Real, Civilized People?
Entropy Judge
Recurring Bouts of Misanthropy
[Location] Final Fantasy VIII
You spend a week recovering on the tower of the Scarlet Devil Mansion, feeling the neverending winds of Gensokyo, usually mild but occasionally wild, and no one bothers you except to bring you food. You don't have articles to write, really; you do write what you have, but since you hardly know anything about the world you just fled from, you'll probably have to recommend that it be struck from the options. Knowing Remilia, she likely left Nazarick with a rather bloody black eye, so even going there out of vengeance won't really fit, and they hadn't gotten around to doing anything irrevocable to justify a long-term punishment.
Eventually, however, it's time to resume your work. You lead Hatate down into the mansion and toward the library. Remilia meets you at the base of the stairs and guides you into the portal area. "... So, have you decided where you want to go next?" Images of the remaining destinations appear over her shoulder, but you keep your attention on her for a few seconds. Should you ask about the attack? Would she tell you if you did ask? Would she be accurate? Should you wait?
"... Yes. We'll go there next." You wave at one of the images and it comes to the fore.
"Hyne's world. A good choice, I think." She chuckles as you raise an eyebrow, and the image wavers to show an overhead view of a kind of city sitting astride a railway in the middle of a body of water. "It's a developed world, technologically and societally -"
"What?!" Yoshika skitters sideways at Hatate's outburst, and as the vampire turns soft red eyes on her Hatate whimpers and tries to hide behind you.
"Just how far ahead are they, technologically speaking?" Remilia shrugs.
"Hard to say; I know they have firearms, and I also know that a major military power arms most of frontline troops with swords. And they also have magic. So …." She shrugs again, a lopsided almost-smile on her face. "Contrary to what you may have thought, I don't actually already know everything about these places. I can tell you a bit about some of them, more or less depending on several things – I can, for example, tell you that the place you will be going to is expressly pacifistic and opposed to conflict in all its forms. Even if they don't want you there, they won't actually force you to leave. So it'll be a good place to start investigating, I think." You frown at the small smile she has on her face.
"Er? It doesn't look that big, so how can we get investigating done – I-I mean -!?" But Remilia just sighs at Hatate's question. Has she really given you any useful information about this place that would justify her disappointment at that sort of question?
"Well, it shouldn't take you long to find something to help you out. Would you prefer a ground-level entrance, or something a bit higher up?" Your frown doesn't change, but she ignores it and sets the portal for your use, defaulting to a high-altitude opening. She's offering you less information, and you probably aren't going to get much if you have to drag information out of her, especially since you don't know what you're getting into. You finger the restored necklace, then sigh and shake your head before looking at Hatate. She hands over her bag and picks up Yoshika, and you step through the portal.
It's a beautiful, clear morning, and you inhale deeply. You can smell the pollution on the wind, the stink of oil and gasoline and coal, but it's a mild irritation, and despite what looks like a very involved train yard down below, very little comes from the city. Hatate sighs happily in the salt air. You take a couple pictures, then freeze and slowly look up to where the portal was. She can see you, and you can just about hear her laughter, musical and teasing, as realization dawns. "Um, Aya? Is something …?" You hold up your camera, but she still doesn't get it.
"She said they're technologically and societally developed; they have firearms and trains. And she was being coy. What do you think the odds that they have newspapers are?" Hatate stares at you for a moment, then her eyes widen and she turns a greedy gaze at the dying city on the ocean. Sure, they won't have the things you're looking for, and you can't just replace your own articles with stuff pulled from them, but if there are newspapers, then there are reporters – your people! There'll be some shock differences, of course, and maybe you'll have to sneak around instead of being welcomed with open arms, but there must be some kind of civilization if there are newspapers! The two of you dive simultaneously, although of course Hatate is limited by having to worry about Yoshika.
Metal groans below you as you land, and you shift your immediate priorities. The city is … not old, precisely, but it's been around for a while, and the sea is not kind or gentle. The city is not dead, not yet, but like all things touched by human hands it is a long time dying, fighting against its fate. Rust stains vast sections of the metal colossus, and other parts are pitted and corroded – but those are non-essential pieces. What places are necessary for the city's survival are better cared-for, cleaned more thoroughly and showing signs of replacement. You take a deep breath and feel the winds shift around you, answering your command and shifting, swirling, organizing. The city is not dead yet, merely dying, but there are so few people here … it might as well be. It's dead, and refuses to accept that fact, raging against the death of its light.
And then some of your winds, bringing along with them the whining of a bored child, carry with them another prisoner: a stained piece of newspaper, with part of a story about an invasion of some nation called Dollet by another called Galbadia. The date is meaningless to you, as are the specifics of the story – humans are still human, what else can you expect? – but what's exciting is the confirmation, the proof and evidence that real civilized people live here, even if they are human. Hatate hugs you tightly.
What do you do?
[ ] Into the city!
