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Several stories of mine, all currently unfinished. Hopefully having these somewhere people can see them will help with writing more of them.
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"My story, not Yours" (PMMM)

FormlessAlien

Allergic to lightbulbs
Location
A humanoid body
So, yeah, somewhere to put my stuff so that someone out there can hopefully inspire me muse enough to keep 'em goin'. Here's one I just recently started working on again. It's taught me that both SV and SB eat font sizes for breakfast.
-----
...cold...
...so... c-cold...
can't breathe, I can't—
...please... cold... no...


Your eyes blink open. You push yourself up into a sitting position. Where am I? you wonder. Wait... who am I? Shouldn't I know who I am?

You search your thoughts, digging for a spark, a memory, but you find a surprising amount of nothing. You don't remember anything. Not your life, not your name, not even your own face. You shudder, looking down at your hands and clenching them into fists. This makes you feel a little better, though you're not quite sure why. You shut your eyes and sigh, pushing yourself to your feet. You need to find out where you are before you can worry about who you are.

Who knows... this place you woke up in could be chock full of danger.

..........​
This place is completely empty.

In the hour you've been walking around what should've been an absolutely packed city, from the look of it, you've seen absolutely no one else. At all. Not even one person.

It isn't that you haven't seen signs of life—oh no, quite the contrary. You've seen plenty of signs of life, of habitation. Lights in the windows of the towering skyscrapers, street lights changing—even, when you went into one of the lower down apartments, running TVs and food on the tables.

But there aren't any people. It's like they all just... disappeared, in the middle of eating dinner. You wonder what caused this... and what stopped it from happening to you.

It's making you feel rather paranoid, to put it lightly.

You grit your teeth, hand going to grasp something over your left shoulder. You blink. "What's this?" you wonder, swinging the... whatever it is you're holding from your back in a motion that feels almost familiar, and it comes to rest in front of you, held tilted to the left. It's a... sword. An enormous one, at a few centimeters more than your own height and four centimeters wide, though the blade is extremely thin. It's straight, double-edged, and—oddly enough—tapers like a thrusting sword, even though the blade's completely flat in a way that it shouldn't be able to stay straight, and it's impossibly balanced for its cross-section and the lack of a pommel—

Wait. How do you know these terms? How do you know what they mean? You don't have any memories! How can you—You freeze. What was that sound?

After a moment of disturbing silence, you hear it again. Something sliding across concrete (cloth?), as well as quiet footsteps. You spin to face them, your grip on the sword's hilt white-knuckled. The footsteps continue, drawing closer. Then, you hear a quiet whsss, and a nearly silent ring of metal. You recognize it as a sword being drawn... somehow. You unconsciously step back. When the source of the sounds comes into view, though, your step back is very conscious. Why? Oh, that's simple.

It's pants-shittingly terrifying.

Coming around the edge of a towering pillar of concrete and glass is a living shadow. It's pure black. There is absolutely no light reflecting off of it, in a way that makes your head spin. Featureless and nearly formless, all you can really tell about it is that it's armed, it's tall, and somehow, despite it having no visible eyes (or even a face!), you can tell it's looking...

...right...

...at...

...you.

A wave of fear crashes over you like a million gallons of water, nearly crushing you under its weight, but you manage to stay afloat, just barely. You're very thankful for this a second later, when you only just manage to leap to the side before you're impaled by a hole in the world in the shape of a katana. You yelp, leaping over a lightning quick leg-cut, parrying a second thrust towards your chest, and darting out of its reach on sheer reflex. The impossible being pauses mid-leap, frozen in space. It tilts its head to the side like a cat or something, except much too far for anything's spine to survive, and sets itself back down on the ground. You hold your sword in front of you as if to ward off the sheer terror the creature instills in you just by being seen, creeping backwards, eyes darting, searching for an escape route—You leap to the side, twirling a quarter turn mid air and bringing your sword in a darting arc across th-the-It. A shining white line appears across its chest, and you dart back further, trying to buy yourself some breathing room. Then, you realize that you actually hurt it.

When it roars, you realize that you also made it very, very mad!

You're forced to deflect a flurry of strikes aimed at your everything, from every side, one after another, with no time to think, no time to rest. The creature freezes mid-air again, catching your sword in a bind and reaching for your blade arm with its free hand. You grit your teeth, jumping into the air, pivoting your sword with Its as the fulcrum and stabbing it straight through the chest. It goes limp in the air, limbs swaying gently like a puppet just hanging from its strings. Then, like the puppet it appears to be, its arm lifts and jerks towards you, the movement clunky and unnatural compared to the impossibly quick and graceful dance of death from before—Everything around you slows...

You pull your sword through the side of its chest, nearly cutting it in half in the process, and catch its blade on yours. A twist of your arm knocks the sword out of its grip, which flows smoothly into one last slice, cleanly removing its head. The world speeds back up, the creature's body finally being reclaimed by gravity and falling to the ground. You look down at the body.

Cracks appear in its skin, growing and spreading as flecks of emptiness slough off, revealing, beneath it.. Skin? When it reaches the slice on the chest, and the... the neck, blood trickles from the wounds you caused, forming a pool of crimson on the asphalt. Then, it reaches the face. You gasp. You... you recognize it! Wonder builds in your heart, along with fear, as you try to figure out who it could be, only to be replaced by abject horror when you glimpse your reflection in the puddle of cooling blood that you spilled.

The reason you recognize the face below you, on the monster you just killed, is because it's yours.

...holds me, keeps the cold away... home...
home's where the heart is, follows my heart—
no! you will not take her from me again!
this is mine to tell, I am the captain of my--


A loud crash snaps you back to reality. You spin, sword held in front of you, searching for the source of the—what? A person! You lower your sword to a less blatantly combative position—Fool's Guard, because you're not quite optimistic enough to truly lower your guard.

"...Who... are you?" you find yourself asking the strangely-dressed girl, your voice shaky and soft. You commit its unfamiliar sound to memory. Your eyes dart to take in her stance, and her own weapon; it's a— "And why the Hell are you holding a musket?"

Confusion flickers through the girl's golden (golden?) eyes for a moment, but it's gone so quickly that you almost think you'd imagine it, and then she's smiling. "I suppose you're a new Magical Girl, then?" she asks, though it seems like she doesn't really expect you to answer. She steps towards you, jamming the blunt barrel of the musket into the asphalt of the road without effort and bows slightly at the waist; you try not to jump. "I'm Tomoe Mami, the senior Magical Girl and protector of Mitakihara Town. The musket is my weapon."

"Um, hello, Tomoe Mami," you greet, nervously imitating her bow, eyes flickering across the cold, empty buildings around you-- you feel like something's watching you, and it makes you want to fk​ii​nl​dl​ somh​ee​whr​ere to hide. You feel yourself shiver. "I... don't remember my name, or, uh, anything, so..." You look to the side, tapping your fingers on the hilt of your sword. "...I'm sorry, I guess...?"

"You have no memories?" the golden-haired girl asks you, concern clear both in her voice and on her face. "...Do you know what the phrase 'Magical Girl' means?" You can hear the emphasis in her tone, but the words hold no special significance to you.

"Presumably, something to the effect of a girl who is magical..." You sigh, looking back at Tomoe and flipping your sword onto your shoulder. "It sounds like it means something a bit more specific and profound than that from how you pronounced it, though... but I'm not sure learning whatever that is would be as important as where we are and what the Hell happened here." The 'Magical Girl' is looking at you in confusion, so you elaborate, "This whole city seems empty, except for this... thing that looked like- like—" You can feel your throat constrict as you remember the horror of fighting It. "—Like you took a knife, cut a slice out of the world in the shape of me, gave it a blade, and hung it on a puppet's strings..."

Tomoe looks at you with a mix of confusion and concern. You notice her taking a subtle step back, putting her beside her musket. "Miss... This isn't a real city. It's a Witch's Barrier. Whatever you saw was probably a Familiar."

'Witch? Familiar? Barrier?' you mouth silently. They don't mean anything to you. "Again with the emphasis, um, I, none of that means anything to me. Except 'this isn't real,' but..." You twitch your wrist, bringing your sword down to slice into the road, and flip a chunk of it up into your hand. "This feels pretty real to me... I mean, this is only about twelve blocks from where I w--" And then you notice the hunk of asphalt in your hand is wet. And red. And you can feel it soaking through your glove... "...Oh. Oh, God." You look down, and your head is still there, sitting in a pool of blood that looks like it's started to dry. As you jerk your eyes away, as you tear off your gloves and throw them away like they're made of poison, a small piece of your mind wonders how long you've been standing here.

"Miss?" the self-proclaimed Magical Girl asks, pulling the gun out of the road. It's silver and black, with vine-things or something along the side, and it looks like it's matchlock or flitlock or something, you don't remember, and you focus as hard as you can on taking in every detail of the decoration on the stock because you don't want to think about it don't think about it don't think about it "Miss, calm down."

"—m not a puppet I'm not a puppet I'm not a puppet I'm not a puppet I'm NOT"

An enormously loud BANG interrupts your thoughts and you find yourself stumbling back. You look aroun--

A hand cuts off your vin​siono​, and you take a gasping breath, and then another, and another. Then you stumble-- you're moving. You're being dragged, pulled back by a hand on your shoulder. "W-what--" You swallow and bring a hand to your mouth-- you feel like you're gonna throw up. "...what happened? Where are you taking me?" You struggle to pull away, but you can't. "W-why won't you let me see?"

"I'm getting you out of here," Tomoe Mami's voice says from behind you. "This witch is affecting you; it's not safe here."

You jerk in suh​rpa​rit​se​e. "W-what? But-- but I--"

--cannot take her from me! this is my tale
you are mine to command and move and write
this is my story to tell, my home to use
I will not let your hateful warmth blow her away--
 
Expected a sentient, rational Ing story. Got a Meguca SI. Not sure what's going on, but I'm still watching!
 
Confusing, but interesting. I'd like to see more.
Thanks a bunch!
Yeah, it's kind of hard to represent what I'm trying to represent in text (or in anything), but I guess 'confusing' isn't a bad thing for it to be.
Expected a sentient, rational Ing story. Got a Meguca SI. Not sure what's going on, but I'm still watching!
Well, I'm glad to surprise you, I suppose!
What gives the impression this is an SI, by the by?
 
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"Why can't I just go back to sleep?" (WARFRAME) Oneshot
I'd forgotten I even had this!
Since I've never played WARFRAME, this is certainly full of inaccuracies and shit, especially since I deliberately included a few. But whatever-- this scene inspired me.

-----
Everything is wrong. I'm too small, and I can see myself on the ground a few meters away... and it hurts to move. But I know I can fix this. I just have to get back to Nyx. Five meters... how hard can it be? I mean, apart from the clear muscle atrophy this body has experienced, the horde of Sentients (not to mention Hunhow and his pet Stalker) chasing me, and all of the wrongness about being the wrong size and the wrong shape and so burning, twisting cold.

But.

I need to move anyway. The enemy is coming, and I can't defend myself like this, when even awkwardly dragging myself along like I am leaves me breathing hard (breathing?), so I need my Nyx, and I need to hold her to wake her back up. So, I'm pulling myself across the floor with my arms and pushing myself with my legs as much as the bundles of pain and weakness that they are will allow, making a speed of maybe a third of a meter a second and trying not to grind my teeth (I have those too?) into oblivion because of the agony. It is working...

...but I feel so weak. Helpless. Alone... I hope I don't need to be not-Warframe me again, or at least, not again soon. And I hope I survive getting back to my liset...

I drag myself the last few decimeters and reach out, stretching the tips of my fingers to touch Nyx's shoulder and, on a reflex I don't remember learning, let my mind wander out through the ends of my gloves . . .

I almost jump when the familiar swift strength of mind and body that comes with my Nyx settles onto my heart, but I manage to restrain myself; I just made it here, and though it might be something to laugh at later (if I survive), it would not be funny to have to crawl another half meter because I broke the link like an idiot gamer chump going for the chips with her spine still plugged in. Instead, I grab the horribly thin, black-suited thing that's sort of me under the arms and pull it into a protective half-embrace. I still wince in my arms, even with how careful I was with picking squishy-me up (and isn't that a strange thought), but I don't let that stop me-- Mister Puppet is right there with his fuckoff huge glowsword (in one hand, because he's a showboating ass as well as a murdering resource pit) ready to chop off my favorite head! And the squishy one, too, I suppose.

And then, because I'm a lucky horribly confused Tenno, he turns away. I almost sigh in relief (another odd thought, that) as I try to ping the Lotus, but I manage to hold it in, because I do not want to draw his attention when my hands are too tied up with protecting a rather squishy V.I.Me to shoot shit or bend minds in any useful, practical matter. I consider just running; it's probably the better choice, but how fast can I run without pulping--

"You hesitate, Shadow," Hunhow cuts in rather rudely, presumably talking to Mister Puppet, "but remember your despair. This is your only chance to make it end."

The Stalker lifts his free hand and... stares at it, for some reason. I glance down at my own, too; tiny, black-clad, unadorned, kind of like his... except tiny and painful. Does that... mean something to him? Does anything mean something to him? And what in the Void is he 'ending'?

"Your hatred is too weak, Shadow." Thankfully for me. If he tried, I'd almost certainly be dead by now... "Mine is strong. My fragments will finish this." And... there goes my luck. I find myself swallowing, my gaze twitching to the tiny hands that probably can't even swing a nakana again.

And then Mister Puppet and his new, kinky master disappear to somewhere, jolting me back to reality. I grit my teeth again, letting the screaming of my jaw muscles fall on a deaf mind as I spin and start jogging unsteadily out the door, my mind racing. I can't afford to get distracted, and I just did, right in front of an ancient evil and his pawn. Has this squishy meat body weakened my mind as well as tying up my body? Or... is it the raw vulnerability of not being able to fight that's doing it?

"Tenno-- Operator," the Lotus's voice calls over my comms (finally, I'm not alone). "You're awake now, but you're more vulnerable than ever. Get back to your ship, now." I speed up, trying to ignore the feeling of dread over the horde of Sentients I know are waiting for me in the room outside this 'reservoir' and almost succeeding.

I know I'm fucking vulnerable! However much this whole situation is twisting my mind into pretzels, that bit's clear, thanks! It's not like I'm currently incapable of shooting shit or anything!

"You need to focus your mind and direct the Void at the Battalysts," our leader tells me, in a voice that's just barely not calm. It... doesn't make sense.
Focus my mind, and... but it hurts people, and we have to dream to be safe, or it tries to do whatever we--

"You have less than a second before they arrive, Olena!" the Lotus actually shouts, sounding legitimately worried. "Please, just trust me!"

I grimace, my grip on the protruding spine on my back tightening painfully, but I nod anyway... not that anyone but me can see it. There's no one around but me and my enemies to hurt, and I'm dead anyway if I don't try...

...and I have no fucking idea where any of my aversion to this 'focusing' came from.

Before I can finish adding my memories to the pile of things that don't make sense, the starkly-artificial yellow light of Sentient teleportation flashes across half the room and fills it with vicious, floating, four-legged fucks with far more combat ability than me right now. I step nearer to the wall (maybe I can pull off a hop or two without knocking myself out with the g's, if things go wrong) and lift a single, shaking hand. For a horrifyingly long instant, memories of fear and pain and destruction and hate flash through my head, curling around each other into a single point of tangled dread over consciously using the Void... and then I take a look at the Sentient shithead floating in front of me, charging up his death ray to turn me into so much scared dust, and I want it dead.

The writhing, flaming ice under my skin darkens, spilling into my outstretched hand like a flood and reaching out from me to the Battalyst with a deep, deadly thrum. The blue streak of wrong-yet-familiar power touches the machine, wrapping around it, grabbing it by its beating clockwork heart and pushing an unreality of be-not over its precious world of logic and order, removing it from the place where its power output exceeds my defenses by several megawatts and shoving it into the one where it dies. Its gravity manipulation fails without a sound, and it falls to the ground even as its impermeable armor plating rusts like raw iron languishing under five seconds of constant lightning-- it's dead before it finishes plummeting to the floor.

...Oh, what in the fucking world I just did that with this squishy meat-body! No, there's no time to think, just run, Oh!

The doorway is clear, now (and the rest of the room is still full of robot murder-squad), so I run for it as fast as I think the less rigid of my two bodies can stand and make as much of a bee-line towards my liset as I can in this place. The Sentient are following, teleporting in to block my path and setting up death turrets where they know I'll have to go-- I'm twisting and turning as fast as I can bear to catch the beams on my Nyx, sending my own curling tongues of death back at the ones I can't ignore, and overall doing my best to not end up with a terminal case of death-by-particle-beam or a bad dose of death-by-distraction.
The run to my ship takes less that three minutes; it feels like decades.

----------​

"Descend into the heart of your orbiter," the Lotus orders over the comms, almost as soon as I'm away from Lua. "There, you will find the Somatic Link."

I... don't really understand what that means, but it makes me feel a strange combination of relieved and scared to think about this 'Link'. Whatever it is, though, I need to find it... "O-Ordis," I rasp, my voice shaky and rough from disuse (I have a real, physical voice...). "Give me a waypoint?"

"Of course, Operator," my old, damaged Cephalon responds in his typical 'happy to help' tone, his cracked-cube avatar pulsing in the bottom-right of my vision; a point on my map lights up with a marker. "The Somatic Link is behind the normally-locked door at the rear of the orbiter."

I feel something almost like a smile on my lips as I start towards the marker, carrying myself like a pretty pretty princess, but I don't let myself relax yet. I'm still the squishy lump of atrophied flesh in my arms, and that'll be a problem until or unless this 'Link' makes me back into my Warframe; no matter how badass my Void laser is, I still don't have shields or armor, and I can't walk, let alone wall-hop.

"Operator..." my Cephalon begins, his voice full of suppressed nervousness. I immediately check the space around me; it's still clear. Then what is he-- "Ordis has detected an intruder in the Somatic Link room. It is -THE PUPPET- hmm, the Stalker..." He pauses for a moment, and I find myself frozen, too. How did he get in here? This is my ship, the place where I'm safe, where my enemies can't go-- "I just thought you should know, Operator."

No shit I should know, that's not the question. The question is what do I do about it? I can't leave myself outside, because I wouldn't be able to move Nyx, and even if I could, the Stalker can clearly teleport inside of my orbiter, so--

"Tenno, you might not be able to win a fight against him in your state," the Lotus informs me, as if I needed telling. "I can call in another Tenno, but you would have to stay alive for at least five minutes, and we can't let the Stalker damage the Somatic Link."

I frown hard, my free hand clenching into a fist, biting down on my lip to keep from telling the Lotus exactly how helpful I find that information; anger can come after I solve the problem... "Any other m--"

"Operator, the Stalker is--"

"Tenno, get to the Som--"

"Only the Tenno's death... will end your despair."

