When I said twenty minutes to Murphy, I hadn't been kidding. While normally, the Blue Beetle doesn't really do all that well if you try to take her over sixty, the Beetle was in the shop, and I was using one of Mike's loaner cars. Mike may have been a miracle worker, but even he had at least a week turnaround when having to deal with the damage induced by a horde of angry gnomes. I hadn't even been the one to piss them off, but they took it out on my car. My car! Is there no justice in the world?
The loaner that Mike had given me for the time being was an old Army Jeep that he'd had sitting around the shop for a while. It was perhaps maybe five years younger than the Beetle, and it had a lot more room for my legs. Of course, I absolutely hated it. The Beetle had it beat by leaps and bounds, but the Jeep was old enough that unlike Billy Borden's car, I'd be able to drive this one more than five miles before it started barking at me that the door was ajar when it was shut tight. Magic interferes with technology, you see, the newer, more complex the technology, the worse that it gets messed up. Billy's poor satnav never had a chance.
I couldn't take Mouse with me, as much as I wanted to. This was an official crime scene, and there were going to be police everywhere. As much as he sheds, my dog would probably contaminate the crime scene. I had left a note for Thomas to make sure to walk Mouse when he got back, and got in the Jeep to get to the crime scene. Fifth Avenue wasn't all that far from my place, and allowing for traffic it would have taken me maybe ten minutes on a bad day to get there. I made it there in record time, shaving maybe two minutes thanks to lucky timing at a stoplight, and made it. There it was, obvious from the police cars.
Oh, and of course, the tiny blonde woman standing next to the cars themselves, looking at the road. Lieutenant Karrin Murphy was the current head of SI, that's Special Investigations to the layperson. Chicago's Special Investigations unit was the unit that handled all sorts of strange things from the natural to the supernatural and they managed to report it in words that the upper brass could handle. It wasn't a vampire, but instead a gang member on PCP. It wasn't magical fire, it was swamp gas with fireworks. That sort of thing. They typically saddled detectives that they wanted to drum out of the force but couldn't find good cause with the job, and the typical detective lasted maybe a year. Murphy had lasted nearly a decade at this point, thanks in no small part to her willingness to hire a certain Wizard out of a certain phone book.
Today Murphy wore her hair up in a tight bun, a leather jacket, some thick but serviceable winter pants to combat the falling December snow and some sensible boots for working in. By contrast, I wore some jeans, a tee shirt that said "Han Shot First" and my long leather duster. Hanging on a thong on the inner flap of my duster was my blasting rod, and in the back of Mike's loaner, I had my staff. I looked almost longingly at it when I went around back to retrieve a small duffel bag. I'd gone to park the Jeep (man, I needed a better name for it) in the parking lot across the street. It hadn't taken long, and thanks to my large stride, I was meeting Murphy at the tape within a few minutes.
She greeted me with a small smile and waved me through the police tape. "I kept looking for your clunker of a car, but I didn't see you drive in."
"The Beetle's in the shop. Mike lent me a Jeep until it's ready." I tried for a bit surly as I answered, but the chill made it a little hard to accomplish.
"Ah, so you have a car that's big enough that you don't look ridiculous getting out of. I approve." Murphy said as she started to lead me in.
"The Blue Beetle's a classic." I had to defend my car. Sure, it wasn't exactly blue anymore and the upholstery had to be replaced recently (Mold demons, don't ask. Seriously), but it was my car. "And Mike said it should be fixed by the end of the week anyway."
"Uh huh. If you say so, Dresden." We got to the door to the hotel, which thankfully was one of the ones you pull open rather than an automatic. To continue with our bit of banter, I pulled open the door for Murphy.
"Ladies first." My smile wouldn't melt butter as Murphy stepped through scowling. However, once we were both inside, she chose rather than shooting back, she'd get a head start on heading to the elevator. I, of course, was not long behind her. This reminded me eerily of one of my earlier cases. Murphy and I racing for the elevator only to lead to something worse. While I hoped that the murder scene up above wasn't going to be as bad, something told me that was just wishful thinking. Murphy was actually hiring me to work for SI for once, after all.
