Lesion [Worm/Arknights]

I think there are several very good 6* Operators for Taylor to start with:
1) Shining - Staff-catalyst Medic Operator. Powerful healer and master swordswoman, uninfected, sane. Much is unknown about her past and her end goals are mystery, but should be a solid choice.
2) Bagpipe - Lance Vanguard. As noted in her in-game files, boasts a very powerful physique and is confirmed uninfected. Adding to this is formal military education and a freaking piledriver as a weapon. Is not good with technology, though.
3) Blemishine. Sword-and-board Defender with healing Arts. An aspiring knight in shining armour, very social and friendly (should be good for PR). Uninfected, quick on he feet, as all Kuranta are. Though inexperienced, she learns fast and has a good head. Noted to have a talent for things mechanical/technical. She's quite an idealist which may prove to be a problem in BB.
 
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4.A
4.A
The kid, I had to admit, was doing better than last time. It was still fucking infuriating that I was paired with her, and I think Forehead had done his best to keep our joint patrols as infrequent as possible. But it was mandated, and so for the first time since February I was running across rooftops while Toggle was jogging along the sidewalks beneath me.

I shifted into shadow as I jumped again, crossing over the street ahead of the kid, to allow me to watch over a wider area than this stupid patrol route would usually let me see. It was a PR exercise, nothing more, running through the safest areas of the city in the evenings to show that we were keeping them safe. And that being in the wards wasn't a fucking waste of everyone's time. I crossed back, shifting to shadow and letting the wind flow through me with every jump, looking back at the kid as I crossed the street she was on.

"Oh, fucking shit, really?" Toggle had stopped, perhaps twenty meters back, and was bent over, hands on her knees. It took me a second or two to double back, and I reformed myself with my arms crossed a meter in front of her.

"Jesus and Mary, it's been like… two miles. I'd thought you were doing better, but fucking hell. Why did they even give you a mover rating." It was the other reason patrols with Toggle was so fucking annoying. Everyone else, even Winny, could keep up - or even beat me, if Vista got pissy and decided to make my life harder - but whenever any of us were with the kid the route got cut down to like, half its usual length, and she still fucking failed.

Grabbing her by the shoulder, I pulled her forwards, before shifting myself to the side and pushing her on her back. "You're not fucking stopping. Walk, at least fucking try to do your bloody job."

"I, I-" She was panting, like one of Bitch's fucking dogs, and I rolled my eyes. Fucking hell. Idiot was going to get cramps if she just fucking stopped, and then the patrol would be cut proper short. Did she think she could just skive on it all.

"I don't care, Toggle. I don't care. We've got at least that distance again on our route, and I'm not going to let you be a fucking handicap." You'd fucking survived the worst the world could through at you and came out stronger, so how pathetic did you have to be to not be able to push past the burn?

I sighed, even as Toggle started to walk at the pace I was pushing her at and not just stumbling forwards.

"I'm sorry." Oh, fucking great.

"Don't be fucking sorry." At least Toggle wasn't as anal as Browbeat, to remind me every time I swore not to do it, even if she was as squeamish as Kid Win whenever I used them. If my level of swearing could upset you, you were going to hate meeting any member of the merchants. "Toggle, don't even try and be sorry. Just put your legs in front of each other, like you've known how to do for the last twelve sorry years of your life, and walk. Or Run. I'd like to get back to the running, you know? Do our jobs and not walk around feeling sorry for ourselves."

I could feel her flinch a bit, through my hand on her back, but she nodded, and started running again. I actually watched her running, and snorted in derision.

"Okay, jesus, stop. Did anyone ever actually teach you how to run, at like, school or shit?"

Toggle stopped and immediately slumped over, panting again. I flickered into shadow again, standing in front of her.

"No, seriously, kid, do you not know how to run?" I put my hand to my mask, putting pressure on it in a poor substitute for actually rubbing my forehead. Jesus, Browbeat, if you're going to be such a bitch due to leading us, perhaps actually lead us. My mind flickered back to last weeks patrol with him, and his exaggerated gait. Right. Maybe he didn't know how to run, and just cheated.

"Uh, I, yeah? Lift you knees high, head forwards, long-"

"Not sprinting, moron. Running. Distance. Did it never occur to you to like, actually look up what our fucking job mostly consists of? Beyond the bloody pageantry."

"It's… It's… This is important," Toggle said, tilting her head up to look at me through her spandex mask. God, I was glad I didn't have to wear one of those.

"It's fucking stupid. This is basically just entirely faff." I gestured at one of the houses nearby, which had a front lawn larger than my entire plot. "There's less crimes committed in this entire area every year than occur in the Trainyard or Little Asia in two weeks. We're here to show that the PRT cares to all the rich fucks who could make our life difficult if they thought they were being neglected. Can't risk actually having our wards fight crime, that might make them too much like…" I trailed off, realising I was talking to Toggle, who would probably make something of it if I was too honest. "Oh, it doesn't fucking matter, we're here anyway. Now start running, you've had enough time to catch your breath." She clearly hadn't, still breathing fairly hard, but she wasn't panting, meaning that as long as she didn't do something stupid she'd probably be fine.

Toggle started running, and I rolled my eyes behind my mask. The entire wards team was going to just turn into a wholesale shambles once I left. Well, maybe not. Vista was doing better than she had been a while ago, learning to not act like a weak idiot. Heroes had to be strong, because what's the point of a weak hero? You've got to be able to actually do something, put the scum in jail, show the idiots what strength means.

"Stop looking at your feet, you're not fucking three, you know how to run. Higher. Higher." I was jogging alongside her, an almost casual pace for me. My cover at Winslow had always had a fair amount of truth behind it - I was the best long-distance runner in the school, even among the males, and didn't that fucking annoy the hyper-masculine skinheads. Hell, sometimes they even got annoyed enough to try to make an issue of it, although that was annoyingly less common than it had been. That was always fun. The ABB idiots never risked that sort of thing - well, not against those who weren't E88 chucklefucks - meaning it was my only chance for stress relief. And it wasn't like they could run to the teachers, because who'd believe a load of racist almost-dropouts that one black girl had started and won a fight with four boys.

"Alright, that's good. Shoulders back, now. You're not trying to fall forwards, stand up straight. Straight. It's not that fucking hard. There you are. Now, stop lifting your knees so much. You're not a marching band. And stop pushing off so hard with your back foot, it means you hit the ground with the other foot too hard. You wanna be like, fucking smooth. Shouldn't feel any difference between them. Good. Just keep doing that."

Toggle was following my instructions without complaint, which was a refreshing change from last time I'd patrolled with her, and she'd bloody whined the entire time. So fucking what if she'd only triggered in November? Most fourteen-year-olds would give a fucking arm to be allowed to stay up until midnight. I looked back down at her, as I leapt onto the nearby rooftops again, as she kept up a decent pace again. She'd activated her power, I saw, shadowy echoes of herself flickering around her, fading into non-existence as they spread further and further away. I knew from her whining in the common room that she couldn't keep it activated for too long without getting headaches. Fucking complaining about headaches, when I got a headache practically every time she opened her mouth.

The next major turning was coming up, and I stopped on top of a roof until she reached the corner. According to the plan, we were to continue straight on, but I waved Toggle over to the right hand turning. She didn't know this area of the city well, and by moving down it we'd get to see a few of the more interesting parts of downtown, instead of this insipid land of identical houses and rich fucks.

Sure, it'd drag the distance Toggle had to run a mile or two more, but you don't get better at running without running.

Plus, she deserved it for making us stop. It was a Saturday tomorrow, she didn't need to get regular sleep.

After that it was just another long stretch of nothing, fucking nothing happening as it had been for the last month and change. This city was waiting for something, I could feel it. My own independent patrols, keeping my neighbourhood clean - because the PRT couldn't even be bothered to send regular patrols around where one of their oh-so-precious wards actually fucking lived - hadn't picked up many people, which was odd. There was… a tension in the air, I was sure. Not many could feel it, I was pretty sure the idiot play-acting hero behind me couldn't tell it until it was obvious, but I was sure that Armsmaster or Piggot had noticed. They were both fucking assholes, but they did their fucking jobs, and there was something to that. They knew what was up in the city, and were waiting for the shoe to drop.

As I was debating extending the patrol ever longer, just to see if the kid was worth anything in an actual fight, a red flash caught my attention, a burst of light in a circle appearing above the buildings a couple of blocks to my left. Twenty-first and King, I thought. A small upscale commercial centre. Had a couple of jewellery stores, where Parian made her fucking dresses - god, imagine being so worthless you use your power to doll up idiots with too much money - and a few other items. Definitely a target for someone to do a smash and grab or something like that.

Flitting back to Toggle, I landed next to her, and grabbed her by her arm, spinning her around.

"This way, there's some shit going down a couple blocks over. Follow me, alright?"

I shadowed again, the air streaming through me as it turned my previously meagre push against the road into something notable when compared to my much-reduced mass. It was one of the tricks I'd learned ages ago, right at the start of my career, back before I was a ward. It was only last spring I'd realised what it implied. If I was still pushing off, part of me was still at least real enough to interact with matter, and not just pass through it as I usually did.

I still hadn't managed to get that down pat, but partial transformation was proving to be a great bonus, especially when I got in their faces.

"Console, this is Toggle. Stalker and I engaging suspected activity, at, uh, our location?"

