Voting is open for the next 7 hours, 29 minutes
[X] …your love.
[X] Ruby and Redwood. You try not to think about how ironic the combination is, but the Mountain Villager and the Red Bear make for quite a pair. Ruby's trial is set before yours, so this might be the last chance to see them for a while.
 
[X] …your love.

[X] Ruby and Redwood. You try not to think about how ironic the combination is, but the Mountain Villager and the Red Bear make for quite a pair. Ruby's trial is set before yours, so this might be the last chance to see them for a while.
 
[X] …your love.

[X] Ruby and Redwood. You try not to think about how ironic the combination is, but the Mountain Villager and the Red Bear make for quite a pair. Ruby's trial is set before yours, so this might be the last chance to see them for a while.
 
[X] …your love.
[X] Ruby and Redwood. You try not to think about how ironic the combination is, but the Mountain Villager and the Red Bear make for quite a pair. Ruby's trial is set before yours, so this might be the last chance to see them for a while.
 
[X] …your rebellion.
[X] Ruby and Redwood. You try not to think about how ironic the combination is, but the Mountain Villager and the Red Bear make for quite a pair. Ruby's trial is set before yours, so this might be the last chance to see them for a while.
 
Okay, rested and revitalized(-ish), it's time to get back into the swing of it with this lightning speed quest! "Rising Tension" is a title with no concerning implications about the situation Aria is gonna wake up to.

His name is Zachariah— and he is brave. Braver than anyone you know. A towering dog sits at his side, sharp teeth devouring a bowl of feed as Zack— which is a name he vastly prefers— leans against the Arcanine he christened 'Kael'.

Your mother took you both to a tea party. You do not like them, though your grandmother asked you to take care of your brother, who likes them even less.

He's older than the kids you have to sit with, so he sits by himself in the garden of Count Schwan, watching the party from a distance.

Her brother...Who named his dog Kael...

"She also said," you say, stopping to cough for a second, "that you have nothing in your head but swords."

"Yeah, and?" she asks, unapologetic and almost proud of that summary. "I want to become a legend, Aria. And I will not stand here and apologize for wanting that!"

You snort. "To the next Kael then."

Lines that take on a whole new life.

...Zachariah.

That's um. Not an 8 letter name. But it sure is one with a piece to take out, huh.

"My mother bought me a carriage," one of the young nobles says, smiling into her tea. She looks eight years old, and you don't know if you're less or more mature than her considering your similar builds. You feel a pit in your stomach. Why are they all pretending to talk like adults?

"I get to pick a new partner," another says. "The previous one was not behaving properly."

'You're not lesser, Aria,' Zack had said. 'Do not let anyone treat you as if you are.'

"If they weren't behaving properly, you didn't raise them right," you say. The table grows silent, and you can see the consideration they're putting into whether they should respond to you or not. Whether you're worth it or not.

Oh boy.

Oh so our girl was just. A little bastard that only her brother stood up for. I see.

Aria a REAL ONE about pokemon though, like she fr decided this was worth bothering to put up with the result to say.

"You'd know," one of the more daring noble girls decided to rise up to the challenge. It's amazing what kind of childhood must create such expressions on faces way too young for them. She looks at you as if she stepped into something rotten. You return the glare without hesitation. "There's no need to pretend, Flamberg. Everyone knows you're not actually nobility."

"Yeah, a mistake," a boy speaks up. "A maid's child, at best. Maybe not even that."

"A peasant who gets to share our table," another girl speaks up, raising her face. "And insults us? Isn't that strange?"

"Mother says you're clearly not the child of Marquess Flamberg." Their faces blur together, you can't even tell anymore who's saying what. They're all the same, they're all the same. "She calls you a mongrel, because that's what you are."

You know for a fact that the boy who said this didn't know what a mongrel was.

But you do. It's not a word you've heard for the first time.

"If they weren't behaving properly, you didn't raise them right."

The cruelty of children who were taught so hatefully...

So, Flamberg, huh. We're getting confirmation on Aria's rank and lineage earlier than expected, though, that might be a deliberate red herring, what with the emphasis on "clearly not the child of Marquess Flamberg."

That the family name is a sword...

Personally I found the idea of choosing between three kinds of swords more meaningful than three entirely different weapons. The idea is that all swords are taught, but some simply fit better in hand, reflecting a lot more personality.

Or maybe I'm just really into swords ^v^

More lighthearted than the circumstances requite, but yeah, telling on yourself a skosh, heh.

"You don't look like them at all," one says, reaching out and grabbing your hair. "Look at it, your hair is all wrong, and no noble family has skin like yours in Gildera."

You hiss, not in pain but in frustration. Your fists clench into the skirt of the stupid dress they've made you wear, ripping off those stupid flowers they stuck on it, losing those stupid gemstones they put in those flowers.



BABY GIRL.

ANGY BABY GIRL.

Okay so I made the wrong read about who the dress art was for, but that's fine, the flower belt is so evocative even though this little child hates it.

Honestly the fact they clarify "Gildera" is very. You know I'm looking across the map, yeah.

Anyway fuck OFF.

You run a quick calculation in your mind. The cost might not be worth the joy that punching someone's nose bloody can bring you.

Fortunately, and unfortunately, you don't need to carry that cost today.

He descended on them like an angry god. Zack appeared next to you so fast he must have sensed something was about to happen. His fist smacks the boy that was pulling on your hair, and you almost feel bad for him. The situation explodes immediately, with more and more of the kids joining in the fist fight.

It takes only a minute for the adults to notice the noise and break it up. It takes only ten minutes for your mother to force you and Zack to stand in front of the hosts and apologize. While she's buttering them up, you stand at the side and try to calm him down.

"I'm not sorry," Zack says. You shake your head.

"You don't have to be," you whisper. "They just need to hear the words to save face."

You hate politics. You hate etiquette. You hate formality.

But somehow despite being younger, the disposition for those things lies with you, and not your brother who is glaring up at the Countess who is waiting for him to apologize.

"Then I'm sorry," he says, clearly frustrated. Your mother can sense it, as can you, but it's too late to stop him. "I'm sorry our gracious hosts are so incapable at picking their guests that I had to intervene."

"Zachariah," your mother says. You can see the anger in her eyes. You already know the trouble that will spill from that fury when you're back home. "Behave, or you will be punished."

"If there's any honor left in the family, you shouldn't make me apologize either," he says, committing the worst sin of the day. One does not talk back to the Marchioness Flamberg. That is a lesson you've had to learn yourself. "Your daughter was called a mongrel by this woman's guests."

The Countess turned bright red. You know for certain that she's used the same word to refer to you before, two of her own children were getting their asses kicked by Zack as well after all.

"Go to the carriage," your mother says, her voice low. He does, with a skip in his step as if what is to come is so minor compared to the apology that she wanted to force out of him.

Zack is such a loving big brother and no one FUCKING cares.

(Aria does. That's why it hurts)

The way Aria is so good at an art that she has no respect for and no one practicing it has for her.

"Aria."

"Yes," you say, grabbing your skirt and bowing with the practiced perfection of a true blue blood. Out of the corner of your eye you can see your mother's scrutinizing gaze— whether your bow is up to her standards or not. "I apologize for the scene, sir. I understand that no harm was meant by the other children."

Madam, after all, and not my lady. Though the woman is a Countess and you hold no title, the Marquess' daughter may offer an apology but not the respect that the Countess so desperately wants.

Politics. Etiquette. Formality.

May the Skywrath Sovereign cast aside the clouds and burn the kingdom to cinders. Perhaps in those ashes people will live as people, and not as slaves to blood.

Aria's piety gives her the opinion that a loving god would kill them all.

I don't like Marchioness Flamberg.

Your mother bids the Countess farewell.

The way home is spent in uncomfortable silence. Rather than wait in the carriage, Zack went ahead on Kael.

ARIA. WAKE UP.

You sit in that room. The one you usually hide in when you don't feel like facing your family. The maids know you're here, but don't tell on you. They're the only people you can trust now that she's gone.

You know that someone's outside the door. Someone tall and proud and strong, moving with purpose.

Zack walks in, trying and failing to hide his hands. Some nobles punish others by hitting their legs, or backs, where nobody can see. The Marchioness Flamberg, however, always prefers the hands.

A scarred hand is proof of hard work. Her words still ring in your ears whenever you look at the calluses. You miss your grandmother. You never had to deal with punishment until she passed.

I DO NOT. LIKE. MARCHIONESS FLAMBERG.

Her grandmother...

Someone's knocking on memory.

He's taller than most boys his age, his hair is dark red, clashing with his pale skin that looks so different from yours. His eyes are sharp and dark, reminding you of an early night in autumn. This is Zack, and he will always be by your side.

"Zack," you call out. He sits down next to you, once again trying and failing to hide his hands between his legs as he pulls his knees up to his face.

