Amazing! I'm sad the story is ending but so *so* pleased to have had the chance to read it as it was published.

I'll probably have more to say later but right now I'm mainly thinking that the universe needs to keep The Live Wire as far away from the Ophidian as possible!

Rhea channelling Paralax was a very cool and worthy final boss fight for Addy and the gang.
 
It was a great story and awesome to read!

Take a break, you deserved it.

Then you can come up with an epilogue that make Addy even more scary XD.
 
This was a brilliant climax. I love the simple crack in the Daxamite armor that Addy exploited, that a slave empire relies on keeping each individual enslaved alone, isolated and afraid. That all that was needed to break them was to make it so that, for a moment, the people they enslaved were not alone.



As for the final battle, that was peak superhero comics gold. I love the way you wove in Addy's expertise with constructing alien tech to the green lantern ring, it fits so perfectly and was telegraphed so well that I can hardly believe I didn't see it coming. And the moment of conviction, where Addy put it on, was so perfect.



Aaaaaaand oh sweet mercy I just thought about the line where Addy didn't quite like the green and black uniform and the implication of how much Addy likes colorful costumes. The Queen has no intention of stopping with simple Will, does she? It might be a long term goal, but she and her kid are very much going to be exploring the emotional spectrum aren't they?
 
First off. I want to congratulate you. It's been a long time since the fight scene outside L-corp and your fight scenes have really advanced a lot since then! Finishing a work of fiction is a weird feeling. There's a sense of loss to it, as well as catharsis. It kind of feels triumphant, but also like a funeral in miniature. There's a lot of feelings like it, but nothing that's quite the same. You've really grown a lot as an author since you started, and I've enjoyed watching that as much as I have reading your work with Addy.

But the future's kinda scary, in that same way. I don't know what I'm going to be doing, going forward. I could start working on any number of original works I've been mulling over, I could start working on any number of other pieces of Worm fanfiction I've also been sitting on. I could do nothing at all, and submerge myself back into the role of a lurker, keeping to the fringes of fandom and mostly engaging with it by reading and enjoying content people produce of it.

I really don't know.

Once you start writing on the level you do, you never really stop. You end up getting ideas and running with them. It's inevitable. I recommend that you take the time now to compress and unwind and figure out who you are without this story in your life. Take a few days and just, you know, relax.

Not all of it is perfect, I'll admit. There's this funny aspect now where, since I've been writing in Addy's POV for so long, I find it difficult to write in any POV that isn't Addy's. You know all of those details Addy picks up on all the time? Yeah, that's an Addy-ism, and I expect to spend a lot of my time in the future slowly ironing those out of my instinctual writing habits. It won't be easy, but it's not the worst thing in the world, it'll just take time.

So, there are several ways that I would recommend to you to deal with this issue.

One, is to switch your narrator to full on 3rd person omniscient. You find this a lot in Lemony Narrators but you also find it in Epic stories like the Illiad, the Aeneid, The Wheel of Time, and Lord of The Rings. Picking those things out isn't really a detriment in either of those situations, and it'll challenge you to deal with ironing out the personality traits while not having to worry so much about the omnicience.

The other option I would suggest is to write up a Himbo; a character who is relentlessly good and pure hearted, but really unobservant, naïve, and/or dumb. Since this is pretty much diametrically opposed to Addy, it might serve as a good break to get you way out of her heard. A lot of the humor and the drama from dealing with a himbo is that they don't notice a lot of stuff, and they don't have brilliant plans. So it might be a good contrast to Addy. Good examples of the archetype are The Tick, Kronk, and and Mabel Pines. (Please note, this suggestion isn't exclusive with the first, but if you combine them you're almost certainly going to end up writing either comedy or tragedy just because of how the structure of the story works).

You could also lean in and write Magnificent Bastards. There the penchant for noticing literally everything is only limited by human constraints. Most of the shift there is in characterization rather than structural. A good example of this done in first person is Dr. Impossible from the novel "Soon I will be Invincible" which is a first person book about a supervillain with Malign Hypercognition Disorder. Good book. well worth a read if you enjoyed Worm.
 
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Congratulations on finishing a fic that's a million fucking words long! That's an incredible achievement, especially with a story that's as good as this one. I've definitely noticed your growth as a writer over the course of this fic, so I'm really excited to see what you do with those skills next.