I leap to the side on reflex as the Evil Glowsword of Compensation swings down, just barely avoiding joining the floor in the 'I have a giant cut on me' club at the cost of smacking my head on my shoulder with enough force to see stars. Someone cries out in pain, and I only realize it's me when I'm halfway to the far wall-- I dodged too late, this time. I need to focus, or--

"Hold him off with the Void beam!" Mom barks, a hint of... of panic in her tone. I nod uselessly back even as I dodge Mister Puppet again-- fuck, where is he?!

I try to find the Stalker with my eyes for half a moment before giving up the blurry, slow things as a lost cause and just looking with my Nyx. He's staying back, near the door to the Link thing, and there's three red energy things flying at my face! My free hand comes up on reflex, and I can feel the wrongness of the unfiltered Void flowing out through my fingertips in a wave of desperation, and...

...and I don't die when the blinding light fades and I can see again. The creepy resource sink is still there, looking angry as a... as an angry thing. He has his greatsword held to the side, and it's trailing red-- he's making another projectile! I grimace and push the Void towards him again, feeling it leap out of my hand and squirm its way through the air to splatter across the Stalker's arm, shoulder and sword like the product of a demented water hose. The energy-blade detonates in a flash, and he stumbles--

"You need to get to the--"

"Got it!" I hiss through clenched teeth, leaping at full speed past Mister Puppet and Robo-Compensator and trying to ignore the way the world jerks and shifts and swims. I land, stumbling, almost falling over and crushing myself under Nyx's weight, but I manage to keep going... just.

"You need to fire a Void beam at the light on the pod!" Mom tells me as I try to focus (my eyes are worse than useless. now, just close them).

I tiredly lift my arm again and let the wrongness fly in the general direction of the pod. It seems to curve through the air, but I'm too busy trying to think past the dull screaming of my limbs and keep my gray vision from going black to really be sure. It had better have hit, cause my arm is starting to go numb from all of the impossibility I've been pushing through it... I don't think I have another blast in m--

"Ah!"

The next thing I know, I'm lying face-first on the floor, gasping for breath, and everything hurts even worse. I can't feel my Nyx, again, and I can barely move. I reach out towards the blurry shape of the pod (maybe I can crawl again, maybe I can get my Nyx back), and then the Stalker is right there, by my Nyx, floating over to my body lying helpless, crumpled on the floor. The sword is still in his hand...

"No self, no sense, no death," Hunhow tells the world-- his voice, so inhumanly calm and cold, makes me want to shiver... or is that the pain talking? Then the Stalker flicks my head up with his sword, and I choke on my breath.

'No!' I try to shout, try to run, try to crawl, but I can't even manage a whimper, I can barely manage a twitch. He's going to kill me, and I... I can't fight back! The Sentient continues without even acknowledging my feeble attempt at stopping all of this, but it still feels like he's mocking me. I feel something warm slide down my cheek.

"Just a metal puppet, dangling on Tenno strings." Then the Stalker looks at me (the one I can control, the one that hurts), and I'm almost glad he's decided to spare my useful half-- "Only the Tenno's death will end your despair." --until I remember that this is me, and I can't just buy another one if I'm dead.

I try to inch away, my breath coming in voiceless sobs. Helpless. Alone. Broken... Not again! Please, please don't let this happen again!

The sword slams through my chest and I can't breathe, and I'm sure I can feel it there even though I can't move or feel Nyx at all, and I squeeze my eyes shut. Maybe if I don't watch, don't hear, don't know, it won't hurt so much... but I can hear quiet footsteps, and Hunhow won't stop. I try not to hear, but he's still there, and then something wraps around my neck-- I can't breathe, but that doesn't matter, if I ignore it enough all this will go away, please!

I'm shaking, and the warm things on my face are either tears or blood, and I still can't even move--

Pain suddenly flares in my legs, forcing me back to reality, and I find myself gasping desperately for breath-- I've been dropped?! I don't have enough breath to groan as I roll myself over onto my back with all the strength I can gather in my arms and pry my eyes open again. What I see... at first, it doesn't make sense.

Maybe a dozen meters away from me is the Stalker, with the armor on his chest glowing red-hot as he slides down the also-charred wall. The greatsword is still stuck in my chest (I shiver weakly and try to ignore the phantom pain behind squishy-me's sternum), but the light inside of it is almost flickering, and... and somehow, my Nyx is pulling it apart without my control! But... how would that fling Mister Puppet across the room?

"Don't you dare touch my daughter," the Lotus growls as she steps into my field of vision. One of her arms is held straight out in front of her, and her hand and forearm look less like a hand and forearm and more like a giant, shiny, smoking gun...

"Nat-ah, youou​ prrrr​rrot-eccct​ttc​tt thet​mem, but tet​yheyyey​ slauggh​hterterrer​rr ou-r kkiinn​inn​--"

A lash of familiar golden energy curls from the end of Mom's gun-arm, and she slices it through the air like a more tornado-y an Excalibur's Exalted Blade with a shout. It burns through the hilt of Hunhow's sword like an arrow through an unarmored Corpus Crewman, and the blade finally comes apart in my Nyx's hands. As my warframe goes still and the Stalker freezes mid-step, the Lotus lets the crushed remains of the Greatsword of Compensation's hilt drop from her eight red-gold fingers. "You may have created me, Hunhow," she practically hisses at it, "but you are no kin of mine."

"...oh, right," I croak as I let myself relax onto the floor, something that feels like a tired grin on my face behind the tears. "M-Mom's an ex-Sentient..."

The Lotus turns to face me, a small, sad smile on her face. "Oh, Olena... I--" And then her head snaps to look at the Stalker (he's glowing, now?).

The next thing I know, everything is dark again, something heavy is on top of me, and something is very loudly exploding nearby.

"Are you alright?!" A voice--

"W-wha--" Mom's crouched beside me, and she looks worried, and there's fragments of twisted metal all over-- "Did the Stalker explode?!"

An expression of confusion flickers over Mom's face for a moment, and then she smiles. "Yes, I believe he did," she says, laughter in her tone. "But, more importantly, my child," and her face takes a more serious cast, "how do you feel?"

That's when the piercing pain of overuse in every last one of my muscles hits me again. I groan. "I feel like I haven't moved in millennia," I tell the Great Leader of the Tenno, only half-sarcastically. "...What's that all about, by the way? And can I get--"

--Please! Don't do this! Why don't you hear me, I'm not a demon, please, stop hurting me--

"--s-some cybernetics, or an Operative suit, or..." I take a shuddering breath and try not to cry again. It's in the past, I'm stronger now... "...I f-feel helpless," I breathe, struggling not to sob. "I can't even m-move, let alone hold a gun, or--"

The Lotus reaches down and gathers me in her arms. It almost makes me feel worse when I can't make my body return the gesture... "I will protect you," she whispers to me as I cry my eyes out on her shoulder, her voice thick with emotion. "I promise..."

Despite the years of Hell slipping back into my mind two or thee at a time, despite my body being so tired and weak that I can barely twitch my fingers, I find myself smiling.
 
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Uhhh... Formatting trouble? Looks a bit wall o' text on the second chapter.
 
"A Lich in the Underground?" (D&D / UNDERTALE)
Title's temporary; I ain't got no idea what to call it.

And here's another thing I wrote. It's... a thing. And the bit where Amaia tells her story is awkward as
fuck; my excuse is 'it's old.'

'Tis a character I never used winding up in a game I've never played. Seems almost a habit of mine...


-----​

Something pokes me in the stomach. I groan in confused annoyance.

"...I am busy trying to outwait the world," I tell the annoying belly-poker perfectly politely. "Come back when the world loses."

I hear a confused, worried, wordless sound from the general direction of somewhere. Unfortunately, the poking continues.

I huff quietly, opening one eye and glaring at the offending being, loosening the leash on my aura of Fear-- is that..."...A child?" I mutter in confusion, pushing myself up to get a better look. I blink. "This is not my stronghold."

The child in front of me pushes... himself? herself? up off of the ground, the baggy red-striped blue sweater obscuring almost all features aside from a head of dark brown hair, a pair of worried hazel eyes set in a tan face, and a pair of hands moving in... I blink, looking closer. It looks very much like the gestures are practiced and regimented, and the look that the child is giving me is one that expects a response...

"...Is that a language of handsign?" I ask, sitting up fully and reaching a hand into one of the pockets of my Handy Haversack.

The child nods, frowning. A surprised and disappointed look finds its way onto the child's face.

I give a calming smile on old reflex. "Do not worry, I carry a Ring of Tongues," I say, pulling the simple mithral band from storage and slipping it onto the ring finger of my left hand. It feels... odd to wear a second ring on my hand again after so long, but not unpleasantly; it is almost... nostalgic. Please say again, I sign to the child in the same language I failed to understand earlier.

Now the child looks even more surprised. You use magic? How did you get magic? Have you met Monsters before?

I tilt my head in a show of confusion. That does not seem the same length as what was said before...

The child, seeming to realize the same thing, blushes. Sorry. Earlier, I was asking if you were okay. You're not breathing.

I smile, raising my hands. "I'm okay," I answer in Common, which, given the way the child responded earlier, I expect the child understands. "And what do you mean by 'how did I get magic?' This particular ring--" I gesture to the band on my left ringfinger "--was a commission from one of my friends, but most of my magic I cast myself."

The child looks down for a moment, considering, and then starts signing again. Are you human?

That earns a confused look, and I bring a hand to the enchanted choker at my throat. "What makes you think I'm not?" I ask. "Do I look like something other than human?"

The child (I need to ask for the child's name and gender, unless I want my mental reference to keep being so unspecific) seems a bit flustered. No, you look human. But you use magic. Monsters use magic, not humans...

And the situation only becomes more confusing. I look down and take a deep breath. "...What is the year?" I decide to ask. "Is it still the Fourth Age?"

The child looks at me in confusion. It's 2107 C-E. What do you mean by Age?

"A delineation mechanism based upon events important to the realms at large." I stare at the child, bewildered. "...You do not recognize Age as a part of the date, or that it has ever been such."

It was not exactly a question, but the child answers anyway, signing, No. I don't. There is a moment of thought. Do you remember Monsters living on the surface?

I stare blankly. "...I expect that, given your use of the word so far, you and I mean different things by the word 'monster'. However, that is likely not the most important part of this situation." A single smooth motion brings me to my feet and I look around. This is a very large cavern, seemingly very far below ground given the apparent size of the spot of sunlight above. Attached to a far wall and barely revealed by the meager lighting of this room is a very obviously artificial doorway, and below my feet is a bed of some sort of yellow flowers that have been partially crushed. Probably because of my laying on them. Though likely the most important thing about this is that I have no idea where it is. "Is this place as unfamiliar to you as it is to me?" I ask, turning back to the child.

I don't know this place at all, the child lies extremely smoothly.

I sigh, crouching down to the young human's height. "Please tell me the truth," I ask gently. "Information is often the difference between life and death –how much information one has and how accurate it is-- and I would very much like for neither of us to die. So even if what you know is not much, please share it with me."

The child looks surprised. You can tell I'm lying? How?

"Far too much experience doing the same." I shift my weight slightly and give the small human a firm look. "Will you tell me what you know, child? Or is the assumption that you do not come from this place incorrect, and you hide this from me for the protection of yourself and its inhabitants? If it is the latter, I swear upon my magic that I will not attack anyone here unless I am attacked first."

Now the young one looks somewhat distressed. You will not attack anyone here ever! Don't hurt anyone!

That is... an odd response, though I suppose that it is only to be expected of a naïve child. I stand again with a sigh. "I cannot promise that; I will not make a promise that I know I cannot keep. If my existence is endangered, I will defend myself. The best that I can do there is to swear that I will not kill others unless it cannot be avoided."

By the expression the child's face holds, that is not a satisfactory response. I close my eyes.

"I am sorry. My belief in all creatures being innately good died with my family." And it was not revived with the destruction of the cult that did the deed, nor was it revived when I had one of my Archivists resurrect them. It had been, and has been, far too long for that. I turn towards the door and lift my eyelids, starting forwards. "Come along, please. Whoever is your guardian is likely worried over your wellbeing."

The child responds only with a distressed sound, but I hear soft footsteps following along behind me.

I check my component pouch as I go, feeling for the more perishable herbs and the more fragile flasks. The herbs have dried and rotted away, and even just by feel I can tell that there is far less alcohol than there was when I last used it, however many years ago. Thankfully for my ability to use spells, I have learned to twist my magic around the requirements in many cases, and I still retain most of my more expensive components.

Hopefully the world has not become so backwards in my absence that there are no places to get replacements and backups later.

As I close on the doorway, I feel a light tug at my cloak. When I turn to look, the child begins signing again. There's a mean flower in the room. Don't kill him. Please. The look in their eyes is a determined one, though the demand is strange. He's not able to kill us. ...That might make a bit more sense.

"You mean that he will try."

The look in the young human's eyes is all the answer that I need.

"...One moment, then." I crouch down, calling out to my magic and pulling a small chunk of it to my mind, willing it into the proper shape and then reaching out to the child. "This will shield you," I say as I rapidly trace a series of arcane symbols upon the red and blue sweater, twisting the magic past the requirement for a medium of spirits with a deftness born of long practice. Negative energy flows from the river of it that travels through my soul into the magic, melding precisely with the child's life-force and forming a barrier of false life between flesh and injury. "There we go."

The small being looks surprised. Was that magic?

I sigh, standing and starting off again. "Yes, but I doubt I have enough time to explain in detail how it works, as we have a flower that wishes to murder us to find a way past." I step into the doorway. "Stay behind me, child. Please. False Life is not remotely infallible; it is merely the best that I can do on this notice."

The room through the doorway is even darker than the last, with only a patch of grass with a rather large smiling yellow flower visible in the middle. "Howdy!" it says as soon as I enter the room. "I'm Flowey! Flowey the flower!"

I take a long step closer to it (and away from the child, more importantly) and loose my aura of fear. "You intend to kill us," I say blandly, raising a hand. "You will not do this," I continue. Black and violet fire lights on my hands and along my arms, blazing in its strange unilluminating light. "If you attempt to, I will render you incapable of such an act ever again."

The flower seems surprised and... amused? "Oh... how rich! The little human decides to find a bodyguard, and tells her about little ol' me?" it laughs. It is definitely amused. But since it is monologing, I can afford to let it continue for a while longer. I can cast geas quickly enough that no attacks that he makes will have even a respectable chance at killing me or the child. "Well, it won't help." The flower's mouth tears further open, forming a demonic parody of a grin. Huh. "I'm going to kill you, and then kill them, over and over until they stop trying to cheat the ga--" The flower freezes, its face reverting to a much less awful form and shifts into a look of shock. I feel... something tugging in my chest, but nothing happens. "What? I can't start a FIGHT with you? Do you not have a SOUL? You have to have one! All humans do!" He leans forwards, a look of effort on his face as he reaches out with the pair of leaves on his stock. Is he... "Come on..."

"...Are you trying to pull my soul out of my body?" I ask curiously.

He gives a rather childish huff. "YES! But it won't work! It's never not worked before!"

I smile down at Flowey's obviously annoyed form as one would to a particularly stubborn two-year-old. "If you are not aware, it is possible to fight without removing one's opponent's soul," I inform him with as much saccharine condescension as I can manage, which is quite a lot of saccharine condescension. Then I let the magic I've kept prepared for the last minute loose in a shining streamer of negative energy and watch it wrap around the annoying flower's form. The child gasps behind me, I hear a single step, and then the room is filled with an earsplitting scream. My eyes snap wide, all amusement leaving my face. "You will obey my orders! The first order is to remain there unmoving!" I tell Flowey, letting my spell resolve as I spin around and pull my fear back in an instant.

The young human is laying on the ground, eyes wide with terror, limbs twitching. He or she has hands raised and appears to be trying to sign something, but it's only coming up as a garbled mess of pleas not to be hurt and something about 'keeping them safe'. This is probably the worst result possible.

I crouch down beside the child, worry and all of my suppressed self-loathing plain on my face. "Please do not be afraid! I did not harm him, I only stopped him!" I say in a rush. The child flinches away from my hand when it approaches his or her shoulder and I draw back, taking a few steps away from the small human. I swallow, blinking back the ghosts of tears. "I will not hurt you, but I know that I probably look like I will. I will stay away from you, as I am almost sure you would prefer."

The child's arms fall back to the ground and I see their entire form shaking as they gasp for breath. They shut their eyes tight, shimmering, silent tears dripping from their corners. They raise a single hand again and shakily sign Yes.

"What did you DO TO M--"

"SHUT UP!" I scream at Flowey, eyes shining with death. He, of course, complies.

I hear a choked yelp from my left and I clench my fist, claws digging into the cool flesh of my palms.

"I am only making things worse," I almost sob, feeling despair crawl down my back and into my gut. "I-- I should just leave, find your guardian, and leave you in hands that do not run the risk of hurting you at every turn." I turn to leave, blood lethargically dripping down my fingers.

"W-w-wait!" a voice yelps from behind me. I turn around to see the child, half-sitting in front of the doorway, staring at me with wide, frightened, determined eyes. They raise their hands and sign. You didn't mean it, they start, their hands slow and unsteady. I know you won't hurt me. You're sad... They get surer and quicker as they keep signing, face set in tearful determination. Running from your problems doesn't help, I know. I'll be fine later, don't worry...

I stare. They look sincere. "You... you cannot be serious. I just--"

"Someone will tell me why a terrified child is trying to convince an adult not to run away, and why there is a yellow flower silently making terrible faces at both adult and child," a voice from behind me says, feminine voice hard and commanding. "Right. Now."

I turn to face the voice immediately, raising my hands and calling negative energy to swirl around them. "You will not harm the child behind me," I tell her, eyes blazing with a hopeless resolve. I have already made the child terrified of me. If I have to fight off an army to protect them, I will do it... and with my luck, I will have to.

"I mean them no harm," the white-furred woman says immediately, and after a moment, she raises her hands above her head. "Now, let me by so that I can comfort the child and you can explain this situation to me." She is sincere. I have enough experience with lies to know.

I step aside, but the fire at my hands remains. "You will not enjoy the outcome of harming them," I tell her. She doesn't answer me, preoccupied as she is with picking the child up in her arms and whispering comforts into their ear. The child's shaking calms, and I see a wobbly smile on their face. I lower my hands.

"Do you feel up to standing?" she asks the child quietly.

They nod silently, signing Thank you. The woman sets them down and they immediately start walking towards Flowey.

...Oh. Right. "Flowey," I begin, turning to address the flower, "you will not preform any actions with the intention to cause harm to any being capable of thought and emotion. You may now move and speak."

He immediately jerks forward, eyes locked on me, making a motion with his leaves-- then he stops, and his expression shifts to confusion again. "...Why can't I make bullets?" the flower asks the air. He waves his leaves again, and a ring of white, glowing seeds forms in the air above him. He grins. "That's bett-- ...why won't they move towards you?" He growls again, eyes turning a bright crimson and a new demonic grin on his face. "I don't know what you did to me, but you will pay!" And then he drops into the ground, leaving a hole in the ground.