"I'm sorry," he says. Your fists clench at your sides. "I should have just apologized, I know."

I hate this. Vile.

TO NO ONE BUT HER. BECAUSE HE'S JUST A KID TRYING TO DO WHAT NO ONE ELSE WILL FOR HER.

"No," you say, shaking your head. "Though you spoke out of turn, you were right. And even if you weren't, you did it to defend me."

"I don't understand you sometimes," he says. "You're not so weak you can't fight back."

Back when your grandmother was still around, you could join Zack in his training. Though you were still too young to really hold a sword, there were other weapons you found interesting and useful. Then—

—then she was gone, and your mother decided to fix you. To make sure you can be a proper noble lady.

"Sometimes fighting back makes things worse," you say, wrapping your arms around yourself. You can't look him in the eyes. "But not every punishment is just."

How Aria is so bothered by how the other kids talk, how adult she speaks herself.

Because her mother "fixed" her.

Oh but the way Zack is just so blunt and so bold, and he's never punished for that, except when he's acting for love.

You reach out, grabbing his arm. He doesn't resist when you reveal his injured hands. You reach behind you, grabbing a box of medical supplies.

"And even if I want to get upset, it's still true, isn't it?" you say, frowning. "That I'm not your sister, that your parents are not my parents."

"You can't let their words bother you," he says. "Whether truth or lie, Aria. Whether we share blood or not. You're my sister, and that's all that matters."

UGH. BECAUSE IT DOESN'T MATTER. BECAUSE THEY'RE FAMILY, EVEN IF NO ONE ELSE AGREES.

Hurtful.

You hold up the bandages, and he reaches out to let you start treating his hands. They're bruised, broken skin leaking bits of bright red blood. It looks just like anyone else's blood, it does not run blue or green or any other of the colors you can see in the world.

He doesn't cry. So you do it for the both of you.

Kael nuzzles your cheek, trying to dry the tears off them. You try to smile, and fail miserably. Your brother's partner is always around, never in his Pokeball. Your own Growlithe is very cowardly in comparison, avoiding other people and only coming out when you're alone. You named her— something. Your lips move, but your voice does not call it.

Mother does not let you take her with you when you leave the estate.

Ugh.

A Growlithe...

The way that bitch doesn't let a little girl rely on her pokemon. To "fix" her.

The motif about blood...How every color they try to make up for it to not be red is a lie...

Kael and the Growlithe yet to be named make me sad.

Nobility has resources and other means to ease them into taming and raising Pokemon. You imagine if it weren't so, there is little they could do to stop those under them. They control medicine, the materials to produce pokeballs come from their mines, and some families even have exclusive access to items that cause Pokemon to evolve…

You try not to think of the past. You fail miserably, but it is with the comfort of a familiar room that you let go of your worries and think ahead. It is a simple place, with two bunk beds and little else.

You know I was waiting for this trigger to be pulled. Don't like it now that it has.

In a lot of ways, you wish you could be like him and his Kael. You wish you could be as strong as him, as brave as him, as knowledgeable as him. If you were, the etiquette teacher would stop beating your hands with her whip. You would no longer be afraid of other people's words. You could defend yourself when the worst came to worse.

I hope everyone here besides Zack and Kael and [Growlithe] and the maids are dead.

Unfortunately it's probably only the people I listed who are dead.

Growlithe is your partner that your family chose for you. The Flambergs are premier experts of the Arcanine line, carrying one on their emblem and using those who have died of old age for furs that show their status as Flambergs.

To you, that fur represents something else. It is much more important to you: It represents…

[ ] …your rebellion.
Your mother's cruelty has only grown with your father's apathy. Your grandmother was the last bastion that held this family together, and now you have only Zack to rely on.

[ ] …your love.
You're not indifferent to the world, you simply can't put your emotions to words. You're full of love, and you will carry it forward.

[ ] … your hope.
It is with your head held high that you accept the lot you've been dealt with in life. Your grandmother's wisdom will follow you and you will never be truly alone.

WAKE UP.

I see...

[X] …your rebellion.

Let it smoulder.

This flashback hits Elpis.

Though you've succeeded in rescuing one Tediursa, the poachers had been active for a while before the knights were called. The situation is not so easily resolved, however. The knights will continue to patrol, hoping to find what poachers haven't left the forests yet and rescuing any Tediursa that haven't been shipped.

Unfortunately for you, you're out of commission. Your group is sent back and the juniors will clean up the rest of the situation by themselves. While Lissy seems slightly frustrated at not getting to have her own fight, the state of you makes her hesitant to voice it.

You try not to pull away from her hand when she wraps it around yours. The carriage back home is a bumpy ride; she is just helping you stay steady. You barely hear the conversation between her and Ruby, who has definitely cried when they heard you fell off the cliff, and then cried even harder when you returned bloodied.

Well that's. A rough way to end Mission 1.

Our girl got beat up and it made Lissy and Ruby SAD.

Skiddle is refusing to stay in her Pokeball, instead occupying almost the entire space in the middle of the carriage in an attempt to keep anything that's not Lissy or Ruby away from you.

SKIDDLE. BABY.

"Who's Zack?"

The question hits you much harder than the poacher's fist. It hits you even worse when the voice isn't Lissy's, but Ruby's.

You open your mouth to lie, and somehow it feels much easier not to. "My brother."

"You have a brother?" Lissy asks, tilting her head. You frown.

"Had," you say. Lissy matches your expression before her eyes move away from yours, mumbling an apology. "It's fine, it… it doesn't hurt as much as I thought to hear that name anymore."

Oh wow.

She finally let something out of the cage.

Capella is going to be. VERY bothered. Methinks.

"You were muttering it in your sleep," Ruby says, their own hand on your arm. The carriage shakes, and you wince for a moment. Raymond shouts an apology. "You don't have to talk about it if you don't want to."

You want to agree. That you have to talk about this with Capella first, to clear up the lie and admit something you never wanted to admit. Something that you can now do in that warmth that surrounds you, from beautiful fur and leaves, from hands that grip you so gently that you feel everything has been worth it.

You don't know how honest you can be, but you want to give it a try.

Ruby, the Power you have.

Capella DEFINITELY is going to switch her rivalry from Lissy to them though. May god have mercy.

Aria you deeply emotionally scarred girl trying her best...

"Back before Drake found me, my brother and I were escaping from our family," you say. Escaping. It feels inappropriate and small considering how young you were when you took that endeavor. Ten years old, and he was barely older. "My grandmother kept watch over me, but the second she passed away, things took a turn for the worse."

"That can't have been easy," Ruby says. In the darkness of the carriage under a star-lit sky, their eyes have stopped reflecting the light. "Family is important, but… not all families treat each other well."

Ruby, the one who choose to be a knight for the sake of their home, being the one to say this...

"I never knew my folks," Lissy says. You know what she's trying to do and you appreciate the effort. To find some common ground and empathy, shared experiences are the most important thing, but there is also sadness in not having anyone to rely on. "The orphanage I grew up in was run by some decent clergy, but few people got adopted and most just grew up enough to leave."

That does sound like something you'd love to hear more about, and yet somehow you don't have the energy to listen. Most orphanages are run by nobles, it is part of their noblesse oblige; lately there have been some pushes to make higher education more accessible to those with fewer funds to further improve the lives of people.

The Gilderan church is not a monolith in the country. Faith overlaps here and there, though you know little about what gods are the subjects of their worship. You know the names of many, but only inasmuch as they appear in historical accounts in Ancient Elysium.

Lissy opening up to say what she's never had because that's the best way to show she's hearing Aria's pain. Mm.

Also the aside infodump of "You would have known more about this is you hadn't CHOSEN A DIFFERENT TRAIT" is funny.

Hmm...The fact Lissy is an orphan, and Ruby is from a village...Were the Lie votes meant to relate to Aria's social links? Then, who was the Maid backstory meant to represent, Aria herself as the one closest to her real backstory, or...

"Drake found me in the woods," you say, trying to form into words what thoughts sit in your heart. "My family probably assumes I've died, so I decided to let them think that. Now, I'm just Aria."

"Yeah, well," Lissy says, her hand moving from your fingers to your shoulder. "Nobles are a bunch of stuck up assholes anyway. No need to mourn them."

"I didn't say I was a noble," you say. She shrugs.

"You didn't need to," she says. Lissy's voice is as soft as the morning breeze. You didn't think she'd be capable of speaking so gently. "But we all got our own circumstances, so who the fuck cares where you came from, right?"

Capella cares. Because Capella has even stronger opinions on nobility than you do, though you were the one who had to suffer them as family.

Oh uh.

Hm.

Unlike you, Capella has never made a secret out of her past. A rich family, a terrible accident, and an uncle who gambled the entire inheritance away before Capella's boarding school kicked her out due to the lack of tuition.
[ ] You used to be a maid for a family. Their son was not of good character, and when the rumors of his behavior toward servants grew so did your desire to run.

