Renascence: A Homura Quest

Honorifics or Western-style Titles? I've used both before, which is bothersomely inconsistent

  • Japanese Honorifics (-san, -sama, -dono, -chan, -kun, -senpai, etcetera)

    Votes: 12 33.3%
  • Western Titles (Mister, Miss, job titles, Lord, Lady, etcetera)

    Votes: 0 0.0%
  • Use whichever works better for a given sentence.

    Votes: 24 66.7%

  • Total voters
    36
  • Poll closed .
With Nanoha, even if we suspect she's a fake, saying something along those lines is kind of ... tactless.
Heh. Channeling too much Kaiki from the Monogatari series, I think. Wasn't trying to call her a fake, though, only head off any comments by Kyouko, or doubts by Mami, that it doesn't matter whether it's even possible to determine if she's fake. She is effectively real, regardless, and should be treated as such.

I'll see if there's a better way to phrase it.

With Sayaka, it's more that I'm not sure how to handle her situation, because we know so very little about what she is and can do. I'd prefer to avoid discussing her at all, if possible - or at least set things up so that she can choose what she wants to reveal.
Yeah, I went minimal there; just wanted it to be clear that she had a stake in this discussion as well. It's also likely that Kyouko at least mentioned her to Mami, so at least making a minor point with respect to Sayaka helps confirm that we're not trying to slip her in as a nobody.

Maybe instead make it an opening to let Sayaka tell them about herself?

-[] And Sayaka is... well, do you want to tell them yourself?

I think this is a bit harsh - the sentiment is fine, especially with the demonstration, but the accusations are rather unfair to Nanoha. She does need to learn that this isn't her world, but this comes off as needlessly antagonistic, I think; dropping the last sentence, and rephrasing the 'weak heart' example as a statement instead of a question is less likely to upset her (and less likely to make Homura seem schizophrenic if we ask how she's doing a few minutes later).
Hmm. OK...

-[] However, even if they were Lost Logia, it's still foolhardy to simply take them without consideration of the consequences of your own actions. Consider a man with a weak heart, who's only able to survive because of a Logia he possessed. Taking it away from him merely means that he's now going to die.
-[] For Puella Magi, these [grief seed] are what we need to "not die".
--[] Demonstrate the use of a grief seed on your own soul gem.
--[] If Kyouko overreacts, direct her (via telepathy) to ask Sayaka about it later, but assure her that it had nothing to do with SAO.
 
Hm. Side note: We did tell Sayaka that we wanted to be careful about what got said in this meeting. How do we feel about how much she might say? Is there anything we might be concerned about, or do we trust her for anything she might say?

At the moment there's nothing I can think of that I'd actively want to keep Sayaka from saying, and for the most part I'm good with just trusting her judgement for anything she wants to reveal about herself.

Plus, if we open it to Sayaka to speak, peanut-gallery-Kyouko will probably throw in her own snarky comments. Giving more people opportunities to speak would be good for keeping the conversation balanced.

For the first comment Entropy objected to, modifying to this:

-[] Nanoha-san is... Nanoha, as far as I can tell. How she managed to end up in our world, I don't know, but she seems like the real deal.

Will update my post with the revisions.
 
Might as well cast a vote, especially since I was too busy to cast a vote the previous voting cycle.

[X] Plan Kinematics

[] Tone
- []Polite

[] "Of course. I'm glad you could join us."
[] Stand up and pull out a chair for Nanoha.
[] Apologize for our over-reaction last night, and explain that it's one of the hazards of expending too much magic too quickly.


[] Introduce her to Mami, and explain that this — and the theater — are actually in her territory, and that she's the most skilled Magus we're aware of.

[] However, we're here for dinner. I haven't had anything proper to eat since breakfast, and it would be nice to have something to eat while we're talking.
-[] Order anything you like; I'm paying.
-[] Kyouko, a cheesecake is not a proper meal.
-[] Order extra biscuits. Make sure Kyouko can't steal them.

[] Once food is ordered (with a pause when food arrives), and we can start talking...
-[] First, a few introductions. Tomoe-san, Kyouko and I are Puella Magi — magical girls of a very specific sort.
-[] Nanoha-san is... Nanoha, as far as I can tell. How she managed to end up in our world, I don't know, but she seems like the real deal.
-[] And Sayaka is... well, do you want to tell them yourself?