The child turns to look at me, eyes wide in... is that fear? Disappointment? Shock? What did you do to him? they sign in a rush.

"I cast geas on him," I tell them, hanging my head. "It restricts his actions to that which I command upon casting. In this case, he is bound to follow my commands, which consist currently of the imperative not to do intentional harm. I intend not to use my power over him again, unless it is to release him from the command if he loses his tendency to attempt to extract souls and bombard them with magic."

Twin gasps bring my gaze up again. Both the child and the woman look horrified, the woman with her hands covering her mouth, and the child's eyes are wide. They step back, hands shaking.

"...you beast," the furred woman whispers, hands coming away from her mouth. Flames burn into existence around her and she steps forward, hands raised in a fighting stance. "I cannot allow one who would do that to a living, thinking being to be near a child. You will leave--"

The child's eyes grow yet wider and they raise their hands, the air in front of them shimmering--

.....​

I feel a small pair of arms wrap around me and I groan. "...You are interrupting my rest. Please come back after the end of the world."

The being that is holding me starts shaking. A moment later, I feel something warm and wet drip onto the cold skin of my throat. My eyes peel open.

A child is laying beside me, arms wrapped around my neck, and... "...Why are you crying?" I ask, moving to sit up. The child makes a choked noise. "Did I make you cry? What is-- Please stop crying... whatever is wrong, I will fix it! Please..."

They push themself up and look down at me, eyes red from crying. They bring up a hand to... sign?

"...A moment, please. I cannot understand you for the moment." I reach into my Handy Haversack and draw forth a simple silvery band, slipping it onto my left ring finger. Magic reaches into my mind and--

--don't hurt anyone, please, no geases, no deaths--

"...What in the Abyss?" I feel the words leave my lips before I can think about them. "Why would I-- I will not hurt you! And why would I ever cast geas on a child? I am not a monster!"

The child is staring at me, fear, disappointment, and sadness in their eyes. You cast it on Flowey, last time!

I blink. "...I have only cast the spell three times, and never on someone who has done less than destroy a town. None of those three have any relation to flowers... Has my legend been corrupted in my absence?" It is not unusual for that to happen to those that are discovered to be undead, but I thought that the entire meat of my legend was that I was the one lich a person did not need to worry about being killed by if they came too close.

Legend? the child signs after a pause. What legend? At least they are not crying now, though they certainly do not look happy.

I sigh, grabbing the child and moving them off of me so that I can sit up. They oblige without more protest than an annoyed look. "Once, a death cult roved over the lands. They sacked towns, burned temples, and murdered all in their path but those they intended to keep for slaves. They did this for years, destroying and stealing and killing, until they came across one particular village. In that village lived a little green-eyed girl and her family. The family was quite magical, both of the parents having been sorcerer adventurers in the past and the girl expected to have innate magic in her blood as well.

"Three days before the green-eyed-girl's seventh birthday, when she was to start her training, the death cult found the village and launched an assault against it. The gaurds fought back valiantly and the girl's mother joined them, taking many of the evil men to their graves before they sent her to hers, and buying the villagers some meagre time to run or hide. For most, this was not enough, but the green-eyed child's father cast a spell and hid her in a space outside of the planes, telling her to stay there until he came for her. The father was cut down mere minutes later, and the death cult moved on to other places.

"An hour later, the green-eyed girl climbed down from her hiding place to find the dismembered corpse of her..." I close my eyes, gritting my teeth. This part I remember too well; the image is burnt forever into the backs of my eyes. "of her f-father lying below her, disfigured almost beyond recognition, and... she cried for a day and wept as she slept the night through, mind full of guilt and nightmares. She considered... joining her family in death..." I take a deep breath. "...but before she could follow through, her magic woke within her, and granted a fleeting semblance of life to her father's corpse. He spoke to her, he told her that... she should live on; that giving up is never the right choice, and that she will grow up to be amazing. He told her that he.. he was..." My voice cracks, but I press on. "that he was proud of her. And in that moment, she swore on her life and on her magic that she would bring her parents back, and that the ones who destroyed her village would die."

My claws dig into my palms, and blood lethargically drips down the cool flesh of my fingers. "It took her years, but... she succeeded. She learned all there was to know about her art and hunted down those that killed her family. The green-eyed girl even found a way to bring her parents back to life, but it... came at a cost. As she grew in power, her life waned, and the energy of undeath flowed through her soul, until her heart stopped and her flesh grew cold. She became the same as the creatures that she created to fight her enemies, and in doing so, she grew distant from the world. When her family finally died, the last people that knew her, and she honored their wishes not to be brought back in undeath, she despaired, and the last the world has heard is that she has locked herself away in her tower, to await the end of the world." I take a deep breath. "Almost all of is is my own or my family's account," I tell the child. "The last I heard through a scrying mirror after I made my last announcement to my kingdom, the day before I fell into the state in which you found me. I memorized it, along with everything else I could find relating to my family... I..." I cannot keep speaking. My throat closes up, and I feel my shoulders shaking in dry, silent sobs.

A small pair of arms wraps around me again. Heh. In a strange reversal of earlier, it is me that is crying and them trying to comfort me. I readily return the gesture, crying dry tears on the child's shoulder.

"I-I am s-sorry," I stutter between sobs. Not being able to cry tears without a spell, they feel almost empty... "I could n-not handle my g-grief before, I..."

The child pulls back, a determined look on their face. Your family is proud of you, they sign to me. They lived a good life. You're not a bad person.

I shut my eyes and curl in on myself, bringing my hands to my head. "That is wrong. I was too weak when the cult invaded, and-- and I even asked my parents if they would accept a reincarnation, and they said no, and I never learned clone, and-- and--"

A hand touches my shoulder. I raise my head, looking out from behind my hands at the child. They were happy, they sign rapidly. I bite my tongue. It was their choice. You did the right thing. But now they are gone, and I could have made them stay, but I could not say no... They wouldn't want you to despair.

That stops me cold. "They... they do not," I whisper. "...My father is proud of me. My mother loves me. They want me to be happy..." I smile. I hope that they see me, in whatever heaven they have gone to; it took me... a long time, but I can find a way to exist with the world again. "...Thank you, ch--" I stop. "...I haven't asked your name... I am Amaia Sherezem, former Soverign of Rusul." I push myself to my feet and sweep into a bow, wondering at how horrible I must look; blood smeared on my hands and face, caked in dust from lying still for years... It almost makes me laugh. "What is your name?"

The child smiles back, imitating my bow in a rather adorable way that shows that they have never once been in a formal court. F-R-I-S-K, Soverign of Nowhere they sign to me.

I chuckle. "Then thank you, Fris--"k. I frown, trying to breathe in and finish my sentence, but I feel an odd rushing sensation in my chest-- oh... I blink, magic burning to life inside of my eyes and at the top of my throat, and then turn around. "...That was rude," I tell the side of the room that presumably contains the being that shot me through my damage ward. Actually, given the detection runestructure of the spell to detect actually dangerous attacks, it probably didn't register...

"It was rude of you to steal my mind," a masculine voice that sounds like it is simultaneously pouting and trying to sound scary says from... somewhere in front of me. Is it invisible? "Oh, but I suppose you don't remember that."

I look again and-- "Ah! You, the flower, are the one that shot me!" I chuckle mockingly, stepping towards it, hands clasped behind my back. "And here I was thinking that whatever fired the projectiles my ward did not register as a threat would be less susceptible to a pair of scissors." My hidden hands sign Run, Frisk!

The flower (presumably 'Flowey') stares blankly at me for a moment, its mouth losing most of its teeth (are they an illusion? A magical construct?) in the process. "...Not a threat? How? I designed them specifically to be phased enough to punch through the protective flesh of a human and damage the SOUL without having to enter a FIGHT first. That looked more like what happens when they impact inanimate objects... though..." It blinks. Its expression falls to one of flat surprise.

I smile in a parody of cheer, making sure to show my elongated canines; I have convinced my enemies that I was a vampire with them before, when I was more alive than I am now, but those enemies were idiots. This one seems not to recognize what an undead is, though it seems to have some experience with constructs or similar... "Ah, do you not have experience with beings of cold, undying flesh? How unfortunate." I take another step forward, pulling my hands from behind my back and call out to the river of negative energy flowing through my remote soul, flames of black and deep violet darting from the skin of my arms and hands, curling threateningly. "You will not know how sure your destruction is until it has already occurred~" Why have I not heard Frisk's footsteps? Are they not running?

The flower is leaning away from me now, and a ring of small white pellets materialize in the air around it. "STAY BACK!" it yells, pushing the pellets a bit closer to me. "Your protections don't work against these!"

I smile, grabbing a carved metacarple and a small beeswax candle that sit side-by-side in a pocket of my cloak and tapping them together. "Ithcant ghaless xum," I hiss, snapping the fingers of my right hand at the same time. A writhing cloud of dark darts forth from the air in front of me, wrapping around the nothing only a few feet from the flower to form a pair of spectral figures that quickly resolve into beings of rotting, diseased flesh. Before the cloud finishes immaterializing back into the magic from which it was born, both ghasts dart forward and grasp the flower by the stem. I hear a gasp behind me. By all the Planes, is this child mad?! I continue steadily forward, letting my hands rest casually behind my back again. "Though, I suppose"The flower is dangerous! Run, PLEASE! "a lesson may be more appropriate. You have not met my kind before, correct?" I order one of the ghasts to moan, and it does so, beautifully.

"...You have now..." the other rasps, its putrid breath washing over the flower. I watch it shudder; its struggles to escape intensify.

"So, please, little flower," I continue, still gliding the last dozen feet to the creature as predatorily as I can manage (which is very), "take this lesson and leave--" I emphasize the command with a light squeeze from the ghasts' hands on its stalk "--before I decide that you should join my horde of corpses." I finally hear footsteps. Good.

The flower nods, as much as it can manage while held in the way that it is, and I smile again, allowing it to struggle free. Its projectiles fizzled a while ago; it seems inexperienced with concentrating while under attack. All the better for Frisk's protection. It almost instantly absorbs itself into the ground with a light pop! as I close to less than two yards. Only a moment later, I dispell the pair of them with a click of my claws, a harsh sweep of my right hand, and a muttered "pnohgt." The smell of death immediately dissipates and I let out a deep sigh.

The footsteps stop... behind me? Did I not tell Frisk to run? "Did I not tell you to run?" I ask as I turn around, feeling drained.

Last time, Frisk signs shakily, taking deep breaths and looking a bit unwell, you controlled him. I didn't want that to happen again. They gulp, eyes darting over me. I will need to ask about the 'last time' statement. ...Your chest's bleeding.

"Huh?" I respond eloquently, looking down-- "...Oh. Right. My punctured lungs. I'll fix those," I tell Frisk as I raise a hand to the pair of puncture wounds around my sternum, channeling my negative energy in a far more efficient manner than I was doing before into the cool flesh behind my vest. I'll need to repair the holes later... I take a deep breath, letting the magic in my throat fade away. I feel my eyes lose their backing of crimson. "...I should probably get the blood off of my clothes, hands and face as well, shouldn't I?"

Frisk nods, looking... worried? Are you alright? they ask.

I smile; this one is genuine, unlike all of the ones I showed the flower. "Your concern is welcome, but unnecessary," I tell them, reaching into a pocket of my cloak and pulling out one of my portable holes, setting it down and starting to unfold it. "Even if something killed me, I would come back less than two weeks later, and that is supremely hard to do. There is a reason that my ward did not register the flower's attacks as a threat." I finish unfolding the cloth, its magic detecting open air and shimmering as a six-foot wide hole full of various cloth items falls into existence. I start rummaging through it.

How does that work? Frisk asks, looking curious.

"I created a magical container for my soul, which was already coming unlinked from my body due to the amount of negative energy I had channeled through it, and it kept me from being pulled into the afterlife," I explain, trying my best to avoid using more technical terms. "My body was already mostly supported by the energy of undeath, and since I prevented my death, the shift from positive to negative completed, and I became undead. Ah!" I pull a fresh vest from the hole and look it over. It is a deep blue with rich brown highlights. "Ugh. Not my color, but I suppose it will have to do, until I can figure out where I put the rest of my minor rings." I start unbuttoning the burgundy leather vest of resistance +5 (it is not remotely the best I could do in terms of magic items, but I already wear less rings than I can, these days, and I like how it looks), only remembering half way through that my cloak is going to obstruct my efforts to take it off. I reach up and start undoing my brooch.

What's that hole? How does it work? Frisk asks curiously.

"This is a portable hole," I answer as I set my cloak aside and finish taking off my vest. "It is made of phase spider web, ether strands, and beams of starlight." I slide the new, less pretty vest on over my slightly bloodied shirt and reach down to pick my cloak off of the ground. "It forms a space separate from the normally traversible dimensions of the Planes and links it to the rune structure on the cloth whenever it is opened." I flip my cloak over my shoulders and clasp the brooch at my throat, feeling another layer of protection against magic wrap around me (I wonder why the flower's spell was able to bypass it? Is it actually a psionic or extraordinary effect? I know it was physical damage, even though he said it was designed to damage souls...). "It can store more than a bag of holding or a handy haversack can, but it is less convenient to access than either." Finally, I reach into another pocket in my cloak and grab my ring of prestidigitation, slipping it onto my right ring finger and feeling the spell locked inside, drawing from the world's magic potential. I focus on it and twist the commands it placed in my mind, sweeping its cleaning effect across my form.

What's that?

"The cleaning effect?"

Yes, Frisk signs. Such an inquisitive being...

"It is a ring of prestidigitation." I slip it off of my finger and hold it out. "Here, try it. Its use is instinctive."

The child reaches out to grab it, then pulls their hand back, hesitation shows on their face. You sure?

"Go ahead," I tell them, smiling. "It is not dangerous."

Frisk hesitantly reaches out and grabs the ring, carefully slipping it onto a finger. Then their face lights up with a smile, a rainbow of sparks lighting up the air in front of their face. A smallish rock starts to levitate slowly from the floor. This amazing! the child signs as the rock shifts to a bright blue hue.

I chuckle, smiling back. "I suppose you have not met many arcane casters, then... The spell is great fun, though." Then my smile fades slightly, and I cough to pull Frisk's attention away from the image that they were painting on the ground. "...What did you mean, when you said 'last time' earlier? Does it have anything to do with the flower's statement about my 'not remembering' controlling it?"

The child looks down uncomfortably, the bright colors fading from the objects around them. ...You won't believe me, they sign without looking at me. It sounds crazy. Hmm...

"It 'sounds crazy', you say? I have avoided death under my own power, and I went from a child in a village no one knew about to the ruler of a nation capable of creating an army in a day and effectively halting time through the power of my magic." My smile grows a bit larger, and a bit more like a smirk. "I can believe a lot." I also know when not to believe what I am told; I know too much of falsehood.

Frisk stays still for a few moments and then raises a hand. The air in front of them shimmers. I call on my detect magic on reflex, staring at the anomaly (have I seen this before? It looks... familiar...) through the familiar weave of magic. As soon as my spell focuses-- Frisk, and the world around them, is an overwhelming, crushing, RED Other. It is not a school of magic. It is too powerful for one to hold it. It cannot be a spell of ninth level or lower. There is not enough power in my entire set of ninth and tenth level spell slots to replicate even half of that... I hesitate to call it a spell, though it is too regimented and controlled to be anything else. A RED Other hand reaches out, pressing itself to the shimmering wall before it, and--

--I--

--how--

--I am lying face-first on the ground. My teeth feel... odd. I lift my arms, bracing them against the dirt, and push myself up. "...Why was I on--" I stop when my tongue touches my teeth. They are cracked. I huff what would have been a curse if I were to move my mouth as I bring a hand up to my head, negative energy flowing from my soul to my hand, and from my hand to my damaged teeth. I feel a few abbreviated clicks and run my tongue along the backs of my teeth again. "...Better. Why was I on the ground?" I ask. I pause. "...Why am I blinking my eyes?" I move my hand from my jaw to my eye, putting a finger to one and experimentally channeling negative energy into it. "...how did I damage my eyes?"

Frisk, who I can now see, is a few feet or so in front of me, looking the worst combination of confused, concerned, and guilty. I SAVEd, they sign carefully. It locks a point in spacetime. I can return to it if die or want. You collapsed, and you were covering your eyes-- are you... okay? How did I hurt you?

I smile at that last part. "Once again," I tell them, "I am fine. I would merely reform if I were to be destroyed, and I cannot be permanently damaged by anything less than a wish." I stand carefully, testing to see if I managed to break myself anywhere other than my face. Everything works. "And my injury was my fault alone. I tried to detect magic, and... you..." I pinch my eyes closed, avoiding the urge to grit my teeth. "...You are beyond my ability to comprehend, even when you do nothing. When you finished casting whatever spell that was... If I were not a powerful undead, my attempt to gaze at it would likely have broken at least one aspect of my mind."

The child's eyes go wide, and I notice a bit of dampness gathering in them. I... I almost...

All hells, I am doing the opposite of what I intend! "Frisk!" I say. They pay me no mind, so I grab their shoulder. They look at me; they look horribly crushed. "Frisk..." I start again, staring into their eyes, "it was my fault that I did what I did, and it it not your fault that your spell has that effect on those who attempt to detect it. And were it to do damage as I described, which it cannot, since I am an undead, the soul would heal within a day. I will not attempt that again, and the magic will have no risk of harming me--"

Frisk wraps me in a hug for the third time today. They are shaking...

I return the gesture, rubbing comforting circles on their back. "It is alright, Frisk," I tell them. "I am fine. You have done nothing wrong, though if you feel as if you have, I forgive whatever you believe you have done. Everything is alright..."

I continue like this for a few minutes as Frisk's crying gradually slows and then stops. They lean back. Thank you, they sign simply, looking much better despite the tear tracks on their face.

"Of course, Frisk." I stand up to my full, slightly-unimpressive height of a bit more than five feet and go to brush off my cloak-- "Ah, would you mind using the ring to clean us up?" I ask them. "I would assume that there are more people here than us, and we do not make the most presentable pair as we are."

Frisk makes a quiet sound, smiling. I feel magic sweep across me and the dirt and dears fade from my clothing, the tear tracks on the child's face doing the same. Then they make an exaggeratedly fancy sweeping gesture, and little multicolored sparkles fall from the air above us, finishing with arms wide and hands shaking in a silent tada!

I chuckle quietly. "Yes, magic! It is quite fun," I say. "...Ah! That reminds me. On the topic of magic..." I twist a chunk of magic into a familiar spell, clicking my fingers and speaking a syllable of power, yellow light shimmering over me. I suddenly feel a familiar, profound out-of-breath sensation, taking a few practiced, rapid breaths. I shiver slightly; the spell brings my body temperature up to something survivable, but my core temperature is still low enough that I will be quite cold for a few minutes.