Something that informs why Aria has Not told Capella this, huh!

Lissy being so aware yet soft...Man.

"You're right," you say. You're by far not the first noble that joined the Order. Besides Adrian, there are dozens of those from big families that seek glory in the sword, instead of trying to fight for positions in their estates. "If you're going to continue being this insightful, we'll have to tell Silvia."

"You wouldn't dare," she says, hissing through grit teeth. There's no fire in her eyes, but you can tell she welcomes the distraction. "It's enough she's gonna have me take etiquette lessons—"

You flinch. Your knuckles sting. She stops speaking so abruptly that even Skiddle startles at the sudden silence.

"Are you alright?" Ruby asks. You nod, then shake your head, then nod again.

Aria briefly tasting blood: We should tell Silvia not to do that.
Lissy: Are you good???
Aria: No.

"I don't know," you say. Hazy dreams, strange memories that resurface at the slightest word. You feel… vulnerable. In a way you have not felt vulnerable in a long time, that the injuries and adrenaline that shot through you woke something up that you've been trying to keep asleep. You're too tired to fall asleep again. You're too aware of everything to really pay attention. "Next time we meet a poacher, you get to kick his ass. Deal?"

Lissy smiles, her hand squeezing your shoulder. "Deal."

You have forged a great bond with new friends and comrades-in-arms. Lissy and Ruby trust you, and you trust them in return. You would ask questions about human nature, why is it so easy to talk to people you barely know about such heavy topics, when your tongue is always tied as you speak to those you trust the most— but why does everything have to mean something?

You are Aria.

And you are surrounded by warmth and friendship.

I feel in such a pure and radiant way.

You really do gotta cherish the fact Aria's like "Man why is it so much easier to talk about this with these guys" and well first off friendship is magic, secondly your deranged lesbian situationship activates your fight or flight instincts.

Capella says nothing at first when she sees you on the bed in the medical wing. She just sits down, keeping watch with her back so rigid against the chair she could be a statue. Most of your injuries look brutal, but are nothing that a few weeks of rest won't fix. You don't know if you have weeks. Your trial is soon. Drake will be disappointed if you're not ready by then.

Lissy and Ruby have spent most of the day with you here though they left the moment Capella arrived. You promised that you'd go find them the second you get the permission to leave, but you don't know when that will be.

The way Capella's eyes grew distant as she and Lissy glared at each other made you feel sick. As if there was some blame to be assigned here. As if you don't have the agency to pick a fight by yourself.

Capella is sooooooooooooo normal and not mentally ill in the least about today.

Would you say Lissy and Ruby scooching out the moment Capella comes in is the Bro Code in action, or throwing Aria to the wolves to escape a domestic situation.

I feel like it's both just a bit.

Most of your injuries look brutal, but are nothing that a few weeks of rest won't fix. You don't know if you have weeks. Your trial is soon. Drake will be disappointed if you're not ready by then.

ARIA I THINK YOUR DAD WOULD BE FINE IF YOU HAD A FLESH AND BLOOD BODY THAT NEEDS FIXING.

The way Capella's eyes grew distant as she and Lissy glared at each other made you feel sick. As if there was some blame to be assigned here. As if you don't have the agency to pick a fight by yourself.



I feel like this Social Link is gonna cause more problems for Lissy than she'd otherwise have to deal with.

At least if nothing else—Silvia's commendation for your actions have almost surpassed the amount of scolding she gave you.

A Chansey is walking up and down the room and checking all the beds for some reason. You don't know why, somehow you're the only person in the—admittedly less-than-usually populated—Caer that has any serious injuries right now.

Silvia is suffering from picking up the most violent and damage prone children

Your thoughts trail off when Capella's arms wrap around you.

"You could have died," she says. She sounds so full of warmth that it's easy to forget just how cold and distant she usually is.

"But I didn't," you counter. Her grip tightens. You do not have the energy to tell her that she is hurting you. "Capella, I'm fine."

Jesus?

Cannot speak enough about how. Everything about them.

Evvvvvvvvvvverything about them.

"You could have died," she says again, "and I wasn't there to keep you safe. The last time we spoke I—"

"It's alright." The words cut your tongue on the way out. Skiddle's Pokeball wiggles on the table, though she stays in. You think back to your brother's words. To one of this many lessons. It feels like a haze over your eyes has been lifted. You push her away, giving you some space on the bed again. The medicines are very good at making you sleepy but very bad at keeping the pain out.

▃▄▄▅— never let anyone treat you as a lesser being.

You know it isn't alright. Not to her, and it's not fair to you either. Lately, your relationship has been very one-sided and you don't think so little of yourself that you can't see how inappropriate Capella's reaction was. But that's kind of the problem here, isn't it?

Despite knowing this, somehow you still don't want to disappoint her. Somehow you still want to give the right response to see her light up.

A person can only bear the lash so long in silence.

. Yo???

I didn't think we'd get to the "Actually I don't like Toxic Yuri, I want us to be normal" conversation this soon.

Though. Maybe that's just the Very specific alignment of votes that won that did this, which would be. Layered.

To be a fly on the wall of the alternate vote paths...

Oh but her brother's love coming through to Aria like this. Hurts me good.

You expect her to say something again, but somehow your insistence gets to her. She accepts it wordlessly, and you want to accept that this is the end of it. It gnaws at you, numerous teeth digging into your cranium and finding that one thought to dig up, that Capella is happy as long as you rely on her and tell her that she can continue to treat you as you she's always done.

"I finally have to say it. Your flags are as red as your pretty eyes."
"You think my eyes are pretty?"
"Now's not the time for that."

Love that this interaction is happening literally the second Aria makes other friends and realizes "Wait a minute I don't have to be treated like this."

This is why you're fumbling the bad bitch Capella.

"I don't need you to keep me safe," you say, sitting up from the bed. Some movement has been recommended, most of your injuries aren't so serious that you have to stay lying down the entire day. It's just your foot, but the wooden crutch next to you will take care of that. "And I don't need you fussing over me because of something like this."

. ARIA.

ARIA THAT'S THE WRONG DIRECTION TO TAKE THIS.

THAT CAPELLA IS FUSSY AND WANTS TO PROTECT YOU IS LESS OF A PROBLEM THAN THE WAY THOSE FEELINGS MANIFEST.

Now you know you're saying the wrong thing. You know you're provoking the fight. And that's the kind of thing that meeting other people shows you.

She opens her mouth, poison on the tip of her tongue, and you brace yourself.

"You're right," she says. For a moment, you breathe in relief. In the next—"You clearly don't need me to fuss."

You sigh, wincing in pain as your body moves with the motion.

"You just hear what you want to hear," you say, pressing your finger into her collarbone. "All you're doing, at all times, is police how I speak. With whom I speak. I'm your friend, Capella, your best friend. I'm not your doll."

She whispers something so low you can't hear it despite how close you are. She reaches up and grabs your finger, at least careful enough not to put pressure on the bandaged knuckles as she pushes it away softly.

"I'm all you have, you ungrateful—"

"You're not," you say. And there is the line that you never wanted to draw. Capella is cold, her fingers feel like life is drawn from whatever she touches. Her eyes are wide open, and you can see for the first time in a long time that she truly understands what you're saying. "You're not all I have, Capella. And I am not all you have. We are not joined at the hip, we do not share a heartbeat, and before we ever met you and I were completely different people that ran into each other through circumstances beyond our control."

I can't fucking believe it.

WE'RE GETTING THE BOUNDARIES TALK. ALREADY. LIKE THAT ISN'T SUPPOSED TO BE TEN TO TWENTY CHAPTERS INTO THIS PSYCHOLOGICAL DRAMA.

ARIA DOESN'T EVEN KNOW HER AND CAPELLA HAVE A GAY THING GOING ON YET. INCREDIBLE.

Yeah I'm all fucking for this all the rage and distorted affection and Capella not even able to verbalize that "best friends" isn't the word she wants to use to describe their relationship—



Aria really super duper wanting to convince Capella to open up to the possibility of having other people in her life when that runs smack dab into Capella being an asshole who doesn't even treat Aria right.

Also Capella being gentle with Aria's hand because she doesn't want to hurt her but she's been hurting her, it's just always been in a way she can't see.

You try to take a breath, try to break up what you're saying in pieces she can digest, but you can't. There's no way to stop your mouth from moving when you finally have her ear for the first time in so long.

"Every moment with you used to be joyful. Every day you were what I needed, and I thought you needed me too. And you do, but not in the way I need you. You don't own me, that is not what friendship means, what our friendship means."

That is the truth.

You know because it hurts.

"One day you lie to me to spare my feelings," she says, "and today you can't help but tell the truth."

She tries to stand, but her legs give out as if the world under her feet has just disappeared. She falls back into the chair next to your bed, wooden legs scraping against a stone floor and creaking so loud that Chansey turns to look at you for a moment before continuing with her work.

