A Light in the Dark: A King Arthur/Warhammer 40k Imperial Knights Story

I just love the contrast between Macbeth being so grim and dour when the rest of his court is so much more hotblooded and openly invested in the might makes right philosophy of his rule, I might be just reading a lot into it, but it really feels like a good framing for there ultimately being nothing you can wrap yourself in that will keep you safe from Macbeth if and when he slays Duncan and goes full mad king. Like how so many victims of abuse and domestic violence defensively adopt their abusers' mindsets and can even themselves become abusers later in life, yet for far too many that defense ultimately proves hollow and useless.
 
"Tell him what? That we brought Lailoken's pet ghost into the hall? No, we have to settle this ourselves, son."

"It's a ghost, father, you can't kill a ghost with knives and mere human strength!"
I mean, you can. Ethereal only gives 75% physical resistance. But they have AP, and you probably don't, so the DPS fight isn't in your favor.
Arthur poured himself a glass of wine. He couldn't show any nerves right now, and warriors always drank at these kinds of functions. Gwen's presence to his side felt comforting.

"You sure you are old enough, your highness?" Banquo asked, with practiced snideness. "It is from a strong year."

Arthur took a measured sip. "I've had stronger," he said amicably. Grapes grew poorly in the isles, and trade for them had been uncommon. It seemed to Arthur the wine was very old, hoarded here from when it could be brought over.
Ah yes, the ever important casual "bitch" counter. A required tool in these confrontations of machismo.
It was clear to Arthur that most of the people in the hall agreed with Fleance, but none wanted to directly voice that affirmation. Most huddled down, staring at their meals. King Macbeth was as ever impassive, though he spoke no words defending his ally.

It was Queen Gruoch whose reaction spoke the loudest. Her beautiful face flashed with rage, not at Fleance, but at the mention of King Duncan. She agreed with what Fleance said, and far more. Arthur watched her until their eyes met, and hers burned with passion and anger.
That's not surprising. Gruoch wants out. And yet the supposedly sane man in the alliance hasn't lifted a finger. She was relieved Arthur was already with someone, so she wouldn't have to try and seduce him, but the fact remains she's at the point where anything to escape is on the table.
"A good man, but perhaps not a good King," Macbeth declared, with a hint of challenge.

Arthur picked up the wine glass, swishing it absently. "Well then, in that case, tell me what you consider a good King, sir. I am most curious."

Macbeth seemed a bit taken aback. After a moment, he gave an answer. "A King is meant to be good at fighting and killing. That is all."

"Easier than I expected," Arthur said dryly.

Macbeth's fists clenched. "I think it is time for bed."
"I can't do target practice without a backboard."
 
The Red King's Hall Part 4
"You were uncharacteristically quiet," Arthur said to Myrddin, as they were led up the stairs to the guest rooms.

"I wanted to see how you'd handle it," replied the wizard, "I can't help you in everything, you know."

"I know."

"Besides that, I have had a terrible feeling about this place, from the moment we came in. There is something familiar to my senses." Myrddin looked around, as if expecting something to spring out of the thick stone walls.

Arthur tried himself to sense what the magician sensed, using what lessons he had had. But he felt nothing, aside from grim foreboding. "What is it you sense?" he asked, softly.

"I'm not sure," Myrddin responded, "it is just familiar in some regard I cannot place." The wizard smiled somewhat bitterly. "Of course, my wizard senses aren't quite as sharp as they used to be. Perhaps it is just me reacting to the all-too real misery of this place."

"Will you be trying to find out, once the rest of us sleep?" Arthur asked, his voice low.

"No," replied the wizard, "because that won't be necessary. You have another in the castle, King Arthur. I suspect he is better in this case than I."

Arthur decided it was best to not ask aloud who was within the castle. The guards escorting them were far, and reception had been so chilly he suspected there was a concerted attempt to ignore him, but nonetheless. "How much danger are we in?"

"Quite a lot, but I don't believe it is anything you can't handle." The wizard smiled at him. "Just be ready for anything, as ever."

Arthur nodded. Ahead, the two guards stopped. "Here is King Arthur's room, he gets one of his own," said the lead. "Your retainers will have to share."

"Two rooms, split between the boys and girls," Lady Cei interjected, crossing her arms. "It isn't proper otherwise, you know."

Both guards gritted their teeth, almost simultaneously. "Fine."

"And near each other, of course," Gwen declared. She pointed to the rooms on either side of Arthur's. "That one, and that one would be best, of course."

"Do you speak for your King, wench? Because we do not take orders from a lord's kept woman."

"She speaks for me," Arthur said, scowling. "Do not be so presumptuous, and watch your tongue."

The soldier blinked, flushed. "Apologies, I think the drink has gotten the better of me." He started to rub his head.

"You only had a glass, you milk drinker," the other grunted.

Arthur could see something twitch under the man's eye, teeth gritting together, he could almost hear the grind. Eventually, the man turned and stormed away, followed by his companion, who didn't even look back.

"Something is rotten here," Gwen said beside him, still looking a bit stunned.

"You sure you feel safe being alone, your highness?" Balin asked, watching the two as they walked away.

"I have no intention of letting my guard down," Arthur replied, 'King Macbeth can hardly kill me without drawing the eye of people more willing to take him down. Not that he'd be able to succeed if he tried."

"Sleep with one eye open then?" Balin asked gruffly.

"That," Arthur agreed, "and I want you all to take turns watching the hall. Guard shifts."