I changed into shadow, spun around, and saw Toggle pressing her earbud in to turn the mike on. Hmph. Well, Console could complain about our GPS sensors being off route later.

Turning the corner of one block in a feat of impossible physics, my momentum shot forwards as Toggle panted away fifty meters behind. It was a long straight now, and I could vaguely see a green figure another two or three blocks away. There were a few flashes of orange light around them, and I solidified to flick my electrical vision on. It wouldn't be fun spending most of tomorrow waiting for Panacea to treat internal electrical burns.

As I sprinted forward, unhooking Armsmaster's baton and flicking it to its full size, I could see more of what was happening. A dozen knives were floating around the new girl. Revert or something like that. I looked up, and saw the bitch floating there, her smug head floating over the battlefield, even as the kid cleaved two of those knives in two. Those swords were clearly nothing to fuck with.

My crossbow bolts phased through the cat's mask, two of the three hitting their mark, but a few seconds after the head faded from existence. Not hitting home then, she'd be out by now.

I felt something tugging on my cloak, and flashed into shadow, the knives passing harmlessly through me, before I reformed. My baton smashed onto the knives, pushing them further away for me. I jumped up, flickering into shadow to gain height and slow my fall.

Cheshire's power was perhaps the least understood of the Calaveras, that annoying power allowing her to duplicate herself and flick body parts between real or not. Or, at least that was the current suspicion. Fuck, I was going to be grilled for more details after this, wasn't I? Waste more of my fucking time - if I knew something, I'd bloody well tell them. Well, probably.

Her head was nowhere to be seen, and as I floated I saw Revert dancing around six, seven, eight knives, each one parried and blocked by her two swords.

Toggle hesitated, at the edge of the fight, a few meters away. I reformed, dropping faster, and flickering back into shadow at the end to absorb the impact. As I stepped forwards to try to take two of the knives away from her, her two swords glow.

Red ripples from the ground. And then a hail of swords fall from the sky, spearing each and every one of the knives, as well as smashing down two of those smirking heads into the ground. Each one somehow missed me. There was a pause, for a few seconds, and I breathed heavily, readjusting my grip on my crossbow and baton. Looking at her grinning mask, I itched to switch and put some proper bolts in the bitch's face, but Toggle was here.

As I reached out to touch one of the swords, it wavered, and they all vanished, Cheshire as well. I looked around, until my eyes locked on Toggle.

And the gun pointed at her face.

"Oh, fuck… me. What, can't I just do a smash and grab without being outnumbered? How the fuck do I keep being outnumbered, there's like two dozen of you heroes. Anyway, just like, gimme a minute here and I won't blow out… whoever the fuck this is. Kid."

The smirking face that faded in as she spoke was in the right place.

Guns. I could deal with guns. Heck, Toggle was wearing the stripped-down plates from Gallant's pre-protectorate armour, she could take a shot. But not to her head. I risked a glance away from Toggle, where the other hero stood there. Motionless. Her mask was as blank as paper. Nothing coming from there, I think. What could I-

"FUCK OFF!"

I snapped my eyes back, and saw Toggle smashing the floating head into the ground, where it cracked, before she booted it, kicking it into a nearby house. The gun went off, but Toggle flickered and was fine.

Oh, right. Her power. Her weird, flickery power. Damn, I didn't think the kid had it in her.

The mask on the floor rose up, before it split in two, revealing a woman's face. It was painted black, probably to disguise her more, and her hair pinned close beneath a wig cap. Blood, grey in the lighting, poured from what was obviously a broken nose.

"Fub-- fub. Fuck All of this."

"Says the woman in blackface." I rejoined. She formed a hand from nothing, and flipped me off, even as the rest of her faded to nothing, before fading that away in turn.

"Holy shit, Toggle. That, that was pretty good."

She turned to look at me, her head turning slowly from the piece of mask.

"No kidding?"

"Toggle. Toggle, it's me. Since when have I ever opposed smashing villain's faces in?" I said, wryly. She chuckled, weakly. I nodded at her, before walking over to the hero, who was fiddling with her swords.

"So, uh, Revert -"

"It's Revamp." She said, looking up at me. I loved being tall. I could never take Battery's whining seriously because she was always just shouting into my boobs, and that is just funny.

"So, Revamp, how did you find that bitch?"

She tilted her head slightly, before straightening her neck. "She was in that Jewellery store, over there," pointing at one which I could now see had bent shutters. "I.. think she might have gotten away with some. I don't know her powers, beyond the Lewis Caroll reference."

Blah. English. God, I had a project on that on Monday, with Hebert. Hopefully, given that nerd probably read more than half the class combined, I'd get a decent grade for once. "Huh. Neat. You want to stand around, I'm sure one of the 'adults' will arrive. Get you to spend some time writing up a statement."

"I'm allowed to leave?" She said, tone muffled by her mask. Why didn't she have a hole for her mouth? That was weird. Basically everyone had holes for their mouths. Made it easier to breathe.

"You should stay around, but if you're going to leave, well, I ain't going to stop you."

She tilted her head again, in a way I thought I recognised. The shorter woman flicked one of her… cat ears. Fuck that was weird. Was she a Case 53? … Dammit, that was more paperwork, if one of the Protectorate brought it up. "I'll stay, I think. Help you out how I can. What is it Chevalier said? 'Heroism is mostly waiting and paperwork?'."

Did he? Huh. I shrugged, and let the conversation drift to a half, yawning beneath my mask. Might not have captured the bitch, but I doubt she'd find some good treatment for that broken nose. And that, that made me smile. Perhaps patrolling with Toggle might not be such a pain after all.

AN: And it's her! The woman of many a wormfic hate! The legendary.... Toggle. She's a canon character, you know.
Anyway, much thanks to my long suffering Beta, @NemoMarx. She's cool.
 
I've read Worm fully through at least 3 times, and I didn't remember Toggle, so I think it's fair that she's a bit of a deep cut lore wise. But an interesting one!
 
This might sound bad but I was kinda waiting for this to be the point that gets SS out, like for example for getting her patrol partner killed by deviating from route too much.
 
She's part of the Wards ENE when they get picked up for the S9K shenanigans, no?
She is. Her and Crucible. Unlike Dovetail, who is my other go too for obscure ENE member, who actually appears around the butcher fight. (Dovetail, you will note, has also appeared in this story. So have dollar coins. I know weird obscure worm triva better than I do like, the entire set of arcs between the bank heist and them hitting the Protectorate Dinner)
This might sound bad but I was kinda waiting for this to be the point that gets SS out, like for example for getting her patrol partner killed by deviating from route too much.
Honestly, I did contemplate it, but no. I like Toggle. Also what I made her power, because it's so vague in canon, makes it really hard for her to be shot.

Cheshire, btw, is based on an RP character I played on this site like four years ago and is an absolutely awful woman. She's technically an OC from a different story altogether. Why? I... still can't really answer that. She wasn't in my plot outline, but here she came.
 
Anyway, with this, Arc 3 is over! As I head into Arc 4, which will be mostly new writing, I'd like it if people could tell me what they like about the story so far, and why! Plus, any guesses you have about the direction of the story, so on and so forth. Plus, if there's anything you think I'm doing badly, or even anything that just seems out of place, well, there's always room for improvement! Admittedly, I already know there's a fair few flaws with the story (it doesn't really have a thematic through line, and although Taylor is involved in the events, she is neither responsible or even a catalyst for them, more just along for the ride), but hey, I'm probably blind to a good number more!
Speaking as someone who is only familiar with the Arknights side of the crossover, I'll lay out my thoughts so far.

I absolutely love how the dialogue is written in this story. It really sells the whole "these characters are maladjusted teenagers" thing very well with the awkward pauses and just the right amount of "uh" sprinkled in-between. Additionally, I really like the introspection the characters have, especially Taylor's. It's very succinct and says everything we need to know with just a few words rather than spending paragraphs on internal conflict. The way Taylor's regrets and doubts regarding her father are sprinkled in-between the narration makes it far more effective at making me sympathize with her situation. I also like how you've stuck with rather "low to mid-tier" Operator abilities for now instead of the 6 stars or some of the more ridiculous 4 stars like Gavial fist-fighting a mech or Utage subjugating entire tribes on her own. Seeing Taylor struggle does wonders in maintaining tension during fights since the narrative has established that she can lose instead of always having the perfect tool for the job.

My main problem as of right now seems to be in how characters are introduced. As I have no frame of reference for the side-characters, I find it really difficult to picture what a character looks like when they're first introduced. They all have distinct voices in how they're written, so I can generally tell who's talking, but the narration for character introduction really lacks enough description to tell me how a character looks. This becomes really obvious during chapters that aren't from Taylor's perspective. Until now, I can't quite picture what Dan looks like beyond being a vaguely humanoid blob of fatherly love, nor can I describe to you what Liam or Jason look like beyond Timid Mechanist and Gamer Dude Bro. This is especially obvious when it comes to the superheroes and villains themselves, whose costumes aren't quite laid out in the narrative.

Of course, this is fanfiction, so I understand that there's a expectation that the audience will already be familiar with the source material, so this may just be me!