. CHANSEY JUST IGNORING THIS BREAKUP ON HER SHIFT???

I.

I was going have emotions about this interaction.

But then I witnessed this unbothered unionized egg kangaroo.

"One day you lie to me to spare my feelings," she says, "and today you can't help but tell the truth."

She tries to stand, but her legs give out as if the world under her feet has just disappeared.

Girl I feel bad for you but also rip in piss.

So many profound emotions circling around Aria gaining the courage to dump her girlfriend.

"This is the part where you apologize," she says. You don't know if she's serious. For once, with a full view of her face, you cannot say if her words are truthful or not. For what? You want to ask and without even hearing your question she answers: "For lying. And for telling the truth."

This girl is mentally ill. Big fan.

In the exact same moment Aria can't tell a thing on Capella's mind and Capella can see so clearly into Aria's...Doesn't that show what's wrong with their relationship, when Aria has to be the one who tells Capella what she's made her feel?

"I'm sorry," you say, and you mean it. The words come from so deep in your gut it feels like you've never been more honest in your life. "For lying, and for telling the truth. But I can't apologize for not being the person you want me to be, Capella."

"You can," she says, tears in her eyes as she lets go of your finger. You haven't even noticed she was still holding it, her cold skin numbing it to the point that it feels uncomfortable to move. "You'd just have to lie again."

So. Incredibly mentally ill.

Holding Aria's finger the entire time. Because she's never processed an emotion in her life.

"I can't lie for you, either." You can only lie for yourself. You can only draw lines in the sand for yourself. You speak up again, trying to clarify. "Because I don't want you to keep away from other people, because I don't want to be enough for you."

Capella's isolation is a choice. A grave she has been digging for herself, and you can't say if it's Skiddle's presence by itself or simply the fact that you were forced to interact with other aspirants for your training outside of the occasional spar for once that has taught you this. You find yourself wanting more.

"because I don't want to be enough for you" THAT IS SUCH A LINE.

YES, YES, TEAR APART THE CODEPENDENCE THAT'S BEEN KEEPING YOU GOING FOR FOUR YEARS ARIA!!! REND IT!!! WITH TEETH!!!

"Why can't you be content?" Capella asks, her hands are folded together in front of her chest. "I don't want anyone but you, Aria. You're the one I—-I—l—"

Whatever words are about to spill from her mouth, what unreadable emotions are hiding behind those eyes, they all fall apart when the door to the infirmary blows open.

"Aria," Drake calls out, walking into the room with quick steps.

GOT COCKBLOCKED BY YOUR OLD MAN.

Holy shit.

Capella will literally thought police a girl because she thinks monopolizing all her time is the closest they'll get to dating.

Draaaaaaaake I'm so fucking sorry you accidentally ruined your kids' first attempt at emotional release in years because you were worried about one of them dying.

He looks unhappy, and maybe even older though it has only been a few weeks since you've last seen him. "Are you alright?"

"Yes," you say, turning to him. Capella is frozen in the chair, pale and wide-eyed still. She looks like a doll, more so than usual. "Just a few injuries in the line of duty."


YOOOOOOOOOO DRAKE YOU LOOK SO COOOOOOOOOL!!!!

Elpis you have FUCKING outdone yourself.

The scars, the shadow, the wrinkles, the old man-ness, the way one of his eyes is an evil dragon beast's, D R A G O N ' S S C A R, I'm Bewitched, everything I didn't even know I hoped for.

Capella I am So fucking sorry that this touching father-daughter reunion is giving you le Ego-Death.

"You look like a Tauros ran you over, girl," Drake says. He raises his hands, one touching down on your hair and the other on Capella's. You try not to lean into the familiar feeling, that moment where he once again treats you like a child instead of the young woman you've become.

Though maybe for a minute, it's not too bad to indulge. It's simply… part of the recovery, if nothing else.

He smells like a campfire.

"I have to go," Capella says, finally finding the strength to move out of the chair. Her movement is too quick, and she stumbles for a moment on the way out, then nearly runs Chansey over. Drake follows her quick escape with slight confusion.

"Is everything alright with her?" he asks. You shrug.

This is like. So messed up.

Drake immediately showing that he does in fact love Capella the same way he cherishes Aria even though "Purble child is the one who got wrekt" is the easiest excuse around to focus his attention one way first, and it's just like.

Like it's NOT a good time. He doesn't even know. Neither of them are gonna say they had a Lesbian Episode and there are probably going to be casualties in the future. This is tragic in an outstandingly funny way.

It's not a topic you want to discuss with him, though he might be the only person who truly understands. This is not something you want a mediation on, or some sort of advice.

You are Aria.

And Capella is your friend.

Or maybe she was. You don't know anymore; today you pushed every button you could. Sure, it was for a purpose, but does that really make it right? Is it truly your job to fix whatever is wrong with this friendship?

Is it your job to fix Capella? Is she even in need of fixing?

You want to say it is you who is wrong here, but even the friendship in its infancy that you've built with Lissy and Ruby is much more healthy and rather than wanting to replace her, you want that kind of friendship with Capella instead.

One where you can take a few days of distance and not feel like you've been thrown into a pit.

This is like. So messed up.

She loves Capella, but it's like, never in a way that's enough. Because Aria wants to love Capella like individuals who chose each other and Capella wants to erase every line between them.

"you want that kind of friendship with Capella instead" THIS IS SO HEARTBREAKING BECAUSE HOW DO YOU EVEN SAY THAT. ALOUD. WITHOUT THE WORST IMPRESSION POSSIBLE BEING TAKEN FROM IT.

YOU DON'T EVEN KNOW THAT EITHER OF YOU ARE GAY.

You take a deep breath. Count, one, two, three, four—

"Aria," Drake speaks up. His voice is like gravel, and his shoulders sag a little as if the weight of his world is settling on his shoulders. "You are… alive, I see."

"Yes," you say, your voice dry. You can't help but crack a smile. It's so easy to forget your troubles when you can talk with Drake for longer than two sentences during a day. "Though the poacher was quite willing to fight me, we both didn't want to kill each other."
"Could have fooled me," he mutters. He shakes his head. "Nevermind that, I'm not asking for a mission report. I'm asking about you, Aria."

You open your mouth to say you're fine again, but you can't.

You try, once more, then twice more, then your teeth clench and you sigh out of your nose.

"Drake," you say, your voice small enough to hide behind a Smoliv. "If I said I wasn't… fine, you know, would you be disappointed?"

"No matter what, there is nothing you could ever do that disappoints me, Aria."

You wipe your arm over your eyes, ignoring the way the bruises stung.

"It really hurt," you say, looking up at him. Your vision blurs slightly. He sits down in the chair, allowing you to stop straining your neck. "Fighting someone, taking hits like that, hitting him in return. It really hurt."

"Yes," he says, his hand once again coming up to your hair and patting it down.

Ough.

Feels man.

Loves her. That's his baby.

ARIA I WANT YOU TO HAVE THE WORRRRRRRRRRRRRRRRRLD.

Honestly I understand why Aria redefined her whole fucking life around being someone Drake could be proud of, the first time she every got unconditional love that didn't have a "But" nose in...

He doesn't give any advice or wisdom. He doesn't try to console you with empty words or platitudes. All he does is lend you his ear, and somehow it feels like you can paint a picture of the divide between you and Capella. If you ever admitted to pain in front of her, what kind of expression would she make?

What kind of excuse to keep you in her sight?

And the WAY Capella has ended up that "But" anyway. Because she made her feel like a possession, and possession is the death of intimacy.

She wishes it was safe not to be strong with her...

"I don't want to hurt people," you admit, holding your hands up. The bandages are stained in a dark brown liquid, something to aid the healing. It smells like rotten berries and volcanic ash. "But I had to, so I could help that Tediursa. So I could help the villagers."

"In sixty-three years," Drake says, his hands coming up to meet yours. They are cold, but not in the way that Capella's are. "I have learned much about human nature. Nobody likes to hurt people, Aria. That you don't like to do it doesn't make you a bad knight, it makes you a good person."

You wish you could take that at face value.

You know for a fact that there are a good amount of people who do enjoy hurting others. If everyone was a good person, knights would be keepers of nature, and not of peace.

The way Drake is the reason why Aria believes people can be good but she already knows her family too well to think all of them are.

Hurty.

They are cold, but not in the way that Capella's are.

Capella your icy pinchers are getting beaten up in the replies.

"Do you want to stop here?" he asks.

"No," you say so fast that he can't even follow up. You squeeze his hands. "I don't know if I can give the same answer in a year or two, if I will still be the same person I am now when I have another ten or twenty or a hundred fights. But right now, I want to make you proud. I want to become a knight of the Order."

"You've already made me proud, Aria." Drake smiles, and you find yourself smiling back. "Whether you're a knight or a merchant, whether you decide to live as a farmer or make your money by raising Pokemon instead. There's no shame in being who you are."

