[Weather, Pt 6]
If you've ever been knocked out and tied up to a chair (and probably even if you haven't,) you will probably know that something important to do at some point is to regain consciousness. If you are not conscious and aware of your situation, you're pretty much at the mercy of whoever or whatever is around. Depending on the circumstances, this may or may not be a good thing. Generally though, if you ever fall unconscious against your will, the situation is very, very bad. Generally.
From regaining consciousness, generally the next thing to do is ascertain your situation. If you can see, then try to figure out where you are and if there are any people or things around you. If there are, and they greet you, consider this a good chance to listen up and try to use your wits to save yourself. If they begin to wail on you whilst you are unable to defend yourself, you may experience technical difficulties as you fade back into unconsciousness.
Of course, Lieutenant Chantreau was more than awake at this moment, though his hands and feet remain bound as tight to the chair as when he was placed in it. In a sense, his general state of awareness can be explained by the fact that there is a pretty woman sitting on his lap in a most provocative and confusing manner, sending a rather mixed set of signals to him.
"Are you awake yet, Monsieur Chantreau?" she purrs into his ear,
In different circumstances, Chantreau realises to his discomfort, this would have probably resulted in much fun being had by both parties. As it were, it was only going to be 'fun' for one particular person in this tango. Probably not him by any rate.
And so, with little else to go on, Chantreau does the one thing he knows best:
"Is the safe word banana, by any chance?"
He opens his big, stupid mouth.
The dark-haired woman merely giggles quietly, dismounting him with a certain grace that Chantreau recognised that only dancers and particularly bouncy ladies had.
"Unfortunately, no," she chides, "I'm not particularly in the mood for games right now. You see, you've been following my boyfriend around."
Ooh. That was unfortunate.
She flicks a strand of hair back, "I also know that two of your friends are following my stupid little brother around as well. Which can only mean that our goals are similar."
Young Michael was her brother. Okay, this was beginning to look interesting. The woman paces around a little, before hesitantly tapping her feet for attention,
"Any more silly questions, perhaps?" she offers,
"Not really. Being held captive by a pretty woman is a fairly clear cut thing."
"Hmm, so the rumours were true. You do play rough. Well, let me skip the foreplay then-"
"F-foreplay's fine too!"
*slap*
"I've got a man to myself already. Keep up," she admonishes, "Let me explain this to you,
I am part of an old thieving family. We've stopped thieving, and we're just practising for the art of it. My idiot younger brother Michael seems to think he's clever enough to benefit from using a group of bandits to rip off his boss at the Trader's Guild and avoid being caught in some kind of stupid 'grand master plan' to get rich quick. My brother is very stupid, and he will get this town killed in his cockamamie schemes.
Also, he's trying to frame my boyfriend for it, and that makes this personal."
If he could move his arms right now, Chantreau would scratch his chin in deep thought, trying to make sense of this story. As he could not, he settled for tilting his head slightly. He then realised that that hurt like hell, due to application of a precision blunt object earlier.
"Why didn't you just ask me to help out with this?" he asks, making sure to keep his sore neck still,
"Oh, you've a very complicated job here. It's not worth asking nicely," she replies, waggling a finger at him, "You're to say that an associate of Michael's knocked you out and tied you up, and then placed you in the loft of his house. Because that is what happened, y'know?"
Ever the questioning type, Chantreau let loose his objection to this plan, "And if I don't agree to say that?"
"Well, dead men tell no tales."
"Okay, let's say that I agree now, but I didn't back up this story and said that the trader's girlfriend did it when I get loose. What then?"
Her smile curled up slightly, and she opened her eyes clearly for the first time in this conversation. They seemed to have lost their vivid shine in the last two seconds.
"Then I find where you sleep, mount you and rip your tiny, moronic balls off for getting my boyfriend in trouble ❤~"
… well that escalated quickly. Must be a bluff. It has to be.
"No offence miss, but I hardly think you could sneak into a fort and get into the officer's quarters without being detected."
