The Bitter Drop
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Secondary-world modern fantasy about a newly-established commune, narrated by Lev/Lyubov Morgenshtern — ex-rabbi, red yid, bigender flamer and inveterate cruiser.

R18 for sexual content and use of reclaimed homophobic slurs.
Index

LadyIsak

swishy gay commie Jew
Location
Scotland
Pronouns
He/Him/His

A gothic fantasy of counterfactual modernity, set in Svet Dmitrin — a thinly-disguised anachronistic synthesis of soon-to-be-Soviet Odessa and Great War era Leningrad — during a protracted stalemate between the revolutionary Red Guard and the increasingly desperate tzarist White Guard.

Our narrator is Lev/Lyubov Morgenshtern, a gay bigender ex-rabbi who's just returned to the Talons Ghetto commune after a stint on a psych ward — which had followed a far longer stint living in the tzarist-held half of Svet Dmitrin with a bougie respectability-obsessed ex-boyfriend. He's got nowhere to sleep, no assurance his old friends want to see him and the only workable plan he's got is to find someone hot and soft-hearted to take him home for the night …

R18 for sexual content; the story makes frequent use of reclaimed homophobic slurs

 
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Volume I: Sparrows | Epigraph
The hour's getting late and soon we'll have to pay our dues.
We're faced with situations where we all will have to choose;
And no one will recover what we're all about to lose.
And history's a river full of things we'll have to use.
The world is turning colder and the walls are high and true;
The cities all are burning into something dark and new;
The fire and the waste have beat the heavens black and blue
You're refugees from wars between religious points of view
And all the broken borders of the names they put on you
You're strangers in your home, even stranger sur la rue...

I have a little prophecy for you
An apocalyptic mystery, a clue:
When the world becomes Detroit
We all become like Jews
When Zion is destroyed
The promise will come true
Detroit is all your cities
And Zion is in you
So learn to take it with you
Learn to be a Jew
—Daniel Kahn, The Jew In You

Wißt Ihr warum der Sarg wohl
So groß und schwer mag seyn?
Ich legt' auch meine Liebe
Und meinen Schmerz hinein.
—Heinrich Heine, Die alten, bösen Lieder
 
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I: 000 - The Night Grows Pale [scene 01]
It's the month of Iyyar, what the Ladsky call Matrimony, in the year 5780 since the Creation of the World — or at least like, since us yidn started paying attention. I'm sitting in The Desert Peach teplitzeh1, smoking my fifth cigarette of the night and staring out of the window.

See, like. Ostensibly, it is night-time.

Materially, though? Nu, like— Glazurka, the sun-star of the Vyuta and Osedka plena, has already sunk into the Silver, but owing to the season and some of the, erm, oddities of the latitude, her departure has entirely failed to bless us with darkness. Through a gap in balding velvet drapes, I can see the empty sky glisten beyond the latticed windowpane, pearly and pallid as the belly of some deep-sea fish, one of those behemes what have maws like bear-traps and eyes like light-bulbs. The night never quite falls on Svet-Dmitrin in midsummer. The tzarists do love such pathetic fallacy, but like, feh, I don't.

The sickly glow of la nuit blanche alights heavy on my skin, chafes mine eyes like bandages swaddling a burn what's just begun filming over with new skin. It pools in my teeth, jams the gaps between my joints. It gnaws my bones and burrows under my skin, disturbing silver'd memories what nest there: dreams of chitin and feathers and many — just enough — eyes, and neither pain nor flesh. It squirms in the cavity of my chest, pushing against the ribs like a golfing brolly threatening to spring open. Ay! This light, it isn't pleasant is what I'm trying to say, and such unpleasant things tend make a fag a little wobbly, and it is a bad idea to be wobbly here at the Peach, with its gorgeous polished marble floor — such a precious keepsake of the years the building spent working as a theatre. My spirit may be closer to the Silver than to the Bones of Mir2, but like, nefil3 or not, my bones are still likely to break upon abrupt and velocitous contact with the ground.

There are many ways for a yid — for anyone — to die, and if I could have any say in such matters, I would rather die with a little dignity. Not too much, nu? There's nothing more tasteless than a death the yellow broadsheets wouldn't pearl-clutch over, but were I to die, I'd rather die with just enough dignity that they could like, hypothetically, tell my stepfather how I left this broken world and elicit a response what is something other than, "always knew he'd end badly".

Maybe it's gauche to brood over such things, but it's not as though I've got much else to do right now. I'm here at the Peach tonight to pull, because if I find no boy to go home with come dawn, I'll be sleeping rough and, ekh — I'm stalling making an effort, because it's been a terrible three months and I look absolutely ghastly, and I find it hard to be optimistic. In general, thou must understand, yes, but like, tonight in specific too — my chances of being found attractive after a three-month stint in the Mamka4 aren't, like, fantastic. Oy, sure, a bedlam's better than being sent to kozlostan5, but only just.

I wear no yarmulkeh6 tonight — I took it off before entering the Peach — and maybe this might help but g-d my head feels weird without its nearly imperceptible weight. I keep running my fingers through my hair, and they tangle in the long red strands, like wrack in seaweed.

I'm telling this all out of order.

Before I tell thee about the Peach, about Svet-Dmitrin and the Talons, about all the rest of it—

Please do allow me to introduce myself. Thou'lt forgive me for telling thee just my civic name — a lady's rufnomen is like, a little too private to be revealed on the first date.

My name is either Lev or Lyubov — Venyaminovitsh or Venyaminovna, depending, and in both cases the surname's Morgenshtern — and I'm a rose petal. Like, I guess thou couldst call me a girl, more or less, if thou meanst I'm a cultivar7, one of the girls what are decreed men before we can have any opinion on the matter. Thou wouldst be not wrong, but like, thou wouldst be just as right to say that I'm yet another faygeleh8, another hot-house faggot in kohl eyeliner and garish lipstick. It depends, nu? I'm as much a self-made kinda girl as an effeminate boy — a stormy flamer, among mine own with petals of both gardens and any metal, and in sorority with all our thorns.

I am a queen like the chymical queens what are femme roses first and self-made iron a distant second, like the chymical queens what are first self-made copper and always femme roses, and yet still much like the queens what are iron but not chymical, too; a delicate sister of the diesel-dykes, a foil to the thorns both copper and iron what are both violets and butches and not women but never men.

There's no precision for me, as for any of us, no ultimate truth among the arbitrary categories of sex.

... I guess the word I'm groping for here is "bigender", though like, who knows how soon the taxonomy what's in vogue will shift again, nu? The chymical girls of either garden may call me "she", and fellow fags and boys what like boys may court me and call me "he", and to all other hot-house flowers, I'm sie/hir in the vernacular, or fae/faer, if thou prefer'st.

And to heters, well— akh, forgive my rudeness, but if thou art inclined neither to horticulture nor to botany, nor to the tending of hot-houses, and thou'rt not one of the rare individuals what gets such things without ever participating, I'm a "mind your own fucking business".

But like, I'm not anyone in particular, thou must understand. It hadn't always been so — oy, once I had learning and good deeds both, and got called "Rabbi"! Nu, such a season passed as all seasons pass, and now I'm just a shlimazel of no fixed address. I write — horror and fantastiks, mostly short pieces, though I did write novels once, and ekh, I may still commit such crimes against language again.

I turn thirty this year — on the second of Markheshvan according to my calendar, and in the month of Occult according to the Ladsky. But like, between me and thee? I don't know if I dare assume I'll live to see it.

Feh, enough about that! Do let me tell thee where I am — broadly, pedantically and specifically — and about how mine evening's going.

Broadly speaking, I'm in Svet-Dmitrin, the notional capitol of Imperial Vsemlada, but like, to be pedantic about it, I'm in the Talons — there's something of a difference between our ghetto on the Vyuta Plenum, and the city proper. It's colder out there, upon Osedka, where the golden steeples of rıbak churches loom high over the roofs of the town-houses, far away from the shuln and the minarets and the music-halls, far away from the factories and the docks, far away from where consequences make landfall—

—half a decade ago, consequences came to Osedka. Half a decade ago, in the month of Febrile, the Red Guard stormed the Winter Palace and arrested Tzar Nikolay and all his courtiers and all his lackeys and all his Inquisitors — or at least, all the ones what chose to surrender and live.

Borukh Dayan HaEmes, and yasher koyakh to the Red Guard.

Half a decade ago, in the summer month of Jubilant, Tzar Nikolay II Romanov, may his name be forgotten, was tried and executed.

Half a decade ago, in the month of Desecration, on orders of Gosudarınya Anastasiya Nikolayevna, acting as regent on behalf of Tzar Aleksey II Romanov, the White Guard marched up the frozen River Demeter into Svet-Dmitrin and shut down as many co-ops and workers' councils as they could get to and cut a swath through occupied Osedka and half of Vyuta — and stopped at the gates of the Talons Ghetto, held back by the walls.

May HaShem avenge the blood of all our martyrs, and may the memory of the White Guard be blotted out—

But nu, like.

To be specific and like, relevant, rather than merely geographically correct, I'm on the ground floor of The Desert Peach, in the tea lounge, sitting in a booth just to one side of the tiny bar — I think it used to be the concessions stand, back when the local luvvies and regisseurs came here to make art rather than like, to gossip and fuck and backbite without getting paid for it.

The Peach's a grand place, a little tatty around the edges, but with all the gauche dignity what comes to any true diva as she ages, and her tea lounge is a marvel, bedecked by carnival-glass gas-lamps, draped in velvet, spangled with brass tshotshkes. Here, thou canst sit on a low divan, or recline on a méridienne and smoke qalyan — hashish and poppy both available, but mere tobacco's an option too. It's dark in here, the drapes drawn and the gas-lamps kept at the merest suggestion of a flicker, and it's quiet — the music's turned down low, to permit conversation more sophisticated than the basics what precede intimacy — though like, if thou hast the urge but not the patience to relocate to the back room in the former orchestra pit or to a private room upstairs, the tea lounge does have booths with remarkably high partitions, and nu, the horticulturally-inclined patrons of the Peach, we all share a certain understanding regarding soft noises what are none of a bystander's business.

The lounge is nearly empty tonight; all the action is downstairs at the grinding workshop — in the basement discotheque; if I'm to have any hope of pulling, that's where I ought to go but ... ekh, I'm foggy tonight, between the psychosis and the opioids for the pain what likes to haunt nefilim and the horse pills they made me take at the Mamka — nu okay, I skipped tonight's dose so I can drink but like, neuroleptics don't let go that quick — and as the brainfog settles on my thoughts, it turns to hoarfrost and my will seizes up like a rusty hinge.

So here I sit, half-hidden in a booth, staring into the half-light of the lounge, hands trembling, heart fluttering like a panicked bird, ankles tangled up in the straps of my shleptop bag and handbag.

If I don't catch anyone's eye, there'll be nowhere for me to sleep tonight. Not indoors, in any case — all our red Nostalgine shelters are full. The two Upsilon boarding houses here on Vyuta want payment up front, and like, I'm not exactly solvent right now. There's a Deliverance shelter over in the Fangs District what's free, but nu, like the Upsilons, it's outside the Ghetto proper, too close to Osedka for comfort, and a rıbak shtik besides — no place for a nice yiddish fag.

Like, don't get me wrong, not all those of the nations are equally goyim about it! Our sages do tell us, whether B'ney Yisroel will require cultural autonomy, this is yet to be adjudicated, and like, who am I to argue? Gules is always gules, but feh, it's not all been a parade of Homans and Torquemadas — there's been enough of a Koresh Two or a Sasha Makedonskiy what have had the decency to only place a perfunctory foot on the neck of their Inner Others. Nu, I hear that in the Orm, yekkes get to volunteer to take part in maintaining the engine what is crushing us, which is like, certainly different from how things are here in Vsemlada9.

But the goyim what call themselves the Knights of Deliverance, they profess to love us, to feel responsible for us, especially for that part of us what continues beyond this mortal coil and while the sardines aren't inclined to proselytise with torch and sword in hand, they are inclined to give me a choice dying a yid or living a goy and like, all things being equal, I can't imagine just how desperate I'd have to be, to willingly flake on the Covenant, nu?

And even if they don't like, twig that I'm a yid, and even if the worst they could do to a yid like me in the space of a couple of nights is kettling on about the Unconquered Sun, son of a god what has as much to do with HaShem as I do with a kumquat, they're still like, apt to get narky about, nu, well ... the little issue of my brazen and shameless violation of both parts of the Section10.

So like, either way, I would prefer not to deal with the Deliverance shelter and nu, I suspect that all things being equal, the Deliverance shelter would prefer not to deal with me.

Dwelling on all this is only making me freeze up all the more. The longer I think about it, the likelier it is I'll totally lose my nerve.

I need a drink.

I need money and a future and a body what's not riddled with arthritis before it's even entered its fourth decade and like, for that matter, I need to get railed by someone what would want to stick around in the morning, but right now, I just need a drink.

My first attempt at standing up nearly ends with me faceplanting into the polished mahogany tabletop — I forgot to untangle myself from my bags — but I manage to stay upright and balanced the second time. I resettle my spectacles on my nose — resisting the urge to rub mine eyes, I'm wearing makeup and nu like, I'd rather not wreck it — pick up my handbag and the shleptop bag, take up my walking-stick and make my way to the tiny bar, hair swinging, hips swaying.

With every step, I'm conscious of how easy it'd be to slip again, how easy one can lose traction, how quickly ankles and fortunes turn, and my heart hammers a counterpoint to the click-clack-click of walking-stick and stiletto heels upon the marble floor—

And then the heel of my hand meets the edge of the bar; I let it take my weight as I lean forward. The hypotheticals what crowded the prior moment slink off to skulk out of sight of my mind's eye.

I was expecting to see Wolf at the bar, but tonight it's his partner, Zhenya. She's a copper cultivar near as tall as I am, broad where I'm spindly, soft where I'm flat and bony, with a wide face flanked by heavy black hair, straight and long and loose.

Her name's Ladsky, but she's a yid. I think her papa was Tatar from one of the plena just West of Vyuta — and her mama was posh enough to send Zhenya to the kinda prep school what teaches the pupils not just how to fence, but how to fence well enough to end up with a graceful scar somewhere conspicuous, yet out of the way of any major wiring — Zhenya's darts across her left cheek, stark white against fawn skin. She bothers not to cover it — and she bothers not to cover the tattoos she got back when she was with the Zakon, before she went chymical, before she met Wolf, before she went before a beys din and joined Undzer Shtik.

She's turned away, double-checking the bottles arranged at the back of the bar, and arguing with the odd-job iron thorn — a wiry fag called Mika, what works down at the docks in the autumn and the spring, and leaves for the ghetto when Glazurka's rising and setting wobble out of sync with our civic notions of day and night.