He's always been encouraging. That's why you get along with him so easily. Why everyone gets along with him so easily.


View: https://www.youtube.com/watch?v=BsuY9lHxg88

Aria and Drake have a forreal talk about their hopes and expectations for each other and it's just fucking getting to me.

"Sir," you say, swallowing the lump in your throat. "What about my trial?"

"It won't be delayed," he says. Your heart drops into your stomach. "But I'll still give it to you. It's not a task that will require you to fight, after all. You can ride it out on your dear Skiddle, or perhaps you can find yourself a carriage."

Suddenly, it stops sounding so urgent. So secretive. And you can't help but ask him the question that's been burning on your mind since that lesson.

"Why do I know what my trial is?" you ask. He blinks. "I thought we weren't supposed to know anything about it until that day. You already told me I have to deliver an important letter.

"Ah," he says, letting go of your hands and crossing his arms. "Is that so? I admit, I've never been the sponsor for an aspirant before, so I didn't know."

You blink. He tilts his head to the side. He can't be serious, surely. There's no way he'd make such a simple mistake, right?

This is Drake, after all. The man who once commanded ten-thousand and fought back an Imperial prince deep in Empire territory. They say the wounds of that battle still mark the hills that used to be called Kael's Stand.

While it's not a victory so impressive it would change the name of that place for the Solians, 'Dragon Scar' is a very famous landmark for Gilderans traveling east.

"Well," he says, laughing it off. "It doesn't matter either way. Next week, you'll meet me at the cabin, right?"

"I will," you say, your hands clenching into fists in your lap. "There's nothing right now that I want more."

You know, I'm impressed. "My Super Smart Heroic Inspiration Can't Have Had A Brainfart" is either an incredibly funny gag or a blatant attempt at a ruse cruise, and I can't say which is more likely.

Also lore on the fact that he fucking obliterated a place so hard that he inked over the legend of a man everyone in this damn world is talking about.

The mental image of Aria riding on Skiddle is funny to me, because like. That is doing things to the size ratio I've been assuming, but also Cute that Drake actually uses the name Skiddle. Pokemon Nicknames are incredible.

"Then keep something in mind, Aria," he says. His finger comes up to your sleeve, tracing a line over it. "What makes you a knight is not some stripe on your uniform, or some strange ritual and tradition. Duke van Kesteren can have his demands, he can have his expectations, but in the end, what matters most is faith in your heart. Faith in yourself and in your cause."

"I want to be a knight, Drake," you say, your voice low. "I deal with chivalry, not faith."

"If you have hope, and love, and faith," Drake says, a smile dancing on his lips that refuses to reach his eyes, making you feel a chill over your back. "As long as you have courage, power, and wisdom, no one can deny your purpose. Even if you're not at the Order, even if there is a path that you follow leading away from the Caer and the hoof on your clothes. You are a knight in my heart, one of the best we've ever raised."

You wipe your arm over your eyes again.

I love the like.

There's something so ominous at play with Drake, but the love is real.

The love is so radiantly real.

He Believes in Aria.

I wonder then.

Who's the enemy of that faith?

You're recovering faster than the doctor expected you to. You can't participate in training yet, but you can walk around with your crutch and don't have to stay at the infirmary the entire time.

So right now, you're going to be stuck entertaining yourself. Skiddle is at your side, constantly walking at a slow pace near your bad leg in case you trip and fall. You've done so only once or twice, but it seems like she'll always be there to catch you.

So who's going to be your anodyne for boredom?

[ ] Capella.
Of course, considering your argument with Capella escalating whenever you meet there's no shame in choosing to avoid that confrontation until you pass your trial. You can talk to her after everything, right?

[ ] Lissy and Silvia. Lissy's trial is a few days before yours, due to the overlap it's likely you won't meet again until you both are officially junior knights of the Order. This might be the last chance to see her before she becomes even more arrogant.

[ ] Ruby and Redwood. You try not to think about how ironic the combination is, but the Mountain Villager and the Red Bear make for quite a pair. Ruby's trial is set before yours, so this might be the last chance to see them for a while.

Fascinated by the binary split here. Because certainly there are no problems that will come about from not seeing Capella in the Definitely Assured Amount Of Time The Trial Will Take.

Also awwwwwwww Skiddle being Aria's service animal, very nice.

This is like, I like everyone we'll get to see pretty evenly, so either way is fine, but:

[X] Ruby and Redwood. You try not to think about how ironic the combination is, but the Mountain Villager and the Red Bear make for quite a pair. Ruby's trial is set before yours, so this might be the last chance to see them for a while.

Let's give it up for the redheads! I'm really curious about what's going on with Ruby and Redwood, and Lissy and Silvia took more of the forward screentime in the arc prior, so my pick is based on that.

Dang, this was a heavy chapter, and a really tone setting homerun!

Aria, the Knight Aspirant

Art by Me


Your Pokemon and your Skills share the same slot. As one grows in power, the other will too.

They're graded loosely adapted from We Stand In Awe's and But Not Forgotten's skill levels. Everything runs purely on a narrative basis, with your capability in a skill deciding the paths that become available to you rather than rolls which decide their outcomes.


1: ??? the Skiddo: Wisdom [Competent]: There are many ways of persuasion. Knowing when to apply the right kind of force, knowing when to ease up, such is the way of a Knight. During lessons, the stories of those generals who set enemies up to fail with strategy and wit were always much more interesting to you.
1.1: You are Aware. You notice things that you might not usually, you make connections that make no sense sometimes because of details you picked up but might not quite have the context for yet.


Skiddo isn't the strongest, but she has a nose for things that she shares with you. Somehow, you feel like you can understand others a little better with her around.







Important Characters:

Capella is a year younger than you. She has spent a lot of time with Drake before he returned to the Caer after picking you up. She is your best friend. The only one who truly understands you.

The man who took you in. A bald Commander whose name makes many tremble in fear. To you, he's your savior and mentor. His trusty Partner is a Dragonite as scarred as him.

A member of the last natives in Western Gildera. They hail from Regis' Pass, a village where the last survivors do not know what their future looks like. Ruby wishes to become a noble to protect their people.

Their Buneary is named Opal.

A girl who wants to become a hero. She knows all the tales and stories of those who now dwell in the Elysian fields. Her ability to fight in close combat is enough to make even some older knights cower.

Her Scraggy is named Perseus.

Silvia is a Captain of the Glastrier Order. Despite using a long sword, she is said to be the fastest swordswoman on the continent. Her partner, Bolt, is a Raichu with a darker fur than usual.

Allow me to once again mark down character sheet changes.

We have Wisdom [Competent] and the Aware trait locked in, though, Skiddle still be ??? the Skiddo on our sheet makes me, Curious.

A mere editing mishap, or something more given huh, interesting, some of the implications with Glastrier Knight Partners are.

A splendid chapter, I'm looking forward to the continuing trials of Purple Girl and the Goat!
 
[X] …your rebellion.

[X] Lissy and Silvia. Lissy's trial is a few days before yours, due to the overlap it's likely you won't meet again until you both are officially junior knights of the Order. This might be the last chance to see her before she becomes even more arrogant.
 
[X] …your rebellion.

[X] Ruby and Redwood. You try not to think about how ironic the combination is, but the Mountain Villager and the Red Bear make for quite a pair. Ruby's trial is set before yours, so this might be the last chance to see them for a while.
 
[X] …your rebellion.

[X] Ruby and Redwood. You try not to think about how ironic the combination is, but the Mountain Villager and the Red Bear make for quite a pair. Ruby's trial is set before yours, so this might be the last chance to see them for a while.
 
Scheduled vote count started by Elpis on Sep 25, 2024 at 3:21 PM, finished with 30 posts and 28 votes.
 
[X] …your love.

[X] Ruby and Redwood. You try not to think about how ironic the combination is, but the Mountain Villager and the Red Bear make for quite a pair. Ruby's trial is set before yours, so this might be the last chance to see them for a while.


Didn't expect Capella to be full toxic.
Friendship ended with Capella, Ruby is my new best friend.
 
Update 5 - Aria's Trial
I got something of an infection on my eye and a messed up wrist so I can't draw atm ;-;

[X] Ruby and Redwood. You try not to think about how ironic the combination is, but the Mountain Villager and the Red Bear make for quite a pair. Ruby's trial is set before yours, so this might be the last chance to see them for a while.

[X] …your love.

###


Deep winter is fast approaching at the Caer, the fifth season in between 'early' and 'late' winter finds itself knocking with the fury of your order's namesake.

You stand on the tower again, staring down at the point in front of the gates where you saw the young knight aspirant and her new partner take on their trial just a few weeks ago. Just last week you saw her again, standing proud with one stripe less, and one radiant smile.

She is a junior now. And soon, you will be too. While Drake's summary of how 'easy' your trial should be does sound strange, it does not dissuade you from the knowledge that there is going to be an opportunity soon that will take you even further among the Order.