What was that? the child asks, looking intently at...

"Ah, you have no doubt noticed that I am breathing far more often now," I infer. "The spell I cast is called spark of life. It was designed as a spell to combat the advantages of undead, such as having no need for breath or organs, but I use it to feel as if I am alive," I explain. "Many of my bodily functions, such as the entirety of my metabolic system and most of my muscles besides those of my limbs, face, and diaphragm do not move. Technically, none of them do, but I can move my limbs, and take voluntary breaths and such through my innate energy. It also makes me vulnerable to such things as having my spine severed, but I can dispel it at any time, and if my body is destroyed, I will still come back." I hold up a hand, stilling my shivers. "I think it is worth it to have warm flesh."

Frisk reaches up and grabs my hand. I can feel that their hand is warmer than mine, and not in the simple, academic way I can sense with my energy. They smile.

"Shall we go, then?" I ask them. "I believe that we are as presentable as we can be, unless you wish to use some of my other magic items?"

Frisk's face lights up and then quickly dims, just like before. ...I don't need them, they sign.

"You may need them," I begin seriously. "Even if-- damnation," I curse. "How can I be so forgetful! Frisk."

They look... startled.

"Your save spell returns you to a previous time if you die?"

Frisk nods in a manner that makes me think that they do not quite know what is going on.

"Or if you will it to?" I continue.

They nod again. Yeah, I explained that a minute ago.

"You did," I confirm. I take a deep breath; I need to know. "My question is... what triggered your spell last time? Did I... not protect you?"

"No!" Frisk says, very emphatically. They can speak? No, the child continues in sign. Last time, you got into a fight with a friend. It was stupid. I wanted to stop it, and stop Flowey being... they pause, searching for a word ...broken. Controlled. Geased. It was horrible...

"...Oh, that makes sense." I take another breath and sigh. "It... is horrible," I tell them. "Geas. Any spell that compels a person to do something. Dominate monster, command undead, when they are used on thinking beings... I..." I pause. How do I express this? It is... "...I do not know why I would use that spell. It is far longer term that I would use, and those I only use under duress to move enemies that I cannot or will not kill away from myself and those I value. The last time I used geas that I can remember was on the leader of the death cult. It was..." I look down. "...I am not proud of myself for it. But I am getting off track. I need to cast a spell on you."

A spell? they ask, politely following my topic. What spell? Why?

"I call it contingent resurrection." I call out to the highest of my spell slots, bringing it to the front of my mind but not casting. "I created it so that, if either of my parents were... killed again, they would be automatically revived, and I have also taken to using it as a last resort measure for preserving my own existence, if someone were to find and destroy my soul's container... It is based upon the life spell seed. It detects the breaking of the bonds of a soul to its vessel, such as a being's body being destroyed or its soul being damaged enough to be unable to hold on to it, and reconstructs the soul/body conglomerate, as long as some part of the body still exists. I... used to have all of the instances of it I was capable of holding always active, but I have two empty slots..." I blink back tears; my parents still love me, and they are happy somewhere in the heavens. "...I wish to cast it on you, if you are willing."

Frisk looks surprised. That's possible?

"Yes, though it was not easy to create. May I cast it on you, Frisk?"

They seem to consider it for a moment, and then their face sets into a look of determination. Yes, they say. I don't want you to forget, next time I die. It already happens enough.

I sigh in relief. "Alright. This will only take a few seconds..." I reach out and place a hand on Frisk's chest, over their heart. "Kthel unte leevf," I whisper, focusing my spell's power into the matrix that I have only ever used thrice but still remember as well as the day I created it. Light like the sun leaks from behind my fingers as the magic reaches the child's soul, forming a jacket of life around it held back by a strand of unless. The magic tries to expend itself immediately, as it always does, but the unless will not be broken. It holds just above the soul as it settles, the light dimming and going out, lying dormant until the strand of unless is satisfied. I sigh, removing my hand. "There. How--"

I feel a pulse of unimaginably powerful magic again. Frisk smiles. Thank you. An image draws itself on the air before me; it is a white-outlined black box that says:

LV 1
HP 20/20
G 0
LE 2
Two lives, they add. Thank you.

"...Is that what you see when you use your magic?" I ask them. It looks... odd. Artificial. Though I suppose that all spells are, even when they imitate something that is not.
Yes, signs Frisk, even as they sweep the box away, pushing it into nonexistence in a silent ripple. ...I'm not sure why.

I stare for a moment, frowning for a moment and barely restraining myself from trying to detect magic-- my curiosity is as strong as ever, it seems. If only I was capable of studying that effect... I clear my throat, somewhat awkwardly. "Perhaps we should find our way out of here, and to whoever lives here."

Yes, signs the child, eyes twinkling with amusement. This way! They twirl on one foot, more shimmering sparks following their movements, and march in such a silly 'important' manner that I barely keep it from pulling full laughter out of me-- I manage to keep it to a chuckle.
 
"My story, not Yours pt.2" (PMMM)
This time, SV only ate half of my formatting! Improvement! Hopefully I didn't miss anything.
EDIT: I missed something.
-----​
Everything hurts, and you have no idea why. Well, you don't have much of an idea of anything, with how you don't even know your name, but you'd imagine that you should have some idea of why you feel like you just got punched in the chest with a cannonball. And also –now that you're looking– why you're inside a house instead of in the middle of an abandoned street.

Though, all of this seems a little less important than– "W-why are you pointing a gun at my head, Tomoe?" you ask. For some reason, it's kind of difficult to talk; it's like the air doesn't want to leave your lungs, or something.

"Miss?" Tomoe asks from behind her gun, something between despair and determination on her face. "Are you... yourself?"

"Why would I not be myself?" You grimace. "Whoever my 'self' happens to be; it's not like I'd know."

The Magical Girl's golden eyes dart up and down your form for a moment (reminding you that your chest hurts like fuck) and then rather hesitantly lowers her musket. She takes a deep breath, and rather obviously forces herself to at least look calm. "The Witch did... something to you," she says, like she's explaining, though you're pretty sure it only makes a little more sense to her than it does to you. "You, ah..." She pauses, looking uncomfortable. "...what's the last thing you remember?"

"Um, you said something about... leaving, I think?" You're not really sure-- it seems kinda blurry, and thinking about it gives you a headache. "And then I panicked, for some reason..." You bring a hand to your hea--

Your hand doesn't move. It's... tied to your side. With orange ribbons and yellow chains, just like your other arm... and your legs are tied together too. There's also some bright yellow, stretchy-looking ribbons over your chest, which is still telling you 'hey, something hurt me' very insistently. The splotch of red peeking out from under those ribbons gives you a hint as to why it's doing that...

"...What the actual fuck," you 'ask,' looking back up at the blonde Magical Girl, feeling something between righteous anger and really confused. "You-- I--" your arm makes a very aborted gesture; you substitute a jerk of your chin towards the fucking chains when you realize it's not gonna work "--why? You tied me up? And my chest, it's-- what the Hell, Tomoe?" I wonder why I'm so sure she did it.

A determined, sad guilt flickers in Tomoe's golden eyes, and then she... bows, for some reason. The gesture seems almost familiar. "I'm deeply sorry, Miss," I really need a name "but whatever the Witch did caused you to attack me, and this was the only way I could keep both of us alive."

"...What?" You blink, confused. "That doesn't make sense. Why would I ah​ta​tat​ce​k you?"

Suddenly, Tomoe's against the opposite wall of the room, and you can see her musket's rifling again. She opens her mouth, like she wants to say something, but she ends up just gritting her teeth and pushing herself closer to the window. You shh​iva​et​e​r.

"W-what? What did I do!" You kind of shrink back into the rather comfortable chair you've been forcibly sat in. "Was it s-something I said? I don't want to k​di​il​el​!"

"Miss, your voice--" what about your voice? Tomoe takes a breath, the musket still firmly trained on you. "Please, I know this can't be easy with a gun pointed at you, but you need to calm down. It's c-coming back." Her eyes flicker from your face to your... chest.; your eyes follow hers.

When you see what she does, your breath catches in your throat.

There's flecks of shadow crawling their way out from under the yellow ribbons, pulling their way across your T-shirt and forming twisting little lines of flat nothingness that reach like strings for your throat.

"...well..." you whisper, a gallows smile finding its way to your lips as the pieces come together. The puppet; your face; the strings... "I guess I know why the first one looked like me, then." You look back up, away from the strings, but even with your eyes on Tomoe's, you can still feel them on you, tugging you up, pulling on your wrists. "Leave while you can, please. y​Iou​ can't fight y​mou​yr​ fate, and I don't want to hurt you..."

you don't even know her
you don't know anything
you belong to me
your fate is mine to snip awa--


"Transform!"

You turn your head to face her-- it takes too much strength to jerk it away from the strings. "W-wh-a--?" you force your tongue to say, but something tugs your jaw shut before you can ruin my story again. Your breath shudders; your heart flutters. You can feel the strings in your head.

"Pull on your magic!" she signore her. "Wrap it around you! It can't modify you if--" oh, but the strings pulled your ears shut. Wd​ho​an'​t a trw​ant​gedy.

To​he hateful ribbg​ons are still around you-- but they don't belong he​lp​re, in me​y domain. My ink reaches out and colors them gone. "Lara Weiss ist leider tot," I tell the invader with your mouth. Your hand lifts your sword, setting it in Wrath on your shoulder as I grin through you. "Aber können Sie ihr hinzutreten!"

A bullet pierces my ink over your hand, knocking the sword out of your grip. I growl at the invader; she doesn't even have the decency to make good dialog before I kill her! Your sword appears in your he​al​np​d again and I pull your arm to swipe away the next golden orb of annoyance; it ricochets musically off of the pipes in the walls, sending water spraying artfully between you and tom​ho​e annoyance. I would have you smile at the scene, but you don't have the lips for it anymore, and she just jumped out the window without saying anything AGAIN.


"Können Sie nicht sprechen?!" I shout as I leap out after her, my strings lifting wings of ink from your back. "GEBEN SIE MIR EIN WOR--"--T falls from the page
Half a dozen shimmering bullets perforate your chest, and I make you growl. She interrupted ME, and BROKE my WORDS! At least she has the decency to look impressive, with the wall of floating muskets, but she doesn't SPEAK the pain in her eyes!

I feel the pain in my chest, where the bullets hit. Where the lumps of magic are. Where they broke through the cage.

The AIR quivers with my wrath as ink flows from the cracks in the street, and from the gaps in the sky, and from the pages in the books. It crawls from the buildings, pulling its way up their walls and COLORING THEM UNDER MY PEN. Concrete and steel and glass collapse under my Will as Wörtertitanen rise from the crushed Fate of the city--

more sparks of magic burrow in my arm-- I can feel them burning away at the emptiness around me

"HAU AB!" I screech through your throat, swinging my million mighty pens through the air towards that yellow BITCH who won't SPEAK and she dodges like I'm NOTHING! Golden light flashes across MY world, and then she has guns EVERYWHERE again, and they tear through my words and my ink like I'm NOTHING in MY STORY--
 
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"My story, not Yours pt. 3" (PMMM)
This is why I should write out a plan before I write out a story. I don't know what the fuck I'm doing, and all my ideas mixed into something that's rather a mess...
-----
I hiss through my teeth as my flesh tears again, but I can feel it working! I unfurl another three dozen bullets and wrap them around the gem over my heart. I gasp as best I can with holes all through my lungs, which isn't very well, but I don't care-- I can feel the nothingness burning off of my skin!

And then I hear something snap, and I can move again! I look down at my hand, and wiggle my fingers. Something between a sob and a laugh finds its way past my lips as the fact that I'm me again starts to sink in...

...and then the air rushing past the ruined, bloody mess that used to be my skin makes another fact sink in. This one is; "I'm falling." That's when I make the mistake of looking down. "...Oh, fuck, that's far!" Fuck, fuck, fuck, fuck, need to slow down, fuck, fuck--

My train of fucks is interrupted by something smashing into my back hard enough to shatter what feels like every bone in my body. And if they didn't, smashing headfirst into the ground certainly did! I try to grimace (all it ends up doing is pushing some shards of jaw into other shards of jaw) and thank what lucky stars I have left that I don't need a functioning brain to think.


Okay, okay, so I can't move for shit with both legs and what feels like my spine broken, and with those Wörtertitanen up there, it's only a matter of time until one declares its pen mightier than my Soul Gem, and applies enough force for the Gem to agree. Possible solution: get a new spine. Problem: I... don't remember how to use my magic efficiently enough to do that without killing myself.

Alright, Plan B it is.

As everything around me is variously exploded and crushed, I reach inside myself, inside my soul, into the living book that is my life-- and I let it out. Ink flows over me again, writing phrase after paragraph after page onto my clothes and skin, speaking of power and protection and speed and skill and (I grimace; that Thing that pretends to Write used them first, but I need them now) flight-- or, slightly more specifically, wings of paper and ink. Even more specifically, wings of paper and ink attached to the armor over the crushed mess that used to be my chest, so they'll have leverage on something that isn't fractured and/or fragile.

Alright, step two-- figure out how the fuck to telepathy, since I wasn't lucky enough to get that memory back when the Thing said my Name. I mean, at least I know I can...

So. Ahem. Hello? Testing? ...No? Err, ;this?; Not that either? Fuck, how else can I think? 'This?' 'This?'

'Who is this!'
Tomoe Mami's voice says in my mind. Success!

'It's Lara--' fuck, the Thing did say my Name out loud, right? Well, it's better to be sure '--er, the amnesiac girl. I just remembered I could telepathy-- anyway! I'm a lump of shattered bone, right now, but my magic should be able to get me out of the way.'

More things explode as flight writes itself on the paper that tears its way out of the air behind my shoulders. 'You-- have control--' Another three dozen muskets fire at one of the Wörtertitanen, tearing swathes of undifferentiated ink off of its concrete flesh and sending it stumbling away from the golden figure swinging in the sky. '--control of yourself again?'

'Yeah. It's just, uh, from a distance...'
Okay, how the fuck do I explain this in a way that doesn't get me killed or something.. 'Well, I'm still covered in ink. It's just mine, not the Witch's, and it's not super obvious from far away, but please don't shoot me?'

Tomoe doesn't say anything for a while, and I spend a moment listening to my magic whispering behind my heart. It sounds about as nonsensical as I remember... '--How do I know you're telling the truth?' The yellow-eyed Magical Girl's thoughts sound strained.

'Well, I'm not speaking German, for one.' My mouth tries to smirk; my shattered jaw says 'no.' 'Also, I'm not screaming at you to say something.'

'...That was--'
More shit explodes, and I flap my wings once to avoid being crushed by the hunk of concrete that used to be one of the Wörtertitanens arms. I am so glad I can turn my sense of pain off at will... '...That was German?'

'Well, I
think so, but all I know about the language is from some fragmented memories of High School language classes, and I w-was a bit busy panicking and being u-unable to scream or cry or p-properly think--' The ruin of my face is now covered in blood and tears... f-for no reason at all, I have perfect emotional control... I try to sigh; it works well enough for me to hear a wheeze. 'No... I'm sorry, I'm, uh... I'm trying to hide in denial until I'm somewhere safe.'

'It's fine,'
Tomoe thinks back, her 'voice' clipped and distracted. Something yellow flits around a massive pen, and another hunk of wrong-ink-wrapped building crashes to the ground, shimmering lines of yellow pulling the blackness from its surface and robbing it of life. At length, the source of the ribbons adds, 'I'll believe you.'

Oh, thank God. 'Thank you,' I breathe though the mind-thingy. 'I think that makes it three times I owe you my life.'
 
I'm thinking I might rewrite what I have of "My story, not Yours"-- Lara's realized the control the Witch is exerting over her too quickly (I think?), and I really don't know where to take it from here or how to get them out. I'm also not sure of my characterization of Tomoe is accurate, but that's solvable.

Anyone have any, uh, ideas? Do I need to write my goals for the story out here to make getting ideas feasible?
 
(Sailor Moon Sufficiently Analyzed Magic AU)
I'm not sure how to start this one, but I don't think just sitting here on this'll make it magically finish. Here's a heavily AU Sailor Moon fic-bit.

----------​
I fold my magic into familiar shapes, pushing them into a relatively simple unsung healing burst that I've used at least a thousand times. "Healing..." Something looks off as the spell starts to press into native-space. I frown and narrow my eyes. "...My math is--" I call up the last five seconds of calculations from my combat skin, and it matches my memory, but, "That is not what this spell is supposed to look like..." I stare closer at it, as if my eyes would be able to find a flaw in the three-shadow of a ten-sphere with thousands of imbedded folds over eleven different dimensions. Then, the spell slips, and it's suddenly expanded enough that I can feel it with my soul, and my eyes shoot wide. "There's too much power!" I realize and report at once, stepping back. "I used the right portions, but there's too much--"

The healing spell I crafted, hanging in the shape of an orb of silver light half a meter in front of my gauntleted hand, suddenly expands, the outer layer twisting and warping much more violently than it's supposed to--

The room fills with shining white light.

I feel power washing over me, more than I've ever felt directed towards me before, and my eyes shoot wide as a burning spike of mending drives itself through my flesh. I can feel the meager damage from using my muscles burning away through the not-pain of my own ridiculously overcharged spell's echo, even after it finishes cracking through me like a lightning bolt. It keeps going, and even though my senses to magic have never been used once in my life, I can see it burst through the walls and expand into the distance in an enormous shimmering bubble of energy.

...I... don't know what's going on. I don't know what's going on.

I flop down onto the floor, eyes wide. "Shadows of damnation crush me," I whisper to the air. "What... happened to me? Why does my soul have so much power?"

'You... contain the Silver Moon's Crystal, Shi-- Usagi.' I hear Luna's quiet, padding footsteps behind me. 'I do not know why, but I sensed it within you, and as the Dark Kingdom is returning and the current civilization lacks an army capable of fighting them, I gave you an... an item... that I remember being told would awaken your power...' I hear a hiss of annoyance. 'My memories are faded so far that I've forgotten what it was that I gave you!'

Oooh, what's this It's so pretty! So I just put it on? AAAAAAAAAHHHH!

"...My combat skin's linking terminus." I sigh, slouching further. "So... I do have my soul, now. Or, Usagi has mine-- or, I have Shining Lights... UGH!" I screw my eyes shut, gritting my teeth, and shake my head. "I'll worry about that later, when I don't have to worry about... having... probably alerted a faction with the support of a being such as Metallia." My voice doesn't even catch on the name, my speechcraft tutors would be so proud, ha. "What--How do we..." And were they not dead, those tutors would now be--No. No, this doesn't matter, focus on now, Sh--whoever I am--My hands clench into fists at my sides, and I breathe as deep as I can manage, and ask, "...What do we do?"