-[] Give a summary of the events last night to Mami: A conglomerate "witch"; Kyouko destroying the barrier; Nanoha destroying the angel; Sayaka killing the witch.
-[] And the confrontation over the confusion about the nature of witches and grief seeds and such. Which is what Nanoha here is hoping to learn more about.

-[] Provide the "official" version of propaganda for Puella Magi.

-[] Details the basic consequences of living as a Puella Magi: The duty and need to hunt witches, grief seeds, and similar matters.
-[] Explain that grief seeds are not Lost Logia. Logia are the artifacts of an ancient civilization. Grief seeds only come into existence with the defeat of a witch; they simply do not exist before the witch is created, nor are they the product of some actual Lost Logia.
-[] However, even if they were Lost Logia, it's still foolhardy to simply take them without consideration of the consequences of your own actions. Consider a man with a weak heart, who's only able to survive because of a Logia he possessed. Taking it away from him merely means that he's now going to die.
-[] For Puella Magi, these [grief seed] are what we need to "not die".
--[] Demonstrate the use of a grief seed on your own soul gem.
--[] If Kyouko overreacts, direct her (via telepathy) to ask Sayaka about it later, but assure her that it had nothing to do with SAO.

[] Focus on the meal for a while, to get past the awkwardness of the conversation.
[] In any case, what's more important right now, for us, is the future. In addition to what I mentioned to Tomoe-san, there are implications of Nanoha herself being here, as well as the angel-witch. In fact, there are a number of things I've come across recently that make me uncomfortable — things that shouldn't be here.
[] This isn't Nanoha's universe.
-[] Ah, speaking of which, you are holding up OK, right? You mentioned you hadn't been able to contact your friends.

[] Discuss some of the anomalies that have been encountered, and suspicions that a wish may have changed the past.

[] However, even aside from that, there's still the issue of Walpurgisnacht. It's not a witch we can just ignore or dismiss, or even run from. <the last to Nanoha, specifically>
[] It is possible to defeat it. The trick is figuring out how to do so without losing something you're not willing to sacrifice.
[] I'm working on figuring out exactly how to go about that.

[] Try to switch to more light-hearted topics when we can get to dessert. We can always talk about more the next time we get together.
 
Went ahead and x'd it in, for the sake of voting, but still waiting on feedback and possible revisions. (And possible nixing of such a long plan by Higure.)
 
I won't nix it, but the chance of something disrupting it is high, considering the length of time and number of characters involved.
 
*Omake: Pouting
Omake: Pouting



Homura pouted.

To anyone familiar with the young girl, this might normally be considered one of the signs of the impending Apocalypse. Yet she managed it with aplombe.

After all, she'd been practicing for the last week.

"Oh, Wesley!" The TV carried the endearing voice of Princess Buttercup in the final moments of the movie. Homura sniffled happily while watching the heroes ride off into the sunset, lifting another spoon of chocolate ice cream to her mouth.

Knock-knock-knock.

The days had been passing drearily, ever since that day — the day of mourning. The day when all her hopes came crashing down around her ears.

Knock-knock-knock-knock-knock.

It was all she could do to drown her sorrows in ice cream and sappy romances. She couldn't bear to face the others, as she was. Not that they would even attempt to help her. Mami's arrogance led to the usual standoff, and Sayaka was.. Sayaka. And there was no way in hell she was sharing her ice cream with Kyouko.

Bam-bam-bam!

"Homu-hoooomuuuuu! Come out and plaaaaay!"

Which left her with nothing, and no one. Not even—

Bam-bam-bam!

"What is it already?!" Homura screamed out.

"If you don't open this door right now, young lady, I shall be forced to take... drastic measures."

Homura scowled at the door for several seconds before finally sighing and grumpily making her way across the room, absently dodging the swinging pendulum.

The door creaked open, and Homura glared out, trying to focus through the afternoon sun. "What?" she growled out.

She was casually pushed aside as a girl in an elegant dress entered, barely even noting her resistance. She was followed shortly by another girl, with a boyish-looking appearance and a ready grin.