Skiddle is at your side like usual. She hasn't been staying in her Pokeball very often in the last few days, instead keeping to your side and helping you walk. Whenever you thank her, she smiles at you. Whenever you rely on her, she glows so radiant.

In hindsight, it all changed with her. You know that some scholars have observed the empathy of Gogoats, their ability to read minds with their horns despite their lack of other psychic abilities. Perhaps that kind of power, no matter how dormant, bleeds over into you. Pokemon are, as one of the ancient texts once said, the best of us. Though humans have the intelligence and ability to build civilizations like no other, invent tools to conquer nature, and wage war that can change the face of continents, there is nothing that can truly surpass the ability to empathize and cooperate with nature that claims so much more space in the world than you.

Not two months ago you might have found fault in that kind of affection and empathy. You miss her, that Growlithe you used to call your own, and yet somehow you can't recall her name. You interacted so little with her in the end, you tried your best to raise her in between your mother's attempts to stop frivolities. It was your mother that taught you to fear affection.

It is such a difficult concept to put into words to the point where you don't even attempt to do it. To feel affection for someone who has done you nothing but harm, to want their lack of affection to mean something.

To think that it is your mistake, even though years later, you realize that perhaps it is the way they were raised and they don't truly know how to express themselves—

You shake your head. No. The Flambergs were a different kind of beast. Even among nobility, as much as you dislike the concept, they are so much worse.

One day, you know you will come to face them again. But now, you have the cold wind at your back—you who is without a doubt the strongest version of yourself. You are Aria, and behind you there is no symphony. All you truly need is your own voice, and the melody of the winter winds in between the Gilderan pines.

"Skiddle," you say, your voice as soft as it was when you spoke to the flowers in your grandmother's garden; full of color and affection that you dig out of your heart—the soil which has given birth to the worst and the best of you. Skiddle looks up, meh-ing. "Do you think I did the right thing?"

Skiddle tilts her head. You smile, your hand touching her head. She's grown so much already, reaching above your waist. With a proper saddle, you should be able to ride her soon. She leans into your hand, warmth spreading across your body as she nods.

Capella's anger is understandable, and so is your own dissatisfaction. You can't say she's like a sister to you, there is—or was—only one sibling in your life. Capella is so much more, and somehow less. You don't know what word you can use, because those were not words ever taught to you.

"I'm not so sure myself," you admit. Skiddle bah's. "No, I mean, I think it was something I had to say."

Skiddle bah's again, shaking her head.

"Let me rephrase," you say, bending down to meet Skiddle's gaze. "If you are injured, would you be happy if I was upset at you? Blamed myself for it?"

Skiddle thinks. You can see those beautiful, intelligent eyes—that reflect your own in such a way it makes you wonder just how people see you—and you can see the connections forming. You can see the internal dialogue that must be happening, and you can see her realize that just because she seems to be quite capable at reading people's emotions, there's no way to truly understand what is happening inside another person.

Skiddle bah's.

You bah back.

Skiddle baah's. You think before you respond, then shrug your shoulders.

"This is this," you say, "and that is that."

Skiddle gives you a look. You don't like it, but after a moment she just shrugs her own shoulders, as much as she can, considering most of those are hidden under thick brush of green and blue.

"I don't think it's wrong to be upset when people you like get hurt, Skiddle," you say, once again patting her head. "I think that in the circumstance I found myself in, as an aspirant and you, too, as a Pokemon partner of an aspirant—do you not think, for a moment, that it's just… normal? Are we supposed to never get hurt in the line of duty?"
'I think if we become powerful enough, nothing will hurt us,' Skiddle's eyes seem to say, 'and if nothing can hurt us, then we can be upset at each other for being hurt.'.

"Nobody is invincible," you murmur. Your hand reaches for her horn, your fingers tracing over the feather. "Not even us two. Maybe Lissy is. She's thick enough in the head that she probably can't get hurt."

'Maybe you should learn from her.'

"I am not going to trade what intelligence I have left for a constitution like hers," you say, crossing your arms. "After all, we're going to be fighting together next time."

Next time. It's such a strange emotion that wells up in you as you say it. There will be a next time, after all. You are going to be fighting again. You will be strong, and carry on even if you don't truly want to hurt anyone.

Skiddle dances around you, bah'ing happily. You smile, your worries almost forgotten.

###

It is once again the kitchen that becomes Ruby's place to meet up with you. This time, however, they're aided by Captain Redwood, who is wearing an apron and cloth over his hair. The kitchens are huge, ready to be filled with dozens of cooks at once to serve the nearly one thousand knights that call the Caer home.

This also makes it big enough for Redwood's own partner to make her appearance. The Ursaluna which shares its fur color with Redwood's own hair wears a small crown on her head that looks like it must have been made for a Tediursa.

How apt the name of Princess is for her. You've never been a fan of royalty, so the apprehension at the term is not something that you can blame the Captain for, so you swallow the discomfort when it rises up like bile in your throat.

"Ruby speaks highly of you, Aria," Redwood says, shoving what looks like an entire roast into the oven. You start at the sudden attention, your eyes moving from the three Pokemon to the captain's face. "Though it seems you have some issues with your performance."
You frown. You know Ruby wouldn't share your worries with him so easily. "Did Drake tell you?"

"The commander entrusted me with keeping an eye on you while he was gone," he says, laughing. "Though I admit you surprised me in the classes, your attitude always seems very blasé but you're quite an earnest student."

Your frown melts away. Sure, earnest. Maybe you have had some previous lessons on the politics of the kingdom, but he surely wouldn't think that considering your circumstances.

Ruby does give you a knowing look, though. You stick your tongue out at them.

"Do you truly think that war is inevitable?" you ask. Redwood pauses, the question itself is not so easily answered but the way his eyes widen makes you wonder if there's more to it. Skiddle bah's, riding on top of Princess while Opal rides on her. Opal is holding… a Carrier-Pidgey? It looks slightly irritated but also not annoyed enough to actively fight back. It is not holding a letter, at least, so it must be off duty.

"No," Redwood answers eventually, shaking his head. "I think that war is the most avoidable thing we humans have control over."

"But you still believe there will be one within our lifetime," you say, tensing up. Redwood nods, not taking as long to think. "For specific reasons, or because there has not been a period this long without one?"

"The second verse is the same as the first," Redwood summarizes. For a man who is usually so jolly, the grave expression on his face makes for a grim reminder that he, too, is a man who has fought in war. Captain Redwood is one of the people who was on the frontlines during the last Solian-Gilderan war before the princess' marriage united the continent. A war hero, for all that is worth. "It is human nature to want what one does not."

"But you said it is avoidable," Ruby says, joining the conversation after finishing their own task at the stove. "So why is it going to happen?"

"Because to defy that nature takes a strong character," Redwood says. You nod along. There's no such thing as a strong character among those craven nobles who have never seen the bloodshed with their own eyes. While men like Duke van Kesteren have fought and bled alongside their own knights, the capital nobles who most benefit from war do not even have to send their sons.

It is begrudging respect, but respect nonetheless, for those who have fought and bled for crown and country. While the world is a place you cannot change with your own two hands, those who are born to circumstances like these can only strive to make the best of it. You have not joined the Order out of a sense of naivete, after all, you knew that one day you would fight.

The throbbing in your leg and that crutch leaning against the table are not rewards for lying around and doing nothing.

"Ah," Redwood says, raising his finger to his cheek. "The lesson that was planned for the week of your trip with Silvia. It would have been next week instead, but your trials are at that time, right?"

"Yes," you say. He whistles low and Princess stands up, reaching into the giant bag that sits around her waist and pulls out a large piece of parchment. He takes it from her, laying it on the table and spreading it out. A map. "A map of the continent?"

Ancient Elysium it used to be called. Nowadays it is the Imperial Continent. Though beyond it exist many other nations and cultures, often with conflicts of their own, here only four nations truly find their home. Sol to the east, Gildera landlocked between it and two nations beyond the mountains. While they call themselves the 'Twin Kingdoms', their royal families hate each other more than any Solian noble could ever hate the Gilderans themselves.

Fortunately, due to the rather problematic wall between them and you, and some remnants of the ancestral people that live on those mountains, they are too busy with each other to make any real attempt to invade across the mountains.

They say the ancestors of the Gilderans hail from there, Girallia and Titania— where the Union once formed to take over the continent a thousand years ago.

You wonder what they're like, the people and the Pokemon there.

"Three duchies that defend the crown," Redwood says, lifting his finger. "The Kesteren Duchy I won't need to explain, it is the biggest of the three by territory, though the population is quite spread out. The other two…"

He looks at the map, then puts his finger on the capital in central Gildera.

"Duke Lambert rules no territory at all. Bound to the crown, his family occupies the seat of the prime minister, first advisor to the king. Though individuals of that family own land here and there, they delegate most of the tasks to lower ranking nobles and spend most of their time in high society."