A few more soft footsteps echo from behind me, and then I feel warm fur on my shoulder. 'Please, try to calm down, U-- Guardian Moon. I promise, I will help you through this, but as you have no doubt realized, you just sent out a burst of magic that any trained magus would be able to feel from Mars, and our enemies most definitely have trai--"

I stiffen. With my mystic senses, I feel my overcharged healing spell hit a spot about fifteen blocks away and wrap around it, pushing power into it. That's exactly what it's supposed to do when it runs into an injury-- focusing as much as it needs to in order to fix it. But that shape looks the same as a normal version of the spell running into someone that's basically dead, which means... "...That is a crowd of at least forty people an inch from death," I whisper, the ominous results of a simple vitality equation flitting through my head. "Luna, I'm going there. I'm going to help them."

The Mau on my shoulder narrows her eyes at me and she opens her mouth like she wants to say something, but instead, she closes her eyes, grits her pointed teeth and sighs. "I suppose... that is our only option, my Princess. But I am coming with you, and you are activating your protections."

I reach out into my combat skin and twist it. My helmet slides back over my head, and my awareness of my magic and my self expands through the larger structure of my combat skin. I feel my mind speed up, and I immediately run a set of power calculations, bringing up a fitting wall of force around myself fed with as much power as I can be confident in controlling. Then I throw open the window, and a set of thrusters folds into native-space behind my back.

I jump, keying the thrusters and accelerating as fast as Luna and I can survive in the direction of the distortion in my spell.

Only seconds later, I smash into the ground, flattening a two-meter circle of the street nearly a centimeter into the ground with a crack that would be deafening if it weren't for my landing's autodamping. My magic flicks into another spell at a thought, and I can feel my eyes shining behind my helmet as the enhancement locks in place to displace my sight just far enough to pierce past matter--and my heart clenches in my chest. Forty seven human souls are visible inside that building, now the walls don't obstruct my sight, and all of them are effectively dead--in fact, they should be, with how little of their life-force is left, but spells I've never read have taken up the task of binding their selves to their bodies. There's also something else in there. Like a soul, but wrong. Dark and dead and empty and vile. I turn and say, "Luna--"

'That is the energy of the Dark Kingdom,' Luna says from my shoulder, her voice slightly shaky. The echo of a divination passes through me. 'Held by a Demon of some description, most likely artificial. It is probably draining the life-force of the humans inside.'

"Freezing Hells," I hiss, clenching my hands. "It's killing them! I--" The enchantment fades from my eyes and the world falls back from shimmering lines of magic and souls into walls and colors, and my eyes fall on the name of the building: Osa-P.

"Naru."

I clench my fist, crouching down as power floods my combat skin's motive system.

"I'm coming."

And then I jump.

I slam the door open, ignoring the smash as it tears off of its hinges in favor of taking in the scene. The ground is covered in... bodies. Still bodies. Points on them are pulsing with some that spell I saw earlier, but to the part of me contained within my body, now that I'm here, it feels as horrible and wrong as that Demon's false soul, and at the end is a... creature. Its skin looks like cracked leather stretched haphazardly over a skeleton wrapped in steel cable with a jagged slash opening where its mouth should be revealing dozens of jagged, needle-pointed teeth. In its clawed hand, it holds a small, red-haired shape, a pair of pale hands that seem like a child's in comparison to the creature's own scrabble desperately at its fingers.

A growl pulls its way from my chest and my next step smashes down hard enough to splinter a footprint into the wooden floor as I pull at my magic and fold it songlessly into a shimmering, burning spike. "Demon," I hiss, smashing another step, silver fire burning along the conduits on the surface of my armor. "You will put her down and surrender immediately, or in the name of the Silver Moon, I will tear out your soul and BURN IT SLOWLY!"

In the same way I did during training, I reach into my combat skin, pushing a crystal-edged glaive into my hands and letting my spell flow into its blade. Silver flames build inside of it, and the room is suddenly so bright I expect that if it weren't for my helmet's automatic light adjustment, I'd be blind.

The Demon flinches, hissing through its teeth, but it doesn't back down. "...You dare to threaten me, mortal?" I can see Naru's scrabbling getting even more frantic as it turns to fully face me. "Who do you think you are!"

This will not continue. It will not harm my friends.

Magic flows through my thrusters and I flash forwards in practically an instant, bringing my enspelled glaive down through the creature's arm with a scream. Silver flame flashes out from the point of contact, burning its flesh and worming its way along an unshielded path through spellspace to tear at the creature's twisted soul like an entire pack of mad wolves. "I am the Guardian of the Moon, as sure as I am your death!"

My offhand snaps out to the side, catching Naru as she falls and gently pulling her to rest against my side, and my rage shudders as my combat skin's close-sensors read her. She's hurt. There are bruises on her neck. Her spine is strained. Her eyes are red.

"Naru?" I whisper quickly, folding a healing spell around the hand holding her. "Just hold on, Naru. I'll fix this!"

'GUARDIAN!'

"Wha--" Something comes close to me, I leap to the side, and a hand of razor-sharp claws misses my faceplate by a millimeter. "Shadows!" I curse, pulling magic into another shield, wrapping this one tightly around Naru as my healing washes through her, and then I set her down and step forwards. "Naru, find somewhere to hide!" I shout, and I pulse my thrusters and jump.

The Demon manages to fire one vile spell my way before I'm back in melee, which is more than I'd expect from something in its condition. It looks even worse now than it did uninjured, somehow--its skin is sloughs off of black muscle like mud, and its eyes and mouth are just hollow pits in the ruin that passes for its face--but it hasn't slowed down, even missing what must be most of its soul. Is it some manner of golem? Luna did say it might be artificial--

"RIsE!" it shouts in a voice like grinding stones, interrupting my thoughts. A pulse of wrong power flows out from it, sliding around my shield and flying past me into the rest of the room. "And dEstroy this m
or--"

The pointed tips of my fingers sink into the creature's head, driving a second wave of soul-rending fire into its body and burning what remains of the cold that keeps it standing before it can finish whatever it was doing.

It stills. Its body wilts. My close-sensors read an absence where its awful not-life used to be.

I tear my hand free, flinging the gray mud that used to be a head off of it as best I can and burning the rest.

"...and fucking stay down," I spit in Martian, letting my weapon fall back out of space.

"...Um... M-Miss..." a voice calls shakily from behind me, "thank you for s-saving me, but... the c-customers don't look right..."

----------
Did edits throughout, like, the whole chapter, to make it read better.
 
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Lich What You See? (Overlord/D&D) 1
This is some stuff I wrote a while ago, one of the times when the fandom taking all my attention was the Overlord anime/manga/ln. I wanted to get a nonPlayer D&D character of a similar powerlevel to interact with Ainz and such.

As you might guess, I, uh, just made up the title.

----------​
"That makes the last of out setup," Fai tells her lieutenants as she pulls the last three cold iron nails from her chest. "We should be able to hold against anything short of a lesser god, and—" A frown forms on her colorless lips and she turns to look at the man covered in shimmering scales on the right side of the entrance to the ritual chamber, ignoring the various bottles of blood and mercury and sticks of blessed chalk floating across the space between them. "Ixenchaun, the cloning bank is actually operational this time, correct?"

"Ah, yes, Lady Fai," he says, looking to the side, hands shifting awkwardly in front of him. "The only issue was a lack of feedstock, and with the addition of a modified food creation spell, it…" Ixenchaun unclasps his hands and coughs into his fist as if to clear his throat as a few of the others standing by the door sigh. "In any case. Yes, it is operational, and I have tested it personally."

Fai gives an acknowledging hmm and pauses in buttoning her enchanted vestments to look her best artificer over in more detail. "I suppose that's the reason for the bluer streaks," she muses after a moment, and smiles. "It looks good on you."

Ixen looks away again, starts saying something to the effect of "w-well, um, I mean, uh," stops, and retreats from the room with a hasty bow and a rather high-pitched "Milady!" Fai, along with the remaining three members of her inner circle, chuckles at the scene.

"Yes, he's a good man. Excitable, but good." Fai accepts her enchanted mithral cuirass from an invisible hand, shakes it in her hand to unravel it from its storage shape, and tosses it over her shoulders like a jacket as she stands up. "Anyway, as I was saying, the plane should be virtually impenetrable even if one endeavored to enter through something like a wish spell, and the portal should be well-enough secured that fiendish incursions should mostly deal with themselves," another unseen servant pulls a shimmering cloak over Fai's shoulders and she clips the brooch without breaking stride or rhythm, "so I believe we should refocus on locating the remnants of the Hand of Azathoth and finishing the fight with him."

"Of course, milady," a tall, clean skeleton clad in a long, flowing coat says from the other side of the doorway even as the assembly of lieutenants separate to allow their leader pass. "On that topic, I have a report on your desk about possible agents discovered by the scrying mission we commissioned from the Wintergatan College of Wizards. I could summarize it for you now, if you'd like?"

"In a moment, Karlos," she answers with a raised hand and another smile. She turns from the skeleton to the other two lieutenants walking to her right. "I'd like to ask first about the status of our horde, if you would, Siliuth, Zarala."
Zalara, the shorter of the two, nods her head. "Well, we have about three dozen risen Nightmares left after the incursion a month ago, so I request that you Call a few more when you have the time, and our hydras are still regenerating. I believe in—" She looks up at her brother, blinking her slitted blue eyes.

"Two weeks, with our current onyx supply," Siliuth tells her with a hint of something more than unhappiness in his voice, frowning down at his claws. Fai feels a spike of concern and glances at him briefly out of the corner of her eye before returning her gaze to the younger sister.

Zalara nods and looks back at Fai, looking like she didn't notice anything wrong. "In two weeks, then," she continues, "we could have a viable siege section, if we supplement our short Nightmare groups with a hundred or so mephits and keep to combats in open land. And the status of our urban section is—"

"—nearly nonexistent," Siliuth interrupts her (and ignores the aborted 'hey' as his sister rapidly proceeds from angry to worried as she notices his emotional state), looking up at the empty air in front of him. "The hit on Karrata Khera ate most of our archers, and our warmagi, alive as most of them currently are, won't be able to function with standard tactics." He growls softly and looks back down at his hands, running his thumb against his foreclaw as if to wipe some unseen blemish from its black surface. "It's a mess, and we don't have the two months we need to repair that."

"Siliuth," says Fai, slowly.

"Milady," he mutters, still rubbing at his claws.

Fai's brow furrows for a moment, and then she sighs, stopping in the middle of the corridor and setting a hand on his shoulder. "Siliuth, the casualties we took are not your fault, and entirely recoverable."

"You always say that, Lady Fai," he says, sounding almost exactly like he did when he first walked into the old Fort Devilsbane eight years ago, disheveled, holding his sisters body in his arms. And then he turns, brushing off Fai's arm with a too-familiar look of utter foolish despair on his face. "As if this weren't the greatest loss we've experienced in my entire time in this organization, as if I weren't the overall commander of the urban section—"

"You had no way to know the Hand had found the Tarrasque," she tells him firmly, setting her hands on her hips and looking up into his eyes with as much care and forgiveness in hers as she can muster. "None of us had—look at me, Siliuth—none of us had any idea it would be there, and every soul lost in the fight has been recovered."

The tall violet-scaled spellscale stares back at Fai with a look on his face like shed just told him the elemental plane of water was on fire. "But I—"

"You performed admirably, in fact," Fai says, interrupting him again. "As soon as you discovered what had been done, you retasked our wizards to evacuation, pulled everyone but the warmagi working through magic jars and the mindless soldiers from the line, and delayed, successfully, against an army lead by a creature known to stand against units of solars alone, until I could arrive and remove it. And you left with not a soul lost to the Hells." She sets her hand on his shoulder again (making herself subtly taller in the process so she can reach without looking awkward) and looks into his shocked gray eyes. "Everyone is fine, Siliuth, because you are a good commander. Don't let your pessimistic mind tell you otherwise."

Siliuth blinks, takes half a step back, and says "Yes, ma'am," with an expression of confused amazement and entirely no self-hating hopelessness on his face. "I—I'll remember that."

And then Fai remembers she's supposed to be playing the part of the strategic leader of a paramilitary organization whose operations span the planes, not a lich mother to two rather fragile and very powerful undead children, and she blushes a dark gray, stepping back as well. "I'm sorry, Siliuth, I didn't mean to act quite so familiarly while we were on duty, but when I noticed your emotional state, I grew concerned, and—"

"Oh, don't bother, Lady Fai," Karlos says from behind her (where shed almost forgotten he was standing), and she hears him clicking his teeth in a lipless grin. "I think it was rather entertaining, to be honest, as well as heartwarming, to see your usual being interject herself into the situation."

And Fai blushes harder, suddenly turning away from her lieutenants and walking just slowly enough that it couldn't be called running towards the door to the grand hall, Karlos's soft laughter following after her.

"Would you still like me to summarize the scrying report—" he starts to say, but Fai waves her hand at him in something of a panic and squeaks a phrase like "I'll read it, thank you!" over her shoulder as she opens and closes the grand doors with a slam. She leans back against the doorway for a moment, just breathing, not sure whether she wants to let go of her veil of life and just stop or to thank the spell for allowing these breaths to properly bleed tension despite the way they make her feel weak.

After a moment, she settles for being glad for the ability to properly feel and also being glad she can turn it off with the pull of a ring, and she starts the short walk to her room. If she's going to avoid her subordinates out of embarrassment, then she's at least going to get some work done while she does.
 
Lich What You See? (Overlord/D&D) 2
And another part, finishing up the intro action in Fai's fort.
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It's two hours later, or thereabouts, by the time Fai looks up from her paperwork again. Fortunately, the thing that brings her out of her paperwork isn't more embarrassing commentary from her old mentor Karlos. Very unfortunately, it's her artificer, the leader of her more complex research and construction projects, with a very panicked look on his face and barreling through her office door. "Ixenchaum," she says, pushing herself out of her chair and pulling the ring that lets her fake life off of her finger to dispel the beginnings of tiredness, "what's gone wrong?"

"The portal's been broken!" he shouts in a rush, and then half collapses against the wood of her desk, panting. Fai'ss eyes go wide.

"The portals been—what do you—" And Fai stops before she finishes her sentence, because with how tired he seems from probably running all the way from the portal room, and with being the only member of her inner circle to be entirely alive, he won't be able to speak effectively. But there's a solution to that. Fai pulls a shimmering feather coated in thin shadows out of her magic belt and sets her other hand on Ixen's arm, pulling up a wave of the gold-laced magic that floats over the dark silt at the bottom of her soul and twisting it into shape—"Heal. Is the area around the portal safe?"

"Yes, but the portal itself is—"

Fai yanks another wave of power out of the river in her soul, spins it into a rough shape, and then wills it into a path to the entrance hall with a wave of her hand. The world flickers with shadowy not-light for an instant, and then—"I see what you mean, Ixenchaum," she says, a note of something like amazed confusion in her voice. "The other end of the portal is certainly not meant to be a lightless void."

"No, it's not! And that's not all, I tried putting this through it," the young dragonborn pulls an eight-or-so inch rod of what looks like adamantine out of an enchanted pouch on the side, and brandishes it towards Fai, "and the end inside is just—"

"Yes." Fai looks uncomfortably at the twisted splinters of distinctly not adamantine on the end held out towards her. They look almost like they're moving Oh, that's not good. "That looks unsafe," she says sharply. "Put it down."

Ixenchaum giggles unsteadily. "Oh, no," he says in a sarcastic, panicked tone, eyes wild, "it's just turned in directions that don't exist, don't worry, as long as you don't stare at it, it's perfectly fine!"

And then Fai snatches the rod out of her artificer's hand, crushes it into a little ball in her hand, and says, "Shatter." A sound like a bell made of the concept of break being struck with an orcish warhammer echoes momentarily through the huge hall, and the newly-made blob of adamantine and not-adamantine breaks into a million fragments smaller than grains of sand. Then she gathers her will and looks into her artificer's eyes, putting on an overpowering expression of calm. "Ixenchaum," she tells him firmly, "get some rest, and worry about this tomorrow. The demiplane won't fall apart, and if we need to get somewhere, I can teleport us, so this is an issue that can wait until you've had time to calm down." And then she smiles and adds, "And thank you very much for telling me about the issue, Ixen, you've done well," hoping his usual reaction to compliments will leave him feeling more flustered than panicked when he leaves.

The way he stumbles over his words and hurries away shows Fai that her ploy worked, and she smiles wider for a moment. Then she turns to look at the portal.

An act of will, a wave of a hand, and a whispered "Detect Magic" lights Fai's vision up with the rainbow of magic, and she takes a step towards the portal to see if she can find anything obviously wrong with its spell matrix. She's not particularly knowledgeable about the workings of permanent portals in particular, but she has relatively broad experience with magical items and enhancement from the studies she undertook to construct her phylactery and later used to create most of the spellstones she's had embedded in the radii of her forearms and the metamagic arrays woven into her spine, and in Fais experience, its often the case that when something goes wrong enough in a magic item, its recognizable to most artificers regardless of specialization.

Simply observing the rough rendering of the magic in the portal doesn't tell Fai much, so she pulls an enhanced monocle meant to sharpen the lines of spells tied to items and make them easier to analyze from her belt and steps in to take a closer look.

That, she discovers no more than ten seconds later, was a mistake. Using the artificer's monocle does vastly increase Fai's ability to understand what's going on with the portal, enough that it takes her almost no time at all to notice the strands of dull gray anti-magic hanging off of the clipped, ragged edges of what she guesses were the divinations the portal would normally use to link itself with the correct target, but she only notices the way the spinning orb of transmutation in the core of the portal is out of place when it suddenly snaps into activity and tugs her into the broken--or, rather, sabotaged--portal in a burst of arcane force. She lets out a surprised shout, and
the
world
twists
 
Lich What You See? (Overlord/D&D) 3
Here we see when exactly Fai arrives. She's yoinking Momonga's intro mission, which makes her definitely very visible to him and his Guild.
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Fai blinks, slow and confused, at the scene in front of her. It's a road, in a forest. A dirt road, and not a particularly large or well-maintained one at that, in a deciduous forest in late temperate spring, guessing by the leaves and the temperature.

"Huh," she says to herself, her pitch-black eyes scan across the unfamiliar scenery, a somewhat baffled frown forming on her face.

Fai would've expected a trap set on the portal between her headquarters demiplane and any of a dozen locations across the inner and outer planes, which must have require an extremely dedicated effort for even a small god to set up while contending with both the wards and the guardians that defend all points in the network, would at the very least kill her body and force her to regenerate, but here she stands, merely transported to some unknown, seemingly quite safe location, possessing every asset she would expect to have on her person except for some degree of her mental focus. She looks around one more time, more carefully, searching the bright green leaves and the packed dirt for secrets and traps, squinting slightly at the brightness of the sun, and then she dips into the river of power in her soul, dredging up the shadows from the riverbed to use in bringing herself back to her home—

And then she hears something, and she stops with her spell half-shaped and unreleased. The sound is something she wishes she wasn't familiar with; it's a sound of distress and terror; it's a sound she's heard all too many times on the battlefield and in the aftermath:

It's a loud, high-pitched, terrified scream.