Mika works not down by the water, nor near where the water runs Silver — but in the warehouses what loom just beyond the Ghetto wall, so even fresh off the trade, he's as pale as the marble underfoot, delicately veined green and blue, hollow-eyed with black hair what can't decide if it ought to wave or curl, and a shnoytz what like, makes me want to ask nosy questions. Last we talked, he was clean-shaven, but now he sprouts a boot-brush moustache, perfectly symmetrical and left to its own devices, encumbered not by wax — nu, Mika's a fop and a faggot, not like, l'hovdl, a barin11.

In the gloom of the lounge, their eyes glow softly — Mika's green, Zhenya's amber. I don't think either would like, say they're a nefil — lovekn also carry Silver mist in their eyes.

It's been nearly two years since I'd last seen either of them.

I clear my throat to get their attention, and Zhenya half-turns her head, then abruptly spins around to face me, eyes wide, and nu, I know she's not angry, I know I've done nothing wrong, but still I flinch.

"Lyubushka!" she exclaims. "Lyubka Morgenshtern, thou'rt alive!"

Mika clicks his tongue.

"For what wouldn't he be?" he says.

"She stopped coming just as the Hundred started nosing around," Zhenya says to him, not taking her eyes off me. "One never wants to assume the worst, but oy, one still thinks it."

"Of course I'm alive?" I say, and I thought it'd be beyond me to be anything but curt and flat, yet the words flow easily; I lean on the bar, hips cocked. "Like, we all know I've got a deathwish, but di fashistes, do they know that, nu?"

Zhenya shakes her head; she's smiling, and Mika's beaming too.

"Is Wolf around?" I ask, and Zhenya's face abruptly falls. My heart sinks into my stomach, dread and shame pooling in the crevice it left behind my ribs.

"Wolf's ill," she says, and she sounds worried. Mika busies himself with rinsing the pristine glasses stacked behind the bar.

"Oh," I say, and the shame rises like a tide. "Er, I'm sorry—"

Am I sorry he's sick, or am I sorry I asked?

I bat the thought aside. It's not helpful.

"Feh! He's been in bed all week, the drama queen," Zhenya goes on. She tries to sound light and fond, but it rings a little false, a little too forced. I bite my lip. "It's probably just a summer flu; we're not due a cholera season for another couple of years." She intercepts a glass Mika's been turning over and over, and sets it down out of his reach. "He'll be back on his feet — when he gets bored playing the consumptive barıshnya."

"Kaynahoreh," I say, and knock on the granite bar. Zhenya snorts, and then gently takes my hand. Her nails, long and sharp and acid green, brush delicately over my fingers, tracing red knuckles what in recent years have been looking less prominent and more and more knotted.

"Vos makht a yid?" she says, tenderly, and I suddenly want to cry. I look up at her and Mika — Mika's looking at me with his brow furrowed, lips slightly parted. His campy kazatshok 'tache quivers like steppe grass in a breeze.

I consider lying.

"Nu well, I got out of the Mamka just this morning?" I reply, tapping my collarbone with my free hand. "So like, right now, I'm fabulous, thanks."

"The fuck wert thou doing in the Mamka?" says Mika, though from the way he says it, I think he knows.

"Well, like," I say, and then pause. "Thou'rt remember like, Gilya? Gilbert?"

Zhenya clasps my hand; Mika scowls. I decide I need not elaborate on what exactly my bougie ex-boyfriend has to do with my two-year absence, or my stay at the Mamka.

"Gilya's barred from here," Mika says, and then glances at Zhenya, since he's just the odd-job thorn, and not the one running the place. Zhenya raises a pencilled eyebrow at him and he grins. Like she would pass up an excuse to bar Gilbert sın Danzig from the premises, should he decide to grace the Peach with his presence.

"Wouldst thou like a drink?" says Mika, cutting through the tangle of suspicions what was gathering at the back of my mind. "Thou canst drink, yes?"

"Nu like, sure?" I say, and before I can specify what I'd like, Mika hares off to mix me a drink. Zhenya gives me a sly sideways look and I stare ahead all stoic and proper, pretending to be neither a faggot nor acutely aware of Mika's galaxy-size crush. Zhenya giggles at the ruse.

"It's good to see thee," she says. "We did really think thou wert ... gone."

Before I can think of a graceful reply, Mika comes back over holding a champagne flute. He sets it down in front of me with surprising delicacy. The contents is bubbly and golden; an orange slice hangs rakishly off the rim. I blush — Mika remembered my usual.

Zhenya clucks her tongue.

"Mimosas are more of a morning thing," she says, but there's no bite to her words.

I pick up the flute, feeling the damp chill of the glass against my skin, sharp and immediate and passing, a reminder of time what proceeds in an orderly fashion, an anchor yanking me out of an unbearable eternal Now and back into Oylam HaZeh. And I raise the flute to both my khaverim12 — "L'khayyim!" — and like? Just in this moment, the toast is not a question.




1​ One of those little hot-house places for us roses and violets, the delicate and the eccentric what need to take shelter from the frosts of heter society.

2​ The Silver is the sea of all we dream and fear, and the Bones of Mir are the fragments of the mundane and the concrete what bob to the surface. Mir was once a sphere or like, maybe an unbroken plane, but now it's in pieces, each of such shards — each of the plena — standing alone as an isle, and the Silver runs between, a grey and stormy sea of all what's beyond the grasp of natural philosophers.

3​ Among the mired starborn — starborn what live up here upon the Bones of Mir — some are shogges of the oldest generation, what hatched in the abyss of Far Silver or within a couple of centuries of their hive making landfall; many are lovekn, born untold generations after, bodies sculpted by Mir's own thaumosphere, tripartite soul held fast within chrysalises of flesh.
Between the two are us nefilim, neither abyssal nor osteal, neither meat nor milk, neshomeh like a dumpster fire and ruakh like a hurricane and nefesh like a heart of granite. Some of us have shoggeh parents, some of us were nasty surprises to lovekish families what thought themselves terminally corporeal.

4​ The Mother of Mercy Asylum for the Spiritually Disturbed — the administration is, nu, too delicate to just call the likes of me «insane»; no, they insist that it's nothing as crude as «illness», but like, a fundamental blemish of the soul.

5​ The tzar's prison camps — in Sibir, in the tundra what lies east of the mountains where I was born, and in the north, where the aurorean shogges dwell.

6​ An embroidered skullcap in my case, but nu, a yarmulkeh can be a brimless hat or a regular hat for that matter. It's minhag — tradition not commanded by the Torah herself — for yidn what do men's mitzves to wear one and like, yidn what aren't obligated to do men's mitzves sometimes wear them too.

7​ All of us hot-house flowers are self-creating, but us cultivars are like, a bit more literal about it. "Boys" and "girls" is tolerable for some, but "man" and "woman" can drag such ghastly heter baggage along that mostly we're "iron" and "copper", cultivars and chymical when it doesn't like, match what the midwife said; faggots are roses, dykes are violets, and we're all femmes and petals, thorns and butches, and like, no term's necessarily mutually exclusive with another, nu?

8​ Pretty boy, dainty bird, shameless cocksucker.

9​ Yekkes are yidn what follow the Ashkenazi Rite and live in the Orm and thereabouts; they're quite distinct from us litvakn and galitziyaneren, what follow the Ashkenazi Rite and live in Vsemlada — see like, yekkes get assimilated, ostyidn get pogrom'd.

10​ The celebrated § 175 of the Imperial Constitution, drafted by an ecumenical rıbak council a good decade before I was born, deals with «all such indecencies as carry insult to the soul of Vsemlada»; § 175 ¶ 1 forbids what they charmingly term «buggery and tribadism», and § 175 ¶ 2 goes on to criminalise cross-dressing, to the point that being caught wearing girls' knickers under a tuxedo is grounds for arrest. Delightful, nu?

11​ Toff, nob — feh, blueblood!

12​ Friends, Comrades, Genossen, Tovarishi.
 
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I: 000 - The Night Grows Pale [scene 02]
I leave my shleptop bag with Zhenya behind the bar, glad that the rest of my luggage — a vintage carpet-bag and a tatty leather suitcase — are far way, sealed in a metal storage locker at the General Post Office so neither Mika nor Zhenya can see them, see that I've got nowhere to put them, nowhere to sleep.

Slinging my handbag over one shoulder, I make for the basement discotheque. The mimosa's gone to my head, loosened the hold of terror, and I'm suddenly starkly aware of how my chiffon blouse lies against my chest, where it brushes the vinyl pasties — heart-shaped — I stuck on not so much for modesty but, ah, to signal that I'm aware the blouse's see-through — like, I'm flat and I intend on staying so, and a bralette under gauzy fabric doesn't scream "I'm a tart" quite as loud when thou hast nothing to put in it, nu?

It's been a long, dreary dry spell, and oy, before the Mamka there was life with Gilya — a long, dreary, dry lesson in when loneliness is a narrow life with a boyfriend what lingers like a census-taker over the notch where the bris inscribed the Covenant upon thee and stays silent when thou kvetshest.

I pause just at the top of the stairwell, and I think about Gilya, and I think about the apartment we shared back on Osedka, the apartment what used to belong to his grandparents, where beside the front door, just under the door-bell, lingered a light rectangular patch set at thirty degrees, and four empty holes where nails had been gouged out.

I lean against the doorjamb, and I take my yarmulkeh out of my handbag, and I fish the bobby pins out of the side-pocket, and I pin the yarmulkeh back in place, where it belongs, and then I tell myself, I'll die a yid. I'll die a yid, and Gilya can frown all he likes, in the halls of memory, where a part of me will always sit at our kitchen table, under Gilya's sad gaze, as he calls me by the name on my Ladsky paperwork, and I drink vodka out of his great-grandmother's silver kiddish cup.

The handbag's clasp twists in my fingers as I fumble to latch it shut, still leaning on the doorjamb. It's cool in the Peach, but I run hot; a feverish resolve grips me. I double-check my chatelaine, making sure I'd remembered all the bead colours and silver charms what would tell any hot-house flower what cared to look what kind of late-night mutual activity I'm looking for, because like, nu, I have my preferences when it comes to such things and tonight I'm not in a temper to deal with any more roses what would baulk at fucking me up the arse or for that matter, feh, don't take it that way themselves.


I run my fingers over the main strand of beads — strung on a leather cord, with a silk tassel, just to indicate the basics — and make sure I'd remembered the large silver beads both at the start and the end; I pause to fidget with the top one — okay Leyb you're a kombayn13 but when's the last time you didn't bottom — and then decide to leave it.

I'm stalling.

I pause to collect myself; I feel a presence behind me, and the tug of a sign, a missive from Infinity—

I glance behind myself, but there's just a sulky thorn — pallid and flushed, birchwood stained with blood — what looks only vaguely familiar, drinking beer and not even looking in my direction.

I shake myself. The veil of premonition does not lift, but it loosens. Feh. False positive.

Enough stalling.

I descend to the basement discotheque.




13​ As in like, combine harvester — I both thresh and plow.
 
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I: 000 - The Night Grows Pale [scene 03]
The spiral staircase down to the discotheque is a grandiose marble shtik, lit softly by wall-sconces the shape of sea-shells and the colour of meringue. The steps are narrow and stacked steep as a cliffside, their mantle of red carpet held down by brass stair-clips what gleam like gold. A few years back, when I haunted the Peach faithfully — turning up right after Ma'ariv near every night, barring Erev Shabbos — I caught Mika down on his knees, polishing these clips with an old toothbrush, and—

Oy, the White Guard, back when they called themselves the Imperial Army, they conscripted yidn as young as twelve, and like, I only escaped because mine Uncle Velvel, he let me grow my hair out, and between that and the specs, the Tsar's men left me alone — maybe thinking me the kind of girl they'd not recruit, and wanting not to bother with a binoclard either way.

Mika's a little older than me, I think; and I know the side of his family what's of the nations, they are likely of a nation what has felt the weight of exile, and nu, like—

Thou asks these things not, lest you hear the answer you suspect.

I take the stairs stepping sideways, one hand clutching the rail, the other my walking-stick. Thou cannot slip on carpet as if it were ice, but thou canst trip, and I'm wobbly still, afraid I'll unfurl — I can't help but recall: twenty-five years ago, under midsummer's revenant light, under an evening sky much like tonight's, I had my first silver'd turn. The weeks just before Shuvos echo with its memory, sing of a dream of self as more than a cage of flesh, and like. It puts a queen on edge, nu?

I grip the rail tighter, focus on how the brass warms under my palm, focus on the stab of each heel into the crimson pile of the carpet underfoot. I cannot afford to unfurl. Not now.

At the bottom of the stairwell is the door to the discotheque, a brutal steel slab, red paint peeling like a sunburn — sound-proof and elderly, and perchance grown unnecessary these past five years, since the gates of the Talons shut out the gendarmerie and the Okhrana. Our neighbours on Gogol Boulevard, they may harbour all manner of odd and distasteful notions about hot-house flowers and about our teplitzes, but feh, no one in the Talons finds us so objectionable as to sic the Tsar's bulls on us. We're obscene and loud and strange, and like, such things rate not next to the dull cruelty of the Tsar's men, nor next to their capriciousness.

And yet ... okh, caution dies hard and hot-house flowers die easy, so the discotheque's three exits are all still barred by doors thick as well as ensorcelled; like, it's best not to give the neighbours a chance to disappoint us, nu?

I lean my weight against the door. The metal tingles where my shoulder makes contact; its patina shimmers like a skin of mazut over rain-slick pavement; its cantrips bristle — there's three, one to lock the door, one to muffle sound, one to avert the evil eye. Feh, were it up to me, I'd paint blue eyes on the thing for that last one, and not rely too much on goyishe thaumaturgy, but like, up to me it is not.

I close mine eyes, and concentrate: the door ought to remember me, but she may have questions, too; the red door in particular, she's never been as chatty as her sisters, but I've been gone a long time, and she's a kind one.

The moments slip by; the door does not have questions, but just at the edge of my perception, I can feel a warmth like a penny melting in sunlight. The discotheque's red door missed me, and thought me dead14; she's happy to have been wrong.

She swings out; pumping, scintillating music hits me like a gale-force wind.

I dive into the discotheque.

The door shuts behind me, silent as decay; mine eyes still adjusting, all I see is fog roiling close to the floor, and the darting specks of lights, crossed by the odd golden flash of a passing mazik15, and the glow of starborn eyes in the darkness — amber and green and gold, and blue and violet. Something deep inside me lets go, as if a qlipeh has finally cracked and fallen; a smile rises to my lips, and hope flutters behind my ribs, a flock of sparrows settling down to sleep.

I skirt the dance-floor, heading for the side-corridor what leads to the — ahem — cloakrooms. At the end of the corridor — carpeted as lushly as the stairs — lurks a domed hallway. There, under a ceiling what bulges like a soup-bowl, I pause for a second.

See! There are two separate public lavatories here at the Peach, but nu, the signs disappeared long before the Gogol Minor Theatre became The Desert Peach teplitzeh, and none of us have ever been quite sure which one is which. I once caught Pasha Raskol'nikov backing out of one of the rooms, mortified and stammering, and it turned out he'd walked in on Eli Menelikova — the copper thorn cultivar what runs the discotheque bar — trying to salvage one of hir shirts after an unfortunate incident involving a bottle of crème de violette and Mika's left elbow. Eli thought it was funny, and like eventually, Pasha did too.