You purse your lips. You know at least one of those families the prime minister has delegated tasks to, and you do not wish to see the capital anytime soon.

It is Ruby who speaks up next, their own finger touching the western part of the map. "Duke Tristan is responsible for the western border. The previous Duke was a dangerously unstable individual, prone to outbursts. His knights often came to harass us even though the king had been tightening the leash."

You nod. The three great families which protect the crown, spread across the map in such a way to avoid ever meeting if it isn't necessary. It is in the history of Gildera that unification may prove dangerous, and it is under the decree of the Skywrath Throne that these families may not marry among each other.

"The current Duke is kind," Ruby continues. You can see it in their eyes, how much it pains them to say something kind about the man. "Though he can't give back some things that have been taken, he has tried to uphold the king's edict. He does not travel to Regis' Pass, none of his knights are to come near it closer than half a day's travel on foot. The Calyrex Guard is still filled with loyalists of the late Duke Tristan, but none defy him right now."

The Calyrex Guard.

While the western border is protected by steep and dangerous mountains, and thus requires no real presence, the kingdom as a whole requires a policing force. The Royal Knights protect only the capital and the royal family, and so the rest of the country that is not under the protection of the Glastrier Order or the Spectrier Border Guard, has to deal with the joyful faces of those blackguards.

The kind of people who would look at a bloodied pair of children and try to take them back to their family when they beg for help.

Perhaps there's more to your kinship with Ruby than you initially thought.

"Why is it that things in Gildera always come in threes," you ask, leaning back into the chair and staring up at the ceiling. "The king had three children, three great duchies, three knight orders. Why not two? Why not four?"

"Well, if it were something like a meeting, where everyone held the same authority," Redwood says, mirroring you, though he smiles rather than staring into nothing. "Two or four could disagree and never come to a consensus, in a binary choice means two can outvote the third."
"And five would be too much authority going around," you surmise. He nods, though whether it is truly the only reason you can't say. Gildera and Sol are intrinsically tied together, their histories occupy the same span of time.

But that can't truly be it, can it? The king himself sits on the throne because he was the only heir of the previous queen. The previous queen had a sister, who became a holy woman. These are all history lessons you're intimately familiar with.

"So everything else," you say, tapping the table, "is mostly a coincidence?"

"Either that or fate," Redwood says, his smile betraying his joy at getting to teach one last time before your trials. "And to be honest with you, Aria, I don't believe in fate."
Yeah, you think to yourself, me neither.

"The king is too old, the crown prince too young," Ruby says, pressing their lips together in thought before shaking their head. They speak up again, their eyes reflecting the candle light. "If the king passes before the prince is old enough, the prime minister will become regent. The other dukes will not accept this so easily."

"Though there is little one can do to truly understand the mind of men, the young Duke Tristan and the Duke van Kesteren are both not people who would challenge the authority of the crown to strengthen their own." Redwood's voice betrays some doubt, though what exactly you can't tell. When his brow furrows and his shoulders tense, he does not just look like a physical wall; you cannot give him any kind of read either. "It is more likely that the Solian emperor will decide that we are weak enough to attack, but the presence of Marquess Reichert stays his hand. There are so many moving parts, Ruby, I could not name them all in one lifetime."

"Duke van Kesteren wanted the throne," you say. Redwood's fist slams on the table, and Ruby jumps out of their chair with such force that the chair flies over. The trio of partners look over, Skiddle so tense you can see her horns shake toward Redwood. You blink, then tilt your head. "I'm sorry, I just… remembered something from an earlier lesson. He was engaged to Crown Princess Isabella, I guessed that…"
"You should be very careful with guesses," Redwood says. Though his reaction was violent for a moment, his demeanor is not changing from the usual kind scholar, nor does his voice sound tense and annoyed at your disrespect toward his liege. "Listen up, lass, while I do not teach aspirants before they receive a partner, I do know that none of the knights in our Order would mention that engagement. Regardless of where you've heard it, do not repeat it outside of this room."

You nod, and watch as Ruby raises their chair up and tries to sit down again, though their hands are still shaking at the sudden scare. You wave at Skiddle, and she calms down, sitting next to Princess but continuing to observe Redwood.

"I know curiosity, and I know that it will not be the end of it," he continues, "so let me explain quickly. The Duke was not the heir at the time, he stepped down to marry the woman he loved."

"Did she love him?" you and Ruby ask at the same time. Redwood closes his eyes, breathing out of his nose.

"I don't know, but what I do know is that when she married the Crown Prince Aurelius, she did not respond to any of his letters. Though the Duke has moved on since then, one does not forget their first love."

And so there's another moving part in the whole equation. The political situation becomes much, much more complicated once human emotions outside of greed and hatred become part of it.

"So the Emperor's love for his late wife stays his hand at the border, because her sister reigns there—" you try to summarize everything, though it still eludes you just how ridiculous this situation must've become in a mere sixteen years since the assassination of the Empress. "While the Kingdom raises a young child born to replace two much more qualified candidates as heir and leaves the administration to three men who together wield as much power as the crown regardless?"

"Just so," Redwood says. You nod, your fist clenching over the map. "War is inevitable, I know this in my bones. Love, greed, revenge, vanity…"

"Politics," you spit. Ruby starts again, though not as badly. The poison in your voice even gives Redwood reason to pause. "Formality and etiquette."

"That is the burden we have chosen to bear," he says. "Just as ancient Atlas, who still today carries the sins of the stars on his shoulders to protect us, we are sworn to protect our country, and our master, whether the war is fought for good or bad reasons."

"And if those reasons are truly that bad?" Ruby asks. They realize, of course, that knighthood is not a walk in the park. And yet, doubts are normal. You cannot fault them. You have your own doubts to wrestle.

Redwood smiles, his hand reaching out to Ruby's hair and patting them. "Then you must sit on the Skywrath Throne or the Sunbound One to truly change the faces of these nations, child."

You grit your teeth. If human nature could change as easily as a royal decree, perhaps the life you've lived could have been different.

The dinner is set in silence. Ruby does not look very happy with the news, however certain you are that they know military success in a war is the fastest way to be granted a noble title.

The meal tastes like ashes and autumn rain.

###

The wind bites through cloth and fur, carving glaciers into your blood and bone. Snow sits on your eyelash, blurring your vision as you try to look at the too-clear sky. Once, that sky felt like the ceiling in a prison you were born into, now you can see the freedom that it promises.

Though the sun is already rising the distance, some stars are still visible, glaring down at you from far above.

You no longer need the crutch to walk. Unfortunately, Skiddle's saddle will not be ready for the trial, but you know you can walk any distance with her at your side. She remains at your side throughout the morning, watching as you prepare, as you grab your weapon from requisition—

You laugh when you remember her bah'ing at the woman who handed you the sword. 'Give me something too,' she demanded. She got a berry for her troubles, which satisfied her enough to continue the routine.

It is Ruby and Lissy who see you off.

"First light's not far," Ruby says, holding up a bag with supplies. You blink, unsure if you can take it. "It's fine, Redwood prepared one for each of us, it's not that I'm giving you anything I need."

You smile at them, your hand reaching out gently to take the bag, slinging it over your shoulder. It smells of home-cooked food, preserving spices, and something familiar you can't quite name.

"Thank you, Ruby," you say. Lissy scoffs, though she also holds something in her hands. You can't say a word before she shoves it into your chest, forcing you to raise your hands to catch it. It's… a book? "You can read?"

Lissy scowls, punching your arm. You laugh, though the punch definitely hurts. Her face tightens up, and it feels so strange to get such a goodbye from her. You won't be gone long, after all. Next month, you'll all be knights worthy of the name.

"It's my good luck charm," she says. You hold it up, reading the cover. Ancient Elysian Legends. A children's book that looks both used and taken care of with such a meticulous hand. "I don't need it where I'm going, so I thought you should have it."

"I…" you begin. You aren't sure what to say to that, it might be the most meaningful thing anyone has ever given you. Something so precious the weight feels like holding a Geodude all of the sudden. "I don't know if I can, Lissy. What if it gets wet? Or it is torn?"

"It's a book," she says, her hands pushing your own back as you try to give it back. "If it's torn, it's torn. If you need it for a fire, burn it. I got everything of value out of it. But… when you come back, and you still don't want it, you can give it back to me."

You swallow, your shaking hands holding the book up to your chin. Your tears sting in the cold air, and for once you make no effort to wipe them away.

"Thank you." You hunch over, half bowing and half trying to hide your face. Drops of water hit the ground and freeze to ice in the snow under your feet. "I'll be sure to bring it back, Lissy! We can read it together, then!"

"Yeah yeah," she says, her own cheeks turning red. "Just stop crying, will you? It's really not that big of a deal."

