Chaldea and Staff: Yggdrasil
- Location
- Somwhere Under The Sea
Chaldea and Staff: Yggdrasil
With a simple glance, Mozart could conclude that Olga Marie's newly casted spell could not truly be called exceptional. Neither in its potency or even in its execution. At least in Mozart's opinion, a somewhat capable magi who practiced magecraft all their lives would not call it that. And of course, as a Servant, a being who surpassed almost any magi of the Association, Mozart could not call her spell skillful at all.
Of course, Mozart, is a Caster-class Servant, will have a higher standard on what he considered 'skillful'. Even though Mozart was not the most prominent of the Caster class, he was still a Servant for whom almost any modern magecraft would seem like a child's effort when compared to what he could create.
Therefore, as her Mentor, Mozart should not have been surprised at all by what Olga-Marie had accomplished. Though seeing the spell heading towards him, he could give it a passing mark.
However, Mozart, instead of doing as logic and common sense dictated to him, just glanced at the Animusphere's spell and took a step forward, putting himself closer on the path of the spell.
"Ha?" Olga-Marie glanced at her sparring partner, somewhat surprised, before her spell crashed into Mozart.
With a flash, Olga-Marie's exploded as it struck Mozart. After which a familiar melody hit Mozart's ears.
Of course, if in Mozart's place were another magi, even another Servant, they would not have heard anything. Unlike Mozart, who is able to weave music itself into magecraft - Olga-Marie could not reach such a level, which is why her magecraft of Orpheus learned from Mozart looked not at all similar to Mozart's.
Still, Mozart swayed in place a little when the spell crashed into him. After which he involuntarily let out a hiss of pain. Even though Olga-Marie's ability with the Orpheus system of Magecraft was not even close to Mozart's level, it was still painful enough to calmly accept it without protection. No doubt, this was the magecraft of Orpheus.
Mozart even allowed Olga-Marie's magecraft to cut into him in order to be convinced of this. Even though it would be child's play to extinguish the spell, and then deal with his opponent with a retaliatory maneuver - Mozart chose not to do so.
Satisfied with what he had found he shook his head, catching the eyes of Olga-Marie, who looked at him with a silent question.
"Enou… , kuh." Mozart tried to talk, but finding no air in his lungs he then tried took a deep breath - only to suddenly feel an unpleasant aching feeling in his chest. He had broken a rib.
"Ha..." - Mozart mentally sighed - "Broke a rib..."
Of course, it was not surprising for a magi to break a rib, if not worse, when they were struck by an offensive magecraft. For an ordinary magi it would not be surprising. But for a Servant to be wounded? It would take a very special and powerful spell or occasion for it to happen. Which is why what had happened should be impossible.
Mozart would not have been wounded by an ordinary spell casted by a normal magi. Mozart was - albeit far from the most hardy - a Servant. The damage was done when Olga-Marie used Orpheus' magecraft, something that Mozart has a great knowledge of, and should be able to withstand better than other forms of magecraft..
And lastly and perhaps most shocking of all, the branch of magecraft that she used... She had only learned not more than three weeks ago!.
"Enough." With a shudder of pain, Mozart repeated one more time, after which he glanced at the still shocked Olga-Marie. She, upon hearing his instruction, slowly came to herself and moved swiftly towards Mozart with a worried expression on her face. Seeing Olga act in such a strange way forced a chuckle to emerge - only for Mozart to immediately grimace from the broken rib.
As Olga reached the wounded Servant, a quiet melody rang out. As Olga demonstrated another facet of Orpheus' magecraft that she had learned, Mozart felt his broken rib snap into place with an unpleasant sound, with the pain he felt slowly draining away.
"Well, Olga-Marie", - Mozart nodded, then smiled, - "Congratulations. You have learned everything I could teach you."
For a second, there was only silence in the small training hall...
"What?" Olga-Marie looked at Mozart blankly, - "Are you serious?"
"Quite", - Mozart sighed and shook his head.
"But... It has been… " - Olga-Marie blinked in confusion, - "It has only been three weeks?"
"Yes", - Mozart breathed out, and mumbled under his breath - "Which somewhat scares me… "
Suddenly, Mozart froze in place, and then hurriedly turned towards the front door.
"Ha?" - Olga-Marie looked at the Caster in confusion.
However, instead of answering, Mozart only glanced at her, and then put his index finger to his lips, showing her the need to be quiet.
"What?" - Olga-Marie looked at Mozart in confusion, but she did have the chance to ask her question, as a figure entered the training hall.
"Ah, there you are, chief!" - The voice that was supposedly pleasant to hear spread across the room and made Olga's insides twirl unpleasantly. The voice sounded too good-natured and friendly that Olga-Marie could understand, without using all sorts of magecraft, how unnatural and refined the possessor of the voice was acting. - "Believe it or not, I was looking for you everywhere!"
"Baal", - Mozart's voice sounded dry, and somewhat hostile before changing completely, turning into the most good-natured of all possible. It seems that Mozart was gifted in acting as well. - "My dear friend, it's been a long time!"
"Mozart…" As Baal's gaze swept towards Mozart, even through the periphery, Olga could see just how Baal's gaze was filled with a certain emotion. An emotion so heavy and unpleasant it makes Olga want to literally wash the feeling it invoked away from her body. It didn't last long though as Baal's face and expression turned into a mask of affability so quickly that an ordinary person would think that what they had felt was just a trick of their mind. "Indeed, Mozart, how long it has been!"
As Baal entered the room, Olga managed to see the figure of a woman wrapped in a purple cloak behind Baal's back.
"Hmm, I see that you're in the middle of training.", - Baal glanced over at Olga-Marie and Mozart with a look of inquisitiveness in his face, only to then shook his head a moment later and smiled, - "Strange, I thought you'd be done by this time…"
Mozart frowned at such a remark. Still he did not show any of the discomfort he felt on his face as he answered Baal. "Oh, we just decided to take a break."
There was nothing particularly strange about the phrase 'I thought you'd be done by this time' - if you think that this phrase was related to a lesson - or the training between Olga and Mozart itself.