Feh, Pasha's always been skittish — two decades of etiquette and elocution lessons does things to a rose, even to a thorn.

While I gather my thoughts, no one emerges from either door, but a couple of violet petals flit through the corridor, steel-toed boots falling muffled on the carpet; they slip past me, and dart through the door on the left — thus cued, I take the right. Time to see how much damage the mimosa did to my lipstick.

The notionally-men's room is empty, and it's chilly in here and quiet: the walls have been worked over with muffling cantrips what silence external sound; they silence not the echo of my heels and walking-stick plinking against the granite floor; the grey stone, speckled like sparrows' eggs and polished by the tread of countless soles, holds the merest shadow of my reflection, a faint silhouette in murky depths.

Placing my feet just so, tensing again from the possibility of losing my footing, I make my way to the elderly méridienne what lazes in the middle of the floor, perpendicular to the row of stalls what march along the far wall like tram-cars. There I sit down, and put my feet up on the oak foot-stool what stands guard beside it, and lean back, closing mine eyes.

A minute later, I realise I'm not tired at all, merely bored; and worse, after a brief reprieve upon entering the basement, I'm keyed up again, nerves strung tight like a fiddle, caught like puppet-strings upon the claws of the Eternal Now. I open mine eyes, and get up to take stock of my surroundings; oh, the lavatory's not changed any in the past two years, but like, if I don't find a distraction, I'll start thinking about the future, and convince myself it holds only new memories and old disappointments.

Right behind the méridienne, a silk-and-wood partition screen bars my way, breaking the line of sight between the oval mirrors what hang above the copper sinks and the floor-to-ceiling mirrors what cover the opposite wall.

Those latter are ancient and foreboding, with edges blackened like singed lace, here and there splotched with greenish stains like festering blisters, elsewhere marred by white spots like the mould what flourishes on rotting citrus. Along the top edge, a row of sealing-sigils has been painted on with nail-varnish — a bare minimum needed to lock the glass, so no drunk or amorous hot-house flowers forget themselves, lean against the wall and fall through the glass into the Silver. Smaller mirrors are harder to breach, but like, these behemes, if left unsealed, they would be as open doorways.

I find a span of mirrored wall marked neither by time nor by creeping damp nor by the supernal realm what lies just beyond the glass, and look myself up and down.

My reflection gazes back mournfully, a dainty two-metre faggot in a translucent blouse and drainpipe jeans, narrow-shouldered and twiggy, a sallow, pallid, hollow-eyed yid with a mane of violently ginger hair what falls past the belt in loose waves.

I brush my grown-out fringe out of mine eyes, attention briefly catching on the ocelli upon my forehead — three silvery-lilac eye-spots, three bright stars, beauty-marks right out of Pushkin; a feature common to nefilim and shogges both — especially like, us what fit the lovek bauplan. Mine ocelli had grown dull in the Mamka, but now they're perking up, flickering like hopeful little candles.

Or like, is that wistful thinking?

Oy vay iz mir.

I shake my head to buck off the thought, and lean forward to check my make-up, trailing a searching gaze over the steep angles and the narrow planes of my face. Heart-shaped spectacles — thick pink lenses in a thick bakelite frame — half-hide deep-set eyes, lavender like autumn rain, neurotic and bright even in the glare of quicksilver-and-phosphor lamps. A long hook of a nose curves down to a knife-sharp tip snared by a septum ring; two matching silver spikes sit as snakebites under soft lips—

—oy, lipstick's smudged. Kohl and eyeshadow — and, mercifully, foundation and contour — remain where they ought to be, but nu, lipstick's smudged, and blue mascara's left streaks on the lenses of my specs. Tsk! I'd have worn doll lashes, but like, it's been too long since the last time — if I weight mine eyelids down so, I risk my vision doubling, and nu, when my vision goes wonky, I get migraines, and right about now, I need one of those like I need a hole in the head16.

I fumble in my handbag for a tube of lipstick — lilac, to match mine eyes and ocelli — and carefully apply it, steadying my shaking left hand by holding the wrist with my right; then I sit back down on the méridienne and spend three minutes ransacking my handbag for the little bottle of fixative liquid; I find it not, so I tap both lips with mine index finger, and seal the lipstick with a cantrip instead.

How to undo such thaumaturgical overkill is like, a problem for future me, one who's hopefully indoors and rested and g-d willing, fucked 'til satisfaction with assurances of an encore. The me what's in the present has more pressing matters to worry about, and foremost among them is like, ensuring there is a future me to regret using a cantrip rather than put up with re-applying lipstick.

I get up again to twirl and preen at the mirror, trying to wake my vanity; my movements are stiff, cautious and circumscribed by a curious involuntary restraint, a stupor seeded by the bloody horse-pills. Just as I shake my hair out, the door creaks open, letting in another burst of music, and the faint faraway chuff of the fog machine, and the dusty smell of the hallway carpet.

I look up as Pasha Raskol'nikov bounces in, bleach-blond curls tousled, leather hot-pants sliding off his hips and absolutely no shirt in evidence. He's fresh off the dance-floor, pale face flushed pink and red, squinting in the bright light, chest heaving.

Since the last time I saw him, he'd stopped waxing everything but his chest and face — a light dusting of auburn hair lays on broad forearms and sculpted thighs, and trails down over the curve of his stomach, down to where he's left the top button of the hot-pants open.

He casually leans on the mirrored wall — oy, am I glad for the seals up top — and looks me up and down, grinning, and I, grown feral during my sojourn on Osedka, just stare at his right hand as he moves it down past the jut of hip-bone, then towards his inner thigh, stopping just short of an artfully arranged bulge. My breath catches in my throat; my cock shudders awake, a cobra roused by noonday sun. Remembering myself, I press my thighs together and look up to lock eyes with Pasha. He grins up at me, and winks.

«Lyovka Morgenshtern, right?» he says, af yvonish17; his gaze runs over me, unhurried and tender, sizing me up. Then his face suddenly crumples, and he bites his lip. «Wait. I'm in the right bogs, right?»

Oy vay.

«Well, like, I always use the men's when I'm at the Peach?» I say, and like, I sound more careless than I feel. I watch Pasha's face, trying to keep mine expression neutral and affectedly bored, a deliberately sloppy disguise of naked interest.

But nu, for all that Pasha's a goy, a goy can be a mentsh — he grins again, brief fragile moment over and forgotten. He moves just a little closer, and then turns his head away, deliberately breaking eye contact. When he glances back, we lock eyes again; I cock my head to one side, and smirk just a little.

Maybe tonight will end well. Maybe like, it'll turn out okay, and I and some other rose will need to have an awkward conversation with each other in a week or two, just to establish that no, by the time we like, got to the bedroom, mine ulterior motive was not the primary one, and I'd like to stay regardless of whether there's anywhere else for me to go.

Unfortunately like, I'm a tart and proud of it, but Pasha's still haunted by a past of private tutors and family expectations, and this time he baulks rather than follow through. He flushes a deeper red and turns away, mumbling something about how he'll see me around later, and dashes back through the door, into the hall.

Oy fucking gevolt.

I take a moment to steady myself, take a deep breath — come on Lyuba, are we really going to moon over Pasha bloody Raskol'nikov18? — and follow him out of the lavatories.




14​ Oy, like, actually, she thought me melted down for scrap, and nu, that's as close to dead as steel gets.

15​ Creatures of sun-stroke and road-dust, mazikin to yidn, chyortiki to the Ladsky. They're a kind of mired sheyd, though like, far from close kin to us starborn. Shogges and nefilim are sheydim, and a mazik's a sheyd, but nu, with such logic, thou canst say that a blade of grass is exactly like an oak, both being plants — we are of the Silver, and mazikin are of Mir. They dwell in bazaars and in theatres and by sea-side boardwalks and by the docks — anywhere what's full of light and noise and dust.

16​ And like, the two feel kinda similar, nu? What's a migraine but the phantom pain of future trepanation, lingering like the memory of a lost limb?

17​ As in, in his mame-lushn, him being Ladsky.

18​ Feh! Maybe we are. But maybe like, later.
 
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I: 000 - The Night Grows Pale [scene 04]
Back in the gloom of the discotheque, I leave my handbag and walking-stick in an empty booth — I don't have any money and my mobilnik's two years old and the screen's cracked, and like, nu, somehow I doubt that anyone at the Peach will want to nick a walking-stick, even if it is neon pink with silver stripes, and even if the handle's shaped like a cobra.

I've lost sight of Pasha; standing on the periphery of the pulsing throng, straining to pick out any individual person, looking for Pasha, for someone — anyone — I'd known before I met Gilya, I realise I'm once again stalling, once again trying to talk myself into doing nothing, into choking down the part of me what wants, what wants to live, and what wants not to die. The music thuds like a heartbeat in mine ears, and the lights dance like a mirage; the air smells of sweat and hairspray and perfume, and spilt vodka.

Before I can catch myself again, before I can lose my nerve and slam the gates shut against desire, I close mine eyes and step into the crush of bodies amid the glittering fog, as if diving into a mikveh; I dance— okh, I dance badly, letting the Eternal Now carry me from moment to moment, half-oblivious and utterly carefree, the hope of some day landing in Oylam HaZeh rekindling.

I only open mine eyes when some stranger's hand brushes over the small of my back — on purpose? on accident? — to smile and play the coquette and lock gazes19 for just a second—

And then I forget what I'm here for, I forget I have nowhere to sleep, I forget the last two years, and the narrow place upon Osedka — because the petal what caught me by the waist is stunning, a louche queen resplendent in organza and black velvet, entwined in a harness of black leather crossed over a flat chest, cinched tight around a figure what curves like a fiddle.

Like! The kind of rose I'd never dare talk to first, afraid of making a complete shmendrik of myself.

He20 smiles back at me, and raises an eyebrow invitingly, cocking his head to one side as if to show off his nose, beautiful and crooked, elegant like the prow of a longboat; the discotheque lights trace a silver halo around the fractal edge of his hair, a cloud of black curls backlit as if by a setting sun-star, held down by—

Oy!

—held down by a black yarmulke in the Bukharan style, embroidered silver and gold.

He gestures up at my hair, at the crown of my head, and says, vowels flat and clipped, "bistu a yid, ziskeyt?"

And he laughs even before I can reply, because the answer's obvious, and steps back just a little, waiting for me to offer an invitation.

Borne on a rising tide of hope and sudden, giddy lust, I raise a languid hand to beckon him; he catches it and I draw him in close to me, twirling him—

And then he spins around again, and his arm's around my waist, his thigh's pressed against my thigh. He looks up at me all wide-eyed and faux-demure, eyeshadow shimmering in deep orbits, neon pink and violet against matte umber skin.

I place a hand between his shoulder-blades, and he arches his back as I dip him low, and then we're nearly nose-to-nose; this close I can see his irises are two-tone, pupils ringed deep gold and amber, shading out to stark blue rims; each sharp cheekbone bears two ocelli, outer gold, inner blue; the two eye-spots between his eyebrows shine two-hued, like shot silk — he's a nefil. He smells of an aftershave strong and sweet as perfume, and of peach hair pomade.

His lips are lilac, the lipstick glossy like lacquer: I'm not the only faggot vain enough to risk sealing make-up with thaumaturgy meant for outdoor paint. I tap a finger just to the side of one of my snakebites, and mouth, "we match!"

He laughs in response and lifts a hand to cup my cheek; nail-tip claw rings prick my skin like cold drizzle just around Peysakh, a sweet and light pain far from unwelcome. He quirks an eyebrow again, pouting, and taps a finger against his cupid's bow. I bow down lower, folding near double — he's a whole foot shorter, and high heels are no good to him when I'm on stilts too — and he rises to meet me, and we kiss.

I'm caught up in him, in the feverish glee of our closeness, in the pointed feeling of my cock growing hard against his thigh. My face flushes hot, and my head spins; I burn as if in ice, and drown in flames and okh, he kisses me harder. I kiss him back, and all I know is his tongue in my mouth, both his hands on mine arse, and our hips grinding together.

And the Eternal Now yawns before me, a bottomless abyss, a merciless void, and its edges fray, and its grip slackens, and before I can quite register what's happened, I'm upright again, and the litvak flamer has got me by the hand, leading me to the booths lining the far wall; I nudge him in the direction of the one where I left my stuff.

I collapse on the pleather seat, wincing at how it squeaks under my jeans. He perches beside me, legs crossed, hands resting in his lap; his fingers are long and slim, elegant as the limbs of an orb-spider.

"Thou canst—" I begin, but I'm out of breath, and like, I can't quite get the words out; I gesture instead, and he leans against me, breathing hard.

I put an arm around his shoulders, and he leans his head against my chest, and there we sit, entangled in a golden moment.




19​ Oy sure, it takes a lot out of me, to hold another's gaze, and I wouldn't do it for heters, nor would I do it for just any hot-house flower, not unless they merit such attention; but like, when I do it, I do it gladly — there are things what are hard, and worth the effort, worth the risk of effort wasted.

20​ He's got a chatelaine clipped to the harness, and among the other signifiers dangles a charm in the shape of two entwined iron symbols — and strung with it on the same chain, a rose on a long stem, and charm of an odd, spiky shape I recognise as an alembic. Iron and a rose and a cultivar — and chymical.
So like, thus likely to be "he" and unlikely to be a Pasha Raskol'nikov about my whole shtik.
 
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So! There's still plenty of backlog to go (another eight scenes total, actually — four more in this chapter, and four of the next chapter). However, I'm rather unsure of whether it'd be all right to dump the rest of the backlog here on the very first night, or if I should space the backlog out over a couple of days at minimum.

So I'm going to split the difference and unless someone advises me otherwise, post the rest of the backlog later today, after I've slept.
 
I'm really glad you're posting this here, and with luck it'll find itself an audience; in the meantime, I for one am following the thread.
 
I: 000 - The Night Grows Pale [scene 05]
The booth's only lightly ensorcelled, just enough to push the music of the discotheque into the background; thou canst still hear what song is playing, but speech drowns not in the noise. I can feel the living roots of Oylam HaZeh just out of my reach, waiting for me. All is still, and the future bodes no disasters, and my head spins.

"What do they call thee, darling?" says the rose pressed up against me. His voice is a breathy baritone, fluttering like a pennant in the wind.

"Well like, thou may call me Lev," I say. "Leyb. But like nu, Zhenya? She calls me Lyubov." My resolve falters, and so does my faith in the clarity of mine own shtik, and thus I add, "um. I'm like, a rose, nu?"

I peer at him, anxiously. He smiles, lifting just one corner of his mouth — his eyes are warm.

"Oh, I can tell, ziskeyt," he says, laying a hand on my thigh. He cocks his head, and grins. "I am too, if thou had any doubts! I'm called Anzu. Nyura, to thee."

I want to say something witty, something charming, something what would anchor the delicate thing what may yet grow between us, but like— I can't think of anything.