Whatever you decide to write in the future, I'll be here for it.
 
and the yellow sphere on the top, while not fully repaired, had gone from nearly being in pieces, with vast canyons of space across its surface, down to something that was merely just spiderwebbed through with cracks. A second band of metal had been added further up along the sphere, presumably to keep it pressed together, but that wouldn't be enough to explain the repairs to its surface.
Did they repair it with their own fear and the realization that they were fucked? That's hilarious.

Truth be told, the only one who didn't really need her help - but she still helped, as it made her more efficient - was Leslie, who lunged around the battlefield as a streak of red electricity, swarming into constructs and chewing away vast parts of them, gnawing at the very energy they were made out of and making them disperse into nothing.
Wait, The Live Wire's eating pure Yellow Light? Oh shit-
and also The Live Wire, who by an automatic ping seemed to have... found a way to completely overcome the fear that it was being exposed to? By visualizing it as food?
...I'm pretty sure that's not how that's supposed to work, but I don't think the Emotional Spectrum was made to take into account living beings from outside its universe/multiverse, so whatever.

...Although, The Live Wire's method is almost exactly how Orange Light deals with other colors of the Spectrum...

What had sprouted from Rhea's back were not the wings of a bird, but the twin wings of an insect. Long and leaf-shaped, like a dragonfly's, that buzzed and creaked with a noise that made Addy's teeth itch, droning like an insect Addy could not find it in herself to appreciate.

Rhea straightened her posture, face thick with glee. She turned to look upon John and Kara, who in turn, stared back at her in horror. Slowly, she began to raise her arm. "You will die today," she promised, her voice bordering on insectoid now, thick with unnatural clicking, like she had mandibles, or another row of teeth, that sat just out of sight. "We will never be chained again. We will not be locked away. That is our will."
Well, that explains a lot.

"No!" Rhea bellowed, fear tinging her voice as she turned to look at Addy. "You will die! You will all die! It is divine!"
Shards haven't feared or respected gods before, and they aren't going to start now.

pushed along by telekinetic engines within the smaller custodians.
Addy's doing much better than even GL veterans, but she still has a way to go. She didn't need to have engines in the custodians, a Green construct's speed is based on the user's willpower and their ability to clearly visualize it. She could have the things moving just under the sound barrier, if she wanted.

A twist of her will, and all across the space, beside herself, beside Kara, John, Layla, Crush and Leslie, sprung up new constructs of emerald light: copies of the black box generator she had built with her friends, back at L-Corp. They unfolded and grew at odd angles, a mix of her own knowledge feeding into them, making them come out as partially crystalline in appearance, but with their potency amplified by the addition of a facsimile of her flesh.

She activated them at once, the devices erupting with disruptive green light, swarming into the surroundings and meeting the yellow light-laced scream, breaking it down, shearing into it and dispersing it into harmless shapes and colours.

The yellow light, eventually, faded into nothing, but Addy and her constructs still remained.
Ok, that's huge. If the black box generators can interfere with manifestations of the Emotional Spectrum... the Guardians would either try to have the technology buried, or they'd copy the design to use on the Sinestro Corps.

Oh, it also means it'd probably work against magic. So Addy now has an additional defense against mages and gods, on top of whatever she already had.

This is OxfordOctopus, signing off.

I'll see ya'll in a couple of weeks.
I look forward to seeing you then, thanks for everything.
 
ON RHEA
I was encouraged to post this by a friend of mine (thanks @Alivaril) so, I'll leave this here before I go have a lie down:

On Rhea

I designed Rhea from the very start to be a foil to Addy, in a separate way to how Jax-Ur was designed to be a foil to Addy. Where Jax-Ur and Addy largely differ is in personality and political opinion; Addy thinks humanity's greatest strength is their capacity for adaptation and creativity, and that stifling that through a rule imposed by her (or other shards, for that matter) would functionally nullify that. Jax-Ur, broadly speaking, thinks the opposite, viewing counter culture as toxic and parasitic, and desiring a unified (and stratified) power through which the machine of empires can get rolling.

Where Addy and Rhea diverge is, instead, in how they handle trauma.

The finale actually included a now-cut portion (due to it being... kind of inconsistent with how Addy can process other people's emotions, and also because it was way too tell-the-reader-what-they-should-be-taking-away-from-this) which had Addy acknowledging the similarities between Rhea's trauma and her own, and pointing out how Rhea's biggest fear isn't for herself, or of Addy, or for her son or her nation or anything like that—it's that everything she did would be in vain. That no matter the extent to which she went, everything she did, every atrocity she facilitated, every war she started and every hatred she's seeded would be for nothing. Because... before this version of Rhea, there was one who ruled Daxam, and as much as she was also not a good person (I've repeatedly indicated in this story that robotics are more than advanced and cheap enough to fundamentally remove any incentive to use slaves, yet Daxamites still do) she was not... this. She was not a raging lunatic, she was not a woman overcome by fear and hate and all the rest.

