VolantRedX
Official Conscience of Worm Fanfiction!
So turns out that there isn't a Worm general discussion thread, and considering how often threads derail into general canon discussion this is a bit of an oversight. So here is the general thread.
considering how often threads derail into general canon discussion
A lot of fic threads break out into fights about canon characters or just general questions on what is canon or fanon.What do you mean when you say a worm general discussion derails into a general canon discussion? Canon is one of the few things we don't have much of an argument about, there is no EU, just anything Wildbow writes or says.
Well then you're reading it wrong. He's escaping the scene of the crime, the way it's phrased heavily indicates that.
Actually WB had a recent WoG on this, and it's not just age that gives someone the position, it's also based on personality and fieldwork. Plus we only see them go after the Undersiders, minor no bodies at that point in the story. They're like the perfect target to see how the Wards handle things solo.And, if memory serves he didn't get the job because he was the best choice or most experienced. He got the job because he was the oldest.
Basically. Despite the clearly accessible work there's a lot of argument about what's fanon and canon. I just had this discussion in the Wile E story thread.A lot of fic threads break out into fights about canon characters or just general questions on what is canon or fanon.
Depends on what people mean by "pressganged." It's standard practice to try and get minor criminals and over-zealous vigilantes off the streets by offering them conditional parole in the Protectorate, as is the case with Assault and Shadow Stalker.where did this idea of being "pressganged into the Wards" come from?
Pressganged as in fanon!Taylor is afraid of dealing with the PRT because of this.Depends on what people mean by "pressganged." It's standard practice to try and get minor criminals and over-zealous vigilantes off the streets by offering them conditional parole in the Protectorate, as is the case with Assault and Shadow Stalker.
And you think Coil's power has nothing to do with what is read for a sizable portion of the Undersiders' operations?Her success is unrealistic. The rate in which the Undersiders reach the peak is unreal. They go from nobody street punks to the greatest supervillains ever in like 5 months all thanks to Taylor. It'd be like someone getting a job as a janitor at a local McDonalds and being CEO six months later. No one could look at that and think "yeah that makes total sense."
The issue is that while that fits in-universe it still reads as insanely successful. What's more after losing Coil's back up they still end up being the most power supervillain group in the world even years later. If Coil was key to their success wouldn't the second after he dies mean they started to lose more and more? Instead they just win more.And you think Coil's power has nothing to do with what is read for a sizable portion of the Undersiders' operations?
The issue is that while that fits in-universe it still reads as insanely successful. What's more after losing Coil's back up they still end up being the most power supervillain group in the world even years later. If Coil was key to their success wouldn't the second after he dies mean they started to lose more and more? Instead they just win more.
Except the German nation was never really an underdog in WW2. They had more industry, natural resources, military leadership, and manpower than the people they were fighting.So? REALITY is unrealistic, hell Nazi Germany is the real-life equivalent of a Gary-stu given what it accomplished in so short a time is ludicrous
What I don't like is that they never seem to face any set backs. Taylor especially. Name one time she truly fails in Worm. I mean totally loses outright, everything she's worked for gets burned to the ground. Seriously name one time. And as soon as she switches sides the heroes are suddenly turning everything around. Her character is sueish because she's practically the chosen one in the way her actions rewrite the very world she lives in. She's the only hero that shifts the paradigm, the only one that seems to effect real change anywhere in the world. I know I'm not the only one that finds it annoying.They also weren't beholden to bureaucracy, PR, factional infighting and other stuff. I think it might be that you just don't like it because they're villains instead of heroes
Really? I thought it was the other way around? The Germans started strong but they couldn't really win against their foes, all of them being who they were and all of them dedicated to kicking them in the head.Except the German nation was never really an underdog in WW2. They had more industry, natural resources, military leadership, and manpower than the people they were fighting.
Sort of, the German defeat came essentially at the hands of spreading themselves too thin and trying to fight the whole world. Germany had the resources to fight France and Britain, then before finishing that fight, Hitler had the great idea to invade the Soviet Union, whist focusing on political targets rather than military ones, and then after Pearl Harbour decided to declare War on the US despite not being under any obligation to do so, and still fighting a costly war with both the UK and the USSR on several fronts. Nazi Germany could have won the war if it wasn't run by a mad man and his cabal of sycophants. Of course it wouldn't be Nazi Germany at that point.Really? I thought it was the other way around? The Germans started strong but they couldn't really win against their foes, all of them being who they were and all of them dedicated to kicking them in the head.
