At one point I was planning to give big techniques used in the story title cards like a battle anime.

I decided to shelve the idea because it didn't really fit the tone I was going for, but one of the couple I made as a proof of concept is the one for the finishing move here.

 
Initially, I thought the sudden increase in understanding Vesper underwent might have been the reaching a new understanding of martial arts, then I remembered that the tiers of martial arts are less defined in 3e. So it's probably an increase in Essence.
These last two posts have been wonderfully described. I love this story.
 
Was it an Essence rating increase, after the vision?
Essence ratings are a mechanical abstraction, not a literal thing, so that seems very unlikely, I'd guess.

_Creation_ as Shivers works really well, and I'm reminded really fondly of the Phasmid at the end of Disco Elysium, and how it felt to see the Detective becoming a bit more whole, a bit more healthy.
 
Some people like to do dramatic scenes to coincide with Essence increases. I like the trope of the mid-scene escalation in battle shonen, and those work well for Essence increase scenes even if it's a bit of a headache to rearrange your character sheet mid-scene.

This wasn't an Essence increase, but it could work as one.
 
???: Everything. Everything that ever was, or was not, or will be, or will not be. The totality of existence spins on my axis.
The totality of being and unbeing, the razor edge where infinity curves away into nothingness, perhaps?

Edit: Also, this latest update is labeled A Better World 46 instead of 47.
 
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To me it felt more like Vesper went full iconic anima, and was accessing a larger portion of her forgotten strength.

You exhale. Your perception broadens. The smoke shivers and recedes from you. Essence pours from you like water, rising in a standing wave, tall as the sky. It shimmers with the many colors of water, teal and navy, cerulean, indigo, the rose of the tropical sea at sunset, the prismatic shimmer of the salt spray. It courses through your veins, invigorating, exultant.

This feels like an anima banner to me. The cresting wave, embodying all the colors of the ocean? Primo anima banner material. And then, as for what Vesper does with it...

You see the infinitesimal firings of Essence coursing through his body. The black of necrotic magic sparking against the crimson fire that lingers in his hungry ghost. You see the outline of a howling face made of smoke forming like a mask, a horror beyond death.

You see further. You see a child coming into miraculous power. You see him accept his mantle of destiny as a future hero. You see him torn from his parents. You see him weeping on a distant battlefield that nobody else will mourn. You see him light the pyre of the woman he loved. You see his hope fade. You see him die alone.

We already know Vesper has incredibly good Awareness powers. She can read the intricate history of objects with a look. She can understand a ship's figure head, or a sword, or a wooden finger, to the point where she can imagine them speaking to her. That's how good she is. She can talk to Logris while using her powers of perception to read Logris' face and intuit her thoughts simply through her powers of observation. This feels like a natural culmination of that power, wrought in the heat of battle.

Y'all underestimate just how cool Dragon-Blooded can be.
 
Gaia, or Danaa, or maybe it's just a drug induced hallucination.
There's also the Godhead, which is a Great Forks religion that considers violence against others unfortunate.

Are they? Motes exist, Essence pool size is measurable in-universe, I don't see why ratings must be a mechanical abstraction without in-universe basis.
This was taken out behind the shed and shot repeatedly as of 3e!
 
Fondly regard (XXVII) Creation
We already know Vesper has incredibly good Awareness powers. She can read the intricate history of objects with a look. She can understand a ship's figure head, or a sword, or a wooden finger, to the point where she can imagine them speaking to her. That's how good she is. She can talk to Logris while using her powers of perception to read Logris' face and intuit her thoughts simply through her powers of observation. This feels like a natural culmination of that power, wrought in the heat of battle.

Y'all underestimate just how cool Dragon-Blooded can be.
If Vesper's conversations with inanimate objects stem from Awareness charms, that makes this bit
SAGACITY: You know, you only have the word of an obvious hallucination that there is even a waterfall in this direction. Awareness didn't see anything, which means you didn't see anything. The most logical explanation is that you are just imagining a waterfall.
even more bizarre, because she'd have to be using Awareness to get information that her Awareness couldn't provide. Which I can't rule out, because Vesper.

On the subject of Dragon-Blooded being cool, every time Vesper performs some ridiculous martial feat I think about the fact that everyone asked is dead certain Mei would body her. I hope we get to see Mei fight.
 
What, really? Most of my experience with Exalted is from 2E.

Motes as an in-universe measurement has been intentionally rolled back. Gone are motonic physics and the kilomote. Essence is a known thing in-universe and obviously there are Essence users that are stronger than others, but the use of Essence is not a hard science.

On a similar subject, Ex3 has also intentionally scaled back the extent to which Charms are known and recognizable techniques; even among the numerous Dragon-Bloods, a given Charm can just as easily be unique to a character as something shared between them. There are no longer manuals that teach Charms stocked in the great academies.
 
For A Better World 48
[X] Take the hunter's whole body.

You look down at the bisected body. It's leaking a thick, dark fluid, blood congealed for weeks after death. You try to suppress your apparently intimate knowledge of the rate at which blood decomposes. At least most of the entrails seem to have already been removed, including the intestines, making the wound much cleaner than it otherwise would have been.

You prod the upper body with your boot and roll it over. It's heavy. You see the glint of dark metal sheathing a severed rib. He's not a small man either.

PHYSIQUE: Even dessicated, near naked and with removed organs, he's probably too heavy for us to carry.

EMBASSY: Not to mention too unsanitary.

PHYSIQUE: Maybe you could drag him around somehow?

CRAFT: He had a big chain, we could use that.