"And I," Myrddin said, "will keep an eye out in a more complicated fashion. I can go a night without sleep easily enough, after all." The wizard smiled thinly. "It will also give me time to try and understand the feeling this place gives me, and why it is so familiar."

"Something beyond human experience, no doubt," Balin grunted, "though frankly I've just been on edge the whole time. Like I keep seeing a sworn enemy. It's disconcerting."

"I'll take the first watch, then," Gwen said, her firm voice ending all arguments.

Arthur's room was comfortable enough, with a bed with sheets of silk and a mattress stuffed with goose-feathers. There was a desk and oak chair, and an ancient rug from another world spread on the ground, its pattern simple. He sat cross legged on the rug, set his sheathed sword on his lap, and attempted to concentrate. There was something rotten here, and sometimes he could parse things out just by following the techniques Myrddin had taught him.

But any endeavor to fall into the trance was broken by a light knock on the door. Arthur opened his eyes. The knock continued, the code he and Gwen had agreed on so long ago, when they had first met, when they had first become lovers. "Come in, Gwen," he said.

She opened the door, and entered, pulling back her hood. Walking beside him, she sat down on the rug. "I don't know if I'll be able to sleep tonight," she admitted.

"I suspect even if we did, we'd be awoken by some dark happening," Arthur replied. He almost put an arm around Gwen, but Dagonet's warning echoed in his brain. He and Gwen making contact usually turned romantic very quickly.

"Everything feels so on edge," Gwen agreed. She leaned back a little. "You know King Macbeth's reputation, I assume."

"I do. I suspect with a High King he'd be tried properly. At present, there isn't much I can do, with Chaos building up and all."

Gwen scowled at him. "Why not? You are High King, Arthur, and it is on the way."

"Do you propose I kill him?" Arthur asked. "He isn't actively doing a crime against the realm, like King Tewdrig. King Duncan, by all accounts, holds alliance with him, has accepted him as the proper lord of this land. I don't care for him, or for how he got there, but…"

Gwen gave him a firm, measuring look. She always seemed to see right through him.

Arthur smiled, ruefully. "I can't make any excuses, can I? If King Macbeth gives me reason, I will challenge and destroy him, as befits a Knight and King."

With a sigh, Gwen leaned her head on his shoulder. "I know. This place is going to get bad soon, I think. My worry is your honor will demand you hold steady until it is too late."

"Honor and law is what separates wicked rulers from good rulers," Arthur said, trying not to feel the warmth emanating from Gwen's skin. Now was not the time. "It is a difficult thing," he continued with a sigh.

"I am here for you. I always am."

Before Arthur could respond, there was another knock on the door, a quick rap of knuckles. "King Arthur." A woman's voice. "May I?"

Gwen pulled away from him, rising to her feet. "Lady Macbeth," she said simply, "this as well, you will have to play how you will. I'll be close." She walked toward the large cupboard, and slipped inside.

"Gwen," Arthur whispered after her, not sure what to say.

"I support whatever you chose to do, Arthur," she replied, and closed the door behind her.

With a sigh, Arthur walked to the door of his room and opened it. "Milady," he said, bowing a little.

Lady Macbeth stood in the door frame, still in her dress, still strikingly beautiful. She smiled up at Arthur. "Thank you, your highness, for speaking with me. May I come in?"

"I am alone, as are you," Arthur replied, "and you are married. It doesn't seem proper."

She pushed forward a little, so she was just brushing against him. "My husband is hardly my husband, my lord. We never consummated the match, and though it has been accepted by King Duncan, I know for a fact such a matter is essential for a marriage. Grounds for divorce, even."

"If you intend to sue for divorce," Arthur said carefully, "I'd be happy to help you."

She was inside the room in an instant, reaching out and closing the door. Arthur was a bit taken aback, she was practically pressed against him. "Thank you," she whispered excitedly, "you are most kind, my lord."

Arthur reached out his hands, taking her by the shoulders. He expected to try and push her away, and she'd accept his gentle action, but she melted even closer, he was unwilling to exert much strength. "Milady," he said, firmly.

She pressed closer, and Arthur felt his legs start to move back towards the bed.

"This isn't necessary," he said, steadying his breathing. "I will help you, Lady Gruoch, I swear on my knight's code, but I will not betray even an illegitimate marriage."

She looked up at him, her eyes sharp and lovely. Arthur could feel himself reacting, even as he didn't want himself to. He felt slightly ill. "You are bigger than my first husband," she said, smiling. "In height, in build, and in a certain fine quality."

Arthur felt something hard being pressed into his hand. He ripped his gaze away from her beautiful eyes.

"You say you will not take me to bed until my current sham marriage is ended. Then end it, my lord, with your own bloody hand."

"That isn't what I said," Arthur said coldly, even as he gazed on what she had placed in his hand. It was a long dagger, a dirk designed for the battlefield, for slitting throats and impaling hearts. Set in the pommel was a glowing red gem.

"Take the dagger," she said, quivering in his arms, "go to King Macbeth's room, and drive it into his heart. I'll be waiting here, once you are done."

The dagger was pressed so close, Arthur was afraid to let it go. "No," he said, calmly, "I do not murder, milady."

"You are yet young," she responded, "you don't fully understand. You won't be able to simply challenge Macbeth to a proper duel, if he gets a whiff of that, he will set his dogs on you. He is willing to murder, he will get his hands properly bloody. You can't win, unless you meet him on his own."