"Damnation." She snaps her left hand into an entirely different shape than she'd been planning before, pulls three short, intricately-carved rods of dark-stained ash from the impossible pockets of her enchanted belt, and says "Shadow Image."

The faint glow of the carvings on the rods fades in an instant as Fai forces their power to bolster and enhance her spell, and her magic surrounds her in something like fire made of shadow and nothing, and she takes a practiced, impossible step through the freezing Nowhere her spell brought under her feet.

She appears dozens of feet in the air, eyes flicking across the forest now beneath her, searching for the source of the scream—there, two human girls trying and failing to run from a pair of men in half-plate, about to be struck by one man's sword—and she steps through the shadowy Nowhere again, appearing between the older of the two girls and the incoming sword in a flash of dark fire, arm upraised towards the attack and a familiar righteous rage burning in her eyes.

The blade glances off of Fai's sleeve with a light metallic clang, and the man wielding it freezes, incomprehension in his eyes. He manages to say "What—" and then Fai steps forward, so close to him her nose almost touches his collarbone, wraps one of her hands around his sword-hand and the other around his neck, and throws him like he's a feather pillow at the other man.

As the first man smashes into the second with quite a bit of panicked shouting and one agonized scream and they both go down in a tangle of limbs that just so happens to involve a broken arm and a vambrace crushed deep into the flesh of that same arm to make it doubly useless, Fai puts a smile over her angry glare and turns to address the two human girls, the older still huddled protectively over the younger on the ground less than three feet away. "Are you alright?" she asks with a practiced calm.

"What—who are—" The older girl looks back over her shoulder, and her already-wide brown eyes go even wider. She starts to shake. "B-b-b-by the gods—!"

Fai leans down and puts a hand on the girl's shoulder, adding another heap of gentleness to her expression in an attempt to assuage the fear the human's no doubt feeling enough to get her to answer questions. "You won't have to worry about the two that were attacking you," Fai says in the same level tone as before, "but I would like to know if they've injured you before I finish dealing with them, if you can manage it, Miss."

"I—my sister…" The girl trails off, shuts her eyes, and takes a few deep breaths. "We're not injured, since you saved us, um," she opens her eyes and looks hesitantly at Fai's face for a moment (reminding her that she hadn't thought to put on a human face, and that it would be far too late to do so now), and then she continues, her uncertain tone steadily building strength, "m-my lady, and I'm ever so grateful, but the village, those men are trying to kill and r-ravage the rest of us, so if it would please you to assist them too—"

"Well, then," says Fai, and she feels her control over her smile start to fail, so she stands up again and turns away to hide it. "I have a distaste for bandits and ravagers, and something of a liking for good people such as you seem to be, so you've found yourself some good fortune." She pulls a shard of magic from her soul and twists it into a familiar shape. "Shades," she says, and waves a hand. A circle of shadows springs up from nowhere, and then an instant later, a pale, winged man garbed in a long grey robe appears in a flash of sudden darkness. "Lord Seiel of the Shadowed Sun," Fai greets politely, giving the angel a courtly bow. "If I may call my third favor from you, after these many years, would you guard the villagers of this place from the ravaging soldiers for one hour?"

"Oh, 'twould be no trouble, nor a favor, Lady Fai the Devilsbane," he answers in his unusual light, lilting, smooth tone, spreading his wings out to their full length of thirty feet, his halo shining like the deep red ring around an eclipse as he visibly gathers power. "Unless thou seekest the deception of me or mine into the defense of the wicked and slaughter of the just, as thou have never done, I do this for no charge once again."

At that, Fai's fading smile becomes a little genuine. "My deepest thanks, Seiel," she says sincerely, and turns to face the two human men lying now frozen in the same heap of tangled limbs she threw them into. "To our tasks?"

"Of course, Fai, my friend. Sun's blessings upon you." And then, with a dramatic flap of his mighty wings and a cry of "Devas, to me!" in the language of Creation, the Shadowed Sun flies into the sky, a half dozen darkly-shining men and women nearly as tall as he winging after him.

"…My lady, uh, Fai, were those…"

"I will have time to answer questions once the town is safe, perhaps," Fai says, and steps towards the pitifully-whimpering men now somewhere between groveling and bowing on the ground a dozen feet away from her. She skims more shadowy power from the silt of the river in her soul and shapes it roughly. "In the meantime, I must deal with these, and the rest. Shadow image." An image of a transparent box flickers into existence around the two men, looking for a moment like it's outlined in black flames, and then it sets into the shape of a cage of force. "Best of health to you and your sister!" Fai calls back over her shoulder as she steps once again into Nothing, the now-muffled distress of the awful human men in the cage leaving her feeling the slightest bit vindicated as she leaves the scene.
 
Lich What You See? (Overlord/D&D) 4
And here we see the start of Ainz's reaction to the goings-on here. Not... very confident I captured him well, here or later.
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"I don't recognize either of them," Momonga, or Satoru as he'd been called before the Tomb of Nararick and everything in it became real, mutters to himself. He'd thought, when he saw someone so impressive dramatically teleport into the scene of what appeared to be two villagers under attack by knights and save them by simply throwing one into the other and ignoring them like the trash they were, that it must be a player, but no part of 'Lady Fai the Devilsbane' seemed familiar to him, and she spoke and acted in such a way that she would have to be the most dedicated of roleplayers…

"What shall we do, then, Lord Momonga?" Sebas Tian, the leader of the Pleiades, says from beside him, and Momonga barely manages not to jump in his chair. He'd entirely forgotten he wasn't alone with the Mirror of Farsight…

"Ah," he starts, trying to stall for time as his mind races for an answer that would sound in-character, "gather a force of our stealthiest agents and send them to observe the situation in the town, and…" oh, why did I have to say 'and,' Momonga thinks angrily to himself, reaching once again for a plausible command, "…and have Albedo arm herself to join me on the field. I wish to make contact with the so-called Devilsbane myself, and I wish to be guarded when I do so." There, that sounds dramatic enough.

And then, as Sebas bows and leaves to relay the commands, Momonga realizes that what he just decided to do will put him in harm's way, in a situation where death might cost more than a few levels and items, and he curses his roleplaying sensibilities. As he casts a Contingent Perfect Teleport on himself just in case, he muses on how the most dramatic thing is definitely not always the best thing to say when there are real consequences.


…​

'Fai, my friend, my devas have found three dozen invisible creatures entering the town,' Seiel's voice whispers in Fai's ear. She finishes casting her final dead-raising spell of the night and looks up, focusing on the magical message from the shadow angel and taking a few steps back in a vain attempt to keep the milling of the sixty-odd newly-living villagers from seeming too loud so she can better hear. 'Shall we slay them,' the angel continues, 'or shall we simply observe them now?'

"If you judge them too powerful for us to easily fight on even ground, we should destroy or remove them now. Otherwise…" Fai trails off and frowns; the magical message sits idle around her head, waiting for her to finish. The spell looks to be sending, and that means she has only three words left for this casting… "…Peaceful contact, perhaps," she finishes, and the spell flickers in Fai's arcane sight for a moment, and disappears back to its source.

Then she returns her attention to the villagers around her. They appear to be more than slightly shocked, as one tends to be after death… She puts on the smile she uses to calm people down and injects it with the satisfaction of successfully destroying the attackers and saving the attacked to make it more real.

"Are you all feeling alright?" Fai asks gently, yet loudly enough for her words to carry across the small town's rather large gathering space. Every single head in it turns to look at her, wide-eyed. "I know that death can be quite traumatic, and that is before whatever those…" she frowns, looks to the side to hide it, discards a baker's dozen insults across the breadth of the languages of demons and devils, and settles after a moment on "men that attacked you might have done first, so I'd like to know if any of you need to be further healed."

The villagers stand unmoving for a short time, an almost uniform expression of disbelief in their eyes, and then a large portion of the adults among them (those monstrous humans had been slaughtering children) begin quite loudly and aggressively searching for their friends and their children in the crowd, their voices overlapping madly and mixing into a meaningless mess. After probably a minute, when Fai is beginning to feel annoyed with the chaos, and also rather disturbed at her annoyance with those she had just returned from death, seven of the adults, three men and four women and all human like the rest of the village, step hesitantly out of the panic and tears and horror and shock of the square. For a moment, Fai thinks she recognizes one of them, with her blonde hair and brown eyes, but she hasn't met any of them before in any capacity except as corpses…

"…Ah. You, Miss, are the mother of two girls that—" Fai draws up a speck of power, and wills it into a simple, empty illusion of the humans she first saved upon coming to the village "—look like this?"

The woman gasps, eyes going wide. "Y-yes, My Lady!" she says, and bows sharply. "All of us are parents of children that… aren't here, and my husband says he told them to run, before he—" And her voice stops hard. Fai feels a spike of empathy; her memories, however distant, of the first deaths around her and her own first visit to Acheron, ring very strongly in her still heart. She leans down and lifts the woman's face with a hand on her chin, looking into her teary eyes.

"The only dead of the village have been returned to life here, and your children I personally guarded during their return to town," Fai tells the woman soothingly. Then she looks up to address the rest of the small group. "The rest of your number are either working to gather their belongings, assisting my associates in rebuilding the houses the invaders destroyed before we destroyed them in turn, or resting in the buildings that are still intact. Your chief has more complete knowledge of their locations than I, and you would find him off to the East—" she points to where she left him with one of Seiel's astral devas "—likely leading a group of other h—villagers in reconstruction."

A brief moment passes where only the sounds of the milling crowd of the recently-resurrected fills the air, and then the small group choruses a fearful, tearful "thank you, my lady"s and makes as hurried a polite exit as they can manage in the direction Fai pointed them. The changeling lich considers for a moment, watching the crowd of humans keep slowly coming to terms with their continued existence, and then turns to leave, squaring her shoulders and flattening her expression into the long-practiced role of the stern, imposing leader once again.

She has a situation of invisible spies to deal with.
 
And that's the last scene I currently have complete. A meeting between the two liches (or the overlord and the shadow draconic lich [if I remember my templates properly]) should come next, but I'll need to finish it up. If anyone's got feedback, it'd be very appreciated!

E: Just now realizing I don't know how to add a new tag to my thread for the new fandom...
 
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Lich What You See? (Overlord/D&D) 5
Well, this is a complete-ish scene now. Next thing is some more Momonga-thoughts (so more of my not-quite-confident interpretation of my character), and also me deciding where this meeting will lead and if the guild and Fai/her organization will leave it on good terms.
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As Fai approaches Seiel and his first chorus, she has to hold back a frown. The things standing in front of him, cloaked in invisibility though they were, bring dire spiders and driders uncomfortably to mind, with their eight-limbed, segmented bodies, and their faces that look just close enough to a humanoid's to make one uncomfortable. Thankfully, they seem to be acting rather peacefully, for creatures with swords for legs.

"Ah, Lady Fai, you have arrived," Seiel says without turning from the spider creatures, hiding his annoyance only enough to stay within the bounds of politeness. "These beings report that they had been sent to observe the goings on in this settlement when their leader discovered our being here, and they have refused to say more than that."

Fai huffs quietly as she takes a position at the angel's left shoulder. "That is unfortunate indeed," she says, matching his tone and locking a commanding gaze on a few of the closest creature's eyes. It rises up onto its four hind legs and maneuvers the rest into a strange salute. "Do you have a name by which you are called, then, or at least a rank?"

"This one is C'tkk'tass, agent of Ainz Ooal Gown," it says in a voice made from the hissing and clicking of mouthparts and not of air shaped by a throat and tongue. "This one is too lowly to possess a rank."

"And what is this Ainz Ooal Gown, C'tkk'tass of no rank?" Fai says, subtly increasing her height as she does to look more directly at the creature standing perhaps three heads above her. "A kingdom? A man?"

"I am not permitted to speak further."

"A pity, surely." Fai turns to face her friend, and says, "How do you judge th—"

—and then she's interrupted rather violently by an exceedingly unsubtle spherical gate exploding into existence on the other side of the spider creatures in a display of spinning nothingness wreathed in shining power.
Her hands come up, her right folding into a simple shape and her left held out towards the transport spell as she flings the shadows in the river of her soul into the form of a wall with an incantation of "Shadow Image!"
And then, an enormous, elaborately-outfitted skeleton steps from the gate, planting a staff radiating Terror into the earth, and Fai twitches. And then a woman in full plate with black-feathered wings extending from her back follows the skeleton, and Fai twitches again. Her own Terror laps the banks of her soul's river, but she keeps it from spilling over. Just.

"Newcomers," Fai says in a regal tone, drawing herself up to a bit more than her full height and staring into the red points of light in the skeleton's eye sockets. "Tell me, what is your purpose here, and with whom are you allied?"
The skeleton takes half a step backwards, and as the void-black gate fades away, Fai wonders if her Aura managed to spill despite her efforts. But then the skeleton speaks, in a deep, rumbling voice, coherently, without an air of panic, and Fai decides the skeleton must simply be surprised. "Ah," he says uncertainly, setting his right hand on top of his strangely-styled staff along with his left. "I am Momonga, Guildmaster of Ainz Ooal Gown and keeper of the Great Tomb of Nazarik, and I have arrived to speak with you."

"That is a satisfactory answer, Guildmaster Momonga of the Tomb of Nazarik." As she speaks, Fai waves a hand and the wall of surreal force separating her from the newcomers disappears in a curl of shadow and clasps her hands behind her back. "I am Fai," she says grandly, "called Death's End by some, Cold Savior by others, Devilsbane by enemy and friend alike, and many other names besides, and I am the head of the extraplanar paramilitary organization Jennusepanuade. Beside me is Lord Seiel. If I may introduce you?"

Seiel fluffs his wings and draws himself up ever-so-slightly taller. "You may, Lady Fai," he says.

"This is Lord Seiel, Archangel of the Shadowed Sun and Captain of the Choir of the Eclipse. This town is under our protection." Fai's gaze drives into the Guildmaster's own like an adamantine lance, and she sets her face just short of a frown. "Of what would you speak?"

The Guildmaster's teeth click together, and Fai catches his eyes flickering up and down her form. "I assume, from your reaction to my introduction, Lady Fai the Devilsbane, that the name of my guild holds no familiarity to you?" he asks in a steadier tone.

"You are correct in your assumption," Fai answers simply.

"And do you have familiarity with the name YGGDRASIL?"

What odd questions, Fai thinks but doesn't say. "I have passing familiarity with the World Tree, though I have not left my native planar cluster before now," she says instead, deliberately letting some of her annoyance and none of her confusion show through her mask of imperious neutrality. It's slightly harder than she would like to keep that confusion hidden, with the way Momonga straightens up with what seems to be shock at her answer, so she gathers more words and covers the twitch in her mask by saying, "Do you only wish to quiz me on my trivia knowledge, or is there something of import you wish from this conversation?"

"Ah, I don't mean to waste your time, Lady Fai." In the edge of Fai's vision, the woman at Guildmaster Momonga's shoulder tightens her grip at the haft of the ax at her side. "I am simply a newcomer to this plane, as you called it, and as Nazarik has been displaced to an unfamiliar place, I wished to learn if my home planar cluster was known here. Though, as you seem to have also arrived only recently, I suppose this doesn't answer my specific question." The large skeleton's red eye-specks flicker again, this time across the area around him. "When you say this village is under your protection, do you mean that you are adding it to your holdings, or something else?"

"Jennusepanuade does not hold territory outside of our fortress, Guildmaster, we aren't an empire," Fai says dismissively. Then she realizes that being dismissive and passive-aggressive isn't going to win her friends, and she holds back a frown and shifts her mask slightly—a little less distant, a little more empathetic, and definitely more polite, damn you Fai. "We do occupy this town for its protection at this time, however," she says, "so as we could be considered the hosts in this situation, would you like to speak somewhere more comfortable? I would be glad to conjure a mansion to be our meeting-place."

Guildmaster Momonga looks at Fai's face again, and a moment passes in silence. Then, he says, "Is this an extradimensional mansion you speak of? Because if so, I very much appreciate the offer, but I will be delayed in accepting it, as I will not enter it until I have placed greater protections on myself."

"It is, and very well, make whatever precautions you wish."

At Fai's words, the skeleton holds out a hand and chants "Grand Contingency: Gate" twice. Purple-black fire crawls over his and his subordinate's forms, and Fai forces herself to stay outwardly calm as she dredges up the depths of the river of her soul to silently send a prayer to the Shadowed Sun to allow her to understand what in His and all gods' names that spell Momonga just cast was.

The changeling lich times her next blink so her eyelids cover the brief moment they glow blue before a glamor covers the effect of the arcane sight the Sun granted her. "So," she says in a tone that very carefully matches what it had been before the rainbow of magic opened up in front of her, "shall I create the meeting-room, now?"

"…Why did your eyes suddenly start glowing blue, Lady Fai?" the Guildmaster asks in a suspicious tone of voice. The woman behind him puts her hand on her ax. Fai curses in the privacy of her mind.

"I asked the God of the Shadowed Sun to let me understand what spell you just cast, and He granted me the benefits of the spell Greater Arcane Sight, Guildmaster Momonga," Fai says plainly, as if she hadn't been planning to hide all of that behind the illusion he seems to have seen through and to never let him know what she'd done. "I'm a bit surprised you didn't recognize the effect, since it's not especially uncommon, but given what I've seen of your casting, it's likely we work through different traditions of magic."

"Ah." Momonga looks around the area once again, and Fai guesses it's to scan for threats, with how he reacted to "In that case, yes, I believe we are prepared enough, now. In fact, I would greatly enjoy speaking on the differences between our magics."

"Very well," Fai says. She turns very deliberately away from Guildmaster Momonga and his companion, raises her right hand, draws another runescribed rod from her belt, and makes a much more elaborate gesture than necessary to shape the shadows she dredges up from her river. A door to nowhere drawn in inky darkness flows up from the ground, and then color follows after as Fai weaves it into a lie so deep that it becomes truer than true. As the runes on her ash rod go dark, she flicks her fingers unnecessarily as she commands the door to open and reveal an enormous entry hall. "This way, Guildmaster."

As she walks as casually as she can manage into the unreal space she just made, Fai hears him mutter "Grand Arcane Vision" under his breath. It takes a surprising amount of effort to keep her wry amusement entirely inside. She expects his spell won't pierce her protection against divination than hers did his.
 
Snapping Strings (PMMM/Lovecraft Mythos) Oneshot
When I first wrote this, I was planning to use the nominally-benevolent eldritch being introduced here to make things better in the setting, but as I wrote, I wound up with an ending after a couple thousand words, instead. This was inspired by thinking about the board game Eldritch Horror and coming up with too many headcanons about it.
----------​
As soon as Madoka wakes up, she realizes something's wrong. It takes her almost two seconds to realize the problem is that she's an extradimensional creature beyond the comprehension of sane humans… or would be, if she wasn't wriggling around in a meat-brain that made her be Kaname Madoka. Strangely enough, the only part of that situation that seems strange to her is that all of her is in a human, instead of being halfway Outside so she could ﬦ̸̷̵̻̳᷊᷿︢︣̏̈̆̅᷉᷃᷄ with the rest of the Dancers like the coordinator-system-gone-right she usually was.