Both Addy and Rhea changed from who they were to who they are now, in a sense, from a death: for Addy, it was Taylor's death, and for Rhea, it was the death of Daxam. There are other mirroring aspects, such as both of them being 'monarchy' in the abstract, both of them being the last of their kind, and so on.

Where they diverge has always been in the details, in how they manage the fallout of that tragedy.

To be blunt, the reason why Addy is different from Rhea is that, for her, the worst thing to happen has already happened. Her worst fears have come and gone, and Addy was powerless to do anything when they did. Addy has, in fact, a significant amount of trauma from being unable to stop Taylor's death, and you'll notice she struggles a lot with inactivity, which is an extension of that very same trauma.

But ultimately, it did happen. Taylor is dead, and all that's left is Addy.

And from that tragedy, Addy could learn there was a life to still live after the fact. There was still a life to live after Taylor's death, there was still something there for her. There was still happiness, hope, joy, new things to explore and new people to grow close to. There was also grief, and bitterness, yes, but... ultimately, she could learn that things move on, and while you are forever changed from tragedy, you can still heal from it all the same.

Rhea is a rejection of that idea, full force. In part because Daxam is still around, at least abstractly, or the idea of Daxam, if nothing else. She refuses to let go of it, or let it be anything but what Daxam was before, which means she refuses to let her people be the refugees and exiles they are. I touched on this with Sonn-kal's part in the first interlude: nobody has been... really allowed to process Daxam's demise, because Rhea is of the opinion there was no demise, or if there was, they were reborn from it. Daxam can be nothing but what Daxam used to be: an interstellar slave state which exists as a rejection of Krypton's attempt to modernize and become more progressive after their imperial era (an era everyone but the Daxamites look back on with various shades of horror, disgust, or shame).

And in her rejection, Rhea inflicts the same tragedy of her people onto others. There was a very intentional decision I made to have the Daxamites be refugees. Because that's what they are. It's just that they refuse to consider themselves as such (because no Daxamite could fall so low), and... they are refugees who are producing endless amounts of more refugees, perpetuating a cycle, creating trauma and terror and all the things the cogs of an empire do. All because Rhea cannot accept the idea that Daxam, as a state, is gone, and that she has to move on and start dealing with the ashes thereof.

This is, in part, because I've written Rhea to have been, y'know, the kind of person to grow up in a slave-owning imperialist monarchy and rule over it. You don't... really get to be a good person in that situation, but the fact remains.

Addy, ultimately, learned to accept her grief and move on. She has moved to break the cycle of abuse perpetuated by her kind, something that was inflicted on her, much the same. She refuses to start it over again, she refuses to be what the worst parts of her history has, at times, made her into, and she has accepted many of the caveats that come with that.

Imagine for a moment if Addy could not let go of Taylor, if there was some scrap of her still remaining, and Addy had no positive reinforcement, no Kara, nothing. She was just alone, on this odd Earth with absurd physics, with this tiniest scrap of Taylor's mind left. Not enough to repair her, never enough to repair her, but enough to poison her with hope. She might have learned to come to terms with the fact that the version of Taylor she knew was gone, but... I don't think she would have, in much the same way that Rhea cannot accept anything short of Daxam at its prime.

Imagine the atrocities Addy would casually commit to get Taylor back, even for the chance.

That is the cost of refusing to accept and move on from your trauma. That is the cost of carrying your grief with you. That is the cost of never quite resolving the fact that bad things happen and you need to learn to deal with it, rather than cling to what was once before. It's... not easy, and I'm speaking from experience, it never is. But it's possible, and it's the way through which you can approach a healthier mindset when it comes to dealing with trauma and grief.

It's all, ultimately, that you can really do, too.

Because... can't you see it? Rhea's thing about never letting go of old Daxam, of being terrified that it would all be for nothing anyway? It would've never gone away. The things she's done to try to recapture Daxam's prime are things which have set her empire against an entire universe. Even had she succeeded here... there would always be a new threat, and while that's great to keep a fascist war machine running and spitting out recruits, it's not good for actually coming to terms with the things that have happened to them. They would never let it go, never.

