Thing is, this is stage one. And if the narrative sees Cauldron as the villains, then they are gonna win at stage one.
Cauldron does have mind control capes, right?
The Slug handles the bulk of Cauldron's mindfuckery through memory tampering, Eidolon can serve as a Master if needed as mentioned, Contessa can pull off sufficiently bullshit brainwashing, and they have the resources to
get such capes even if they lack them. Villains who win in the beginning and use mind control, however, have a nasty habit of losing horribly later on when something goes catastrophically wrong after trying to leash something dangerous in hubris and general foolishness. Messing with the mind of the likes of the Butcher sounds indeed foolish even on the best of days.
The major issue with cauldron as Good is how they just framed themselves as their introduction to the narrative. Alexandria busts in and starts threatening the lives of a group of people just trying to get home/their friend back. One of them decides to try to stall despite being outmatched and seems to just barely succeed, only for Alexandria to go all according to plan and have a series of gates ominously open up to reveal the figures of a number of very powerful figures known to be a part of a shadowy conspiracy. She then says what they just desperately tried to obtained belonged to them and basically made what could be considered a death threat to anyone who tried to oppose them. I mean that is almost a textbook villain entrance, and depend on what happens next could be the Catherine's loss in a pattern of three, which really is not likely to go well for Alexandria.
Indeed. Alexandria even
looks like a bad guy for her costume aesthetic. In the very act of making the rule of the narrative more significant, the one who looks like a bad guy is acting like a bad guy... as if she is a bad guy. Hell, she's basically the classic evil mastermind even
beyond this sequence, given her civilian identity, and she even has the genius intellect to boot. Wildbow made her as something of an inverted Superman in the first place, but
now? She's looking pretty damn Lex Luthor-ish if you ask me. It is also quite appropriate for the likes of Alexandria to encounter her sort of mirror in the likes of Skitter, to, anti-hero versus anti-villain. With narrative weight in effect, even if the bad guys win at first, the cold and ruthless villain wearing the mantle of a hero, born of an idealistic innocent who became the evil that she fought... well she tends to have a rather hard time when faced with the idealistic innocent who turned cynical but failed to surrender the spark of that idealism even as she herself embraced the image of a ruthless villain who arrives when the bad guys are on the brink of total victory to triumph in the face of impossibility. Why, in some narratives, the anti-villain even
kills the anti-hero whom she used to adore.