Homura's glare intensified. It was the glare of demons. Even angels dare not cross that glare.

It was her. That overbearing, stuck-up, frigid b—. And her pet. And her hat. Always that damn hat. Bloody thing looked like a bucket.

Oriko finished sweeping her gaze over the room, and returned to considering the dark-haired time magus, letting out a soft, "Tsk."

"Ooooohhhh!"

Homura's attention snapped to where Kirika had lifted the lid on one of the commercial-sized freezers that she had... "acquired". It currently held 5 of her favorite ice creams (out of the original 12), with numerous half-gallon containers of each flavor. "Don't you dare—!" Homura started, lifing her finger to point at the rambunctious magical girl.

"Homura," Oriko said, placing a hand on the other girl's shoulder. Her mouth frowned daintily. "What happened to you?"

Homura stared at her for several long moments, then followed Oriko's gaze to look down at herself. Nothing seemed different. She was still wearing her school track uniform, as she had been that day. Hmm. There were a few ice cream stains on them, now. Maybe she should wash them? Though the waistband was getting a little snug. If it shrunk so easily in the wash, she'd have to see about getting a new pair.

Homura's gaze rose back to meet Oriko's own, the scowl still in place. "What?" She wondered if Oriko kept ice cream in her bucket hat. It'd keep you cool in summer, and you'd always have a snack on hand.

The music coming from the stereo system changed, as the ending credits for the movie finished and it returned to the title screen. Oriko finally sighed, and said, "Come along, Homura. Let's get you cleaned up. Kirika, dear? Can you clean up the mess in here, please?"

"Sure thing, Ori-chan!" the other girl shouted out, giving a smart salute before starting the work of finding the floor underneath all the ice cream tubs.

Homura pouted and tried to push Oriko's hands away, yet found she couldn't stop her from herding the smaller girl into the washroom. What followed is probably best left unmentioned.

----------

Homura pouted.

Sadly, it was no longer the pout of the disheartened, spurned lover. It was the pout of one denied her favorite ice cream.

Worse, it was the pout of one denied ice cream, while another girl was happily shoveling spoonful after spoonful into her mouth. Homura's ice cream. She still wasn't sure how Oriko had convinced her not to kill the little thief.

"Homura," Oriko started, gently. "You know that they're all worried about you, right?"

Homura snorted, turning away.

Oriko tried again. "It wasn't that big a deal."

"Madoka h-h-hates me," Homura blubbered out, on the verge of tears.

"That's not true. She wasn't rejecting you."

"She did! I asked, and she— she said noooo!"

"She was just saying— she didn't mean—" Oriko tried over and over to get a word in between Homura's bawls, looking more distraught herself as she continued to fail.

"waaaaah—glorph!" Homura's wail was abruptly cut off as a spoonful of ice cream was shoved in her mouth. Kirika smirked at her, the ice cream bucket slung at her side.

"Ya know, if you go on Saturday instead of Friday, the theater gives couples a little plush doll. D'ya think maybe Madoka wanted to go with ya on Saturday so she could give one to you?"

Homura stared at the other girl.

Her mouth gradually worked on the spoon on her mouth, until all of the ice cream was gone.

Homura pondered.

"What day is it, today?"

Oriko gave her an amused smile. "Saturday, dear. And, conveniently, you're all freshly washed and dressed. If you hurry—"

The room was suddenly empty of the time-traveler.
 
Omake: Pouting



Homura pouted.

To anyone familiar with the young girl, this might normally be considered one of the signs of the impending Apocalypse. Yet she managed it with aplombe.

After all, she'd been practicing for the last week.

"Oh, Wesley!" The TV carried the endearing voice of Princess Buttercup in the final moments of the movie. Homura sniffled happily while watching the heroes ride off into the sunset, lifting another spoon of chocolate ice cream to her mouth.

Knock-knock-knock.

The days had been passing drearily, ever since that day — the day of mourning. The day when all her hopes came crashing down around her ears.

Knock-knock-knock-knock-knock.

It was all she could do to drown her sorrows in ice cream and sappy romances. She couldn't bear to face the others, as she was. Not that they would even attempt to help her. Mami's arrogance led to the usual standoff, and Sayaka was.. Sayaka. And there was no way in hell she was sharing her ice cream with Kyouko.