Without any other obvious options, you retrieve the severed head and the discarded chain-blade weapon from the middle of the clearing. After a little experimentation, you decide that the best way to transport all three parts is to tie the head to your belt by its dried hair and loop the flexible chain twice around the two halves of the corpse.

Now, which direction are you going in? You got turned around several times during the fighting.

NAVIGATE: DIFFIC-

Wait, never mind. A distant explosion ripples through the air. A flash of white fire, sound like a thunderclap. A moment later, the breeze shifts, not the unnatural wind changes of the island, but the ripples of a distant shockwave. The heat of the burning forest briefly intensifies.

Mei must have met an enemy in battle to the north of camp. With that point of reference, the route back to camp is easy enough to figure out.

Your head feels light. You tell yourself that you are just coming down from the adrenaline high of battle.

Looping the chain over your shoulder, you lean forward and begin the hard work of dragging the corpse towards camp. The ground is less than ideal; the rain mixes with ash and fresh-turned soil to form pasty grey mud, slick to the touch. More than once, you stumble, but you persist.

Just as you think you might be headed in the wrong direction after all, you hear voices. You come to a halt, looking around for the source. A soot-dusted face peers up at you, as though it just popped out of the dirt.

"Hey. What are you doing in the ground?"

LEGIONARY: "I'm in a trench, lady."

"Oh, that's right. Is Colter still here?"

There is a flurry of activity as the woman rushes to get her officer. You note a dozen or so Raigi bodies. Apparently, they attempted to storm the trench during your fight.

Colter hoists himself over the lip of the trench and comes to greet you, followed by one of his subordinate officers.

COLTER: "Lady. You've seen action."

It's not a question. It's probably pretty obvious.

"Yeah. I got..." you take a moment to calculate. "...twenty five, including the leader here."

He looks down at your burden.

COLTER: "Well, it looks like you dealt with him."

"I want to burn the body."

COLTER: "Maybe you should let us take care of it, magistrate. You're wounded."

"No I'm not."

He looks you up and down. He seems to resolve to press the issue.

COLTER: "You've got a lot of blood on you."

"It's not mine."

You look down. There's a lot of red. The Raigi you fought had grey blood.

"Oh, maybe it is mine."

You take stock of your injuries. You still have an arrow protruding from your leg. Your right arm hangs limp, broken again now the rejuvenating Essence has departed it. Your left forearm is also fractured. You have a deep cut on your left palm and a deeper one on your right flank under the ribs. You are steadily losing blood.

It hurts a lot, you just weren't paying attention. You shrug, unsure how else to react.

[ ] I think I should see a medic.
[ ] I think I can probably walk it off.
[ ] I'll just have a lie down here, if you don't mind.
 
[X] I think I should notice that Crumplepunch has drawn a new face for Tenebrous Silken Vesper as the quest header and image.
-[X] Does this mean someone has changed the numbers?
 
For A Better World 49
[X] I think I should see a medic.

"I think I should see a medic."

COLTER: "Good choice. Lily!"

A young woman approaches. She has a rangy build, only a little shorter than you. The layer of soot makes it hard to discern her features.

LILY: "Sir."

COLTER: "Patch up the magistrate, if you would. Get her to surgery if she needs it."

"I don't think it's that bad."

Lily looks you up and down.

LILY: "It looks pretty bad, lady."

"It's okay, I looked pretty bad to start with."

She starts with your hand. She sluices the dirt and blood away using one of the several waterskins she carries on her belt and wraps the cut in a linen bandage. You sit on the lip of the trench as she carefully extracts the shaft of the arrow in your calf and repeats the process on the wound.

LILY: "You're lucky this doesn't bleed worse, lady."

"It missed my major tibial arteries."

LILY: "Right, those. Can you raise your arm up so I can get a look at that cut?" she gestures to your limply hanging right arm.

"No."

Lily looks taken aback at your refusal. She looks to Colter for support, but he's already elsewhere.

"I mean, my arm is broken, I literally can't."

LILY: "Oh! Alright, let's take a look."

She prods gingerly at the arm, trying to gauge your response in various places.

"The corpus is split, there's a spiral fracture in the radius and the elbow is dislocated."

LILY: "We need to get this splinted right away, lady."

"It was, I just took the splint off so I could punch someone."

Lily seems to take that in stride.

LILY: "I advise against doing that, medically."

She spends a short while cutting bamboo splints to size with a mattock. As the smoke starts to clear, you can see people moving to the south, deeper into the forest, red and navy uniforms both.

"Looks like reinforcements arrived."

LILY: "Turns out you were enough to take care of the attack on your own, lady."

"Did you take any casualties?"

LILY: "No deaths so far. One of the arrow injuries was pretty bad, I sent him down to surgery. He might make it."

She doesn't seem hopeful.

"I'm sorry."

LILY: "Don't be, lady. You went as hard as you could. All these injuries you took would have been much worse on any of us. Most dragons, begging your pardon, they don't fight from the front so hard."

You take another look at her. Her warm brown eyes seem more vivid against the monochrome soot. She can't be older than thirty. You decide she is quite young to be making observations like that.

"Is this your first campaign?"

LILY: "Second, lady. Pardon my speaking out of turn."

"I don't care about that."

She nods without offering further reply. She finishes splinting and binding your arm and takes a look at the wound in your side. Leaning down beside you, she sniffs gingerly at it.

LILY: "I think this missed the kidney, lady, but it's a deep wound. You need surgery."

[ ] Can you just stitch it up here? I'm in a hurry.
[ ] Okay, let's go to surgery.
 
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