I will say however, that this problem isn't omnipresent in the story. The Baron has a very distinct style that's easy to picture despite the short screentime he had, and Skidmark made such a lasting impression and had so much charisma that it's easy to imagine what he looks like even with the brief description his introduction gave. Likewise, Revamp and Bakuda are easy to picture, likely due to my familiarity with the Arknight's side of the crossover.
"My mother, she loved the city, refused offers of jobs from other universities. And my dad, he's been… it's one of the things that keep him going, trying to make it better. Keep the port open. Keep the ferry running." I said, getting into a flow. "And sure, it's awful in parts. The white supremecist capital of the east coast isn't a good look. But… I want to make it better. It's my… home. The whole city. It means something to me, and I think that together, it could be so much more. And even if I'm fighting an inevitable decline, even if I'm just doing spot welds, it's something. People… people shouldn't be afraid to fight the power. My mother taught me that. Even if the ABB and the empire outnumber the heroes. Even if Skidmarks' self-justifying, and the Baron has no conception of people outside himself… it's worth something, to stand against them all. Even if I fail. Not all who wander are lost. A light from shadows shall spring." It was probably part of it, my great love for Tolkien's work. If Samwise Gamgee can walk into Mordor, if the smallest people can take the fight to the very heart of evil, then how could I be afraid of a man in tinplate, and someone who pretends to the power of Dragons?
In the first quote, you mentioned you were aware that the story lacked a thematic core, but come this chapter talking about Taylor's motivations, it feels like you've resolved that fairly well. Here, Taylor sums her motivations up as a desire to continue her parents' work as do-gooders regardless of how futile it may be. From what I understand, she doesn't really have any particular love for Brockton Bay, but it's her parents' home and so long as it remains precious to them, it's precious to her.

Home and working to make things right despite how futile or dangerous it may seem are concepts that are present pretty heavily in Arknights too, and I wonder if this thematic connection is why you picked Fang, Ethan, Texas, and Firewatch to be the Operators present in the story.

Fang is a immigrant from Kazimierz and going by Beagle's profile, faced a lot of discrimination in Columbia because of that. That didn't stop Fang from being a model soldier however, and when push came to shove, her squad was the only one willing to risk infection to aid people in the middle of a Catastrophe. They must have known what happens to infected in Columbia when they pulled that stunt, they might not be thrown into a work camp like in Ursus, but the dishonorable discharge and social ostracization mustn't have come as a surprise to Fang.

Ethan meanwhile has always been a outcast, born to poverty as most of the infected are. The city officials would never listen to the woes of someone like him, so his only voice was brightly colored graffiti in narrow alleyways. He spent his entire life running away, jumping from one group of infected to the next, until he came across the Reunion Movement and was blinded by the promise of finally being able to fight back. Eventually however, he witnessed that Reunion intended to find the infected a new home through wanton slaughter, and so his faith in a better tomorrow was shattered.

Unlike Ethan and Fang, Texas isn't infected. She used to be a prominent mafioso who according to the description of her epoque outfit, either refused or wasn't able to carry out the will of the Family which led to its destruction. It was a event that haunts her to this day, even after she's made a new home for herself in Penguin Logistics far away from the ghosts buried in her homeland of Siracusa. Texas doesn't fight for an ideal like Fang or Ethan, but she does fight to keep her new family safe in Lungmen even if she doesn't have any particular love for the city. She's stopped running away, and if the ghosts of her past dare to even lay a finger on her new home, she'll bury them six feet under herself.

Finally, there's Firewatch, a uninfected freedom fighter who fought for years on-end in the border between Kazimierz and the Ursus Empire, desperately holding out in hopes of reinforcements from the Knights of Kazimierz. They never came, and eventually a traitor from within led the Empire into her hometown. Their last stand would see the town razed to the ground along with most of its inhabitants, with Firewatch among the handful of survivors who escaped. She would bury her entire clan deep in the forest they called home, but she would carry their weight in her journey.

All the operators in the list fight for their respective goals regardless of how futile it may seem, and they all have experienced losing their Home, with some lucky enough to find a new one.

Now that I've got that out of my system, I'm not entirely sure on the direction of the story yet besides beating up more nazis and Bakuda eventually making a Oripathy bomb, but if I had to guess, I suspect that the wand Taylor had will allow her to access FrostNova's arts since she did somehow manipulate snow during her first fight. Then again, FrostNova's wand isn't black and it isn't obviously crystalline so I'm not so sure about this either!

All in all, I don't regret spending my entire afternoon reading this, and I'll eagerly wait for more!
 
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Speaking as someone who is only familiar with the Arknights side of the crossover, I'll lay out my thoughts so far.

I absolutely love how the dialogue is written in this story. It really sells the whole "these characters are maladjusted teenagers" thing very well with the awkward pauses and just the right amount of "uh" sprinkled in-between. Additionally, I really like the introspection the characters have, especially Taylor's. It's very succinct and says everything we need to know with just a few words rather than spending paragraphs on internal conflict. The way Taylor's regrets and doubts regarding her father are sprinkled in-between the narration makes it far more effective at making me sympathize with her situation. I also like how you've stuck with rather "low to mid-tier" Operator abilities for now instead of the 6 stars or some of the more ridiculous 4 stars like Gavial fist-fighting a mech or Utage subjugating entire tribes on her own. Seeing Taylor struggle does wonders in maintaining tension during fights since the narrative has established that she can lose instead of always having the perfect tool for the job.

My main problem as of right now seems to be in how characters are introduced. As I have no frame of reference for the side-characters, I find it really difficult to picture what a character looks like when they're first introduced. They all have distinct voices in how they're written, so I can generally tell who's talking, but the narration for character introduction really lacks enough description to tell me how a character looks. This becomes really obvious during chapters that aren't from Taylor's perspective. Until now, I can't quite picture what Dan looks like beyond being a vaguely humanoid blob of fatherly love, nor can I describe to you what Liam or Jason look like beyond Timid Mechanist and Gamer Dude Bro. This is especially obvious when it comes to the superheroes and villains themselves, whose costumes aren't quite laid out in the narrative.

Of course, this is fanfiction, so I understand that there's a expectation that the audience will already be familiar with the source material, so this may just be me!

I will say however, that this problem isn't omnipresent in the story. The Baron has a very distinct style that's easy to picture despite the short screentime he had, and Skidmark made such a lasting impression and had so much charisma that it's easy to imagine what he looks like even with the brief description his introduction gave. Likewise, Revamp and Bakuda are easy to picture, likely due to my familiarity with the Arknight's side of the crossover.

In the first quote, you mentioned you were aware that the story lacked a thematic core, but come this chapter talking about Taylor's motivations, it feels like you've resolved that fairly well. Here, Taylor sums her motivations up as a desire to continue her parents' work as do-gooders regardless of how futile it may be. From what I understand, she doesn't really have any particular love for Brockton Bay, but it's her parents' home and so long as it remains precious to them, it's precious to her.

Home and working to make things right despite how futile or dangerous it may seem are concepts that are present pretty heavily in Arknights too, and I wonder if this thematic connection is why you picked Fang, Ethan, Texas, and Firewatch to be the Operators present in the story.

Fang is a immigrant from Kazimierz and going by Beagle's profile, faced a lot of discrimination in Columbia because of that. That didn't stop Fang from being a model soldier however, and when push came to shove, her squad was the only one willing to risk infection to aid people in the middle of a Catastrophe. They must have known what happens to infected in Columbia when they pulled that stunt, they might not be thrown into a work camp like in Ursus, but the dishonorable discharge and social ostracization mustn't have come as a surprise to Fang.

Ethan meanwhile has always been a outcast, born to poverty as most of the infected are. The city officials would never listen to the woes of someone like him, so his only voice was brightly colored graffiti in narrow alleyways. He spent his entire life running away, jumping from one group of infected to the next, until he came across the Reunion Movement and was blinded by the promise of finally being able to fight back. Eventually however, he witnessed that Reunion intended to find the infected a new home through wanton slaughter, and so his faith in a better tomorrow was shattered.

Unlike Ethan and Fang, Texas isn't infected. She used to be a prominent mafioso who according to the description of her epoque outfit, either refused or wasn't able to carry out the will of the Family which led to its destruction. It was a event that haunts her to this day, even after she's made a new home for herself in Penguin Logistics far away from the ghosts buried in her homeland of Siracusa. Texas doesn't fight for an ideal like Fang or Ethan, but she does fight to keep her new family safe in Lungmen even if she doesn't have any particular love for the city. She's stopped running away, and if the ghosts of her past dare to even lay a finger on her new home, she'll bury them six feet under herself.

Finally, there's Firewatch, a uninfected freedom fighter who fought for years on-end in the border between Kazimierz and the Ursus Empire, desperately holding out in hopes of reinforcements from the Knights of Kazimierz. They never came, and eventually a traitor from within led the Empire into her hometown. Their last stand would see the town razed to the ground along with most of its inhabitants, with Firewatch among the handful of survivors who escaped. She would bury her entire clan deep in the forest they called home, but she would carry their weight in her journey.

All the operators in the list fight for their respective goals regardless of how futile it may seem, and they all have experienced losing their Home, with some lucky enough to find a new one.

Now that I've got that out of my system, I'm not entirely sure on the direction of the story yet besides beating up more nazis and Bakuda eventually making a Oripathy bomb, but if I had to guess, I suspect that the wand Taylor had will allow her to access FrostNova's arts since she did somehow manipulate snow during her first fight. Then again, FrostNova's wand isn't black and it isn't obviously crystalline so I'm not so sure about this either!