Bam-bam-bam!

"Homu-hoooomuuuuu! Come out and plaaaaay!"

Which left her with nothing, and no one. Not even—

Bam-bam-bam!

"What is it already?!" Homura screamed out.

"If you don't open this door right now, young lady, I shall be forced to take... drastic measures."

Homura scowled at the door for several seconds before finally sighing and grumpily making her way across the room, absently dodging the swinging pendulum.

The door creaked open, and Homura glared out, trying to focus through the afternoon sun. "What?" she growled out.

She was casually pushed aside as a girl in an elegant dress entered, barely even noting her resistance. She was followed shortly by another girl, with a boyish-looking appearance and a ready grin.

Homura's glare intensified. It was the glare of demons. Even angels dare not cross that glare.

It was her. That overbearing, stuck-up, frigid b—. And her pet. And her hat. Always that damn hat. Bloody thing looked like a bucket.

Oriko finished sweeping her gaze over the room, and returned to considering the dark-haired time magus, letting out a soft, "Tsk."

"Ooooohhhh!"

Homura's attention snapped to where Kirika had lifted the lid on one of the commercial-sized freezers that she had... "acquired". It currently held 5 of her favorite ice creams (out of the original 12), with numerous half-gallon containers of each flavor. "Don't you dare—!" Homura started, lifing her finger to point at the rambunctious magical girl.

"Homura," Oriko said, placing a hand on the other girl's shoulder. Her mouth frowned daintily. "What happened to you?"

Homura stared at her for several long moments, then followed Oriko's gaze to look down at herself. Nothing seemed different. She was still wearing her school track uniform, as she had been that day. Hmm. There were a few ice cream stains on them, now. Maybe she should wash them? Though the waistband was getting a little snug. If it shrunk so easily in the wash, she'd have to see about getting a new pair.

Homura's gaze rose back to meet Oriko's own, the scowl still in place. "What?" She wondered if Oriko kept ice cream in her bucket hat. It'd keep you cool in summer, and you'd always have a snack on hand.

The music coming from the stereo system changed, as the ending credits for the movie finished and it returned to the title screen. Oriko finally sighed, and said, "Come along, Homura. Let's get you cleaned up. Kirika, dear? Can you clean up the mess in here, please?"

"Sure thing, Ori-chan!" the other girl shouted out, giving a smart salute before starting the work of finding the floor underneath all the ice cream tubs.

Homura pouted and tried to push Oriko's hands away, yet found she couldn't stop her from herding the smaller girl into the washroom. What followed is probably best left unmentioned.

----------

Homura pouted.

Sadly, it was no longer the pout of the disheartened, spurned lover. It was the pout of one denied her favorite ice cream.

Worse, it was the pout of one denied ice cream, while another girl was happily shoveling spoonful after spoonful into her mouth. Homura's ice cream. She still wasn't sure how Oriko had convinced her not to kill the little thief.

"Homura," Oriko started, gently. "You know that they're all worried about you, right?"

Homura snorted, turning away.

Oriko tried again. "It wasn't that big a deal."

"Madoka h-h-hates me," Homura blubbered out, on the verge of tears.

"That's not true. She wasn't rejecting you."

"She did! I asked, and she— she said noooo!"

"She was just saying— she didn't mean—" Oriko tried over and over to get a word in between Homura's bawls, looking more distraught herself as she continued to fail.

"waaaaah—glorph!" Homura's wail was abruptly cut off as a spoonful of ice cream was shoved in her mouth. Kirika smirked at her, the ice cream bucket slung at her side.

"Ya know, if you go on Saturday instead of Friday, the theater gives couples a little plush doll. D'ya think maybe Madoka wanted to go with ya on Saturday so she could give one to you?"

Homura stared at the other girl.

Her mouth gradually worked on the spoon on her mouth, until all of the ice cream was gone.

Homura pondered.

"What day is it, today?"

Oriko gave her an amused smile. "Saturday, dear. And, conveniently, you're all freshly washed and dressed. If you hurry—"

The room was suddenly empty of the time-traveler.
Canon, more or less...phrasing might have varied some and I won't comment on the nature of the pendulum yet, but excellent, on the whole.