When we reached the elevator, simultaneously, I might add, Murphy turned to me after pressing the button. "Harry, this isn't going to be pretty."
"They never are, Karrin." They never are. It was the middle of December, so the method that Victor Sells had used… No, that was getting ahead of myself before I had even seen the bodies. Just because they were killed in a hotel did not mean that it was the exact same situation.
The elevator arrived, and we both stepped in, me a little more uneasy than Murphy. I never really liked the idea of being placed into a box that was being raised slowly, and ever since I crashed the elevator in my office building, I have been even more apprehensive about them. Still, Murphy pushed the number for the thirty-second floor, one lower than the penthouse. The elevator began to climb, and despite my apprehension, nothing seemed to be affecting it magically or otherwise.
Murphy and I waited for the elevator to reach its destination in a relatively comfortable silence. We'd known each other for a few years now, and I could tell that whatever had happened here had shaken her a little bit, throwing her off her game. I didn't like that. Not much these days could do that to my friend, but somehow this murder had. I guess I would have to see for myself, but I had to wonder if assuaging my curiosity would be worth it in the end.
The elevator dinged as we arrived at the floor, and the doors opened slowly. The hallway was crawling with officers from SI, most of whom I recognized and in return recognized me. Upon seeing me, some of them gave strained smiles, but they mostly just stepped aside and kept clear. Standing outside the crime scene hotel room was a familiar face with a bad haircut. His moustache was trimmed neatly for once, but his suit was a little unkempt.
"Hey Harry, Lieutenant," John Stallings greeted as we walked up. "You sure you want Harry in before CSI, Lieutenant? I mean, I know he's good, but it's still a crime scene… Nasty one at that."
"If I'm right, he might be better for us before Butters looks at the bodies." Murphy answered her partner. Stallings had been her partner since the death of her previous one, and he seemed to trust me a decent amount. He grimaced when looking at the room and nodded. I gave a cautious glance to his eyes and then down again as I headed to the door.
"Hope you've got a strong stomach, Harry. This isn't pretty." Stallings opened the door to the room, and I mentally prepared myself. During my time operating in Chicago, I'd seen many murders, but I don't believe that many of them had been in hotel rooms in high rise buildings. Stepping through the door, I had a guess as to what to expect. Blood would probably be on the walls, potentially signs of struggling against whatever did the killing, knocked over furniture, broken appliances, that sort of thing.
What I hadn't expected was the entryway to be so depressingly normal, for a hotel suite anyway. The living area of the suite's couch had some messed up cushions, clothing strewn about. A pair of panties there, a button-down shirt there. I knew the rules, no touching. I wasn't going to contaminate the scene, but it was fairly obvious what had happened here. An open bottle of champagne sat on a table next to two occupied chairs. My eyes almost passed over the occupants of the chairs for a second before snapping back.
The bodies had been posed. His hand over hers on the table, her leg reaching under the table to caress his, but that wasn't what was wrong with the picture when I looked at them. No, what was wrong was how his left hand was paired with her right, and her left with his. In fact, as I turned to get a better look, somehow, both bodies had been split symmetrically and then placed such that the halves would line up. He'd been a brunette, slightly scarred and muscular. She… probably had been attractive. Her hair, the bit that was visible through the blood, had been shoulder-length and red. Each half was symmetrical, so I had no idea which side had been which original person. They had been joined right along the symmetry line.
Of course, this was by no means perfect, and judging from the blood pooled under each of the chairs, this posing and joining had been done not long after they had died. No signs of struggle in the living area, and there wasn't any blood spatter to support the death in there… I had to make my way to the bedroom. As I stepped inside, I nearly had to step back out again due to the smell. The bedroom was definitely the scene of the murders. The blood had reached the ceiling while the… other things had pooled on the bed and onto the carpet near it. I let my eyes take it all in before stepping back out to take a breath.