All in all, I don't regret spending my entire afternoon reading this, and I'll eagerly wait for more!
The moving snow in the first fight is Overflow intervening:
It's what, six below celsius zero? Seven? I turn into water, Bakuda, the cold isn't so easy to ignore as you think." Overflow's voice was performatively offended, even as she lounged on the ground as only someone who didn't have bones could.

"Cricket losing her-"

"Yep, that was me.
 
The moving snow in the first fight is Overflow intervening:
Oh yeah. that took me a bit to connect the two together. That probably means the wand is Durin's since it was just basic energy projectiles without an AoE. Great for going through non-enchanted armor since by gameplay, all Arts bypass DEF which is mundane toughness. Not sure how literally that will be taken here though since it is just a gameplay mechanic.

That said, now that Taylor is going to have to visit the doctor, she might finally have a reason to make a Medic Operator's gear, even if it is just HIbiscus' or Ansel's, so she can hide her bruises better from the doctor. Not gonna be easy answering why a bookish, non-athlete, junior high student has signs of bodily trauma after all.

Since Taylor holding onto the wand didn't give her any insight to Originium Arts, I don't think having a 3 star medic's gear will give her knowledge of Oripathy or any medical knowledge at all since the weapons seem to be all instinct and doesn't leave Taylor with any of the original owner's knowledge or expertise after use. This does make me wonder what the implications of drawing from someone like Mayer will have however, since she's a genius programmer and engineer, a veritable one woman workshop that produces A.I. controlled drones on the fly and can do the job of entire research teams in a day when it should take a week at least. Combine that with Taylor being a Tinker, and she may be able to pump out more equipment than usual during her fugue state with Mayer being a 5 star and all.

Then again, Mayer doesn't really fit the theme of the Operators Taylor has so far. She's a scientist for science's sake, not someone who fights for a better tomorrow or any particular ideal, very much the type of person that Rhine Labs loves to have.
 
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5.1

5.1

Sophia groaned as she flicked through the battered copy of Moby Dick the school had provided us. The spine was not so much cracked as destroyed, the only legible word "Melville" halfway down.

"What's the issue?" I said, tilting my head to look at what she'd been writing. We were both sat on the couch in the sitting room, the coffee table cleared and then covered again in our assignment's work. We could have used the kitchen table, but my dad had said he'd be making dinner for us both when he got back and my room's desk wasn't large enough for two people to work at. We'd split the work for now - I was going through and marking moments relating to Ahab and the Whale, while she was examining Ishmael and Queequeg. The basic idea was to compare and contrast the two strongest relationships in the story and how each impacted our understanding of the other.

"The whole… fucking… bah! I hate this whole fucking… style of… thing." She said the last word with an impressive degree of disgust in her tone. She shook her head, a strand of hair falling loose from where she'd brushed it behind her ear to rest against her chin. I almost reached out to tuck it back behind her ear, but stopped myself.

"Literary analysis?"

"Yeah. It's all bullshit. Like, we know what happens in the book, we've read it. Ishmael meets Queequeg, they become friends, Queequeg becomes convinced he'll die, does the weird coffin shit, and then the whale comes and everyone dies but Ishmael survives in the coffin. And that's it."

"Mmm." I wasn't that surprised, honestly. I didn't exactly think of Sophia as a girl fond of allegory or metaphor. She was rather more direct than that, preferring straight forward insults even back in the day. "What do you think about the idea that Ismael and Queequeg are gay lovers?"

Sophia threw her book onto the table, and cracked her neck. "What?"

"It's a, uh, thiiiiinng?" My voice rose abruptly as Sophia twisted on the sofa and laid down on my lap. My hands hovered, dancing, as my mind abruptly switched tracks as to where it was safe to put them. Can't rest them on her, can't do that, can't lean over to write, can't, can't can't, can't, can…

"Jesus Christ, Taylor, just put one hand on the arm rest and the other where you may." She rolled her eyes, her brown eyes, which looked larger than normal as she stared up at me. I kept looking into them for a second before hurriedly nodding, grabbing my copy of the book and flicking through it to cool myself down a bit.

"Yes, uh, sure. Well, the first and most obvious is the marriage Queequeg and Ishmael go through. Although you might think it frivolous, Queerqueg does actually give him half his stuff, and, uh, where is it, where… 'Thus, then, in our hearts' honeymoon, lay I and Queequeg—a cosy, loving pair.' which is fairly explicit. We can also see that as early as chapter three - the initial time they share the bed, Ishmael says it's the best nights sleep he ever has. And there's the symbolism of sharing the bed, and like… you could probably write a dissertation on this."

"And it'd be a waste of time. Doesn't everyone on the boat do hot-bunking? Isn't that how modern naval ships actually work? And the overall behaviour can just be them being great friends, which'd make more sense for the the… eighteen…. Eighteen…. The nineteenth century." She smirked cutely at me, even as she gave up on precisely dating the book. By desire to be mad at her warred with my amusement at her antics, and unnoticed to me, my free hand had dropped to rest lightly on the hard lines of her stomach, slightly below the amulet she was wearing on a long string..

"Ah, but that's another point to add in favour. Melville doesn't have the cultural context to properly explicate the true nature of the relationship because he lived in such a society. We know from his relationship with his wife that-"

I continued on, explaining my points to Sophia as she interjected with her own rebuttals from her position in my lap, smirking up at me. This was normal, right? I know that in middle school Emma and I had had a fairly huggy relationship, and although Sophia was almost the complete antithesis from that, she was also incredibly lazy about everything she wasn't interested in. So… she lies in my lap to avoid doing the english work? Thesis, Anthesis, Synthesis.

I chuckle, a little, halfway through explaining the meaning of how the love of Ishmael and Queequeg acts as a thematic counterpoint to the Captain and his more traditional role as a 'doomed hero'.

"The whale isn't that funny. Mostly." said Sophia.

"Oh, no, I just thought of a joke about Hegelian dialectics."

Sophia released my hand - when had that happened - to theatrically rub at the bridge of her nose. "How are you such a fucking dork, Taylor? Nobody reads Hegel. Half of Phenomenology of Spirit is left blank to save on printing costs."

I chuckle, before looking down at her. "How do you know enough about Hegel to make that joke?"

She shifts, slightly, her tank top caught slightly beneath me and causing it to move across her chest as she does. "My, uh, brother. Terry. He studies philosophy at the university. Picked it up from him, I guess." She fiddles with the necklace as she says this, eyes not meeting mine. I didn't push.

I looked back at the book in my hand - open to chapter 135, the infamous quote having been gone over with a highlighter by some past student - and try to recall my line of argument.

"If we take Ahab as representative of the destructive forces in, uh, society, raging eternally against what cannot happen - the quite literal White Whale. Then, uh, the love between…"

I was almost glad when I heard the door open, interrupting my terrible efforts at trying to resume my line of argument.

"Taylor? I'm home!" My dad's voice came from the corridor, and Sophia shot up in my lap, barely avoiding smacking me in the face with her arm as she did so. She hurriedly grabbed her discarded pullover and pulled it on, hand absently reaching up to check her ponytail was still in one piece.

Putting Moby Dick onto the table, I followed her out into the corridor, seeing her shaking hands with my Dad.

"-pleasure to meet you. Taylors told me a bit about you, but she's not the most talkative girl, as I'm sure you know?" He grinned at me from over her head, winking one eye at me.

"I don't know if I'd say that, Mr Hebert, she can certainly talk for a long while on Moby Dick."

"Danny, Danny, please. It's been fifty years now and I still sometimes look for my father when people call me that." He took off his knitwear beanie and stowed it in the box, before stepping around Sophia and gathering me up in a hug.

"Dad! Dad! Stop it! Itchy beard, stop it, stop it!" I complain, even as I return the hug.

He steps back, running his hand through the centimetre thick salt-and-pepper stubble. "You don't like it? I thought it made me look like Jason Statham."

"You wear glasses, dad. You're not going to look like Jason Statham."

"Ah, there go my retirement plans then. It's going to be chicken quesadillas, Sophia, if that's alright with you?"

Sophia nodded, looking at my dad as she did. "That'll be fine, Mr… Danny."

He grinned at her, before dropping it quickly. "Don't let an old fuddy-duddy get in the way of your important schoolwork then." He vanished into the kitchen, Sophia looking at him all the way. There was a short pause as we both stood there, an odd silence drifting between us, vague noises indicative of food preparation occasionally drifting through into the hallway.

"So… that's your dad then." Sophia was oddly quiet, by her standards, a soft tone I'd have thought out of place coming from her if not for the indecipherable expression on her features.

"Yeah. He's a bit weird, but, uh, so am I, I guess."

"He seems nice."

"Yeah." I paused for a second, memories of mom drifting into my mind. "Yeah, he's all I've got left."

Sophia looked at me at that, before breathing out a single word in a voice so quiet as to almost be a whisper. "Yeah."

Did I know anything about Sophia's dad? I hurriedly tried to recall everything the private woman had told me about her family. I knew she had a social worker for some reason, and she had a younger sister, as well as her older brother. She complained about her mom regularly, in what I sometimes thought was her weird way of trying to be compassionate about my own mum's death - "you're not missing much, really" or a similar line of reasoning. But I couldn't recall anything about her dad.

"So. Moby Dick, then?" She broke the silence, indicating the door to the sitting room with one hand.

