27/ Farmer’s (That Dress’)
27/ Farmer's (That Dress')

The bowl-cut priest leads us to the back of the church. From the small lectern in front of a small circle of blue plastic chairs, I guess this is the room they use to teach Sunday school or host bible study.

"Hot Chocolate?" The priest asks.

As we sit down, Mary thanks him. Phahn's hot chocolate's supposed to be to die for. Whatever, I missed my chance to speak up because honestly, Rider, you're going to break something clunking about if you keep materializing in that ridiculous suit of armor. Put on some normal clothes.

Phahn finishes making Mary's drink. He strides over, handing her two stacked paper cups filled with steaming brown liquid interspersed with feeble amounts of foam.

She thanks him then adds, "Inspiring sermon last night, Father."

"I'm glad you enjoyed it, Mary? And you Nadine?"

Phahn doesn't sit in a chair or move towards the lectern. He looms over us waiting for my answer.

A call to arms for the Masters against a common enemy while legitimizing his own summoning. That's not what he's asking. I didn't go to that event willingly. He asked my mom to make me go.

"No use in pretending. You failed to scare me."

The classic, take the girl to a ball to show her this isn't her world and can never be. But Phahn, that place wasn't any different from anywhere else I've been. Just gaudier.

"You're clever, Nadine Craig, but being clever doesn't mean Mary and you can defeat other Servants."

"We can't," I smile at Mary. "But we can help you defeat Saber."

"Little lady, what can that cook and yourself do against her flames, her dragons?"

Fuck that. These are eyes that see into the world. Masters, Servants, I want to tell Rider they're all the same, so there's no way we couldn't win. But we haven't won. Mary and I have lost every single encounter these past three days. Archer and Rider saved us against Berserker. Berserker saved us against the vampire. We were saved, not because they thought us valuable, but because they had more important things to do and in doing them, we happened to be saved.

"We might lack your combat abilities, but that perceived weakness of an Assassin whose presence isn't concealed has allowed us to easily form relationships with other Servants, for instance, Archer."

Sure, Mary may have stretched the truth, but the unease on Rider's ruggedly handsome face and the bowl-cut priest's approving nod is so worth it.

"Then why not parley with Archer?" Rider gently retorts.

"Because. . ."

"Because," I can take over here. "Because Rider, you're the one who saved us that first night."

Rider's about to open his mouth, but Phahn holds a hand up so I can continue.

"We might not be able to help you fight Saber, but we can make sure the battles are uninterrupted. You have people working for you, but a Master and her Servant have more influence."

Phahn wants to disagree, but all the Masters present saw Archer's expression when Rider rode out to confront Saber. The one way of proving he's the perfect hero is having stupid fights with everyone with only one arm.

"A valiant offering." Wow, quick reversal, Rider.

"What's in it for you two?"

To not die.

"We want your protection until both Saber and the vampire are defeated."

Rider nods, his armor creaking; Phahn's mouth forms a little 'o,'; Mary finishes her hot chocolate.

"We err. . . talked to someone. The vampire I asked Rider about last night attacked Mary and me. He's related to the Grail War isn't he? Like he's a Master."

"Nadine, if he is a Master, then as overseer there is no place for Rider and myself to. . ."

"That vampire defeated Mary." She looks away. "Rider told me last night you have a specialist, but do you think that specialist could beat Mary in a fight? And if it does turn out to be a Master. . . only a Servant can beat another Servant, you said that too, right?"

Phahn, you're a top negotiator? The first mistake of negotiating is assuming your opponent doesn't know everything that you know.

"Safe harbor to wait out the initial storm of the Grail War. Saber and potentially Lancer have their fates sealed. Caster and Berserker, no doubt ally in an attempt to defeat Archer. Your scenario creates two separate battlegrounds with you and the Archer as the last two standing."

Yes Rider, that's exactly what Mary told Laurent.

"This is only curiosity talking, Nadine. But, how are you and Mary going to beat Archer?"

I take a deep breath. The final card. Time to amaze them with what these eyes have seen.

"I'm not. As a god-fearing Catholic, I have faith the Church will clear my name."

Wait Mary, what?

"Oh?"

"History and the press haven't been kind to me, stripping me of my freedom for crimes I didn't commit. I'm a simple woman, Father, Sir Rider. I only want my good name back. From the size of the operation you have going in this town, I'm sure you got more than enough friends in high places to investigate why I was framed."

Phahn crosses his arms. "Rider?"

"With the lady's Presence Concealment, infiltrating the Mission becomes a real possibility."

The bowl-cut priest grins broadly, swallowing everything Mary said.

"May this be the nativity of a mutually beneficial relationship." Phahn extends his hand.

I reach out to grasp it but. . .

"But infiltrating the Mission, holy ground?" Mary sounds horrified.

Rider pulls out printouts and manages to stick them to the whiteboard with magnets. Bravo, seriously. Phahn approaches them. You'd think he was going to point something out, but instead walks right past Rider and continues circling the room. My hand dangles in mid-air, never grasping anything yet again. That's so dumb, pull it back.

"Saber's Master declared war on us this morning." Rider tries to explain.

Saber's Master, the rogue Church agent who decided to summon a Servant. From her picture on the whiteboard, she doesn't seem like a person who would put a kick-me sign on herself. Actually, I take that back. Her face might scream harmless Asian lady, but the way her straight black hair almost shimmers purple in the background light screams of an atrocious dye job you only get during a quarter-life crisis, halfway down a pint to Chubby Hubby while still in your PJs.

"But the Mission?" I ask Phahn before Mary can say anything else.

Rider answers instead. "This church was always meant to be a temporary base of operations until the position of overseer was rightfully transferred. I'm sure you understand, our Holy Mother never expected such provocation from one She trusted. Thus such an insult must be met with corresponding force." His voice is as rough as if his gauntlets were grinding against each other.

"An inviolable pact of nonaggression protects the overseer's church, a Grail War's only truly neutral ground. There is no need for additional protections. However, a few minutes ago, multiple bounded fields were activated around the Mission. Sacrilege aside, the Mission is no longer neutral; it should be considered a workshop. The offensive necessary to break through all the defenses will require all our ground assets and at least two Servants. One Servant to keep Saber at bay and the other to help sweep the interior for threats."

Mary swallows the lump in her throat. Despite her personal disapproval, she knows Rider, the paragon of good ol' Christian virtue is right. That's why they agreed with just enough resistance to keep stringing us along. The bowl-cut priest wasn't tolerating our request; he expected it and hoped for it. This is bad. But you knew that from the beginning, right? So nothing's changed.

"I've always told my generals preemptive attacks are the best strategy, especially to cut supply lines. Your infiltration of the Mission will be the keystone to our eventual triumph," Rider continues.

Phahn stops beside my chair and produces a small black box the size of my thumb and a long white candle. Did he pull those out from under his robe or collected them while circling us?

"You want us to bug the Mission and err. . . give it some mood lighting."

"That's an altar candle, dearie."

Phahn clears his throat. "Rider, their objectives."

"Our raid is planned for Saturday sundown. Madam, you'll want to place the device in the staff's private quarters, underneath their kitchen or dining table." He circles the corresponding location on the printout in red whiteboard marker. "Then, you'll replace one of the candles."

"Why the altar candle?"

Mary, Mary. If the listening device is for knowing when and how to attack, then the candle has to be for the other obstacle. Laurent would know how a candle could break magical barriers.

Rider answers, "The Mission, like most churches of its stature, has been consecrated. The diablerie Saber's Master has applied deceptively syncretizes with the consecration. Then what if the altar, the spiritual keystone of the Mission were to be reconsecrated? Why the evil shall be expunged and the church made holy once more."

Religious mumbo-jumbo aside but if you repeat something enough times, it'll start to make sense. Like, is replacing a single candle they probably bought from Costco really going to change the entire meaning of a ritual?

Phahn's got that 'do you want to share with the class?' look on his face.

"What makes that candle special?"

"Here, Mary," Phahn hands her two identical-looking candles.

I seriously hate it when people pretend to use their hands as balances. You just have to hold them, not move your hands up and down as if that'll change your opinion.

"One is heavier." Her face blank from being deep in thought, Mary rolls the candle in her palm.

"Yes, that one has been partially hollowed and filled with a container of anointing oil a Saint had blessed. You'll want to place that candle in the leftmost or rightmost holder. Father Kelsey likes to light the middle candles for daily mass." He takes back the candle that's just a candle.

I see, so by adding an additional mysterious element, the magical barrier around the Mission will disappear. Two questions and I hope you have answers for these because seriously, I don't want to deal with amateurs. . .

"What if they just throw the candle away?"

"Nadine, the Mission replaces their altar candles on the last day of each month. There is no danger of removal."

"Then, what if it doesn't burn down to the oil?"

"Are you familiar with RFIDs?"

Weren't there dumbasses who declared themselves into thinking microchip implants would be the future but then phones came out.

"I don't see how barcodes solve bounded fields?"

"The candle Mary's holding has a sigil inscribed within it, similar to a RFID. With the right magical energy signal, it activates, breaking the candle."

In summary, get Mary into Saber's Master's base to plant a listening device and a magic candle. Okay, when did 'we'll keep Archer off your back' turn into mission fucking impossible.

"And you'll be distracting them while we do this?" I ask.

Rider shakes his head, "We attack once, Saturday sundown. Preemptive military action will arouse suspicion. But, little lady, do you know who is very interested in crossing arms with Saber?"

Once again, go ride yourself.

Didn't you just boast about how you always told your generals preemptive attacks were always the best strategy? Though I guess you can't really expect much thought from someone who has the same aura as my meathead of a brot— bother.

Enough about Rider. We can do this. We can do this, right? Because even Laurent said our best option was to ally with Phahn. I. . . haven't done anything. There I said it. I haven't done anything and I hate it. I hate it so much because even if I told myself that I would change, I would finally be someone else, all I've done is run away or lose.

"If we do this, the religious bodies that comprise the Church will immediately investigate my case," Mary says suddenly, her eyes snapping away from the candle.

"Pardon?" Phahn doesn't show it, but I know he's shocked.

"When we agreed to ally, we had no knowledge of such a potentially fatal undertaking. You're both undoubtedly chivalrous gentlemen, so you understand our current compensation is lacking. Therefore, will the Church exert its influence upon its member religious bodies to immediately begin an investigation of my case or not?"

But Mary, how are they supposed to investigate you without knowing who you are?

"Tall order, woman, do not think the Holy Mother shall —"

"Very well," Phahn smiles so widely you can barely see his eyes. "My higher-ups will want results first. We can begin talks on the parameters surrounding the investigation after the Mission is in our hands."

"After your candle is in the Mission."

The clang of armor against carpet does its best to ring through the room as Rider puts down his foot and attempts to use that ridiculous bulk of his to intimidate.

Mary holds her head high. "After your candle is in the Mission."

Phahn throws his hands up with a snort, "After the candle and the listening device are in the Mission."

"Thank you, Father, Rider. Now Nadine, dearie, I believe you were going to take me to see the Farmer's Market?"

Ew.

That wasn't badass. That was pathetic.

*****​

With pizza slices on paper plates, Mary and I try to carve a path through the main street turned to what romantic comedies think a subway platform looks like at peak-hour. Even if there are clearly marked yellow lines dividing the street into two, the sheeple amble forward and back in the center of the tar paddock, irrationally afraid that if they stop for a second for whatever reason, they'll inconvenience the person behind them. Boisterously brain-dead, you drink in the fairy lights and avoid eye-contact with the vendors because god forbid they'll magically hypnotize you into buying something you don't want. Don't get me started on the couples.

Mary takes a large bite out of the slice I paid for, crust first.

"A weekly night market, how romantic."

Never knew Mary was the one to gush over pathetic displays of a sociopathic general disregard for others in pursuit of an ideal so eloquently and poetically named "bae." Worst of all, they're definitely here, Krista and my brother. God, what am I going to say if I see them with my middle-aged ghost cook who happens to be great at negotiating breaking-and-entering deals with Catholic priests my mom definitely has the hots for.

"Sometimes the Master of the house would give us the night off to come to one of these. Support the town, see the sights, all that city air can't be good for you, just look at your skin. 'Course dearie, there always was the odd, new girl who dreamed of finding her Prince Charming in a local baker or a flower store owner, but the rest of us, the ones who lived by the agency were thankful for the time off, but nothing more."

Whatever, I can't believe how carefree everyone here looks, unaware their city has turned into a battlefield. Bread and circuses. Everything is awesome. If it wasn't, we wouldn't be having this Farmer's market where everything is awesome.

"Nadine, you haven't said a word since we got the pizza."

I got the pizza.

"You know, dearie," her face breaks into a gentle smile. "Sometimes I wonder if this is a dream and when I wake up, I'll be back on Bro— back where I was."

Lukewarm pizza grease mixed with slightly too salty marinara sauce slides down my throat as I swallow. Cardboard that fills you up — that's the modern world.

"If you like it so much, why don't you wish for a second life?"

She's too drunk on Tolosa's city lights to respond. They're too blinding; that's why she can't stay.

"The Grail tells me I died from a stroke. No matter the condition, I still remember being alone in that little cell trying to call for help, but quickly realizing no, no one will come and it's not your fault, you gentle fool. You've loved with all your heart, you've tried your best so many times, and this is the end. At least, this is the end, be satisfied Mary." She tries to laugh the stray thoughts away. "But I awake to a new world where everything is. . . is like this. And I'm, or rather, the memory of me is so. . . no way of putting it politely, I'm a joke. Nothing more than a tall tale told to children to scare them into behaving. My life ended in that cell. This is redemption, do you understand, dearie?"

She hardly said a word during lunch and now it's pity me, Nadine. I had a hard life, Nadine.

Why are you suddenly so blatantly obvious like everyone else? Phahn gives you a glimmer of hope and you start pouring your heart on to me. I'm done.

"Let's go home and figure out how we're going to get in touch with Archer."

I tilt the box carrying the candle towards Mary as I slide my paper plate into the trash can next to a booth that's more like a pop-up store you see at the college during Earth Day, selling overpriced second-hand clothes and accessories.

"Sorry for the bother. That goes with the compostables."

A bell-like voice that will never let you forget you've heard it before.

Whether she's in an aristocratic party dress or commoner athleisure, Caster is still —

"Mary? How divine! That dress brings out your eyes so well. And Nadine, Nadine correct? Heavens, I didn't recognize either of you. Let me help this dear customer first and then I'd love to have a chat."

Unsure what to do, Mary and I stand to one side as Caster works the register. By register, I mean an iPad with a card reader. And it's not just one dear customer, but a long line of women and partners with tired expressions until they see the woman at the register. I'd like to say the potential customers are all shapes and sizes but middle-aged women in Tolosa kind of have the same physique as my mom or at least anyone shopping at this store is aiming for that physique. Let's not start with the local co-eds they've hired to help with the store.

After a few minutes, it becomes apparent why the entire town and half the neighboring ones showed up at Farmer's tonight. I'm surprised no one's protesting a brand called Twin Towers. Maybe there would be more outrage at a New York pop-up. Or, more likely, everyone's too excited at being able to take home a Paris Fashion Week runway-ready outfit for a price that can give Lululemon a run for their money. God, the line is going around the block now.

This would totally be a Krista thing. Get in line as a joke repeating 'every purchase gives a child a pair of shoes,' 'everything is just so cute and unique,' or 'so sustainable they're carbon negative' with ever-escalating voices, so everyone in line would know how lame they were for standing in line. If we got to the front of the line without being asked to leave, Krista would say "how about we look around; there might be something that goes well with your jacket."

Nothing goes with this blue ski-jacket. That's why I wear it. That's the joke.

We'd end up getting something because Krista would say you can't wait in line for that long and go home empty-handed. And now. . . with his neanderthal football attention span there's no way my brother's going to wait in a line this long for a girl he's going to, let's face it, dump before this Grail War ends.

"A thousand apologies for making you wait, my little bluebirds. There were oh so many wonderful people spellbound by my dear Estella's textiles. Conversing with them and learning their truths invigorate me so." With palms together and eyelashes fluttering like hummingbird wings, "Allow me, dear ladies. This way to the back, where my dear Estella, who I love as a true sister, has retired to."

At the Tolosa Famer's Market, the back of a booth means the back of a pick-up, but wow these are the people who waste money on glamping equipment. Four LED chandelier-lanterns hang from the pastel canvas ceiling illuminating a number of leather armchairs beside a glass coffee table to one side, and a wet bar on the other. Looks like an airport lounge ad.

"Chilled beverage?" Caster opens the fridge, filled with the glass bottles you see in a Whole Foods refrigerated section.

"I recommend the cider. Bottled last year at a little orchard outside our Windermere." Sitting next to the space heater (of course they'd have a space heater) in a dress that belongs in an opera or at least a Broadway production is the Princess of Silver, Estella, with a Kindle in her lap.

"Nadine, have you debuted?" Caster perks up.

Regardless of the name, sixteen is bitter. "I'm seventeen."

"Truly? Heavens, your mannerisms speak to a certain degree of learned maturity a lady does not accomplish until her twenty-first year."

Holding a tray of four wine flutes, Caster skips towards the coffee table. She's not actually skipping. Her walk was so gracefully lively there was no other way of describing it. She offers each of us our drink while curtseying. Mary's so taken aback she reflexively curtsies back, making Caster feel obligated to reply with another curtsey. God, Mary, you don't need to cover up your embarrassment with a sip of your drink before we even sat down. Now you got me doing it too. When I put the crystal to my lips, unsweetened apple juice fizzles, tickling my chapped lips. There's no sharp kick.

Oh. In Caster's mind, the modern debut means turning twenty-one. She was asking me whether I could drink or not. That's funny. A girl becomes a woman when society is presented to her now, not the other way around.

"Lovely cider. Crisp and tart. So refreshing after walking through the market."

"Oh no, Mary. You were not walking in such cold with only that dress. As your dear friend I couldn't, I shan't bear it if it were true."

Dry heat like a Tolosa noon wafts from the space heater. Not to mention Mary and you are Servants. You don't get cold.

"You're absolutely right, Caster. We can't leave our guests cold. Why don't you show Mary around the booth to pick out a jacket and introduce her to our talent? As illustrious Heroic Spirits incarnated in the modern era, you must have many things to talk about."

"Terrific idea as always, Estella."

Mary looks at me.

"Don't worry, Mary. Your Master will be well taken care of."

"Of course, Miss Estella." I guess they don't teach cooks how to curtsey with a crystal wine flute in one hand. Caster quickly takes Mary's arm and starts chattering about jacket stitching as she leads Mary through the partition to the front of the store.

Estella something Iselma, Princess of Silver and Byron's daughter. At last night's party, Rich said the princesses were modeled after the Sun and the Moon in an attempt to reach. . . damn, even in your head you still can't do it. Through true beauty. She's really pretty, almost iridescent. Her skin is almost every shade of porcelain blended together to create a soft glowing hue free of any blemishes. Free-flowing hair, a soft somehow natural grey-blue catches the hard LED light and glistens as if threaded with what hack poets describe as moonbeams. She's beautiful as a human, not █. Caster in yoga-class leggings, running jacket, and matching scarf still feels like she's still looking down on us from a different dimension. The women in line worshiping the register she's handling is a testament to that. The moon really can't shine without the sun.

"I'm sorry I missed you. Sit, sit," she leans over and pats the seat next to hers. "Caster was very enthused with Mary last night and I couldn't find a second to get away. I heard you had a very interesting conversation with Father though."

I wouldn't call it as interesting as the ones I have with Laurent, but I'm tired and that armchair looks much more comfortable than plastic Sunday School chairs.

"That's. . . a gift?"

She nods at the coffee table where I've set my empty flute and candle box.

Anyone should be able to see the candle through the box's plastic window. Now I'm closer, that Kindle screen has raised bumps, and where the logo should be are a series of raised buttons.

"A gift for my mom. She likes candles. She's, umm, an interior designer."

"How charming. I'd love to see her work. See what she can come up with for our pitiful space."

But you're blind.

"You don't need to look at me like others do when they realize I'm blind. We're magi; I might not be able to see you through my eyes, but I know you're running a little hot right now and I don't think it's just because of the heater."

Laugh. Politely. And then take a sip of your drink. Shit, it's empty, remember.

"But even magecraft has limitations. There are spells for universal translation and intent transference, but they're almost impossible to apply to visual media. I'd usually have Regina or Islo read me the financials for the company, but it's astounding what can be made with a few hundred thousand pounds of funding," she raises her braille reader. "Most magi would balk at this, but our Department Head found herself trapped within the Apple ecosystem a few years back so I shouldn't feel too bad."

I want so badly to believe this woman was one of those sheltered BBC rich ladies who spend their days watching polo and playing bridge. And like, eventually she'd meet a rugged down-to-earth working-man who had financial troubles but didn't want her money. He only wanted to show her what it truly means to live, like eating pizza and singing karaoke. Like fuck, after seeing Caster, part of me kind of hoped that fairytale ending was at least true for her kind. But hey, if this is second place, I think I like it better.

"I almost died once." Okay Estella, where did that come from? "A lot of people make that face when I start talking. I'm exactly the person who you thought I was but when my sister died there was a cover-up, and I walked up to the most powerful woman I knew, accused her of being my sister's murderer and asked her to kill me without any real plan, reason, or leverage. Do you know what she said?"

"You're an idiot, get out?"

That perfect, thin mouth curves. "My answer exactly. She on the other hand closed an eye and said, and I still remember it after more than a decade, 'So you're putting your own life on the line. Things really can't be easy with you these days, can they Princess? Under different circumstances I might have even taken a liking to such behaviour.' Talk about an insult." She almost spits.

Because that's not how you talk to a person. That's how little girls praise their dolls for keeping still while having their hair brushed. If the very first thing you offer is your life, you really don't value yourself, so what can you possibly be worth?

"I had planned to die alongside my father that night, but we were saved. Alive, but left with nothing, so I married my childhood friend. I'm glad I was saved. I had things I couldn't give up and a place I needed to reach, so with his family's expertise, the Iselma continued their quest as this. . ." She vomits out the last word, afraid of defiling her throat.

Unlike Caster, you're a strong, independent woman who can do everything but probably has a flaw that makes you actually relatable and therefore likable but never loveable. That's my mom's shtick too. You're just on a different level.

"That's me, warts and all." As if you've ever had a wart. "Now it's your turn, Nadine. What do you think about my father after your conversation with him?"

Take a person, shave off all her excess and you're left with a crescent moon. It's refreshing because you can feel what was once there, this supernatural charm that only now lingers, urging you to speak honestly.

"He really can't get over himself, can he?"

Estella nods and then with the softest hint of a smile, "Then, will you help me kill Caster?"

Will I, what?

Excuse me. You're talking about,

"Talking about killing my own Father's Servant. After the Clock Tower finished their investigation on the Iselma, my father was in ruins. Simply put, he had wagered all he had and lost. He's a broken man. You heard him yesterday, use the Grail to reach「」. For him, nothing matters."

It's all just paper anyway.

"Rich said, he reached. . . err. . . urgh, the Root."

"Yes," she brushes her cheek with the back of her hand, "Father did. That's why it's all the more inexcusable. Broken or not, I want the best for my father. You, Nadine, are a Master fighting in this Grail War for no doubt a wish you believe is important. Help me take my father home."

"Why me?"

"Magi, we decide the core of something and change it as fast as we can. My father's a prideful man. After these long years of continually having his pride stripped from him, all that remains is the pride of being prideless. You've heard him characterize the world and disparage everyone within it. A girl posing as a magus, you'll be a feast."

"What's in it for me?"

"Other than less competition? He'll agree to teach you, you know. Magecraft. Because you disgust him, he wants to prove your worthlessness to you."

"I-I need some time to think." Everything's spinning so I get out the chair, lift one side of the tent and just walk out into the night air. Estella doesn't try to stop me.

Spent too long in the tent with a space heater. Forgot the candle, whatever you need to — like there's a crushing feeling in my chest. Kill Caster, what the hell did she just. Your brain is on fire. You can't stop thinking it's all just bullshit. But Nadine, Laurent alone isn't going to. Why the fuck are there just so many people here, so many fucking. "Hi, would you like to try a sample?" But you're already helping Phahn and Rider. Breathe in. Breathe in. Breathe in. As always, always in, nothing out. To reject everything to become someone I want. But you're just a girl and no one likes you because they're too busy farming the market for clout. Master. Mage. Magic. These are the eyes that see into the world, the eyes that make you into a Magician's Egg. Decide the core and change it as fast as possible.

So I reject it. Master the contrary and simply brush away everything that has happened as mundane. A Master is a mage. A mage uses magecraft. This is why you are. . . now calm down and get your stupid bitch self an ice-cream sandwich from Cream. Desserts at Farmer's are always overpriced.

*****​

I find myself an empty table in the dining area and work on my scoop. Cookies felt too excessive after hearing about how the heiress of a magical fashion empire wants my help to kill her father's guardian ghost. She's doing it out of love. No doubt. She can't stand to see the dismissive drunk he's become. I don't blame her. If dad was here right now, he'd probably. . . tell me I should have gotten an extra scoop for him. He'd ask me what was wrong. Everything. He'd ask me if there was anything he could do. No, because you died and for all this talk, all this internal monologue, I haven't actually done anything. And honestly, I'm a little scared I'll never be able to do anything.

"Ummm, excuse me. S-sorry to bother you, but is it okay if like me and my boyfriend share the table. With you."

"Free country." I look up.

Even under the orange-red glow of the heat-lamps, you can still easily make out that banal freckled face. After talking with Estella, this girl looks like someone cut out a generic piece of scenery and slapped me with it. She doesn't exude Phahn's slipperiness, Rider's pompous nobility, Laurent's homeliness, or even Mary's quiet despondency punctuated with moments of fiery ardor. She could be any one of these family members or couples eating their street food. This is the first normie who's talked to me since the Holy Grail War started and I hate her for it.

"Thanks. Ummm, I'm Kayla. You go to school in Tolosa? I umm haven't seen you around. Before."

There's a lot of people in this shitty town I haven't met before. Like you.

"Mission Prep, then? Tolosa High, Nadine."

"Oh wow cool. Nadine, that's umm a really unique name. Really cool."

The baby name website my mom got it from said it was French for 'Hope' and look where that's gotten me.

"What about your boyfriend?"

"My boy—? Oh, yeah! Umm, his name is kind of long and he doesn't like using it since he says it's pretty umm pretentious. Like it's super funny when substitute teachers say it, yeah."

"I meant like where is he?"

"Oh gosh, sorry. I really hope you didn't like think I was like one of those girls who ummm yammers on about their boyfriends at the first chance they get, hahaha." She points to the food trucks and stalls as she sits down. "He's getting our tamales."

The last plastic spoonful of ice-cream eases the pizza grease slick in my stomach. Pizza twice in a day, no wonder I wasn't feeling great after the sparkling apple juice in Estella's pop-up. I'll just leave when her boyfriend comes. I bet he's just as sickening.

"Do you umm like play any video games?"

How dumb can you be to mistake a vacant stare through you as interest in your cartoon animal-covered phone case?