"He is welcome to try and murder me," Arthur declared, "for if he does that will relinquish him all protections. I am young, yes, but I am a skilled warrior, and I have an understanding of the Code Chivalric."

But Gruoch's eyes flashed red and angry. "The Code, you say? You don't need the damned Code! If you're going to blunder about and not help until it is too damned late, well, I guess I'll have to make you a man first!" With surprising strength, she began to push Arthur towards the bed.

Arthur felt a sensation of absolute shock. Lady Gruoch hardly seemed like herself, and her strength was inhuman. She was inhumanly beautiful in this moment as well, and Arthur had no desire to hurt her even now, but he was stunned with indecision. Even the dagger in his hand forestalled him from action, if he moved wrong he'd impale her deep.

Suddenly, Lady Gruoch was pulled off him. She yelled in surprise, and started to struggle, but Gwen gripped her tight. She had emerged from the cupboard and was wrestling the woman away. "He said no, Lady," Gwen snapped, "we want to help but you are acting like a fool!"

After a moment, Gruoch went limp in Gwen's arms. Arthur watched in confusion for a moment. Her eyes were no longer bright and almost red, but a more ordinary blue. She looked confused, shaking in the younger woman's arms. "What did I do?" she asked, her voice hollow. "I just wanted to talk."

Arthur put down the dagger, his heart slowing down. "We can talk," he said gently. He walked to the two. "There is something rotten here indeed, isn't there?" he asked.

*****************​

With a horrible squelching sound, the guard drove his dagger into the other man's face. "Milk drinker! You call me a milk drinker!" the man screamed. "You miserable oaf, I won't take your insults anymore."

His dagger rose and fell, again and again, blood gouted like a fountain. Already the stone was deeply stained, and he was kneeling in a pool of blood and gore. "Never again," he rasped, "never again will my manhood be so disparaged." The knife came down again, cutting apart the right eye.

Unrecognizable now, the guard rose slowly to his feet, gripping his gore-stained knife in his now blood red hand. "No more," he whispered, "no more. I am a man, and I won't take any of this anymore."

He turned down the hall, remembering a million grudges, insults, and targets. His hands dripped gore onto the floor as he walked. His eyes were empty, bright, and red.

And bloody was his hand.
 
This is bad. This is really bad. I get the feeling that that encounter would have ended really, really badly if Gwen hadn't intervened then and there. The way Arthur noted that the way she was pressing into him meant that he'd impale her with the dagger if he moved wrong sets off alarm bells in my head.

The sex thing was just an excuse for whatever was possessing her to maneuver her in a way that'd get Arthur to unintentionally murder her.
 
"You were uncharacteristically quiet," Arthur said to Myrddin, as they were led up the stairs to the guest rooms.

"I wanted to see how you'd handle it," replied the wizard, "I can't help you in everything, you know."
Understandable.
"Do you speak for your King, wench? Because we do not take orders from a lord's kept woman."

"She speaks for me," Arthur said, scowling. "Do not be so presumptuous, and watch your tongue."

The soldier blinked, flushed. "Apologies, I think the drink has gotten the better of me." He started to rub his head.
Hmm, he actually apologized and backed away immediately.
She opened the door, and entered, pulling back her hood. Walking beside him, she sat down on the rug. "I don't know if I'll be able to sleep tonight," she admitted.

"I suspect even if we did, we'd be awoken by some dark happening," Arthur replied.
Arthur being genre savvy.
"Honor and law is what separates wicked rulers from good rulers," Arthur said, trying not to feel the warmth emanating from Gwen's skin. Now was not the time. "It is a difficult thing," he continued with a sigh.
If it were easy, there would be more good rulers.
But Gruoch's eyes flashed red and angry. "The Code, you say? You don't need the damned Code! If you're going to blunder about and not help until it is too damned late, well, I guess I'll have to make you a man first!" With surprising strength, she began to push Arthur towards the bed.
Bad touch, bad touch!
After a moment, Gruoch went limp in Gwen's arms. Arthur watched in confusion for a moment. Her eyes were no longer bright and almost red, but a more ordinary blue. She looked confused, shaking in the younger woman's arms. "What did I do?" she asked, her voice hollow. "I just wanted to talk."
Ok, there is definitely something weirder than usual going on.
And bloody was his hand.
What ever this is, it really likes the bloody hand imagery. Sounds like whatever is happening, it is related to Khaine.
 
"Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe top-full of direst cruelty. Make thick my blood. Stop up th' access and passage to remorse, that no compunctious visitings of nature hake my fell purpose, nor keep peace between th' effect and it." Macbeth, Act 1, Scene 5, 47-54.

This is done super well, it feels like Shakespeare come to life. Warp magic makes for the most interesting of spells.
 
Besides that, I have had a terrible feeling about this place, from the moment we came in. There is something familiar to my senses." Myrddin looked around, as if expecting something to spring out of the thick stone walls.
Khaine's influence corrupts everything here.
Arthur reached out his hands, taking her by the shoulders. He expected to try and push her away, and she'd accept his gentle action, but she melted even closer, he was unwilling to exert much strength. "Milady," he said, firmly.

She pressed closer, and Arthur felt his legs start to move back towards the bed.

