three floors of pure, bleeding edge research and development. Some things found here could have been classified as miracles in an earlier age, barely possible in the limitations of modern technology. But even these advancements were but puzzle pieces in the hands of their architect, Emil Burbank, who cobbled them all together into something that transcended the imaginings of their individual creators - an invention greater than the sum of its parts. Such is the genius of MENACE's top scientist, the man defeated by Hyperion, the Atomic Hero for the Modern Age.


These advancements and miracles are gone, as are the people who invented them. All of the staff are gone. Everything down to the last box of staples was confiscated and taken as evidence… Or claimed by the the World Security Council's Bureau of Defense and its diminutive Jack of Hearts, Thomas Thompson. That which was confiscated was taken to the Panopticon, the headquarters of the WSC's Department of Defense, Espionage, Containment, and Kinetic Operations - DECK.


Tom wanders through the Bureau of Kinetic Ops and stops at the threshold of the director's office, noting that its occupant had left the door open. His focus and attention are on the beautiful young woman sitting on the desk, staring up at a painting titled Utopia, while cradling the head of one of Emil's transcendent machines in her hand. The robots had fought against Hyperion in a poorly-matched battle, managing to harass and hold him off only momentarily before being destroyed one by one, leading to Emil's capture. Further study, examination, and analysis had revealed that the machines were built for a different purpose: To hunt down and kill the woman who now sat within this very penthouse.


Her existence is a matter of carefully guarded secrecy, because despite her youthful appearance, she was a founding member of the World Security Council in the 1950s and has been a leader of DECK many times as the dreaded Ace of Spades. For decades, her work has shaped international events and the course of history… Quietly, efficiently, and often lethally. She is the primary target of MENACE for assassination, their sworn enemy who they will destroy at any cost.


She is Zarda Astragon, Princess of Utopia - Alias, Zara Shelton.


Tom approaches quietly, but can't help himself - "Alack, poor Yorick," He chuckles, "I knew him, Horatio."


Zarda glances over her shoulder, rolling her eyes at his joke. She lowers the head of the android, placing it on her lap. "Hello, Tom," She replies quietly, her raven-black hair tied back in a loose ponytail. Where he was naturally undersized, Zarda was taller, broader, and stronger than most - a powerhouse whose strength and abilities were even greater than a cursory inspection would suggest. She has earned his respect many times over.


Tom clears his throat, "I heard you were back! You missed quite the party. How was Budapest?"


"...Enlightening," She replies, still staring at the painting, "I thought I finally had him cornered, but it was just another drone… The Master eluded me once more… But I did discover an off-the-books facility manufacturing heavy weapons and vehicles for Chastain's mercenary army. They even had the schematics for building M-1 Abrams tanks."


"Troubling," He says, an understatement, "Shall we contact the Department of Defense?"


"...No…" She shakes her head, standing up, "Let's sit on that one... Handle it with a bit more subtlety. Could prove useful for luring out some rats."


"As you wish," He replies deferentially, "...It's a pretty painting."


"Yes, it is," She says wistfully, "Somehow, it actually looks like my home."


Tom frowns, confused, "That seems impossible." Zarda winces slightly, but smiles - not a pretty smile, not a happy one, but masking a deeper pain.


"And why is that, Tom?"


"No one can find Utopia," Tom replies, treading carefully, "Not even you… And no one has made contact with that island since the '40s. And by your own admission, no one ever leaves."


"Well…" Zarda cocks her head to the side, "Usually." She points at the artist's signature in the corner of the painting, Mariko Yamamoto. "That's curious. Seems like our little friend is still alive, after all these years. I thought she was dead, after what happened in Ho Chi Minh City."


"You almost sound nostalgic," The Jack of Hearts raises an eyebrow, "That was about twenty years ago now…"


"...Those were simpler times," Zarda shrugs, "Despite all my power, all the advancements we've made, our grip on the problems of the world is slipping. Like trying to hold a fistful of sand. If I'd known how easy we had it in the Cold War…" She shakes her head.


"...Are you okay, Zarda?" He asks gently.


She exhales, staring at the ceiling, "It's been a long road to get here, my friend, full of sacrifices. I'm tired." She looks back at the painting - it's a neo-impressionist piece, evoking Monet's San Giorgio Maggiore at Dusk, a hazy view of white towers rising from a mysterious island, caught in the sunset. It evokes long-forgotten memories in her.


"And I miss my home," She says softly, her face growing bitter, "Mariko is alive… And she's taunting me. I don't know how she managed to create this, but… This is a message. MENACE knows about Utopia. I want to know what the Master has planned for my people." She slams the android's head on her desk, marching towards the door.


"I struggle to see how they could ever find Utopia, when we've had no luck for sixty years…" Tom struggles to keep pace, "Where are you going?"


"Not a risk I'm willing to take," Zarda responds waspishly, "...And I've been away for months on missions, Tom - I'm going to go see my husband now."


Tom Thompson pauses at the door, a pang of regret shooting through him. He has respected Zarda for many years, and quietly loved her for just as long, knowing he could never be with her. She has carried the weight of homesickness for as long as he knew her, and long before he had ever been born.


She is Zarda Astragon, the exiled princess of Utopia. For sixty years, she has been searching for a way home… And now she can only try to remember the reasons why she chose to leave.















Nighthawk Will Return





 
This was very good. I really appreciate your take on Nighthawks moral responsibility and the entire storyline's focus on choice, responsibility, and person accountability. I can't wait to see what you do with Zarda. Thank you very much!
 