No. The claim I'm talking about is the one that Adam Tooze apparently puts forward: their economy is fucked in general. It's not that Hitler just blundered by attacking the Soviets, he'd been artificially hiding the weaknesses of the German economy for a while and continued to do so during the war with looting.Sort of, the German defeat came essentially at the hands of spreading themselves too thin and trying to fight the whole world. Germany had the resources to fight France and Britain, then before finishing that fight, Hitler had the great idea to invade the Soviet Union, whist focusing on political targets rather than military ones, and then after Pearl Harbour decided to declare War on the US despite not being under any obligation to do so, and still fighting a costly war with both the UK and the USSR on several fronts. Nazi Germany could have won the war if it wasn't run by a mad man and his cabal of sycophants. Of course it wouldn't be Nazi Germany at that point.
The fact that everyone bends over backwards for her at the PRT despite the fact that she's a thief, kidnapper, torturer, bully, murderer and traitor? That says a lot there about how messed up it actually looks on the outside.What I don't like is that they never seem to face any set backs. Taylor especially. Name one time she truly fails in Worm. I mean totally loses outright, everything she's worked for gets burned to the ground. Seriously name one time. And as soon as she switches sides the heroes are suddenly turning everything around. Her character is sueish because she's practically the chosen one in the way her actions rewrite the very world she lives in. She's the only hero that shifts the paradigm, the only one that seems to effect real change anywhere in the world. I know I'm not the only one that finds it annoying.
Basically the issue is that after Alexandria's death Worm feels like a fan wank story featuring Taylor.
Except the German nation was never really an underdog in WW2. They had more industry, natural resources, military leadership, and manpower than the people they were fighting.
What I don't like is that they never seem to face any set backs. Taylor especially. Name one time she truly fails in Worm. I mean totally loses outright, everything she's worked for gets burned to the ground. Seriously name one time. And as soon as she switches sides the heroes are suddenly turning everything around. Her character is sueish because she's practically the chosen one in the way her actions rewrite the very world she lives in. She's the only hero that shifts the paradigm, the only one that seems to effect real change anywhere in the world. I know I'm not the only one that finds it annoying.
Basically the issue is that after Alexandria's death Worm feels like a fan wank story featuring Taylor.
Did you actually finish Worm? Despite Taylor making massive sacrifices and even abandoning her friends Jack Slash still ends the world. Heck you could sill make the arguments that everything she worked as Skitter end up being meaningless because Scion causally wrecks the city she worked so hard to rebuild in the first few minutes of his rampage.What I don't like is that they never seem to face any set backs. Taylor especially. Name one time she truly fails in Worm. I mean totally loses outright, everything she's worked for gets burned to the ground. Seriously name one time.
But it wasn't her fault at all. It's no different then if just a random weather disaster occurred. Storywise, it's not about whether or not it's meaningless but just to make a super Big Bad /raise the stakes for Mary Sue to beat cause she's so awesome and super cool and always knows what's right and blah blah blah.Did you actually finish Worm? Despite Taylor making massive sacrifices and even abandoning her friends Jack Slash still ends the world. Heck you could sill make the arguments that everything she worked as Skitter end up being meaningless because Scion causally wrecks the city she worked so hard to rebuild in the first few minutes of his rampage.
The fact that everyone bends over backwards for her at the PRT despite the fact that she's a thief, kidnapper, torturer, bully, murderer and traitor
I mean, he's right. You can complain about a lot of what Polokun says but this sort of dismissive reaction is lowering yourself to his (perceived, if not actual) level. Taylor is the sort of person the PRT wants to step on (and they would absolutely use those words to describe her and they could make a very strong case for their validity). The writer did contrive it so that they didn't actually step on her. In a discussion about her getting away with things with that particular organization it's incredibly relevant.She's a butcher! Jezebel! Vandal! Doody head! Guerrilla! Rapscallion! Dog stealer! Mad as a bad of ferrets! Coxfither! Fringe candidate!
Which doesn't dispute my point, having the 11th hour be the first time a meaningful setback occurs just means the story lacked any real down moments for Taylor. I mean a good story would have several ups and downs, not just ups. Taylor rarely loses and never loses outright to the point. It's really bad by the time Alexandria dies. It really feels like WB was buying into the hype surrounding his own character at that point.Despite Taylor making massive sacrifices and even abandoning her friends Jack Slash still ends the world. Heck you could sill make the arguments that everything she worked as Skitter end up being meaningless because Scion causally wrecks the city she worked so hard to rebuild in the first few minutes of his rampage.
Well what would you call a character that never loses, has no meaningful set backs, has everyone talk about how cool and smart and inventive she is, is, without any training, a master strategist, as well as able to fight several master combatants in hand to hand, also repeatably punches above her weight class, and finally is the one to totally save the world?Mary Sue? Is it 2006 again? Because nobody takes that word seriously anymore outside of the most obvious cases unless the speaker has one hell of a case to make for it.