"This isn't necessary," he said, steadying his breathing. "I will help you, Lady Gruoch, I swear on my knight's code, but I will not betray even an illegitimate marriage."
Hm. Before she seemed relieved to have no need to seduce him, but now she presses. Something is wrong.
She looked up at him, her eyes sharp and lovely. Arthur could feel himself reacting, even as he didn't want himself to. He felt slightly ill. "You are bigger than my first husband," she said, smiling. "In height, in build, and in a certain fine quality."

Arthur felt something hard being pressed into his hand. He ripped his gaze away from her beautiful eyes.

"You say you will not take me to bed until my current sham marriage is ended. Then end it, my lord, with your own bloody hand."
Aaaand the shoe dropped. There is just no reason to drop that phrase in a conversation in this setting. If someone starts talking about a "bloody hand", then there's only one thing it refers to.
But Gruoch's eyes flashed red and angry. "The Code, you say? You don't need the damned Code! If you're going to blunder about and not help until it is too damned late, well, I guess I'll have to make you a man first!" With surprising strength, she began to push Arthur towards the bed.

Arthur felt a sensation of absolute shock. Lady Gruoch hardly seemed like herself, and her strength was inhuman. She was inhumanly beautiful in this moment as well, and Arthur had no desire to hurt her even now, but he was stunned with indecision. Even the dagger in his hand forestalled him from action, if he moved wrong he'd impale her deep.
Now this, enhanced strength, eyes changing color, may remind someone of daemonic influence. After all, the Avatar is a type of Daemon, just not one of Chaos. But Khaine is an Eldar god, and normally doesn't influence humans with the same rage:
After a moment, Gruoch went limp in Gwen's arms. Arthur watched in confusion for a moment. Her eyes were no longer bright and almost red, but a more ordinary blue. She looked confused, shaking in the younger woman's arms. "What did I do?" she asked, her voice hollow. "I just wanted to talk."

Arthur put down the dagger, his heart slowing down. "We can talk," he said gently. He walked to the two. "There is something rotten here indeed, isn't there?" he asked.
The spell is broken by the brief restraining from a Damsel. Implications abound.
With a horrible squelching sound, the guard drove his dagger into the other man's face.
Evidence #2 for enhanced strength, that man's skull is pulp.
What ever this is, it really likes the bloody hand imagery. Sounds like whatever is happening, it is related to Khaine.

I have been mulling over in my head just that since Macbeth was first introduced, but the more salient question has to be how. How is Khaine exerting influence here? If it was just Macbeth, the knife alone would be an explanation. But this place itself is corrupted.

We've seen before that this world was once a Maiden World, home to Eldar. One of which made the utterly heretical decision to cross-breed their genetics with humans to continue their species when the rest of the survivors galaxy wide were preparing to slowly die out. We saw the remnants of that mixed-species population. But now I wonder: Is this planet actually the resting place of a Craftworld? The Shard of Khaine that forms the Avatar rests at the core of the core, the very center of the Infinity Circuit. There his influence is strongest. I think that beneath this castle lies a passage down to such a place. That's how Macbeth was corrupted, how Khaine's influence grows in this place. He is around "lesser" people, but ones who will accept his offers for power in exchange for control.

But beware, those who spurn his tainted generosity.
 
The Red King's Hall Part 5
Dagonet had to hold back laughter and song as he moved his prisoners along. The father, still woozy from his beating, was propped on his son's shoulder, and Dagonet had a dagger he prodded into the man's back regularly. The hall was quiet around them, they had seen no one else.

"The dungeon, is that right?" Dagonet asked, moving his knife to threaten the older man, who was starting to stir.

"Yes, quit waving that thing around, we aren't going to try anything!" The servant looked around, scowling. "Everyone seems to have gone to bed early anyway, and we wouldn't be able to best you, even two-to-one."

"How," grumbled the older man, finally coming to himself, "you're just some skinny freak in motley, how did you best me?"

"There is far more to me than meets your mere mortal eye." Dagonet chuckled lightly. "I am quite skilled at many things, including the art of Clown Style Kung Fu."

"Kung what?"

Dagonet didn't answer. "Suffice to say, I don't need dagger or sword to deal with a pair of ruffians like yourselves."

"Cocky clown bastard," growled the father.

At this point, Dagonet slid his dagger back into its hidden sheathe, the two men were sufficiently cowed. They walked in sullen silence, with only the jingling of Dagonet's bells breaking it. It gave the jester time to look about. At this late hour, the castle felt like an abandoned ruin, long dead. It reminded Dagonet of areas of Pyrdwen, in which no one had tread for centuries.

The castle felt strangely alive like the void ship as well. There was something scratching in the back of Dagonet's skull, he didn't recognize anything here, but the Laughing One did.

So when they reached a door flanked by two men in armor and surcoats, it was almost a shock, and not a pleasant one at all. The two warriors stood still as statues, like corpses draped in the armor they had once worn.

"Who goes there?" one said roughly, breaking the illusion of stillness.

"Murt and Murt the Younger," said the father quickly, "we have been sent to check on the prisoners."

"And who the hell is that behind you?" The other guard stared at Dagonet, his eyes suspicious.

"A new hire, here to spread joy to this castle." Dagonet bowed deeply. "A nameless fool, helping these two in their present duty."

"You carry nothing." The guard stared down Dagonet, his suspicion clear.

"I need very little to speak with prisoners." Dagonet smiled, and a bit of the Laughing Man exerted himself. "I would suggest you don't ask me any more questions."

He could see, of course, that both guards asked and answered the same questions within their heads. No one wanted to deal with a strange madman in a fool's motley, after all, and any imagination of what the clown intended to do was far worse than anything Dagonet was actually capable of.