"Yeah."

We both settled back into our seats on the catch, Sophia returning to her upright posture and starting to write notes. Although she was now actually contributing to the project, instead of lying in my lap and making snarky comments, I wished she'd do it again for some reason.

The odd tension between us had dissipated by the time my dad called us in for dinner, half an hour later, and we all pulled our chairs around the little wooden kitchen table, small plates in front of us and a large set of quesadilla slices in the centre.

"I know it's perhaps not proper to serve a guest finger food her first time around, but we both really love quesadillas. The sauces are, uh, salsa, edamame dip, and a sort of spicy chilli thing. And we have some more, you know, standard stuff in the fridge." He gave that sort of dorky nervous grin at her, before dropping it quickly, and picking up a spoon to start putting sauces on his plate. "Go, uh, dig in."

I wait until Sophia has taken her pick of the first slice before following suit, putting a healthy amount of the salsa on my plate before grabbing on a piece of quesadilla.

We ate in relative silence for a minute or so, beyond making the appropriate noises of appreciation and enjoyment as we ate our first, then second, and finally slowing somewhat on our third.

"So, Sophia, I confess to not knowing much about you. What do you like to do?" Dad was visibly making an effort to try to get to know her. Most of our meals were usually taken in relative silence, beyond a few lines of conversation and the background noise of the radio.

"Well, uh, I'm on the track team at Winslow, even if I don't participate in most of the school's competitions. I do my own thing, more statewide. I've also got a part-time job, mostly paperwork though."

"Oh, are you Emma's friend then? Taylor mentioned she was friends with a member of the track team, I think."

I winced at that, glad my dad wasn't looking at me, and Sophia visibly avoided answering the question for a while by taking another bite of food.

"Oh, uh, yeah. That's probably… me. We, uh, drifted apart though. What do you do then, mi, uh, Danny?"

"Oh, It's very boring work, no surprise Taylor hasn't told you. I'm the head of hiring and occasional spokesperson for the Dockworker's Union. Honestly, we're doing a fairly general spread of work at this point, the name isn't that indicative. Although we still do a lot of the dock work. We're the ones that got the Ferry back up and running, actually, although that was a fair few years ago now."

"He's still proud of that," I interjected, with a slight smile on my face. "He loves the Ferry, truly does."

Sophia nodded, taking another bite of quesadilla. "That's good, Mr Hebert. My brother used to use it a fair bit, before he found accommodation closer to campus."

"So, how did you and Taylor become friends, then?"

The same awkward silence descended as Sophia looked at me, and made some small gesture with her shoulders. I shrugged, a little, before she took another bite, leaving a little dot of melted cheese on the tip of her nose.

"It started a few months ago. We were paired up more in geography class, and just like, learned we didn't like some of the same fuc- ass- idiots? Idiots around school. There's always a few, you know? And so we, we, bonded, I guess. Plus Taylor's been getting more exercise, which is like, part of my thing." Sophia almost mode shifted halfway through her speech, dropping her slightly more formalised affect in favour of how she usually spoke. Hopefully, that was a sign of her feeling more comfortable.

The rest of the meal was fairly short, Dad mostly asking Sophia questions about the city's hockey team (she didn't follow the sport) and how long she'd been doing running. Since early middle school, apparently.

As we moved back to the sitting room, Dad brushing off my offer to help wash up, Sophia stretched, her arms folding behind her back and her hoodie riding up above her waistline.

"What's the… ah. Twenty to eight. Mmm. I'm being picked up at eight, do you think we'll get anything done?"

I sit down at what had become my end of the couch, and Sophia sits right next to me, our hips touching.

"Uh, uh, uh," I stuttered, articulately. "I'm, uh, sure, we can just organise it in preparation for meeting up during some lunchtimes or something. Yeah."

"We're what, eighty percent done, I think?"

"More like two thirds. Ish. And typing it up proper."

"It'll be fine."

I shift around to look at her more directly, a manoeuvre that required me to move my arm jammed against her into her lap. "Isn't your GPA like, two and a half?"

"It's getting closer to three these days, I think? My occasional flashes of A grade brilliance have been helping." She smiled at that, a wide grin that she dimmed down into something more sincere. "Thanks, seriously. I don't really care for grades, but… eh, it's nice enough work just proving I'm not a fucking idiot to everyone."

"I know you're not stupid, Sophia." It still felt odd to say her name. Sophia. It was a softer sound than Hess, which could be barked out, unthinking. It begged you to linger, Sophia, to consider her for a moment more. I smile at her, and tuck that still loose strand of hair behind her ear. "And since when have you cared about what anyone else thinks?"

She smiles. "You'd be surprised. No man is an island, entire of itself."

"And every man is a piece of the continent, a part of the maine." I completed the poetry without much thought. "It's spelt with an e, you know? Like our state. Same poem as 'ask not whom the bell tolls' comes from."

She rested her head against my shoulder, saying nothing, her slighter height allowing her to do so without overly straining her neck.

John Donne's poems, Devotions upon Emergent Occasions, is where that line comes from.

It details the progression of a man throughout his sickness.

The ironies the world serves are ever more apparent in hindsight than in the present tense. In this case, however, I would say these are more my memoirs.

Her social worker, a white woman with bleached blond hair and such a taste in fashion as to choose khakis, came to pick her up. We'd marshalled our work after a few soft moments of rest. I had hopes for its grade, once we gave it a bit more spit and polish.

She marched out to that car, as proud as punch, dumping her bags in the back seat. They had a short conversation, her social worker overly theatrical in her gestures. Sophia made a gesture, and spun on her heel, marching back to me.

"Hey, Taylor. She's… ah, I don't have to deal with her much, but she's a bitch. She'll be glad for this, though. Showing progression in normal social behaviours. Might get off probation before I… never mind." She scratched at the side of her face, which I think was a nervous tick she had.

"Hey, Taylor. I'm." She stopped, not that usual trailing off, the way someone might if they've lost their train of thought. It was the same way a sentence stops when encountering a full stop. Sudden. Final. Definitive.

She moved, and I was completely unprepared when she hugged me, her arms sneaking underneath my own to wrap around my back.

It had been … years since someone other than my dad had hugged me. It had last been Emma, likely enough. And here I was, years on, hugging the woman who had taken Emma away. Or had she merely revealed who Emma was?

"Hey, Hebert."

I stiffened, slightly, in her embrace. Hebert. Not Taylor.

Her mouth was next to my ear, and I could feel her warm breath flowing over it as she spoke.

"You listen to my advice, and that's cool. Thanks. Never, ever, fucking stop fighting. Okay? I'll… Fuck. I hate this shit. Just… I lie, Taylor. I lie to everyone. And… one day, I'll tell you what they are, alright?"

She straightens up, running her hand across her face to tuck that sole strand of hair self consciously. I know I could never keep my hair in a ponytail for that long with that much success.

"So. Yeah. If anyone stands in your path, kick them, you know? Even if it's me. Kick them right in the cunt."

"Sophia!"

And so, amid berations from her social worker, she finally left.

I'd try to tell you what I felt for her then, but in the moment, I think my emotions were so confused as to be impossible to know, even with the benefits of hindsight.

AN: So, this was meant to be a short thing to give you a weekly update because I didn't feel like doing a proper update due to bruising my hand rollerskating. Yeah, that worked out well. Most of the gay analysis from moby dick comes from Emma Rantatalo's MA thesis which is online and I skimmed through, and I think that deserves acknowledgement.

I know people who like subtlety and they're all cowards.
 
"And it'd be a waste of time. Doesn't everyone on the boat do hot-bunking? Isn't that how modern naval ships actually work? And the overall behaviour can just be them being great friends, which'd make more sense for the the… eighteen…. Eighteen…. The nineteenth century." She smirked cutely at me, even as she gave up on precisely dating the book. By desire to be mad at her warred with my amusement at her antics, and unnoticed to me, my free hand had dropped to rest lightly on the hard lines of her stomach, slightly below the amulet she was wearing on a long string..

Extremely on the nose, Sophia. :p
 
I think my heart skipped a beat right alongside Taylor's with Sophia lay down, so good job Estro. I was not expecting that.
 
Well. I'll ship it.

And damn, Sophia is breaking out the cluebat 9000 there.

Also, the poem seems to be foreshadowing her illness getting worse and coming into the foreground plot-wise.
 
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I think I really like this version of Sophia. It has enough fo her personality that you could almost see where she would have progressed from canon to where she is now, while at the same time making her still enough of a bitch that it feels like her
 
I found that chapter interesting but strange but in a good way can't really put my fimger on it though maybe because I haven't read all that many fics were Sophia and Taylors relationship wasn't overly hostile or antagonistic at the end of the day.
 
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Well, that was unexpected. Had to double check what fic I was reading because the tone from the previous chapter was completely different. Caught me off-guard!

Enjoyed reading about these two though!
 
Speaking as someone who is only familiar with the Arknights side of the crossover, I'll lay out my thoughts so far.