Muddy green eyes, sandy blond hair, bulbous nose, slightly hunched shoulders, vapidly hopeful expression on her red face. Just why? We could have sat in complete silence for two more minutes and then I'd get up and throw my ice-cream cup in the trash or her boyfriend with the apparently ridiculous name would come over and they could nauseatingly play beer pong while pretending I didn't exist. But you had to say something, you ridiculous girl in a spaghetti strap navy dress that your figure can't possibly fill. Because you don't, don't get it with your tamales, Mission Prep, and boyfriend. This happy little life where you probably go to the Farmer's Market every Thursday is as fucking hollow as those games you play.

"They're the stupidest waste of time. Press a button. If you press the right button at the right time something good happens! If you press the wrong button at the wrong time something bad happens. Everything else is a distraction or just meaningless background to make you want to press that stupid button just one more time. Just one more hit of dopamine or whatever brain chemical. You're a fucking gerbil on a wheel, running the same loop over and over again hoping for something different until you realize it's all the same bullshit. And you want me to pay for that? No, thank you."

No one looks at us. They're too busy with their own meaningless conversations about the weather or who did what when or how someone might react to this and that. Don't get me wrong, what I said and how I said it was just as meaningless. I can see that.

The girl, Kayla, shrinks in her plastic chair like I've slapped her across that pathetic, freckled face. That was bad. This is awkward. I end up crumpling the ice-cream cup in my fist. It's not her fault. It's not her fault you woke up to your best friend giving your brother a handjob which made you join a magical war. Great, now she's retreated to the comforting glow of her phone. No, she's just staring at it for a few seconds before putting it down.

While looking at the table with her face half crumpled, "Look, I-I don't know who you are and what you're going through but you can't talk to people like that especially in a public place or like anywhere. All I wanted to do was find a place for my boyfriend and me to sit. He's getting us food so I volunteered to find us seats because he's been really nice to me like he knew that I was cold and offered me his jacket and I want to show him that I'm a nice person too. If you didn't want me to sit here because you were having a bad day or whatever I'm sorry but y-you should have just said that and I c-could have sat somewhere else. And yeah video games can be like dumb but there are some really good ones that are like at the forefront of artistic expression in the way they errr integrate multiple forms of mediums to create unforgettable experiences for players. And I think you would know that if you had ever played a game or something because this isn't sexist or anything but you look like you're the type of girl who's too cool to try things and I'm not saying that's a bad thing because I used to be really scared of trying things too but then I started being myse— Sorry, that's beside the point. I don't know why you are the way you are and it's none of my business but whatever what I'm trying to say is that what you said was really mean because I just wanted to let you know that Rich from the Wrichmotifs is here in case you were interested in seeing him because at least at my school a lot of kids our age are fans and he's a really nice and inspirational person and I was really happy to see him and you've kind of just ruined my night."

Rich is at Farmers?

I don't understand half of what she said and why she said it. It's dumb. This is dumb. I have more important things to worry about. She's dumb. Like really dumb. I worry for her boyfriend. I need to leave, but I'm not going to let her have the last word.

"Hey, Kayla, right? That dress is too nice for a jacket anyway."

He must really be someone special if you're dressing like that despite what you actually look like. It doesn't suit you. Who do you think you are in those saved photos of yours anyway?

Crazy that I almost crack a smile. Somehow that barrage of nonsensical emotional diarrhea lightened my mood. Nadine Craig will become someone else, someone above this rabble who avert their eyes instead of looking straight into the world. Turning on my heel without looking back at the plastic tables and canvas umbrellas I walk back into the circus of a Farmer's Market towards the waving cook in her new jacket. Find Rich, then, let my Holy Grail War begin.
 
28/ Camilla (I)
28/ Camilla (I)

"Rich is here."

"Caster invited us to volunteer at a soup kitchen tomorrow evening."

"A soup kitchen?"

"The market? Right now?"

We're pretty bad at trading information.

"And dearie, can't believe you forgot the candle." She hands me the box I left with Estella, "What happened?"

"Nothing, just needed a bit of fresh air because. . . whatever, we got to find Rich." To convince Archer to fight Saber tonight.

Kids brush my knees, parents sliding by not bothering to apologize because they've already apologized to the five people before us. A half-drunk stumbling girl bumps into my shoulder, her drink sloshing then hitting the tar road. That makes me wince. There are hundreds of people here; how are we supposed to find Rich?

Lightbulb. The same glint appears in Mary's eye too.

"Live music!" She points to the patch of asphalt that's not even an excuse for a stage. Take away the amps and the mic-stands, may as well be a busking station.

"Kettle Corn!" I point to the dessert booths then remember they don't sell kettle corn, just the caramel-covered stuff. Eh, he could be making the same mistake.

We walk to one side, flip a coin, I call tails and lose.

Performing on the raised wooden stage is your typical small-town band with a female singer covering generic 2015 pop songs to about ten families animatedly swaying to the beat so their giggling toddlers will do the same. No Rich though. Found him looking for kettle corn at the dessert booths.

"Nadine! Mary! Great to see you two. We were just about to check out the band. Great if you could join us."

'Us' was a woman with Fillia's hair and red eyes in a space-nun outfit. Family uniform I guess. No sign of Archer, but Mary said he was in ghost form behind them.

"This is Leys."

The space-nun named Leys curtsies while walking through a crowd without bumping into anymore. Mary and Caster, I understand, but you'd think modern women would be beyond curtseying. It's strange though, no one's bumping into me anymore as we walk down the thoroughfare.

"She's Fillia's bodyguard."

"F. . . Ilya. . . yes."

When we reach the wooden stage again, our little party of four plus one ghost stands about two feet behind the other families. Seems the band has switched to one of their originals. No one is listening anymore. I see two cameras out. I'm sure they're more interested in promoting 'live music at Farmer's than whatever this indie band has come up with.

"Got any pointers for them, Rich?" Mary asks.

"Me? That was such a hearty effort that I couldn't. You can tell they're doing it for the music." With that refreshing smile, he shakes his head, "Anyway, no use asking me for performance tips. Couldn't play a note in tune to save my life." His short laugh is like a bird's trill that sends the morning dew plummeting onto the ground.

"What about magecraft. Can you give me some pointers?"

He laughs, "Don't ask questions with obvious answers."

"Yeah, thought so." No part of me was disappointed because my eyes saw that this man would never share that part of himself and risk dividing its value. "Where's Fillia? We had something we wanted to tell her."

Rich checks his phone, "She'll be here with the car in about ten minutes. She had me bring Leys since Archer would be in spirit form."

You say that, but why would you need to bring Archer to something like this. . . oh, of course, he must have been the one who wanted to come. Okay, so then why is Filia's bodyguard protecting you?

"Are there any messages you would like me to pass onto milady? After last night, I take you've reevaluated your position on our generous non-aggression pact?"

"Sorry to disappoint, dude. Just thought she should know Saber's Master lives in the Mission."

Rich starts muttering under his breath, "I knew it. Why else would Matou. . . then that boy was. . ." He takes a breath, "Where did you get this information?"

Shit. Can't say, oh the overseer told us because then Rich would be like, why doesn't the bowl-cut priest take care of it himself and why would he tell you to tell me. Oh crap, it's been too —

"Nadine was showing me the Mission today. I'm Irish. Irish Catholic. Wonderful place. But for some reason, there were bounded fields within the holy space. Nadine, the poor ganch, fell into one and Saber appeared."

"I sure underestimated you, Mary, if you got away from Saber."

"S-She was in spirit form. We were close to the public museum section," I quickly say.

He half buys it in his eyes we're too dumb to lie. "Why are you telling me this? Why not go to the overseer; he's the one actively hunting Saber."

"Rider. . . can't beat Saber." Last night's holographic truth that was seared into my eyeballs. Rider can put up a good fight, but Saber's stronger than him in every aspect. That's a half-truth. Saber is clearly stronger than Rider, but Phahn has enough resources to revise Mary's history. Both Rich and I know this, so here comes the piece de resistance, "And Archer looked really excited last night when he was watching their fight."

"We shouldn't be doing the overseer's job for him," Rich says to empty space behind him. "Yes, we do have a bone to pick with the Matou." He turns back to us, "When's the market closing?"

My phone says a quarter to nine. "Twenty minutes. The food rescue volunteers are already collecting the excess veges. The place should be empty in like fifteen?"

"Cheers. Thanks for the heads up, Nadine." He clicks his tongue. "You're not a half-bad Master, forcing Arch— milady's hand like this."

Say that to me with your mage face.

"I get why you won't teach me magecraft, but can I at least get Fillia's number? Because you guys owe me, us."

"You kind of make me want to take that back now. You still have a long way to go if you think milady would lower herself to using something as degenerate as a cell phone. But I can give you mine." I slip my phone into his outstretched hand. "By the way, Nadine. What were you doing on campus yesterday? You're in high school, right?"

Weird question. "Mary wanted to check it out. Something about the chance to see scholastic opportunity provided to women in this enlightened era was too good to pass up?"

"No dearie, you didn't want to show your face at school." She puts a hand on my shoulder. "You wanted to hike up to the dorms because you can see the entire campus from up there, but your Command Spell started hurting."

That doesn't sound like me. I hate hiking because it's the only thing people in this town talk about with even a hint of nuance. I do remember my Command Spells hurting though.

"Only because when we toured the city, you were really excited about the campus. Anyway, what's it to you, Rich?"

"Amazed that you happened to walk into my guest lecture. Small world." Don't exaggerate. The world's huge; Tolosa's just small enough that you can run into a vampire's feeding ground after ditching a party. He hands me back my phone.

"Have a safe trip home. Great networking with you!"

I give him a thumbs up that's as fake as that line.

With that, I've set up the distraction. Now, how are we going to get in?

*****​

After leaving the Farmer's Market, Mary and I sneak into an empty parking structure a block away from the Mission. You can usually get an unobstructed view of the Mission's gardens and back entrance on the top floor. The only problem? I pull my jacket sleeves over my fists and hug my knees behind the cement barricade.

"A-Anything?"

Mary stands tall with a frown on her face. Her elbows rest on the metal railing, and her new, stylishly oversized knit Twin Towers brand jacket flaps in the bone-chilling night wind.

"No magical energy yet. Did you set that timer, dearie?"

"It's on vibrate. Five m-more minutes."

Mary said there's a bounded field, a magical barrier that won't allow anyone inside the Mission, that popped up when the sun went down. Mary's Class Skill, Presence Concealment should be enough to get her through the bounded field undetected, but because she's going to be carrying a candle and the listening device that's currently in my jacket pocket, she can't go in as a ghost. The way she explained it, Presence Concealment is similar to obfuscation magecraft. At really high ranks you can't see or recognize her even if she's standing right in front of you. I'm guessing a high rank would mean a butterfly, Mary's is a fat caterpillar, not even a chrysalis, so it's difficult to sense her presence but possible if the Servant or Master have strong magical energy-sensing abilities. Luckily, we'll have Archer starting an all-out assault on the Mission, giving Mary the perfect opportunity to jump down, make her way across the street, and sneak in. As for me, I'll be up here looking after her new Twin Towers jacket, trying not to catch a cold.

We took ten minutes to get from Farmers to the top of the parking structure. I called the bowl-cut priest, letting him know what was happening tonight and to have the app or program he was going to use to listen ready. Then came the waiting. There's a lot Mary and I could have talked about that five minutes like what do you mean Caster invited us to volunteer at a soup kitchen tomorrow, what's so bad about infiltrating a church when the priest who rightfully owns the place tells you it's okay, or Estella asking me to help her kill Caster. But there are butterflies in my stomach that might really be Mary's. I want to say something Masterly like, 'I'll use a Command Spell if things get bad' or maybe even 'that's a nice jacket.' Still, what sort of pathetic Master am I to say, 'Good luck!' as she tries to infiltrate another Master's headquarters while I'm freezing my ass as a glorified coat hanger?

Without warning, Mary pushes herself from the railing to face the vista of empty parking lot spaces.

"Ma—"

"Get up, girl." She swallows. "They're coming."

I clamber up, my hands in my pockets. My invisible Command Spell hurts. That means. . .

Click, click, click.

The footsteps don't come from the staircase behind the locked door on the left corner of the room, but the incline the cars use to access rooftop parking. Step by step, a woman I've never seen before forges into our reinforced concrete wasteland of faded white lines and half-functioning parking lot lights.

Strawberry blonde, pointed face with slight bags under her gentle eyes, she might have her hands up but honestly, I don't know if she's surrendering or threatening us, because on the back of her right hand is a Command Spell, the three strokes creating an angelic bird with a sword as a beak facing the light-polluted sky.

"Mary, if I jump off the roof can you handle the landing?"

"First time for everything, dearie. . ."

Okay, I don't want to go splat so that's going to be our last option.

"Nadine. Can I call you Nadine? I don't want to fight." Too calm, too controlled, her voice effortlessly warms the chilly night air between us without betraying any emotion. "I'm Amelia. My mom named me after one of her heroes. I represent the U.S. Government in this Holy Grail War. I know you're not a magus, just a normal high school student who got caught up in this. I know your Servant isn't controlling or coercing you. I know that the overseer being a Master in this war makes it difficult to resign. But I need to let you know that if you keep fighting, not only you but the people you care about are going to be in danger. I can help you. I have been helping you. We have people who can protect you and your family until this all blows over and you go back to school, take those SATs, and get into a good four-year college. How does that sound?"

Stop being a Master?

I can help you, I've been helping you. . .

Mary sprawled in a puddle of her own blood while I was frozen, a claw kneading my skull, tightening until I felt like it was pulling at my insides. My chest clamps itself at the memory because switching on my magic circuits isn't what saved me. It was a white-gloved hand crushing the vampire's deathly pale wrist.

"She's. . . Berserker's Master." Words croak out from my dry throat. Come on, say it louder, with more force, otherwise, "She's Berserker's Master. The doctor she was talking about at the party."

Mary grows pale.

"Look, Nadine," Berserker's Master is about five meters away from us now. "You're not the first civilian to accidentally enter a Holy Grail War. There was a nice freelancer who came back home to visit his parents. Found some ancient documents in the shed with instructions on how to summon a demon. Thought it would be a laugh. Summoned a Servant who forced him to kidnap children. Another Master put a bullet in him, right here." She taps the middle of her sizable forehead. "An ethics teacher came across a wounded Servant who had just lost her Master. Nice guy. Took her in and made a contract with her so she could stay in this world. Practice what you teach, right? Found out she was draining the neighbors' life force because he couldn't supply her with energy. Stabbed right in the heart. As luck would have it, that teacher had a student who became a Master as well. Orphaned by a previous Grail War, he probably fought because he felt like he needed to make sure bad things didn't happen in his town again. But against magi? Servants? He didn't stand a chance. And. . ." She hesitates but pushes through. "There was a girl. She was only ten but the Holy Grail gave her Command Spells. She still haunts me." Why did she suddenly look to her left for a moment? "A-anyway, it's not just Masters. My own sister was a cop, a lieutenant. Her squad was trying to protect the citizens of Snowfield from being collateral in a Holy Grail War. To this day, I don't know what really happened to her. Nadine, please, I don't know what the other Masters and overseer have told you but this is not a game."

Snowfield, Nevada. Right after a bunch of politicians died from heart attacks there were some freak storms and a pandemic there. The entire city went into lockdown. I was a kid but I remember my mom panic buying toilet paper in case it ever spread. That was all related to a Holy Grail War?

But, like, you don't need to speak to me like I'm a kid.

The Holy Grail War is dangerous. I know.

This isn't a game. I know.

People die. I know just as well as you do.

You don't need to unload your entire sob story onto me.

"I — We're going to clear Mary's name!"

Nadine Craig yells back because she wants to be someone else. On the roof of this vacant parking lot, I'm confronting you as a Master, not some pathetic girl no one understands because they're too blind to see the world in all its mystery. I can't let that go. I won't let that go. And there's no way in hell I'm going to let you take that away from me!

So, I'll reject everything you are to accept everything I want to be.

Annoyed, she mumbles, "What? No, of course, I'm not going to. . ." Is she talking to Berserker? "We're willing to work with you. That's not a problem, at all. Let me take you and your Servant in and we'll figure out what Mary wants to be investigated and all our agency's resources will be at her disposal. You have my word as a doctor. First, do no harm. I'm trying to make sure as few people die as possible."

Mary steps forward; she's almost a sickly shade of pale green.

"Mary?"

Unbridled pale fury.

"You don't get to spake that line, Doctor. No, not again. How many times do you think you so-called 'medical professionals' have promised the EXACT FUCKING THING! Take the tests, Mary. Humiliate yourself and take the tests then we can help you. Help you, we're only trying to help you. We're keeping you here because of you; we're trying to help you. And you can help us help you. Because that's all we're thinking about, your best interest. You want to be helped, don't you, Mary? You need to be helped because you're an uneducated, Irish COW! Not this time!" Breathing ragged, she's burned most of her fury off. "Nadine, we're getting out of here. . . Jump."

Berserker's Master, the Doctor, Amelia, whatever, her arms slump to her side as she realizes, "You're. . ."

"Nadine. Jump," Mary says without looking back at me.

"No Mary, you're going to attack her." Hands trembling in my pocket, I say so as calmly as possible.

"Nadi—"

"Mary, listen to me." I cut her off because, "The alarm just went off."

The world heaves and convulses as two shockwaves of divine magical energy collide a street away. The after-effects produce enough illusory air pressure that the Doctor and I both reflexively shield our faces. Yes, both the Doctor and I.

Her charge might not be as tempestuous as Archer's or as fiery as Saber's, but she's still a Servant. My Servant.

The twenty feet separating us are chopped and diced in less than a second.

That's the time difference for those who the tsunami of magical energy caught unawares and those who expected it, using it to their advantage.

The silver meat cleaver is drawn and raised in a single practiced motion. She's not a killer, she says, so let your fury drive that knife. Cut her legs, her arms, any part of her that attempts to compel us into accepting that we aren't fit for this moonlit world.

— Crunch.

The sound of steel carving into meat.

— Cling.

Metal yields to flesh and shatters.

"Mary —!"

A flurry of white fists and then a finishing crimson kick send my Servant flying into the metal railing. The impact cracks the supporting concrete and bends the railing, but it doesn't snap so Mary doesn't plummet into the street below. She howls at her impossibly broken limbs.

Berserker materialized and defeated Mary in less than the moment it took for Mary to close the gap.

Inverted nerves grind against each other as Mary starts pulling something vital from inside of me. My insides are on fire, molten butterscotch again, no, liquid steel, and I can see my death quickly approaching. Ram's horns erupt from my head, the leathery wings on my back snap open, skin melts off to reveal scales. The body( pot) boils over in a walk-in freezer. A contradictory illusion isn't a fantasy if the feeling is real.

I gasp, "Mary, get up."

Everything inside of me gets pushed out.

"GET. UP."

I eject my life into the magic circuit rejecting my body until I can taste blood in my mouth. Mary starts snapping. The excess magical energy I'm sending struggles to set her broken bones.

Slowly, she pushes herself off the ground. She can move again, but only that, move.

Amelia's silent, looking off to her left, again. Berserker hasn't moved, waiting for her Master's command. She won't wait much longer; she's confirmed Mary's an enemy that needs to be exterminated, no, sterilized.

There's no escape. Even if I were to jump off the roof and Mary correctly handled the landing, we couldn't outrun that crimson health nut.

"Nadine. . . " A desperate weak voice.

Our connection tells me it's nothing fatal. My clairvoyance shows me Berserker has a skill, Anatomy Understanding. From the description, she instinctively targets a human's vital points and cripples them with surgeon-like precision. Fighting Berserker, you can't expect anything less than what Mary's experienced. But at the same time, there's nothing more to a Berserker.

"Tsu— Nadine. If you keep this up. Your Servant, Mary, is going to die."

Because she's not strong enough.

Not enough.

There wasn't enough magical energy. Archer and Saber's clash easily overshadowed the amount both Berserker and Mary spent. But everyone's stopped, except me.

"I'll supply you with more magical energy. You're fighting."

This rooftop that was so cold five minutes ago is hot to the point that I'm sweating uncontrollably. Instead of my ski-jacket, I peel the covering off my Command Spell without laying eyes on the numerous eyes mocking my uselessness against another Master with that constant prickling pain.

"Nadine?" Something looks up at me, almost begging.

Berserker or me. Who is she really scared of?

That doesn't matter. Concentrate on the feeling. You're not special, no one is. But you don't need to be like that girl waiting for tamales. You don't need a boyfriend to make you interesting. You don't need a best friend to tell you you're worth something. You don't need to be divided. The difference is in the rejection( knowing) . For these are eyes that see into the world. I must be mystery: isolated, self-complete, unreachable. . . for everything is paper. So you don't need to search for the Truth like everyone else because it's Right here.

Right?

Right.

The soundless roar of my magic circuits makes everything go red. My face is numb, my knees are numb, even my fist in my jacket pocket, desperately clenched, is numb. I won't let myself fall because that means yielding to a cruel, fake world where the script is more important than the reality I see in front of me.

"AAAAHHHHHHH —!" Mary gets up shouting to rid herself of fear, fury, feeling so that she can commit to a feeble rush.

Half, no, a third of the speed as before gives Berserker entire seconds to respond.

Paring knife — bent out of shape.

Boning knife — blade sent flying.

Chef's knife — shattered.

Mary — tossed aside like biological waste.

Berserker walks away from her Master, stepping towards Mary's spent body. With the waning once-blue Tolosa moon glistening behind her, Berserker looks down, not at Mary's face but just below her ribcage.

"Why aren't you sick?" An innocent question.

"Because I'm strong."

"You are misinformed. Muscle hypertrophy has no effect on immune response."

A wad of spit squarely hits Berserker's face. Steel-faced, Berserker simply reaches into her chest pocket for a disinfectant wipe. Without taking an eye off Mary, Berserker wipes her left cheek, then crumples the soiled wet wipe in her fist before dropping it onto Mary's equally crumpled body. A lady never litters, so Berserker materializes a grenade they might have used in one of the World Wars to dispose of the trash.

Utter travesty. I'd be laughing if I could move my face. Servant. Master. Equally useless. But this is what it means to be a Master. This is what it means to be a mage. My eyes tell me this is right. This is where you belong. On top of a concrete wasteland, body on the brink of breaking, magic circuits spent, holding your clenched hand up high just a moment before Berserker pulls the pin, you announce what has been in your hand this entire time. That everything happening on this rooftop is being recorded and transmitted.

We're all thrown off-balance, but this time it's not because our magic circuits are rattling from a tidal wave of divine magical energy. The very concrete underneath our feet starts trembling. All my expended magical energy has been a beacon to make this one moment happen.

"Your reinforcement has ARRIVED —!" A jolly shout from. . . below.

The ground underneath Berserker's feet cracks and then ruptures as a greatshield breaches, spraying chunks of concrete, grey asteroids with no orbit to follow, all over the vacant lot. As cement dust begins to settle, I can't help wondering how many floors of the parking structure he broke through.

"Ri. . . der?" In one swift motion the Doctor unholsters her handgun.

He pays her no attention. He only has eyes for Berserker. "Good evening, deserter."

The insult doesn't register. Berserker has unfinished business. She pulls the pin like it's the tab of one of my mom's diet sodas, and pitches the grenade at Mary's powerless body.

— Clang.

With one sweep of his shield, Rider parries the explosive on a stick, sending it high in the sky where it detonates, filling the lot with the acrid smell of gunpowder and burned shrapnel.

"Berserker, please stop." The Doctor is still pointing her peashooter at Rider. He just deflected Berserker's grenade. There's no way that smaller grenade you pulled out of your pocket will do anything. "Nadine. Did you ally with the overseer?"

"The treaty was drawn and signed earlier this evening." Rider answers before any instance of the truth can come from my mouth.

"What happened to Church neutrality? Phahn said it himself last night, 'we will neither harm nor aid any of you.' How can you call yourselves the faithful?" The Doctor says in a dead voice.

"I have been notified of the contract between this union of states' governing body and the Church. Milord remains neutral. If you recall, healer, the overseer impartially gives shelter to all Masters who seek it."

"She still has everything to do with me." The Doctor says through gritted teeth to no one in particular, before turning to me. "Nadine, you forfeited?"

I try to answer but my throat seizes up. What was red starts to flicker.

"Both Servant and Master renounced the Holy Grail but showed interest in helping bring Saber and her Master to justice. The Church's neutrality remains unblemished. We understand your confusion. As this was a recent development, we had little time to send a missive. Nadine Craig and her Servant are hereupon commissioned by the Church to aid in overseeing the Grail War under the supervision of Father Sancraid Phahn. On the other hand, Amelia Levitt, invited representative of this union's governing body, was your Servant not aiding Saber last night? If you continue to ally with the traitor, the Church will have no choice but to. . ."

He stops because Amelia lowered her gun, pocketed the egg-shaped grenade, and is running at me.

I've fallen to my knees, blood uncontrollably spilling from my mouth. It gurgles out, clogging my throat, saturating my lungs.

Something inside me must have ripped. Who am I kidding, everything probably ripped.

I've lost so much control that my chest seizes up and my thighs are wet. Without oxygen circulating through my body, my knees quickly lose strength and I'm on my back.

Someone yells my name, but I'm not interested.

When that superhuman force ran rampant through my body, I finally felt something that I hadn't in a long time. It welled up and filled every cell in my body just long to make itself known, and even if a flood of pain quickly drowned it out, the sensation's phantom lingered just enough for me to savor what could have persisted. In that maelstrom of mystery, these eyes found a experience( scar) everyone who's ever walked this path shares.

Black oblivion begins filling the edge of my vision.

With all my remaining strength I reach out into the empty, blue-grey light pollution for the stars no one else can see. . .

What a glistening, accepting dream( truth) .

. . . I don't want to die.

*****​

Ba-dump.

An external will forcibly injects life into my heart. The only difference between a defibrillator and this? My dad's heart never restarted, mine does.

I gasp and splash.

The red, viscous liquid around me doesn't let me struggle and honestly, I'm too tired to do anything but float so the current takes me along the pristine maze. No matter how the water (?) laps at the tightly packed white marble walls they don't stain. Pity, it'd look better in checkerboard. At least the sky is the right color. Because the color of the sky is supposed to be a reflection of the water. Relieved, I close my eyes and let the buoyant forces wrap around me, a little boat floating down a river one summer morning a lifetime ago.

*****​

This pillow is crushing my ear so I turn my face and no-oww, this pillow is crushing my forehead. Not a pillow, the back of a chest plate. That's when the gamey, earthy smell underneath me hits my nostrils. Not the gentle rocking of my dad's old boat, it's a horse and my arms are draped around the rust bucket Rider calls armor.

Where's my phone?

This fabric isn't denim. How did I get in tights and God this isn't my underwear.

Shit, grab onto horse's butt or you're going to fall.

"Hey girl, comeon, comeon." Rider rubs the horse's neck. "What in the Blessed Lord's name are you doing back there, little lady."

"Got it."

My phone was stuffed between the waistband of second-hand underwear and tights like the women in my mom's gym cult who can't afford the tights with pockets stitched into them. The display says one in the morning, So I've been out for three, maybe four hours. No messages, that's strange. You'd think my mom would be —

"Rider. . . where's Mary?"