They stood aside, and the door was slung open, revealing stairs leading into the dark. Unlike the liquor cellar, there were no torches. King Macbeth, it seemed, liked to keep his prisoners in absolute darkness.

Dagonet was handed a torch, which he lit on another nearby. "Come, come," he told the other two, and stepped carefully into the dark.

Whistling an ancient tune which vague memory told him was about the mad singer Orpheaus, Dagonet descended into the dark, the torch's flickering flame barely enough. The stairs were uneven, and Dagonet could hear his two prisoners stumbling, almost tripping behind him.

"Stop whistling," groaned Murt the Younger, "it is driving me mad."

Dagonet stopped. "I apologize, it just seemed fitting. Like Orpheus, I walk into the dark. Though unlike the poor madman, I only seek answers, I am not trying to rob the dead from the Horned King himself."

Murt the Elder swallowed audibly. "Don't speak that name, you'll draw his eye."

"Hardly a name, just a title, and titles ever obscure the truth!" Dagonet started to skip, two steps at a time.

The dungeon smelled of blood and death. The father and son Murt stiffened by his side, and covered their nose and mouths. Dagonet didn't, he was used to it by now. He looked at the two, smiling. "So. Which one bears eyes like mine?"

"Not like yours," Murt the Younger said, fearfully, "yours are human eyes."

"Oh? What makes eyes human and not human?" Dagonet started to walk to the nearest door of dark bars. "Mine are red, of course. I lack pigmentation. The ones you intend to show me are also red, I have to assume, but what makes them not human?"

He held the torch near the bars, and squinted. He could make out a vague, thin, shape, hanging on the back wall. The stench was stronger here. "Tell me, Murt and Murt, what did this one do to deserve this?"

"Not sure, but we did take bandits, they were ripping through nearby villages, murdering and taking what they wished. I don't weep for anyone who ends up down here," Murt the Elder said gruffly, "this is a broken world, no use weeping for evil men."

"Whose weeping?" Dagonet replied. He held out a hand. "Keys please. I can't see from here, with this weak light. I doubt this man is a danger to us."

Cold metal was placed in his palm, and it took a moment fumbling to open the lock, swinging open the prison gate. Dagonet swaggered in, still carrying the torch.

Closer he came to the man hung in chains. From a distance, his eyes hadn't lied. The man was horrifically thin from lack of food, his head was covered with a heavy metal mask, hanging downward painfully with its sheer weight. The only sign of life was the slow rise and fall of the man's thin chest.

"Hello," Dagonet said, stepping closer. "My name is Dagonet, I'm just here to bring some color and light to your current miserable existence."

Slowly, the head started to move. It seemed almost impossible, given the thinness of the man's neck, but the helmeted head nonetheless forcibly shifted upward toward Dagonet's torch as the jester approached.

Dagonet stepped close, and kneeled, so he could look the prisoner in the eye. The ridge of the helm concealed much, and if the eyes were human, they'd be hidden too. But the eyes, as Murt the Younger and Murt the Elder asserted, weren't human.

They were pure red in the flickering torch light, lacking whites and pupils. In an otherwise dead body, they were a horrific source of vitality and light, looking straight at Dagonet, and past him, to something deeper.

"I know you. Herla." The voice was weak, a mere whisper through a nearly ruined throat. "At least, that's the name I know for you. King Herla."

Dagonet smiled. "Dagonet. That is my name. I am no King, and I am no Herla. Just Dagonet."

The eyes narrowed, and the brow visibly furrowed. "Is that all you are anymore, Herla? Not a King, indeed, for you live as a dog mortal." And impossibly, the emaciated, near-dead, man began to strain against his bonds, the metal that held the chains to the wall creaking in protest. "Yet I thank you for the reminder. I have lain here too long. I must bloody my hands!"

Dagonet was already springing away, rushing to the door and slamming it shut behind him. He could see the shadowy figure of the prisoner rise, and rush forward, the chains sundering with a clatter. The bars of the cell bent as the broken thing rammed into them, helmed head first. Luckily, the metal was made of stronger stuff.

"Throne, throne, throne!" wailed Murt the Elder. "It's true, I said it, possession! I've heard of this! We need a priest, a magician, anything!"

"Lailoken is here, we should fetch him," Murt the Younger told his father.

Dagonet stared at the prisoner, and the prisoner stared back. "I think you are the one more reduced," he said dully, unaware his mouth even opened.

"What did you say?"

Dagonet shook his head. "I said, you two are right. The magician will be most helpful." He looked at the two. "Unless you have something else to show me here. Something that may be connected, before we get arcane aid."

They didn't answer with words, turning toward the stairs and rushing out in all-to-human terror. Dagonet sighed, and followed, even as he felt the red inhuman eyes boring into his back.
 
"There is far more to me than meets your mere mortal eye." Dagonet chuckled lightly. "I am quite skilled at many things, including the art of Clown Style Kung Fu."
The scary part is, we can't be certain if he's being serious or not.
He could see, of course, that both guards asked and answered the same questions within their heads. No one wanted to deal with a strange madman in a fool's motley, after all, and any imagination of what the clown intended to do was far worse than anything Dagonet was actually capable of.
Let them come to the conclusion themselves, and they'll think things far worse than you could say.
They stood aside, and the door was slung open, revealing stairs leading into the dark. Unlike the liquor cellar, there were no torches. King Macbeth, it seemed, liked to keep his prisoners in absolute darkness.
Darkness and isolation is its own torture.
They were pure red in the flickering torch light, lacking whites and pupils. In an otherwise dead body, they were a horrific source of vitality and light, looking straight at Dagonet, and past him, to something deeper.
Dagonet stared at the prisoner, and the prisoner stared back. "I think you are the one more reduced," he said dully, unaware his mouth even opened.
Well, this is all weird. Seems like more Eldar fuckery.
 