However, Baal did not mean it in that way, Mozart could tell.
Mozart could perfectly hear at a level where words and actions meant little in disguising one's intent. His ability could not truly be called a full-fledged mind reading, as there might exist an existence whose intent is nonexist, a void. Or perhaps other alien beings, whose existence is so alien that Mozart's perspective as a human cannot parse what their intent is. Still, such an existence has not yet appeared.
And so, even someone who had perfected their acting skills to the limit, like Baal, could not completely hide their mind from Mozart.
Although, perhaps, for Baal, the more correct word to use would not be 'could not', but 'did not want to'.
And Mozart could perfectly sense that Baal's words meant nothing at all as harmless as it might sound to the common man hearing his remarks.
Mozart smiled, while inwardly, his mind was in disarray. Was Baal responsible for Olga's explosive growth? No… Baal isn't the type of person not to boast of such an achievement, especially either to Ainz or Cainabel. And Mozart would definitely have heard something if Cainabel knows, she isn't the type to hold back her displeasure after all.
About Olga's progress… perhaps the easiest way would be to say that Olga-Marie made a giant leap in her training. An absolutely unnatural leap.
Mozart was certainly well aware that the magecraft of Orpheus was not a magical system that any magi could easily master. After all, if your magecraft is based on an ideal melody created by the God of Music, it would be logical to assume that an ear for music and the ability to play musical instruments were necessary knowledge for any magi who decided to dabble in such magecraft.
And, although a certain level of musical acuity could be trained by any person - there was a certain trait called 'talent' or 'innate qualities', above which it was almost impossible for the untalented to overcome. Therefore, it was absolutely clear to Mozart that from the very start of her studies, Olga-Marie will one day master everything about Orpheus Magic that Mozart is able to teach her. That a time will come after which Mozart will not be able to help her and only experience will let her progress.
Mozart knew that this time would come… But not even he could imagine that such a time would come only three weeks after their mentorship started.
And not because Olga-Marie was so bad that she couldn't even begin to understand what Mozart was teaching her. After all, even if most people can learn an instrument, there are those that are not even untalented, but simply negatively talented in that regard, if Mozart were to say so. A certain dragon's dragonic best friend comes to mind.
Olga-Marie… Olga turned out to be inhumanly good. And that frightened Mozart.
To take in the perspective, the level that Olga-Marie had reached was not particularly high - neither by the standards of Mozart, nor by the standards of other significant magis.
It was quite a feasible and comprehensible level that almost any magi with a similar family tree and sufficient diligence could master… In five years. Perhaps, if the magi would have demonstrated dogged perseverance and a one track mind, more than usual for a magi anyway, - it could be shortened to about three years.
Olga-Marie was able to reach such proficiency in three weeks. Such a thing shouldn't be possible.
Three weeks was the period of time a magi could get an approximate understanding of the essence of Orpheus magic. But not master it.
Anyway without a way of ferreting out the truth from the other Servant, Mozart simply smiled at Baal. Baal smiled at Mozart meaningfully.
Mozart could feel a vein pop in his head form the irritation, Baal knew something about it.
Baal knew something about this phenomenon, about Olga-Marie... He knew - and was choosing to be silent about it.
Even if Mozart himself was a gifted genius who had sold his soul to music, for many reasons, it took him six months to master the same magecraft to the point where Olga is at.
And even if Olga-Marie had reached her peak in this branch of magrecraft and could no longer progress, if one would only compare the rate of their rate of progression up to this point - Olga-Marie surpassed the greatest genius of music by about nine times.
Olga-Marie was a pretty good magi in Mozart's opinion. Not the best, but not the worst either. The most appropriate description that Mozart could describe her level of talent would be 'above average'.
Of course for a Caster 'above average' meant that most magis would only reach such an evaluation only by the age of thirty or forty while studying magecraft all their lives. Such was the strength of the quality education for the 'princess' of the Animusphere family - and the careful selection process in the magical eugenics of the Association.
In Mozart's estimation, when Olga's forty or fifty years old, having reached the very peak of her magical powers, when her development and knowledge accumulated up to that moment could maximally overcome the weakness of her body - she could well have reached the level of Magus rank of Pride. A rank which only the truly outstanding of magis could receive.
However, such a thing by no means could explain the anomaly that Mozart encountered.
After all, after only three week of training, Olga-Marie was now comparable to a full-fledged, trained magi… No, even more than that. If it's only in her raw power and vastness of magical arsenal, she has already surpassed many trained magis.
With her current capabilities, she could well join the ranks of professional Executors, the magis who's focus were in hunting other magis. In other words, the armed forces of the Association specialized in offensive magecraft.
And although, of course, no miracle could help Olga-Marie gain the experience of decades that other Executors of using magecraft. So even so she has the capacity of being an Executor, her full potential was not yet fully bloomed. Still the very fact she had already reached such a point was incredible.
Moreover, Mozart could swear with all his musical soul that before the start of her training, Olga-Marie did not possess any special talent that would explain such a monstrous rate of growth. And yet, her incredible growth took place in front of Mozart himself… in just three weeks.
It was scary. It was mesmerizing.
And Baal knew about the reason. Even if he did not know how exactly it happened, he must have several very good assumptions on this score.
"Oh, chief, I beg your pardon". In the end, after waiting a second to maintain decency, Baal turned towards Olga, after spending that time smirking smugly at Mozart. "Honestly, I just recently learned that you are striving with all your might to increase your magical power…"
"Do not misunderstand!" Baal hastened to add immediately, keeping a smile of the most sincere cordiality on his face that could be presented to a person. All fake as a matter of course.
"I am all for it! Even more than that, I would like to support your desire with all my might! In the end, as you can understand - I myself am delighted with the myriad possibilities of magecraft and would only like to offer a little help in this matter…" Baal finished with a flourish.