She's alive. I can still faintly feel her through our Master-Servant link, but the looming presence that's so enraptured with an undeserving world isn't beside me anymore.

"Unnecessary worry, little lady. Milord constructed a holy circle for her to rest within. She'll be combat-ready come dawn."

Right, Mary and I were supposed to infiltrate the Mission but a fight broke out with Berserker on the parking structure's roof. Man, that was cringe, wasn't it, losing control of your bladder because you overused your magic circuits. I'm just glad. . .

"What happened after I fainted."

No, you fucking almost died.

"Berserker deployed her Noble Phantasm to heal you. Quite honorable adversaries." Noble Phantasm. That was the thing I didn't need Archer to explain. "Milord soon arrived with support. He took the servant and yourself back to the Church. Don't worry, he had female Executors proficient in healing look after you."

A sigh of relief, it wasn't the bowl-cut priest though I suspect he's the one who picked out these galaxy print tights from the clothes donation. "Milord called your mother who insisted he take you back home rather than allow you to stay in the church overnight, but considering the repairs necessary, here I am, at your service."

At my service? Rider, you're trotting down suburban Tolosa on a fully armored horse.

But I won't bust his balls about that because I feel good. Like for once, I want to get home as fast as possible so I can go to bed and see what tomorrow brings. Do people usually feel this good after collapsing from exhaustion?

"Thank you, Rider," I say to his metallic back. "For coming to help us."

"My pleasure, little lady. Though it was wholly out of duty. No pleasure was taken." He forcibly chuckles at what he thinks is a little joke.

I laugh a little because it's terrible.

"I must confess, little lady; this moment calls in the tides of nostalgia."

Are knights this dramatic because they're chivalrous or chivalrous because they're dramatic? If it snowed in California this would be a scene from the annual Netflix Christmas romantic comedy. Should have left me on the rooftop, renaissance faire.

"After an unceremonious weekend hunt, my boys would ride back home with me like you're doing so now. Like any other good father, I would tell them fairy stories. Their favorite concerned a king's bastard, son of a favored concubine. After the king died, his evil stepmother imprisoned the boy so she could rule as regent. Naturally, as these stories go, the boy broke out of prison and using his preordained princely nature, stirred a rebellion, overthrowing the evil stepmother. Thus, the kingdom lived happily ever after."

Suppress the yawn. I think we're just about five streets away?

"They really loved that one. Really did." He coughs out a laugh. "But when you love something, you interrogate it, doubly so for children. They would ask all sorts of questions like if the prince had a magic sword, how did he break out of the prison, or what did the evil stepmother do to the citizens. Naturally, I would answer, humoring them, trying to instill a sense of wonder, or perhaps reveling in fatherhood. Peculiar, how after all this time I still remember. As I made up answers or reused material from other stories I knew I would wonder about the characters I was embellishing. The stepmother was only evil and the boy only became king because the story called for it."

Characters aren't people, though. They're vehicles you make do something to drive home some moral. Words on paper, they can never truly come alive, no matter what the Holy Grail does. That's you, renaissance faire.

"You're a Heroic Spirit. How about when you go back to the Throne, you ask the hero of that story about what he thinks of what you told your kids? Anyway, your kids, they really loved those stories didn't they?"

He removes his helmet, turns and raises his eyebrows.

"Aye, they truly loved those stories."

I want to vomit because I can't stand looking at someone who's like my brother, positively glowing. Turn back around already.

"What's your point, Rider?"

"Heroic Spirits are traditions that lend ourselves to future generations, inspiring them, warning them. "

"What profound knowledge did you want to bestow upon me, Sir Rider?"

"After each battle, I would walk through the fields of the dead reminding myself to be faithful, for my cause was true. You're bright for a girl, little lady, and glory does lie in the battlefield. But you almost burned out tonight. Next time, your enemy is not going to heal you."

I'm doing fine on my own thank you very much. Did you see how great I was out there tonight? And you, when you strip away the mystery, you're just the same as everyone else, mansplaining your life away to a supposedly rapt audience who can only parrot what you say because they'd rather look at you.

"A warning then."

"If that's what you heard. Best of luck tomorrow, little lady."

He stops in front of my house and I thank him for the ride, but not the chat as I dismount. By the time I get to the front door he and the armored horse are already gone. Ghost form I presume.

The house is dark so I use my phone as a flashlight. Turns out there was no need because my mom scuttles out of her room as soon as she hears the door creak open. Half-dressed she looks at me from the stairs.

"Turn that thing off."

I shimmy my wrist so the spotlight dances on her for a moment. She's beside herself.

"How on God's good earth did you get drunk off communion wine?"

First, God's good earth, that's new.

Second, what the fuck you bowl-cut priest.

"I thought it was errr, normal wine?"

"Did you think about me, at all? How embarrassing to have my own flesh and blood. . . shit. I can't even say it. You have to make it up to that nice priest. I don't know how you're going to do it, but you. . ."

"No problem, mom. I actually really like working there."

Check.

"Give me your phone."

"What n—"

"Nadine Francine Craig, give me your phone."

I hand it to her and she shines the light at my face. Fuck, it's blinding.

"Say that again."

"Mom!"

"Say it again."

"I really like working there. Even going to volunteer at the local soup kitchen tomorrow with them, geez."

She switches the light off. All I can see are rainbow rings and translucent floaters.

But Mate.

"Thankfully, Sancraid said he would keep it all under wraps. I have enough to worry about tomorrow night."

"What's tomorrow night?"

"To think how proud of you I was before Sancraid called. Turning this whole teen angst thing you have going for you into something positive for once. But no, you don't deserve to know, Nadine. Not anymore."

Wait. Hmph, so that's how you pronounce his name, huh. Disturbing. And what does she mean to deserve to know?

"People don't deserve anything, mom." I start walking up the stairs. I have to infiltrate a magical fortress masquerading as a church tomorrow. Whatever interior my mom's helping design is not even a tertiary concern anymore. "Night, hope that movie was good."

There was a half-finished bowl of popcorn on the coffee table.

"That was Krista and your brother. She waited for you, you know, wanted to clear the air. But someone was so drunk they spilled communion wine all over themselves."

Oh.

"Hear her out, Nadine, she's always been good to you and for you."

Oh?

And I've always said —

"And I've always said, it was just a matter of time before she fell for your brother."

There we go. You've never actually said that though. You just think every girl will inevitably fall for my brother because who wouldn't. He's so perfect.

Normally, I'd get mad and storm off to my room because I know that perfection is all everyone sees in him with their imperfect vision.

Tonight, I smile. No, not to humor her.

Just. What a useless, mundane perfection.
 
29/ Winter’s Detritus
29/ Winter's Detritus

Kayla was unusually flushed and quiet when I brought the tamales to the table. Most families had finished eating, so we could move if the lamps were too hot. She kept shaking her head and thanking me for the food. I took out a wasabi packet, tore it and squirted a pea-sized dollop onto the masa. She rolled her eyes. After four months, a practiced reflex.

"Why wasabi?" She almost always asks me that too.

"There are people who like bacon soda."

"Chris, no one thinks bacon is cool anymore."

"What about putting melted cheese on everything?"

"Doood, melted cheese on anything is so good."

"It's like that but wasabi."

"But ummmm, can you really taste anything?"

I take another bite out of my chicken tamale and count off the ingredients in my head. "The wasabi just makes it better. An extra kick."

"I don't know. Aren't tamales like pretty good on their own."

Sure, you can taste every ingredient and spice used to make this cuisine, but when you add something that doesn't belong, i.e. wasabi, you can glimpse true flavor within the oxymoron before the impurity blocks everything out.

We continue eating and chatting. By we, I mean, she gossips about what's going on at school, what song she wants to learn on the ukulele next, and the progress she's made in the new game she's playing. I ask questions so she'll keep ummming and liking. When our Farmer's date is over, I, as always, take her to a small parking lot down the road where her dad always parks.

He's a single parent. Something happened to her mom when she was really young. They don't talk about it. She says he's a decent dad, but sometimes too helicopter-y and super obvious. On our first 'date' he followed us and I ended up waving at him. Their faces. You could tell they were related from that alone. I was just happy to have a chance to apply my Executor training.

I thought her dad and I would get along because he's in middle management and I've been told a kid my age shouldn't be such a good cog in the local governmental machine. As our pretend relationship progressed, he liked that I was dating his daughter too much. Everyone likes me, but it's a general level of like where they'll smile politely, ask me how I've been, and what I'm doing. Then, I give them one personalized compliment, one general answer, one specific answer, and an almost self-deprecating joke. Then — well it's a thing; I could go on forever. With Kayla's dad, it's always so great to see you, she talks about you so much, we should go hiking/fishing/camping together exclamation mark. He's not interested in me; just that I'm treating his daughter the way he thinks she deserves to be treated by someone romantically interested in her.

"Come on Dad, let's go. Chris has to get home before nine."

The only time Kayla manages a stage-worthy sentence deserving of the standing ovation she so desires is when she's admonishing her dad.

"Okay, okay already, let me start the car first." He winks at me, "Stay gold, zoomer."

Kayla buries her face in her hands.

*****​

These bounded fields around the Mission must be why Cherry asked me to meet her. I'm no expert but they were most likely activated just after sundown because she didn't want to deal with the gap between day and night. As I walk up the stairs from the plaza, the air feels slightly colder and my face is getting tingly. If I blink, I'll find myself walking in the other direction, believing I've finished whatever I came here to do. The first layer must be for general foot traffic.

"I'm home," I call out.

Cherry's on her phone sitting by the foundation — reading a horror e-book, no doubt.

"Did you have a good time?" She looks up and tilts her head. "What did you get her?"

"Tamales."

"This might be a little out of order, but you could have done better." She touches her phone to her chest.

I shrug. Kayla said she wanted tamales. "Thank you for waiting."

"Chris, I don't want you falling into imaginary number space."

Not a joke.

She gets up, pockets her phone, and starts to lead the way through the second layer of the bounded field.

— Click, click.

Soles on stone.

We both immediately turn since the only people who can get through the first cognitive barrier are severely mentally ill, meditation gurus, absolute contrarians who blindly walk through life, or part of our world.

A silver-haired woman with a man behind her.

"Illy—" A somewhat familiar name I heard a little more than an hour ago chokes itself out from Cherry's throat.

The illusory sonic boom accompanying the storm of divine Lesser Source annihilates that last syllable. Lancer gave me less than a second to react. Archer floors the pedal, instantly accelerating into godspeed. Sever Cherry's head? Stab Cherry's heart? Cleave Cherry in twain? His killing intent says he can do all three at once no matter what defense we paltry, pathetic humans can offer.

— Clang.

Sparks light up the Mission steps as they do every year. Tonight, they're not from the local fire-dancers, but crystallized mystery refusing to yield to bronze.

Saber materialized just in time to save us. The inferno of released magical energy still blows us back. Push yourself back up and get away as fast as possible because Saber's struggling. The lag time from materializing meant she could barely defend against the tempest raging up the Mission's steps. She doesn't need us to worry about.

The rest of the world fades away as the edges of their swords lock.

Archer with only one arm.

Saber with the high ground but a disadvantageous stance.

Archer's the first to attempt breaking the stalemate; his forearm and bicep strain and then tighten as additional brute strength is brought to bear.

Saber's only reply can be fiery magical energy immolating her golden sword red. Even the ambient magical energy threatens to break through whatever defenses Cherry managed to muster. No, parts of the bounded field have already been broken, and like steam escaping through an exhaust, the pressurized magical energy evaporates into downtown Tolosa.

The magical energy output of a quartet; no, order; no, battalion — Not just the quantity pouring out, but the very sanctity of the magical energy sunders every sense. Two demigods flagellate their mortal shells with divine flame until they're purified of mortal sin, then, finally, released from this earthly coil.

"MATOU! SAKURA —!"

Unable to restrain what seems to be his entire purpose, Archer shouts at the figure behind Saber.

He shouldn't know that name. I turn.

She's looking down, hair hiding her eyes, one arm across her chest gripping her other elbow.

It's not the name but how he bellowed it. Archer knows Cherry. That's impossible, Servants don't retain their memories from one summoning to the next. Imagine the paradoxes that would occur if they did. Then after he was summoned?

"AAAAHHHHHHHHHCCCCCAAAAAAAAAA —!"

In reply to Archer's roar, Saber's slack expression contorts itself until her face is nothing but lines as she screams in either anguish or hate. Passionate flames flow from her sword, swimming upstream to envelop Archer's sole arm, licking at sparks of magical energy. The seconds the flames rush to immolate him seem like minutes to us watching.

Archer burns on Saber's pyre without batting an eye at the corroding flame that bathes his body. The instant gratification of catharsis burned off; his expression is as it was yesterday evening on top of that hill. The gold eyes set in that slate gray face focus solely on what's in front of him, Saber's flickering warm orange flames only lighting up the stalwart heroism glowing within.

Seeing this, Saber hisses not in frustration, but with pure hatred at that immortality. There's no life, no romance in that. A stone statue. An ice statue. If it can't burn it's just as useless to her. So then, a stronger flame, a hotter flame. If it's Saber, she can definitely produce one.

Because humans don't set things alight because they want to see things burn or to feel the warmth. That's nothing more than a mechanical natural disaster; my thoughts and prayers to those caught in its conflagration.

We're different, she told me during lunch. She's right. The statue aflame, shedding its mortality may be divine, but the doll striking flint against passion again and again, as it attempts to light the pyre to curse reality is — well it makes me feel warm inside. To be filled to the brim, yet to continue protecting the box she's constructed for herself, she weighs her past and her dignity and has no choice but to burn off the excess.

Saber's sword, now an incandescent light-bulb yellow, begins to melt through Archer's bronze sword. It's clear who holds the greater mystery. But mystery alone does not determine the victor. The resolution alone in the Archer's stance won't let anyone watching forget that. It's hopeless though, even if Archer won't burn, the bronze sword finally catches aflame, and begins to smelt. I think I catch the faint sound of a pop or a squawk from the gasses being driven off.

Missing an arm and his weapon almost completely worthless, the giant, clothed in flames, retreats, hopping down the stone stairs, landing in front of his homunculus Master and her Tuner. Deprived of their source of magical energy, the glow of the yellow-orange flames softens, and then the embers wink out, leaving only his almost slate-skin unmarred.

No doubt everyone other than the combatants is thankful for the reprieve, but this is still bad. If Archer and Saber continue fighting, they're going to destroy the entire Mission. Cherry knows that; that's why she, "Einzbern! W-What are you doing here?"

The homunculus curtseys, her eyes are the same as when I first saw her in that high-school stadium. The grey snow that clouds the crimson hasn't melted. "Fillia von Einzbern. Pleased to meet you, heiress of the Makiri." With a gloved hand, she gestures to her companion, another familiar face. "My Tuner. You may call him Rich."

Rich bows. The shimmer from those blonde locks seemingly bounces into the street lamp as he offers a half-smile.

"Counterfeit as this Holy Grail War may be, our millennia-old undertaking requires the Einzbern to participate. We see the Makiri too have been drawn like moths to this Grail's flame." The homunculus says. Cherry's downturned expression doesn't change. Even if it did, she wouldn't have stopped. "In accordance with the protocols agreed upon prior to the Second Holy Grail War, our only recourse is combat."

Fillia. . . von Einzbern. She definitely said that was her name. I know that name. It's in Father Cervantes's report from the Snowfield Grail War. Possessed by some mystery from the Age of Gods, the homunculus called a storm to destroy the entire township and twisted a forest into an otherworld. An alliance of Servants and Masters defeated the storm and she was eventually slain, so how can that be Fillia von Einzbern unless it's a completely different homunculus using her name.

"The Einzberns. . . the Einzberns are gone!" Cherry shouts, "Illya. . . "

"Hoy, witch." A low-pressure system of murderous intent clings to the plaza like the mountain fog that rolls in from the Sisters on crisp winter mornings. The moisture seeps through your clothes, brushing your skin so the fine hairs stand on end, reminding you, there's nothing you can do about the discomfort. The source, Archer, opens and closes his right hand a few times before materializing an exotic hide. "You have no right to say that name."

Everyone in the plaza knows how dangerous that hide is from the suffocating amount of magical energy leaking from it. I almost double over because I can't breathe. My mouth is stuffed with a damp my meager flame( circuits) can't dry.

Something warm squeezing my shoulder breaks the illusion. It's Cherry, eyes tightened but trying her best to reassure me with that rare straight smile.

"Chris, go inside. I can take care of this."

I really should because this doesn't have anything to do with me. To be frank, I don't think I would feel bad about leaving you here, Cherry, because I know how strong you and Saber are. But, God, stop speaking like you're a dependable adult when your voice is clearly shaking. That means you're scared, right. And that boy. . . would never leave the person who raised him when she's scared. So I have to stay.

The bubbles ignite, sending plumes of magical energy through an array of interlocking shafts( circuits) to transform me into a machine that produces mystery. There's no need to connect to a system tonight, just the flue gas is enough to announce my presence to everyone because while I don't know anything about Fillia, the other two, Rich and Archer — are nice guys. Rich is a heretic so he doesn't count. Archer, on the other hand, is a hero. Probably the greatest hero in the world.

"Good evening, sir. Hope you're doing well." I wave at Archer, trying to get his attention.

He looks up and blinks once or twice, the suffocating aura around him deflating. "The boy-child from the trees. Easy to miss your minute figure amidst such radiant divinity and a witch. Well met, well met. How goes the Lamyros hunt?"

Rich's flat look drives daggers into me. Our conversation in front of Kayla at Farmers might have been a charade, but there was some level of mutual respect — the same type the regulars at Ahnenerbe all afford each other just because we've chosen to hang out in the same cafe. That's gone.

"Great hero," Cherry slowly steadies her voice and bows, "I- Before we continue this duel, thank you for helping my ward, yesterday, even at the cost of your arm."

"Your flattery is nothing but wind, witch." There's no way even this great hero will keep such a peaceful, casual, composure under his Master and Master's Tuner's contemptuous glowering. "Though I must admit your gratitude is sincere. I will not deny it."

Haven't I learned to stop underestimating him?

As long as he's interacting with us, he isn't trying to kill us. The problem is Saber. Although her sword is at her side, it's still yellow and trembling. She still wants to set him alight — right, Mad Enhancement. Cherry must be talking her down telepathically, so negotiations are up to me.

"Sir, yesterday you asked me to find you if I was ever hunting Lamyr— Dead Apostles. I-I have a new lead." What a lie.

"Why not ask your guardian and her Servant for help, kid?" So this is Rich as a magus. "Why not ask the overseer? Dead Apostles are a matter for your Church."

'Your Church,' he said. Don't let it faze you.

"That's the problem, Rich. Father Phahn is busy trying to neutralize Cherry and Saber, here." Maintain the neutrality each day spent learning to oversee a Grail War drilled into you. "They're busy responding to attacks from him and other Masters such as yourselves." Now throw your hands up in the air in mock exasperation, "There's no one left to do good, honest Church work."

"Milady, please have Archer attack."

"The boy-child speaks of too common an occurrence. Many times innocent citizens have beseeched me to save them from foul monsters. I naively asked, what of your sovereign; doth he not stand with his people? They often reply that their kings had conscripted their men-folk to fight wars against neighboring city-states for their own selfish purposes, leaving none to protect the women and children. Despicable! This Lamyros is a threat to innocents. It harassed our broth— comrades-in-arms. What more reason do we need to hunt?"

"Archer, you would sully your contract to the Einzbern family for a Church picnic?"

"Tuner. . ." Archer slowly looks back at a stone-faced Rich.

The contract can only function because the trine redirects the tension, circulating any contentious energy between Archer and Rich into their Master, the homunculus Fillia. What they feel for h— that artificial nature spirit, I don't know, but Cherry might.

"How about we come to an agreement, Fillia? Archer helps Chris with the vampire and in return. . . a duel with Saber to the death."

"Preposterous. We can finish this right n—"

"That opportunity still exists, we are ensuring an honorable exch—"

Fillia's misty red eyes favor neither appellate. They peer above the Mission into the skyline where the light pollution meets the sky. We all do because for an instant there was a flash of magical energy. Wispy, insubstantial even for magical energy, it was nothing like the solemn pressure emanating from Saber or Archer's divinity that either dries or electrifies the air, respectively. A meaningless amount of magical energy, but it made us, even Rich, stop for an instant. Too pathetic, struggling to announce its presence to our world, it burned itself up in less than an instant. Yet, as everyone stopped to look, all the tension that bubbled up in this plaza didn't boil over; it wafted away with that paltry breeze.

Archer, of course, is the first to recover.

"I've decided. A Lamyros will be the perfect warm-up for challenging this burning warrior queen." The cloth in his hands dematerializes. "Milady, Tuner, let us return to camp."

"Archer. . ." Fillia starts.

Rich's face doesn't change. He already accepted the decision even if he doesn't like it. A heretic's determination bound to a higher purpose.

"How can you trust the witch, Archer?" I was wrong. "After all she's done, do you think she'll keep this promise?"

"I'm more than happy to make a binding contract." Cherry walks down the stairs so she's standing right beside Saber and level with the Einzberns.

Archer turns back, glancing at Cherry, his eyes can't help but linger just a moment longer. He's trying his best to rectify an image of her in his mind to the puny human in front of him. Eye contact breaks as the sound of crumbling concrete resound in the distance accompanied by police sirens and the hum of fire engines. Something happened in the parking garage two streets away from the Mission.

Archer begins to dematerialize as he walks down the plaza steps towards the snow-white homunculus and Tuner. Dismissively, "A witch's rule( contract) is easily broken. I do not require any words from you —"

"I-I swear on the name, Illyasviel von Einzbern," Knuckles white, fist clenched, Cherry speaks.

His upper body quickly becoming insubstantial, Archer flicks his head back in our direction. Only for a second. I can't read the expression in his distant eyes.

Fillia nods to both Cherry and me before following Archer's nonexistent footsteps.

Rich looks at us, shaking his head, "See you nice and early tomorrow, Chris. I'll text you our address." Dead Apostles come out at night, though.

The heretical drains itself from Rich's face leaving a quick, toothpaste commercial smile before he follows his mistress.

I take a deep breath while Cherry is making sure Saber is okay.

"But my pyre," she almost hisses.

Cherry pats her on the back. "Don't worry Saber, your pyre will be built."

We pass the statue of the Mission's founder holding a gigantic wood cross to reach the front entrance. The imaginary number space boundary layer has been thoroughly torn apart. It'll take Cherry at least a full day to repair it.

"What about the parking garage?"

Holding the front door open, Cherry answers, "From the sound of it, Father Phahn and the clean-up crew have that taken care of. Anyway. . . after everything that's just happened, you probably have some questions, right?"

Yes, because now cooperating with the Einzberns is instrumental in finding and killing the Dead Apostle.

*****​

The kitchen light is on the dimmest setting. Don't want to wake Father Kelsey. Saber's dematerialized, so it's only the two of us and Chinese tea in a teacup that Cherry's holding with both hands as if it didn't have a handle.

"Who's Illy—"

"There's a lot —"

We slightly recoil from the kitchen table as our voices overlap. She looks down at her tea, so my gaze is level with her bangs.

"Illyasviel von Einzbern. . . Illya was Sen— Shirou's sister. She was a Master in the Fifth Fuyuki Grail War. She, Fillia, looked like her, grown-up."

Shirou. . . he's Cherry's lawyer boyfriend. He visits whenever he gets the chance, even helped repair my bike a few times. He also knew Dilo. I always thought it was strange he was Japanese and also a ginger. His sister being an Einzbern homunculus kind of explains that but opens up a whole can of worms that isn't my business.

"How did she. . ." Officially, there were only two Masters who survived the Grail War: Cherry and her sister.

"Saving Shirou." That explains why the Kotomine HGW-726-F5 report listed him as a casualty. "She was the strongest Master. . . and possibly the most advanced homunculus the Einzberns ever created. I think that's why they shut down after her defeat." Except for the remnants that fought in Snowfield.

There's something that doesn't make sense.

"If Illya died saving her brother, why do Rich and Fillia resent you? And Archer — what was that about?"

She sips her tea while trying to force a smile.

"I. . . took Illya's Servant and opened the gate she was coined to open."

All these years and I had forgotten. No, I didn't forget, we were just talking about it at lunch today. I didn't want to remember that Cherry is a Holy Grail. And because she was a Holy Grail, innocent people died in Fuyuki. Every time her boyfriend's taken her out for a date, she's had to reckon with whether their server or cashier lost someone because of her. Waking up every day knowing that you irreparably ruined lives and you'll never be able to make up for that — she faces it all with that crooked half-smile printed on her face to feign nostalgia like whenever she tells me an anecdote about her life in Fuyuki.

She's said the damage could have been a lot worse if it wasn't for the help of the Burial Agency's No.7 and their assistance was a large reason why she agreed to move to Tolosa and consult for the Church. I think that's why she worked so hard, training every employee, editing every protocol, attending meetings about setting up meetings along with her day job. If you were so haunted, Cherry, why did you become a Master again?

"Her Servant, Berserker, was Herakles. Archer looks less monstrous, but they're very much the same Heroic Spirit. The Einzbern must have inserted his Berserker form's memories into him."

The Einzbern specializes in the flow and transfer of power. They can even shift consciousnesses into objects. Disregarding how conscious a Berserker really is, "The Einzbern family is gone. No one's seen them after Snowfield. That homunculus, Fillia, she must be the very Einzbern from Snowfield."

"Chris," her violet eyes look straight into me. "The Einzberns are for me to worry about."

She's right. Archer will help me track the Dead Apostle. That's all I need to know.

"Have you read the letter Dilo sent you?"

Ummmm.

"Cherry, do you think I suck too much dick?"

"What? Oh, Chris. . . Who said that to you?" She pushes her chair back, her brows slanted down, nose flared. "It wasn't K—"

"No, no," I shake my head. "Just some drunk guy at Ahnenerbe when I was waiting for her."

"Not to be rude, but the clientele there is. . ."

"What do you mean? We're the clientele."

"Look, Chris. . . You've made taking care of you these years so easy. No. . . that's not what I meant to say. More. . . when I was your age, I mostly kept to myself, wishing for other people to fail. I was a bad girl. You don't have the same eyes I did. You have kind eyes." She walks over to the sink and turns on the faucet.

I can't imagine a gloomy, hateful Cherry. She's always so kind, supportive, and upbeat in a dignified sort of manner. Eh, she's probably exaggerating how bad she used to be.

"I should go to bed. Big day, tomorrow." I yawn to show that I'm tired. Considering the day she's had, Cherry should turn in too. "You aren't patrolling tonight, are you?"

"Oh, no." She doesn't look back. "Saber's strong. But she can't win against both Lancer and Rider."

Then tonight Lancer will be planting trees, unchecked.

As I'm ready to leave something pops into mind, "Cherry. Was it correct to reveal yourself to Father Phahn?"

She turns to face me while still drying her teacup with a dishcloth.

"Correct does not necessarily mean Right," her normally crooked smile straightens out.