I absolutely love how the dialogue is written in this story. It really sells the whole "these characters are maladjusted teenagers" thing very well with the awkward pauses and just the right amount of "uh" sprinkled in-between. Additionally, I really like the introspection the characters have, especially Taylor's. It's very succinct and says everything we need to know with just a few words rather than spending paragraphs on internal conflict. The way Taylor's regrets and doubts regarding her father are sprinkled in-between the narration makes it far more effective at making me sympathize with her situation. I also like how you've stuck with rather "low to mid-tier" Operator abilities for now instead of the 6 stars or some of the more ridiculous 4 stars like Gavial fist-fighting a mech or Utage subjugating entire tribes on her own. Seeing Taylor struggle does wonders in maintaining tension during fights since the narrative has established that she can lose instead of always having the perfect tool for the job.

My main problem as of right now seems to be in how characters are introduced. As I have no frame of reference for the side-characters, I find it really difficult to picture what a character looks like when they're first introduced. They all have distinct voices in how they're written, so I can generally tell who's talking, but the narration for character introduction really lacks enough description to tell me how a character looks. This becomes really obvious during chapters that aren't from Taylor's perspective. Until now, I can't quite picture what Dan looks like beyond being a vaguely humanoid blob of fatherly love, nor can I describe to you what Liam or Jason look like beyond Timid Mechanist and Gamer Dude Bro. This is especially obvious when it comes to the superheroes and villains themselves, whose costumes aren't quite laid out in the narrative.

Of course, this is fanfiction, so I understand that there's a expectation that the audience will already be familiar with the source material, so this may just be me!

I will say however, that this problem isn't omnipresent in the story. The Baron has a very distinct style that's easy to picture despite the short screentime he had, and Skidmark made such a lasting impression and had so much charisma that it's easy to imagine what he looks like even with the brief description his introduction gave. Likewise, Revamp and Bakuda are easy to picture, likely due to my familiarity with the Arknight's side of the crossover.

In the first quote, you mentioned you were aware that the story lacked a thematic core, but come this chapter talking about Taylor's motivations, it feels like you've resolved that fairly well. Here, Taylor sums her motivations up as a desire to continue her parents' work as do-gooders regardless of how futile it may be. From what I understand, she doesn't really have any particular love for Brockton Bay, but it's her parents' home and so long as it remains precious to them, it's precious to her.

Home and working to make things right despite how futile or dangerous it may seem are concepts that are present pretty heavily in Arknights too, and I wonder if this thematic connection is why you picked Fang, Ethan, Texas, and Firewatch to be the Operators present in the story.

Fang is a immigrant from Kazimierz and going by Beagle's profile, faced a lot of discrimination in Columbia because of that. That didn't stop Fang from being a model soldier however, and when push came to shove, her squad was the only one willing to risk infection to aid people in the middle of a Catastrophe. They must have known what happens to infected in Columbia when they pulled that stunt, they might not be thrown into a work camp like in Ursus, but the dishonorable discharge and social ostracization mustn't have come as a surprise to Fang.

Ethan meanwhile has always been a outcast, born to poverty as most of the infected are. The city officials would never listen to the woes of someone like him, so his only voice was brightly colored graffiti in narrow alleyways. He spent his entire life running away, jumping from one group of infected to the next, until he came across the Reunion Movement and was blinded by the promise of finally being able to fight back. Eventually however, he witnessed that Reunion intended to find the infected a new home through wanton slaughter, and so his faith in a better tomorrow was shattered.

Unlike Ethan and Fang, Texas isn't infected. She used to be a prominent mafioso who according to the description of her epoque outfit, either refused or wasn't able to carry out the will of the Family which led to its destruction. It was a event that haunts her to this day, even after she's made a new home for herself in Penguin Logistics far away from the ghosts buried in her homeland of Siracusa. Texas doesn't fight for an ideal like Fang or Ethan, but she does fight to keep her new family safe in Lungmen even if she doesn't have any particular love for the city. She's stopped running away, and if the ghosts of her past dare to even lay a finger on her new home, she'll bury them six feet under herself.

Finally, there's Firewatch, a uninfected freedom fighter who fought for years on-end in the border between Kazimierz and the Ursus Empire, desperately holding out in hopes of reinforcements from the Knights of Kazimierz. They never came, and eventually a traitor from within led the Empire into her hometown. Their last stand would see the town razed to the ground along with most of its inhabitants, with Firewatch among the handful of survivors who escaped. She would bury her entire clan deep in the forest they called home, but she would carry their weight in her journey.

All the operators in the list fight for their respective goals regardless of how futile it may seem, and they all have experienced losing their Home, with some lucky enough to find a new one.

Now that I've got that out of my system, I'm not entirely sure on the direction of the story yet besides beating up more nazis and Bakuda eventually making a Oripathy bomb, but if I had to guess, I suspect that the wand Taylor had will allow her to access FrostNova's arts since she did somehow manipulate snow during her first fight. Then again, FrostNova's wand isn't black and it isn't obviously crystalline so I'm not so sure about this either!

All in all, I don't regret spending my entire afternoon reading this, and I'll eagerly wait for more!
So, a bit of a delayed response, but thanks for putting that much thought into it! I'm not sure I agree about the thematic through line - I have a solid enough plot, and it's more or less a heroes journey, but I'm not quite sure what the story is saying - but I certainly appreciate the thought you've put into the operator's I've chosen (Ethan wasn't actually for the reasons you stated. I just like Ethan).

As to the issue with descriptions: yeah, I'm a bit lazy on that. Relying overly much on people's presumed familiarity with the source material (which is likely why you remember The Baron so well - as an OC, I had to do the work of introducing him). In 5.1, I've actually tried to make that a bit better - hopefully danny is a bit less of a father shaped blob in your mind now. (I also think I've done decent jobs of decribing Jason and Liam, but I think I only did that in 1.1 and never again, which is also a terrible flaw). Anyway, the detailed response is much appreciated, and I hope you'll enjoy the remaining few arcs!
Extremely on the nose, Sophia. :p

Well. I'll ship it.

And damn, Sophia is breaking out the cluebat 9000 there.

Also, the poem seems to be foreshadowing her illness getting worse and coming into the foreground plot-wise.
I enjoy just abusing the fact that first person past tense implies that the narrator's voice is the future version of the POV character, which allows me to do fun stuff like the aside about the poem.
Well, that was unexpected. Had to double check what fic I was reading because the tone from the previous chapter was completely different. Caught me off-guard!

Enjoyed reading about these two though!
I blame the fact this was meant to be a 1200 word snippet to keep the weekly streak going, because I'd bruised my hand falling over like two dozen times on Saturday. It was not that, in the end. Not that at all.
 
So, a bit of a delayed response, but thanks for putting that much thought into it! I'm not sure I agree about the thematic through line - I have a solid enough plot, and it's more or less a heroes journey, but I'm not quite sure what the story is saying - but I certainly appreciate the thought you've put into the operator's I've chosen (Ethan wasn't actually for the reasons you stated. I just like Ethan).
From what I've gleaned so far, it's all about doing good for goodness' sake. Doesn't matter if you put yourself at harm's way in the process or will never see the fruits of your labor, someone else will be inspired by and carry your legacy just like how Taylor inherited her mother's will to make Brockton better. Classic heroic self-sacrifice, especially considering how her powers work, literally inheriting the powers/legacy of others despite it making her terminally ill.

The only question now is, "What is good?". By interacting with people like Skidrow, Inu, and Jason and Liam, Taylor learned that there's more nuance to reality than just villains vs heroes and so she's slowly developing her own sense of right and wrong. It reminds me of Talulah's character arc and how her philosophy was challenged. The assumption that people are fundamentally good and will choose to do good in the absence of socioeconomic pressures to do otherwise which you can also apply to Brockton's crime-ridden state, and is most obvious in people like Inu who had to turn to a life of crime if they didn't want to starve to death.

I could be waaaay off-base here, but that's how I interpreted the events so far!

As to the issue with descriptions: yeah, I'm a bit lazy on that. Relying overly much on people's presumed familiarity with the source material (which is likely why you remember The Baron so well - as an OC, I had to do the work of introducing him). In 5.1, I've actually tried to make that a bit better - hopefully danny is a bit less of a father shaped blob in your mind now. (I also think I've done decent jobs of decribing Jason and Liam, but I think I only did that in 1.1 and never again, which is also a terrible flaw). Anyway, the detailed response is much appreciated, and I hope you'll enjoy the remaining few arcs!
I think using comparisons to even mundane things can help with it? I feel like it's part of why folks like the Baron, Overflow and Hookwolf are easy to visualize compared to Tone and most of the people in the Wards.
 
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5.2

5.2


The Palanquin wasn't exactly a stylish building from the outside. It was notable, that much was for sure, the front facing brickwork painted purple and the plain yellow lettering spelling out it's name was a sharp departure from the other shops on the street on either side (a piano tuners and a fabric printers who I was pretty sure were the ones who Winslow used to produce their sports jerseys). But while that let it stand out, it was otherwise just a tall but still somehow squat building. I could see where, on the ground and second floor, the lines of the brickwork changed in places, where there had once been windows. There still were windows, on the floors above, but they were shuttered, blanked from view by some white sheeting.

Three men stood around the entrance, one tall black man in a purple suit that matched the brickwork, while the other two were in tightly cut black suits, their eyes hidden behind sunglasses like some parody of men in black. They all turned away from the slightly animated discussion they were having as I approached.