"I see…" - despite the fact that Olga-Marie herself opened her mouth to answer - the voice that rang out in response belonged to Mozart, forcing Baal to shift his gaze to the Servant. "I beg your pardon, but it always seemed to me that it would be best for the student to concentrate on one subject, rather than being divided on several… And as her teacher, my evaluation is that Olga still needs to continue training Orpheus's magecraft…"
Olga glanced at Mozart, but keeping in mind his strange actions before the appearance of Baal, she nevertheless decided not to interfere in the dialogue between the two. No matter how much her character now wants to get into the conversation with loud remarks like 'Excuse me! I'm right here actually!'. She could still keep herself under control, if necessary.
"Oh, my friend, but it seems to me that you have already passed on to the younger generation everything that you can!", - Baal glanced at Mozart with a knowing smile.
'He knew,' Mozart exhaled.
It was no longer a guess or a conjecture. It was clear knowledge, Baal knew about Olga's progress.
"And, to be honest, while I would like to 'personally' oversee Olga's training, I personally do not consider myself a worthy teacher." At this moment Baal exhaled sadly, looking at Olga-Marie, and then shrugged his shoulders, - "Alas, a talent for teaching is one of the few talents that I have not acquired in all my long life. However, I would certainly like to help you, Chief - so…"
Baal took a step aside, eventually introducing Olga to the figure behind him… Medea.
The atmosphere and actions Baal did gives the feeling of a fashionable dog show, during which Baal showed off his new pet - trained and taught to give a paw, bark on command and bring slippers.
Olga glanced at Medea.
From a physical point of view, Medea looked as she always does - perhaps even better. She looked quite healthy, with thick purple hair and pale skin - it was impossible to determine anything strange about her with one superficial glance...
However - as Olga-Marie looked at Medea and she looked up for a second.
Medea's eyes were… Pleading. Her eyes were that of a haunted beast.
"Undoubtedly, the chief was able to learn some basic information from me", - Mozart smiled at Baal, - "However, skill grows from practice, and from experience, so…"
"I would be glad to learn from the greatest witch in Greece," Olga-Marie interrupted the conversation a moment later.
Mozart blinked... Then he looked carefully at Medea that he had ignored during his confrontation with Baal, then on Olga Maria - and swore internally.
Baal's smile only grew wider.
"Of course, chief", - Baal smiled, taking a half-step back, then glanced at Mozart, with a barely concealed smirk on his face, to Mozart at least. - "I'm always glad to help."
Mozart swore again.
Baal really did not bother to hide his emotions… However, still this was a mistake on Mozart's part.
Without hiding his emotions, Baal had forced Mozart to concentrate on him, making him ignore Medea's state… At the same time, forcing Olga to shift her gaze back to Mozart, looking at Mozart in confusion when Mozart started grinding his teeth, figuratively of course.
Olga could be cruel and cold... But she was not heartless.
Just one glance from the clearly distraught Medea could make her do exactly what Baal wanted.
Mozart frowned, then immediately broke into a smile, - "Of course, chief. To tell the truth, I would even be glad if Medea took over your training. As I really am not a teacher, but only a humble musician, my mentoring abilities are quite limited."
Mozart glanced at Baal. Baal smiled back.
And although Baal's mind was open to Mozart, mind reading or something similar was beyond Mozart's abilities.
However, he managed to determine one single thought... Because Baal wanted Mozart to be able to hear it.
'One to zero'.
Baal smiled, then glanced at Medea - forcing her to tense up reflexively - before smiling, - "Mozart, my friend… I think our presence here is quite excessive now - so I want to ask you... Do you mind if we leave? I think I have a bottle or two of the best quality wine that I could find that you simply must try."
Mozart smiled back, - "Of course, dear friend…"
With Mozart and Baal leaving, Olga-Marie was now left alone with Medea, after which she was surprised by Medea's new demeanour.
After Baal's figure had finally disappeared from the doorway - the witch's previous confident posture immediately turned haggard. Instantly her cloak seemed to become hung on her shoulders, turning the previously resplendent coat into a lifeless rag. However, Medea's gaze, which previously looked almost pleading, changed to another.
Confident, firm and... Vindictive.
"Medea?" - Olga asked with a bit of fear in her voice, but Medea only waved her hand with a dismissive gesture.
"Just a minute," Medea exhaled, then raised her hands to her face and slowly breathed out deeply into her palms. It looked as if she was trying to collect all her fatigue and exhaustion and out of herself. After some time doing that, she took a deep breath sharply and finally looked up at Olga.
"Chief, so, hmm…" - Medea said it in such a voice, as if she had just seen a funny absurdity. However, before she could feel indignant, she smiled in response. - "So you're one of the students of magecraft in this century?"
"You can say so", - Olga nodded, then frowned, - "Why did you look so…"
"Stop", - Medea snapped, interrupting Olga's question instantly, before she had time to finish it, - "Not a word. Not a word about it."
Olga blinked and looked at Medea.
Was she... afraid? No, that was not an expression of fear, rather... Disgust or contempt so pronounced, it is as if she had accidentally stepped on a huge bug with her foot and just now noticed the slimy pulp of insect guts sticking to her boots.
"I am here for your training, not for leisure", - Medea shook her head, then looked at Olga with an attentive look, - "So, hmm…"
"What?" - Instantly, noticing such an appraising look on herself, Olga leaned back, while crossing her arms over her chest in a defensive gesture, - "What, are there any problems with me?"
"None that could not be corrected," Medea exhaled, and then frowned again, "However... Even if Baal said... Still... Yes, definitely, I need to assess your level of ability first."
"Hmm?" Olga looked up at Medea, then frowned. "So, a spar?"
"No," Medea shook her head to the side, after which she smiled.
This smile was not like that of Baal or Mozart.
It was the wicked smile that Olga-Marie was used to seeing.
It was the sadistic smile that would do credit to many of the Clock Tower teachers.
"A quiz," Medea grinned ominously.
During their walk after leaving the training room, Baal continued making conversation with Mozart Only to maintain decency, so as not to create an uncomfortable silence between the two and maintain the slight illusion of friends in a conversation, Although Mozart himself, like Baal, were not interested in this conversation at all.
They had already managed to express to each other all the most important things much earlier.
Baal smiled.
After all, to Baal, humans were such easy targets. Humans were prone to sin more than any demon. After all, demons were originally only fallen angels - they were originally incapable of sin. Sin was an invention of humanity.