"There is far more to me than meets your mere mortal eye." Dagonet chuckled lightly.
I was going to overlook this, but considering the next remark, Chegorach is absolutely an 80s nostalgia nerd.
"I am quite skilled at many things, including the art of Clown Style Kung Fu."
The 80s also being home to classics of the genre like Big Trouble In Little China, Police Story, and Project A.
At this late hour, the castle felt like an abandoned ruin, long dead. It reminded Dagonet of areas of Pyrdwen, in which no one had tread for centuries.

The castle felt strangely alive like the void ship as well. There was something scratching in the back of Dagonet's skull, he didn't recognize anything here, but the Laughing One did.
Yup, we're going into a Wraithbone area that has a Khaine shrine.
So when they reached a door flanked by two men in armor and surcoats, it was almost a shock, and not a pleasant one at all. The two warriors stood still as statues, like corpses draped in the armor they had once worn.

"Who goes there?" one said roughly, breaking the illusion of stillness.
... Might be magically controlled, but could be cruder versions of Aspect Warrior Exarchs.
Whistling an ancient tune which vague memory told him was about the mad singer Orpheaus,
Unfortunately, the list of potential sources is a bit long, unless we're willing to pull from a modern source.
Dagonet stepped close, and kneeled, so he could look the prisoner in the eye. The ridge of the helm concealed much, and if the eyes were human, they'd be hidden too. But the eyes, as Murt the Younger and Murt the Elder asserted, weren't human.

They were pure red in the flickering torch light, lacking whites and pupils. In an otherwise dead body, they were a horrific source of vitality and light, looking straight at Dagonet, and past him, to something deeper.

"I know you. Herla." The voice was weak, a mere whisper through a nearly ruined throat. "At least, that's the name I know for you. King Herla."

Dagonet smiled. "Dagonet. That is my name. I am no King, and I am no Herla. Just Dagonet."
Ah. SHIT. I get the name, and a larger picture just fell into place. Herla was the name worn by Wotan, Odin in the Germanic lands, when he was King Of The Wild Hunt. And yes, the name is how the French came up with Harlequin, since a the leader of a demon hunting party running madly through the forest slaying or inducing anyone they find to join them is a very easy villain figure to use.

But here's the bigger picture: There is a metaphorical transition among the Eldar at work, one that hasn't fully finished on this planet and may yet spread to the galaxy. Once, the Eldar all lived akin to their Fantasy Elf Equivalents in the days of the Empire. Dark Eldar running Pleasure Cults and worshipping Khaine The Murderer. High Elves who practiced discipline and saw themselves as stewards and superiors to all for their role in saving it from a cosmic evil. And then Wood Elves who lived simpler but untrammeled lives away from the greater political and cultural tribunals. Then came The Fall. This trifecta could not stand. Dark Eldar were forced to divest themselves of "magic" to avoid being possessed, and needed pain to restore the consumed parts of their soul. Craftworlders lost even more of their technology, and society became a series of rigid masks to keep any negative emotions suppressed or properly channeled without feeding She Who Thirsts. The Exodites who tied themselves to World Spirits threw their entire culture away save for Wraithbone and psychic powers, and reinvented themselves from the stone age up.

Only on this planet, a mad scientist decided the remedy to their multi-millennia population crisis was to get a bit more "local" than anyone else deemed orthodox. This Knight World holds many ancient relics of days the galaxy of M41 and the Era Indomitus would consider myth and legend. From wandering mad Heresy-era Astartes and Knights to ancient Eldar Empire relics. More relevantly, Merlin and Dagonet are the representatives of the High and Wood Elves who had to adapt and become Craftworld and Harlequin Eldar. With at least one Drukhari trapped in the Horned King's clutches, and this broken remnant of the Khainite Cults, I imagine there will be a reckoning between both ages soon enough. What Merlin and Dagonet seem to be working towards, as with anything in Warhammer, is bringing the Past When Everything Was Better to the Present Where Everything Is Worse in a limited but still usable manner. Merlin at least has come to accept that the Eldar can no longer remain aloof and antagonistic to their main shield against Chaos, but instead must support and guide a new leadership of the Imperium that has basic functional morality. Dagonet is more going along with this because Chegorach does want to fuck over Chaos, but also serves to be the comedic ego-popper of Eldar in general.
 
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Well Merlin also is more a stranger in a strange land then truly Eldar himself, I think, I'm pretty sure this story is leaning towards Myrddin being the ultimate result of some experimental Aeldari-human hybridizing, as a reflection mythological Merlin being a half-incubus campion. Some real like Elfquest Wolfrider vibes, as Danu and the rest apparently got so much further than even 'normal' Exodites in trying to integrate themselves into the biosphere, and abandon what they once were on so much vaster a scale, in the hopes of granting their inheritors the savagery and nobility of their new feral home.
 