I would like to make a separation here between a pining for a place you have been exiled from and what I'm speaking of, here. Yes, obviously, I am not saying groups which have been forced from their homelands should just get over it, but what I'm saying is that coping with loss, which is what the thrust of this entire conflict has been about, needs to actually resolve the issues. It needs to be something you come to terms with, or else it will haunt you until your death. Generational trauma will still stalk you, as far as I can tell, but... you can't let it swallow you in the way Rhea has, and Rhea's situation is also quite different from these same groups who were forced from their native homelands. It's a complex discussion that I'm careful in managing, is what I'm trying to say.

Addy made peace with her demons. If, tomorrow, a single scrap of Taylor's mind was found in Addy's outflow trash bin, she would probably save it and cultivate it, but... she wouldn't try to make it into Taylor again. She would let it be what it was, let it exist as... yes, Taylor, but fundamentally changed by the rigours of trauma.

That is what I think is healthy, when it comes to coping with loss, exile, and grief.

And Rhea? She would have never accepted anything short of Daxam at its height.

It's okay to feel grief, to feel loss, and to feel all the things that come with exile and loss. It's how you handle it, and how you frame it, that matters most of all.
 
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Thank you so much for writing this amazing story! I loved all the work you put into fleshing out the world with your own creations. It's been an amazing ride!
 
Good for you, I can't write a story if I sumarise it first, it kills all my motivation. I have an idea of what I want to go and use that but that idea may and will change.

That leads to chaotic writing and almost never finishing stories but is the way I can write.

Do whatever works for you.
 
I am guessing that part of Addy's epilog will be her finally opening up about her first friend and best host Taylor. Explaining how a ruthlessly determined girl overcame her own issues long enough to sacrifice everything and save a multiverse. It would be a story she has to tell, because her best and first friend deserves nothing less.
 
This had been a fantastic story that has been a weekly highlight since I found it some time in the middle of its first season. I will miss seeing this every Thursday, but I will also quietly stalk other stories to see if they have any of the same magic.
 
Mmm. I will post it now before I lose my nerve, though I'm a bit sleep-deprived, so my coherence may suffer.

First, I have to say, thank you for throwing another twenty thousand words down my gullet, and a million overall. It was nothing short of amazing, Addy casually strafed line between casually relatable, unfamiliar, but ultimately recognizable, and utterly alien. She is one of my favorite characters of all time, fiction of fan fiction or whatever, and I will cherish the memories of first reading each and every chapter, which made my Thursdays ultimately more palatable.

That said. I want to state, that I am not doing it out of some sense of self-gratification or spite, or just desire to be a dick, I would be sincerely very happy if what I write down now would be in any kind useful to you, and if it wouldn't and my words just hurt you, I'm sorry for what it's worth.

I liked the chapter overall, as the culmination of the conflict, as the capstone on the cosmology of your combined setting, and the foreshadowing of Parallax was actually very clever, now that I think back on it.

I didn't like the final fight scene.
Most of the time, in your story, Queen Administrator acts and interacts with the world in the capacity of Addy with a few hundred thousand senses attached at the back of your head. It makes sense, both for character relatability and the relatively low stakes of the fights she participates in, where the most significant loss most of the time would be the damage done to Taylor's and now Addy's human-kryptonian body through which she gained such a new unique perspective on the world and which is in some sense the final keepsake she has from Taylor.

When we find her facing off against fucking Parallax, it all falls apart. Like, maybe there is a clever analogy here between her relationship with Taylor and Rhea's with her gigantic parasitic entity granting her powers and gradually merging with her during a prolonged psychotic break. But. It's all a difference between Addy acting like a planet-sized supercomputer with her fast, agile, durable, kryptonian human-shaped additional body as another, admittedly, very versatile limb akin to a custodian or a servitor, and Addy acting like a human. Not even a kryptonian, human. She has human-ish reaction times, if very enhanced by her biology, human-ish weakness of having to protect her body from destruction, human-ish superheroic capabilities of assuming direct control only within specific range over a few seconds of direct contact.

Again, made sense when it was low stakes, when it was cost efficient, when Addy was slowly dying and her body was actually the most useful instrument of violence she had.

And I just don't think it works now. Not when the previous chapter was so much so about everything I could ask for, Addy acting like a, let me repeat myself, one-woman interplanetary invasion force, able to coordinate with authority and understanding multiple theaters across the globe, something most modern-day generals would just be unable to.

Or that time when she overcloked her perception and decompiled Riot's mind in a matter of barely two seconds.