After all, even the tempting snake did not devour the apple itself. This honorable role was reserved only to man.
Mozart could call himself only a humble musician all he wanted - but even he was not devoid of the sin of pride and arrogance. Relying so heavily on his hearing - and stumbling where he was supposed to rely on another sense.
Baal smiled at Mozart, earning a smile as fake as the smile himself sported.
However, he was not so bad - he did his best as far as possible when put in his position. At least he tried to defend Olga-Marie - and admitted defeat when he had to.
Indeed, in essence, Baal did nothing wrong. Indeed, helping one's neighbor was a virtue is it not? And therefore Baal could say that he was now virtuous.
Leaving a chief so eager to learn the magecraft of one of the earth's greatest magis — and teachers — Baal should have been congratulated on this truly virtuous deed.
However, providing a teacher was one of the oldest services in the world - and like any service, it had a price.
And demons were truly the oldest businessmen in the world.
After all, Baal didn't ask the chief for any nonsense like her 'soul' or even something as mundane as 'money' for that matter. And yet with a simple showing and conversation Baal had received something truly invaluable. After all, something as priceless as 'Ainz's gratitude' could not even be bought with all the gold in the world.
In the end, even when viewed by the most suspectful of people, Olga had indeed received an excellent education thanks to Baal's help. Furthermore…
Baal smiled before casting a glance at Mozart.
It seems that Mozart is still puzzled over what exactly had happened to Olga-Marie... However, Mozart not finding out the truth of the matter was not so surprising. Mozart was smart - but not smart enough to come to the right conclusions so easily with so little information on hand.
The only one who could easily identify the peculiarities of Olga-Marie's situation was Da Vinci - and, alas, she was now far away... She was in the Singularity - along with Ainz.
Baal smiled.
If this was not with Ainz's personal permission, then Baal could not understand anything about his Master.
After all, Medea was one of those people who understood their own destiny and their place in this world quickly and without prompting.
You only need to tell them what needs to be done - and they do it. You simply show them how dear betrayal will cost them - and they correct their plan of betrayal for a more perfect one. You smile at them in a friendly way - and they begin to hate you.
The best kind of fool is the fool who thinks he is the smartest.
But it was even funny - to some extent. Medea believed that through Olga she could reach Ainz. To the powerful and all-forgiving Master, who is able to punish the evildoer demon Baal... Let her think so.
Medea believed that she was moving against Baal - but could not notice that she was moving to a well-defined track.
In the end, as long as she thought she was moving towards Olga, towards Ainz with her own will, she was quite acceptable as a tool. As soon as you just move your hand a little - and it changes its own direction without further prompting, how convenient .
Baal would let her do as she wants - as long as she believes that Ainz will take care of her. Baal knew the truth of course.
Ainz didn't care about her, nor about any of the Servants, even about Olga. Ainz saw them as nothing more than tools - obedient pets, carrying his slippers on command.
If Medea thought she could get something from Ainz, she was seriously mistaken.
Ainz didn't care - it's not like the Servants could see it. When you are blinded by the charisma and splendor of a Higher Being, the shadow cast by it is so difficult to discern...
Ainz didn't mind allowing his loyal lieutenants a little interpersonnel intrigue for his own amusement. And what was funnier than trying to surround Ainz's most valuable tools with his own agents of influence?
It was so easy for Medea to make Olga hate Baal, it was so easy to direct her mind in the right direction...
Baal lightly ran his hand through the air, feeling the outline of his favorite cane under his hand.
The cane, inside which was locked...
Hmm, what was its name again?
Baal smiled, then shook his head.
What he now had at his disposal did not have a name - however, it's not like he needed it now.
Medea, Olga...
Even Mozart could not escape his gaze. After all, now Mozart will be devoured from within by the most terrible enemy of all rational thinking being.
Curiosity.
He will not leave an unravelled question in his mind unanswered. He will start looking. He will think. He will doubt.
And with doubt - is a crack that opens the way to the strongest of minds.
'However…' Baal frowned.
What place was given to Olga-Marie in Ainz's plans? Why was he so worried about her?
Some idiots might consider his actions as a sign of 'human attraction', but Baal was not one of those simple minded idiots. Simple answers have so often turned out to be wrong...
And Baal was only interested in the real answer.
'However' - Baal grinned - 'With such a Master, eternity lies before me to find the answer.'
After all, if Baal made such an effort in a small undercover intrigue against Cainabel, he could only guess what kind of game Ainz Ooal Gown himself was now playing.
Noble Phantasm: Speak of the Devil
Owner: Baal
Classification: Anti-Mind \ Anti-Human
Range: 0-99
Rank: C+
The first of Baal's three Noble Phantasms, reflecting the legend of demons capable of confusing any mind with their silver tongue. This Noble Phantasm is not a mind reading or psychic attack, but simply gives the target an irresistible need 'to speak'.
This Noble Phantasm, when evoked, causes the target to speak and maintain a dialogue. The Noble Phantasm however cannot force the target to answer any question if they do not want to - but it ensures that the dialogue does not end until Baal himself so desires.
As a purely combative use, this Noble Phantasm has no power, since it is unable to force the enemy to answer a question to which he does not want to answer or slow their attack when talking However, by forcing the opponent to continue speaking, the target of this Noble Phantasm would inevitably give out some critical information about themselves. Information that can be used by a smart enough and an observant user of this Noble Phantasm. This Noble Phantasm is especially terrifying when combined with Baal's second Noble Phantasm, a 'Contract for Your Soul'.
The rank of this Noble Phantasm received a higher designation due two reasons. First is that the activation and operation of the Noble Phantasm was so stealthy that most Servants wouldn't even notice that they're under its effect. Second is the fact that this Noble Phantasm continues to operate perpetually after its activation until Baal himself cancels it. In other words, even if the target somehow discovers that they are being forced to speak, they will continue to do so, unable to extricate himself from Baal's snares.
There are currently only three ways to defend against this Noble Phantasm:
1) Be significantly stronger than Baal.
2) Possess the ability to destroy magic and / or Noble Phantasms.