And here, I thought she only smiled like that when he was around.
 
30/ Grace Note (II)
30/ Grace Note (II)

At the precipice between consciousness and dream, I see the old man. Ah, it must be because he's told me this story so many times that I'm able to visualize everything in 1080p.

The magical engine keeps the train running towards its destination while the passengers face the opposite direction. They're all watching a black-haired woman in a kimono with a blonde secretary's head in her lap. Don't tell me the same old story, told the same old way. I don't have the energy for that. I need to rest. I have more important things to do tomorrow and my arms aren't fully healed. So close your eyes and let dark oblivion take you.

. . .

Why can't I go to sleep?

I try to set aside the images — encapsulate the train within the depths of a frozen, disemboweling forest in the bubbles of the dark water where I began. Let me drown until I recede into tomorrow like every other night. But I can't, for my consciousness slips its ethereal fingers into the folds on my brain, gripping and then dunking it into a tank of black and white film over and over. The liquid film slaps the organ so violently that white water foams around my hand doing the dunking. Within the bubbling tank, the scene tries to play, but the me on the outside, repulsed, reflexively pulls me out only to force me back in a second later.

— I told me, I don't want to see this because I know what it is.

Let the scene play through me so the information can corrode part of who I am.

— I don't want to end up as just another scorched mark on that island's mountain. If I am to be filled, I want to be filled with the things that I should want to be filled with. That's what he would have wanted because he's a weak, pathetic —

I'm human. I have to be human. But if I was a machine — a machine doesn't stop existing no matter how many parts are replaced. As long as the core is present and the circuits aligned, the combustion engine will run.

— Why?

My answer is letting go, drowning me to affirm that this is not just the old man's memory. That's why I can see my( the old man's) reflection in the window, hear the accusations, smell the tension in the air, taste the chill from the receding blizzard, feel the rhythm of the train moving under all of us, and unlike last time, the exchange does not just become a record my brain compiles but a conscious memory to enslave me, us.

"Ah yes, when Olga Marie took it out of the imaginary number pocket, Trisha's head was still alive. Anyway, within imaginary number magic formulae time is stopped. While there wasn't enough time to write a note, she chose to leave us with the starkest dying message. With her last breath, she left behind a single word. What do you think it was?"

Even Rich doesn't come close to how she weaves words like a conductor's baton. All the heretics in the room are entranced by something unpleasant.

"It whispered. . . Karabo."

Murderous hostility assails me, but I know the story so it can't hurt me. Because the old man survives, raised me, and is enjoying his retirement upstairs.

"Karabo Frampton," she repeats. "Your Hindsight is determinative — no, strictly speaking, it's more determinative than predictive?"

Predictive — calculating the past from surrounding information to simulate a perspective.

Determinative — choosing the past based on the present to affirm an interpretation.

"It's often said that prediction or determination makes no difference to Hindsight. Unlike the future, the past is constant, so it doesn't matter how you look into the past. But, that's just the conventional wisdom. Yesterday's topic, the Mystic Eyes of Death Perception which imposes death equally of all that is seen, the Rainbow-ranked Mystic Eyes, is anything but conventional."

On the verge of simmering, bubbles collect around my brain within the liquid film. I'm melting. Part of my brain is melting into this vat, mixing with the black and white, telling me to grab my eye that doesn't exist.

Why is the old man gripping his eye? The old man's eyes aren't those once-fabled eyes that now belong to two Japanese citizens, one with a lengthy Church file.

"I've never seen such a mystic eye, but if you'll allow me to use my imagination and speculate for a moment. Wouldn't it be the supreme form of Foresight or at the very least one of the abilities that allow one to see fate?"

A moan comes out of my( the old man's) mouth, "The Mystic Eyes of Death Perception. . . are the supreme form of. . . Foresight." The woman nods. Those words weren't meant for her.

"Naturally, everyone eventually dies. Because everything is imperfect, hidden within all is the wish to be beautifully broken and created anew. Looking at the end and reeling it into the present, what else can you call it other than the supreme form of Foresight," she explains.

The words that I managed to croak out are telling me to listen to the woman accusing the old man because she's describing my natural enemy. That once upon a time, someone thought the world was unsatisfactory and it would be better to reject everything instead of facing an uncertain future — to create the absolute Right from Truth. What a lonely wish.

"If that's the case, the opposite is also true. Everyone was born. Imperfectly born, we resent the original error. Looking upon the beginning and having it rise to the surface of the present would be the supreme form of Hindsight, no? Ahh, if that is the case, then the world might look like bubbles."

Bubbles haunt the old man and me. That's why we got along so well. That's why he was chosen to be my foster-father. Who said that or was it never needed to be said. Something simply accepted.

"Like a space-time bubble," a snow-white wisp of a man forever on the edge of death and therefore the dearth of Father's expectation until Mama made me a violin and gave me something to do interjects.

"You're familiar with the subject matter?" The black-haired woman encourages him. A possible expert witness can't hurt.

"I'm only familiar with the scientific concept. At extremely small scales, objects are known to be like aggregates of bubbles. I doubt what he sees is scientifically accurate, but would you say it's a concept close to that model?"

"Probably just like that."

Replace the probabilistic electron cloud with a bounded field line sandwiched between two monolayers of mystery and strip away the nucleus because electrostatic interactions and gravitational fields aren't necessary to hold the shell together. The past is not grains of memory and record dispensed from the present into three dimensions, but individual bubbles, until they aggregate, their interfaces brush and decide whether the individual reject( flocculate) or affirm( coalesce) the narratives reflected on their surfaces. But no matter how numerous or large the bubble may be, they're still hollow.

". . . Ah, unfortunately, unlike the rumored Mystic Eyes of Death Perception, this Mystic Eye mostly likely hasn't reached the extreme. It does not see the end. It does not see the beginning. At best, it recognizes and then calls forth a previously established past event — or something of that sort. Determinative Foresight establishes the future. Then it's obvious that Determinative Hindsight affirms what was established in the past. So, if we have death( cessation) as the end of all things, it's natural that the beginning of all is life( activation) . These Mystic Eyes revive the facts of the past in the present."

Politely and meticulously explained, the logic reminds me of the monthly plinking contest at the shooting range where you're given twenty-seven rounds to shoot twenty-seven empty cans arranged in a row. Entry fees go to a local cause of the winner's choice. The Tolosa Sportsman Association calls it 'having all your ducks in a row,' after a line in a Stephen King novel one of the owners really found funny. Because even non-hunters know ducks never line up except when mother duck leads them over the hills and far away. Her words are just like the bubbles she's trying to describe, expose, and cut-down. Are they established because they accurately describe a past or is it because she's established consensus to the point nothing else could have happened in the past without new evidence? She didn't even need that particular pair of Mystic Eyes.

"In short, Mystic Eyes that reproduce what happened in the past?" Pink-hair, eye-patch, sobbing as the scratchy whirl of a cranial drill bit grinds against the skull to build the first, second, third, fourth, fifth, sixth, seventh, abbreviated artificial highway into my airhead.

"Yes, but what can be reproduced from the past should be limited. For instance, in this case, the pre-recorded slash was most likely played back at a specific time, like this."

She picks up an apple and a fruit knife. They must have been brought from the dining car. With a deliberate motion, she draws a vertical line in the air with the blade.

"The slash is recorded here."

Then with her left hand, she moves the apple to where she drew the line and makes a small cut with the knife.

"After that, if the Mystic Eye holder observes it, the recorded slash severs the target. I would say this is how this Mystic Eye is used — what do you think. . ."

She looks at me.

"Karabo Frampton."

"Me. . ." There's so much resistance in the throat that when the words spill out, it feels like having a tooth extracted.

"On the Rail Zeppelin, it's easy to lay the trap; after all, the train runs on rails." She traces imaginary rails with the knife. "You slash at thin air in the preceding car with the knowledge Trisha's head will eventually reach the same place. It's easy enough to see where she was sitting and you could always increase the length of your slash to account for anything unexpected."

Everyone watches the apple traveling to the knife. When it finally reaches its predetermined destination, "The train had stopped in the woods when Trisha's corpse was found. Karabo, you were outside. You looked through the window, recalled the past you perceived, and that area was slashed once again with Trisha Fellow's head. At that moment, she sealed her head in imaginary number space."

This has everything/nothing to do with me( the old man) / the old man( me) .

The eyes have been explained; that's what my consciousness wanted to show my brain, right? Because of what the old man and I talked about this morning — how what he perceived eventually enslaved him and by baring that part of his soul, I would know better. That's how a mentor and apprentice relationship goes. So me, let me go to sleep already. I have a Dead Apostle to hunt tomorrow —

A white hat with a goatee tips the brim with my left hand and scratches sandy blonde hair under a toque blanche with my right as my left hand reloads a six-shooter because my right hand is clenched as I watch a moving company repossess my workshop, leaving only cobwebs as a reminder of the mysteries I once spun, "Hey, wait a sec, doesn't that mean the serial killings seven years ago were. . ."

The black-haired woman doesn't let him finish, "I don't know if you were the serial killer from seven years ago or even the killer this time around. There is no hard evidence. But in this case, there is one measure that we can take. Can you show me? If it's you — if it's your Mystic Eyes, no matter how far in the past she was decapitated, you can show us what actually happened."

"My Hindsight can't. . ."

Because my eyes aren't a mystery.

"I want everyone to wait."

The door to the lobby opens and in walks a teenager in glasses whose heart broke as I fell down the pit of betrayal wheeling a man with long black hair crying on a bridge at my own helplessness.

"Master!"

"Waver!"

Two shouts.

"Finally awake, Lord El-Melloi II?" Even the woman who controls the room acknowledges him.

"There was a little accident and I'm still a little unsteady on my feet, so I asked my disciple to prepare a wheelchair with the help of the Rail Zeppelin staff. . . Impossible, I wouldn't have thought Melvin would be here."

"Yo yo, It's normal to come running when a buddy's in a crisis!"

"This is none of your concern. And you're the only one who calls us buddies."

"Friendship is not formed from a mutual agreement! It's the intermingling of our hearts! Unconscious approval of each other! Let us further open our hearts to each other and embrace!"

What an agreeable young man. A little anemic and with the bags under his eyes of a predator unable to look away from its eventual meal, sure, but he's pushing all his resentment into a positive space. Can't fault him for that.

"Okay, okay, just shut it."

"Professor, your body. . ."

"There's no problem. Really, there's nothing. If there was, I wouldn't have come out." He strokes the top of her head through her hood's ash-grey fabric. If she were a student at my school, the teachers would have her take it off indoors.

"I heard about the situation from Caules. Many things have happened. . ."

". . . Yes," she nods. What emotion was lost within that simple answer? "So many things happened. . . so, so many things but I. . . couldn't. . . but you, Professor. . . "

"Ha, a Servant, a Child of Einnashe, imaginary number magecraft, and supreme Hindsight. So much crammed into half a day."

"Ho, where did you hear that from?"

"'You recalled the past you perceived and that area was slashed once again.' After hearing that much, you can guess what was talked about. Gray. . . we'll talk about the Servant later."

He lifts three fingers, his defensive trident.

"Miss Hishiri, your story has three problems."

"Such a dramatic entrance has left me eagerly waiting for your deductions."

"One, does Karabo's Mystic Eye even have such an ability? Two, even if such an ability were to exist it does not preclude another magus from committing Trisha Fellows' murder. Third, your deduction has no motive. There is no rational reason for Karabo Frampton to kill Trisha Fellows. You can't corner people with such incompleteness."

A deduction is an interpretation formed from the facts before one's eyes. Facts are only dangling points in the ether begging to be connected or dismissed. To challenge a deduction is to challenge a constellation forever falling through a vacuum.

"I see. Your forte, the whydunnit. As you say, the reason is unclear. Maybe the other magi could do something similar, but how do you explain Trisha's dying message? Either way, we don't follow the laws of a modern society nor are we police managing a state. In doubt, for the accused( In dubio pro reo) . There is not even a trace of a reason why we should follow such a principle here."

She understands this.

"If you need a reason, then how about his Mystic Eyes of Hindsight made him identify as the serial killer. After gazing at the serial killer seven years ago, the serial killer mixed into him. If the Mystic Eye went out of control, then it's easily probable."

He refuses to.

"Are you being serious?"

"And serious equals sincere? Whether we're serious or simply doing a bit doesn't make a big difference. After all, we're magi, Clock Tower magi. Don't we have enough cause with what I've detailed to restrain Karabo? If it's a question about ability, the evidence is right here."

"I'm telling you, I can't do something like that," I beg.

"Ahhh, you're telling me you can't? That's fine," she laughs at me. "Karabo's Mystic Eyes are on auction. Let's hear what ability your Mystic Eyes have right from the Mystic Eye Collection Train's( Rail Zepplin's) mouth.

"Heh, these Mystic Eyes will do just nicely."

An illusion within an illusion imprinting its concept in the brain of all of us within the room, the rose woman sprouts from poor soil, a shaggy, crimson carpet. She is the shadow( regent) who rules the train in her mistress's absence.

"It's time. I'll be taking them before the auction begins."

The room is silent. The rosy ghost is waiting for the old man to give his consent, but he won't speak. No, he can't speak because I'm the one who moves the mouth. But how can that be when I'm in my bed and it's —

"What. . . time. . . ?"

"The staff should have told you. We remove your Mystic Eyes half a day before the auction."

Everything is wrong. I don't have Mystic Eyes. You want the old man. Let me go upstairs to wake him up. Please. The old man is the one who should be having his eyes taken out.

"W-Wait! There's still —"

Her fingers as cold and thin as a single sheet of glass slip into my face.

— someone you haven't considered.

The words never manage to croak out of my dry, sour throat because

— Snap.

With the practiced, ghostly hand and precision of a witch doctor, she severs the spiritual body of my left optic nerve. Half the world and my breath disappear in an instant, snapping the film strangling my overheating brain. I wasn't given even the seconds necessary to scream because she finished her spiritual surgery and collected my right eye in less than a second.

I can't see because what she took were mystic eyes.

I can't breathe. I try to draw breath, but all the oxygen was sucked out when my eyes were plucked out. Sucked out? No, it's used as propellant to set my melting brain on fire. Soon the smoke will ignite the liquid film but my consciousness refuses to pull my brain out. I grab at my chest because it hurts and because there's no longer anything to see. I collapse.

"Acting manager." Then, the sound of the old man's eyeballs splashing. "With this, the Mystic Eye extractions are complete."

"We can do transplants, but extraction is a secret technique only the acting manager knows. Usually, she's asleep and after she waves her hands about, she'll go back to sleep," someone I can no longer recognize says.

Sleep. Right. Go back to sleep. You'll wake up. This is just a bad dream. You can't breathe properly because your face is under the covers again, so just —

"Oh. . . this is amazing. I don't think Karabo was aware of this but these eyes reach 'Jewel' rank. They're very suitable as our auction's eye-catcher. The long-gone shadow of the past raises up to the present like foam, shall we call these the Mystic Eyes of Umbral Foam( Transience) ?"

Cigarette burns begin to blacken the voided film, artificially aging it like parents do to children's treasure maps. Soon the offending memory will be forsaken, so affirm the past burning away until it's nothing but black snow in your mind, for everything is. . .

No, this is real, my dying brain screams, forcing me to accept my other senses.

What is happening to you on that train will continue until it reaches the event horizon known as the present. The accusation will chug along to auction. The auction is struck down by frenzied lightning summoned using the distortion of one Ancestor's train and another Ancestor's sterile child to create a ( crenel) to be filled until it becomes a temporary paradise, unlike( just like) this town nestled in the bosom of the California Central Coast's Seven Sisters that means nothing to Dead Apostles.

Dead. . . Apostles. . .

That's right tomorrow you —

"HAAAAH —"

Pure darkness reverts to grayscale to discrete black and white as my consciousness pulls my brain out of the smoking film vat. I seal away everything that just happened somewhere that won't scald me and focus on the only one question on my mind that can't be related to anything I experienced.

How did someone install a Grail on this land, and more importantly, why?



Day 4 — End
 
31/ Teleport in the Air
31/ Teleport in the Air

~Interlude~


The sun had yet to peek over Tolosa's eastern border, a spine of verdant mountains when Lancer returned to his Master's side. During their brief acquaintance, Lancer found his Master loved watching this interval — when the darkness he ruled retreated into the Pacific — an hour's hike north of the student village, on top of this volcanic plug. The Sister towered over a pit of graduated students' architecture projects that Lancer walked through. Miscellaneous, grotesque installations brought forth into this world as an academic means and systematically abandoned here because they had no marketable end. A labyrinth of avant-garde mausoleums, enhousing nothing, commemorating nothing. For Lancer, a waste of time, space, and effort. Yet, this cemetery was his Master's newfound kingdom.

After climbing the sandy hill, Lancer spied his Master lying on his side, black cape dangling over the edge and right elbow against a plywood table with "Eat, Sleep, BP, Repeat," scrawled in permanent marker. For a moment, just for a moment, Lancer couldn't smell the monster on him, only the pristine home.

"Lancer."

That was only an illusion. A momentarily blocked nose from the pollen of a new day, for as Lancer's Master spoke, he hoisted the meat sack he had been emptying, and tossed the corpse over his shoulder. The body never landed. As if its depths hid a swarm of piranhas, the dark cape eviscerated the body in seconds leaving nothing but a gentle bloody mist.

"Ensconce oneself, and bestow unto mine self good tidings."

Without looking back, Lancer's Master gestured at a swing hanging from chains wrapped around a particularly thick tree branch of the tree. The table or the swing, which amusement did the students install first? Either way, such a flimsy piece of wood couldn't support Lancer's bulk. The ground then. Facing away from each other, the vampire laid on top of a cheap homemade beer pong table, his Servant on the ground trying his best not to rest his back on a table leg lest it snap.

"The final trimming has taken root without resistance." As luck would have it, there had been no sign of the meddler. The madwoman burned his trees with self-interested flames and a troubled face droning on about how problematic everything was. The sheer disregard. He tried to reason with her, beg her, but his lamentations fell on deaf ears. They always did. "There will be enough magical energy injected into the leyline to begin the ritual tonight."

His Master had nothing to offer but a sharp intake of breath at the realization of Lancer's greatest wish. For Lancer's Master, tearing down what he called The Great Tree Known as Time was nothing but a tool to establish the promised land and corral Servants. He cared not of this surface world nor what was outside it like the other participants. Only what could be within. The promise of natural apotheosis had lured him from the hole in the ground where he had been squatting to the prison outside of this vibrantly mediocre American town. A men's colony, filled with petty criminals struggling to create a life for themselves in its walls was the perfect sanctum to summon Lancer.

"Being that their ugliness is your reason per which to supplant (根こそぎ, nekosogi, pull up [out] by the roots, lit. 'root/branch shave') the ways they be?"

Dry grass that begged for late-winter rains prickled Lancer's palm as it dug into the dirt. The small hole looked like the efforts of a domesticated dog offering a bone to its future self. In Lancer's case, the offering buried was a frozen burger patty — vegan. Before he returned, Lancer broke into a supermarket to find an offering. The frozen, plastic-wrapped burritos had been his first choice before he noticed the veggie burgers beside them. That was monstrously efficient, Lancer thought; the anthroposphere of this era was destitute of respect for mystery's absoluteness. Still, Lancer shook his head at his Master's attempt to rationalize his motivation.

"Ugliness is something I can forgive," Lancer snarled, canines on full display. "Ugliness is unjust rules forced upon fellow men, locking them into following a certain path, not to prosper, but merely survive. In their pettiness, each sentinel, prisoner, bureaucrat merely acts his part and in doing so carelessly prunes each other's choices so that tomorrow will be the same as today to preserve the system( tree) . But what of the voices read but unheard? The exploited, through no fault of their own who find themselves forgotten and without a voice."

"You rail not towards the endless stagnation, science, the mode of advancement of which of the Common Sense of Man has manifest unto this world, but the very average fixtures determined by the shared unconscious of all 'humans alive within the current era' across all valid adjacent realities (並行世界, hekou-sekai, 'timelines within a Greater History of Man'). Ergo. . . would I not be as the ultimate embodiment of your hate towards this World?"

The truth in those words was the very contradiction Lancer faced since his summoning. While he may not be a proper Heroic Spirit, heroism still flowed through his veins. He was not the type to contract with a blood-sucking demon, much less one who only saw Lancer as a tool for ascension.

"You smell like my wet nurse." For one whose hands shall never build anything, that was enough. "What of myself? I cannot accept that you chose to summon me with full knowledge of my identity."

A sharp inhale like a reverse sigh. "In an antecedent age, ebullience was found in partaking of a game with a lady (美人, bijin, 'beautiful person') who was as a friend. Trifling at its core. A sable marble (マーブル, 'It can mean 'marble (大理石, dairiseki)' as in 'a marble floor' or 'a marble pillar' It can also mean 'marble' as in a small glass ball'), centuple, save the sole bone (白いこと, shiroi-koto, lit. 'white entity') held, within a receptacle (ビン, bin, 'a jar'). The victor? Determined per the objective of isolating the white. Unto a duo of hypothetical exemplars exist by which to achieve victory over the lady who is as an opponent. The prelude, the magnum opus (偉業, Igyou, 'Great Work') known as transmutation of sable to bone, and its epilogue, picking nothing but the bone. In these matches, the blood-soaked fae (紅の精霊, kurenai no seirei, lit. 'crimson faerie') recorded by which I called my opponent snatched bone endlessly (無限, mugen, lit. 'void limit') extant. On account of my inability to replicate, I lost and thus besieged with investive query. By what interfacial request, thaumaturgical (魔術的, majutsu-teki, lit. 'pertaining unto the demonic techniques') or otherwise was with such phenomenon incurrence unto so absolutely materialized (実体化, kittaika, lit. 'manifestation to material')? Be as absent an answer the beauteous one of rouge poured globe (マーブル) unto ground through by which I premised upon myself that naught but parametric accounting was required to enforce such interfacial reaction. Ergo, extant disparity was not unto our means of natural substantiation (現界, genkai, lit 'present border') but per which permissed planetary and textural cognition."

The anecdote washed over Lancer. Try as he might, he could find no fault in his Master's rationale for fighting in the Holy Grail War; for his own reason sprouted from a similar story. En. His Master's word. But there was one point where they differed. Where the loreful Master saw a springboard to a reverence that lasted millennia, the feral Servant was left with a simple question.

"What's wrong with choosing a black marble?"

"Bone is by which the victor is determined."

"I understand the objective, but to choose white is to discard the black. To develop a method to always choose the white is to eternally discard the black."

"Marbled corpora makes nothing per but numbered Forms (形態, keitai, lit. "form-state"), wisped. Why challenge simple analogy?"

The black marbles exist so the white marble can be chosen again and again and again. All the suffering, all the laughter, all the marbles never picked are carved onto his Saint Graph, yet appear nowhere else, not even within the so-called omnipotent Grail.

Branches sway in the wind for they are destined to break, returning constituents to the soil to grow cities, empires, worlds. Speculate upon but do not mourn the lost, for the wave returns to the gentle ocean.

"If I don't, who else will?"

Waves aren't people and the ocean lost her ability to smile long ago.

As dawn broke, Master and Servant bade the Sister farewell and retreated back to their cauldron, ready to supplant the world with the utopia bubbling within. One sought to affirm his real of the world, the other, in rejection of the sin his sacrifice conceived.

~Interlude Out~
 
32/ Overture
32/ Overture

That's the second time I've dreamt about the Rail Zeppelin. Since bad luck comes in threes, especially in magecraft, I consult the old man after I've finished my morning routine but before I go down the stairs for breakfast. Blanket around his lap, the old man faces his window. I can see all the commuters rush downtown to either start work or get a coffee so they can start work.

"Do you want me to describe them for you?" I take a seat.

"No need, they're just like you." He doesn't face me. "You're just like them."

I tell him about how I went to see Father Phahn yesterday and then what happened after Farmer's. He doesn't interrupt, just sits there like he always does listening as if he already knows everything I've said or will say. Then, when I'm finished,

"Good you learned what you aren't willing to give up to hunt this vampire."

I. . .

"If you were desperate why did you leave with Cherry?"

"Old man, you and Cherry raised me. There's no way I could. . ."

That's not how the story goes. At the cusp of fulfilling his want, the hero chooses between a shortcut or to keep with the words of his mentor. He always chooses the shortcut and fails. It's through this process he learns his need. Such a structured plot can't be what he wanted. Maybe. I don't know. Every kid wants to become a hero of justice at one point in their life so I made sure to want that when it was appropriate. But as we grow, we learn that at the core of wanting to be a hero is the need to be acknowledged by and therefore protect the people close to us, so I made sure to want to choose the people close to me. The surface tension of the interface between ideal and reality is what buoys bubbles. Speaking of bubbles.

"I've been having dreams about the Mystic Eye Collection Train. Your eyes — after you saved those heretics, you gave them back to the attendants and they were resold at the next auction."

"Not heretics, Chris. Children, like you." Almost embarrassing at how he nonchalantly says these blasphemous things. "Have you looked at the Church file?"

I shake my head. I have the primary source who wrote the report right here.

I go on, "Your Mystic Eyes let you see the past — Hindsight. " There are a few more particulars like they are often more active around mysteries or since they're an independent magic circuit they can operate without the user taking in visual information. "But why did the black-haired woman and manager call them Umbral Foam( Transience) . What actually are the bubbles?"

Because I've seen them too.

"Light as foam on the waters, nor light the doom, surely, that awaits him on earth."

"Job 24:18. The foam is the unrighteous?"

That's the obvious answer but in that monologue, Job is questioning God's apparent mercifulness towards the wicked then declaring it serves to deliver a final judgment upon him or her. Theologians have long debated what the verse the old man quoted truly means due to its fragmentary and seemingly contradictory content.

"The Lord Almighty sees through a person's true nature at a glance. Humans only see a fragment; therefore, we are unable to judge a person's absolute goodness or wickedness, their worth. These fragments cling together like bubbles forming the foam on the surface of the ocean, fragile and contradictory. This body of foam is not what the Lord sees, Chris. The foam is nothing but a reminder of His true glory. Don't forget that."

— All of us, no matter who we are, are merely idiotic, pathetic, weak human beings.

"You're a kind person, old man. That's probably how you withstood having those eyes for so long."

"You really can't stop being wrong, can you?" He snorts, "It's the eyes that have taught me how to be kind."

"Even as memories that weren't yours encroached upon and eroded your mind, your very identity?"

A soft smile, "On my worst days, I'd simply look in a mirror to remind himself who I was. Because of that, I wasn't hollow. There was someone to protect." To be hollow means one can fill that hollowness with whatever they want. There's no better future than that. "These eyes will never fill you because bubbles are nothing more than an inverted hollow vesicle, separating the interior and the exterior."

The old man says the last sentence without changing the register of his voice because his life, difficult as may have been, was certainly full.

"I'm going to kill a Dead Apostle today."

"Are you afraid?"

Of what?

"Yes. Every conversation we've had in the past four days has seemed like a goodbye. You're. . . not going anywhere soon, right?"