Or that time when she started hitting a White Martian with psychic whack-a-mole shots from across several blocks.

You get the idea.

And it really feels like a missed opportunity, this out of the place narrative about underdog Addy facing off against something bigger and meaner than her, when she isn't an underdog, she isn't human, making her appear with human-comparable limitations doesn't make her more relatable, it detracts from her uniqueness, her extraordinary perspective on the world, as a human-shaped-person, yes, but also a Shard.

The fight, in my opinion, was the perfect pretext for the clash of the titans the comics so love to tote about, and in this case, it would have been not only justified, but also truly epic in scope and stakes, one the backdrop of an invading fleet that would soon start a suicide run against the surface of our planet. It could've even happened inside the capital ship, but the feeling of it falling apart at the seems torn between two cataclysmic entities peripherally touching on this universe as a consequence of their behind the curtain clash start to rend this reality apart, it just wasn't there.

Instead of Parallax Almost Unchained and Queen Administrator, we have Rhea and Addy with a few extra abilities.

And okay, as a disclaimer, I do not pretend on anything approaching authoritative opinion, this is my completely subjective reading of the situation that many will probably disagree with. I just hope that I conveyed my opinion, and did so respectfully and it would be a nice bonus if you found some helpful insights within it.

Again, thank you for the chapter and the amazing story, looking forward to the epilogues.
 
Thank you so much for writing this, and while I'd read a season three in a heartbeat, for there are threads and themes left incomplete, this was a fitting, suitable climax and I'm happy to have gotten here before the ride was over.
 
Aaaaaaand oh sweet mercy I just thought about the line where Addy didn't quite like the green and black uniform and the implication of how much Addy likes colorful costumes. The Queen has no intention of stopping with simple Will, does she? It might be a long term goal, but she and her kid are very much going to be exploring the emotional spectrum aren't they?
Couldn't she just... put the Lantern outfit under her colorful outfit or something?
 
I am guessing that part of Addy's epilog will be her finally opening up about her first friend and best host Taylor. Explaining how a ruthlessly determined girl overcame her own issues long enough to sacrifice everything and save a multiverse. It would be a story she has to tell, because her best and first friend deserves nothing less.
Taylor and her accomplishments have never been a secret. Not any more than the rest of Addy's life, anyway. She explains the whole "host" thing in the very first chapter:
"I'm called Queen Administrator," she said, ignoring the odd look on Supergirl's face. "...Or, well, I guess my host was called Skitter, too, and Bug, and uh, Weaver, Khepri, a bunch of words I think aren't to be said in polite company, like slurs, those too."

"...Your host?" Supergirl said weakly, sounding almost... weirdly on the verge of tears? But not in a sad way? Like she was frustrated, or confused, or possibly both, and so much so that it was overwhelming. She was pretty sure Taylor had felt that way before, not that she was going to go digging for the memory at this time.

Addy nodded slowly, just to make sure the assent got across. "Well, I'm my host now and vice-versa, kinda. But, yeah, I was her powers? I guess? If you want to describe it. Then she got shot, twice, and now there's just, uh, me."
She refers to Taylor by name when she's first giving J'onn the infodump on who she is and how she works (and that infodump includes the whole "I helped her kill Scion" thing), and she mentions her multiple other times over the course of the fic. It's not even a big secret that Taylor was very important to her, since this happens in her initial debrief:
"Your... host," Hank began again, wrenching Addy out of her thoughts. She'd been spiralling there, self-justifying, it would do her no good to run in circles. What was done was done, she was now who she was; the past would simply be that: the past. "What is her status?"

Something in her chest wrenched, twisted painfully in a way that wasn't physical. Addy gasped almost, reached up to touch her chest with her fingers, the feeling fading as rapidly as it had come on. "She's—" gone, she wanted to say, which she was. She was gone in every way that mattered, what had been Taylor had died when a stupid bitch had put two bullets through their node, through the loose connection they had formed. They had killed her, turned her consciousness to so much shredded nothingness, not even enough for her to begin reconsolidating Taylor's identity, updating the saved consciousness she had on her big body. What she had left was a pale echo, devoid of emotions, a two-dimensional copy of someone important and—

"I'm sorry for your loss," Hank said, interrupting her again. He was staring at her with warmth, with something very... knowing, in his eyes.