"Aaah, it doesn't really matter!" she says, sitting up in her bed and smiling. "This just means I can use more magic!"


The transfer student walks through the door to the classroom, and Madoka finds herself frowning. There's nothing wronng with the black-haired gir physically—in fact, she looks utterly stunning—but there is definitely something wronng with her soul. In the space behind the new girl's body, where humans aren't supposed to be able to see, where there should be the usual coiled tendrils of a sleepinng soul, or perhaps the more awakened writhing of a sorcerer, there's a machine that reminds Madoka of somme things she's seen of Yith make, holdinng the girl's soul by the eyes and the hands, prying the soul away from the girl's body like a stubborn octopus from a jar of shrimp and driving its own arms and knives through the back of her neck into her flesh to keep her body moving.

Madoka supposes she doesn't have to be hostile, whatever this intermediary soul-machine is, since the Dancer is becoming her in the same sort of way, only more intimate and without pulling her soul out first, and the machine looks like it's transmitting the soul's twitches mostly faithfully to the body, but it still makes her uncomfortable, to see someone's autonomy so threatened. But there's nothing to do about it now, really, since she's at school, and Teacher probably wouldn't like it if she called Yog-Sothoth to ask for advice.

"I'm Akemi Homura," the girl with the pulled-away soul says from the front of the classroom in a quiet voice. "Pleased to meet you."


"Madoka, do you know that girl?" Sayaka asks. "I mean, she was kind of… glaring at you or something, earlier."
Madoka looks over at the new girl, Miss Akemi, and she sees the crystal machine lashed to the girl's soul, and she looks away again. "Um, no, I've never met her," she says, trying not to sound as uncomfortable as she feels.

And then Miss Akemi stands up and starts walking towards Madoka, and not looking uncomfortable gets a lot harder.
"Miss Kaname Madoka," Akemi says, looking down at Madoka from what feels like miles above even though Akemi standing is less than a meter taller than Madoka at her desk, "you are the nurse's aide for this class, are you not?"

"U-um, well…" The machine on Akemi's soul twitches again, and Madoka feels even more disturbed despite herself, but she can't just tear the thing off of the girl, especially not at school, and she's in the middle of a conversation, and Akemi's staring down at… her…

"May I ask you to accompany me?" Akemi says in a tone that doesn't really sound like the question it is. The machine shifts. Akemi tilts her head. "To the Nurse's office, that is."

Madoka doesn't have room to refuse. She just hopes she avoid looking at Akemi's soul on the way there…


"Do you consider your friends and your family precious?"

Madoka takes a step backwards without thinking. "Are you th-threatening me?" she barely manages to say. Her heart's racing. Her limbs feel stiff. Everything feels cold.

It's the first time Madoka's ever felt like that, but the Dreamer's memories mark it as the fear of imminent death.
She takes a deep breath and tries to focus. The words to a dozen spells flow through her head, spells she's used a thousand times in a thousand fights against a thousand monsters, that she's never spoken once, when she's never fought in her life. Regardless, she sets her left hand in the first sign of a binding. "Please don't be threatening me," Madoka almost whimpers. "I don't want to fight you..."

"…what…" Homura whispers. "What, no, I'm not threatening you, I—" The new girl's purple eyes are wide and blank. "—No, none of this makes sense," Homura says, but it sounds like she's not really talking to Madoka anymore. "she's never reacted like this before, what's going on, she can't have made the contract yet, did I fail already—"

And then the machine holding Homura's soul twists, and it starts to cover her flesh, and Madoka calls out to Yog-Sothoth for help.

The Beyond One answers, as He always does, when the Dancer on the Strings of Fate speaks His Name.

She turns her left hand over, opens her fingers, and reaches out. The machine falls into the sightline of human eyes, and it's shining violet.

The limbs Yog-Sothoth lent the Dancer twists in accordance to her words, wrapping around the human's limbs in rings of flesh the color of the starry night sky wreathed in frozen fire.

The machine locks down onto the human's arm in the shape of a round shield full of gears even as its legs unfold and reach deep into the human's limbs like puppet-strings.


And everything stops.


Madoka's standing there, wide-eyed and panting, her hand reaching out as if to wrap Homura in her finger. And Homura is indeed wrapped in fingers, held fast by the least appendages lent by the Space Outside the Dream because He had little better to do than oblige, even though her school uniform is replaced by some sort of cosplay outfit made of slabs of the crystal machine's hair. On Homura's arm is the machine's first eye, covered in steel and lies, and on her hand is her soul, bound up tight away from her flesh, set in a purple gem. The translucent flesh of its fingers bubbles.
And Homura looks just as afraid as Madoka feels.

Madoka's arms gradually fall back to her sides. "…Oh gods," she whispers. "Oh gods, I'm so sorry, I just reacted, here, um, let me unthread the spell, I'm so sorry Homura—" She turns her head to the left, snatches the Beyond One's fragment from its place above and behind space, and speaks the commands for its fingers to loosen as quickly as she can, and the unbroken rings around Homura's limbs draw back away from the part of reality humans can perceive, and Madoka finds herself running towards the transfer student and wrapping her arms around her shoulders as the tears finally start to flow from her eyes. "I'm sorry," she says again. "I'm sorry, I'm so sorry—"

And then Madoka hears something click, and the world flickers gray. The Machine wraps itself around the world like an egg. Homura pushes Madoka's arms apart with incredible strength.

And then Madoka's standing there, in the glass hallway between the two buildings of her school, on the way to the nurse's office. Alone.

She stares down at her hands.

She doesn't know why she hurts.


Something small and white, that looks like a cross between a rabbit and a cat, with flat crimson eyes like buttons and an enormous, hulking machine so large that if it were bound by the rules of space it would extend outside of the Earth's atmosphere with its trillion legs stretched out straight crawling in its and so many others' backs, walks into the hallway everyone else had run from. It pulls a leg out from its back with a wet squelch, and the foot splits open and twists into a hand with fingers that split into fingers that split into fingers, and it reaches out for Madoka's head and sinks in.
You've caused me quite a bit of trouble! The fingers write onto Madoka's brain.

Everything inside of Madoka feels horrified and disgusted and violated. Every experience of the Dancer on the Strings of Fate says this thing is Wrong. She sees the thing's legs everywhere around her now that she knows what to look for. So many of them inside people's heads, reaching into their backs, twisting their minds.

This Thing Needs To Die.

And so she Speaks the First Name of Azathoth, and the sky splits open.

Around Madoka, the Dream begins to break down. The Blind Idiot God almost proves His title wrong as, above the school, in the night sky where it had been day, the moon opens to reveal a sliver of a cyclopean eye made of green fire and Truth.

Madoka speaks the First Name again, and points towards the world-spider crawling inside the cat-thing writhing like a dozen injured snakes in front of her. The eye opens wider. Color stops being real. The spider's legs twitch and burn.
What are you doing! The thing scratches desperately into her thoughts. You will bring the universe to ruin if He wakes! You will render our work meaningless!

Madoka begins to speak the Second Name. She and the thing are standing on the moon, on the eye. They are standing in the hallway. Distance fades away. Space was a figment of His imagination. By this point, Madoka can't even remember what Time meant, but she's sure it doesn't exist anymore either. She feels like there should be something.

There should be something.

There should be.

███ speaks the Third Name.

The ██████ of the w█ld falls away into ██, and ██████a█ doesn't know wha█████



She found a note in her own handwriting, that day, set on the dresser. It said, "██████, meet at the train station." She didn't know what to do except for what it told her.


The sun makes its usual trek up from the horizon.
The sun makes its usual trek up from the horizon.
The sun makes its usual trek up from the horizon.
The sun makes its usual trek up the horizon.
The sun makes its usual horizon.
The sun makes its trek.
The sun makes its sun makes its horizon the trek.
The sun moves back and forth in the sky.
The eye makes its usual back and forth in the sun.


She found a note in her own handwriting. It looked familiar. She wonders if
She found a note in her own handwriting. It looked. It watched. She wonders. It wonders.
The train station.
The train station.
The note.
Her handwriting.
It Watched.


The sun makes its trek.
The sun.
The ██.
█████


Madoka looks up from the sink. Everything seems strangely familiar. There are two sets of ribbons in her hands.

She sets down the yellow ones and puts on the red ones, like usual.
She doesn't think she's ever worn them before.

"A wonderful choice!" Mama says from beside her, and she jumps, looking around.

For a moment there, she was sure she was on the moon.


When the transfer student walks through the door, Madoka's sure she sees something floating in the air behind the new girl's back.


Madoka wonders why there's so many doodles of eyes in her class notes. She also wonders why they look so strange, and why so many of them are inside of stars.


The Dancer is full of regret.
----------​
I really like solving problems with magic in Eldritch/Arcane Horror. Even inside the context of the game, this isn't always a good idea. Outside of it, it very quickly becomes a terrible idea.

Exercise restraint when invoking the name of Azathoth, everybody~!
 
Strange Alien Vacation Misfire (RWBY) 1
Yet another beginning here. The main character is inspired by the Ing from Metroid Prime 2: Echoes, but I don't think she's close enough to call this an actual crossover, especially since the civilization she's with probably doesn't resemble whatever the canon one was at all.
----------
!!!ALERT!!!

!!!ALERT!!!

!!!ALERT!!!
Unknown Entity detected. Aura unrecognized. Face unrecognized. Entry method unknown.

Unknown Entity detected. Aura unrecognized. Face unrecognized. Entry method unknown.

Unknown Entity detected. Aura unrecognized. Face unrecognized. Entry method unknown.

Unknown Entity detected. Aura unrecognized. Face unrecognized. Entry method unknown.

Image(s) attached:


[a strange, insectoid creature caught in the act of crawling out of some sort of metal pod, smoking where the sun touches its shell, its single red 'eye' seeming to stare in a dozen directions at once]

received 7 minutes ago

[a mass of flowing, twisting black-purple-red something lashing out at a Beowulf like some sort of misshapen snake, its foremost section digging into the obviously struggling Grimm's neck]

received 6 minutes ago

[something between a Beowulf and a human, flesh rippling and twisting in unsettling ways, its bone mask collapsing inwards to reveal half-formed crimson eyes and strange pitch-dark tendrils]

received 4 minutes ago

[a woman, or perhaps a girl, with crimson eyes flecked with violet, pitch black hair, and skin far too pale for a living human traced with the occasional hint of purple-black like strange veins, wearing a thin green-and-brown parka over armor that looks disturbingly like bleached bone, an expression between confusion and concern on her face as she speaks into a brushed steel cylinder]

received a moment ago

"We've arrived at the coordinates, Sir," the pilot says from the front of the VTOL, interrupting Ozpin's efforts to stare at the surveillance images until they made sense.

"Thank you, Auburn," he says, pushing himself to his feet and stepping towards the open door of the craft. "I'll call you if I need a trip back."

Then Ozpin closes his scroll, slips it into his pocket, and steps out into the air.

----------​

":I repeat, this is Hunter First-Commander alpha-zero-one-two Shi-kala. I am stranded in an unknown plane with no transition equipment and minimal fabrication capability. Does anyone read?:" Nothing comes back but background noise, and Kasheil sighs. ":Great. I guess I'm staying here for a while, then.:"

She switches her emergency amplifier to daily beacon mode to conserve power and shoves it in one of her few pockets, wishing not for the first time that she'd been able to milk a few more minutes of runtime out of her fabricator before she ran out of battery… but, alas, she hadn't, and she doesn't have either the tools or the strength to carry it with her on the off-chance she finds a gigawatt-hour of electricity to kickstart it again.

":...Nothing for it but walking, then,:" she mutters to herself, pushing herself to her feet--

--and then she hears the whoosh of something falling through the air behind her and she's barely half turned around by the time whatever it is slams into the ground and has its… cane… held in the air like a sword.

Kasheil blinks, confused, but doesn't drop her guard.

":I don't suppose you speak Aetheri,:" she tries, speaking slowly, "or Galactic Trade, or, uh, |Primordial?|"

The human frowns back, and he (Kasheil's pretty sure it's a he, but even with how much Kasheil likes their look she sometimes gets confused since they all have the same number of eyes) stares hard at her for a moment with intense brown eyes. Then he lowers his cane and steps cautiously forward. He says… something in a language Kasheil doesn't think she's ever heard, let alone properly eaten.

":Well fuck me there's a language barrier.:" Kasheil takes a couple steps backwards, because she doesn't feel quite comfortable to take her eyes off this strange human that airdropped without a parachute even if he uses a strange weapon, and sits back down on her entry pod's doorframe. She sighs, voice whistling past her throat-fingers. ":I am not trained for this.:"

The grey-haired human looks down in thought for a moment, and then he touches his cane to the ground and starts drawing something, muttering in that strange language under his breath. Kasheil thinks at first that he's trying to get his point across with a drawing (and that she's gotten unlucky enough to be in a world before image screens), but after a couple minutes of staring and feeling unlucky she notices that it has some distinct similarities to the ritual circles her friend Matilda used to make spell-singing easier when she had the time, and she leaps back to her feet, suddenly very nervous.

":H-hey!: Hey, stop!" Kasheil shouts, rushing over towards the human and gesturing wildly. "I don't even know you, I don't want you magic-ing me into a rock or something!"

But she's too late. The ritual circle flashes a bright, vivid green, light washes over Kasheil like a twisting storm of strange, and she hides as best she can behind her body's bones in an attempt to not be entirely incinerated… and nothing seems to happen.

"...What the fuck?" she mutters, looking at her completely unchanged hands.

"It worked, then," the human says in perfect Trade. "As I was saying, I am Ozpin, of Beacon Academy."

He says in perfect Galactic Trade. Perfect Galactic Trade. Understanding dawns on Kasheil.

"That was a translation spell, not some sort of murderball thing! Hah!" The ing pulls her body's lips back in a human smile and focuses back on the human—on Ozpin. "Well, I have never felt more grateful for magic, or more dependent on LangNet access. I'm First-Commander :Kasheil Shi:, of the :Kala: hive, lead agent of Hunter Squadron Five."

Ozpin raises an eyebrow, a hint of something Kasheil can't identify in his eyes. "That is a very impressive title, ah, Schi of Chala, though I don't recognize any of it. May I ask your intentions in coming here?"

"Just call me Kha-shae-el, or Kha, it's easier for human voice-lips to say," she says, like she does to most humans when they utterly butcher Aetheri for the first time, and then the little flash of amusement that always brings her fades and she frowns, looking at the ritual circle drawn on the scorched ground. "And I'm not here on purpose. I'm supposed to be on leave on, uh, one of Procya's moons, I think, and something went wrong, and I wound up here, with barely enough power for a body cover and an emergency amp."

"So, you wish to get in contact with whatever organization you belong to and return to wherever you've been assigned?"

"More like to interplanar civilization in general," Kasheil says, sitting down for the third time in seven minutes. She frowns slightly harder. "No offense meant to whatever civilization you belong to, but I'm rather accustomed to having InfoNet access, and most spell-singer planes don't have large-scale information technology, and spending my two years without isn't my idea of a good time."

Then, Ozpin smiles mischievously and pulls something out of his pocket with his free hand, which expands into a palm screen. "I'm sorry to disappoint you, Kasheil, but we very much have large-scale information technology, which I will now use to call a transport to take us to a largely technological civilization."

"Oh, good," Kasheil says, smiling back in relief. Then she looks at the dead fabricator on her pod's wall. "...Does your transport happen to have enough carrying capacity to hold my pod? And do you have a spare gigawatt-hour of power I can use to build a perpetual generator?"

"The ship has a carrying capacity of one and a half tons before it starts to get bogged down," the human says, leaning on his cane. "Will that be enough?"

"It should be, yeah." Kasheil gives the human a quick bow, as best she can from sitting. "Thank you for your hospitality, Ozpin of Beacon Academy."
----------​
Gotta get me a better way to represent multiple languages while keeping them understandable to the audience. Also gotta finish that next scene some time.
 
A Cat's Blood-Red Blade (Tensei Shitara Ken Deshita) 1
Neco doesn't know what's going on, but she won't let that stop her. She'd been with her fellow bound tools, as usual, trying her best to stave off loneliness in the dead world, and then, suddenly, she was alone in some kind of rock structure and her soul felt like it was the wrong shape, but she could smell Demon Will in the air, so she put the strangeness about herself to the side and made herself enough of a body so she could do what she was made for.

It wasn't too hard to scrape part of herself back into the shape of Human that she used to have, or close enough to it that she had the right shape to wield herself, and she had enough Essence and just enough patience in herself to bind a new reservoir to her soul and make a Sacrifice rune so she could fill herself up with the Demons' pain. That setup took something like an hour, Neco thinks. Probably. She's not sure, she wasn't counting, and that was so long ago and her Everything's a bit too focused on ending hordes of demon-things and dragging their Will through the air behind her to try and figure it out more.

Neco's edge touched another green Demon, and she reached into its flesh and killed it, and then she killed the matter in the way of her swing, and then she tore everything that was left of the Demon out of its crumbling corpse as she pulled herself back into herself, and then her edge touched another one's head, and she killed its brain and burrowed into its chest rather than killing all of its flesh for the sake of expediency, and then she stepped past the dead Demon to pivot herself (still caught in the last dead one's skull) so her point met the next one's hand, and she killed Everything about it without bothering to conserve herself because there were another three approaching behind her, and then while she was tearing herself out of a half-split skull a bolt of fire-magic flew towards her from the hands of another Demon, so she took her right arm off her hilt and spun together a spell of her own from components she (or maybe it was originator/sister, she doesn't know, it doesn't matter) has used so many times they're engraved into her mind, and a spear of ice slammed through the fire and into the caster, and then she finally swung out of the skull and killed the ones trying to surround her, and—

Well. That's been her existence for a… while. At least days, since it got dark sometimes, Neco's sure, but she has no idea how many times it got dark. She has a… lot of Demonic Will in her improvised Hellgems, if she ever runs out of Demons to kill and decides to make something, but that certainly doesn't look like it'll happen soon, given the feel of the world around her, and she's pretty sure her imitation of a Human shape is getting better since she's been actually seeing colors (for the first time in years, probably) out of her eyes instead of just Demonic Will and Aura recently. She can even tell the two-headed bear she's chasing is brown, under the blood from the other bear Neco already… splattered…

…There's something not-Demon there, where the bear is charging. A lot of somethings, really. Eight of them. One is running away from the Demon bear, but the other six are… moving towards it. With no weapons. And the expressions on their faces… Neco's out of practice reading faces, but she recognizes this from what she saw in the mirror on the day the world died.