"I may not be as good as Monsieur Foquette, but he has the advantage of being born a mage. Instead, I am born a common woman. That is why I'll be doing the mounting before the ripping, Monsieur Chantreau, you heartbreaker, you."
Okay, she more or less has him (literally) by the balls right now. And that reputation of his will be coming back to haunt him, Chantreau figured. The sentries would indeed let a girl like her into his room, probably speculating on how much her sweet arse is worth as they let her through.
"I'll be a good boy," he concedes, "So, please let me go now?"
"Oh no, you'll stay here and stop spying on my boyfriend whilst your friends arrest my stupid brother when he pulls a trick. Then they'll check out his house and find you, and you'll tell them exactly what you need to tell them, mmm'kay?"
"What."
She smiles beatifically, tracing a line across his chest, "Don't worry, You'll have plenty of things to think about while you're here. Here, I'll grab a painting for you."
She stands a small sunny landscape across from him, (Chantreau couldn't help but note that the verdant hills reminded him of Central Romalia,) apparently to amuse or occupy him. It was very tasteful.
"It's a watercolour piece from a local boy. He's very talented with landscapes," she waves, heading towards the ladder, "Have fun while I have a talk with your friends, alright?"
With a cute little grunt, she pulls the trapdoor closed, leaving him there with the painting. Chantreau keeps staring at the landscape. It really was pretty good. The brush work was impeccable. Quite impressive if it was just a boy.
And then it occurs to him.
"… is that a horse or a cow?"
===
Paperwork has varying effects on people. For some, the movement of numbers and names across a paper trail is supremely satisfying. The knowledge at your fingertips, the idea of controlling the ebb and flow of an entire company with just a single misplaced letter, the favours people start to owe you. It all adds up for some people.
For Lecarde, paperwork was at best, a distraction from his real duties, at worse, a dizzying stream of disconnected words designed to entrap him within the vast and unending jaws of bureaucracy. And ever since the Transition of the Faeries, his paperwork had increased practically tenfold. What was worse was how rapidly the paperwork had evolved.
Simple listings of Faerie names and numbers under his command had rapidly grown officious looking headers, some sort of simple faerie crest. These documents soon carried ages, their home city, special skills and even more. Transfer sheets passed near weekly, with increasingly many of the original Cait Syth complement being rotated elsewhere, being replaced with mostly Puca or the occasional Sylph.
Tapping his quill idly on a blotter, Lecarde wonders how long it would take for the paperwork to start tripling in response to the recent reorganisation efforts going on. He had refused an adjutant though. Years of Academy education should in all honesty be adequate for something so trivial as requisition forms and basic accounting. He had dealt with the paperwork before, and he could still keep up.
But to say that anyone can remain completely focused on paperwork at any one time is somewhat misleading. Lecarde was very much using this as a distraction from the impending progress report on the investigation. Very much awaiting the next report.
The knocking on his door sounded unfamiliar. Must be Lunette.
With a half-hearted 'come-in', the Puca captain made her way in, dressed irritatingly casually in a leather raincoat.
"Hullo there Captain!"
"I am assuming you're here for a reason," he grumbles, barely looking up from the papers,
She smiles brightly, "No real reason. Building up your relationship values, I suppose."
"… another one of those strange Fae expressions?"
"Mmhm. Don't worry too much about it."
"I see. Are you intending to attempt an explanation, or leave it be?"
Erika shrugs hesitantly, "I honestly don't know how best to explain it to you. Everything's just sort of complicated."
He chuckles, putting his quill down for the first time in the conversation,
"Hmph. I expected as much," he admits, "Nonetheless, you came here to 'build values'. Is this a critical aspect of your magical ability?"
The Puca actually looked slightly unsure of herself. The small grin he concealed behind his steepled fingers probably did nothing to help dispel that uncertainty.
"Well, if you put it that way Lecarde, I suppose it very much is," she begins, taking the seat across the desk from him, "Mmm… how much do you know about our Song Magic?"
"Enough to get by on."
"Have you ever wondered how it selectively affects listeners?"
"… no?"