I want him, I want him so bad. I want to give my heart to him, raw and bleeding and scarred as it is, all its ugliness laid bare; I want him to take me as I am, all my flaws and all my failures accepted, all of me beloved—

I want to take him, to know him imperfect, to know I care not, to hold all of him beloved.

And in the halls of memory, Gilbert sın bloody Danzig takes my hand, and smiles at me, shy and reserved and full of hope, and I remember I'd felt this longing then, I remember how it felt to love, to want to love, to be loved—

To be betrayed, and found wanting, and to sojourn in lonely exile beside a boy I'd called my basherter.

My head rings empty as a bell; I shiver. Nyura's face falls, and shame thumps in my throat; how needy, how ugly, to fall so hard after one kiss—

"Art thou quite all right, dearest?" Nyura says, his voice cutting through the fog. He leans forward, eyes wide and full of concern. "Thou lookst a touch faint--"

"Just ... just tired," I lie. He squeezes my shoulder, looking at me with unbearable tenderness. "I'm sorry—"

"Hush. No sorries," he says. "Needst thee water?"

"Probably," I say, and lean forward, holding my head in my hands. "I—"

I fall silent, and mine awareness ebbs; the present moment stretches out, tense and full of dread, shame rising and falling like a tide. Then Nyura coaxes me upright again, and presses a glass of water against my hand. He helps me lift it to my lips. I drink, and the water's cold against my teeth. There's a ghastly knot what had been my heart just moments before, and it starts to loosen.

"I like ... I think I need to get some air?" I tell Nyura, and then add, hastily, "no like, actually get some air. Thou canst come. Um. I'd like thee to come—"

He helps me get up, and helps me find my walking-stick, and holds mine elbow as we climb the stairs up to the ground floor lounge. We slip out of the Peach, into the side-alley what borders an abandoned townhouse. The sky's still white as a hospital sheet, but the air is cool, the breath of the city caressing my cheek. Somewhere out of sight, sparrows chirp, and ibises cry. I lean against the wall. Nyura unclasps a small cigarette box from his chatelaine — his hands tremble just a little, and I notice for the first time how stiff his fingers are as they move.

Nyura proffers the cigarette box; I nod. He fishes out a cigarette — slim, filter-tip — and tenderly places it between my lips, and lights it with a click of his fingers. I take a long drag, and blow white smoke out through my nose, and sigh.

"Um, thanks," I say. "I mean, like. Not just for the cigarette—"

"Oh, don't thank me, darling," he says, carelessly. "Thou shouldst know, I've got a hell of an ulterior motive here!"

"Nu?" I raise an eyebrow at him. "And here I thought, thou wert grinding on my cock for reasons both selfless and chaste."

Nyura bursts out laughing, and I laugh too, and the hideous shame drains away. I finish the cigarette; Nyura takes my hand, and we go back into the Peach together, our steps already falling in sync.
 
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I'm really glad you're posting this here, and with luck it'll find itself an audience; in the meantime, I for one am following the thread.
Thank you! <3 I figured it couldn't hurt to have a mirror here, since RoyalRoad are unlikely to approve this thing, nu?
 
I: 000 - The Night Grows Pale [scene 06]
Upon the stairs, mid-descent back down into the discotheque, Nyura lets go of my hand — okh, like, how my heart plummets — and then throws his arm around my waist; he takes firm hold of mine arse, metal nail-tips digging in just a little, making me yelp and wriggle. He laughs, low and purring and extraordinarily pleased with my reaction. Nu like, what can a fag do in such a situation, but return the favour? I slip my hand under his robe, the stiff organza brushing against my wrist, against my knuckles, and briefly squeeze his satin-clad arse, before sweeping my hand just a little further and up, resting it pressed against where his iliac crest rises to the surface; the satin of his argent leggings lies cool and smooth beneath my palm, the jut of bone firm under my fingers, his body warm.

Given we're like, standing upon a narrow step, upon steep stairs, and given I've got a walking-stick and heels and nerve damage in my feet, such an arrangement of limbs renders us a single body what exists in an unstable equilibrium; Nyura tightens his grip on the rail, and I drive my walking-stick firmer into the ground, giving us a sixth point of contact. The wall-sconces throw our shadow upon the curved walls, and it looms over us like a cloak, like a sukkeh.

"Careful, darling," Nyura says as we continue to climb down, step-in-step, and his voice is dreamy, far-away. "Mortal limbs grow back not, nu?"

"Feh, we're both nefilim?" I say, and then pause, my mouth still open. "Er. Not to like, assume—"

"Oh no, darling," says Nyura, "I'm no nefil! I merely paint these ocelli on every morning. I feel like, ah. I feel it suffices not, to be a black litvak and a faggot, nu? I wish to give di fashistes another reason or two." He looks up sideways at me, and he smirks sadly. I shift my hold on him just enough to pull him into a hug; he leans his head against my side.

"Beg pardon—" I say, worried I have said something egregious, but he snorts in response.

"Darling, if thou apologisest without need again--" he begins.

"Mmm? What then?" I say, pitching it like a challenge. "You'll spank me?"

Nyura gasps — in delight? — and starts to giggle, all his composure and poise vanishing. He tries to say something, and after a false start or two, just smacks mine arse. Pain, bright and brittle like a crystal bell, sinks down to the bone and I squeal, wriggling in pleasure again.

"Well, ah, yes," he says, breathless; a deep blush blooms in his face. "Oh, and I rather think thou hast earned it. But thou couldst just ask, too. And, ah." He pauses once more, and bites his lip. "Please, darling. No need for like, formality, nu? I'd rather we remain ikh-un-du regardless of, ah. Regardless of who's in charge." A nervous note creeps into his casual tone; his brow is creased just a touch.

"No problem," I say, gently, and then, feeling the need to bolster such a reassurance, bend down to kiss his temple. He makes a soft satisfied noise, and sighs, and leans on me again.

We proceed down the stairs. I can feel mine excitement growing, thinking of Nyura bending me over, spreading my legs, telling me exactly what he intends to do to me—

A restless patina of anticipation settles on my skin, binding me up in how my clothes feel against my skin, how the pasties are starting to chafe, how my heart-beat throbs between my thighs, and my hole tenses, eager and impatient to be penetrated.

In the middle of this reverie, Nyura gently nudges me to get mine attention, and the disjointed mess in my skull crystallises and resolves, resolves with a near-painful clarity into me, sunk deep in my body, held fast within Oylam HaZeh, aroused and desperate and giddy. I sway, and Nyura catches me; one moment we're still two steps from the bottom of the stairs, the next I'm leaning against the wall, pulling him closer, and he's easing his hand between my thighs, fingertips teasing where the jeans swell. I move to brace his back with my hand, and he tuts, and smacks mine arse again.

"Place thy hands on the wall, kitten," he says; his chest is heaving, and the hand resting on my waist trembles just a little. He bites his lower lip, and smirks up at me, eyes wide, gaze tender. I whimper in disappointment, and do as I'm told.

"Good—" he begins, and just before his lips form the initial consonant of the next word, he abruptly stops instead. Something in his expression shifts; his composure wobbles. He clicks his tongue, and heaves a deep sigh, leaning away. "Damn it, darling. Sorry, ah—" he takes his hand away, and I make to grab at his wrist. He clicks his tongue again, frowning. I freeze in mortification, positive that this time I've fucked up for sure, but he merely leans against the wall, and cocks his head to one side, looking at me with sudden solemnity, and no less interest. "No, ah. Easy, darling. Thou'rt fine. Just ah— We should rush not, nu? I would prefer to negotiate with, ah. A relatively clear head—"

Ohh. Right. Negotiation. Boundaries. Preferences. Right. G-d. Oops.

I would like to tell him I understand, but instead I make a pathetic, incoherent noise. Embarrassed — like, what a flagrant breach of protocol, nu? — I shrug and frown and vaguely wave my hand, trying to draw the words out of the æther. Nyura squeezes mine arm in reassurance, and I finally manage to say, "like, sure? But ... need a moment ..."

Nyura helps me down onto the floor, and kneels beside me. I gesture for him to come closer again, and he leans forward, and then I realise that like, I rather don't fancy navigating another round of cruiser charades, not right this minute.

"Nyura, like," I say, softly. "Come here? Please? If thou wantest—"

Nyura looks at me with naked relief, and lets me pull him onto my lap. He perches himself astride my thighs, and places his hands upon my shoulders. We look at each other; the sheer absurdity of our predicament strikes me, and I burst out laughing. Nyura catches mine eye, and then looks away, blushing and stifling a grin.

"Apologies, ziskeyt," he says, toying with my hair. "I rather lost my head, there--"

I place both my hands on his hips, angled so mine index fingers lie just below the curve of his buttocks, and look at him over the top of my spectacles.

"Please apologise not," I say, doing my best impression of stern disapproval. "Okay like, unless thou wishest to switch masks? I'll gladly spank thee, for unwarranted apologies or like, otherwise."

Nyura tries very hard to maintain composure, and after half a minute of holding a scandalised expression, collapses into giggles. I pull him in closer, and kiss his neck. He sighs, a deep and satisfied sound what's almost a purr.

"Please, darling," he says. "I've had it coming for like months now. Well, ah," he pauses and pulls away, sitting up so he can look at me. He cocks his head again, and smiles, bright-eyed and mischievous, and reaches up to brush my fringe out of mine eyes. "Thou wert real eager to submit just earlier, and nu, I'm quite comfortable switching types—"

"Well, like. The night is young, nu?" I say, with a shrug. "We've got time to take turns."

Nyura bites his lip, and leans in to kiss the tip of my nose.

"Music to mine ears, ziskeyt," he says, stroking my cheek. "And, ah. Nu. What do I call thee, when thou'rt at my mercy?"

"Kitten's fine," I say, running my hand up his thigh. "Um, like. To thee? I'm always another boy. Like, thou needst not mind what I can be with roses what are not thee, or with violets, nu?"

"Understood, dove," says Nyura, gently, kissing my cheek. He squirms as my hand comes to rest between his legs, tucked in the detour between thigh and pelvis. "But, ah! As much as I'm enjoying this moment, I do think we ought to maybe, relocate somewhere more comfortable, nu?"

I nod, and give his arse one last squeeze; Nyura gets up and helps me to my feet. I brace my walking-stick against the floor, and bend down to kiss Nyura on the mouth; he kisses me back, and takes my free hand, entwining his fingers with mine.

The red door yields to Nyura's brief touch; I catch the merest tail of her response to him — 'tis hard to discern the fine detail of a call21 meant for another, but like, getting the gist is trivial, no harder than overhearing a conversation. The door trusts him, trusts him more than most.

We dive into the discotheque together. Heading back to the booth, we pass by the basement bar; Nyura stops to get Eli's attention. Sie turns to acknowledge him and as sie moves, the discotheque lights trace hir arched nose, glide over the dome of a yarmulke and shatter upon the fractal borders of hir pink afro and long payos. Sie cocks hir head to one side, and something within my skull — a referent flapping loose — swings as a compass-needle towards its signifier, catches hold of its hand.

"Oh! Thou'rt Nyura's—" I begin.

"Sister," says Eli, raising an eyebrow at me. "As in, we're twins, nu?" Sie turns to Nyura. "Who's the boon companion, then, Anyuta?"

Nyura glances at me; I nod — go ahead, introduce me — and he flashes me a quick smile.

"His name's Leyb," he says. "Nu, ah. To me, in any case." He squeezes my hand.

"Leyb— or nu, Lev's fine too?" I say, and bow. "Like, and I go by Lyubov with some?"

Eli nods in acknowledgement, and turns to Nyura.

"Leaving early tonight?" sie says, not even bothering to keep the curiosity out of hir voice. Nyura allows himself a coy smile, and taps a long finger against his cupid's bow.

"A lady doesn't kiss and tell, darling," he says. "Especially not before anything much has had a chance to happen."

Eli grins, and Nyura adds, "I'll tell thee if I shan't be sleeping in mine own bed tonight—" he glances sideways at me; I try to keep mine expression steady, not let slip I have no bed of mine own, nowhere to take him. "But, nu, ah. I mind not taking thee back to Gor'kiy Val—"

"Thine's okay?" I say. "Nu like. More than okay." Nyura smiles, shyly, and squeezes my hand again. Eli attempts a derisive snort, but sie's grinning. Some hot-house flower calls for hir attention from the other side of the bar, and sie sighs.

"I should get back to babysitting," sie says. "Zay gezunt!"




21​ Like, a thaumic call, not a phone-call.
 
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I: 000 - The Night Grows Pale [scene 07]
The next hour passes by as a blur, a whirlwind of dancing and grinding and brief snatches of conversation; then we're back in the booth, and Nyura's in my lap again, and his hands are up my shirt as I'm pressing the heel of my hand between his legs, fingers exploring over the velvet, listening to him guide my movements, telling me where to touch. He gasps and whimpers, and grinds against my hand; manoeuvring around the harness, I unhook a fastening or two, slip into the parting in the satin, under the scratchy lingerie lace, and find where the bud of his cock rises stiff and vulnerable between the labia.

Nyura whimpers again, and slumps forward, his head lolling on my shoulder, clutching at mine arms; I drag the tips of two fingers up his shaft, to the throbbing tip, and relish his reaction, relish the weight of him on my lap, the press of flesh and skin on skin, the desperate quivering of mine own cock — so close to pain, so sweet in such closeness. And then I take my hand away, and Nyura groans in disappointment, and I smirk and kiss the tip of his nose. He pouts and then loses hold of his composure, and the pout shatters into a helpless grin, and I realise—

I desperately want him to fuck me, yes. But like, I also want to fuck him. I want to lay him down with his ankles on my shoulders, and—

Okh, it has been a long time, since I have done so, since I have dared admit wanting it, to myself, to others.

I motion for Nyura to draw nearer, so I can whisper in his ear. He inclines his head. Perfume and the scent of peach pomade fill my nose; his hair brushes my cheek, making me shiver.

"Okay like," I say, softly, running a languid hand down his back. "Thou didst notice how many silver beads I'm wearing?"

Nyura sighs, a long and shuddering sigh of relief and anticipation, and squirms in my lap.

"Yes, dearest, I did," he says. He's still out of breath. "Just, ah." He leans back, and looks at me, mock-serious. "Parade door's nailed shut, and staying that way."

"Mhm, nu like," I say, idly cupping his arse with both hands, "'s fine by me? I planned not on going in that way," and Nyura laughs, high and bright and excited. I pull him in closer, and wrap mine arms around his waist; he kisses my jaw, just below where the hinge meets my throat, and rests his head on my shoulder.

"We could go, nu?" he says, and his voice is quiet and floaty, wavering just a touch. "Ah. Go back to mine, I should say."

"Well, maybe?" I say; my hands have found their way back down. Groping another boy's a thing I had not realised I had missed quite so. "Like, what's the time?"

Nyura shrugs.