3) Have the Hero's composure and courage to keep their greatest secret even in the face of the Emperor of Hell.
With a simple glance, Mozart could conclude that Olga Marie's newly casted spell could not truly be called exceptional. Neither in its potency or even in its execution. At least in Mozart's opinion, a somewhat capable magi who practiced magecraft all their lives would not call it that. And of course, as a Servant, a being who surpassed almost any magi of the Association, Mozart could not call her spell skillful at all.
Of course, Mozart, is a Caster-class Servant, will have a higher standard on what he considered 'skillful'. Even though Mozart was not the most prominent of the Caster class, he was still a Servant for whom almost any modern magecraft would seem like a child's effort when compared to what he could create.
Therefore, as her Mentor, Mozart should not have been surprised at all by what Olga-Marie had accomplished. Though seeing the spell heading towards him, he could give it a passing mark.
However, Mozart, instead of doing as logic and common sense dictated to him, just glanced at the Animusphere's spell and took a step forward, putting himself closer on the path of the spell.
"Ha?" Olga-Marie glanced at her sparring partner, somewhat surprised, before her spell crashed into Mozart.
With a flash, Olga-Marie's exploded as it struck Mozart. After which a familiar melody hit Mozart's ears.
Of course, if in Mozart's place were another magi, even another Servant, they would not have heard anything. Unlike Mozart, who is able to weave music itself into magecraft - Olga-Marie could not reach such a level, which is why her magecraft of Orpheus learned from Mozart looked not at all similar to Mozart's.
Still, Mozart swayed in place a little when the spell crashed into him. After which he involuntarily let out a hiss of pain. Even though Olga-Marie's ability with the Orpheus system of Magecraft was not even close to Mozart's level, it was still painful enough to calmly accept it without protection. No doubt, this was the magecraft of Orpheus.
Mozart even allowed Olga-Marie's magecraft to cut into him in order to be convinced of this. Even though it would be child's play to extinguish the spell, and then deal with his opponent with a retaliatory maneuver - Mozart chose not to do so.
Satisfied with what he had found he shook his head, catching the eyes of Olga-Marie, who looked at him with a silent question.
"Enou… , kuh." Mozart tried to talk, but finding no air in his lungs he then tried took a deep breath - only to suddenly feel an unpleasant aching feeling in his chest. He had broken a rib.
"Ha..." - Mozart mentally sighed - "Broke a rib..."
Of course, it was not surprising for a magi to break a rib, if not worse, when they were struck by an offensive magecraft. For an ordinary magi it would not be surprising. But for a Servant to be wounded? It would take a very special and powerful spell or occasion for it to happen. Which is why what had happened should be impossible.
Mozart would not have been wounded by an ordinary spell casted by a normal magi. Mozart was - albeit far from the most hardy - a Servant. The damage was done when Olga-Marie used Orpheus' magecraft, something that Mozart has a great knowledge of, and should be able to withstand better than other forms of magecraft..
And lastly and perhaps most shocking of all, the branch of magecraft that she used... She had only learned not more than three weeks ago!.
"Enough." With a shudder of pain, Mozart repeated one more time, after which he glanced at the still shocked Olga-Marie. She, upon hearing his instruction, slowly came to herself and moved swiftly towards Mozart with a worried expression on her face. Seeing Olga act in such a strange way forced a chuckle to emerge - only for Mozart to immediately grimace from the broken rib.
As Olga reached the wounded Servant, a quiet melody rang out. As Olga demonstrated another facet of Orpheus' magecraft that she had learned, Mozart felt his broken rib snap into place with an unpleasant sound, with the pain he felt slowly draining away.
"Well, Olga-Marie", - Mozart nodded, then smiled, - "Congratulations. You have learned everything I could teach you."
For a second, there was only silence in the small training hall...
"What?" Olga-Marie looked at Mozart blankly, - "Are you serious?"
"Quite", - Mozart sighed and shook his head.
"But... It has been… " - Olga-Marie blinked in confusion, - "It has only been three weeks?"
"Yes", - Mozart breathed out, and mumbled under his breath - "Which somewhat scares me… "
Suddenly, Mozart froze in place, and then hurriedly turned towards the front door.
"Ha?" - Olga-Marie looked at the Caster in confusion.
However, instead of answering, Mozart only glanced at her, and then put his index finger to his lips, showing her the need to be quiet.
"What?" - Olga-Marie looked at Mozart in confusion, but she did have the chance to ask her question, as a figure entered the training hall.
"Ah, there you are, chief!" - The voice that was supposedly pleasant to hear spread across the room and made Olga's insides twirl unpleasantly. The voice sounded too good-natured and friendly that Olga-Marie could understand, without using all sorts of magecraft, how unnatural and refined the possessor of the voice was acting. - "Believe it or not, I was looking for you everywhere!"
"Baal", - Mozart's voice sounded dry, and somewhat hostile before changing completely, turning into the most good-natured of all possible. It seems that Mozart was gifted in acting as well. - "My dear friend, it's been a long time!"
"Mozart…" As Baal's gaze swept towards Mozart, even through the periphery, Olga could see just how Baal's gaze was filled with a certain emotion. An emotion so heavy and unpleasant it makes Olga want to literally wash the feeling it invoked away from her body. It didn't last long though as Baal's face and expression turned into a mask of affability so quickly that an ordinary person would think that what they had felt was just a trick of their mind. "Indeed, Mozart, how long it has been!"
As Baal entered the room, Olga managed to see the figure of a woman wrapped in a purple cloak behind Baal's back.
"Hmm, I see that you're in the middle of training.", - Baal glanced over at Olga-Marie and Mozart with a look of inquisitiveness in his face, only to then shook his head a moment later and smiled, - "Strange, I thought you'd be done by this time…"
Mozart frowned at such a remark. Still he did not show any of the discomfort he felt on his face as he answered Baal. "Oh, we just decided to take a break."
There was nothing particularly strange about the phrase 'I thought you'd be done by this time' - if you think that this phrase was related to a lesson - or the training between Olga and Mozart itself.
However, Baal did not mean it in that way, Mozart could tell.
