You are mired in a labyrinth of corridors. At first they seem similar to those Filius guided you through last morning, but they soon veer into more fanciful designs. A hall of empty portraits, with their occupants congregating in a mural at its end, fighting amongst themselves. A passageway of black stone which yields to the touch, forming new paths at every gesture. A wooden room, perfectly cubical with warmth emanating from its sides. On and on it goes, weaving between the macabre and saccharine without any indication of care, purpose or consistency.
Eventually, it comes to an end. You feel a strange sense of grudging resignation as one last chamber surrounds you. Rather than walls, you are within a dome of glass segmented into eclectic shapes. The floor is grey marble, warmed by sunlight. Each part of the dome shows a different view of the outside, comparable in variety to the maze you recently wandered. In this room's center stands its sole furnishing: a pedestal on which a book lies closed. You feel yourself waking as you approach, and the book's title blurs and shifts before finally resolving into legibility:
How to Bind Souls and Influence Castles
The start of your life's second day is radically different to that of the first. Rather than surging into consciousness you langorously wake in comfort and serenity, though your calm is soon broken by racing thoughts.
Just what are you, and why do you exist? Filius called you a "soul trap", and indicated that Sykes's soul is the one trapped within you. You were created through a "dark ritual", something Minerva found so upsetting that it led her to assault and detain you on sight. While Filius said you are not dark yourself, he also stated that you would've inherited Sykes's predilictions for whatever magics she was talented in. Does that include dark magic? What even is dark magic? More importantly, why would she be willing to sacrifice her own life in an apparently unpleasant manner to create you, yet fail to provide any guidance or specific information at all as to what you should be doing or how?
Well, you won't solve these mysteries just lying around! Rising from the swaddling sheets of your bed you hear a set of three prim knocks sound through the room, conveniently answering the question of what you'll do next.
Minerva is waiting outside your door, seeming more haggard than before yet no less determined. "Good morning," she greets you.
"Yes, good morning. Just how did you know I was up?"
"The house elves alerted me that you had awoken. There are a few things we need to discuss before you go anywhere, if you're prepared to."
"Um, certainly. It's not as though I had plans, Minerva."
Her face twitches at that, quickly enough you nearly missed it. Unsure why that happened and unwilling to ask when she clearly has an agenda, you lead her into your guest suite, finding the bed removed and several comfortable, well-cushioned chairs awaiting your occupancy. You are taken aback by the change, but Minerva is unflapped. The two of you sit, and Minerva resumes the conversation:
"As I've yet to introduce myself, that seems the best place to start. I am Professor Minerva McGonagall, the Head of the Transfiguration Department and Gryffindor House here at Hogwarts. I further serve as Deputy Headmistress, which provides me with a great deal of knowledge and experience regarding the particular workings of this school and the castle which houses it. As you are likely..." she pauses, considering you, "...unaware, Albus Dumbledore was, among many other things, this school's Headmaster at the time of his--" she falters briefly, "-- departure."
"My condolences, sincerely."
"Yes, well, the most critical part of what I've said, at least as far as you're concerned, is that I am still Deputy Headmistress."
She pauses here, watching you. You return her gaze, quizzical, and she continues a few moments later.
"In the event of a Headmaster's passing, custody of the school is to pass to their deputy. Officially, this is the primary function of my role."
"...Right, that's sensible. What's gone wrong, then? Who is Headmaster?"
"As of last night, you are."
This, naturally, leaves you gobsmacked.
"For whatever reason and by whatever means, you have inherited the Headmastership from Albus Dumbledore."
"Wait, how can I be the Headmaster? Isn't that just an administrative position, not something that could be passed from one person to someone completely unrelated? It's not as though anyone's hired me, at least to my knowledge."
She seems discomfited. "There are... esoteric components involved. It's a complex topic, but there are considerations on account of which I can't reasonably be considered Headmaster. Further, you cannot relinquish the role save in death, something I'd expect we both object to."
You collapse back into your seat's warm embrace. Yet another oddity has been thrust upon you unanticipated. Maybe you're just bad at this whole "existence" thing, given how little control you seem to have over it.
"...Exactly what does this mean for us?"
"You'll need to approve any official documents such as the school's budget, represent the school in public and in meetings with the Board of Governors, make hiring decisions, and generally be present at Hogwarts throughout the year. There are also certain emergency procedures you must be made aware of and prepared to enact. Technically, these are the only requirements, but you may wish to take more duties upon yourself in time."
"Why's that?"
"I believe Filius would be better suited to that particular discussion. In the meanwhile, I'd recommend that you get dressed. While I'm told you're incapable of eating, breakfast would be an excellent opportunity for you to meet the other members of staff staying at Hogwarts over the summer."
You numbly say your farewells and she departs. On the bright side, this provides you a clear purpose and direction. That's faint praise next to the sudden pressure and confusion you're experiencing, but it's something. For now, you'd best do as McGonagall suggested and get dressed.
...Wait, have you been nude this whole time?
There's a closet in this room conveniently stocked with a broad variety of clothes in your size. What will you wear to breakfast?
[] (Clothes) Simple silken robes, plain black with white trim. They are accompanied by an archetypal wizard's hat.
[] (Clothes) Dress clothes with an open robe. Its hem only reaches your knees, signalling its ornamental nature.
[X] (Clothes) Sweatpants, a garish hoodie and steel-toed boots. Perfect for making an impression.
[] (Clothes) Your birthday suit. It's worked out so far, right?
With what name will you introduce yourself?
[X] (Name) You have no name. You are the Headmaster. That is enough.
[] (Name) Write-in
How will you be referred to?
[] (Pronoun) It
[X] (Pronoun) They
[] (Pronoun) She
[] (Pronoun) He
With what manner will you present yourself?
[X] (Demeanor) Convivial. You want to get off on the right foot and get to know who your coworkers truly are.
[] (Demeanor) Subdued. They just lost their former boss and now you're here to take his place. It's best to start small.
[] (Demeanor) Authoritative. You're starting from a weak position and need to get a handle on things before they deteriorate further.
Relatively long update, yaaaaaay. Kinda need it after the break.
For the (Pronoun) vote, McGonagall will ask you how you prefer to be called and refer to you as such when first introducing you. To be clear, you don't have sexual characteristics of any kind. The other votes should be self-evident, I think.
Plan's still to get the prologue wrapped up with the next update, then having a sidestory post focusing on McGonagall and Flitwick meeting while you slept.
I'll need to update the Encyclopedia and Status sheets with some data, but that's not happening until I get some sleep.