Murphy was at my side, and I carefully avoided looking toward the bodies. "There's no obvious murder weapon, not with that sort of cutting it would take to make that smooth a cut. The lack of struggle, even in there signifies that they either were alone of they knew their murderer. There's no sign of forced entry, nor have we been able to find anyone else in the footage entering this room. CSI will be gathering all the evidence they can in here, but I wanted to get your take on it."
I nodded and thought. "Well, while I've never heard about a Warlock doing it, that doesn't mean it's impossible for this to be thaumaturgy, but judging from how dry that blood over there is, these murders happened last night. I'm probably not going to get much if I use the Sight here since dawn has already came today. Do you know who they are yet?"
"Butters would have to confirm it for the man, but we did manage to get an ID for the girl, if you think that will help." Murphy said, keeping her eyes on my face, albeit not meeting my own for too long.
"Lay it on me." It couldn't hurt, at least. I had very little to go on here save for the method of presentation. A name could help because I could track down a motive.
"The woman is one Lisa Hendricks, formerly a college senior at UCLA. Harry, do you think that it's like… The Sells case?" Murphy asked, and while I didn't blame her for being suspicious of me then, she probably felt a bit guilty about that still.
"No storms to power it. I suppose if you had a powerful enough warlock, you could pull off something like this."
"Could you?" Murphy asked. Once upon a time, I'd probably be worried she was actually asking if I did it, but now it seemed much more like simple curiosity.
"I really don't know… Murphy, while I don't expect much, I think I should probably chance it." I stepped back over toward the bedroom and closed my eyes. Murphy followed behind, careful to keep behind me. She knew what I was going to do.
A Wizard's Sight is both a gift and a curse that all Wizards share. It allows us to see things for what they truly are, and it lets us perceive things that would not normally be visible to the human eye naturally such as spirits, magic, among other things. There is just one major drawback to using the Sight. Whatever a Wizard looks upon with his Sight is something that he will never be able to forget. The image will burn itself on his memory. I have a number of nightmarish things that I have looked upon with my Sight, and I have some good as well.
For this case, however, I needed a lead. If that meant adding a new nightmare to torment myself with, so be it. I opened my Sight to perceive the room.
Describing the Sight to someone who doesn't have it is difficult. Colors are brighter, definition is sharper, sounds are clearer, and smells and tastes hang on the nose and tongues for easier identification. The Sight is actually a bit of a misnomer that way. But as I looked into the room, I could almost see the divisions that happened. The man was sitting on the bed, and Lisa had been the one who was standing nearby. There were remnants, cords of some sort of spell. One black, one white, and both were heavily intertwined with each other as they reached out toward the places the people died. I bet if I followed the cords toward the living area, they would cut off before reaching the bodies, but only just. The spells were too degraded by the dawn to identify them, but they were there. I didn't want to test y theory for fear of what I might see.
I closed my Sight with a bit of effort and will. Then I turned to Murphy, "Yeah, they were definitely killed by magic, Murph. I can't tell exactly how unfortunately. Maybe if they'd been murdered after dawn, but the magic's too far gone to get a clear picture."
"You can figure it out, right? You did before." Murphy asked as I stood up to get a better look around the room. There might have been something mundane I missed. A picture sat face-down on the dresser.
"Probably. You get a look at the picture here?" I pointed it out. Murphy reached out with a gloved hand and carefully lifted it to flip over. Four person family, all redheads. One of them, a rather imposing young man stood next to who I assumed was the female victim out there. He seemed familiar, but I couldn't quite place him.
"Not really evidence, but useful." Murphy commented. "Maybe they'll be able to… Damnit."
"What?" Murphy saw something in the picture I didn't.
"Take a closer look at the son, and tell me what you see." I took a closer look, forcing myself to ignore all the blood around me. I could be professional too, when there was something to focus on. The son had slicked-back red hair, slightly spiked, a strong jawline, and he appeared to be scowling in the image. No. Combine that with the female victim's name.
"You're kidding me. The female victim… she's…"
"A Hendricks, and related to the one that both of us know." Cujo Hendricks, Gentleman Johnny Marcone's top enforcer was the son in this picture, and one of the victims was apparently related to him, possibly his sister. Combined with the method of death, this case just gets better and better.