Mozart could perfectly hear at a level where words and actions meant little in disguising one's intent. His ability could not truly be called a full-fledged mind reading, as there might exist an existence whose intent is nonexist, a void. Or perhaps other alien beings, whose existence is so alien that Mozart's perspective as a human cannot parse what their intent is. Still, such an existence has not yet appeared.
And so, even someone who had perfected their acting skills to the limit, like Baal, could not completely hide their mind from Mozart.
Although, perhaps, for Baal, the more correct word to use would not be 'could not', but 'did not want to'.
And Mozart could perfectly sense that Baal's words meant nothing at all as harmless as it might sound to the common man hearing his remarks.
Mozart smiled, while inwardly, his mind was in disarray. Was Baal responsible for Olga's explosive growth? No… Baal isn't the type of person not to boast of such an achievement, especially either to Ainz or Cainabel. And Mozart would definitely have heard something if Cainabel knows, she isn't the type to hold back her displeasure after all.
About Olga's progress… perhaps the easiest way would be to say that Olga-Marie made a giant leap in her training. An absolutely unnatural leap.
Mozart was certainly well aware that the magecraft of Orpheus was not a magical system that any magi could easily master. After all, if your magecraft is based on an ideal melody created by the God of Music, it would be logical to assume that an ear for music and the ability to play musical instruments were necessary knowledge for any magi who decided to dabble in such magecraft.
And, although a certain level of musical acuity could be trained by any person - there was a certain trait called 'talent' or 'innate qualities', above which it was almost impossible for the untalented to overcome. Therefore, it was absolutely clear to Mozart that from the very start of her studies, Olga-Marie will one day master everything about Orpheus Magic that Mozart is able to teach her. That a time will come after which Mozart will not be able to help her and only experience will let her progress.
Mozart knew that this time would come… But not even he could imagine that such a time would come only three weeks after their mentorship started.
And not because Olga-Marie was so bad that she couldn't even begin to understand what Mozart was teaching her. After all, even if most people can learn an instrument, there are those that are not even untalented, but simply negatively talented in that regard, if Mozart were to say so. A certain dragon's dragonic best friend comes to mind.
Olga-Marie… Olga turned out to be inhumanly good. And that frightened Mozart.
To take in the perspective, the level that Olga-Marie had reached was not particularly high - neither by the standards of Mozart, nor by the standards of other significant magis.
It was quite a feasible and comprehensible level that almost any magi with a similar family tree and sufficient diligence could master… In five years. Perhaps, if the magi would have demonstrated dogged perseverance and a one track mind, more than usual for a magi anyway, - it could be shortened to about three years.
Olga-Marie was able to reach such proficiency in three weeks. Such a thing shouldn't be possible.
Three weeks was the period of time a magi could get an approximate understanding of the essence of Orpheus magic. But not master it.
Anyway without a way of ferreting out the truth from the other Servant, Mozart simply smiled at Baal. Baal smiled at Mozart meaningfully.
Mozart could feel a vein pop in his head form the irritation, Baal knew something about it.
Baal knew something about this phenomenon, about Olga-Marie... He knew - and was choosing to be silent about it.
Even if Mozart himself was a gifted genius who had sold his soul to music, for many reasons, it took him six months to master the same magecraft to the point where Olga is at.
And even if Olga-Marie had reached her peak in this branch of magrecraft and could no longer progress, if one would only compare the rate of their rate of progression up to this point - Olga-Marie surpassed the greatest genius of music by about nine times.
Olga-Marie was a pretty good magi in Mozart's opinion. Not the best, but not the worst either. The most appropriate description that Mozart could describe her level of talent would be 'above average'.
Of course for a Caster 'above average' meant that most magis would only reach such an evaluation only by the age of thirty or forty while studying magecraft all their lives. Such was the strength of the quality education for the 'princess' of the Animusphere family - and the careful selection process in the magical eugenics of the Association.
In Mozart's estimation, when Olga's forty or fifty years old, having reached the very peak of her magical powers, when her development and knowledge accumulated up to that moment could maximally overcome the weakness of her body - she could well have reached the level of Magus rank of Pride. A rank which only the truly outstanding of magis could receive.
However, such a thing by no means could explain the anomaly that Mozart encountered.
After all, after only three week of training, Olga-Marie was now comparable to a full-fledged, trained magi… No, even more than that. If it's only in her raw power and vastness of magical arsenal, she has already surpassed many trained magis.
With her current capabilities, she could well join the ranks of professional Executors, the magis who's focus were in hunting other magis. In other words, the armed forces of the Association specialized in offensive magecraft.
And although, of course, no miracle could help Olga-Marie gain the experience of decades that other Executors of using magecraft. So even so she has the capacity of being an Executor, her full potential was not yet fully bloomed. Still the very fact she had already reached such a point was incredible.
Moreover, Mozart could swear with all his musical soul that before the start of her training, Olga-Marie did not possess any special talent that would explain such a monstrous rate of growth. And yet, her incredible growth took place in front of Mozart himself… in just three weeks.
It was scary. It was mesmerizing.
And Baal knew about the reason. Even if he did not know how exactly it happened, he must have several very good assumptions on this score.
"Oh, chief, I beg your pardon". In the end, after waiting a second to maintain decency, Baal turned towards Olga, after spending that time smirking smugly at Mozart. "Honestly, I just recently learned that you are striving with all your might to increase your magical power…"
"Do not misunderstand!" Baal hastened to add immediately, keeping a smile of the most sincere cordiality on his face that could be presented to a person. All fake as a matter of course.
"I am all for it! Even more than that, I would like to support your desire with all my might! In the end, as you can understand - I myself am delighted with the myriad possibilities of magecraft and would only like to offer a little help in this matter…" Baal finished with a flourish.
"I see…" - despite the fact that Olga-Marie herself opened her mouth to answer - the voice that rang out in response belonged to Mozart, forcing Baal to shift his gaze to the Servant. "I beg your pardon, but it always seemed to me that it would be best for the student to concentrate on one subject, rather than being divided on several… And as her teacher, my evaluation is that Olga still needs to continue training Orpheus's magecraft…"
Olga glanced at Mozart, but keeping in mind his strange actions before the appearance of Baal, she nevertheless decided not to interfere in the dialogue between the two. No matter how much her character now wants to get into the conversation with loud remarks like 'Excuse me! I'm right here actually!'. She could still keep herself under control, if necessary.