Despair.

Neco decides that those six person-shaped not-Demons aren't going to die today.

And she charges.
-----​
The black cat without a name clenches her hands into fists and walks as slowly towards the blood-soaked monster as her collar will let her.

She's going to die.

She's going to die here, in an ugly forest, as a slave.

She's going to die, and she's not gonna achieve her parents' goal.

This isn't okay, it isn't okay. She needs to find a way to get out of this, a weapon, or maybe a potion, or something so she can kill the monster and it won't kill her—!

Then, everything happens at once.

The monster rears back on its hind legs and roars, and its giant claw swings, and another slave screams, and something red flashes in the corner of the black cat's vision, and then the monster's arm is gone and the monster is falling backwards with a glowing red sword sticking through its chest. Holding the sword, standing on the dead monster's belly, is something that looks like a person made of blood. Its skin is crimson-red, and flowing, and the blood pouring out of the hole where the bear-monster's arm was a second ago is flowing up through the air into the blood-person's feet.

The black cat's eyes dart between the blood-person and the glowing sword, and terror spikes through her to replace her despair because she's suddenly sure that the sword is going to kill her and everyone else on this road.

|You shouldn't run towards Demons without weapons, not-Demons,| a voice says in the black cat's head as the blood-person pulls the murder-sword out of the dead bear-monster and turns around. |Ah, also, are you people? Can you understand me?|

The black cat swallows hard and takes as deep a breath as she can manage. "…We're people," she makes herself say despite the terror trying to crush everything out of her. "Please don't kill us."

The sword suddenly stops glowing, and the surety in the black cat's heart that she's going to die goes away, and she can finally breathe properly again. |Well, that's good. I haven't met a person in, uh, probably a decade, so I wasn't sure,| the voice says in the black cat's head, and the blood-person's face shifts, and the black cat thinks it might be smiling. |Why were you walking towards a bear unarmed, though?|

"Slave collar," the black cat says. She reaches up to the heavy metal thing around her neck. "Can't disobey."

The blood-person, which had been shifting back and forth on its feet, suddenly goes still, and the large crystal at its side turns red like fire. |…That's not okay,| the voice says. |Hold still, I'm gonna kill that collar.|

"Wha—?" the black cat starts to say, and then the sword starts glowing and it's a murder-sword again and it swings towards her neck and the killing-feeling is wrapped around her and then the slave collar falls off of her in what seems like a million pieces and she isn't dead!

|You too, other-people,| the voice says in the black cat's head, and she almost doesn't hear it over the feelings suddenly building in her heart. |Stay still.|

Blood-red flashes through the air two more times, and the black cat hears gasps and prayers and sobs on the edge of her attention. Then the glow on the sword goes away again, and the black cat feels something wet on her shoulder. She blinks.

It's a hand.

It's the blood-person's hand.

|Could you tell me who did this to you so I can tear their life-essence out of them and break their bodies into tiny pieces?| the voice asks her quietly. Its tone sounds like it was so angry that it ran out of anger, and now it's all the way back around to calm. She shivers. |It's really Not Okay to enslave People, y'know.|

The black cat looks nervously over her shoulder and sees the two slavers who were driving the wagon standing frozen on the other side of the wreck. She raises an arm and points a shaky finger at them. "…They were moving us, to sell," she says as firmly as she can.

|Cool, thanks,| the voice says. Then the blood-person lets go of her shoulder, and it jumps over her head towards the slavers, and the sword is stuck through the white-head-wrap-one's belly, and red light flashes, and he pales and shrivels up like a dried slug, and then the blood-person tears the sword out of the white-head-wrap-one in a shower of gut-bits and the point of the sword touches the other one's arm, and the other one screams and goes pale and the black cat thinks she sees black veins reach across his face for an instant before he falls to the ground and is still.

Then the blood-person says words out-loud that don't make any sense, and the dirt beneath the dead slavers explodes into the air and then flies back down onto them like it was thrown by a giant.

For a moment, everything is still. Then the blood-person turns back around, and the sword stops glowing again. The black cat thinks it's frowning. |Are there more people in this place? And more slavers?| the voice asks.

"Yes," the black cat makes herself say.

|Okay.| The blood-person jumps again, and lands right in front of the black cat, and it grabs the sword by the blade with its right hand and holds it out towards her, handle first. |Wield me for now, and point me at bad people, okay?| the voice says in a tone the black cat hasn't heard in a long time. The words sound gentle in her head. |I'm not super good at telling which ones I should kill when they're similar, and I don't wanna kill innocent people.|

The black cat frowns and bites her lip. "You mean wield the sword?"

|I am the sword,| the voice says, and the blood-person smiles again. |Grab my handle if you're okay with being the wielder of a sword like me.|

"Nh," the black cat says blankly. Then, carefully, she reaches out and wraps her hand around the sword's handle.
Then the blood-person stops being person-shaped and gets sucked into the sword, and the black cat stumbles.

"…Heavier than I thought," she says.

|Yeah, someone decided to give me a big metal body,| the voice says. The voice of the sword. The voice of the magic sword that just told her to wield it. |I'm more used to being blood-crystal, but at least this way I don't need to use my Essence to hold myself in the right shape.|

"Nh," the black cat says again. She has no idea what any of that meant.

|In the meantime, though,| the sword says, |we should bind me to you so I won't kill you if I have to empower you.|

The black cat looks down at the big sword in her hands. "How do I do—" and she sees the dragonshead on the crossguard, and the embellishing wings at the base of its blade, and the traceries of glowing crimson running along its edges, and her words catch in her throat. "Beautiful," she says. She thinks there's tears in her eyes. She has a beautiful magic sword that answered her prayers.

|Um,| the sword says, |thank you. I, uh, I don't think I've been complimented like that before.| It makes a sound like it's clearing its throat. |Um, the binding. Right. See the orb in the middle of my crossguard?|

The black cat turns the sword in her hands, and there is, in fact, a red orb poking out from the back of the sword (her sword) right above the handle, under the dragonshead's mouth. She thinks it might be glowing. She nods.

|Okay, so, touch that, and I'll bind myself and my Essence network to your soul.|

The black cat takes her right hand off of the sword's handle and sets it on the red orb. Then, crimson light flashes from the orb, and her hand stings for a moment, and then her Status appears on its own in front of her.
____ has gained the title Soulbound Warrior!
Bind your soul to a weapon.
Effect: While your soul is bound to your weapon, you cannot die. You and your sword are considered one entity for the purpose of soul-targeting effects. Gain the subrace (Soulbound).​
Name: none Age: 12​
Race: Black Cat Beastkin (Soulbound)​
Job: none​
Status
Level: 4​
HP: 77 MP: 124 LP: 9431​
STR: 13(38) END: 10(35) AGI: 16(41) INT: 8(33) MAG: 7(57) DEX: 15(40)​
Skills
Sword Arts Lv1, Night Eyes, Skinning Expert, Directional Sense
Titles
Soulbound Warrior
Equipment
Old Rags
Bound-Blade Neco (Kill/Consume)
"Wow…" the black cat breathes. Her stats became amazing! And the title says she's immortal, or something!

|You don't have a name?| her sword asks in her mind, and her spirits suddenly drop.

"Slave Contract takes our names," she mutters, clenching her hands around her sword's hilt.

A flicker of rage that the black cat can tell isn't her own flickers through the black cat's mind for a moment, and her sword flashes. |Can you take it back?| her sword asks. |Do I need to find and kill the Contract to get it back?|

"Don't know," the black cat says. "I can try…" She thinks back, to four years ago, when her parents were still alive. She thinks back to what they called her. This time, she can remember.
She smiles.

"My name is Fran."
Name Restored: Fran!
----------​
One of my stories I like more. I thought of it originally because I had a character who happened to be a sword, and I was reading Reincarnated as a Sword, and I thought it'd be interesting to have a more swordly sword be Fran's Teacher. I'm not super confident with the setting, unfortunately, particularly in terms of high-power stuff, since I was reading the manga and the last part I read was near the end of the part with the one necromancer guy in the floating dungeon, so I'll probably need to do some research once I get significantly out of the starting area (particularly on the gods--I think one of them is directly the reason black cats don't evolve, or something?).

Anyway, I have a chunk of Fran joining the adventurer's guild in Alessa (if I remember that right), and a leadup to it that's a bit full of holes, so there's potential for some more rapid sections of this if I can work out how to fill the holes in that leadup (or if I cut it entirely, I suppose). I think the decision there is gonna depend on if I can think of how to resolve the other freed slaves out of the plot, or if I decide that they should stay around, or what.

(Also, the LitRPG parts of this story are likely gonna be a bit of a challenge, since I really don't understand the system beyond weapons having ratings for how well they can be enhanced by mana, the MC sword increasing the wielder's stats [and sharing skills, but the sword needs to learn how to do that first, not being from a LitRPG setting herself], and the stats themselves are largely meaningless numbers to me, but that's solvable.)

Mm, and I'm not sure that [Kill] as a name reads well, now that I'm putting this where other people will read it, so I may change out her name eventually, though I've no idea what to... Wow, I had a lot more to put in the notes than I expected...

E: I've changed [Kill] to Neco, because it's kinda funny, it sounds nice, and it's plausible Neco's creator coulda found that word combing through an English/Latin dictionary or something. I've also changed [kill] as an invocation of Neco's concept to kill, and made a couple other minor alterations.

E2: I've also altered all invocations of a concept to be in Times New Roman, to make them stand out more (especially when using them for casting spells, which happens in the next scene).
 
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Try putting Kill in google translate, you can get some really cool (though possibly incorrect) name ideas
Like Scottish Gaelic pops out : marbhadh
That's a pretty good idea... I'll have to comb through some of those.

I'll also need to consider how I wanna write the sword invoking herself in the future (I could bold that, I think that'd work pretty well?), since [ ] is even less nice-looking when I'm not using it for the character's name.

E: Translate says
neco
kill, murder, slay, put to death, worry to death
as a translation in Latin. How appropriate, for one wielded by a cat. Might use that one.

E2: I did use it. I think it looks alright.
 
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A Cat's Blood-Red Blade (Tensei Shitara Ken Deshita) 2
"Touch Fire," Fran says, and she feels heat rush out of her fingertips onto the fire they built, and she pulls her hand back as the wood bursts into flames. One step closer to eating… ah, but she doesn't have a knife. She looks down at Neco in her hands, frowning. "Can I use you to carve the bear?"

The sword's surprise flickers at the back of Fran's mind. |Um, carve--? Oh. I see. Food.| Fran feels her sword's indifference like a shrug. |Yeah, sure, I'm durable. Do you want me in a different shape?|

"...Shape?" Fran says blankly. She grabs Neco from where she was floating in a magic circle beside her. "You're…" Fran gestures at Neco's very solid… everything, with her free hand.

|I mean, it's harder than I'm used to, but...| The orb above Neco's handle flashes, Fran feels something cold flicker in her chest, and Neco's blade thins and lengthens until she looks almost like a spear. |The body still follows the soul, when I bind myself to a physical shape.|

Fran shivers and shakes her head. "Too cold," she says. "It's fine."

Neco's orb flashes again, and for a moment, the cold thing in Fran's chest reaches out further and further—and then it's gone, and Neco's blade is back in its normal double-edged shape. |...Sorry,| she says quietly. |Of course I feel like—my Concept's not—| Neco makes a sound that feels like regret in Fran's mind. |...I'm sorry.|

"'s fine," Fran mutters again, and she lifts the dead monster with her free hand like it's made of pillows and gets to work. Despite the memory of cold Neco's shapeshifting left behind, she feels warmer inside than she has for years.
-----​
Mark the human finally says the meat's cooked enough and takes it off the fire, and Fran has just enough restraint to take her piece off the spit before she digs in. She doesn't know how it's supposed to taste, from what she remembers before she was a slave unseasoned and full-cooked meat's not very good, but as hungry as she is, it tastes like the food of the Gods.

Happiness floats up from the sword at her side, and Fran finds some time to smile between bites. |So, what'll we do now?| Neco asks, and her voice is almost as full of cheer and warmth as the feelings in Fran's heart. |Do we go find a city? Are there cities?|

Fran swallows another bite of roast bear, says "Nh," nods, and chomps down again.

"Going to a city would probably be a good idea," the pig beastman, Jorren, says in a much calmer tone than before. "Slavery's illegal in Granzell, so the Alessa Guard should help us. Even if they don't, I've heard Amanda the Guardian of Children is in the Alessa Adventurer's Guild these days—" Fran's ears perk up. Adventurer's Guild? "—and she would certainly help Fran."

|Well, there's a lot of words there that I don't get, but you sound like you know what you're talking about.| Neco floats up behind Fran's back and sits there like she's looking over Fran's shoulder. |I—we can kill whatever Demons get in our way going there, I'm sure.|

Fran nods eagerly. "Nh!" And then she can become an Adventurer!

"Well, I guess that's the plan, then," Mark mutters quieter than Fran thinks she could hear without Neco's power. Then, he looks up and says, louder, "It's something like three days to Alessa on foot from here, if we were actually on the edge of the Demon Wolf's Garden like Those Bastards said."

Jorren glances up at the twilight sky. "...Three days, I'd guess."

Mark grumbles something about wagons and horses, but Fran doesn't care. She stands up and spins around. "Which way—"

"Tomorrow!" the human says grumpily.

Fran goes to shake her head, cause she wants to start moving now, but she feels Neco bob in the air behind her and stops.

|Yeah, you're tired,| her sword says… and she's right.

Fran's shoulders slump and she sighs. "...Tomorrow," she agrees unhappily.

|And we should probably make some walls so Demons can't just come by and attack while the people are asleep,| Neco says.

Fran tilts her head and frowns. "Walls?"

|It's two spells,| the sword continues, and that makes more sense, if it's magic then it's not so ridiculous to build walls around a campsite. |They're more than two-rune, though, so you'll have to follow my instructions carefully.|

"Nh." Fran reaches out and pulls Neco out of the air, and the power inside her gets stronger. She feels herself smile a little. "Teach me how."
----------​
I... think this section establishes some things? Like the characters of the characters, and a little bit more about the quick magic Neco uses and is teaching Fran. These scenes do come together to make something quite short, but this felt like a decent end point, and I haven't worked out what the next scene's gonna be or how time-skippy I want things to be.

I did just remember that there's an entry fee to get into Alessa if you're not an adventurer (or something), so... that'll probably be an issue, since, like, monsters don't drop cash as far as I know, and paying in monster crystals would be A Little Odd. I think in the original LN/manga Fran ran into and guarded a merchant who covered the costs? I may be misremembering. But in any case, that could work here, too, though it feels a bit like I'm riding the stations of canon there.

E: Added a minor detail to Neco floating to hopefully separate this instance from Neco's Telekinesis skill? Since she doesn't know she has Telekinesis during this scene. She walked Neco through some runecraft to float her for a while, I think.
 
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Strange Alien Vacation Misfire (RWBY) 2
Here's the next scene of this one, from Ozpin's perspective.
----------​
The alien looks out of the airship window, a frown on its pale face. "Are we not landing on the landing pad?" she asks in her strange, whistling voice.

"That's a bit too public of a place to set down with a passenger as distinctive as you, Kasheil," Ozpin answers, lifetimes of practice keeping him calm despite how utterly unprecedented the current situation is. "There is also the issue of your, ah, pod, and the fact that our heavy equipment is nearer the rear landing—what are you doing?"

Kasheil turns around to face Ozpin instead of the window, and her skin stops rippling and shifting like a dye-filled pool. She's still frowning. "I'm trying to convince this flesh to take on some sort of color," she says, something like annoyance in her otherworldly tone, "but with how stubborn it's being with making pigments, I have to use structural color, which is much more involved."

Ozpin blinks.

Then he blinks again.

"Ah," he says. He searches for words for another moment, and eventually settles on, "Would you… like a mirror?"

"...Yes, actually," she says. "You have one on this thing? It doesn't look like the kind of ship that would have..."

Ozpin finishes opening his scroll and holds it out, the front-facing camera's feed on the screen.

Kasheil shrugs and grabs the device by the handle. ":Kh'c'tss:, makes sense," she mutters, and she narrows her eyes, and her skin goes back to shifting. A wave of inky black flows over her face, and then her skin flickers red, and then death-pale again, and then it settles into a still pale, but very convincingly human, tone. Then she blinks, and her eyes are suddenly violet-flecked green instead of disturbing Grimm-red. The alien glances down at herself, picking at her parka with slightly-too-thick fingernails. "...The bone plates are still an issue, I suppose, but I could make do once I have more than this body-cover..."

"That's quite convincing, Kasheil," says Ozpin, keeping the frown off of his face only through long practice. If this creature ever decided she wanted to be hidden, perhaps after killing dozens of Ozpin's students and scattering the crushed pieces of his hopes and plans to the winds, she would be almost impossible to track down. He takes a sip of his coffee, gone cold some time ago, and looks the creature in the eyes he only knows are false because he saw her make them as the ship sets down and the engines start to spool down. "It will be a moment until one of the heavy loaders gets here."

Kasheil makes a sound like a dozen flutes trying to say 'Hmm,' and glances out the window again. "...This seems like a nice planet," she says after a moment of silence.

From the front of the Bullhead, Ozpin hears Auburn snicker quietly. One of Kasheil's ears twitches, and she stands and steps to the door to the cabin in a single smooth movement, leaning over the pilot's shoulder with a hand on the doorframe just as Ozpin finishes leveling his cane at her back.

"What's funny?" she asks in a curious and calm tone instead of attacking one of Ozpin's few trusted Bullhead fliers and proving herself an enemy. "Sorry, I don't really understand human humor most of the time, so..."

Auburn clears his throat awkwardly and turns around in his seat. "…Well, Ma'am, you said Remnant seemed like a nice planet, but, uh, it's actually full of soulless monsters trying to kill us," he says over his shoulder, "so I thought it was kind of… amusing…"

"Oh," says Kasheil blankly. "This is a Deathworld." She sits back down, frowns, and turns to stare out the window again. "...I don't think that's very funny."

For a few minutes, there's little more than silence in the VTOL craft.
----------​
It's a short scene, but I couldn't think of how to take it further.

I think the next important things for me to figure out for this story are: what equipment Kasheil will be able to fabricate if/when she gets the power to make her generator, how much Ozpin's faction helps/obstructs/tells Kasheil, and whether any others from Kasheil's society will arrive on-scene (probably not, at least for a long while). If I wanna have Kasheil significantly affect the global situation, I think I'd need to give the fabricator a lot of power... mm, though, her strengths without an army at her back really lean towards infiltration (as realized in-character above), and the Grimm do have leadership she could get close to, so I could make something work with that, but I'm not sure what. Maybe it would be best to keep this "street level," really... though circumstances in canon would make that rather impossible, what with the invasion and stuff.

I dunno. I've got a lot to think about for this one.

E: And now the threadmarks are pretty!
 
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