"Darling, truly! Do I look like the sort of rose what carries a watch?" he says. "'Tis late, and past midnight. Nu, well--" he tilts his head to one side, birdlike, and adds, "it is summer upon Vyuta. It could be ten in the evening, or three in the morning, and no way to tell."

I fumble for my handbag, and fish out my mobilnik. Nyura raises a quizzical eyebrow at the state of its screen, at the model — the newest and hottest of two years ago, when Gilya had insisted upon making it easy to contact me, making it easy for me to contact him — but he says nothing. We are lovers for tonight, but like. Much as I am besotted, much as he is enthusiastic, we may be strangers to each other come sunset, and 'tis gauche to pry.

The screen's cracked, but not so bad as to be unusable. It's just past midnight; I show Nyura the screen.

"I suppose we could linger here an hour or so," he drawls. "What think'st thee, darling?"

"Nu like, I'd like one last dance," I say. "I've ... um. I've been away. It's been some time."

Nyura looks at me with sudden sadness, darts forward to kiss my nose. I hug him close.

"I'm fine now," I say. "Like, worry not on mine account here, nu? I'm okay."

I'm okay right now, with thee.

Nyura kisses me on mouth, all the same, and I kiss him back, and we delay returning to the dance-floor another spell.
 
I: 000 - The Night Grows Pale [scene 08]
Back upon the dance-floor, Nyura in mine arms, someone brushes my shoulder in a way what requests attention without like, imposing. I turn, and see Mika — shirtless, a leopard-print scarf draped across bare shoulders, hair tousled, 'tache pristine and bristling. I nod in acknowledgement; Mika and Nyura lock eyes and to my surprise, Mika winks jauntily at him, a wink what's more than mere comradely recognition, more than a wink from one rose sister to another. Nyura blows him a kiss. Mika raises both eyebrows at me, at Nyura, and grins at both of us. Nyura blushes again, and hides a shrill giggle, excited and rollicking, behind his hand; I smile smugly, demonstratively squeezing Nyura's thigh. Mika leans in to me, whispers, "'shkoyakh!"

I nearly say something, but Mika's already shifted his attention to Nyura, and like, oy! Like I can think of what to say, nu? 'Tis no revelation Mika speaks Yiddish; and were it a revelation, it would be no surprise — g-d knows, a goy what works down at the docks has plenty opportunity to pick it up — and 'tis a revelation but no surprise Nyura and Mika have a past together, a past what both consider precious, even if like, right this moment, I cannot quite tell what precisely it could've been.

Nyura and Mika confer, and Mika kisses Nyura's cheek, and then bows to me, and takes leave of us, disappearing into the gloom and the dancing throng. I look at Nyura, who gives me a crooked smirk.

"A lady doesn't kiss and tell, darling," he says. "Especially when, ah, 'tis bleeding obvious."

In lieu of a response, I smack his arse — just lightly — and he squeals in delight, and rises on tiptoe, and I bend down to meet his kiss.

The song descends to its end, and the next starts up, slow and gloomy and ominous. I shiver. Nyura cocks his head at me, and I shrug.

"Water?" he mouths. I shake my head; he squeezes my hand, and grabs mine arse so he can pull me closer, and we sway together. In this sudden quiet lacuna, I realise my legs hurt, thighs and calves cramping with the effort of standing. I gesture to Nyura, sweeping a hand down to my legs, over to a nearby pillar — a big round and tapered shtik of uncertain function — and he follows me. I lean against the pillar, and massage my calves, and Nyura tuts in concern.

"Should we go, ziskeyt?" he says, and this time I genuinely do consider.

"Nu, hrm, nah?" I say, at length. "I'll like, I'll be fine. 'S just cramps. Nefilish bollocks again, I'm sure like, thou knowest."

"Unfortunately, yes," Nyura says, and rubs the knuckles of his left hand. "Feh, 'tis unavoidable, for a nefil to be near decrepit by thirty."

"Well, like, I'm not even thirty yet," I say. "Got unlucky, nu?"

Nyura makes a soft noise of sympathy, and pats my thigh; the muscles respond with an unexpected jolt of pain. I shrug, grimacing to disguise the wince crossing my face. The silver'd dream-of-self, slumbering eidos22, suddenly stirs within me again, poking against my ribs, chafing against my skin.

"I'll be fine, like? Please worry not," I tell Nyura, and lean against the pillar again. "But like, um. Maybe we should go, now?"

"If thou wishest, darling," says Nyura; he pulls me back towards the booth.

On our way there, Pasha Raskol'nikov, of all people, waves at the two of us. Nyura and I exchange a glance — it's clear we have both experienced Pasha's approach, and like, I suspect Nyura's tried as much as I had, to let neither lust nor irritation colour his opinion of Pasha, and I suspect he'd failed as thoroughly as I have. I wave at Pasha; he disappears in the crowd.

Nyura helps me gather my belongings, and then leaves me by the booth for just a moment, to go tell Eli we're departing. I lean against the partition, cross my legs and finally allow myself a moment to like, just to think, to contemplate my luck, and to bat away the guilt what's starting to gnaw at me — oy, I should tell Nyura about my situation, right? I should.

But, nu—

A thin thread of pain flares up in my right calf; I wince and shift my weight onto the other leg, plant my walking-stick firmer on the floor. Mine eidos squirms again, its memory shifting beneath my skin like a fever. All my delicious restlessness and anticipation has begun to curdle into neurotic dread. I hug myself with my free arm, and tell myself to wait for Nyura, to submit not to panic, to dwell not on any such catastrophes what an unsettled and tired mind may conjure.

The eidos stirs again; it wakes when my heart aches so, when I fear Oylam HaZeh to be a mirage, an empty, stupid dream laid over an Eternal Now what holds no justice, no mercy, neither HaShem, nor Her Presence; a cold and sordid ruin what has only one explanation.

As I stand here trying to get a hold on myself, some type what I'd never seen before saunters up — a Ladsky shaygetz, white and pale and slightly orange from the kind of tan what apothecaries sell by the jarful.

He throws an appraising look over me, up and over — he reaches past my shoulder, tall by anyone's else's standards, but where I'm barely there, he's wiry, well-muscled. He could snap me in half, and he rather looks like he'd like to.

He's wearing black jeans in a drainpipe cut, a little too pristinely faded to be a pair what sees work, and a crisp white shirt open at the throat, the exposed chest smooth, sculpted and waxed.

Were this any other night, maybe I'd return his glance — nu, like, he's a little too clean-cut and a little too macho, but there's a smoulder in his eyes and his bleached hair's cut and ironed just a little too well, and the stubble what limns his jaw is a little too deliberate for him to be merely a lost heter here to gawk.

But—

The way he carries himself gives me pause, the way he sidles up to me, the look he gives me — a look so much like the looks thrown my way when I loiter on Vısotzkiy Prospekt, keeping an eye out for any Red Guard boys what think the problem with the tzar's bobbies is their lack of class consciousness, and not like, the attitude they take towards the likes of me.

I turn away from him, interest ebbing. Oy nu, we do get these types here at the Peach from time to time, men what don't know how to act around roses, what want to remain men and become not roses, and yet want to fuck us regardless.

'Tis irritating to see this one tonight, but 'tis only irritating, right up until with no pre-amble, he lunges deep into my personal space.

He smirks up at me, a nasty smirk what's nothing like Nyura's, nothing like Mika's. Mine ocelli burn; a cold shiver snakes down my spine.

«C'mon, baby,» he says. «I wanna dance with thee.»

«Nu like, can't you see I'm waiting for someone?» I say. He takes no note of my formality, of my shoulder raised and my face turned away — he steps in closer, crowding me. I step back, and then step back again, and my back meets the outer partition of the booth. A sudden miasma rises from the floor of my skull, clouds my thought.

Oy.

He takes another step forward.

«Don't play hard to get,» he says, «it's not cute when chicks do that.»

Oy vay iz mir.

I try to duck away from him, but he darts forward, and then he's got hold of my hand, squeezing my fingers together.

"Oy! The fuck?" I yelp, and I try to withdraw my hand, but he's holding it with an iron grip, and then he's leaning in, pressing his lips against the back of my hand, and smiling, smiling like I ought to be smiling back.

Numb, I try to take my hand back; he relinquishes it not. I look around, aware of how my legs tremble, how my head spins and my heart races; out of the corner of mine eye, I glimpse Pasha. I wave to him and g-d, I must look frightful, for Pasha's face falls and he dashes off to one side, disappearing from sight.

I sway; and then the shaygetz what's got a grip on me swears, and then he screams, because Pasha's got him by the scruff, and Nyura's driven a stiletto heel right into the toe of his leather shoe — such nice shoes, bright and shiny and tasteful — and Pasha's yelling for someone to go get Eli, to get Mika, and Nyura presses his heel down, and then my hand is free, and I duck to the side and down, and crawl into the booth.

My heart hammers in my throat, against my collarbones. Nyura's in the booth with me, touching me not. I reach out to him, gesture for him to come closer, to take my hand. Oylam HaZeh's fast receding, and oy nu, so's my general awareness of things. I feel sick, dizzy. I reach my hand out to Nyura.

Nyura catches hold of my hand, but still, Oylam HaZeh yields under the onslaught of Eternal Now. I collapse to the floor.

And the silver'd eidos bursts forth, and all is falling stars and glittering fog, and shadows swirling in the depths of a reflection — a dream of my self ever striven for, and grasped not.

I rise to my feet a starborn child of two mothers, a graceful feathered mantis-thing, a chitinous swan, a creature of the Silver all full of eyes, a terrible sight to behold, and then my four slender legs buckle under me, and I fall into the darkness of a swoon.




22​ A dream of mine own self, unrestrained by Mir's grasp, yet still mired, still shaped by the life I'd led upon the Bones, a self beautiful and terrible and chimeric. A silver'd shoggeh may freely shift between hir eidos, and hir osteal guise, and a mired shoggeh may do so with effort, and us nefilim roll the dice and take what befalls us.
 
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Right! That's the zeroth chapter in its entirety, plus the chapter playlist and space for illustrations (I've got one of them, waiting on at least a second before putting them up). I'll post what currently exists of Chapter 001 tomorrow, since I'm getting a little self-conscious about spamming updates. >.>

Critique/comments/kibitzing all welcome!
 
I: 001 - Walking With Strangers [scene 01]
The murk of unconsciousness thins; heels click on a marble floor, a hand grasps my wrist, a voice rises and falls — a susurrus like distant traffic, like howling gale. I try to speak and okh, the effort of it is too much — it pushes me under. The murk congeals, gets in my mind's eye, clogs my memories. I resist it not — mere effort brings not reprieve, nor wakefulness.

I drown.

A distant echo calls me by my rufnomen, a malekh of the ghetto seeking me in the World of Action — but oy, though I am sought, I am not upon the Bones to be found. The echo grows frantic, ringing in the silver'd darkness — and then it fades; all is silent, but for my heartbeat, and all is haar and hoarfrost, and all is numb.

Pain in my feet rouses me, a dull heat throbbing where my parade heels had clamped down their leather jaws. Feh! Typical. A swooning fit, so full of romance, so full of pathos, ended by a flaw what is inherent to garments of flesh — and like, by one what doubles not as a badge of honour. Callouses upon a musketeer's sword-hand — such flaws are dashing, nu? But blisters on a rose's feet, left by shoes last worn three years ago? Nu like, those are at best tiresome and unworthy of remark.

Oy, at least I wake. Like, the waking up, it is never a guarantee. Many a nefil has taken a fit and sunk into the Silver, and emerged not. We count our blessings, such as they are.

Someone speaks; the sound resolves—

"Leyb! Leyb, ketzeleh, canst thou hear me?" Nyura, calling my name. His voice is soft, breathy; the pounding of my heart near drowns it. "Thou'rt safe, golubushka. Thou'rt safe."

I open mine eyes, and see naught but blue and gold stars in a threadbare darkness; the vault above is dark, so like, it cannot be the sky and we must be still inside the Peach. Music plays softly1 and no feet tread upon the floor — we remain not downstairs in the discotheque.

Nyura takes my hand, lacing his fingers through mine, and presses our palms together. His hand is warm, so much warmer than a lovek's; deep in the part of me what drowns in the Silver even in waking, I hear the flames dance 'neath his skin — the ebb and flow of a yid's neshomeh what burns defiant in exile. He squeezes my hand again; I hear the blaze of a peacock's golden fan, the brush of a cobweb against my cheek.

I coax my stiff fingers to bend, to clasp his hand in turn — desperate to like, respond, to lapse not into numb disaffection, into the clutches of the Eternal Now. Dread rises in my throat; I push it down and cling like grim death to Oylam HaZeh.

Breaking not our handclasp, Nyura takes hold of my shoulder, helps me haul myself upright; my head lurches like a dinghy caught in a typhoon. I plant my stockinged feet on cold marble, hug myself with my free arm as I shiver. The sleeve of my blouse is soft under my palm; my shoes may have gone astray, but the rest of my clothes are all intact, all accounted for — nu, an eidos be not more than a dream, and receding it leaves not a trace, no evidence but eyewitness memory.

"Nu, here, ziskeyt—"

The blue and gold stars blur in movement; I smell peach pomade and perfume, and — faintly — formaldehyde and disinfectant. Nyura gently sets my spectacles back upon my nose, and our present context snaps into focus.

We are upstairs in the tea-lounge, in one of the booths; I sit upon a méridienne, and Nyura perches beside me, back straight and legs crossed daintily at the ankles. His expression is serene, and where my fingers rest upon his wrist, I feel his pulse beat in double-time.

He smiles at me, all eight eyes shining in the gloom.

"Sholem-aleykhem, Tzarevna Lebed," Nyura says.

"Aleykhem-shulem, Reb Paveh," I reply.

Nyura brushes my fringe out of mine eyes, and strokes my cheek. He's taken his claw-rings off — his nails are filed short, painted black on his right hand and white on his left. I smile, and he smiles back; his eyes glitter and his ocelli gleam upon sharp cheekbones, and oy vay, I feel myself falling for him — falling like a stone, like a suicide, thrown off the precipice by the force of his ruakh, beguiled by the light and heat of his neshomeh.

"Happen they often?" Nyura asks, softly. "Thy silver-turns?" I shake my head.

"Like, not since I was young, nu?" I say, a reply what covers not the whole story. "Um. Where are my shoes?"

"Under the méridienne, ziskeyt, with the bags and thy walking-cobra," says Nyura. "Nu, let me—" he ducks down to retrieve them — his movements are deliberate, stiff. He rises up, my shoes in one hand and two handbags in the other — one mine and one like, presumably his2.

"If, ah, thou prefer'st to end the night now—" he begins; I place a finger against his lips, shushing him.

"Hush," I say. "Worry not, nu? Oy like, if I called off hook-ups for every turn and seizure—" I trail off, my point made. Nyura bites his lower lip, suppressing a smile.

"Well, ah, if thou'rt sure, dearest—" he says, and in response, I kiss the tip of his crooked nose.