"Oh, my friend, but it seems to me that you have already passed on to the younger generation everything that you can!", - Baal glanced at Mozart with a knowing smile.
'He knew,' Mozart exhaled.
It was no longer a guess or a conjecture. It was clear knowledge, Baal knew about Olga's progress.
"And, to be honest, while I would like to 'personally' oversee Olga's training, I personally do not consider myself a worthy teacher." At this moment Baal exhaled sadly, looking at Olga-Marie, and then shrugged his shoulders, - "Alas, a talent for teaching is one of the few talents that I have not acquired in all my long life. However, I would certainly like to help you, Chief - so…"
Baal took a step aside, eventually introducing Olga to the figure behind him… Medea.
The atmosphere and actions Baal did gives the feeling of a fashionable dog show, during which Baal showed off his new pet - trained and taught to give a paw, bark on command and bring slippers.
Olga glanced at Medea.
From a physical point of view, Medea looked as she always does - perhaps even better. She looked quite healthy, with thick purple hair and pale skin - it was impossible to determine anything strange about her with one superficial glance...
However - as Olga-Marie looked at Medea and she looked up for a second.
Medea's eyes were… Pleading. Her eyes were that of a haunted beast.
"Undoubtedly, the chief was able to learn some basic information from me", - Mozart smiled at Baal, - "However, skill grows from practice, and from experience, so…"
"I would be glad to learn from the greatest witch in Greece," Olga-Marie interrupted the conversation a moment later.
Mozart blinked... Then he looked carefully at Medea that he had ignored during his confrontation with Baal, then on Olga Maria - and swore internally.
Baal's smile only grew wider.
"Of course, chief", - Baal smiled, taking a half-step back, then glanced at Mozart, with a barely concealed smirk on his face, to Mozart at least. - "I'm always glad to help."
Mozart swore again.
Baal really did not bother to hide his emotions… However, still this was a mistake on Mozart's part.
Without hiding his emotions, Baal had forced Mozart to concentrate on him, making him ignore Medea's state… At the same time, forcing Olga to shift her gaze back to Mozart, looking at Mozart in confusion when Mozart started grinding his teeth, figuratively of course.
Olga could be cruel and cold... But she was not heartless.
Just one glance from the clearly distraught Medea could make her do exactly what Baal wanted.
Mozart frowned, then immediately broke into a smile, - "Of course, chief. To tell the truth, I would even be glad if Medea took over your training. As I really am not a teacher, but only a humble musician, my mentoring abilities are quite limited."
Mozart glanced at Baal. Baal smiled back.
And although Baal's mind was open to Mozart, mind reading or something similar was beyond Mozart's abilities.
However, he managed to determine one single thought... Because Baal wanted Mozart to be able to hear it.
'One to zero'.
Baal smiled, then glanced at Medea - forcing her to tense up reflexively - before smiling, - "Mozart, my friend… I think our presence here is quite excessive now - so I want to ask you... Do you mind if we leave? I think I have a bottle or two of the best quality wine that I could find that you simply must try."
Mozart smiled back, - "Of course, dear friend…"
With Mozart and Baal leaving, Olga-Marie was now left alone with Medea, after which she was surprised by Medea's new demeanour.
After Baal's figure had finally disappeared from the doorway - the witch's previous confident posture immediately turned haggard. Instantly her cloak seemed to become hung on her shoulders, turning the previously resplendent coat into a lifeless rag. However, Medea's gaze, which previously looked almost pleading, changed to another.
Confident, firm and... Vindictive.
"Medea?" - Olga asked with a bit of fear in her voice, but Medea only waved her hand with a dismissive gesture.
"Just a minute," Medea exhaled, then raised her hands to her face and slowly breathed out deeply into her palms. It looked as if she was trying to collect all her fatigue and exhaustion and out of herself. After some time doing that, she took a deep breath sharply and finally looked up at Olga.
"Chief, so, hmm…" - Medea said it in such a voice, as if she had just seen a funny absurdity. However, before she could feel indignant, she smiled in response. - "So you're one of the students of magecraft in this century?"
"You can say so", - Olga nodded, then frowned, - "Why did you look so…"
"Stop", - Medea snapped, interrupting Olga's question instantly, before she had time to finish it, - "Not a word. Not a word about it."
Olga blinked and looked at Medea.
Was she... afraid? No, that was not an expression of fear, rather... Disgust or contempt so pronounced, it is as if she had accidentally stepped on a huge bug with her foot and just now noticed the slimy pulp of insect guts sticking to her boots.
"I am here for your training, not for leisure", - Medea shook her head, then looked at Olga with an attentive look, - "So, hmm…"
"What?" - Instantly, noticing such an appraising look on herself, Olga leaned back, while crossing her arms over her chest in a defensive gesture, - "What, are there any problems with me?"
"None that could not be corrected," Medea exhaled, and then frowned again, "However... Even if Baal said... Still... Yes, definitely, I need to assess your level of ability first."
"Hmm?" Olga looked up at Medea, then frowned. "So, a spar?"
"No," Medea shook her head to the side, after which she smiled.
This smile was not like that of Baal or Mozart.
It was the wicked smile that Olga-Marie was used to seeing.
It was the sadistic smile that would do credit to many of the Clock Tower teachers.
"A quiz," Medea grinned ominously.
During their walk after leaving the training room, Baal continued making conversation with Mozart Only to maintain decency, so as not to create an uncomfortable silence between the two and maintain the slight illusion of friends in a conversation, Although Mozart himself, like Baal, were not interested in this conversation at all.
They had already managed to express to each other all the most important things much earlier.
Baal smiled.
After all, to Baal, humans were such easy targets. Humans were prone to sin more than any demon. After all, demons were originally only fallen angels - they were originally incapable of sin. Sin was an invention of humanity.
After all, even the tempting snake did not devour the apple itself. This honorable role was reserved only to man.