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Well Merlin also is more a stranger in a strange land then truly Eldar himself, I think, I'm pretty sure this story is leaning towards Myrddin being the ultimate result of some experimental Aeldari-human hybridizing, as a reflection mythological Merlin being a half-incubus campion. Some real like Elfquest Wolfrider vibes, as Danu and the rest apparently go much further than even 'normal' Exodites in trying to integrate themselves into the biosphere, and abandon what they once were on so much vaster a scale, in the hopes of granting their inheritors the savagery and nobility of their new feral home.
When it comes to being an enigmatic, magically powerful leader figure that everyone says is both correct and a total dick, Merlin is fitting the mold of an Eldar Farseer. The dynamic with him an Arthur even fits within the Craftworld governmental structure: The precognitive Farseers play second fiddle to the leaders that have mastered all ways of analyzing war.
 
Elfquest is great, ludicrously peak 70s, but that's part of what makes it great.
 
When it comes to being an enigmatic, magically powerful leader figure that everyone says is both correct and a total dick, Merlin is fitting the mold of an Eldar Farseer. The dynamic with him an Arthur even fits within the Craftworld governmental structure: The precognitive Farseers play second fiddle to the leaders that have mastered all ways of analyzing war.
It'd be amusing to see Eldrad lampshade the similarities and do the Spider-Men Pointing At Each Other pose with Merlin.
 
It'd be amusing to see Eldrad lampshade the similarities and do the Spider-Men Pointing At Each Other pose with Merlin.
I mean, yes Eldrad's got a dickish sense of humor. But his more unique among the Farseers by telling everyone their precognition is wrong and stupid, that he's got the actual truth, and he's going to save the day with or without them.
 
I feel like most Farseers would tell other ones that
Turns out, guy's just built different. 99.9% of Farseers live and spend most waking hours in a Crystal Dome near the core of the Craftworld looking through the threads of fate together and collating what they find to figure out a plan to stab The Four in the collective crotch. Meanwhile, on the other end of the spectrum we have Eldrad who:
1. Is one of the handful of people been around since before the Heresy and remained active.
2. The most powerful psyker alive, Big E doesn't count and Magnus is a chump.
3. Runs the sole craftworld with a standing army and a psychic battle-net instead of a militia and their mentally ill specialists.
4. Is willing to throw both humanity (Armageddon) and Ulthue under the bus (13th Black Crusade and everything after).

Most images people have of Farseers come from Eldrad, because he's the guy who runs around fucking shit up while the rest of his peers are Pondering The Orb.
 
The Red King's Hall Part 6
Dagonet followed the father and son, measuring his stride. The two men did hang back a bit, to keep within the light of his torch. Dagonet could see the base of the staircase as they approached.

He also saw two lights, at the peak. "Wait," he hissed to the two, "something is wrong."

It was too late. There was a twanging sound, like a poorly tuned harp, and a crossbow bolt impaled Murt the Younger clean through his left eye. It was a blessedly quick death.

Another bolt hurtled toward Dagonet's throat, but without really thinking about it, his hand snapped up and plucked it out of the air. "Run," he hissed to Murt the Elder, as he spun on his heel and hurtled into the dark.

But all Murt the Elder did was scream and howl in absolute frenzy. From his footsteps, Dagonet was certain the poor devil was running the other way, in a futile attempt to kill those who had slain his son.

Dagonet held his torch aloft as he fled through the dungeon. He could see more blood-red eyes glaring at him from between the bars. He couldn't worry about those twisted men though, he had to worry about the all-too ordinary footmen who wanted to kill him for what he had found beneath the castle.

Ahead of him, there was a wall that seemed impenetrable. Behind him the sounds of desperate combat were beginning to ebb. Dagonet slotted his lit torch into a sconce, wanting both hands free if it came to a fight.

But as he set the torch, he noticed something, and reflexively he did something he wouldn't be able to fully explain later. The back wall of the dungeon seemed to melt away, as if it had never been, and Dagonet sprang through it, deeper into the underworld.

*****************​

Lady Macbeth seemed overcome by a kind of exhaustion, not resisting as Gwen pressed her down onto a seat. She slumped and seemed almost dead but for the occasional quiver.

"Is she alright?" Arthur asked Gwen.

"She's alive, but I don't know what is happening with her beyond that." She scowled. "It wasn't daemon possession, at least. It wouldn't release that easily. It was almost like hypnotism."

Arthur checked over the woman in the chair. She was indeed alive. "Hypnotism? But how." He knew the general idea behind the minor magic, it relied on an understanding of human psychology, and had limits in what it could make someone even do.

"I said it was just almost like hypnotism, not exact." Gwen smiled at him. "What certain people think hypnosis is, not the actual trick."

"If true magic it is, we will need Myrddin's help," Arthur said solemnly. "We should let her rest, I want to make sure it is safe before we wake her."

"Arthur, you are being most kind with her," Gwen noted, "considering what she tried to do."
"No harm done," Arthur responded, "she could have driven the dagger into my belly, instead she was focused on trying to have her way with me." And her way, apparently, involved murder more so than love making, to a disturbing degree.

He at last looked at the dagger he was still gripping. It was a long combat weapon, made to be the sidearm of a soldier. Arthur could tell it was ancient, made of a nearly transparent metal, and honed into a shard of pure death.

Gwen was looking at him, frowning. "Really though, are you ok?"

Arthur touched her arm as he went toward the door. "I'm fine, my love, nothing happened, it was just a shock. I intend to ensure nothing else happens tonight." He opened the door. "I'm going to wake up Myrddin."