A knock on the partition makes me jump, makes Nyura twitch; his nails, short as they are, dig into the side of my hand. Pasha leans into the booth; he looks pensive, punctured almost — all his habitual bounciness bled out like the air from a deflating tire. Behind him stands the stranger thorn I saw up here in the tea lounge — hours ago, on the bank of midnight what lies proximal to yesterday, and not to the coming dawn.

«Lyovka awake?» says Pasha. Nyura tilts his head to one side, a cruel bird contemplating his prey. He casts his gaze towards me.

«Art thou awake?» he asks me, raising a quizzical eyebrow. His Ladsky's nasal and cracked, the vowels creaking like a fiddle, the rhotics rolling in his throat like thunder.

«Nu, I sleepwalk,» I say; Nyura bites down on a smirk, and Pasha frowns at me. «I'm like fine, Pasha?»

«You had a turn,» mumbles Pasha, shifting from foot to foot. He looks not at me, nor at Nyura. Behind him, the stranger thorn sighs, leaning on the partition. This close to him, I can see his blond hair is shorn not, but worn in a braid, and I can see he's sloppy with the razor in the mornings; his eyes shine amber in the low light of the tea lounge.

«Pasha,» says the thorn, heavily. «Such things, they happen to nefilim. Nu, is the petal made of glass?»

"No, of silver and of bone," I say, distantly. Nyura cocks his head to one side and hides yet another smile; the thorn gives me a sharp look; Pasha merely frowns again, comprehending not. «Um, like, I'm glad ye two intervened, nu? Thou and Nyura. But, like—» I shrug. Nyura has relinquished my hand not — he presses our palms together now, strokes the ridges of my knuckles.

«Nu well, if you're sure you're okay?» says Pasha; what remains of my patience collapses, a rotten bridge giving up under the boots of a White Guard brigade, worn down by their breeding, their etiquette, their elocution.

"Oy fucking gevolt," I snap. «Pasha, Pasha. Pashen'ka. For what dost thou treat me with such contempt, nu? Are we two such strangers, for thee to you'st me twice in the same sentence?» I break off, shuddering, and rub the bridge of my nose under the saddle of the specs. My mouth is dry, my heart twitches like a dying beetle. «What am I — a heter? A bull? Thy governess?»

Pasha blanches; at my side, Nyura sighs. He presses our palms together again.

"Ah, ziskeyt," he says, bothering not to whisper. "Be not so harsh to the poor boy, nu? He is a thorn to us, for all that his papa tried to make him a prick."

I bite my lip again, chastised. The stranger thorn, stoic witness, coughs as if hiding a laugh. Pasha stares at the floor in incomprehension, ears going red.

Nyura pats my thigh, turns to Pasha.

«Art thou all right, dearest?» he asks.

«I'm fine,» Pasha says, a little too quickly, eyes still fixed on the floor. Nyura raises an eyebrow at him. Pasha withers under such an onslaught.

«I pulled a muscle in my back,» he concedes, looking up at Nyura. «And I mislike ... mislike seeing such a thing. The bastard's gone, Mika and Eli tossed him out, but nu—»

He continues not; he need not, nu? Nyura clicks his tongue in sympathy. I try to speak again, and after a couple of false starts, Nyura rests a hand on my thigh to hush me. I squeeze his hand for reassurance; he squeezes back. Pasha and the stranger thorn watch this charade with neither commentary nor much judgement. Pasha knows what I am — like, such knowledge is hardly esoteric, one needs only to look at me to glean it.

«I thank thee for nu like, stepping in?» I say to Pasha. «It could have turned ugly—»

«'Twas ugly already,» Pasha says, flatly. «You— thou needst not thank me?» I open my mouth to apologise some more, and Nyura, as if reading my mind, daintily fishes a nail-tip claw from his handbag and drives its point into my thigh. I bite my lip to suppress a squeak, and say nothing more.

Pasha bows and bids us to take care; the stranger thorn inclines his head, a strange kind of smile flickering on his lips. The two of them take their leave of us, and a deep shame comes to me in their stead. Like, what if I came off like a putz? A conceited icy bitch, with no room for gratitude in his heart?

"Was I?" I say, before I can think better of it, "like, was I too harsh on him?"

Nyura cocks his head, looking at me through lowered lashes.

"Thou wert harsh, darling," he concedes. "But ah ... I would say thou wert neither unfair nor unjustified. Dwell not on it, nu? Thou'rt the one what got groped, not Pasha. If he seeks thy gratitude over thy safety, well, nu. Let that be his problem, ziskeyt."

He tilts my chin up, and kisses my temple. Oy, 'tis hard to sulk in such circumstances.

"Didst thou ever see the shaygetz before?" I softly ask Nyura. Nyura mock-frowns at me.

"Pasha? Nu, darling, I see Pasha damn near every night—" he says, and I smack his thigh, since like, the way we're arranged just this second, I can't quite reach his arse.

"I meant like, the ... nu, thou know'st," I bite my lip. "The chaser."

"Ah, nu," says Nyura. He sighs heavily. "Oh, treasure! Ask me not, lest ah— lest thou compelst me to answer." He looks up at me, deliberately makes eye-contact; his eyes are jewel-bright and wide, and in their depths, I see sorrow and unease what are twins to mine own. I bow my head not and place my hand upon his shoulder and draw him near. He giggles in surprise and lays his head against my collarbones. His hair brushes the edge of my jaw; perfume and the scent of peach pomade and the ghosts of formaldehyde and disinfectant slink up my nose.

"Let me take thee to Gor'kiy Val," Nyura says, his voice drawing aside the spell like tulle. "We can ride the tram to Feldskver3, and cut through the catacombs, nu?" He leans away, cocks his head to one side again, waiting for my input on such a route.

"Nu, thou'rt like, cavalier about the beysoylem," I say and for some reason, Nyura giggles again. I frown and raise an eyebrow at him.

"Thy dialect, ziskeyt," he says, coming over bashful all of a sudden. "Thou soundst like a plucked violin. Ah," he bites his lip and looks down at our entwined hands, at our thighs pressed together. "'Tis hot, nu? Thou'rt a beautiful instrument, treasure-mine, body and voice."

Okh like, what can a faggot do, confronted with such a beautiful boy? I kiss the corner of his mouth, lean back reluctantly, clap a hand on my thigh.

"Nu, ayda then," I say, "To thine?"

And then we leave not, because first I've to put my shoes back on, and fish the walking-cobra from the floor, and then we must go fetch the shleptop bag from Zhenya's custody — sweeping dramatic exits, nu ... such things are for those what are waited on hand and foot since birth, for the lords and ladies upon Osedka. Us what were born clutching tin spoons, we have to wipe our own arses.

Once we have collected ourselves and our things, and taken our leave of Zhenya, we step out into the lingering heat of the pale night. All is still; no breeze disturbs the air. Gogol Boulevard stinks of benzin and destrier guano, of dusty paving-slabs and rotting boardwalk.

A feral pig, piebald like a kinofilm cow, roots noisily in the gutter; a pair of gamayun4 — a lammergeier, a cruel bloody vulture of the cliffs, and a sacred ibis, hir wings the same sickly-pearl colour as the sky — perch upon the pig's back. The ibis stands on one foot, head and long beak tucked away under one wing; if sie sleeps not, nu, sie certainly tries.

The lammergeier stands guard, watching us with some distaste — and like, I fault him not, nu? He is a sovereign of the sky, the crusher of bone. He may look upon us any way he wishes. All his cruelty and bloodlust, all his sovereignty, feh! They compare not to the tzars, to the White Guard, to the goyim what took up holy sword and righteous flame to wash the plena of Sefarad clean of us, to the goyim in Orm what hollow out our mentshen and bury their dust in shallow graves.

The pig moves slowly, deliberately, loathe to disturb his companions. The ibis raises hir head, and fixes hir eye upon us. The empty heavens loom bright and painful above; the coquina paving-slabs lie upon Vyuta's Bones like fallen clouds gone stale.

Oylam HaZeh takes my hand, and Nyura leads me out of the Peach, into the summer night.




1​ Moyshe Kozlov, singing about uppers, and neuroleptics, and the search-lights in Gehenna.

2​ Even like, were I lacking any situational context, it's evidently <em>his</em> handbag — embroidered upon the black brocade, a peacock stands resplendent, his tail folded coyly, a rose held in his beak, one talon'd foot resting upon a jawless skull.

3​ A feld is a beysoylem, a house of eternity — like, nu, a house of yiddish eternity, and on Vyuta, such a house of ours is deep in the bedrock of the plenum, in the catacombs, where our dead may rest sunk deep within the Bones.

4​ There are birds, and there are birds, nu? Gamayun are not just birds what are people (or people what are birds), but birds what are people what would talk to a starborn, and share shoggeh hives and lovekish cities.
Gamayun are of the Bones, as we starborn are of the Silver; the Bones of Mir craft them in many shapes, but all are feathered, all are beaked, and all have the mired bauplan of at least four limbs, a head and a heart.
 
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I: 001 - Walking With Strangers [scene 02]
Despite the late hour, the trams of the Talons are running still. Like, the buses run not — benzin's hard to get, and we need the mazut in winter — but like, feh! What meshiggener wants to take the bus? A bus stinks, and rocks as it winds down the streets, and punctures its tyres upon the debris strewn about by the White Guards. A tram, nu, a tram is a metal comrade, what grinds down White Guard khazerim — and the unholy racket she makes as she comes scares off the feral pigs what don't deserve such a fate.

The tram what would take us to Feldskver stops just around the corner from the chief entrance to the Talons Ghetto, which lies close to the Peach — okh, a little too close, considering the old Talons Barge to Osedka lies just beyond it. Unlike most of the Ghetto, unlike half of Osedka, the gate is made not from the local limestone, but from marble, imported at great expense less than a century back, a grandiose fucking waste of money and life meant to shame us members of the unternationale into like, having been born Ladsky rıbaks.

The old barricade, sister-in-arms, stands before the gates, flanked by the stove-in guard booths, and wrought iron lamp-posts — the gas globes aglow despite the midsummer twilight. Two red flags jut from the barricade's flanks, one each side, and a banner inscribed with am yisroel khay stretches across her belly, facing in, into the Ghetto, proclaiming to the yidn and the gerim toyshavim the persistence of Oylam HaZeh, the possibility of Oylam HaBah.

Upon the barricade sit two mounted quads of Maksim guns, and a squad of Nostalgines dangling their legs and gossiping — boys and girls just old enough to volunteer without tacking on an extra year to their age, in jeans and hi-top sneakers, and grey Nostalgine summer jackets with red Nostalgine arm-bands; most wear linen bogatırkas5, and a couple wear yarmulkes, and two of the girls are in scarves — one in a tikhel and one in a kalfak.

Tonight's squad leader is Maksimilian, a short and fat violet thorn, a rock-solid balebosteh what wears magenta work-boots and shaves her head bald to show off the tiled pattern tattooed upon her skull — an intricate filigree blooming scarlet upon ochre skin. She stands upon the pavement just in front of the barricade, hands thrust into the pockets of her plaid trousers, an unlit cigar clenched in her teeth; her big honest forehead is creased in concern, her gaze faraway. Maks and I were never like, close, but she was the first copper cultivar I knew6, and like, such things stick in a faygeleh's heart, nu?

One of Maks's boytshiks glimpses Nyura, raises his hand in greeting.

"Koschey Menelikov! Anzu Tamiratovitsh!" he calls, voice cracking in half across Nyura's full civic name. "A gitn ovnt bay aykh, Reb Doktor!" His voice carries, shaking Maks out of her trance. Maks looks up and squints at us; recognition sparks, and Maks grins so wide her cigar falls out of her mouth. She catches it absent-mindedly, and waves at us, jumping up and down.

I raise an eyebrow at Nyura. He delicately covers his mouth with a languid hand, hiding a smile.

"Okh, bravado have the Nostalgines aplenty, but discretion? Such a virtue's in short supply," he says. "But! Mind'st thee, darling, if ah, we should stop to debrief the night's watch?"

"Oh like, I mind not," I say. "Reb Doktor."

Nyura shoots me a stern look and smiles. He lets go of my hand to lightly pat my arse; once, twice — and then lands a stinging blow what makes me squeak and sway like a willow caught by a gale.

"Keep up such a tone, ketzeleh, and I really will spank thee as soon as we get to mine," he says.

I try to say something, but start giggling instead. Nyura bites his lip, ducks his head, blushes harder. I glance at the barricade, afraid the Nostalgines are watching, but they are watching not — and like, Maks would care not, if she saw.

"'Tis more fun, nu?" I say, "if I think I deserve it."

We approach the barricade; the one what called — tall and broad of shoulder, with skin like burnished copper and black curls barely held down by his bogatırka — looks up and grins. He bows to Nyura from the waist, hair bouncing vigorously enough to nearly dislodge his cap. I go still, hold myself rigid, expecting his khaverim to mock him, but they incline their heads to Nyura, solemnly intone, "gitn ovnt, Reb Doktor" and «добрый вечер, товарищ Кощей Менeликов».

Nyura salutes them, limp-wristed, and turns to Maks — with no pre-amble, Maks grabs him in a bear hug and lifts him off his feet. Nyura shrieks with laughter, the sound echoing off limestone façades like a marble careening from skirting-board to skirting-board. Maks sets him down -- Nyura kisses her twice on each cheek, clasps her shoulder. Maks rounds on me — she hugs me and hoists me into the air as if I weigh no more than a kitten. I burst into shrill, nasal giggles as Maks spins me around and puts me back down onto the pavement, not letting go until she's sure I am standing steady.

"Lyubka! Lyubka Morgenshtern!" she exclaims, shaking her head. "The fashistes got thee not!"

Nyura looks up at me, cocking his head; I bite my lip, and wonder just how much my surname tells him, just how long he's been in the Talons; my heart hammers in my throat. I steel myself, try to will myself out of dizziness, out of dread. Nyura rises on tiptoe, puts a languid hand upon my waist, lets it slip down to my arse. The index finger of his other hand alights upon my lips. Nyura smiles, and meets my eye.

"Hush, ketzeleh," he says. "I know thou'rt the young Rov of the Eastern Quartal. Star or no star, two-metre tall red-heads, of those we have few in the Talons, nu?" I stroke his cheek, grateful. Maks slaps me on the back.

"The whole Talons knows thee, Lyuba," she says. "From the yeshivas to the hot-houses. I mean, fuck, half of Osedka knows thee, or they would, if they had any taste." She looks to Nyura. "Shan't keep the two of ye long, shall I? Surely ye've got things to do, maybe even things what aren't each other."

Nyura rolls his eyes, quashing a smug smile.

"Oh dearest, I've got absolutely nothing else to do!" he says. "Well, ah. Not 'til Gigi gets back, nu?"

"Nu, really?" Maks replies, her eyebrows going up. "The two of ye back on, then?" Here she makes a suggestive gesture, making Nyura smirk. He shakes his head.