She claps her hands decisively. "It's down to friend or foe recognition on the singer's part. The reason our songs can differentiate between a friend and an enemy before was due to [<Game Mechanics]> enforced by the [<GM-AI]>, but as some studying Song Magic at TRIST have deduced, it seems it runs on a combination of familiarity and the singer's intent now,"
Lecarde sat up for this part. If the faerie was willingly revealing the secrets to their magic, then it made sense to memorise it well. It could prove important.
"So, by familiarity, you mean how well acquainted the singer is with their… audience, as it were?" he asks,
"Mmm, exactly so. And this works along with the intent of the singer to affect people in different ways.
Let's say for example, that I am good friends with a particular man, who is duelling with another man. If I sang a song to try and improve his speed, then his speed would be buffed, right?"
"Right."
"If I wasn't familiar with his opponent, then I wouldn't be able to direct the song to improve the opponent's speed, because I don't know him well enough, leaving only the swordsman I am familiar with being buffed. So far so clear?
On the other hand, let's say that I have two friends, who are currently fighting with one another. If I tried to use a buff on them, unless I consciously direct the song to buff only one or the other, both of them would receive the benefits of the buff."
The captain nods, "So your constant attempts to integrate your girls with my men are to try and develop that familiarity, correct?"
"Mmm, that's right," she smiles, "It's the same idea with attacking or debuffing songs. If I sing a song that causes paralysis, then anyone I am familiar and friendly with will not be affected, whilst any unfamiliar people will be."
"Hmm. But I suppose, if you wished to, you could target your allies deliberately?"
"I-if it was necessary, I suppose."
Well. He supposed that made sense. The subtleties of Song Magic seemed unusually complicated for something to be used in battle, but Lecarde supposed that the wide reaching power of music to organise and coordinate groups more than paid off for the level of complexities behind the spell. It sounded like it was challenging to properly train and acquaint a new Battle Singer to the unit they were intended to support.
As the Puca fiddled with a spare quill lying about, she mumbled, "Hopefully that explains why we have to be so buddy-buddy with each other, right?"
"Oh, yes. It certainly does, Lunette. I just pray that whatever fraternisation occurs is suitably... restrained. As understandable as being 'buddy-buddy' with each other is, God knows we must remain clear-headed and objective in the days to come."
"Absolutely. Which brings me to another point," she nods, returning his cool gaze with a mischievous one of her own, "How did your little rendezvous with Fio go?"
"I think she's quite upset," he admits, picking up his quill once more.
"Hmm hmm. Would you like to add something to that-"
The quill resumes it's endless flight across the paper, "As riveting as discussing the love life of your adjutant is, don't you have anything better to do right now, Lunette?"
"… run out of things to say for now?"
"Yes, and I also have a lot of paperwork that needs sorting out."
"I should go," she smirks, gesturing over her shoulder to the door pointedly,
"Yes, yes. Until then Lunette."
===
It was getting late in the afternoon, and the sun was just starting to dip beneath the horizon as the men started surrounding the small house. Allard held Bonette back before he could join the gaggle at the door, "This is convenient, Bonette. Far too convenient."
"I agree. Shall we assume it's a trap?"
"Assume it isn't, because it's so obvious that they wouldn't even try."
"That makes no sense."
"Just get in there. We've already arrested Michael anyway."
Methodically clearing a house was something which many of the men needed to practice. As it was, they were taking far too long, and were needlessly exposing themselves to danger. Still, the men had a job, and they did it quickly if clumsily, sweeping the basement, ground and first floor without incident.
It was when they started peeking into the loft that they found a rather familiar friend staring intently at a watercolour painting of some kind as he was restrained. Clearly, Chantreau was suffering from some kind of delirium, judging by the unhinged rambling he was making about some kind of animal in the picture. With much sadness, the two remaining officers dispatched him to the care of the local water mage, confident that he would make a full recovery in due time.
Well, whatever that bastard Michael had done to Chantreau, he would have to answer for it when Allard came down to have a polite little chat with the man.