He removes his blindfold to reveal eyelids sewn shut to remind me what's waiting at the end of this road. Our reward for continuously executing the Lord's will until there is no more foam, only the Right. I chose this path because the boy whose parents were murdered doesn't need the Truth. And I. . .

"I'm not going anywhere. You are."

*****​

Time for breakfast, the most important meal of the day.

"Morning." Usually, I ask Cherry if she needs any help, but she's materialized herself a minion today who's hacking at a thigh of daikon.

Father Kelsey's sipping his coffee with a suspiciously happy smile. He usually complains when we're having Japanese for breakfast until he gets some food in his mouth. Must be the guest, looking stylish in one of Cherry's old sweaters with a long silver braid flowing down her back. In a blue checkered apron, she wields that knife like she's going to shank someone. Realizing this might not have been the best idea, Cherry takes Saber's hand and guides the knife into the root vegetable. If you look closely, you'll see Cherry's hands tense at the last moment, just as the knife touches the board. Her boyfriend once told me this was a marked improvement since she used to give out a "Hm!' before she started cutting anything to psych herself up.

Cherry goes back to her roots trying to either impress or teach. I don't know why Saber would want to learn to cook. Maybe she tried touching the gas burner and Cherry mistook that as interest.

Cooking takes longer than usual, but eventually there's rice, miso soup, and the side dishes: curried sardines, omelet, braised chicken wing and turnip, and simmered pumpkin with broth and soy sauce. After Father Kelsey forces us to say grace, Cherry forces us to say the thing Japanese people say before they eat.

I squeeze out a dollop of wasabi paste onto a little dish. Almost five years, yet Cherry's mouth still quivers and her left eye slightly twitches at the sight of my wasabi. No doubt, like always, she blames herself. A few weeks after my adoption in the Mission, Cherry, out of the blue, took it upon herself to make sushi. I didn't know who I had been, but I knew what Cherry prepared was high-quality vinegared rice and raw fish. Father Kelsey bemoaned what a tragedy authentic homemade sushi was without wasabi and scoured the cupboards until he found an old packet he must have tossed away after finishing the supermarket sushi. Cherry clicked her tongue. I still remember the echo that "tch," made.

Father Kelsey wasn't wrong, the wasabi added an entirely different dimension of liveliness and purpose to the sushi that Cherry made. So then — I remember thinking to myself — why not add this condiment to everything? A pungent cover through which to appreciate the true nature of each dish, wouldn't that make everything taste wonderful?

Anyway, I distract Cherry by asking if the old man has had his breakfast or if I should bring him something. Turns out he had some oatmeal before I woke up. He has that quite a bit.

"Who's the old man?" Saber asks.

"Karabo Frampton, former Executor. He lives in the empty room upstairs." What an energetic answer from Father Kelsey.

Cherry glares at him while there's still a piece of fish between her chopsticks.

He coughs. "Saber. . . how are you liking TOLO?"

No one calls it Tolo. Correction, TOLO YOLO was a thing a few years back, but now it's just cringe that friendly neighborhood priests say.

"Needs fires."

Father Kelsey almost hacks up his miso soup and my nose, already itchy from the wasabi, goes nuclear while Cherry looks away with slightly pursed lips. There's her understanding but dismissive dignified look.

"You must be from a hot country."

Father Kelsey said that's what kids like me call a 'nice tech.'

"She's Scandivanian." Cherry replies to the priest as she finishes her miso soup. And that would be the punish? "Chris, did the Einzberns respond?"

"Yes, Rich texted me. They're based at the University House."

While placing her chopsticks on top of her empty bowl, "Amir mentioned there was a famous musical scholar visiting the university. . . Who would have guessed it was a Master. . . I should go with you."

"No, no, no. You and Saber should concentrate on the Holy Grail War." Like gathering more information on Lancer or drawing out Rider. Knowing how much magical energy( fuel) Saber expends, fighting one is a beacon for the other. Not my place to strategize with her, just to convince her this is completely Church business. Because it is.

"Since her summoning, Saber's been assisting me non-stop. Father Kelsey's been so kind as to offer taking Saber for a beach day."

Cherry almost drops her chopsticks. I stare at Father Kelsey's open mouth.

"Fa. . ." Cherry starts.

"Chris and the Einzberns? What are you playing at, Cherry?" He hisses. "He's got nothing to do with the Grail War anymore!"

Cherry looks down. Her right hand wraps around her body and grabs at her left elbow, "I. . ."

"It was my fault, Father. I'm sorry. Archer attacked us last night. To buy time, I asked him to go hunt for the vampire with me."

Father Kelsey look directly at me for a second like he's about to say something but quickly moves onto Cherry. "And you let him?"

The tone of his voice must offend Saber because she's glaring at him.

"We were protecting the Mission." Cherry finally says. "Like Dilo wanted."

"Don't sa—!" He's only halfway out of his chair before Saber's sword materializes across the kitchen table.

"Saber!" Cherry shouts. "Please, put that away."

The golden demonic sword evaporates into magical energy. Father Kelsey's eyes linger on the fading sparkles, the rage on his face replaced with… a deep longing?

"Father, sorry. I'm so sorry. I'll. . ." Cherry apologizes, but I don't think Father Kelsey can hear. He shakes his head as if trying to get rid of something before blinking twice.

"It'd be a shame not to show Saber the additional two Sisters by the coast and maybe some clam chowder could warm her up. I don't like but the Einzberns aren't exactly your biggest fans, Cherry. If this keeps them away from the Mission then. . ."

What did he see in that sword that made him do almost a complete one-eighty? I check the Master's Clairvoyance I obtained from the book but there's no Wise-Up. It must be a property inherent to the Noble Phantasm but not part of an entry.

"It's dangerous. . . I'm not sure I like him going alone." Cherry lets go of her elbow.

"I'm sure a Knight Class Herakles can take care of me. Aren't you in more danger?"

Cherry's doing the you're right but I don't agree with you but I don't want to stir the pot thing where she holds her hands in her lap.

"Well, because of everything that's been going on the last couple of weeks I have been neglecting the Mission's grounds." And effortlessly breaks into a crooked smile. "Keep your phone on, okay?"

I nod and say the thing Cherry wants us to say when we've finished our food before excusing myself because I texted Rich I'd get to campus in. . . thirty minutes. Better hurry.

I'm almost halfway out the door when, "Chris, take your Ash Lock. It's still in its box."

What a serious voice for someone still in his Batman pajama pants, but he's absolutely right because today's not just another day when we have Japanese food in the morning. Today's the day I get to properly use the thing.

*****​

After pulling myself up the concrete retaining wall behind the Catholic center behind the university campus that is not affiliated with the campus because this is a federal land grant university which makes no sense because the Catholic center offers free coffee and lunch to university students, I slide through the prickly bushes, only to find myself jumping back into the bushes because a cyclist almost ran me over. Looking both ways this time, I manage to cross the road and start climbing the gravel incline to the University House. It's been two years since I visited this oasis of luxury at the center of a reasonably sun-faded campus.

There's a fallen leyline on university land — imagine if a Master decided to summon the Grail on the Sister where students put up a 'serenity swing' and where a frat was rumored to have carried up a dining table for drinking games. Negotiations required a sizable donation to the university from the Church that had to be laundered through Thorn. The Mission was thanked with an invitation to the annual holiday party the President of the University hosts.

You could almost never guess a magus is squatting here. There are no magical defenses around what you could almost describe as a mansion; honestly, the perfect base. Just south there's the university's childcare center and on the left and right are lecture halls. Secure the mystery and bury it inside the mundane — that sounds nothing like the Einzberns in the reports I've read.

The bell rings and an older man in a robe emblazoned with the school crest comes out to meet me. Should have texted first because he's telling me that no one by the name of Einzbern lives here and then asks me to leave or he'll call campus security. I thank him, say I'm sorry I must have gotten the wrong house, and let him close the door.

There was no point pushing the matter. He must be under a suggestion, so I give Rich a call. Two minutes later the door opens again, but this time it's a homunculus wearing the traditional Einzbern victorian nurse costume.

"Leys. . . right?"

While curtseying, she wears the same frown Cherry makes when finding 'unwelcome biodiversity' in her garden.

"No, sir. I am not. Please refrain from referring to us so familiarly in the future." Without giving me her name, the homunculus politely harries me into a wide corridor. She doesn't attempt to guide me through the paintings and the odd installations garishly hanging from the walls. I can almost hear the lingering conversation from past honored visitors as they nibble on canapes and sip the delightfully local 805 brewed just up the 101.

The kitchen, the small staging area for these events, has a living room attached to it. On the couch sits the man who answered the door, the president, and his wife. One mindlessly replies to emails on a laptop, the other binges reruns of The Golden Girls on the 4K Ultra HD LED TV. Probably a typical Saturday morning if it wasn't for Rich in a dark green apron with the school mascot emblazoned across its chest and matching school pot-holders shaking an enameled cast iron dutch oven (Cherry prefers seasoned).

Pop Pop Pop Pop Pop Pop.

"Thank you, Sella. Didn't want to burn the —" He's practically beaming, paying absolutely no attention to the couple in their pajamas, "Chris, absolutely great to see you again. Kettle corn?" There are multiple bags on the kitchen table.

Big breakfast and I don't even like sweets because you can't put wasabi on them. Or at least everyone looks at you weird, so you learn not to.

"Of course." I take a piece from the bag closest to me and put it in my mouth. "Wow, this is really fluffy but there's a little crunch at the end too."

"Freshly made." He winks at me. "Sella's been an angel putting up with me making a mess of the kitchen all morning. Couldn't stop, the caramel stuff you have at Farmer's is aight. Still can't beat the family recipe."

So Rich comes from a family of magi who transmits a recipe for popping corn in a great stone castle somewhere in the secluded winter wastelands of rural Germany. I find that hard to believe but just nod.

"Who's going to eat all this?"

"This is a little embarrassing. I posted a picture of my kettle corn once then fans being fans, kept DM-ing or @-ing me to sell them Rich's homemade kettle corn from his secret family recipe. Every month I make a few bags and send them to some lucky subs."

"Kettle corn startup to go with the channel?"

"What's the point?" He pours the finished batch into a plastic bag so that not a single popped kernel falls onto the granite kitchen table. "There's no usable mystery in kettle corn."

That means there is usable mystery in sending homemade kettle corn to subscribers.

"Well, thanks. The kettle corn was good. I'm sure your subs will be hyped."

Rich leaves the empty dutch oven on the stovetop and as he removes the potholders and apron, he notices that the homunculus he called Sella won't relax around me.

"You two haven't — Sella, this is Chris. Great guy. The former overseer of the Grail War before Father Phahn."

Sella's eyes immediately lock onto the chain I'm wearing around my neck. "Overseer implies Church, Albert."

Rich's real name?

"Come on, Sella. Church or no Church, Chris is a good kid. Even Archer thinks so, right buddy?"

Little illusionary zaps of static electricity within my circuits sends me into shivers as Archer materializes behind Rich. "Hail, child. A good day for a Lamyros hunt."

I'm not sure whether the True Ancestors came up with the name Dead Apostle or whether it was something the Dead Apostles themselves coined during their rebellion, but I wish Archer would at least say vampire or even just bloodsucker. On a good day, I'll even take hematophage.

Sella bows without hiding the scowl on her face as she turns to walk away.

"Already time for your daily swim, Sella? We can adjourn to the jacuzzi if it's convenient."

"I didn't bring any swimming trun—"

"You forget yourself, Albert. I must make it known to milady that her. . . guest has arrived." She exits the room and heads up the stairs.

I won't let the drone of the television dominate in her wake. "Very professional. A real work of art. How long have you two —"

"Sella's wonderful." He pours himself a water. "Made me everything I am."

Rich looks like he's in his early thirties so that would mean Sella, a homunculus, is at least twenty years old. Wow, Einzbern homunculi are really in a league of their own.

"And you?" He fires back. "The Matou truly have fallen if one of their own has joined the Church," then mumbles something about giving the Ishtari a pass.

"Cherry and I aren't related. I'm adopted. She was Di—" This is enemy territory, but since I've already started speaking, "She's an arborist. Certified, of course. Did her training with the Arborist Training Institute in Japan under the instruction of— I forget, but someone important. Passed the ISA certification exam and was part of the Japanese Arborist Association before she moved here. She's currently the Mission's resident arborist, and also does independent consulting around the county. There are about thirty, I think, ISA certified arborists in the county because of all the new vineyards up in Paso. If there's a big job and they need an extra chainsaw, she's always willing to put her spikes on."

"Good on her! Sawing down the glass canopy, now that's what I like to hear!"

Archer almost snorts. "Witches have been known to heal a tree nymph or two. Nothing remarkable, Tuner."

"What about yourself, Rich? How did all this —" I make sure he sees me turning my head, admiring a room created to be visited, pretending to not see the couple going about as if everything was normal.

"Oh this? The family decided it was more efficient to take control of a building in Tolosa than build our own again. Your Church and Thorn aren't exactly helping, refusing to recognize the Einzbern's rightful claim over the Grail." He slips into the heretical face I saw last night.

Just laugh.

Luckily, Fillia walks into the room before my laugh becomes awkward. Both Rich and Archer immediately stand to attention and bow. I guess Sella did take a dip in the jacuzzi.

"Executor—"

"In training."

Rich coughs at me for interrupting.

"Executor in-training, I have permitted you use of Archer to exterminate the vermin scuttling about our family's noble ritual. Therefore, I believe we have the right to know your methods."

"Archer mentioned your friend—"

"Amazing person that I would be happy to call our friend, but not a friend," Rich interrupts. "A cute stray Archer picked up. He does that, breaks trees to save stray kites."

"Twice, Tuner. Seeing those children's disappointed faces reminded me of the wish a dear crewmate once confided in me. In this era, her wish would likely require the Grail. . ." He finishes drinking and then compacts the can of 805 in one hand. "I admit the Tuner is correct, child. That distracted, sharp-tongued girl-child is more like the daughter of a tiresome cousin and her Servant, a reluctant attendant."

"I was hoping to talk to her. Maybe she got a look at the Dead Apostle. Anything, really, would help."

"Worthy idea, child. Tuner, did she not give you her communication numerals yesterday?"

As if conducting the first downbeat, "I'll make the call for the location of the Greater Grail."

"Mila—"

"He has every right to ask this of our guest, Archer," the homunculus says. "Hunting a vampire alone brings us no closer to the Heaven's Feel. With the Grail's location, we can guarantee its status and authenticity."

I thought they might ask that. Winning's important, but they're homunculi. If they lose, they can construct a second generation to fight again. What truly matters to them is whether the system they've built has survived and is usable to reach their objective.

"I can't do that." Because I don't know. And more importantly, yesterday, I stood up and left with Cherry. Consistency demands I accept and follow through with my choices. "But I can take you to the city's fallen leylines, the places where the Holy Grail can descend. From that you can interpolate the most likely location for the Greater Grail. . . and any Dead Apostle lairs."
 
33/ Beneath the Cherry Blossom Tree
33/ Beneath the Cherry Blossom Tree

By the time I get out of the house and bike to the former Mason Lodge, now Church, the Sunday school room is empty except for Mary in a corner with only a mug of the bowl-cut priest's hot chocolate for company. Intently reading a paperback, she leans back on a small, blue plastic chair while using a second one as a foot-rest.

Hats off to you Mary, at least you don't look like a cook from Downton Abbey anymore. That designer jacket over my grandmother's dress makes you look like an aunt who decided to deepen her relationship with God after her kids went to college.

"Any good?"

She doesn't look up, "'Bout an Irish girl, member of the Walking People, who immigrated to New York."

I meant the hot chocolate.

"So. . . like you."

"Aye," she spreads the book, eagle, in her lap. "If ya cared enough to remember that much about me, why on the Lord's good earth did you pull such sheer nonsense last night."

Don't look down.

"Answer me, girl!"

As coldly and matter-of-fact as possible, "To win." This is not an apology, but an explanation.

"To win?" She starts going red, "You almost killed me and from what I heard you got yourself killed."

That was all. . .

"This is a war, right Mary? Or opponents might be magi and heroes but that's just a sanitary illusion hiding the despair and the meaningless sacrifices that any victory is built upon. We have to live in reality, unlike Rider, with his head stuck in that helmet going on about glory being in the battlefield or whatever."

We only escaped last night because I did what needed to be done as a Master. For the first time in a long time, I tried my best and succeeded. I need Mary to understand.

"What does. . ." she pauses and looks me in the eye for a second, "Nadine, weren't you scared?"

"I. . ."

Before I'm able to reject that ridiculous question, the door opens and in strides Phahn and Rider to debrief us. Phahn explains the Church didn't have to close the entire parking garage but the roof won't be usable. The cover story they're using is that a pickup truck was parked on the third level with faulty gas cylinders in the back. Additionally, there are no additional defenses around the Mission, which would mean Saber's Master doesn't suspect what happened was a failed breaking and entering but just an unrelated skirmish.

"Berserker's Master. . . Amelia was it? What was her deal?"

Happy to oblige as always, Phahn pulls a manila folder out from the bottom of a pile and flaps it in the air. "Amelia Levitt, former pediatrician at Snowfield Central. Her sister was Lieutenant to Police Captain Orlando Reeves of Snowfield, a Master affiliated with Thorn."

Why even produce the folder when you're going to tell me her life story?

"You might not have heard about Thorn before. It's the name the US government's supernatural special forces adopted out of respect for what happened to their compatriots during the Snowfield Grail War. From recordings the Church has access to, one of the masterminds of the ritual — Assassin's Master — was known as Cattle, and Lancer's Master was Famine. Amelia Levitt is known within the organization as 'Veritas,' no doubt in tribute to her sister."

Let me guess, type-A personality, qualified at the top of her class, strong, yet not overbearing, recognizes it's her insecurities and flaws that give her true strength. She lives in the shadow of her sister and is haunted by some violent childhood event involving puppies, birds, or lamb screaming.

"Are they more like magical 007 or Men in Black?"

Phahn smiles, "A mix. Their work mostly consists of toppling heretical regimes, the occasional asset extraction, and assassination. I hear they have an agreement with the owners of a sacred mountain in the American heartland for use as a prison. Their version of the Clock Tower's Bottom of the Bridge. From Veritas's record, she was an assassin: Seraphix, the North Sea, Monaco, even Albion. She chased down the remnants of the Scladio Mafia. They're. . . ."

I put my hand up, "I think I get it Father, no need to explain further."

If magical spycraft can exist in a thousand pages, a thousand voices, a thousand screens; then surely reality, the largest canvas, can contain these narratives. There's no reason to be astonished because Americans lost faith in our institutions a long time ago. The general public just lacks eyes that see into this world.

"Not to mention her rabid gorilla may as well be my natural enemy," Mary spits out. "What do they want with Nadine?"

"Tuba. She muttered something about a tuba."

Phahn raises his eyebrow, "Now there's a lead I'll follow up on. Either way, ladies, you are under the protection of the Church now. They aren't likely to bother you again."

Forfeiting the Grail in exchange for granting Mary's wish was the optimal play, so why do I feel so unfulfilled?

"Now the pleasantries are over, let us replan your infiltration!" Rider's booming voice breaks my train of thought. While Phahn was talking, Rider was sticking yesterday's print-outs back on the whiteboard. He'd make a good wedding planner. "How I've missed restrategizing in a canvas tent among my surly officers. They would all complain that we were men of action so there was no need to restrategize. But I, the true man of action, led and acted according to the situation. And what is the current situation we find ourselves in, little lady?"

Dude, that's one self-satisfied rust-smelling finger you're using to force me to participate.

"Depends. Did Archer manage to kill Saber?"

I'm getting good at this Master thing.

"No such things as dependent variables in war, little lady; only decisive action brings victory."

"She's right, 'sir.' Bounded field alone, I'm sure I could manage, but I'm more than a few ranks below that braided gorilla-woman and Saber is a few ranks above her. We need Archer to distract her."

"Needless worry. Saber will be absent for most of the day."

"How do you —"

"Because it's the Mission, Mary. These guys are the Church. I'm sure they have eyes and ears somewhere inside like a Trojan Horse, right?"

"Observant, Nadine. You really do strike right to the core of the matter."

Come on, yeah, but you don't have to say it every time with that approving smile on your face. Geez.

"And, Mary. If you don't mind, we will need your help for tomorrow evening's assault."

"I do mind, Father. That wasn't part of our agreement."

"Our cooperation was contingent on Saber's defeat, no?"

"Nadine."

"He's right. . . Getting your name cleared is important and I know you don't want to attack a church, but we requested sanctuary from the Church in exchange for helping defeat Saber. We're not fulfilling our side of the promise if we're not doing as much as we can to help."

Mary turns away even if that's the truth.

"Worry not, madam. Your role will be insignificant and most likely unnoticed. Simply, we wish to keep you within the Mission in reserve to warn our forces if reinforcements arrive, or if the situation calls, cause the demise of Saber's Master."

"First attacking a Mission and now assassinate someone? I'm here trying to clear my name and you have the nerve to. . ."

"Mary. Rider doesn't mean killing her. You could ummm knock her unconscious or like cut off her Command Spell."

"No, little lady, I quite literally meant the madam should put that witch out of her misery. But when you put forth such alternatives, no doubt built from your modern feminine sensibilities, I shall have to defer to Milord."

"As long as Rider has the support of the Mission he'll defeat Saber. Mary, you're to ensure victory in whatever way suits you."

Master negotiator in the house, right, Lorenz?

Mary glares at their boyishly soothing grins until, "Fine. Have it your way. You people always have."

"Mary. . ." I start.

I'm interrupted. "Mary, I beseech you as a humble servant of the Lord to another. We cannot deliver the Mission dedicated to Saint Louis from Makiri heresy without your aid. And once Saber's Master has paid the price then —"

"Ain't vengeance solely the domain of the Lord?"

"Not vengeance, woman, this is justice." Rider barks.

Phahn puts a hand up to calm Rider down. "Mary, you of all people should understand justices' purifying waters. Do you not seek the justice that you deserve?"

"Justice doesn't make an entire life's worth of suffering disappear, Father."

"Of course, but justice can ease the pain of victimhood, no?"

"Bah, such pain can only exist when there is hope of salvation."

"All may find salvation under the sacrifice and guidance of our Lord and Savior, madam."

"Aye Rider. That's why I forfeited the Grail and joined you at the Church. . . no?" Her eyes almost sparkle with distended rage.

I don't understand why she's mad. True, all life is sacred and humans do have immutable rights but Mary, you're a ghost. Whatever happened is already beneath and behind you. None of what happens here on out will affect your 'good name,' nor will it change your past. Rider and Phahn are just trying to help, so why won't you let them help you achieve your selfish goal. Because honestly. . . I think they're being quite reasonable.

*****​

According to Mary, there's no longer a bounded field around the Mission. Makes sense, someone's about to notice if no one wants to visit the biggest tourist attraction in the city. My guess is the bounded field is only active when the world is moonlit and Servants fight. Lucky us. We get to waltz through the back gate, past the parking lot into the empty garden, before sneaking behind the rosy, speckled stone Youth Center into an outdoor ladies room.

My heart tries to burst out of my chest when Mary takes the candle and listening device from my bag. She looks worried. That reminds me of what she asked his morning before the bowl-cut priest and Rider interrupted us.

"I wasn't scared."

She blinks.

"Last night, I wasn't scared."

"Is that so, dearie, well that makes one of us."

"Yesterday morning, you said I wasn't suited for war. You're wrong. This war is exactly where I can do the most good."

"Maybe you should have said that before you forfeited."

I show her the blank back of my hand. She can't see what's hidden underneath, but we can both feel our contract, the intricate Command Spell, that binds us.

"Yes, because it was obvious we couldn't win." And neither of us has any use for the Grail. "But I am a proper Master. The Holy Grail chose me."

"Was that meant to inspire, dearie? Like one of Rider's ridiculous speeches."

How about being happy for me?

"No matter what happened last night, Laurent was right. We made the right choice allying with the Church."

"Doesn't mean I have to like it."

"This. . . this is all for you, Mary. To clear your name."

You don't have to like it. You need to look at the bigger picture for once. That's your weakness. You're forever stranded on that little island where they placed you at the end of your life, and comparing everything to that single transgression.

"I just want you to understand where I'm coming from."

"Oh, I understand alright, dearie. I was the one who proposed the alliance in the first place so don't talk to me like I don't understand."

"Then why are we arguing? We have a Mission to infiltrate."

She looks at me through the paltry light a single bulb can offer, opens her mouth. . . and then shakes her head. "No reason, Nadine. Come on then, put on the hair ornament as planned. Then we'll infiltrate the Mission. Lord forgive me."

*****​

"I sit on a wooden bench overlooking the first three bells ever used in Mission history, a well where a mother might tell her daughter a princess kissed a frog, some recently abandoned gardening equipment, and a long pergola above the main path filled with climbing plants any Italian vineyard would be jealous of that allows slants of glare to make what I'm scrolling through almost unreadable even at max brightness. With a flick of a fingertip, celebrity, authority, supposed peers all sail by without distinction, without filter other than the button you tap when you don't agree with the other person.

"I've placed the listening device under the kitchen table. I'll be making my way to the altar now. Oh and dearie —"

"Sounds like I'm about to get another famous Irish lecture."

"Girl, you do not want to take that tone with me."

"Shit. She heard that?"

"Are your thoughts always this crass?"

"Damn this experimental Church forelock relic. It's not like Mary and I can talk in person or electronically while she's infiltrating the Mission with her Presence Concealment, so Phahn loaned us these hair extensions the Church is trying to develop as universal translators. For now, they can only do telepathic connections between people a few meters away from each other. Apparently, most agents are proficient enough with holy sacraments they don't need a sacred relic to communicate. This relic only works for women; something to do with the holiness of the Virgin's tresses. Sounds a lot like magecraft with some extra fancy words to be honest."

"Girl, I'm trying to concentrate so could you please, shut up!"


I immediately unclip the lock of hair because that wasn't only an annoyed Mary thought. Not going to lie, pretty terrible at this telepathy thing, but I felt her fear through both the artificial telepathic connection this relic established and an additional sense of urgency through the Master-Servant link. Worst case scenario, the Saber's Master smelled? sensed? whatever the verb is, the magical energy from the relic.

I've cut the connection's so Mary should be fine. . . No, I'm her Master, it's my business to make sure she's okay. It's a Friday, there's bound to be quite a few people in the Mission even if no one is in the garden. I'll just make my way through the back entrance here and. . .

"Oh. . . sorry, excuse me. . ." The woman I bumped into apologizes. She's wearing a broad-brimmed straw hat and work gloves while carrying an Archimedes screw attached to the motor of a hedge trimmer. "Excuse me. . . but the sign in the front says the garden's closed today for maintenance."

Asian lady with black hair that shimmers purple in the sunlight tied back with a red ribbon. Fuck. Saber's Master. At least Mary's okay; I can still feel the magical energy she's taking from my magic circuits.

"I came in from the back so I didn't quite get the memo."

"Since you're already here, how about you give me an extra hand? I'll get you a pair of gloves. What's your name?"

"Nadine." I look away even if I have nothing to hide.

"Nadine. . . that's a lovely name. You can call me Cherry."