"I make no double entendre here, Maksimushka!" he says. "Nu, we're close, but our friendship ... ah, involves no sexual intimacy, these days." He shrugs, spreads his hands. "But she is busy, and she's taken Shlomovitsh with her. 'Tis just Nega and the Professor back at the kommunalka with me, now that Eli's working nights again—"

"Oh? Whither have Gigi and the old Rov gotten to, then?" Maks says, taking the bait with relish. The two of them dive into small-talk what means nothing to me.

A couple of Maks's charges watch the three of us with careful poker-faces; they say naught, and I struggle to imagine not reproach in their blank expressions. I swallow my unease down, remind myself I care not what they think, as long as they merely think it; and mayhap 'tis not disgust they hide, but jealousy. Mayhap they hide naught but simple curiosity.

The boy what called Nyura over and the two girls in scarves, now they make a big show of not looking, of being unfazed by the sight of an old dyke and two young queens. Their perfect indifference is almost comical. Okh, my heart fair breaks for the three of them — Maks can protect them, Maks can show them herself and her fellow hot-house flowers, but like, Maks cannot walk their path for them, and nor can I.

I look away from the young Nostalgines, away from Nyura and Maks, look at the marble gate. In this brief lacuna, and with my thoughts already drifting to gloom, it occurs to me again: I have told Nyura naught of my situation. With every second I pass in his company, I grow ever more certain I cannot — nu like, were I to tell him, he would worry! He would wish to help! And then where would we be? We would be where I was with Gilya, and oy—

Oy vay iz mir.

I like Nyura too much, to do that to him, to burden him with the mess I've made of my life. 'Twill be better for the two of us to part with him none the wiser; it will be better for me to leave before there's anything between us, anything what I could wreck.

Nyura squeezes my hand to get my attention; he and Maks have wrapped up their gossiping. Maks hugs him again, then me. We bid her goodnight, salute her squad again, and head for the tram stop. In the distance, out of our sight, sparrows chirp. Nyura lets go of my hand, wraps his arm around my waist, leans his head against my side. I put my arm around his shoulders, and banish from my mind all thought of our inevitable parting. A light breeze rises, chasing pamphlets and ice-cream wrappers across the coquina slabs, across the boardwalks dark with age and with damp.




5​ Broadcloth caps with a visor and a soft spike, evoking the bogatyrs of Ladsky sagas, and with a red star of broadcloth sewn to the front, evoking us Reds. A bogatırka meant for autumn and spring has long ear-flaps, and one meant for summer does not, and in winter one wears a fur hat, unless one wants to lose one's ears to the Ladsky frosts.

6​ Nu like, the first I knew before my khavrusa confided certain matters to me.
 
I: 001 - Walking With Strangers [scene 03]
Vısotzkiy Prospekt, tram-bearing, is an old street, paved not save for a central median where steel tracks bed down in poured concrete. Rows of coppiced poplars and unkempt hedgerows shield the boardwalks from the dust of thoroughfare; their leaves rustle as we pass. Something creaky and avian pipes up from the mess of dark greenery and something else avian squawks back, as if chiding its companion. Wings beat the fragrant air — I catch a flash of pink and white and black from the corner of mine eye — and then all falls silent again. The wind blows itself to an exhausted sigh.

We reach the tram-stop platform without no incident — by luck, by HaShem's loving-kindness, by sheer stubbornness, I manage to turn not mine ankle on the uneven ground, despite the pleather shpilkes and the crunch and grind of my joints with every step. Nyura supports me by mine elbow — oy, such a touching gesture! Pity 'tis one what does rather less than either of us would prefer. Discounting the both of us wearing heels, I'm two metres tall and Nyura is about the usual height for an ostyid — nu like, a metre sixty, sixty-five, if that.

The platform is the same bare concrete as the rest of the meridian, grey and unadorned. Gogol Boulevard, what used to lie just beyond the long-gone first Talons wall, may merit coquina paving-slabs, but a tram-stop upon Vısotzkiy Prospekt? Feh! 'Tis a miracle the tramway were built in the first place — the late Kolya's transport minister must've been rather sentimental to condescend to build it, though like, not so sentimental as to waste good limestone on the ghetto, nu? And in the six years of the Talons Sovyet, we have found not the time to do more than get rid of the ticket machines and keep the tracks in good repair.

Beside the lack of a ticket machine, the tram-stop shelter stands leaning to one side, empty steel struts with a ragged edge of quick-glass clinging on like torn lace. The concrete platform underneath is clean of shards, though stained with blotches of a Silver'd lichen; and while the stone bench beside is intact, the side closest to the shelter is marred with spots of black paint, not quite dry — pliant like a fresh scab. Nyura frowns at the sight.

"Nu, that's a recent development," he murmurs, half to me, half to the wounded shelter. He lays a hand upon one of the struts, and the last of the quick-glass on that side comes loose, tumbles up, flies away as shimmering cranes no bigger than a hand-span. The empty sky swallows them. Nyura laughs.

"Okh, we ought to tell the sovyet, nu?" he says. "If glass is taking wing, there must be a lacuna nearby." He clucks his tongue, scrutinising the shelter. "Oy vey, I do hope she's not dead."

A breeze rises.

I shiver, hug myself. The shelter slumps silent; my breastbone keens like a tuning-fork, vibrating with the sickly, hollow whine what I can only name a concussion, though a shelter has no head to concuss. I bite my lip, and sway, and my eidos rises with my gorge. My throat tightens as the larynx stretches and writhes, shedding its voice reeds; they spiral down and coil around my bronchi, knitting into a new, familiar shape.

Nyura's hand is upon my arm; I lean on him, will myself to hang together, to stay a thing of flesh. My voice-box convulses, gives up on its acrobatics; the nascent syrinx splits apart into voice reeds and recoils back up my throat. I begin to cough.

"Leyb? Ketzeleh—"

"I'm fine," I say, hoarsely. "'M fine. Shelter's not, but I'm— I need to just like, sit down?"

Nyura shepherds me to the bench — taking care to avoid the paint-stains, I collapse upon it. Even through denim, the polished granite bench is slick and cold; it jolts me, calls up a childhood admonition — sit not upon the cold ground, nor upon stone nor cement, lest thou catch a bladder infection and die, and leave thy poor mother alone in her old age, leave none to say kaddish for thy crippled old uncle. A burden placed upon my sisters and upon thine truly, but like, never upon my step-father's son, nu?

Nyura perches beside me; he slings an arm around my waist and takes my hand. I lace my fingers through his.

"Thou'rt ..." he begins, falls silent, tries again. "Ah, darling, I really mean not to be indelicate, but, nu—"

"Yes," I say. "Like. Uhm. Isn't everyone?"

Nyura frowns at me, head cocked to one side, forehead creased.

"Nu, sweetness, how shall I put this?" says he. "At an infirmary, in a morgue, at those dire parties Osedka hospitals throw for physicians what marry and fuck off to Krym and Sibir to play at being playwrights and landlords, yes, everyone is a transistor in such places! But at a yeshiva? Nu—"

"Like, Rashi's a physician," I say, sulkily.

"Oy, Rashi is also Rashi, my dove," says Nyura. "Thou wert not snatched up as soon as thou took'st up talking to cold spots and radios?"

I shrug in response, look away from him, down the tracks. No tram looms in the distance.

"None save mine uncle believed me," I say at length. "My mother's husband, he—" My breath catches in my chest, and I choke on the next word. Nyura squeezes my hand.

"Thou owe'st me no answer," he says.

I pull him closer, hoist him up onto my lap. He perches side-saddle upon my thighs, his head laid upon my clavicle. I kiss his temple.

"Nu like," I say, stroking his back, "not to like, be indelicate in turn, but ... thou knew'st? Thou knew'st—"

"Thou'rt Rabbi Morgenshtern?" Nyura finishes for me.

"Nu," I say, thickly. My hand comes to rest at the small of his back, and I notice for the first time the unmistakable rigid membrane of an orthopaedic corset.

"Okh, darling," says Nyura; there's a lilt to his voice, teasing without rancour, "of course I knew, nu? Did I not say, boys such as thee, we are rather short on?" He leans away, just far enough to catch my eye. "Well, yidn, in any case, if not boys—"

I lay a hand against his cheek, tilt his chin up, brush my thumb lightly over the sharp curve of his jaw. His make-up is tacky like fresh paint, and velvety. I tell myself I should bother not — like, what need have I, to trouble Koschey Menelikov's tact? What gain for me, to spill my heart in cruising?

Nyura raises a brow; his eyes gleam gold and blue in the twilight. I bite my lip.

"Treat me not with kid gloves, nu?" I say, softly. "Did I like, not say already, to thee I'm a boy? I'm neither bride nor wife, only a rose and a sister. If I'm a different kind of sister to Maks and Zhenya ... nu, what thou callst me bears not on it." A ragged edge glints beneath my words, not altogether intended, not altogether unfelt. In the far distance, Gilya whispers in my ear, reassuring me he understands as he draws a border between us — here is me, and here, opposed, is thee — as though iron wert a noble metal, debased in amalgam.

Nyura lowers his gaze, and takes my hand in his.

"Okh, darling," he says, "pretty boys such as thee, nu, we are short of those in the Talons! Thou stick'st in memory."

He plays with my hair, winding a long strand around his spindly fingers, a spider weaving shelter. I look over his shoulder down the tracks; he turns his head to look too. We see no tram. Nyura sighs, brow creasing in impatience.

"But nu like, Reb Doktor," I say to him, "thou'rt a necromancer?"

"Oh yes, darling!" he purrs, the carelessness a little too affected to be genuine. He looks at me, biting his lower lip to stifle a proud smile. "I am a Koschey! The attendant of the malekh ha-moves, nu? I attend at births, and at deaths, and whenever I get called in 'twixt the two."

"I knew the old necromancer of the Eastern Quarter," I tell him. "She what haunted the Burial Society and made midwives cry—"

"Oh, Lara Pushkina?" Nyura says, and smirks, but not without a certain fondness. "Tsch, she was a terror."

The tense he uses, it lands like a blow; Koschey Pushkina looms in the halls of memory, standing beside then-Rebbetzin Morgenshtern7, arms bloody up to the elbow. She cradles our second mourner, what arrived two months too early, feet first, wearing a caul like a bridal veil.

"Was?" I say, lips numb, stomach sinking. "Be she dead herself?"

"Okh, hardly!" Nyura says, "she's merely old and sick. Nu, ketzeleh," he peers up at me with some worry. "Thou look'st shaken—"

I look away, sheepish.

"She were the necromancer of the Eastern Quartal," I tell him. "She--" I hesitate; like, 'tis hard to keep a wife secret, when she's the Rebbetzin, nu? If Nyura knows me as the young Rov of the Eastern Quartal, he knows my Rivka. "Well, nu. She— she delivered both my kids."

Nyura cocks his head to one side. He lays a hand against my cheek, toys with my forelock.

"Koschey Pushkina lives, sweetness," he says, softly. "Worry not, nu? She's old enough to have dragged goats to the Temple on Yom Kippur, but she lives. But, ah—" He looks up, makes eye contact. His eyes are wide and serious. I shiver.

The air between us is near-electric, swelling with desire, with the ache of trust. Nyura looks away; he seems to be about to say something when the tram tracks begin to sing. The spell cracks like a shot-glass filling with water just off the boil.

Nu, bloody fucking typical.

Nyura sighs and gives me a crooked smile.

"Nu, Rabbi," he says. "Let us go, then. Vulnerability and disclosure, they can both wait 'til we're in my bed."

We climb the narrow metal steps into the tram; I slump down onto a hard pleather seat, and lean my whole body against the wall, my head against the window. Nyura perches beside me, hooks his arm through mine. And so cradled within this idyll, I throw one last look upon the maimed tram-stop shelter — and my gaze alights on a smear of black paint on her steel flank, a broken cross within a broken circle, glistening tacky and wet under the glare of the sleepless midsummer sky. My blood runs cold; Nyura gasps in mine ear.

"The Hundreds," I say, flatly. "Good thing we stopped to like, talk to Maks, nu?"




7​ ... nu, like. Let a lady have his secrets; let a fag tell thee about the divorce when she's good and ready.
 
I: 001 - Walking With Strangers [scene 04]
The tram's deserted, except for the driver and a middle-aged dame way to the back, sucking on the weathered stem of a long wooden pipe — the smoke drifts towards us, curling like lazy Leviathan's tendrils; it smells not of tobacco. The dame doesn't look like no one in particular — a broad-faced old broad, olive-skinned and yellow-eyed, long hair long since gone to grey. She could be Ladsky with a peasant's tan, or a retired book-keeper from the steppes or one of the Karaim like Zhenya's papa, or nu, like, she could be from the Talon's South-Eastern Quartal via one Sultanate or another — one of my khavrusa's charges.

She pays us no mind; her eyes have alighted upon the placards near the carriage ceiling — a little faded, legible still — what remind us, the citizens of the Talons, that we may still be the Talons Ghetto, but we are now the Talons sovyet too — the workers of our ghetto and the peasants on outer shards of Vyuta are beholden not to the tzar, nor to the White Guard, nor to the Okhrana.

I follow her gaze to the placards; in my peripheral vision, the old dame shimmers as if she's Fata Morgana, no more substantial than the smoke what wreaths her. I glance back — she solidifies. 'Tis merely fatigue, or maybe like, the alcohol, or the lingering grip of the horse pills from the Mamka.

I look away, leave her to her contemplation and her pipe-weed. Beside me, Nyura's rummaging for something in his handbag; a black cigarette holder — a good six inches long — is clasped between his teeth, sans cigarette. His shoulders are raised, his brow's furrowed. In light of such a posture, I think better of disrupting his archeological efforts and instead check mine own bag for my pillbox — the one what holds mine emergency opiates. I may have need of them, if Nyura and I get particularly adventurous tonight — or nu, even if we get only like, moderately adventurous.

After some frantic fishing among old prescription slips, condom wrappers both empty and full, tubes of lipstick, kohl pencils and other miscellaneous indispensable attributes of faggotry, I pull the errant pillbox from my handbag and give it an experimental shake or two — it rattles merrily.

Satisfied I've got more than a couple of pain pills left, I relocate the pillbox to a zippered inner pocket, where it can rest isolated from the general chaos of my handbag. The pocket's otherwise unoccupied, except for something small and pointy swaddled in a scrap of fraying scarlet silk. I pick the bundle up and carefully unwrap it — and like, given what arthritis's done to my hands, that's how I nearly drop my great-aunt's pearl earrings onto the floor of the tram.

For a beat or two, I stare at the earrings, mesmerised by yet another phantom looming up from the halls of memory — not my great-aunt8, but Gilya, Gilya again. Gilya who'd been so worried about mine earlobes being pierced, of what may transpire if someone took exception to seeing me in earrings, Gilya who'd fussed and sulked and badgered me until I had relented, and let the holes in my lobes close up.

I wrap the earrings in the scrap of silk again, and place them beside the pillbox, and zip the pocket closed. My head spins, spins to a stop.

Beside me, Nyura's found what he'd been looking for, and has lit a cigarette. He looks off into the middle distance, eyes half-closed. I want to say something — nu like, anything — but my mind is blank. I study Nyura's lovely pensive profile, watching him smoke, and wish I was at all interesting, at all as charming as he thinks I am.