"Palanquin is closed tonight, ma'am," said the Bouncer. I just tilted my head, wishing I could use facial expressions. I was in my full costume, my spear strapped to my back, and my swords at my side, although I was only using the spear, to keep my natural height. Bringing my crossbow would be a bit of a hassle, and I didn't think using it inside would be worthwhile. Honestly, the only use I'd gotten out of it so far was during the first few seconds of last week's encounter with Cheshire, before it'd devolved into a very strange melee. Trying to keep at range enough to use it by myself was harder than I'd thought it would be. Or perhaps I just needed more experience.

"I'm Revamp," I said, after waiting a few more seconds.

"I, uh, of course. Bad joke. I'm sorry, it's just a dull night, and I was called in early." Was it really so early, compared to a nightclub's usual hours? I'd never been to one, with most of my experience being pointed discussions Emma and her friends conducted within my ear shot. "Please, uh, go in. And don't tell the boss about my joke."

The two men in the black suits, with the buzz cuts, didn't say anything, although one of them looked at his watch. Bakuda had said eight o'clock, so I was here at twenty to. Perhaps a bit early, but I didn't want to annoy the unstable bomb woman.

"Of course." It wasn't a funny joke, but I didn't see any reason to get them into trouble.

Entering the Palaquin proper, through the door, was an experience. It was brightly lit, and I almost wish it wasn't. The walls and decor were all in a dark blue colour that probably worked, for all I knew, in the dimmer environment it would usually be in, but with the lights all the way up, the result was almost disappointing. There were half a dozen people hanging around the ground floor, and two more I could get glimpses of in the balcony above. The first was a short asian woman, wearing casual clothing and a weird white mask that bisected her shortly cut hair and covered everything above her cheekbones to the top of her forehead. She was fiddling with a laptop and a projector near where a tripod holding a screen was set up.

Bakuda.

There was a woman, her face a transparent mass of water, lounging on one of the leather couches that had been pulled in front of the screen, who I presumed was Overflow. Liam had been fairly sure she was ABB when I'd examined him in the day after my unfortunate meeting. But Bakuda had said otherwise. Perhaps there was some intricate detail I was missing there, but it didn't really matter to me. If she acted like a hero, I'd treat her as one. I didn't have to worry about politics or appearance or whatever like the PRT probably had to.

A second woman, this one wearing a proper Welder's mask, was on a stool near the stairs leading up a floor, her arms crossed over her body. I could just about see her eyes through the mask, which was clearly one of those auto-darkening types, a piercing grey which seemed to look through me for a second. The rest of her outfit was clearly her full costume, a mix of what looked to be riot gear on top with a heavily armoured skirt panels covering her legs, all in the same grey as the mask. She was Faultline. The owner of the club, and the person who ran Faultline's crew, who were a set of cape mercenaries. Jason had made a comment about "the whole of them being made up of nothing but weirdos", but by Jason's standards that could just mean they told him they thought gaming was a waste of time.

I nodded, and walked forwards, a bit nervously. She blinked, behind her mask, and nodded slightly, before turning her head back to watching Bakuda. I'd passed whatever mental inspection she'd been giving me.

There were four others on this ground floor, two sat nearby each other, although on seperate chairs, facing the screen, and thus away from me. One was just wearing a balaclava over their head, meaning I couldn't place them, while the other didn't appear to be wearing anything that covered the back of his head, just a mass of short and messy black hair, perhaps two inches long.

There was another, a girl with long blond hair pinned up in a ponytail, sitting primly upright in a seat nearest to where Bakuda was working, who hadn't even reacted to my walking in.

And finally, there was a man in a mask behind the bar. Oni Lee, clearly, although his mask seemed less like a demon than the ones I'd see occasionally on the news and in the papers. He was wearing a floral printed waistcoat over a white shirt, with a dark grey cravat of all things. I supposed you could dress how you liked, when you were the oldest parahuman in brockton. He'd been around since 1990, to hear my dad tell it, part of the old Triads, before Lung arrived. The only other local parahuman I knew of who had been around before that was the Marquis, but he'd been in the birdcage since I was four.

I decided to walk around the side of the empty area where the chairs had been dragged - probably a dancefloor, when the bar wasn't being used to host dubiously legal parahuman gatherings - and not commit to sitting anywhere. And I was glad I did. The man sat in the front row, his face turned as my boots clacked on the vinyl flooring, to look at me, and my new position let me see more of him. He was wearing jeans, and an unbuttoned shirt, revealing a carefully honed musculature covered in dragon tattoos. Famous dragon tattoos, ones that nobody in this city would dare mimic. His mask looked like Great Yen's national symbol, the roaring dragon that waged war against the immortal gods.

It was Lung.

And frankly, that was all that needed to be said.

He stared at me for a while, before the mask shifted as he opened his mouth.

"You know who I am." It was not a question. His voice was deep, almost velvety, and his accent enhanced the effect. A slight shiver ran up my back as he spoke, and I nodded, not looking away from him, not quite daring to blink.

There was a pregnant pause, and I saw Faultline shift slightly in the corner of my vision.

"Good. Welcome to my meeting. Have a seat," he said, indicating the bar, and I nodded, before he turned away again, to settle in the leather couch he'd claimed for his own. The blonde girl caught my eye before I could move, and gave a vulpine smirk beneath her black domino mask. Her bodysuit was covered in snakes, each intertwining in each other, and the expression on her face was clear to read, a smug "I know something you don't."

I turned away from her, and towards the bar. I didn't know if there was assigned seating, or if Lung was snubbing me, or if I was just reading too much into an offhanded gesture. Regardless, I wasn't going to outright disobey him. I slipped onto one of the stools, Lee turning from his perusal of the many bottles behind the bar to look at me for a second or two.

I glanced at my phone, slipping it out of my costume's many pockets, and saw that it'd been perhaps a minute since I'd entered the nightclub. It felt longer.

I stared, almost blankly, at the wall behind the par, even as Oni Lee kept wandering up and down the full length of it, occasionally flicking through an open book. It was a spiral-bound notebook, with pictures of various drinks clearly glued in and pages full of neat writing in some logographic script next to them.

The door slammed open, and I turned around to see two people walk in. The first was a short girl, wearing a grey hoodie pulled over her head, a grey demon mask, like you might see for Halloween, covering her face. She was black, and fairly well developed, with thick thighs, and I thought for a second I recognised her. She didn't fit any memories I had of any capes on TV, though. Someone new? Someone low profile?

The other was also a girl that wasn't quite my height, but on the taller side of average, with a thick and blocky frame I'd seen on a lot of Dockworkers who were more involved in actual heavy lifting. She had a brown, fur trimmed coat on, and as soon as she walked in, she ripped the dollar store dog mask off her face. I knew her. I'd seen a few news reports on her, last year. A public cape, although not someone who'd chosen it. The dogs walking in her wake would have also been a hint. Hellhound. Bitch, to hear Leet and Uber talk about her. Rachel Lidnt.

Faultline stirred, as the new arrivals walked in and a few people turned to watch them.

"No dogs indoors."

Bitch's face twisted in a snarl, and she spun on one heel, before the other girl pulled her arm and stopped her from leaving outright. The purple snake girl, who was looking at the two such that I couldn't see her face, suddenly spoke.

"The rest of us can't disarm, tinkers besides, and you're asking her to do the same? Poor form, Faultline."

The mercenary leader turned her head away from the clearly displeased Bitch to glare at the blonde. "Funny you'd come to their help, Coil. There's not going to be any fighting here, so it's a moot point."

The blond shrugged, before Bakuda spoke up, her voice muffled as she stuck her head under the small table holding her laptop, clearly fiddling with wires. "Don't fucking drive off my invites, I'm paying far too much to use this bloody club as is."

Fautline clearly wanted to say something, but settled on twisting violently on her seat, to point at a place right next to the door. "They stay there. Okay?"

Bitch scrunched up her nose, before pointing to the same location and whistling in some pattern, and the three dogs all wandered off to sit down at the place. That was some impressive training, if it was that. I knew, from the earlier mentioned newscasts, that she could turn those Dogs into monstrous creatures that looked more like some Frankienstienan abomination than any proper dog, so perhaps they just obeyed her. She was rated as a master, I was pretty sure.

The two paused, and clearly had a quick and quiet conversation. Well, perhaps conversation is overselling it. Bitch mostly nodded or grunted, and I couldn't see the demon's lips to know what was going on there. After that, they moved towards two of the outlying armchairs, at the back of the grouping, a modernist chrome and leather pairing.

"No thanks for the help?" Coil's tone was smug, and I saw Bitch and the other one stiffen, turning slightly to fate the woman.

"Thanks. Grue knows you're really good at helping, doesn't he?" The Demon-mask's voice was higher than I expected, younger than I'd have put her at. Younger than me, certainly. But most dramatically was the full body flinch that went through Coil at the retort, who stayed there, staring at them, before slowly turning around and sliding back down into a slouch.

It was more or less silent for a while until a dramatic yell came from the balcony floor, someone calling another a cheat in inventive ways. I checked my phone again. Thirteen to. Time was passing at a crawl.

I looked up from my phone to see Lung staring at me. I froze, slightly, before I saw his eyes tracking away from me. I twisted to see Lee continuing his pacing.

"Drinks, Lee?" said Lung, tilting his tone, and then continuing on in a quick barrage of some language I didn't understand.

Lee nodded, silently.

"Place your orders, then. I'm paying. Usual for me. Bakuda?"

"Water." She sounded Bostonian, without the electronic voice filter she'd had on when we first met. I briefly wondered why she'd changed masks, and missed a few orders in thought.