Her smile is soft, serene, and crooked. The slight asymmetrical curve makes it more believable, relatable.

*****​

The fuck is taking Mary so long. She left to infiltrate their kitchen and hide the listening device under the table fifteen minutes ago. I've been digging holes close to double that and I can't clip on my hair extension because Cherry, Asian tree lady, might turn her motorized drill on me instead. Don't worry; she doesn't know who you are. Magi are just eccentric people who ask girls they find sitting in a perfectly public garden to help fill holes with foul-smelling fertilizer.

Worse, rather than just shoveling the fertilizer around the trees, putting a layer of mulch, and calling it a good day's work like my mom's gardener does, this lady drills holes into the turf. The regularly spaced holes extend to the circumference of the branches forming concentric circles, miniature crop circles, that I fill. Then, she fills the remainder of the space with some sort of filler.

"You're doing this for every plant in this garden?"

"Only the ones who need it. Over encouraging a plant is fatal."

Story of my generation.

"What about the ones next to the footpath? You can't exactly drill through concrete."

"For those unfortunate little ones, we'll do our best with what we have. Just like me with you."

Fuck you too. I'll pretend not to have heard that and focus on shoveling the fertilizer to keep Mary safe.

Asian tree lady is unnerving because at first glance she's the type of person you bump into and don't feel the need to apologize because she'll always apologize first, but as we're working, she's so bright and cheerful in a dignified way that you can't help remembering the gloomy stain of that first impression. Almost like some blackened sun and these plants are the shadows she casts.

"You don't have that much experience with gardening do you. . . I mean to say, I can see you're outside of your expertise, so thank you for giving it your best shot," she speaks with a quiet, unassuming voice that's a toe behind the boundary separating kindness and patronization.

"It's a beautiful garden." People don't appreciate gardens anymore, you know. They just come here with boba in hand to take selfies, forgetting there's real magic in this, real mystery. She's proof.

"When I bumped into you, the look on your face was the same as the boy I'm looking after. You can see it on his face that he knows I'll take the blame, yet he always apologizes. You, on the other hand, had the same expression, but said nothing."

Asian parents shilling their polite kids, amirite? If I had known you were just fishing, sorry, digging for an apology, "Sorry?"

"Like that. You cut to the core of the problem and immediately reject the premise. There's no attempt to punish yourself or aim to correct. Almost like you're one step behind yourself, overlooking everything."

"Your kid must be the same then."

"My. . . excuse me?"

"Your kid, the one you said that had the same expression."

"Oh. . . yes."

Come on Mary, give me an out already. Even if we can't telepathically communicate, I'm sure you can think of some way to contact me, because I think Asian tree lady is getting dangerously close to suspecting I'm a Master. Or perhaps she's already figured it out and is just toying with me. No wait, I'm panicking when I should be thinking.

"What about you," I ask. "How did you get into all. . . this?"

In her mind, I have the dematerialized Servant( upper hand) .

In my mind, she's the one with the upper hand( a better mage) .

But. . .

I know she doesn't know Mary's in the Mission.

She doesn't know I know Saber isn't here.

"This? My grandmother."

I can win this incomplete battle of attrition.

She whacks the back of a shovel against the last hole she's filled to even out the filler material. Instead of piercing the ground with the tip and leaving the shovel as a marker, she cradles the shaft in both arms.

"My grandmother planted a cherry blossom tree in the front yard of the house I grew up in that never blossomed. I never knew her, but according to my family, every day without fail, she would go into our family's greenhouse and haul the refuse from the worm farm to fertilize her cherry blossom, so while the tree never bloomed, it still grew. When she passed away no one looked after the tree." Walking up to the tree we were fertilizing, she gives it a friendly tap on the trunk. "During my first year of high school I was going through a tough time and looking for distractions so I borrowed some books on tree care from the local library. I worked on the tree little by little until a few years later it finally —"

Through hard work, grit, and determination, the day was won. How American. How many times have I heard the same thing?

"Sen— My boyfriend even came over and we watched the blossoms together. The tree was beautiful. I was happy. It was a really, really precious time for me. And do you know what he said?"

Dropped down on one knee, pulled out a ring worth three months of salary and popped the question?

"'Your caring touch is the best thing about you.' Like everything my grandmother and I placed underneath that cherry blossom tree to make it grow and then blossom had been a loving gift. But underneath all this. . ." she plucks a still verdant leaf from the tree that should be nothing but bare branches.

"Quite a mystery, isn't it?" I tap the bucket of fertilizer with my shoe. "You look at something so disgusting and wonder how it can produce flowers."

At the end of the day, ugly and beautiful are words to describe variations of the same thing. Like trees and shit are just carbon, so is paper.

"No. . . a mystery isn't something that is simply seen and then understood. It's inflicted upon you, until it's carved into the pit of your body. Understanding 'what' isn't necessary, but 'how.' How it sounds. How it smells. How it tastes. How it feels. It is completely foreign, completely other, until it becomes a part of you, so that no matter how much you detest it, you can't reject it. The mystery is all the scars( corpses) underneath the cherry blossom tree," her eyes distant. "Do you understand what I'm trying to say. . . Master?"

Of course. My best friend gave my brother a handjob. A vampire tried to suck my blood. And just yesterday a government operative cornered me in a parking lot. I get it, Asian tree lady. Mystery is the infinite moment between two heartbeats that melts everything inside of you and when you're stripped to your very essence, when you've gone beyond the self, you see those corpses that you mentioned underneath everything because they're just paper. You boast this is a world you can feel, lady, but I can see it.

"Pausing to emphasize an everyday word doesn't make you threatening." My heart's racing. My face better not be turning red.

"You were really helpful with gardening and I enjoyed our conversation, so that was only a friendly warning. But I have a prior appointment to keep, so could you and your Servant please leave before I call mine?"

Bitc. . .

My phone vibrates. Caller ID says Bowl-Cut priest.

"Hello?" I answer right in front of Saber's Master. That's right, this is what your local young professional's Facebook Group calls a power move.

"Nadine, I'm at the ch—" I hang up because who knows what mages can do to their hearing.

"It seems we have lunch plans too."

In one swift motion, the lady pierces the ground with the tip of the shovel before crossing her arms underneath her chest. "Hopefully, we'll be seeing each other again. Take care. . . again, thank you for the help."

"You too." I start walking out of the garden and onto the asphalt of the parking lot. "And if your kid's anything like me, good luck."

Stop smiling like a buck eejet, dearie, and clip that hair extension back on is what Mary would say. Clever, Mary. She knew that I was with Saber's Master, so after finishing the candle swap, she must have returned to Phahn's Church instead of trying to signal. I'm not so sure why she took so long to swap the candles, but we can talk about that later.

"Nadine."

My heart throws itself against my ribcage again as I jump, startled. Who grabs people's shoulders from behind in a public street? The pounding heart almost stops when I recognize that voice.

"A-Amelia. . ."

The same strawberry blonde so-called secret agent who tried to kill Mary. She seems to have a few more lines on her face.

"You can't do anything here in broad daylight. There are too many people." Am I trying to convince her or myself because there are hundreds of ways she could magically kill me and get away with it running through my head. They should give me her job.

"Nadine," she says. She pauses, blinks twice and then nudges her head the same way my brother does when he tries to get water out of his perfect ears after his mandatory twenty-minute morning shower that leaves me with less than five. "Nadine, I am, sorry, not here to hurt you. Really. I just want to help you. I know you are under Sancraid's protection, but if you ever need help, call me." God, you're a magical secret agent not a school guidance counselor.

She presses a business card into my palm. The raised lettering brushing my palm is nice, pretentious, but nice. I thought she was done with me from that gesture, but no, she has more, "Why were you two visiting the Mission?"

You two, huh.

"My Servant's Catholic. The Mission's the most Catholic place in the city." You're not getting away either, "What about you?"

"I'm from the Silver State. We get a bad rap for being mainly desert and having the biggest adult playground in the country, but we have a lot of towns like Tolosa, so I wanted to take a look around."

Liar.

We shake. Like one of those fabled awkward gyno-handshakes when you're not sure what to do after your first pelvic exam. After that torturous three seconds, she turns and her sensible flats start clicking up the Mission's steps.

As for me, let's hurry back to the Church to let Mary know why you hung up on her. Considering our big win, there's no way Mary's still mad about yesterday. She's your Servant. She'll understand. Then, with a bit of good luck, we'll be able to hear Amelia and Asian tree lady with the listening device.
 
34/ Winter Factory — magni
34/ Winter Factory — magni

When there's no available information on a Dead Apostle, the default becomes hunting The Dead.

Disposing of enough of these familiars forces the Dead Apostle to move. The Dead are worker bees, supplying their Queen with blood. Wringing that metaphor for all its blood, creating Dead is almost like a mating instinct for Dead Apostles. Consequently, the oddest thing about our situation isn't that a Dead Apostle has intruded upon a Holy Grail War; it's that there are no Dead in Tolosa, yet there is clear evidence this Dead Apostle has been hunting, making potential mistakes or producing a pattern from which I should be able to construct a profile.

Father Phahn and the network of Executors around the city may have actual information about the Dead Apostle, but my ally isn't a member of the Eighth Sacrament, but a family of alchemists who specialize in the flow and transfer of power. So, I used them for my original plan: finish mapping Tolosa's main leylines, find any distortions, and launch Archer at the Dead Apostle's lair like a tactical missile.

The afternoon ended at the last fallen leyline — Hollister Peak, one of the Sisters in the Irish Hills Natural Reserve at the south-western edge of town. Other than Lancer's tree and the sparse shrubbery, the only feature of note is a creek that delineates the border between the Sister and civilization — a shopping village Costco where Archer and I are currently sitting because our food court dinner's on Rich.

From the red plastic bench heaving under Archer's weight attached to a table that doesn't have its own Kirkland umbrella, our view is either two almost dead trees on either side of a sign letting shoppers know this is parking lot row B/C or the soda foundation/condiment station behind us. Archer looks directly at the customers, some with filled shopping carts, others with nothing but their phones and keychains, all waiting to order or pick up pizza.

They should all be hysterically screaming or foaming from the mouth, but Rich cast an attention diversion spell on Archer. He temporarily lowered his magic resistance to make that possible. My guess is rather than showing anyone who looks at him an illusion, their attention, no, probably their consciousness is diverted away from the hulking divinity who refused to go back into spirit form after we encountered another one of Lancer's trees on top of a volcanic plug because there might be ignorant hikers who need his help. The words from the trees were the same except this time it was lust, I believe, that was built on rape. Isn't sexual assault supposed to be about power?

Envy, wrath, gluttony, sloth, and now lust. That's five out of seven, each one of the Sisters. Exile, augury, abduction, hubris, and now rape. The foundations of Lancer's Noble Phantasm, the symbol of the Heroic Spirit. These trees then must be injecting his very legend into the leylines. However, greater rituals like that cause changes in the World. We've seen trees at five of the seven foci. There should be more than enough magical energy in Tolosa's leyline system to see some environmental change. Since there hasn't been, maybe Lancer needs a catalyst or separate ritual to fully active those trees. I'm not sure what we saw was Lancer's legend though.

In our collective vision, after tending to the temple flame, the young woman rested on a couch. The flickering flame burst into life, molding itself into the shadow of a figure wreathed in divine thunder — Archer. The divinity stepped down from the everlasting flame; the crackling woke the poor girl up. Archer denied what happened next with an 'I had no relations with that priestess. I'd remember such fine a physique,' when we regained consciousness. I accepted what happened and didn't ask anything else. Rich suggested that we get dinner to clear our heads.

"I was wrong," Archer says, eyeing a father and child collecting a cardboard box. "Nothing's changed, only hidden. What was so obvious to my contemporaries: the survival of the fittest and the fragility of life has been exiled to the depths of human consciousness, unable to be spoken of in polite company. All the while what those in my time dismissed as fleeting fancies have now become eternal foundations that culture is built upon."

"Was 2004 so different, sir?"

"I recall nothing of substance. The Grail strives to avoid paradoxes."

"But you remembered Cherry, sir."

"Yesterday was the first time I've met the witch. But yes, your mother was temporarily my Master for a time."

"Excuse me, sir, she's not my mother."

"Good. I was concerned. You look nothing like her and witches are known to spirit babies away." He rests his elbow on the plastic table. "Her tresses, attire, and aura may be different, but that gloomy, guilt-ridden, demure expression remains the same."

Cherry's thoughtful and caring so she cares about how other people see her. At the same time, she exudes a certain dignity, knowing exactly what to say at the right time, to the right person. I bet that came from being the captain of her high school archery club. I think they even got to nationals that year. If she wasn't a magus, she'd be an extremely boring character in a movie.

"Not the guilt one feels for having hurt someone close or dishonoring oneself, but guilt at one's inability to fit within the tales told in a ship's mess hall or in the cave of an old friend over a jar of wine. I understand that feeling too well — as if you are nothing but a plaything for the gods. However, you should not feel guilt over that. Resentment, anger, the need for vengeance, all valid. But not guilt."

"Vengeance only begets more vengeance, sir. Dark flames continue burning long after the actors become the forsaken."

"Better burned alive than let self-inflicted guilt fester. Lamenting the incongruity of expectations and reality, the tendrilled curse perverts all aspects of one's life, producing a shadow phase of inverted meanings, namely, all the possible evils in this world."

All the evils in the world — isn't that just another name for everyday life? The accumulated misunderstandings, the unbreakable status quo, the mediocre box we force ourselves to exist within; I can't help but think that's everything he could have wanted. But, I'm the one that's here in his place. So I must forgive it, because it all has value, it all has to be beautiful. And Cherry is part of that. . . yes, just like the Mission, Father Kelsey, the old man, and Kayla. They're all just heads in a locker( merely foam) .

"What about Saber?" Her mechanical expression was as dull and cold as the clouds that covered the moon the night we met, yet caught my breath. "You seem eager to fight her."

"Once, I wrestled Death to save my host. I wouldn't mind doing it again if Death was she —"

"I've always wondered what would happen if Costco started serving currywurst." Rich drops two empty Pepsi soda cups with foil-wrapped hotdogs inside each onto the table and hands me a sundae. I hate Costco berry sundaes, but Rich incessantly told me I'm his guest, so I take it to give him another opportunity to let me know what a proper host he is. "You shouldn't have."

"No, no, no, you're our guest. I insist."

I look to the greatest hero in Greek myth and possibly the world for splitsies, but he's too focused on making sure there aren't any pedestrians in the blind spots of cars backing out of parking spaces.

"Hey Rich," I call out, but he can't hear me because he's already halfway to the condiment stations. I rush over as he's pumping neon-green relish onto his hotdog.

"Go ahead, Chris." He takes a step back so I can get my condiments first before noticing my empty hands. "Where's your hotdog?"

"Oh no, I carry my own condiments. Church thing. Didn't you get Archer anything?"

Blank stare for a second, then his eyebrows twist into his forehead as his neck slightly tugs his head back. He doesn't understand how a former Grail War overseer could say something as outlandish and unbelievable as the earth being flat. Scratch that. Dead Apostles being able to use Reality Marbles because they're distorted. Scratch that. Ah. As unbelievable as our Lord and Savior Jesus Christ, Son of God being a Magician.

"Chris. . ." A lopsided smile, as if half-afraid he might offend his guest, half as if he's explaining fundamental ether theory to a child. "You know that Servants don't need to eat, right?"

*****​

"Wasabi on a hotdog is just like adding too much mustard and then feeling everything in your sinuses."

"I understand sushi, but a hotdog?"

"There are people who put ketchup on everything."

"Pfft, Americans. So, it's true then. You Church folk have no sense of taste."

"And what's a magus doing making video game leitmotif videos?"

Like the diced onions falling from the bun into the foil, Rich's smile instantly drops, "Are you asking me as a content creator or a magus?"

"I wouldn't dare ask you as a magus; that's meant to be a mystery, no?"

He picks that smile right back up and pastes it back on his face, "You don't look like one of those 'true believers'. What's your deal then, revenge, side-hustle, nepotism?"

"Revenge with a side of nepotism. Dead Apostles killed my parents."

"Oh. . . I don't know how much this means coming from a magus, but I'm sorry."

He's not. I know what false sympathy sounds like.

"Truly, child? I would have never guessed your labor against this Lamyros was so personal. You railed so ardently against vengeance not yet minutes ago." Archer turns back towards us.

"Haha, yeah I guess I'm a real hypocrite, aren't I. It's different when you're the person involved."

Rich nods like he completely understands the sentiment, but Archer won't stop looking at me. Does he want the rest of my hotdog?

"So there. You know all about me. Rich, but you still haven't answered."

After rattling his soda cup to make sure there's drink left, he slurps the residual raspberry-flavored iced-tea. "Matou ever take you to Japan?"

I shake my head.

Cherry's been back a few times even though she relinquished temporary Second Ownership when she agreed to help Dilo. Her sister was up in arms about the move, all ready to march into Tolosa but from what I've heard, the Tohsaka family has a good relationship with the Church they don't want to ruin; at least that's what Cherry emphasized to get her to back down. I think if Cherry's sister had known about the Grail War, she would have single-handedly declared war against the Church.

"I had just finished my Masters in Berlin around the time the Clock Tower's Spiritual Evocation department mediated some territorial disputes in Japan. I believe it was due to the untimely death of the former Matou head. As the Einzbern Tuner, I had no reason not to visit."

"No reason not to? Isn't Japan a Far-East backwater?"

"Chris, how could you say such a thing! Japan's a beautiful country with a wonderful culture."

How quickly his switch flips.

"With warriors employing such reckless tactics they border on profound," Archer scoffs with a grin. "An elegant swordsman putting on the stance 'If you come any closer, I'll perish but I most certainly will take you with me,' is inviting as any blossoming virg—"

Rich coughs, cutting Archer's reminiscence of the previous Fuyuki Grail War short. I can't believe he still claims he didn't fight.

"I took the opportunity to teach for a little while in rural Nagao. Great hiking trails; could easily compete with Tolosa. I'll never forget watching the Magnituning."

"Magni-tuning?"

"A Japanese underground marathon. It's broadcast throughout the Dark Web. The race itself is called Magni. Crazy stuff; people die." His eyes brighten, not at the mention of death, but at the chance to explain. "The contestants for this one were all men: a boomer, a millennial hustler, a very. . . fluffy fellow, the cutest old man, and a yakuza stereotype with a sword tucked into his waistband who was definitely on heroin. Would you like to guess who won?"

"No one. The race is a metaphor for —"

"As if in the grips of Lyssa herself, the addled bandit slaughtered the other athletes!"

"You're both wrong but at least Archer was close. Man, that yakuza guy, euthanized a puppy, sexually assaulted a lady, executed a gigolo, and then went on a shooting spree before a rival gang put him out of his misery. Amidst the insanity were people watching, reveling in the carnage."

Like you.

"The girl who introduced me to the event was part of a group chat from either an imageboard or Twitter. Anyway, these folks, boy, you could tell for the duration of the race it meant everything to them and somehow absolutely nothing. They'd change their usernames to match the hurdles in the race they most identified with or thought would make the best meme; speculate who had the biggest dick; get bored and type something into that little box just to have it appear in a larger chat box."

I see a different scene. The moment each door opens the contestants start jogging, sprinting, walking, waddling, dancing — the method doesn't matter, the finish line might not exist. All that exists are the thirteen frames of action. The marathon is nothing but a recorded band with each event as a snapshot in time. Five courses, but the contestants aren't Olympic track and field material, so they'll never stay in their own lane. They coalesce, intermingle, add and subtract value yet the whole( thirteen frames) remain the same.

"There was this guy in the chat called 'Nameless' who had been complaining about missing the deadline for a manuscript. Can you believe the guy ended up writing a fanfiction about the race instead of finishing his overdue work? Everyone else in the chat hated it, but he had the right idea. Summarizing, commentating, speculating on the work was entertainment. The interactions between the viewers became the spectacle each viewer hoped to find within the race. Without intending to do, each viewer defined the boundaries and the rules for their version of the Magni, creating a maze that utterly isolated the content in front of them from its context, leaving themselves with the impression, 'everything makes sense in the end,' simply because there was an end."

This race is not a miniature version of life. Those chosen for the race are not special. Those who watch aren't average. We're all just weak, pathetic human beings trying to kill a Dead Apostle to prove to ourselves even if the bubble is empty, there's still value. There's still a race to run.

"Tuner, the boy's losing interest. Who won?"

"The pedophile. He made a mad dash towards the end, lost almost all his body fat, and was greeted at the finish line by all the girls he ever loved and had rejected him."

The fat guy was also a pedophile?

"Did he get arrested?"

Archer raises an eyebrow at me.

"The yakuza man shot the arresting officer."

"Then what happened to the girl?"

"I never mentioned a girl."

The little girl in the TV screen who waved to the suburban dad as the millennial bureaucrat grabbed his groin. The little girl who held the old man's hand before he was run over. The little girl Rich never mentioned but I assumed had to be there because —

"You said he was large and a pedophile. . . My fault for assuming." I finish my hotdog. "Are you, the Einzbern Tuner, participating in the Grail War to find an ending?"

The Gate to Heaven is closed, the Winter Saint's magic circuit dismantled. There is nothing left for the Einzbern family to run after.

Rich flattens out his foil on the table and starts folding it in halves until the foil's a small rectangle the size of his thumb before dropping it into his empty soda cup. Without a shift in expression, he flattens both with his right fist.

"Imagine a doll that repeats 'I love you' even if it's cast aside, forgotten, worn down until it's unrecognizable while expecting nothing in return. That heartbreakingly pure sincerity, how... how do you begin to make amends?"

You can't. The most humane thing to do would be throwing it away because you couldn't bear its purity. I need to throw that thought away because it can't make sense. Just because Dead Apostles abide by their own constructed rules does not mean they have a hint of 'purity.' Dilo's wrong, and a german boxer dog and a jukebox are entirely different things.

"I thought a magus's objective was to reach 「」."

"I like you," Rich, the magus, says. His eyes don't sparkle and there's no accompanying wink. He is just commending my adherence to the formula. He knows that I know the Einzberns who settled next to the Rhine reached「」centuries ago. A magus would never subordinate himself to homunculi, otherwise. There can't be bitterness because if the mutual destination is clear, the river's current can be twisted until —

"Rich, show me the map again."

He takes the iPad from the man-purse that was no doubt part of a sponsorship agreement. After entering his pin, the screen shows a blurry satellite map of Tolosa with the major leylines drawn in red and the leyline foci, the Sisters, circled.

"The trees representing the cardinal sins align to the Sisters."

"Obviously, Seven Sisters, seven hills of Rome. This is a Holy Grail War the Church organized —"

"Not the Church, a single treacherous Cardinal."

"Cardinal, Church, what's the difference? Aren't you Catholics still purging other denominations from the organization anyway?"

Of course not. Like Father Kelsey says, it's like Islam; the militant fringes of the religion don't speak for the rest of us. The Church does important work, killing Dead Apostles, exorcising demons, and appealing to the souls of the masses, so let's focus on that.

"I respect your opinion, Rich. What's important is that this spiritual ground can't support a Holy Grail."

"That's retarded. Use the Golden Grail the Mother Harlot. . ." he trails off before rapping his finger against the plastic table.

The Golden Grail is the opposite of any Holy Grail that the Church would want to summon. It is a false Grail( utopia) that can only grant the owner's selfish wishes. But that attribute renders it 'genuine.' Rich didn't notice, because for magi, as long as the function is identical, the authenticity of the artifact doesn't matter. In imitation, the Golden Grail which does not come from utopia and does not exist within utopia( Tolosa) cannot connect this land to the outside of the world.

"Correctly molded, this land will accept a Grail as the Golden Grail, but the Golden Grail won't connect to outside of the World," he mutters.

Without that connection, it's impossible for this Greater Grail to trace the returning spiritual cores' path and punch a hole to the outside of the World, one of the functions of the Fuyuki Grail. I had never questioned the Tolosa system as the evidence it worked was below where I've lived for as long as I could remember. There's no point planning a cover-up to contain something that doesn't work.

"We should have been following the water."

The beat of steady tapping ceases. "Who the flying fuck would be retarded enough to consider the water?" He almost whispers.

Of course, he's right. Only an amateur third-rate would not take into account magical runoff; after all, water is a major candidate for one of the great hidden mysteries of alchemy, the Alkahest. This Dead Apostle should know that. Hell, even Assassin's Master might know that. Therefore, suggesting water as a way of tracking an enemy is an insult to Rich who serves one of the greatest alchemic families in the West whose spiritual land borders one of the most mystery-rich rivers in Europe.

I open a Chrome tab and type 'Tolosa groundwater basin' in the search bar. After following the first link and waiting for the page to authenticate our browser, there's an interactive map of the city, almost entirely blue.

"Tolosa sits on top of a gigantic aquifer. During the drought, the entire basin was mapped as part of a Danish aerial electromagnetic survey to give us this. Overlay this with the leyline map —"

Rich doesn't need to; the correlation is obvious at first glance.

"The leyline foci, the mountai—"

"Not mountains, volcanic plugs."

He blinks twice at me before continuing, "The volcanic plugs, well, plug the water. Keep it from leaving this region. That must be what the trees are drinking. . . except for the one on Cardinal Peak, there's no water. . . oh, that volcanic plug guides the water into the city's basin, but how does the water get from the coast to the city?"

Unpinching my fingers, the map zooms out to show the coast.

"There's nine." I draw a circle around the famous Morro Rock, the grand( crown) where Falcon and Raven hacked the twin-headed serpent( Taliyekatapelta) into pieces with their knives. Then following the direction of the water, I circle the mystical tributary at the base of the mountain range's spine, the rhyodacite peak — Cerro Cabrillo — known for its east-facing rock shaped like a Tiki statue that watches over the city. No doubt, Father Kelsey's going to be showing off those two landmarks to Saber in the name of 'education.' Then, the final connecting line to Cardinal's Peak. "Two to direct the blessings of the sea to the seven that encircle the city."

"The Muses." Archer leans in. Him reframing the discovery with a familiar concept means he's interested again.

From the root men-, to have in mind or to mountain (over), the Nine Muses are the Greek goddesses that express the illusions humans have dreamed up throughout history. From oral traditions told next to a campfire to electronic documents in the cloud.

"No offence, sir, but I was thinking more Arthurian — Preiddeu An-"

"Shut up, kid. I'm thinking."

— The nine sorceresses of Avalon were the nine priestesses who were tasked with reviving the once and future king, Arthur. Cherry made me read a lot of Grail myths, so I know there's a related medieval Welsh poem with this trope. Nine virgins guarding a sacred cauldron within the Celtic netherworld that does not boil the food of a coward. It's grail mud( spoils) ? Bardic inspiration that the narrator claimed.

"You should have stopped at Arthurian." Rich traces the leyline from the Pacific Ocean and circles around Tolosa, like a lasso. "An inlet sea. . ." His mouth closes and his eyes light up. Pshhh, heretics, just because it's complicated and connected doesn't mean —

"And here. . ." he points to the only lake in the city, just a five-minute drive from this Costco, "is utopia."