"I have been, ah, not altogether honest with thee, ketzeleh," Nyura says, startling me back into Oylam HaZeh. "I had intended on telling thee while we waited for the tram, but ah," he pauses, takes the cigarette holder out of his mouth and twirls it; smoke trails swirl in the wake of the cigarette's glowing tip. "Nu, the chance rather got away from me."

I look at him, uncomprehending. A dozen lurid scenarios crowd in my head, none of them quite squaring up with the elegant faggot in front of me. Nyura bites his lip; the cigarette holder trembles.

I lay a hand on his shoulder.

"Thou needst tell me nothing," I say. "Not like, tonight—"

"Need? No, darling, I need tell thee nought," he concedes, and takes another nervous drag on the cigarette. "But, well, ah. I want to. I feel ... nu, I feel 'tis only fair, since I know who thou art—"

I say nothing; I find his free hand and clasp it. Nyura closes his eyes.

"If thou wishes not to ah, associate with me," he says, at length, "I shall arrange transportation for thee, as soon as we get back to Gor'kiy Val. And if thou believ'st me not ... nu. Of those who'd vouch for me, there are plenty. Maks certainly would."

He squeezes my hand, as if for courage.

"Like, how bad could it be, nu?" I say. "Art thou a Frankist? Did the goyes make thee convert before they let thee take an apprenticeship? Art thou secretly a Rothschild?"

Nyura starts giggling. He lets go of my hand and throws his arms around me, drawing me close.

"Are those the worst things thou canst think of?" he says. "No, no, darling, I'm no apostate, and my family were not rich ... nu, at least not to such extent. 'Tis something more than that, I fear."

He takes a deep breath.

"I used to be a courtier," he says. "Well, nu— rather more than merely a courtier—" his courage fails him, and he falls silent; he holds himself stiffly in mine embrace, as if bracing himself. I pull him onto my lap.

"Nu, and?" I say, softly. "The earthly tyrants, they've always had us serving at court. Why art thou worse than the Sages what studied Torah by the banks of the Tigris? Nu, art though like ... worse than Moyshe Rabbeynu?"

"Paroh was hardly Kolya Romanov," Nyura says, darkly; he leans against me, idly tapping his cigarette holder against the pleather seat. Ash rains down onto the scuffed floor. "I'm no Meyshe Rabbeynu, ziskeyt, I'm a Court Jew."

"Wait like, this?" I gesture, taking in the interior of the tram car, "This, to thee, is a tzar's court? Nu, standards must've fallen badly upon Osedka." Nyura makes an indistinct noise against my shoulder, a muffled laugh collapsing into a sob. I bend down to gently kiss his temple.

"I care not, nu?" I say. "Thou'rt like, hardly the first in the Talons to have been posh once. Thou'rt here with us now—"

Nyura sighs. He looks up at me; his painted lips are parted, his eight two-tone eyes wide and round and shining; he's the most beautiful boy I've ever seen.

I duck my head down to kiss him on the mouth, long and soft and deliberate. He kisses me back, and when we break apart, he slumps in mine arms again, trembling. In the window beyond his shoulder, the empty monument plinth upon Feldskver rolls into view; the tram begins to slow, the wheels grinding upon the tracks. The tram car shudders, rattling mine entire skeleton.

"Nu, ayda, Reb Doktor," I say. "Like thou told me, vulnerability and disclosure, they can both wait 'til we're in thy bed."




8​ Who, along with mine uncle, could haunt me any time by merely picking up the phone and dialling my number.
 
And this mirror is now up to par with the main site archive. Updates are fairly irregular right now, but I'm hoping to make them more frequent in the coming months.

Thank you for reading! Comments/criticism/questions are all welcome — I genuinely appreciate feedback. No particular need to sugarcoat it, I'm used to harsh critique.
 
This is now a thread about public transportation.

In all seriousness, I appreciate the thought going into storytelling through the infrastructure of the place they live in. That's the sort of worldbuilding that usually gets treated as an afterthought instead of an opportunity.
 
In all seriousness, I appreciate the thought going into storytelling through the infrastructure of the place they live in. That's the sort of worldbuilding that usually gets treated as an afterthought instead of an opportunity.

Thank you! Honestly, I thought to include it because when we still lived in Russia, we took the tram to my paternal grandma's flat near daily — even though my grandparents and parents had separate flats, I effectively grew up in a mixed-generation household since we'd be over at grandma's so often, grandad picked me up from school, etc. So the rocky, jolt-y (post-)Soviet trams with the sides like corrugated cardboard are a very positive memory for me. I recall most were painted white and red and had uncomfortable pleather seats, but I preferred the trams and trolleys (on pneumatic tyres but powered by overhead electric wires — they looked like enormous rabbits to me) to diesel buses because the smell of petrochemicals was a migraine trigger for me from early childhood, and as a kid I thought the nausea was motion sickness.

A lot of TBD is influenced by my memories of Tshelyabinsk and my experiences in Dublin, Karlsruhe, Berlin and Edinburgh/Leith.
 
I: 001 - Walking With Strangers [scene 05]
Nyura helps me descend the tram steps, propping me up with grace nigh-chivalric. His hand upon my the small of my back is firm, the hand 'neath my elbow is steady. My heart leaps like a frog emerging from the River what bisects the narrow place, and hammers like hail upon sandstone slopes — okh, 'tis been so long, so long since I have been treated like a precious thing, since I've had anyone I'd kneel for.

Nu, well— like, anyone in Oylam HaZeh.

With both feet planted firm upon the pavement, I lean on my stick to catch my breath. My hair hangs down like a tallis, half-obscuring my vision. Behind me, the tram clatters off; I turn to follow its retreat, watch its empty windows glow golden in the pale night, honey'd slabs like the panels in the fabled Amber Room, silhouettes of passengers obscuring not the view. And all around us, Feldskver lies silent.

A hesitant breeze bats ice-cream wrappers and crushed paper cups around the base of an empty stone plinth 9 at Feldskver's heart. The plinth once carried a grand romantic statue to the great benefactor of our Ghetto, Tzar Aleksandr II Nikolayevitsh — soft old putz prone to fits of charity. Feh. No Sasha Makedonskiy, he! Nu like, unlike our Sages' favourite dreamboat tyrant, Sasha Two sat upon a destrier like a sack of shit sits in a hand-cart, and the poor shmuk what cast the statue had clearly had a fit of honesty the day the bronze was poured.

The statue survived not; the destrier's claws still cling to the granite of the plinth, half-buried in the guano from the steed's flighted wild kin, but Tzar Sasha is long gone, rusting in a bog on the outer shards of Vyuta, waiting for the Silver to come and reclaim the labour hands long dead had lavished upon such vile effigy.

Downwind of the plinth, a disused Okhrana budka slumps like an outhouse against one side of the tram-stop shelter. Blue paint peels off its rotting wooden slats, rendering incomprehensible the graffitti; scraps of the Romanov coat of arms yet cling to the door. I flip off the double-headed eagle, spit thrice at it — feh, a petty gesture, but Nyura laughs, high and shrill. He leans against my side, gropes mine arse. The scent of his peach pomade tickles my nose, and his body lies hot against mine. Oy! Under such a circumstance, what cause is there for me to regret my pettiness?

"Thou'rt drunk, ziskayt," Nyura says, dreamily. I throw an arm around his slender shoulders.

"Nu," I reply, and say naught else, preoccupied as I am by the ache of lust in my heart and 'twix my legs. I pull him closer, closer, hold him tight, and cast mine eyes across our surroundings, searching for somewhere for the both of us to lean on — I'm an airhead, and I may be a fool, but like, no one, not even my mama's husband, has ever had cause to accuse me of stupidity, nu?

On the tram-stop shelter's other side, a mere metre from us, a vast concrete pillar rises, an overgrown bollard with charging sockets marching up one side, like the seam on a silk stocking — a Litfaß charging column, a hub to recharge the kitchen batteries, stuck all over with posters bright and informational and sometimes relevant. This one's out of service: the sockets are muzzled, blindfolded by wooden outlet covers painted a sickening slick yellow-green. The paint is chipped, the bare wood revealed thus weathered; the whitewash peering bleakly in the gaps between poster edges is greying, smog-stained — the column's been mere decoration for some time.

Still, the posters upon its flanks blaze fresh and lurid — impelled by habit, I scan them. Mine eye roves over a scene right out of a rag-mag, reinscribed seventhfold across the column's pockmarked concrete flank — black caskets strewn upon ochre ground, stacked up against a lurid yellow wall, leaning precariously against the rest; broken limbs in a palette of ashen hues jam open predatory lids. Decorously abstracted fluids drip from fingers and angles, pool upon the ground beneath the piles. Daring, feh! By Osedka's standards.

Underneath the grisly tableaus glare admonitions in the languages of the Ghetto.

Cholera stalks the streets, Friends, boil all drinking water!

The top row of posters is in Yiddish and in Ladino, in Tatarlar twice upon the same scene — once inscribed in the Naskh calligraphic script, for the middle-aged merchants and the elderly scholars, for Zhenya's papa, for mine uncle's father, and once printed in Kirilitza, for like … nu, for mine uncle, for Zhenya, oy, if it comes to such, for mine own faint recognition.

Below, yet more posters: one in Imperial Ladsky, one in the sister language spoken West and North, one for the sister language spoken West and South; the words differ in shape, but I can read all three, though the row under that one gives me pause — the languages of Knaan, of the plena what drift ever closer to the Orm, of the North where the Litvaks sojourn, in an alphabet inherited from centurions, from the masters of gladiators … and then all alone towards the bottom, stuck on crooked as a hasty signature, a poster in Ormic. I squint at it, and elbow Nyura in the ribs.

"Nu, like," I say a little thickly, once he rearranges himself so he can both look at the Litfaß column and remain in mine arms. "For whom?"

"Diplomats, dearest, I'd imagine," says Nyura, tilting his head up at me. He looks at the tip of my nose, and I look him not in the eye. "We've got a few stuck here now that the blockade's enforced again, and ah. I suppose, to look silly now is worth it, for the paper-pushers to make it back to their Republic on two legs and with all their guts still inside."

I frown at the poster; in the halls of memory, in some distant bright vestibule, Gilya answers mine enquiries in the mother tongue with crisp Ormic diction turned out like a hussar's shiny brass buttons. Here in Oylam Hazeh, I close mine eyes and set my jaw; my knees go weak and all at once, the fight goes out of my spine. I lean against the Litfaß column; it rotates a scant few degrees, the concrete grinding against the metal pole what skewers it. The movement jolts me, the sound knocks loose an awareness of a lingering drunkenness. I lay my cheek against the column's papered flank, and breathe the smell of cheap ink and potato glue.

Nyura touches my shoulder. I look down at him, at his two-tone wide eyes full of concern, at his parted lips behind which lies a tongue as impliant as mine own — oy vay, had he like, truly sojourned in the tzar's court, his speech betrays it not.

"Maybe a little cholera would like, do them good, nu?" I say, taking care to clip the shvas, to speak through my nose, okh, taking care to sound as common a yid as Gilya feared I am. "Remind them how the rest of us live."

Nyura snorts, ruefully.

"Okh, ketzela," he says, in the rhythms of a khazzan, and takes hold of mine arse again, "suffering ennobles not, nu? They'll only go home to their Republic to write about what awful barbarians we are—"

He taps his index finger against my arse, as if for emphasis. My jeans offer little protection from his nail-rings, but his touch remains light, too light to distract me from the gloomy tack I've chosen.

"Feh, they'll like, do that anyway?" I say, and the bitterness in my voice takes me aback. Nyura silently raises his eyes to meet mine; the force of his gaze occludes his intent. Any further commentary withers in my throat. I sway.

Nyura rises on tiptoe to kiss me and tightens his grip on my arse — his nail-rings dig in. I gasp against his mouth, shudder and sway, and sway.

I want, I want—

I want him to like, bend me over, torment me, fuck me, yes, yes—

But more, I want his hands — delicate as the hands of a fiddler, steady as the hands of a scribe — to claim me as his instrument, to shape me as his masterwork, to hold me firm and make of me demands I'll fill in gladness. I tremble before him, my heart aflame, and in my trembling is the echo, sweet and filigreed, of trembling in dveykus.

Nyura pats my leg with enough force to return mine attention to concerns more material, though like, no less intoxicating; jolted out of the very depths of submissive reverie, I make a faint and undignified squeaking noise. Nyura laughs, and I blush and squirm, and bite down on my lower lip to stifle flustered giggling. All neurotic chatter has been swept from my skull, and there's only Nyura, and my volition in his hands.

"Spread thy legs, kitten," he says. Obediently, I part my thighs — he sighs, coos, "good boy," in mine ear, and my mind is soft static, morning mist lit by a tender pink dawn.

The breeze makes its return, slinking back through Feldskver on its nightly rounds; its ghostly fingers slip under my shirt, raising gooseflesh on my belly, brushing softly against the vinyl pasties. I take a shuddering breath, another. Nyura's hand comes to rest between my thighs. The pulse in my cock throbs against his finger-tips.

His fingers curl.

The wind is cool upon my feverish face.

"The budka's abandoned," I say. "We could—"

"We could not," Nyura says, very seriously; he's let go of my cock — his long fingers now rest against my neck, not quite taking hold, not yet. I can't like, think, nu? But my disappointment, it drives me to speak without thought.

"No one is here," I say, and ay, ay, ay, I sound so desperate, so wanton. Nyura laughs. My heart sinks.

"Darling," he says. "Oy, ziskayt! Think'st thou I carry my cock around in my handbag?"

I whimper, as much in relief as in frustration; Nyura pats mine arse; and then he smacks me, lightly. The impact hurts not — but it's like, full of a promise of deeper pain in my near future. I close mine eyes, and I think of belts and hairbrushes, and of my wrists bound with a silk scarf. All mine inhibitions pass from my mind.

Nyura steps back from the Litfaß column, giving me just enough room to pitch myself forward and fall on my knees before him. I take both his hands in mine, and I speak not — all words have gone up in smoke upon my tongue.

"Okh, ketzela," says Nyura, stroking my hair. "Be patient, be patient—"

I press my face against his thigh and whimper. Nyura heaves a sigh in response.

"Ayda, darling," he says, seizing me by the wrists, pulling me to my feet, "for thee to kneel, we can find better places than the pavement. Ayda. Ayda to bed."



9​ A green and once-lovely granite slab, weathered 'til its skin is the texture of fossilised bread; a crust of pigeon guano and flying lemur spoor lies atop it like icing. The nebekh is ensorcelled not, not since it was dragged to the square and drained dry to anchor the statue in place.
 
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I've had a rough few months, so I only recently got the chance to finally both finish this scene and also properly format it for off-site mirrors (each site has to be formatted for differently because of the bloody footnotes and that's entirely 100% my fault).

Hopefully I'll update more often from now on, but who knows? I might have bronchitis again, so we'll see.
 
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