"Overflow?"

The mass of water shifted, and moved in a way that made me think it was somehow spinning around without actually changing their external position. "Orange Ramune." Her voice was echoing, slightly, like she was in a cave made of water.

"Bitch, Imp?" So that was the demon girl's name. Fitting. Probably taken before, but given she hung around Bitch, who didn't seem to care about her personal identity as something separate from her cape one, perhaps she had a similar attitude..

"Vodka. And Juice." "Same, but coke."

"No alcohol for minors." Faultline sighed, or possibly snorted, behind her welding mask, as she laid down the law.

"Bitch. Just coke, then."

Lung came around to me, and started directly at me. "Revamp."

I shrugged, nothing coming to mind. I wasn't that thirsty, anyway.

"Are you sure she can speak, Skullshatterer?" Lung sounded amused, moving back to stare at Bakuda. She muttered something foul sounding in Japanese, and he chuckled again. Some joke I didn't get, probably.

A bottle whipped past my head, and landed inside of Overflow, a few droplets splashing onto the floor as the bottle spun inside her body. She gave a thumbs up, and I turned around to see a state of absolute chaos. There were easily half a dozen versions of Oni Lee behind the counter, each one attending to a different task, flickering into and out of existence as they threw cocktail shakers between each other, flipped bottles of spirits off the wall, and otherwise turned manufacturing half a dozen drinks into an art style. One by one, drinks ranging from the plain - Bakuda's water, with crushed ice and an entirely superfluous cocktail umbrella sticking out the top - to the elaborate - the one nearest to me was an intricate, multi-layered construction with four different syrups and a spiralling cut of lime holding a cherry in the top - were slowly assembled on the polished black granite counter.

It was honestly awe inspiring, and something only he could have done, one mind controlling as many bodies as he needed to perfect this art style of mixology. It was the result of probably years of experience, and it was enthralling.

As everything came to a halt, and the glasses were finished - he'd given all of them a cocktail umbrella - he just stood there, and grabbed the glass. I looked until he puffed into ash, and I turned around to see him handing Faultline her drink. Looking out at the scene, I just saw him appearing, handing it over, and then looking over my shoulder, until they were all delivered (with the exception of Overflow, who's bottle was still floating inside her body, the cap somehow having come off).

Turning around, I saw Lee take a sip from the twisty straw he'd put in the most complex cocktail, still standing behind the bar. It seemed slightly odd to me, for people to chose to have alcohol, given the situation, but I supposed everyone else here had more experience than me. Perhaps they were more comfortable with letting their guard down a little. Or perhaps they didn't think it mattered.

There was silence for a slight while, or what passed for it in the club, Bakuda muttering to herself in a pidgin and whatever game was being played on the balcony occurring with it's usual levels of swearing and bickering. I spent the while sat awkwardly on the stool, alternating between glancing at Lee through my mask, and debating if I should turn around and leave the killer out of my line of sight. I knew, or I thought I knew, that he wasn't going to do anything, not after all this obvious effort. But part of me had been shaped by the media I consumed, and Oni Lee wasn't some juggling bartender there, but the remorseless killer, who used his own deaths to material advantage. The guy had killed a previous mayor, even!

"Hmm." Lee made the vocalisation as I was staring at him, before he slurped loudly on the drink he had. "Is it just that your mask does not allow you a drink?" His voice was as thickly accented as I expected, and had a rough, smokers tone.

He stared at me, as I fiddled with the pommels of my swords. For some reason, my brain dredged up the fact that with my spear on my back, the stools were the only chairs I could use, perhaps that was why I was here.

"Uh. Yes. More or less."

"No room for straw?" He enquired, before taking another long sip from the straw, the liquid visibly traversing the loop, before vanishing into the small hole in his mask's painted blue lips.

"Uh. No. I don't think. Never really tried." It was almost surreal, and my tone surely expressed it, talking to Oni Lee about the difficulties of drinking as a cape.

"Ah. I always make sure it can. Fighting is hard work, lots of water helps. Unless you have too much water." His eyes flickered away from my face, to someone behind me. Probably Overflow, judging by the comment and the fact she was the only person to not get a hand delivered drink. Was there something up there?

"Thank… you for the advice?"

"It is no problem. Now, let us say you could drink in your plain mask. What drink would you have?"

I blinked, before looking at the huge selection and the still open notebook propped up against a bottle of Bailey's. "I… don't drink." Well, not counting a small glass of wine my dad would occasionally pour me with a roast dinner, but I didn't think that counted. And communion wine, but that definitely didn't.

"Ah. Perhaps you are too young? Or perhaps that is none of my business, no? You are old enough to fight, to stand against the baiguizi. It is remarkable, or perhaps it is remarkable that others do not do the same." He paused, and took another long sip, the layers long since having merged.

"I think… mojito. Yes. You are a mojito girl. Sweet, and not tasting of alcohol, and cold. It is a good drink, and one I think you like. But, if you don't drink… Some soda, I presume. Americans have many."

My preferred drink would be tea, but there was no way to drink tea in a full face mask without it being absurd. Hot tea, through a straw? No, that would be awful. And so he finished slurping his drink, and moved away, nodding as he did.

I thought he was nodding to me, until a weight settled in the seat next to me, two empty glasses being taken away by Lee, and I turned to see Lung.

"Girl." This close, I could see the detail on the tattoos. The one on his right arm, next to me, was less delicate, the soft bloom of an aged tattoo. Still better than the mushy thing Kurt's was turning into. "Bakuda talked to you. About this city, and you, and my men."

He paused, and I was wondering if he'd meant that as a question I was to reply to, before he started talking again.

"This city lies on the sea, as befits a port." A complete non-sequitur. "What do you think of it?" He tilted his head, in that odd way capes did and I'd somehow learned implied a raised eyebrow.

"Brockton Bay? It's my-"

"No." He cut across me, and shook his head. It was deliberate. Measured. Perhaps it was meant to give him some dignity, someone working on his own time scale. But, as I watched him, I thought it just mostly looked like a performance. "What do you think of the sea?"

"I…" I'd stood there, watching it, the night - the early morning - that I'd been invited here. Turmoil, I thought of it. And then I mocked myself for the pathetic fallacy.

I didn't think Lung would appreciate literary humour.

"Turmoil. Endless… change."

"Hmm." The mask stared at me, and I wondered what the emotions of the man behind the steel was. It was no secret that Villains tended towards full face masks, compared to heroes. It obscured you more, detached you from observers. It helped the performance, and it helped detachment.

Why I was psychoanalysing the greatest cape in New England was beyond me.

"I like it. I gave Leviathan it's scar. I have fought half a dozen Beasts. I have killed one. Endbringers, one and all. And they come from the sea." He wasn't looking at me, I saw. His eyes were the only thing I could see, and they were not focused on me. They were looking past me. A decade past, to Leviathan's third appearance. To the sinking. And to more fights besides.

"Turmoil, yes. Change, yes. But it does these things, because it hates. The sea hates you, Revamp. It hates me. The sea hates. Never forget that. The Endbringers are the Beasts of the Sea. And they hate." He nodded, pressed one hand against my shoulder, and departed.

I sat there, turning slightly in my seat to see him kneel next to Bakuda for a second or two, before settling back into his chair, picking up a slim volume I hadn't noticed before and opening it.

What the fuck was that all about? Was that just some… performance he was doing, to remind me of his strength? He had gone into it after bringing up his men, and the discussion I'd had with Bakuda about not going after ABB members had mentioned Lung's displeasure.

But his eyes, when he was talking about those fights, and the sea… that was sincerity. Belief. It had felt warmer, just being around him talking like that. Perhaps he could do that, with his pyrokinesis, but why give me the warning about the sea? The… sea. Did he know I was a dockworker's daughter?

No, no that would be too roundabout.

The only conclusion I could draw was that it was not feigned. That Lung, the Dragon of Kyushu, one of the vanishingly few people to have killed a Beast, was scared of the sea.

Huh.

I stayed in turmoiled thought a while longer, but I was brought out of it quickly enough, when the door slammed open, the foot that had kicked it open stamping on the floor in a dramatic flourish.

It had been almost two months - or perhaps over two months, now - since I'd seen him. But I don't think I'd ever forget those disgusting teeth, set in that face splitting grin.

"BOOM, BITCHES! BOOM!" yelled Skidmark.

The Merchants had arrived.

AN: Characters. So many characters. I'm looking forward to writing Skidmark again, though. He's just fun. So was Lee, honestly. Weird guy. Little outright plot development, but details of the world emerge. If I'm being honest, I could probably cut this chapter and have started in media res at the meeting proper. But I had fun writing it.
 
Best Girl! Definitely looking forward to seeing her more.
Lung actually managed to kill an Endbringer? Not bad.
Thanks for the chapter, it was a pleasure to read!
 
In this AU the Endbringers and the Beasts as their smaller and weaker brethren seem to be more a disgustingly hard challenge one can overcome than a roflstomping monster of great destruction.

So seems one like Lung may even be capable to kill one mostly by himself. The implied strength needed is obscenely high but manageable. Even a crafty parahuman that just found "this one weird trick" might be able to kill a Beast.
 
Well that chapter was trippy as fuck, but I kinda enjoyed it. It really got across how surreal it felt to taylor without being so wierd we couldnt follow.
 
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