Ahhh, so that's the most spiritually pristine area in this town. We've never had it on any of our maps because it's not a place of power. But if a second-rate Dead Apostle is finding it difficult to create an otherworld, of course, they would choose the place that is the most spiritually resilient to civilization. There's just one problem, "What if a Servant's there? Should we wait for Fillia?"

There's always the possibility the Dead Apostle is still at large, and we're walking into Lancer and his Master's nursery. They've been priming the city with roots of cardinal sin and there would be no better place to nurture those trees or activate them than the lake. If we're fighting that feral god of war an alchemist would be better support than a Tuner.

Rich's reply is igniting his circuits to produce a hostile wave of magical energy, declaring that, at this moment, I'm his enemy.

"Tuner," Archer forgets his strength for a moment and slaps his hand against the table, making a hole the size of my head. "'Twas an honest mistake."

Einzbern homunculi are almost perfected artificial nature spirits( children of nature) . Assuming they're well built, a child of nature can survive indefinitely as long as the greater source exists. At the same time, as lifeforms, they're weaker than humans, so when cut off from nature — like from a Dead Apostle's bounded field or possibly the activation of one of those trees. . .

Rich won't put out his circuits. What I said was out of line. Either the heir of a now defunct 'founding family' raised a failure not fit to even be called a spellcaster (I should be since I'm a heretic hunter) or I'm trying to lead his fair lady to certain death. I understood that when I asked the question. I accept his devotion to a dilapidated factory. I still needed to ask.

"I'm so sorry Rich. I thought we could use her Command Spells. I didn't stop to think."

"There is no we, child."

The sun has been sinking into the mountains throughout our dinner. Most of the families have left. There are only six patrons around us excluding the employees closing up the food court. Everyone faints and I don't dare turn because lighting storms are so much more frightening at night.

"The Servants are mine, alone."

No anger, no malice, no hate, only the pure thunder resounding through my body, threatening to pop my bubble of a soul.

Rich is almost unaffected — no, he just retreated into the blizzard etched into his mind. I can see it in his eyes. At least Archer's outburst extinguished his circuits. Rich looks out towards the curtain of darkness chasing the retreating twilight. "Let's get going."

"Halt Tuner, w-what befell these patrons?" Archer looks back at the figures slumped over the plastic tables.

You did.

He rushes over to a trio of unconscious college students, breaking another plastic bench in the process, to pull a man's head from his pizza slice. There's marinara sauce all over his face. I hope no one was working the churro deep fryer.

I pull out my phone to call the EMT division put aside for this war while Archer's still looking around for a threat.

"Put the phone down, Chris. There are other shoppers; they'll take care of this. Let's go."

The gap between night and day is when most magecraft is at its weakest. There's too much of a shift in mystical meaning. When the moon starts to make her journey, we might not even be able to find where the Dead Apostle bounded field begins, let alone break through it. So yes, Rich is right, again.

Rich coaxes Archer into dematerializing and we start walking to the car. There's a small crowd around the al fresco Costco food court now. Most shoppers have empty carts and their phones out, updating their Snapchat story, live blogging, calling emergency services.

I don't put my phone down. On the screen is the contacts list and at the very top is Cherry's name. I've been staring at it. She said. . .

"Are you going to get in?" Rich is looking at me, impatient.

I pocket my phone and slide in.

*****​

A local Chinese restaurant serves as gatekeeper to the road leading into Laguna Lake. The lake and the land adjoining it make up the three hundred and forty acres known to local bureaucrats as 'The Reserve.' Anyone who regularly walks their dog here will tell you it's another nice Tolosa park and how could it be sacred when there's an entire suburb overlooking its southern bank? But just as the fabled Millennium Castle is always the closest place to the moon even when it's not physically close to the moon; this lake must bear the responsibility of being artificially molded holy ground.

Archer materializes as Rich and I step out of the car the Einzbern are 'borrowing' from the president of the university and we start a small sojourn through the lakeside trails. The Parks department labels these hills golden on their website while scoffing in the office that the lack of rain left them a drab brown. In this interlude where the orange sunset is a line hugging the horizon and the moon has yet to hang itself from the sky, we step in nothing but varying shades of black.

Crackle.

Thoughts start folding into themselves like crumpled newspaper recycled as tinder.

Rather than blinding sunshine that erases everything or this unsteady pure darkness built from layers of compromises, I prefer a weak moonlight where I can easily accept anything.

After a few minutes of walking, we reach a fork. Continuing on the main path leads to the open space the city uses to host its summer renaissance faire. The left branches into a lush inlet, stretching inward to the center of the lake.

"They've at least taught you how to dowse?" Rich asks with magical energy flickering through his eyes. He's holding up a tuning fork; must be a Mystic Code. When you hear the title Tuner, the first thing that comes to mind is a piano tuner. There used to be a famous Tuner who kidnapped heretics, using their stolen magic crests to restore his clients' decaying ones, but Rich seems to be a disappointing stereotype.

While I'm materializing two black blades from their scarlet hilts, Rich holds the tuning fork against his finger. Magical energy sparks and then pulses for ten, no, nine seconds until the tuning fork starts to hum a short, repeated phrase. When he taps the fork onto my black blades, they resonate, playing the same ten rising notes.

Using Black Keys to dowse is like using a metal detector to search for treasure at a beach. The technique will pick up anything as long as the amount of magical energy leaking from the artifact or location exceeds a certain quantity. By applying a specific wavelength, Rich narrowed down the attribute of the magical energy my dowsing would pick up. There is magecraft theory that states all things have an inherent wavelength that can be amplified, synchronized, or even canceled. A famous Clock Tower hunter uses that principle to slice opponents' spiritual bodies from hundreds of meters away with a sword that's more instrument and a Dead Apostle Ancestor who transmits his soul as a numerological, spiritron wave-function.

Following the enchanted Black Keys, we're able to quickly find the edge of the bounded field in the dark. Now if we follow the circumference, the Black Keys will indicate whether a portion of the bounded field is weaker than the rest. All we find after walking half the length of the inlet are trees. This inlet, evergreen, is perfect for family picnics by the water's edges, but the size and amount of vibrant foliage isn't normal. To make matters worse, the moon begins to show her face so the Black Keys are no longer dragging me towards a certain direction. But that's good. That's exactly what I want.

Rich clicks his tongue. He must be thinking the same thing.

Dead Apostle bounded fields are capable of fooling nature; that is to say, the area temporarily becomes an artificial nature. So as the ward weakens due to say a shifted leyline or the transition between night and day, talented magi and Church operatives are able to find traces of the boundary line. The signal progressively deteriorating means the bounded field is getting stronger, evidence of a sophisticated bounded field, most likely a Dead Apostle's lair. Or a Caster's. But it's not Caster. I haven't seen Caster, but the Iselma bounded fields are nothing compared to this.

I dematerialize the Black Keys since they're useless now, "All yours, Archer."

A weaker mystery yields to a stronger one. It doesn't matter if this bounded field is on the level of high-thaumaturgy. Archer, the son of the chief Greek God Zeus, is capable of A-rank attacks.

Archer steps forward, facing thin air.

It doesn't matter if we know nothing about this Dead Apostle. It doesn't matter if we're waltzing into his sanctified ground without preparation. With our reinforced vision, Rich and I weren't able to see the bounded field even in its weakened state. When nature embraces illusion once more, we'll have no chance of reidentifying it until tomorrow evening. I( Something) tells me that's too late.

"Arche—" Rich stops himself. He's a magus. Confronted with a higher mystery than his craft, his upbringing must demand he investigate, exploit, understand its core so he can switch it as fast as possible. Being at a strategic disadvantage is no excuse, especially when there's a Ghost Liner at his side. Magi are opportunists at heart. That's why local demon( aberrant) slaying organizations make fun of us Church heretic hunters, calling us nothing but ' familiar( daemon) slayers' because it's so easy to kill a magus who wants something. "Break it."

Archer winds up his sole arm. Muscle fibers tighten as magical energy crackles. Rich and I both ignite our circuits to repel any mental aftershock. Then, with one swift motion, the demi-god's thunderous fist shatters the space in front of him. I say shatter but since the bounded field is only a magical construct any sensation should be entirely imaginary.

I vomit.

Ghosts of the dead are flying above like vultures, and the trees are made of invisible blood. Utopia? Don't make me laugh; they've converted this place into a graveyard that time will no longer dare to forget.

Rich steps over the small puddle of half-digested hotdog and ice cream.

"Come on, child. It's just nerves," Archer says as I wipe my mouth with the sleeve of my robe.

My 'nerves' aren't failing me, neither is the dense magical energy causing such a reaction. Everything here is acceptable as a Dead Apostle lair. It's just that for a moment, the forest was a stream of bubbles from my mouth as I drowned in a dark lake. That must be anticipation or rage or something because I finally have the chance to exact my revenge on a Dead Apostle.

A carrion bird's shriek rips through the forest as a mass of roots streams up from the damp forest floor. Gnarled, wicked stakes will disembowel both Rich and me before he's able to cast a Single-Action or I can activate my Ash Lock.

"Hrgh —!"

But they fail to reach us.

With a downward crash that surpasses god-speed, Archer seizes the roots, wriggling wooden snakes, with his sole hand. Then, without as much a grunt, he tears them out from the dirt, tossing them aside with the same uninterested look as Cherry when she throws yard trimmings into the green cart.

"Run!" Archer orders as his dark skin begins to glow an incandescent red.

In response to his magical energy, the entire forest wakes and begins to attack. While the cacophony caws to each other in raspy serpentine hisses, branches extend from the tree tops to either whip or pierce and roots seek to entangle Archer's muddy feet, sealing his movement. So the solution is simple — if he destroys the forest, it can't kill us.

With superhuman agility that betrays his bulk, Archer charges into the nearest tree, his shoulder bashing away the branches and all the roots that dare challenge him. The moment before he collides, he flips in mid-air to land with his feet planted on the trunk, both snapping it in half and using it as a springboard to continue his game of pinball, drawing the attacking forest away from Rich and I who have only started running towards the center of the forest.

"They've been raising a child of Einn—"

That magic bullet you just fired could have killed me.

"Stop being so fucking retarded." Without looking at me, Rich keeps running. "If this was one of those Einnashes' reality marbles, how did I draw the mana to fire that?"

He's right. I felt him draw on the Greater Source and set it aflame. That would be impossible in a disemboweling forest. There's only one type of being capable of manipulating nature to this degree in Tolosa right now. Archer must be fighting against the Dea—

". . .Lancer."

"What did you say?"

"It's fucking Lancer."

"No, the bounded field Archer destroyed; that was a Dead Apostle bounded field."

"Holy fu. . . I'll kill you myself if you're going to be that useless. Don't you get it? Your precious vampire is Lancer's fucking Master."

No. Because that doesn't make any sense.

If he's a Master, he's none of my business. I'm not the overseer anymore; the Holy Grail War is outside my jurisdiction. But that has nothing to do with how I know the Dead Apostle can't be a Master. That's just logic. Just because I want to( it's my job to) kill this Dead Apostle doesn't mean —

The unearthly forest filled with the cries of carrion birds breaks away into a perfectly round clearing, the center of the inlet. No blood-soaked tree dares trespass on this holy ground. They're merely sentinels safeguarding a hollow, hand-shaped trunk at the circle's origin reaching out to seize the moon. Lost within the moonlit shadow of the trunk is true darkness.

It turns to face us.

Somehow, the entire clearing and the lake behind him look crimson red.

Hair as golden as the sun he can't stand, a face as angular and sharp as his fangs, and a black cape as aristocratic as the half-tie, half-scarf that flutters in the February night breeze.

I step forward, leaving Rich behind.

So, you are my enemy, Dead Apostle.

The fictional friction of coalescing foam ignites the circuit. The gloves snap on. The keys of purification are drawn. What's left is the activation — the scrap( verse) locked in my rosary, declaring revenge being the Lord's domain alone is inserted, expanding the holy text hidden within these gloves and boots until they constrict almost half the body I willingly submit to execute the Lord's Work.

Conceptual Weapon( Logic Cancer) : Ash Lock — KNOX-B Rom. 12:19, Amen.

My enemy raises an eyebrow that's half as long as his eye, "I would askance your selfhood, but your garb conforms unto a Church dog (教会の犬, kyoukai no inu, lit. 'dog of the church'), though any semblance of the scent is nonextant (存在しない, sonzaishinai)."

I can't hear his words even if I'm steadying my breath because the only thing that matters is the lack of a visible Command Spell. It could be anywhere on his body. It takes nothing to hide a Command Spell.

Everything he's ever wanted is here, so no doubt the flame of vengeance burns within my circuits seeking escape into these fists.

All of us, no matter who we are, are merely idiotic, pathetic, weak human beings.

Not him, Dilo.

To accept that forsaken boy, I have to reject this one thing. For that I thank —

This... isn't a fate that you should thank me for.

Shut up. You're dead.

Without taking off his cape, the Dead Apostle uncurls his claws. No words are necessary, it's a narrative older than Archer. To have lived this long, the Dead Apostle's acted in his role for thousands of years. And me? This is all I've ever had.

So like my life, I'll throw this Black Key into you while I announce( Set) , "Hello. My name is Chris Frampton. Dead Apostles killed my parents. Prepare to die."
 
35/ Nine Notched Pelt
35/ Nine Notched Pelt

~Interlude~


As Archer bounced from tree to tree pruning an immeasurable number of root balls and branches he was reminded of Amyomone's suffocatingly moist air and lichen overgrowths staining the surrounding vegetation. The enemy he faced in that swamp was similarly botanical.

No fear — at least trees didn't spit curse-like venom.

One fear — instead of his quick-thinking, hunky nephew, Archer's companion was an insufferable magus who identified as a musician. The Tuner's traditionally dashing good looks and gallant act appealed to Archer in that boytoy( kouros) way he couldn't stand after two weeks of continuous adventuring. Nevertheless, despite his annoyance, most of the time, Archer couldn't help himself. But this Tuner? No thank you! At least Archer's former lovers had enough self-respect to move on and define their own lives; the man-child's slavish devotion to their mistress was wholly based on fictitious self-pity. But Archer never made a remark because no matter how honorable his own motivation sounded on his divine lips, it was equally empty.

"Situation confirmed," his mistress sent a message through their telepathic link. "Archer cleared to invoke Noble Phantasm."

"What of the Tuner?"

"Assistance unnecessary. First, exterminate Lancer in a manner befitting an Einzbern Servant."

"Your command is my dearest wish, mistress."


Archer severed the link before the scoffs overtook his mind. That insufferable Tuner was not fit to spar with a child let alone duel a Lamyros. As for the oppressively agreeable boy-child playing pretend Lamyros slayer, nothing more needed to be said. Whatever foolishness they had needlessly thrust upon themselves, his mistress's order stood as tall as his honor. Then, like with any other of his legendary exploits, all Archer needed to do was perfectly save the day.

"Kreeee —"

The screech resembling a rusted hand-saw shaving away a slate board came from the bronze birds Archer summoned, the monstrous Stymphalian Birds. For a time during the Age of Gods, these birds with metallic feathers and poisonous dung terrorized an Arcadian marsh. For his Sixth Labor, Archer drove them away from the peninsula and back to their homeland. As fate would have it, Archer's captain and crew would later encounter the same birds during their voyage to reclaim a throne. The bronze birds were a deadly mystery adapted for this swampish terrain and most importantly, they always craved meat, making them the perfect hunters.

"Caw, Caw —" The birds streamed ahead, weaving in and out of the waves of lignin bent on oblation.

They had caught Lancer's scent far too quickly. Almost as if the birds knew what Lancer was the moment they materialized. That wasn't possible. Archer had seen Lancer, even exchanged blows with him. Lancer's fighting style, manner, dress, clearly precluded the Grecian mythological cycle as his source of origin. So why were the birds so agitated at the scent of someone that had nothing to do with them?

The vision from the tree flashed through Archer's mind. If the demi-god ravished that woman after his deification, the him within the Throne of Heroes would have no memory of it. Even so, the World or the Grail supplied enough knowledge to Servants so that they understood their place within modern society. As a result, Archer knew he was somewhat venerated in the Far-East as a temple guardian.

I am proud of my life( deeds) Do not drag me into that flame, that woman, that cycle with. . . .

". . . A misattribution," he grumbled under his breath while snatching several bundles of wickedly sharp branches aimed at his nape.

Almost fifteen years ago, a version of him would have become a raging storm without a moment's notice. A mindless blunt weapon, he was a hero beyond perfect. Living up to that purity and succeeding where that iteration failed was the foundation of Archer's tolerance for the Tuner. That was why he could not forgive the dishonor of a him-that-is-not-him inserted into someone's selfish fantasy.

"Screeeeee —!"

Archer didn't need the birds' signal. His sixth sense murmured that he was within range of the ghostly forest's founder before a humanoid shadow flickered among the moon-washed canopy leaves.

"Caw, Kreeee —!" The bronze frenzy darted towards their target, seeking to pierce his skin with their beaks, talons, feathers to feast upon his ether entrails.

There existed swarms of magical insects that could devour a bull in an instant leaving only a skeleton — these birds do the same to dragons.

"The Father Victorious'( Pater Victor's) birds. What sound and fury."

But the dragon Lancer unleashed from his leaf-bladed spear was not made of flesh, scale, and mystery. It was the wooden lamentations of forsaken( losers) bundled together, continuously repeating themselves because no one else did.

Like rippling bolts of lightning, wicked branches unfurled, quickly piercing and then tearing apart the bronze vanguard into bloody balls of bronze fluff. The remaining birds shrieked; their self-preservation instinct dominating their gluttony.

" ——————!"

Archer roared. The booming undulation was filled with all the divinity the demi-god could muster, reminding the bird brains of the divine rattle he used to conquer their species.

Ignoring the birds that had were neutralized or pinned to surrounding trees as well as his natural instinct shouting at him to get away from the approaching fiendish branches, Archer took to the air, snatching and then pitching as many of the scattered birds as he could at the oncoming wooden tide. Filled with Archer's divine magical energy, the birds — thrown like darks( dirks) , — morphed into a storm of arrows. Not enough for Archer to blot out the night and wound every star though. That feat required his bow.

Fssssshhh —

The living arrows thrown with pin-point accuracy split entire branches, damming the draconic wave of wood, filling the forest air with bronze, wood, feathers, and splinters. With the immediate threat removed, Archer kicked off the ground the moment he landed, preempting any roots that shot up to entangle his feet.

The trees squawked their disapproval as crunching became the predominant sound filling the area. Both wood and metal were equally brittle under the weight of the single-armed giant trampling on the debris from the previous exchange to close the gap between combatants.

Possessing only a single arm not only nullified the Archer class's range advantage but also allowed Lancer to continuously harass Archer without fear of reprisal. No matter. Archer was a Heroic Spirit who forwent putting any points on magecraft to max out all his weapon's skill trees, and even though his resourceful heroic ranger aspect was summoned, those legends included the many times he fought without a weapon against Phantasmal Species. Conversely, it was possible to say that Lancer had pressured Archer to the point of plunging into hand-to-hand combat with a single arm.

So, was the savagery in Lancer's eyes as he vaulted towards his opponent, leaving a cloud of sawdust and splinters, purely based on the grievance that tied him onto this plane or did they hide a deeper stratagem?

The Servants rushes fully roused the forest choir. Their scattered screeching now swelled in concert, saturating Lancer's fist gripping the intricate, leaf-bladed spear with magical energy. Without a weapon, Archer must face an opponent who could kill him( take lives) .

What a happy thought.

But who said he was without a weapon?

There was no need to materialize his bow or pelt, for littered across the battlefield were his weapons.

In response to Lancer's leaping opening blow, Archer unpinned a bird from a tree. Using the bird's metallic scutes as the grip, its hindlimbs as a hilt, and the bronze beak as the blade, Archer drew an arc, catching and parrying the leaf-blade.

Brilliant sparks and clashing magical energy lit up the forest like droplets of spilled lamp oil as tempered myrtle met bird-turned-weapon.

Single edge. A small curved sword similar to a heavy knife, the kopis derived excellent cutting power from momentum behind its recurved blade. For that reason, Archer held the weapon( bird) in a reverse-grip, edge out, so that his stance was perpendicular to Lancer, minimizing the blind spots Archer's absent arm caused.

Though Lancer was thrusting his weapon based on innate talent rather than honed training or experience, the small blade on the kopis only allowed Archer to continuously deflect with flicks of his wrist. Yet, regardless how disadvantaged Archer might have seemed, he would always find an opening — that was the fate of a hero that only feminine insecurity could bring down.

Furious thrusts met equally furious parries as both Servants, each hailing from the Age of Gods, fought with that opening in mind. The split-second exchanges accumulated and quickened. The blowback from each of their blows that no mortal could follow began to fracture and snap the debris Lancer and Archer were standing upon, forcing both to make temporary retreats to more stable footholds.

Shing.

Refusing to take the defensive, Lancer extended the full length of his spear while in midair. The thrust at Archer's blindside morphed into a demonic uppercut, seeking to carve a slab of flank. But, Archer had labored through enough battles to instinctively cover any blind spots during a retreat. With nimbleness betraying his size, Archer spun like a top, knife flashing as the centripetal force beat back the edge of the leaf blade. The quick defensive maneuver didn't come cheap. Archer was thrown off balance; compensation for avoiding disembowelment.

By forcing the fight into melee, Archer had limited Lancer to thrusts. Being point-based attacks, thrusts were harder to predict and thus deflect. However, Archer read the killing intent and the cutting air behind each attack to respond accordingly. Now, the additional breathing room had allowed Lancer to unlock the leaf-spear's true potential — mid-range swings.

Left deflecting repeated, heavy swings, Archer struggled to match the new rhythm, throwing him further off-balance. Though predictable, windmill attacks for an amputee with no one to blame other than himself were ferocious giants while. . .

No, Archer's tilted giants( Gigantes) with less.

Casting aside any semblance of tactics, Archer leaped forth to meet the next swing in mid-air. Foolish. Archer had been constantly on the defensive to tease out an opening, and now to sink that cost in a misguided attempt to strike back? Even with the full force of Archer's ridiculous bulk, the Stymphalian kopis could not match Saber's demonic blade so what chance did it have against Lancer's spear? It was obvious to all parties involved that Lancer would both absorb all Archer's momentum and toss him back into the sea of trees to slowly drown and be digested.

Immolate one of your celestial lives( stocks) , Archer, or continue to defer to that promiscuous opportunity that sings its siren song during these legendary replays.

Replay the legend? Don't make me laugh.

Herakles( Archer) created legends.

— Lightning ran from the circuit known as Archer spreading like a spider's silk web to the bronze kopis.

"Kree — Clink."

One by one, pinned birds snapped onto the bronze-like magnets, extending the grip, hilt, and blade into a weapon more monstrous than a longsword( xiphos) let alone a shortsword( kopis) . Not only arrows and heavy knives, with enough birds( bronze) , one could create a great sword befitting a raging destroyer.

Modular Avian Weapons System( Stymphalian Birds) — familiars of the Greek god of war, Ares. Were they born from his authority over warfare, a remnant of a sunken civilization, or a fragment of a destroyed true body( Aletheia) ?

The weapons collide.

No matter the weapon's true origin, Archer's heavy greatsword matched Lancer's swing. The divine magical energy coating the edges of both weapons interweaved attempting to strangle and flood the other as their contest of pure strength played out. From parameters alone, Archer with the ability to double his strength for a moment had a clear advantage, if he had use of both arms.

Lancer's naturally brawny body swelled as the magical energy from his spear continued howling until —

The combatants broke.

Not because the contest had grown stale, neither was it due to one having such a clear advantage continuing would be pointless. As their peacocking reached its climax, the trees began to shriek. The meaning of the land shifted ever so slightly, but enough to send the entire forest into disarray. The Tuner's work, no doubt.

All screeching constituents of the forest began to writhe, shivering in grief. Lancer was no different. Eyes lowered, head bent, his spear now plunged into the ground, he stood, forever in some savage mourning.

"How could a Heroic Spirit with such martial prowess be a gardener of evil spirits( kakodaímōn) ."

"Not a gardener, a shepherd." Lancer fought with feral desperation in his eyes as if he held the world on his shoulders — an overrated expression in Archer's humble opinion. Yet, the moment Lancer spoke, there was an arresting dissonant gravity weighing down each word as if he refused to speak for himself. "But you. . . you truly are this wretched history's greatest hero, Archer. . . no, Father."

"You are no son of mine."

Lancer's hand gripping the spear tightened, veins now visible.

"If so sayeth the perfect hero, then it must be truth. But I. . . can't afford to be concerned with truth, Father. I, unlike you, am unable to save anyone."

The woman he loved who took her own life.

The child he flung into the flames believing them an enemy soldier.

A white-haired red-eyed little girl desperately calling a name that was not his, as a version of him trapped within all the evils of the world faced the darkest light the planet ever created.

"You seek vengeance?" Archer asked.

For Archer, there was nothing to avenge. Only red eyes fixed onto a little girl with a mad purity Archer could not reject if the perfect hero wished to remain. But he understood the human impulse to rage against a past so filled with suffering. Of course he did.

"What grand and righteous thoughts you must conceive, Father, for you are a title; I, a sacrificial footnote. Vengeance is befitting of you whose life and fate was filled with enough import to have been twisted by the Gods. But vengeance for boiled beans that never sprouted?" He laughed a throaty, humorless yelp. "A miracle can only save the living. The dead can only rest in peace. What of the forsaken? The unseen, the unheard, the unexisting that this World is built upon? What of them, Father!"

Lancer looked up to see Archer's unmoved face.

"Is that what you're hoping to create here, using the Holy Grail? A record of the forsaken?"

"Oi, oi." Lancer turned to his right. "See, I told you he wouldn't comprehend," shook his head and turned to the left. "No, the ears lent to you did not deceive, Father didn't understand. Father, you could not fathom."

"If you must persist on calling me Father," Archer stepped forward, "Have the courtesy to name thyself!"

With a sigh, Lancer drew the spear from its soiled sheath.

"Too late. I'm always too late. Father, you ask for courtesy: then let me show you the courtesy we have been offered, the corpses( fertilizer) it takes to cultivate a fig tree."

To the wind with such empty words.

Regardless of Lancer's talk of fruits, trees, and Fathers, his Master's ritual had been disturbed. Lancer needed a decisive blow to finish the battle, so he could return. However, to Archer's knowledge, there was only one decisive blow that could take all twelve of his lives. Lancer did not possess that holy sword. Then Lancer's objective was to take as many lives as possible, rooting Archer in place as long as possible. One layer of revival magecraft took seconds to activate and non-fatal wounds could be healed later. Multiple fatal wounds would give Lancer enough time to disengage and aid his Master.

Out of the trees gushed evil spirits( kakodaímōn) winged, transparent blebs bemoaning unfairness until the entire forest was filled with the screeching of ghostly vultures seeking pity as if they were less than the carrion left for buzzards to feast upon.

Tonight, their king would bring down Pan-Human history's greatest hero.

Tonight, empty hypotheses would trump compiled reality.

Let us feast on flour cakes and beans as —

"Limited Deployment."

In reply, instead of raising his bronze phantasmal greatsword to meet the challenge, Archer unconsciously glanced behind him.