Final Comments New
Holy shit it's finally done. Clocking in at 79.5K words and about 268 pages, this is the longest work of mine to date. I went back after posting chapter 11 and discovered Hyperion actually took one and a half years to write, but this still took twice as long despite only being incrementally lengthier in prose.

So what happened?

Starting this project, I knew I did not want to do an origin story - for Phase 1, there are six distinct stories to tell, and most of those are origin stories - it's going to get old really fast, for me as a writer, as well as for my audience. So two were chosen to be stories told in a Year 1 or Year 2 context, or further along into their career. You'll see as we go, maybe I'll be done by the early 2030s...

Anyhow, first determination was that this wasn't going to be an origin story. Nighthawk is established, maybe still a novice, with room to grow, but his first adventure is already in the books. So what will the story be about? I decided to dust off a concept I developed for a Batman story, which came to me about 5 or 6 years ago now I'd reckon, where a very Nolan-esque, grounded Batman has to contend with pure supernatural force - The Spectre. Not only is this a battle between rationalism and the supernatural, but it's a battle between a man with a no-kill rule against a being who kills people because he has a intuitive, divine sense of their moral worth. Just cuts through the entire Gordian Knot of Batman's moral dilemma. How far is he willing to go to uphold his principles? Will he literally fight an agent of God? Very fun idea, to me.

So I took that initial concept and broadened it in some places, and brought it down a couple notches elsewhere - Isaac won't be as supernaturally empowered as the Spectre, and I brought in a lot of elements of Azrael and the Order of St. Dumas to flesh it out. The Arnold Wesker Ventriloquist and Scarface from Batman is retooled as a serial killer with more of a Goosebumps-inspired ventriloquist's dummy, who serves to be the focal point of the moral question. Add in some moral philosophizing from a third party in the form of Victoria Steele, our crazed catwoman, and we're off to the races.

Tone was immediately difficult to establish. In my head, I see night-time Cosmopolis in a certain way. The first 30 minutes of the recent The Batman film are some of the best Batman put to screen in my mind, and I really wanted to convey that edginess. I don't think the Dusk Panorama was perhaps the best tool for that, in hindsight. Three or four years ago, that seemed like a much better idea than it does now, and I'm shelving them for the foreseeable future.

Second problem: the concept I originally created for Batman vs the Spectre really did not work for the character of Kyle Richmond. The 712 incarnation, which is my ultimate foundation for this adaptation, did not lose his parents to violent crime at a formative age - his asshole industrialist father dies when Kyle is 18, he inherits the fortune, realizes his father became wealthy through "unethical means" and becomes a costumed crimefighter to... Fix that. I don't know about you, but that is not really a great place to start, because the psychology is totally different. So I tweak it - he's avenging his mother, who was a sacrificial pawn for his father's evil schemes... Mmm... Still not hitting the mark. The impetus and drive is not there for him to be quite so... Driven... As Batman. So we need to explore why the hell he's even remaining committed to being Nighthawk after he has, by all accounts, already won. So that put an additional burden on the story to explain his psychology. I could have borrowed from Supreme Power, but I honestly felt its "Kyle Richmond's parents were murdered on the way home from church by white supremacists and so he grows up to be Nighthawk to have revenge on white supremacists" to be... in extremely poor taste, and not well handled at all. I'm a J. Michael Straczynski fan, but his writing for Supreme Power was an edgy teenager's idea of how to write superheroes - and if that doesn't convince you, a whole aside dedicated to George Bush having a secret BDSM fetish in the comic ought to clinch it.

There was also the Christopher Nolan approach, where Bruce Wayne is not actually just the mask the Batman wears, but still exists as the core of the character and desperately doesn't want to be Batman... Yeah, I didn't want to go in that direction. But these stories do allude to the cinematic adaptations, so I incorporated parts of it.

So I ended up discovering as I was going that there was an entire tension of why Kyle is doing this that... I hadn't planned for. It was nowhere in my outline. And it was important, because why is he getting the shit beaten out of him if he's not fully dedicated to the cause? I'm hoping I threaded that needle, but it was tough and demoralizing to feel like I might need to scrap everything and go back to the drawing board. I'm never a fan of things just happening because the story needs to happen. The internal logic should be consistent. So we find an entire, unplanned arc of Kyle Richmond and Nighthawk struggling with each other for what they want. Is it a split personality? ...No, not really. I wouldn't know what to call it exactly. Call it a product of brain damage and move on.

I also found it's really hard to maintain consistent themes and thematic arcs across three years and 79.5k words of text. My respect to actual, professional writers - that shit is hard. I think I stuck the landing somewhat, but it was extremely tough.

So that's why it took three years to write! I'm incredibly happy it's done now, it's a huge weight off my back. It has been an impetus for me to take all of my future projects for the Supreme Initiative and significantly retool them with fresh eyes to try and make them make more sense.

Nighthawk wasn't as popular as Hyperion was... That also was a dent in my morale to keep writing, admittedly. This has been purely a labor of love to get it finished, because I did not really have the same energy I was getting knowing people really wanted to see how the story ended. I'd really like to thank my dedicated reader(s?) who stuck with this one for three years. It was nice to know I wasn't just tossing these out into the void for no one to read.

Zarda: Princess of Power is next. Going to take some time to recover my energy, and then launch right into it. Stay tuned!
 
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Can't wait! I loved your interpretation of Nighthawk and the balance you struck for his character, this whole story game me Daredevil Season 1 vibes and that's honestly the highest praise I can give. I think the moral dilemma of not killing versus killing bad people based on absolute value is so interesting and rife with potential, and I think you've written it with great nuance and done it very well. This definitely deserves to be more popular and it's a very good piece of fiction. Bravo to you for finishing and I can't wait for Princess of Power!
 
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