[ ] Follow the tracks to the east.
[ ] Follow the tracks to the west.
You spend a week recovering on the tower of the Scarlet Devil Mansion, feeling the neverending winds of Gensokyo, usually mild but occasionally wild, and no one bothers you except to bring you food. You don't have articles to write, really; you do write what you have, but since you hardly know anything about the world you just fled from, you'll probably have to recommend that it be struck from the options. Knowing Remilia, she likely left Nazarick with a rather bloody black eye, so even going there out of vengeance won't really fit, and they hadn't gotten around to doing anything irrevocable to justify a long-term punishment.
Eventually, however, it's time to resume your work. You lead Hatate down into the mansion and toward the library. Remilia meets you at the base of the stairs and guides you into the portal area. "... So, have you decided where you want to go next?" Images of the remaining destinations appear over her shoulder, but you keep your attention on her for a few seconds. Should you ask about the attack? Would she tell you if you did ask? Would she be accurate? Should you wait?
"... Yes. We'll go there next." You wave at one of the images and it comes to the fore.
"Hyne's world. A good choice, I think." She chuckles as you raise an eyebrow, and the image wavers to show an overhead view of a kind of city sitting astride a railway in the middle of a body of water. "It's a developed world, technologically and societally -"
"What?!" Yoshika skitters sideways at Hatate's outburst, and as the vampire turns soft red eyes on her Hatate whimpers and tries to hide behind you.
"Just how far ahead are they, technologically speaking?" Remilia shrugs.
"Hard to say; I know they have firearms, and I also know that a major military power arms most of frontline troops with swords. And they also have magic. So …." She shrugs again, a lopsided almost-smile on her face. "Contrary to what you may have thought, I don't actually already know everything about these places. I can tell you a bit about some of them, more or less depending on several things – I can, for example, tell you that the place you will be going to is expressly pacifistic and opposed to conflict in all its forms. Even if they don't want you there, they won't actually force you to leave. So it'll be a good place to start investigating, I think." You frown at the small smile she has on her face.
"Er? It doesn't look that big, so how can we get investigating done – I-I mean -!?" But Remilia just sighs at Hatate's question. Has she really given you any useful information about this place that would justify her disappointment at that sort of question?
"Well, it shouldn't take you long to find something to help you out. Would you prefer a ground-level entrance, or something a bit higher up?" Your frown doesn't change, but she ignores it and sets the portal for your use, defaulting to a high-altitude opening. She's offering you less information, and you probably aren't going to get much if you have to drag information out of her, especially since you don't know what you're getting into. You finger the restored necklace, then sigh and shake your head before looking at Hatate. She hands over her bag and picks up Yoshika, and you step through the portal.
It's a beautiful, clear morning, and you inhale deeply. You can smell the pollution on the wind, the stink of oil and gasoline and coal, but it's a mild irritation, and despite what looks like a very involved train yard down below, very little comes from the city. Hatate sighs happily in the salt air. You take a couple pictures, then freeze and slowly look up to where the portal was. She can see you, and you can just about hear her laughter, musical and teasing, as realization dawns. "Um, Aya? Is something …?" You hold up your camera, but she still doesn't get it.
"She said they're technologically and societally developed; they have firearms and trains. And she was being coy. What do you think the odds that they have newspapers are?" Hatate stares at you for a moment, then her eyes widen and she turns a greedy gaze at the dying city on the ocean. Sure, they won't have the things you're looking for, and you can't just replace your own articles with stuff pulled from them, but if there are newspapers, then there are reporters – your people! There'll be some shock differences, of course, and maybe you'll have to sneak around instead of being welcomed with open arms, but there must be some kind of civilization if there are newspapers! The two of you dive simultaneously, although of course Hatate is limited by having to worry about Yoshika.
Metal groans below you as you land, and you shift your immediate priorities. The city is … not old, precisely, but it's been around for a while, and the sea is not kind or gentle. The city is not dead, not yet, but like all things touched by human hands it is a long time dying, fighting against its fate. Rust stains vast sections of the metal colossus, and other parts are pitted and corroded – but those are non-essential pieces. What places are necessary for the city's survival are better cared-for, cleaned more thoroughly and showing signs of replacement. You take a deep breath and feel the winds shift around you, answering your command and shifting, swirling, organizing. The city is not dead yet, merely dying, but there are so few people here … it might as well be. It's dead, and refuses to accept that fact, raging against the death of its light.
And then some of your winds, bringing along with them the whining of a bored child, carry with them another prisoner: a stained piece of newspaper, with part of a story about an invasion of some nation called Dollet by another called Galbadia. The date is meaningless to you, as are the specifics of the story – humans are still human, what else can you expect? – but what's exciting is the confirmation, the proof and evidence that real civilized people live here, even if they are human. Hatate hugs you tightly.
What do you do?
[ ] Into the city!
[ ] Follow the tracks to the east.
[ ] Follow the tracks to the west.