Did he expect a little girl hiding in a scar on the earth?

Ridiculous; Archer was not that red-haired boy.

He was —

TateDonovanSteveReevesMarkForestMickeyHargitayRegParkFrankGordonMikeLaneBradHarrisKirk MorrisDanVadisAlanSteelMarkForestGordonScottSamsonBurkeNigelGreenArnoldSchwarzeneggerLou FerrignoBrianThompsonRichardSandrakSteveByersKellanLutzJohnMorrisonDwayne"TheRock"JohnsonTonyAilKevinSorboRyanGoslingMarkAddyJonathanWhitesellPaulTelferJ.MichaelTatumJoshKeatonTadahisaSaizen

More incantation than person, Herakles was an unbroken chain of contradictory roles. More than any other Heroic Spirit, his self had been twisted, reimagined, interpreted to become a tradition that wholly lent itself to others. Hero incarnate. There were no pages left in the legend for his own voice.

What loneliness.

What an unnecessary person.

So you threw away the bronze greatsword in your hand, for before you was a festering proof of heroism. Limited as it may be, the core of the Servant who called you 'Father' contained the impotent cry of the disenfranchised — thus the greatest hero musn't respond with the armaments of the War God.

"You believe your fury to be just?" The thrown sword dematerialized before it crushed the dead leaves, tears of the evil spirits surrounding him. "My very first labor was overcoming what rejects this World." The remaining arm reached into a hostile night.

What was snatched from thin air could have only been the materializing hem of a treated pelt. With only his teeth, Archer wrapped the pelt around his only arm and secured it in place.

"███・█████ ███████"

The moaning of the evil spirits in the trees drowned out Lancer's invocation. Who needed to hear fabricated words the ones who forsook them penned, anyway? The true name was repeated in the spirit's moans, their howls, and grunts. Look at me. Look at me. I was here.

Lancer's spear allowed him control over the vegetation or rather, the evil spirits that controlled the vegetation. Therefore, this attack must be similar in form to his initial attack. The difference would be the magnitude. What were merely sharp, forked branches snapping against Archer's blessed body were now entire tree trunks filled with noble magical energy beyond the simple grudges of lost evil spirits. Yet be it gods, the world, or even death itself, Archer had overcome them all.

Facing this Noble Phantasm, Archer finally smiled.

— I think it's beautiful. I'm glad to be alive.

— Hera...kles. Oh, you're named after your mom, that's cute.

— Red eyes fixed onto the little girl telling him that she must be protected.

「ーだめ。そんなの、██████ でも死んじゃう。だから、もう逃げてよ、██████ 。」

His mind was clear. The encroaching forest had washed away all his thoughts.

There was no weight in his right hand.

There was nothing to protect in this forest, not even the life( wish) of a girl. Unable to commit the act of saving; denying rejection was all the perfect hero had left.

This is how it should always have been.

So as a matter of course, magical energy, the lifeblood of his ether body, circulated, providing the impetus for —

Torrent and swirling vigor.

Archer stepped forward, pelt-encased single arm raised in defiance, ready to beat back the ocean a lesser hero would be washed into, dragged underneath the foam. His eyes were affixed onto Lancer's figure through a gap between the rapidly expanding waves of trees. Quickly now, before that opening washed itself away.

Upper arm, collarbone, windpipe, temple, diaphragm, rib, testicles, and thigh.

Heart.


No need to designate targets if the entire world( forest) was his target.

" Smashing the Hundred Heads( Nine Lives) — "

Archer broke the sound barrier.

Nine almost overlapping strikes delivered in an instant to annihilate nine heads.

A hundred continuous strikes delivered in a single breath to obliterate a hundred heads.

Either or both — the exact description never mattered. Nine Lives was not a single technique but a dance( style) .

Left leg, a stake that pierced trees turning them into foot-holds that increased his momentum; right leg, a blade that severed all the roots that sought to tie him down; right arm encased in the spoils of his first labor, his trusted club forging the path forward.

Archer turned his remaining three limbs into weapons.

The trees, no longer chanting their grievances, closed around him. Their bird-song was of a future that was neither apocalyptic nor utopic.

What a nonsensical Noble Phantasm.

What different path? What separate tree?

There was only one world. That was why Herakles was the greatest. That was why Nine Lives was created to fell the Hydra.

I shall annihilate all that threaten this world, no matter how many times you revive.

The proof was wrapped around his dancing fist. The Nemean Lion skin, the product of a spontaneously generated feral world that yielded to the great civilizing hero's fists. Therefore, no forest, no matter how pristine could bind him.

In less than a second, Archer broke through the fissure within the Noble Phantasm. Even with a Servant's superhuman abilities, Lancer would be unable to react and defend against the ballistic missile on a crash course. Yet,

"This is the original?" Magical energy exploded from Lancer's feet as he rocketed himself at Archer's blindside. "How subdued, Father."

The forest was silent as the two stars crossed.

Klush — the sound of an A-rank attack finally sinking into flesh, sent the ghostly vultures into a frenzy. They eagerly lapped at crimson ichor raindrops that splattered against the trees they called temporary homes.

The wound was deep but not fatal for a Servant. Archer had stopped his attack and twisted his body in mid-air to avoid most of the thrust. Archer's quick thinking may have meant a thrust that would have split him in half only grazed his torso but it would leave an everlasting wound on the hero's pride.

How did Lancer defeat Nine Lives?

Indeed, Archer's flawlessly overlapping attacks annihilated the opponent without leaving them room to counter, but there were times when a follow-up was necessary. A two-handed overhead smash, or as in this case, a final thrust. The transition from technique to follow-up produced a lag. Yet, the lag-time was so minuscule that the only person who could take advantage of it was Archer himself if he ever faced a degraded version of his own Noble Phantasm. Granted, Archer was not in perfect condition. He was missing an arm. Still, the intimate knowledge required to exploit —

Only the ground could break Archer's fall as he mowed down at least a tenth of the trees in the inlet. When he at last rose, the demigod's proud visage was torn and blackened and over twenty percent of his body was corroded by Lancer's Noble Phantasm, but Archer had not lost a single life( stock) .

"You are no son of mine," Archer's clear voice rumbled across the small clearing his fall created through the transparent flocks of vultures to the other half-naked muscular man bathed in moonlight.

Merely words. Who else but a son could know the nuances of a style that humanity had crystallized into a mystery?

The Nemean Lion's pelt tied around Archer's arm dematerialized. Without taking his golden eyes from Lancer's red pupils, Archer plunged his fist into his chest, withdrawing his vigorous, bloody heart. He held it aloft to bless the opponent he disowned and squeezed.

Pop.

The greatest hero, now deceased, slumped but did not allow his half-eaten knees to touch the ground. Like a marble statue, he stood heroic, for this was not defeat. . . far from it.

"— Hah —!"

Lancer retreated as quickly as his magical energy burst would allow. He needed to plunge his myrtle spear into the earth before his ritual had become irreversibly distorted and the vultures no longer had branches on which to nest.

A fatal mistake. Lancer would have been more than fast enough to secure a second life. Now. . .

"You are not my son, but you are a worthy opponent."

The red glow filled Archer's body.

. . . good luck.

The instant the Bow of the Hydra materialized in Archer's right hand, his newly regenerated left had pulled back the string and let loose dozens of fatal arrows.

~Interlude Out~
 
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36/ Fore Sake
36/ Fore Sake

You're right as always, old man. A frontal assault against a Dead Apostle is the height of recklessness. I slip a hilt into my bound fist and clear over a hundred yards in less than seven seconds anyway.

The Dead Apostle, lingering in the shadow of the hollowed-out tree doesn't say a word, nor does he change his stance — left hand hovering above the tree stump, one stiletto en pointe. His jet-black smirk without a hint of a sneer cuts through the pallor of his alabaster skin that authors can only claim their female leads possess. Hating everything about him is too easy, for he's the very image that comes to mind when the title for a novel or movie advertises vampires.

"Hah —!"

Clenching the hilt within my right fist, I throw a straight with all the strength the Ash Lock and I can muster.

"The modality of my abstinence (忌み, 'imi' is a difficult-to-translate term that is typically rendered to English as 'abstinence' or 'taboo,' with the implication that violation/use of a particular tabooed item or violation of strictures related to the execution of a taboo is inadmissible and wrong, usually for religious reasons) unto admonishing your personage (人名, lit. 'human name') aside," the rasping, last gasp of life escaping from a corpse over and over again. And, maybe it's because I'm so accustomed to hearing nonsensical sentence fragments or phrases of momentary clarity while helping Father Kelsey perform last rites, "Church dog, manifesting grudges (怨念, onen) to plague what bears xenogenicity (異種, lit. 'other species') on the account of the singular is a sight for the short." but the impenetrable constant flow of his curated sophistry jars me, reminding me this is not a being on his deathbed, but a Mystery drowning in death to surpass it. Therefore, in his eyes, I will forever be wrong. Likewise, Dead Apostle.

"Hah —"

The flick of his wrist, faster than any of the man-eating forest branches, catches the underside of my forearm and whips aways my fist. Instantly, multiple layers of sacred protection are shredded. I'm not hurt. An Ash Lock's protections can easily turn away an exploding grenade. At the same time, each of my strikes, wrapped in the Word of the Lord, should raze his flesh as Divine Providence is forced into his Dead Apostle corpse. So why was the wrist that flicked my right fist away ice-cold?

His elegant defense might have sent my balance too far to the right, but I had already prepared my left fist. The friction from aggregating bubbles rubbing against each like a match head against red phosphorus flares the imaginary gasoline within my fist as it curves towards the Dead Apostle's ribcage with enough blunt force to crack a century-old tree trunk.

"Guh —"

In less time than it takes for the light to reach human eyes, a human brain to process the image, and send a signal so my human muscles respond, the same claw that redirected my wrist slaps my fist away, like it's a mere annoyance.

Still deathly cold. That doesn't make sense. He's looking at me with his Dead Apostle eyes, warding me away with his Dead Apostle claws, preaching with his Dead Apostle voice, so why aren't his undead claws burning off?

Doesn't matter. Just another Dead Apostle. Jump back, and purify him accordingly.

"Your kind is an insidious infection. Monsters outside human morals can't be judged according to any of society's rules." This might be a heretical opinion but — . "The Church has the right to execute with extreme prejudice."

Flipping in mid-air, I don't give the moonlight a chance to glint off the blade that materialized from the hidden hilt before throwing it at my opponent like I'm trying to bore right through him. Years of target practice on the Sister behind the Mission are compressed into a split-second. Efficient, cold, mechanical, the silver sword flies as straight and true as any arrow. Even without the Iron Plate Effect, a Black Key thrown with the Ash Lock is more than enough to blow a Dead Apostle back from the air pressure alone.

The opening sure-kill method I made up using the old man's egging that if you can't kill in four attacks then you're too inexperienced for actual combat. Introduce yourself as a melee fighter, develop that idea, then the twist, a hidden Black Key.

His sharp intake of breath. "You bear elaboration."

My disbelieving gasp.

With two perfectly manicured talons, he snatched my Black Key out of the air. That should have cost him an arm and a leg. Remember, Dead Apostle abilities are merely a human's honed with unlimited time. So, that must have been — nothing special. Nothing special at all. He's just a Dead Apostle like any Dead Apostle. . .

I'm five feet behind where I jumped. No problem, the traction on the Ash Lock-ed boots can grip still water, so mud is no problem. Almost skating through the grass, I close the gap as fast as possible.

Yes, he's already broken the sequence. To a spectator like Rich, what I'm doing must seem futile. The Dead Apostle caught the Black Key. I'm done. He'll catch everything else then make a pin cushion out of me.

But, "A being whose entire sense of self is built to avoid existential collapse wouldn't understand." So, I can't stop.

With the third flick of the same wrist, he pitches my Black Key to pierce my words. There's nothing that resonates with him in them.

As for me, there's nothing sure about a sure-kill attack that can be broken.

" I announce( Set) !"

In less than a second( a Single Action) , the incantation is cast and my magical energy sears the Church's foundation. When she first started teaching me magecraft, Cherry said that I might not have many magic circuits, but I shouldn't worry because every person had magecraft they were suited towards. In her case, it's manipulating imaginary number space, though her family changed her element into water when she was still a child so she could inherit the family's magecraft, but that's a story for a different time. For me, it's the cremation rite, a sigil that ignites when magical energy is added, causing the target to combust. It's a heretical taboo so I don't use it.

Instead of bursting into holy flames, the Black Key turns on a dime, surging towards the Dead Apostle at the velocity it was thrown.

The fourth attack isn't the resolution, it's another twist.

That's not enough. If the Dead Apostle caught one Black Key, he can catch another. The definition of insanity is mechanically doing the same thing again and again yet expecting different results. The only way a Dead Apostle can bear their cursed undeath.

Before he snatches the Black Key out of the night, my conceptual weapon-plated shoulder bludgeons his waist, my bound arms snaking around his knees to throw him into the mud among the maggots where his bleached, fetid flesh belongs.

"Gah —!"

I'm the one sent flying back. Ears ringing, sense of balance lost, my brain fires signal after signal. There are no pinpricks or flashes of light, only a brief glimpse of spherical eye floaters as empty as my alveoli superimposed onto the world. Structure bends so function breaks. I can't breathe. Elbows and knees sinking into the mud, I'm forced to rely on magical energy to pump oxygen into my gaping mouth and down my throat.

He kicked me. That wasn't a love-tap, trying to show me my actions were futile; that felt like a Scripture smashing against my chest. I almost blacked out, so there's no way the Black Key found its mark. Instead, the blade sharply veered to the left where it was caught — with the hand that had not previously left the tree hollow.

— Pick yourself up.

Like the time Cherry found a hand-written letter from her brother in the mailbox, the Dead Apostle's red eyes lock onto either the Black Key or the pale claw that should be reverting back to human flesh before his lips droop into a frown whereas hers curved into her normal crooked smile.

I glance back at Rich to make sure he understands. If he did, there's no indication. Heretics. This fight has nothing to do with him. He won't do anything until his life is at risk or he has something to gain. It's a completely self-interested mindset, but I accept that because no matter how much these magi lie to themselves, their obsession is undeniably human. Dead Apostles on the other hand —

"You are as a claimant who dares inflict dispassion (退屈, taikutsu, boredom) unto a cardinal fault (人外悪, jingai aku, lit 'Evil of Inhuman')."

You don't.

That's the difference between us. It has to be. For it is said that Dead Apostles are sacks of flesh bound together with nothing but blood. To a Dead Apostle. everything is not foam, but a homogenous lake of blood. All crimes can be drowned in blood. That is a fact. Like this.

Alimango Island. Three hundred families. One Dead Apostle reduced them all to zero, set( I announce) .

One after another, hilts are pulled from within my robe, blades materialized, and are thrown to purge the inhuman cause of human tragedy.

A sharp inhale. "Entirely wrong. Such circumstances were supplied by way of Fault (罪, tsumi, sin) pertaining to no extant Dead Apostle. Be it not recorded unto the Church and Thaumaturgical Association procès-verbals a Personage Designated For Sealing (封印指定を受けた魔術師) was present-wise."

The Dead Apostle doesn't try to dodge. Why would he? We both know my Ash Lock and Black Keys are ineffective because he wasn't Christian when human, my faith isn't strong enough, or a combination of both, yet I continue cantillating( casting) until he may no longer counter with his profane Mass.

Flight A300. Two hundred and eighty-seven passengers. One Dead Apostle and his bees. No one made it to New York, set( I announce)

The barrage of Black Keys scatters into the almost black sky. The Dead Apostle tracks their high-speed movements with what must be Mystic Eyes. Yes, those specks of light can't baptize you, but they have enough physical force to destroy the tree hollow you're protecting!

" I announce( Set) — !"

The volley of holy nails plummets from high, like the sprays of consecrated handgun bullets that you must have continuously survived throughout your lifetimes.

Transcendent (in name only), he is the center of his world. Every occurrence is judged based on whether it entertains him. Every action is for the game. Only a newborn Dead Apostle would believe they've been liberated from societal norms. Both magi and Dead Apostles are forever running around a racetrack, chained to their own rules, their own boxes. Therefore, the one chink in his armor is the tree hollow, for he cannot complete his performance as a Dead Apostle unless there are games to be played and boredom to be staved away.

A sharp inhale. "Commute by the empyrean route (空の旅, sora no tabi, lit 'void journey') is absent the perversion of any law (理) established within the Common Sense of Man. In so as much the transgression lies unto those who wrought desecration upon his corpus, unleashing the Demonic Bees (魔蜂, ma hachi). Thus, your impression is wrong."

Dark red liquid from the palm of his hand sprays into the night. A cohesive hemisphere at first, eventually surface tension submits to the impulse, producing large droplets that hang in the air for longer than fundamental forces allow. Those droplets, filled with magical energy, sprout iridescent wings, spindly limbs, and scabby blue skin. Roughly the length of a straight-edge, the Dead Apostles' scores of familiars split their zipper faces until they double as mouths, cannon fodder receptacles for the oncoming downpour.

A rural French town terrorized for a month and over half the inhabitants turned into Dead, set( I announce)

Dead Apostles may drink human blood because they require human genetic information; however, an existence built on hundreds of years requires equivalent energy. They take in animals and sometimes even phantasmal species to more efficiently repair their bodies and obtain familiars. These pixies aren't actual fairies because subsuming more than one phantasmal species would overload the capacity of any Dead Apostle bar the Ancestors. Yet, even if they're just some magus's stolen artificial familiars, he's controlling more than thirty at once.

A sharp inhale. "Certain assumptions are wrong. Per such instance, the Dead Apostle instigator had claimed the seat of priesthood (司祭の席) within your Church in times precedent."

Maybe Father Phahn was right. Maybe he was able to wound Berserker. Maybe hunting this Dead Apostle was a terrible idea. Maybe I'm going to die. So many maybes, but,

Misaki City, 2000. The Numberless of the Twenty-Seven. Number of people deceased, unknown. The last estimate is over a hundred, set( I announce) .

These are facts.

He inhales again. The sound is finally getting annoying.

"What measure do your ears require restoration? The Akasha Serpentes Who Bears Transmigration Among the Souls Free of Limits (アカシャの蛇や転生無限者) is the very personage by which the most substantial martial strength the Church was capable of mustering (聖堂教会が有する、最強の人員により構成された戦闘機関) was inaugurated."

In the precious seconds it takes the keys of purification to make sword eaters out of bloody pixies, I burn up all the magical energy my circuits sent to my feet and rush in. One Black Key in each hand, reverse grip, held like ice-picks; I'll drive them through his vantablack cloak into his undead flesh. Even if a Dead Apostle can react and then move faster than a bullet, you can't outrun prayer.

"I will kill. I will let live. I will harm and heal."

If keys of purification alone aren't enough, I'll combine them with the Church's greatest miracle. Be sublimated o'lost soul and return to the hellish throne you've long rejected with sacrilege, blood, and sin.

"Haaargghahhhha —!" Someone screams in pain.

Me.

Nothing burns. Nothing sublimates. There's only red. My red.

Wet. Prickly. My back is burning. I must have slid about twenty feet from where I finally hit the ground. I would keep screaming, but the blood filling my windpipe muffles any sound I make. Instead, I forcibly crane my head to one side and spit it all out. Every breath I take smells like iron, but at least I can draw breath.

Each of my wrapped hands still clenches the hilt of a Black Key. The silver blades have been snapped off, leaving jagged, magical energy-knit metal behind. No, the blades are not planted in the Dead Apostle's back. The thin swords never made it past that inky cloak, blacker than the Tolosa skyline could ever hope to be. Nothing but an homage, a vanity, was it? Underestimating that cloak because it was so stereotypically Hollywood Dracula was foolish. The cloak absorbed, no, not absorbed, drank, the silver blades and then pummeled me what felt like the force of a fully-loaded dump truck. All official accounts had the Six-Hearted Revolver possessing a shadow that could consume entire rooms of victims. Yes, this is still normal for a Dead Apostle. Nothing more than a Dead Apostle. I get it. So what's important is that I tried to stab and then baptize him, but I failed. That's all.

He looks at me with those red eyes, actually looks at me instead of letting them waft over me.

He's recognized me as a threat. Not to him, no. He's sauntering towards my broken body like that time he took an evening stroll down a Chinese, a Turkish, an Egyptian bazaar. There are no lines on his face, just a small shadow across his eyebrows, rebuking me for committing sacrilege and interrupting his rites. He's never considered the possibility that he could lose — I don't blame him. Any wound can be restored with the Curse of Restoration, he has familiars formed from his blood, and neither Black Key nor Ash Lock can purify him.

"One's self could only askance from such a measure of competence. Church dog, nay, whelp. Stay down and wait for my Lancer's return, victorious."

A sharp intake. Mine this time.

My. . . Lancer?

How are you a Master?

My first Dead Apostle and nothing I have can purify him. The Dead Apostle's claws will break all my remaining Black Keys, pierce through my Ash Lock, and tear apart my already beaten body. And. . . a Master? A Master under the jurisdiction of the overseer of the Holy Grail War, not me. These past five days, five long grueling days I've spent hunting you, searching for you, wanting to kill you, and now it all doesn't matter. That's funny. The boys would really get a laugh out of a story like this, smothered with dramatic irony. I would laugh too if every chain( rule) holding me together wasn't breaking apart.

Accept it. My tearful eyes show me.

Accept it. My singed circuits groan at me.

Accept it. My battered body begs me.

"Your preceding statement pertained that your progenitors (両親, ryoushin, parents) were rendered non-extant by execution by Dead Apostles, yet persistence in undertakings to annihilate the self (自爆して) to terminate me is the peak of illogical foolishness. None but those who maintain an actively extant corpus are capable of inflicting termination."

Run away, train, live. A dead Executor-in-training can't purify Dead Apostles.

My brain that's on fire says that he's right. Logically, ethically, emotionally, absolutely right. But I can't. I really, really can't accept that one little thing, so for the first time in my life, I reject something.

England, 2003, Rail Zeppelin vs Child of Einnashe. Within a train full of magi, amidst a territorial battle between two Dead Apostles. Only one casualty. Set( I announce) .

All because the old man was present.

"Two casualties. You are explicitly wrong."

No, you're wrong.

I can't move, but that's not a problem. The Ash Locks weren't created to turn the Executor's body into a purifying weapon; that's just a side-effect. We wrap ourselves in the Lord's Word to share in a higher calling. For even if the rules that have tethered me in place were broken, Absolute Divine Law still fixes this body in the uncertain, artificial ether we live in. The Ash Lock pressurizes, constricts, and squeezes as I manually take control of my body with magical energy. I'm off-balance and everything hurts, but I can force myself to move. I get off the ground.

Four scarlet hilts in each hand, claw grip. There are Executors who use this form to dance through Dead Apostles, ripping undead flesh into ribbons like they're soaring through the sky with steel wings of purification. The most I've accomplished behind the Mission is a haphazard toss where none of the keys hit their stationary targets —

One immediately after another, four sets of eight hilts draw clumsy arcs in the night sky.

In reply, the Dead Apostle's claw comes to claim my head.

My scorching circuits force my Ash Lock to force my right fist into a collision course with a claw that could tear me in half, but there's no way I'll make it. Too fast. An efficient, simple swipe. How many humans( flies) must he have swatted? A more exceptional killer might revere such a killing motion. I blaspheme.

" I announce( Set) ."

Blade forming, a Black Key plummets from the sky like a shooting star to slice his attacking claw. It's pathetic; the equivalent of a papercut. No blood; he's undead.

The Dead Apostle recoils. He's never trained his body. He was transformed into a natural-born killer, so he's never needed to spend hours monotonously repeating the same motion until there were no extraneous movements. Without the need for technique or martial skill; he will match whatever I throw at him with experience, strength, and tenacity. So I'll announce( set) everything.

Set, set, set, set, set, set, set, set, set, set, set, set, set, set, set, set, set, set, set, set, set, set, set, set, set!

The airborne hilts sprout silver blades that cut through the crisp lakeside air, haphazardly changing directions, creating a bladed birdcage, sealing the Dead Apostle's movements. He catches and then snaps the incoming Black Keys with ravenous claws, creating gaps for my right fist to strike true while my left hand throws replacement keys into the air. In the chaos, my stake-like strikes begin to match the flurry of claws.

There are those in the Church who desecrate a fighting style or martial art, breaking it down to its base components and reassembling them into a series of movements solely made to execute those who do not belong in the Lord's world( utterance) . What I'm using is only a pale imitation of the unnamed techniques passed down to the old man. Strength, speed, accuracy, everything. I can't compare to the old man at his prime. I already knew that. That's why I chose to learn the Ash Lock. Even then, what I have isn't enough. We only train our bodies because we're making up for something that's missing.

Still, I can't win. I haven't even delayed my death until I run out of Black Keys.

He doesn't have to play at my pace. He could ignore the negligible damage with his high-speed regeneration that must be as if time was turning back and tear out my heart. He won't because I'll use the lag it takes for him to land a killing blow to set his ritual back a day or two with a stray Black Key. To a Dead Apostle, the game is worth so much than my life.

Amidst the murder of Black Keys and over five years of training compressed into seconds, he pushes me back, away from the center of the clearing and muddy grass to the gravelly lake shoreline. He's already calculated the range of my Black Keys. He knows the more I throw up, protecting me, the shorter the distance they can travel. At the lakeshore, the Black Keys circling us won't be able to reach the keystone to his ritual before he kills me.

I'll kill him before he kills me then. Like I was planning, if my Ash Lock, Black Keys, and Baptismal Sacrament don't work individually, I have to call down all the Black Keys above us and consecrate the undead monster with every ounce of faith I have before I'm out of Black Keys, out of range, or my body breaks down.

Finishes breaking down.

The adrenaline I've been running on has finally burned up. My body is numb, going into shock from all the internal bleeding. My movements are already losing their sharpness. Don't worry. Keep burning the circuit and the Ash Lock will pick up the slack. The result? It's costing me two Black Keys to get one back in the air.

Forcing my body to move with only magical energy is one thing, but,

"Ha, your Juggling (魔術, majutsu, "demon techniques") per such lesser Thaumaturgical Circuits of a magus shallow of accumulated history is lacking. Operation of 「existences that already bear modality (form)」 (形式, keishiki, "form/mode") that are deficient of Thaumaturgical Foundations, Thaumaturgical Formality( Formalcraft) are a method of higher apposite for you."

The Dead Apostle sees through my condition in an instant. This is my trump card. I know the cost. The problem isn't the amount of magical energy necessary. Simultaneously controlling dozens of Black Keys, means running multiple formulas on circuits built to handle one each. Prolonged use is whiting out my consciousness. Come on, just a little more. This can't be the end. Please, just a little more then I'll finally have everything he wanted.

But, I can't. I've used up every single thing I have. Conceptual Weapons. Sacraments. Magecraft. There's nothing left in Chris Frampton. I can't, and all I needed was —

"Oi!" A voice sharper than any of the Black Keys around me cuts through the white. It's not the all-powerful voice of a triumphant hero here to single-handedly save the day. Definitely not.

Rich steps forward.
 
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