Mozart could call himself only a humble musician all he wanted - but even he was not devoid of the sin of pride and arrogance. Relying so heavily on his hearing - and stumbling where he was supposed to rely on another sense.
Baal smiled at Mozart, earning a smile as fake as the smile himself sported.
However, he was not so bad - he did his best as far as possible when put in his position. At least he tried to defend Olga-Marie - and admitted defeat when he had to.
Indeed, in essence, Baal did nothing wrong. Indeed, helping one's neighbor was a virtue is it not? And therefore Baal could say that he was now virtuous.
Leaving a chief so eager to learn the magecraft of one of the earth's greatest magis — and teachers — Baal should have been congratulated on this truly virtuous deed.
However, providing a teacher was one of the oldest services in the world - and like any service, it had a price.
And demons were truly the oldest businessmen in the world.
After all, Baal didn't ask the chief for any nonsense like her 'soul' or even something as mundane as 'money' for that matter. And yet with a simple showing and conversation Baal had received something truly invaluable. After all, something as priceless as 'Ainz's gratitude' could not even be bought with all the gold in the world.
In the end, even when viewed by the most suspectful of people, Olga had indeed received an excellent education thanks to Baal's help. Furthermore…
Baal smiled before casting a glance at Mozart.
It seems that Mozart is still puzzled over what exactly had happened to Olga-Marie... However, Mozart not finding out the truth of the matter was not so surprising. Mozart was smart - but not smart enough to come to the right conclusions so easily with so little information on hand.
The only one who could easily identify the peculiarities of Olga-Marie's situation was Da Vinci - and, alas, she was now far away... She was in the Singularity - along with Ainz.
Baal smiled.
If this was not with Ainz's personal permission, then Baal could not understand anything about his Master.
After all, Medea was one of those people who understood their own destiny and their place in this world quickly and without prompting.
You only need to tell them what needs to be done - and they do it. You simply show them how dear betrayal will cost them - and they correct their plan of betrayal for a more perfect one. You smile at them in a friendly way - and they begin to hate you.
The best kind of fool is the fool who thinks he is the smartest.
But it was even funny - to some extent. Medea believed that through Olga she could reach Ainz. To the powerful and all-forgiving Master, who is able to punish the evildoer demon Baal... Let her think so.
Medea believed that she was moving against Baal - but could not notice that she was moving to a well-defined track.
In the end, as long as she thought she was moving towards Olga, towards Ainz with her own will, she was quite acceptable as a tool. As soon as you just move your hand a little - and it changes its own direction without further prompting, how convenient .
Baal would let her do as she wants - as long as she believes that Ainz will take care of her. Baal knew the truth of course.
Ainz didn't care about her, nor about any of the Servants, even about Olga. Ainz saw them as nothing more than tools - obedient pets, carrying his slippers on command.
If Medea thought she could get something from Ainz, she was seriously mistaken.
Ainz didn't care - it's not like the Servants could see it. When you are blinded by the charisma and splendor of a Higher Being, the shadow cast by it is so difficult to discern...
Ainz didn't mind allowing his loyal lieutenants a little interpersonnel intrigue for his own amusement. And what was funnier than trying to surround Ainz's most valuable tools with his own agents of influence?
It was so easy for Medea to make Olga hate Baal, it was so easy to direct her mind in the right direction...
Baal lightly ran his hand through the air, feeling the outline of his favorite cane under his hand.
The cane, inside which was locked...
Hmm, what was its name again?
Baal smiled, then shook his head.
What he now had at his disposal did not have a name - however, it's not like he needed it now.
Medea, Olga...
Even Mozart could not escape his gaze. After all, now Mozart will be devoured from within by the most terrible enemy of all rational thinking being.
Curiosity.
He will not leave an unravelled question in his mind unanswered. He will start looking. He will think. He will doubt.
And with doubt - is a crack that opens the way to the strongest of minds.
'However…' Baal frowned.
What place was given to Olga-Marie in Ainz's plans? Why was he so worried about her?
Some idiots might consider his actions as a sign of 'human attraction', but Baal was not one of those simple minded idiots. Simple answers have so often turned out to be wrong...
And Baal was only interested in the real answer.
'However' - Baal grinned - 'With such a Master, eternity lies before me to find the answer.'
After all, if Baal made such an effort in a small undercover intrigue against Cainabel, he could only guess what kind of game Ainz Ooal Gown himself was now playing.
Noble Phantasm: Speak of the Devil
Owner: Baal
Classification: Anti-Mind \ Anti-Human
Range: 0-99
Rank: C+
The first of Baal's three Noble Phantasms, reflecting the legend of demons capable of confusing any mind with their silver tongue. This Noble Phantasm is not a mind reading or psychic attack, but simply gives the target an irresistible need 'to speak'.
This Noble Phantasm, when evoked, causes the target to speak and maintain a dialogue. The Noble Phantasm however cannot force the target to answer any question if they do not want to - but it ensures that the dialogue does not end until Baal himself so desires.
As a purely combative use, this Noble Phantasm has no power, since it is unable to force the enemy to answer a question to which he does not want to answer or slow their attack when talking However, by forcing the opponent to continue speaking, the target of this Noble Phantasm would inevitably give out some critical information about themselves. Information that can be used by a smart enough and an observant user of this Noble Phantasm. This Noble Phantasm is especially terrifying when combined with Baal's second Noble Phantasm, a 'Contract for Your Soul'.
The rank of this Noble Phantasm received a higher designation due two reasons. First is that the activation and operation of the Noble Phantasm was so stealthy that most Servants wouldn't even notice that they're under its effect. Second is the fact that this Noble Phantasm continues to operate perpetually after its activation until Baal himself cancels it. In other words, even if the target somehow discovers that they are being forced to speak, they will continue to do so, unable to extricate himself from Baal's snares.
There are currently only three ways to defend against this Noble Phantasm:
1) Be significantly stronger than Baal.
2) Possess the ability to destroy magic and / or Noble Phantasms.
3) Have the Hero's composure and courage to keep their greatest secret even in the face of the Emperor of Hell.