Cei and Balin were already at the door, both were armed, and Cei was pale. "We heard a lot of noise, next door," she said, "we thought it sounded like you were enjoying yourself, but then it got a bit messed up."

Balin looked customarily grim. "There was something else worrying me. That pet magician of yours went into some kind of trance. He hasn't moved an inch, hasn't said a word."

"Something rotten is happening here," Arthur said, "and I don't doubt Myrddin is combating it in his own way. Come in, we need to work out our next move."

Balin stepped through the door. "I say we get out of this damned castle, kill our way if we have to. We mount up and crush it all to rubble."

"That should be a last resort," Arthur said, "especially considering whatever is happening here wants us to commit murder." He walked into the room, and noticed Gruoch was beginning to stir.

Cei sighed, grumbling, "Well that's great, not much I can do otherwise."

Arthur ignored his foster sister's grumblings. "Lady, are you alright?" he asked the woman gently.

She was sweating, and looked exhausted. "I feel mostly fine," she said hollowly, "Throne but I embarrassed myself. You are near young enough to be my son."

"You said you just wanted to talk?" Arthur asked her, smiling gently.

"Yes, I wished to petition you. My marriage to King Macbeth is illegitimate, and he holds these lands by unlawful conquest and murder. I had hoped to talk to you about legal punishment, as would be your right as High King of Avalon. I certainly wouldn't have protested if you had decided the punishment was to send his head rolling to the ground, but I wanted it to be legal, not some twisted conspiracy baptized in blood." She shivered. "I don't think I'd ever get the blood off my soul."

"Can you describe how it felt to have your intention changed so suddenly?"

She shook her head. "I was heading to your room, and then I just started to do things I didn't intend to do. It almost felt like a dream."

"That would be consistent with some form of exerted influence." Arthur turned to the others. "I don't think we can afford to be passive here. We move out and try to find out what is happening here. I will speak with King Macbeth myself, you two search the castle."

"What about me? I'll help however I can." Gwen bowed her head, continuing the role of the anonymous servant.

"We need someone to stay here and keep Lady Gruoch safe, and keep an eye on Myrddin for when he gets out of trance." Arthur smiled grimly. "He did mention I had another player in this keep, so maybe they'll try to find me as well. Probably Waylen or Vent, though I thought both stayed with the cars and knights."

"I will do my best." She looked at him. "Be careful, my lord."

"Always, my lady." Arthur opened the door, stepping out into the dark halls. "We will get to the bottom of this, I swear on my honor."

******************​

Dagonet had forgotten to get his torch back from the sconce, but he didn't need it anymore. The cavern here was well-lit by a series of gleaming crystals that gave off as much light as any flame torch or lightbulb.

The cavern had a high ceiling, and came out to a long wide hall that almost resembled the interior of a chapel. There were no pews, and the only decorations were the glowing crystals.

Dagonet stepped forward, through the hall, towards what from a distance looked like a great organ, made of pure white wood. But as he approached, his heart began to race, faster and faster.

It was an altar of horrifying, and yet somehow pure, countenance. The wood was not wood, it was something far stronger and older. There was no adornment to the altar, it simply stood proudly at the end of this hidden chamber. No adornment, but for three gemstones, set into the front like offerings.

Dagonet took another step forward, unable to turn away, though he greatly desired to. Two daggers slotted into his hands, and he took another step. Wickedness ahead and behind, he had pinned himself perfectly.
 
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Okay looks like its 100% Khaine time. It's kinda funny how the Bloody-Handed God is basically only ever even remotely on the side of good when his scattered remnants are opposing Chaos, and if there had been a majority Khainite faction of 40k Aeldari like fantasy's Dark Elves, it would just be the Imperium again, with slightly more appreciation for non-skull bones :V
 
Okay looks like its 100% Khaine time. It's kinda funny how the Bloody-Handed God is basically only ever even remotely on the side of good when his scattered remnants are opposing Chaos, and if there had been a majority Khainite faction of 40k Aeldari like fantasy's Dark Elves, it would just be the Imperium again, with slightly more appreciation for non-skull bones :V
Well, he is the God of Murder after all, and at least in Fantasy the High and Wood Elves don't especially like the guy much. At least in 40k the shards are more...controlled
 
Another bolt hurtled toward Dagonet's throat, but without really thinking about it, his hand snapped up and plucked it out of the air. "Run," he hissed to Murt the Elder, as he spun on his heel and hurtled into the dark.
But as he set the torch, he noticed something, and reflexively he did something he wouldn't be able to fully explain later. The back wall of the dungeon seemed to melt away, as if it had never been, and Dagonet sprang through it, deeper into the underworld.
Yeah, you're certainly not a normal human.
"Always, my lady." Arthur opened the door, stepping out into the dark halls. "We will get to the bottom of this, I swear on my honor."
Lest just hope you get to that bottom fast enough. And FTFY.
The cavern had a high ceiling, and came out to a long wide hall that almost resembled the interior of a chapel. There were no pews, and the only decorations were the glowing crystals.

Dagonet stepped forward, through the hall, towards what from a distance looked like a great organ, made of pure white wood. But as he approached, his heart began to race, faster and faster.

It was an altar of horrifying, and yet somehow pure, countenance. The wood was not wood, it was something far stronger and older. There was no adornment to the altar, it simply stood proudly at the end of this hidden chamber. No adornment, but for three gemstones, set into the front like offerings.
Wraithbone. This is the heart of whatever Khaine has cooking here.
 
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