Blinking, Addy reached up further, brushed fingers over her cheeks and found them wet. She breathed in, her throat catching, an awful gurgling noise escaping her as her nose sniffled. Was she crying? She didn't like it. "She's gone," Addy finally said, not liking how her voice came out feeling numb. "I have a very rudimentary copy of her on my big body, but it's... not her. It's a two-dimensional copy at best, it wouldn't be Taylor. She's gone. I'm all that's left."
Now, it's quite possible that other people in her life don't know much about Taylor or how much she means to Addy. Addy's not given to big displays of emotion or talking about her feelings, so people who only learned about her origins later (like Lena, Cat Grant, etc.) might not know much about Taylor. That's not a deliberate decision to keep things secret though, it's just a consequence of how Addy processes her grief.

It's certainly possible we'll get an epilogue where Addy talks about Taylor, but it won't be her "finally opening up." And honestly, while I won't be surprised if Addy thinks or talks about Taylor in an epilogue, this is Addy's story, not Taylor's. If Taylor's going to be talked about, the focus should be on what she means to Addy, not on how cool Taylor was.
 
"...Did you really have to stack the Daxamites like two-by-fours?" Leslie asked, breaking Addy out of her thoughts.
"Oh no, how will we fit all these people into this ship."
"Don't worry Addy there's plenty of room."
"Its a good thing I'm so good at stacking things."
"No really Addy, you don't need to."
"If it fits, I stack."
Understand, weaklings, that the Flamebird is what guides me
Times like this I wish I knew what the Pheonix Force was and if its Marvel or DC
Worse yet, below her, her Daxamites were not faring well, another thing that came as a shock. The constructs she had dealt with from the other Yellow Lanterns could be broken with just one or two Daxamites, at most three for more complex and dense creations. These, however? Received punches with ease, as they received with most other attacks.
Addy you fool you buffon. By going from a party of 2 Green Lanterns + a Guardian to a party of so many you've diluted your ninjutsu and now your shadow clones are useless!!!
Because Addy had always known how to build them. Had she the materials to do so in person, she could build a custodian by hand, though it was much easier to let her energy forges produce them for her, considering doing so personally would take much more time. That knowledge was knowledge even The Warrior would not strip from her, because an understanding of the self like that was necessary to reprogram and adjust hardware if variables were to arise.

She didn't have the AI the other rings had, but when had she ever needed it?
Appis: Yet again I have underestimated Administrator. Why did nobody mention she was a leading xeno technology engineer when I gave her a weapon I thought she could only use for scientific purposes?
There was no sign of abuse, but rather a considerable degree of neglect, and evidence that he had not been allowed to move around with his own strength, in a very, very long amount of time.
Hot take: that sounds like a significant amount of abuse.
But the future's kinda scary, in that same way. I don't know what I'm going to be doing, going forward. I could start working on any number of original works I've been mulling over, I could start working on any number of other pieces of Worm fanfiction I've also been sitting on.
hmmmmmm
forums.sufficientvelocity.com

Bare Bones [My Hero Academia OC-SI] Superhero

You would think having twenty-five years worth of extra memories would at least make Kiyoka better at handling things. It doesn't, but then she never asked for a second lease on life, let alone a second lease in a world that she couldn't bring herself to finish the source material to.
hmmmmmmmmmm.
whatever will you do..... hmmmm Bare Bones [My Hero Academia OC-SI] Superhero
 
This was, I think, perhaps the best way this could have ended. Addy using the Green Lantern ring, taking perhaps not the final but a significant step on the journey towards accepting help from others, accepting that she doesn't have to be in control; Addy bringing together her shard and human(oid) components to defeat Rhea, not that they weren't together before; and, finally, Addy doing all of that without touching Ion. I don't know if you, as an author, were tempted to counter a Parallax-empowered Rhea with an Ion-merged Addy - I know I would have been - but I think it's a really powerful ending to not offer Addy that easy path through, to give her the right amount of power to win by skill rather than strength.

Of course, it's not over yet, and I look forward to reading the epilogues whenever you feel up to producing them. Further to that, if you ever do decide to write a season 3, I will be here to read it - and so, I imagine, will everyone else. But if you don't, you've produced a million words of one of the best fanfictions I've ever read, and - once the epilogues come out! - this is a satisfying close.

Thank you for writing Administrative Mishap, and my very best wishes for the future!
 
Truly a finale worthy of the title.

HOWEVER
I am almost disappointed Addy did not make use of her ring to fling a goose, a creature infamous for its inability to fear, at the avatar of fear :p
 
I love this battle scene. The casual way it makes her progress as a character and the plot itself become the key to overcoming her ultimate foe is fantastic.
 
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