Ruby laughs, and laughs, and laughs. After a moment, they start to hold their belly, the laughter growing louder and louder. You can't help but smile at them, and Lissy herself finds it hard to stop herself from joining. You raise your head again, pocketing the book into the bag that Drake gave you last month.

"Ruby, Lissy!" you say, your voice cracking only slightly. "I'll be off! See you soon!"

Lissy raises her fist toward you. Ruby joins in, and you smile brightly as you follow suit. Your fists come together—to new friendships forged, to future comrades to stand by your side.

A is for Atlas—who protects us from the stars.

B is for Bellerophon—


###

It is time. You walk out of the gate, greeting the guards with a bright smile on your face. Your breath becomes visible in the morning light as the sun illuminates the Caer in beautiful blue rays. The stars are gone now, replaced by the endless blue.

Skiddle and you make your way toward the small shed. It is often used for naps by the guards, you know, but never this early in the morning. It sits in between a few trees, the roof is pure white with snow, the door slightly ajar.

You knock on the door, but there is no answer, so you walk in. It is dark, the windows barred shut with planks of wood. Something smells… wrong. Skiddle suddenly lets out a strange screech, a sound you've never heard from her before. You tense up, one hand on your sword, the other reaching into your bag. Small pieces of fire stones—a short crush and they make for an excellent light source in the dark. They light the shed up like the sun itself.

The sight in front of you is a nightmare, yet despite your best efforts to wake up there it does not work.

Drake is sitting there, his back against the wall, his sword sticking through his chest. The amount of blood is ridiculous, it pools under him and has already started to freeze at the edges from the cold winter air. You try to reach out, wave your arms in front of you to dispel the illusion, but Skiddle's deafening voice kicks you straight back to reality.

She baaah's and your feet catapult you forward, giving out as you're about to reach him and skidding across the floor, blood drenching your trousers and hands.

But life is not like those stories your grandmother used to tell you. There is no heroic last stand, no final words of wisdom or encouragement. No hope to heal a wound such as this and powering through to a happy ending.

Drake is dead.

And the blood on your hands feels both like fire and fresh snow. Your voiceless cries become heaves, your shoulders shaking as you try to find something wrong with the scene. Something that can prove you're just not seeing right.

You can see cages around the Pokeballs on his waist, a trusted and tried method to avoid accidentally releasing them in places that would rather not have an 8 foot tall dragon stomping around. Would his Pokemon have saved him if that weren't the case? Did he seal them for a purpose?

A prank, a strange trick, maybe this is a test—

Something sticks out of his pocket. A letter, almost untouched by the blood. Whoever killed the man was not after any correspondence, or they would have looked for this. You reach out, inching ever closer with your fingers until you find it within your grasp, pulling slowly because you can't trust your grip.

To Marchioness Reichert it is penned, sealed with wax and the emblem of the Arcanine. Though you know little of what that family looks like now, you would recognize your grandmother's handwriting anywhere.

The world under you collapses. Drake knew all along, didn't he? You sob, your bloodied hands drenching the letter and leaving streaks of red all over the damn seal as you contemplate ripping it open to read the stupid thing.

But you can't.

It was his request, it was his trial to you, it was—

Easy, he said. Whoever killed him must've been someone he trusted. The attack came fast, faster than even his own Pokemon would've reacted.

"Drake," you say, your voice does not travel far. Skiddle is behind you, her horns poking into your back, her teeth grabbing your coat and trying to pull you away from the shed. "Drake, what am I supposed to do?"

You should call for help. You should run into the Caer, and scream about this murder. You should find any captain and beg them to find the person responsible—

Skiddle bah's into your ear with such a force you lose your train of thought once more. There are too many moving parts, there are so many unknowns, and once again your hands are full of the blood of someone you loved.

So here are the details you do know. With all that wisdom you have honed to this point, the image in front of you becomes clear:

Someone knew Drake would be here to meet you today. They were not just willing, but capable of killing the man, which narrows the amount of people in the Caer to the Captains if someone from the Caer was responsible at all. The man was old, sure, but he was still one of the strongest knights of Gildera.

And now you're drenched in his blood. Now you are holding that letter he felt was too important to entrust to anyone but you.

Now you can hear the door behind you open up as Skiddle stands in defense of you, bah'ing at the person entering—

You turn your head, your eyes wide as you stare up at the face of a guardsman. He doesn't look surprised at all. His eyes do not deceive his intentions, entirely focused on your bloodied appearance rather than Drake's corpse.

So he does not shout anything, or accuse you of anything. He does not point or try to call for backup. Instead, the man lunges at you with all the confidence of a trained and experienced knight. If he kills you, he won't have to argue about your guilt. Dead women tell no tales, after all.

You roll out of the way only for him to grab his Pokeball.

The man summons his own Pokemon, the Dodrio immediately moving towards you before Skiddle blocks it.

"Skiddle, attack!"

Skiddle's horns grab one of Dodrio's heads in between them. She jumps, twisting her body in the air and slamming the taller Pokemon into the ground. It might have worked, were it weaker, but Dodrio recovers swiftly and slams Skiddle into the ground in return. The guardsman approaches with his own blade drawn, and you can't do nothing.

You draw your own sword.

"You'll be hanged for this, girl," he says. "The poor orphan, killing her own mentor!"

You don't even try to deny it, because you know it will not work. He already has a narrative ready, and if you lose this fight that will be your end. He swings his sword, you block with your own. Skiddle jumps at the wall and off it to slam Dodrio away.

Well, at the very least you know one thing as your grief is washed away by adrenaline and anger. A man who swings his sword so sloppily could never have hurt Drake. You clench your teeth, pushing him away, readying another swing right at his neck.

But a noise behind you stops you both. A click, a whirr. A metal cage opens up around Drake's Pokeballs, one of them loosening from his belt. It shakes violently, cracking slowly. The mechanism of the cage struggles to hold it inside as the lock breaks down.

The Pokeball opens up, and out of it comes Typhon, the Dragonite that fought with Drake for the entirety of his career. It looks old, for sure, almost human in the way the age shows as lines on its face, scars on its body, and pale antennae. His eyes are out of focus, and in his frenzy he does not even listen to Skiddle who is trying to communicate. The sight of Drake's corpse makes him roar with a ferocity that paralyzes you and the guardsman both. Dodrio runs out of the door and away from the shed. Skiddle does not. Skiddle takes slow steps toward Typhon and bah's, but Typhon is not listening.

He roars again, wind whipped up around his body. It becomes visible to the naked eye, streaks of white and blue forming a furious storm. You shield your eyes, but when your feet leave the ground you realize there is nothing you can do. The ceiling of the shed blows up and away, and suddenly that beautiful clear sky feels like a cage once again.

You try to hold onto Skiddle, but the hurricane separates you with such a force—

Typhon grabs hold of you and drags you into the sky. This is it, you think. This must be where it ends.

But it's not. Typhon spins around, more and more wind whipping up as you can feel your body lighten up and begin to float. It glares at you, roaring loudly, and yet you can hear it. The voice in its heart. That last bit of soul-wrenching sanity aware that decades spent with the man he called his best friend are now over. You can see Skiddle on the ground, calling out to you. You can see three more men who have secured the perimeter, likely there to back up the treacherous guardsman.

They all wear those blue and white uniforms, they are all knights who have passed their trials, who grew up with the Order.

Typhon's grip tightens around your arm, forcing you to look at him.

He says something. And then—

—you black out for a moment. A streak of green fills your vision—

You are Aria.

A traitor to your Order, in the eyes of those who used to call you comrade just a day ago.

Run.

###

You who is filled with wisdom, awareness and love—
The way ahead of you is full of treachery and peril.

So choose your path
.

[ ] You are Aria, Unyielding.
You have lost too much. You will not lose anything again. If you want to protect what is precious to you, you must stand against the most powerful and hold your ground. No one is invincible, but you can become close to it.

[ ] You are Aria, Revolutionary.
The world will continue to take from you unless you change it. Ideas are powerful, but unless they become reality they remain only ideas. You must root out what is wrong, and you must fight to set it right.

[ ] You are Aria, Pathstriding.
The Order was never your home. Drake and Capella were, Lissy and Ruby were. The world is larger, more complicated than a single Duchy. To find the truth that hides in the winds of war, your feet must touch unknown ground.
 
Last edited:
Damn poor Aria man, I hope Skiddle makes it to wherever she ends up airlifted to. Either way, as far as the vote goes:

[X] You are Aria, Pathstriding.
The Order was never your home. Drake and Capella were, Lissy and Ruby were. The world is larger, more complicated than a single Duchy. To find the truth that hides in the winds of war, your feet must touch unknown ground.
 
[X] You are Aria, Revolutionary.
The world will continue to take from you unless you change it. Ideas are powerful, but unless they become reality they remain only ideas. You must root out what is wrong, and you must fight to set it right.
 
Voting is open for the next 7 hours, 29 minutes
Back
Top