It would have been pretty early on, but it's definitely Canon.
 
So I was listening to this song and I thought some of the lyrics fit Homura, specifically these ones.


Another turn
Another peace to shun
Gauntlet of frost to run
No difference

Back and forth on the pendulum
Swinging hard towards the outside
Smash the walls of the clocks and run
Overcoming the confines
 
Vote Tally. No Ten Minute Warning yet, however.

Vote Tally : Renascence: A Homura Quest | Page 267 | Sufficient Velocity
##### NetTally 1.1.10
[x] Tone
- [x]Polite
[x] "Of course. I'm glad you could join us."
[x] Stand up and pull out a chair for Nanoha.
[x] Apologize for our over-reaction last night, and explain that it's one of the hazards of expending too much magic too quickly.
[x] Introduce her to Mami, and explain that this — and the theater — are actually in her territory, and that she's the most skilled Magus we're aware of.
[x] However, we're here for dinner. I haven't had anything proper to eat since breakfast, and it would be nice to have something to eat while we're talking.
-[x] Order anything you like; I'm paying.
-[x] Kyouko, a cheesecake is not a proper meal.
-[x] Order extra biscuits. Make sure Kyouko can't steal them.
[x] Once food is ordered (with a pause when food arrives), and we can start talking...
-[x] First, a few introductions. Tomoe-san, Kyouko and I are Puella Magi — magical girls of a very specific sort.
-[x] Nanoha-san is... Nanoha, as far as I can tell. How she managed to end up in our world, I don't know, but she seems like the real deal.
-[x] And Sayaka is... well, do you want to tell them yourself?
-[x] Give a summary of the events last night to Mami: A conglomerate "witch"; Kyouko destroying the barrier; Nanoha destroying the angel; Sayaka killing the witch.
-[x] And the confrontation over the confusion about the nature of witches and grief seeds and such. Which is what Nanoha here is hoping to learn more about.
-[x] Provide the "official" version of propaganda for Puella Magi.
-[x] Details the basic consequences of living as a Puella Magi: The duty and need to hunt witches, grief seeds, and similar matters.
-[x] Explain that grief seeds are not Lost Logia. Logia are the artifacts of an ancient civilization. Grief seeds only come into existence with the defeat of a witch; they simply do not exist before the witch is created, nor are they the product of some actual Lost Logia.
-[x] However, even if they were Lost Logia, it's still foolhardy to simply take them without consideration of the consequences of your own actions. Consider a man with a weak heart, who's only able to survive because of a Logia he possessed. Taking it away from him merely means that he's now going to die.
-[x] For Puella Magi, these [grief seed] are what we need to "not die".
--[x] Demonstrate the use of a grief seed on your own soul gem.
--[x] If Kyouko overreacts, direct her (via telepathy) to ask Sayaka about it later, but assure her that it had nothing to do with SAO.
[x] Focus on the meal for a while, to get past the awkwardness of the conversation.
[x] In any case, what's more important right now, for us, is the future. In addition to what I mentioned to Tomoe-san, there are implications of Nanoha herself being here, as well as the angel-witch. In fact, there are a number of things I've come across recently that make me uncomfortable — things that shouldn't be here.
[x] This isn't Nanoha's universe.
-[x] Ah, speaking of which, you are holding up OK, right? You mentioned you hadn't been able to contact your friends.
[x] Discuss some of the anomalies that have been encountered, and suspicions that a wish may have changed the past.
[x] However, even aside from that, there's still the issue of Walpurgisnacht. It's not a witch we can just ignore or dismiss, or even run from. <the last to Nanoha, specifically>
[x] It is possible to defeat it. The trick is figuring out how to do so without losing something you're not willing to sacrifice.
[x] I'm working on figuring out exactly how to go about that.
[x] Try to switch to more light-hearted topics when we can get to dessert. We can always talk about more the next time we get together.
No. of Votes: 2
Kinematics
Random Tale

[X] Tone
- [X]Polite
[X] Tell her ...
- [X] Apologize for our over-reaction last night, and explain that it's one of the hazards of expending too much magic too quickly.
- [X] Introduce her to Mami, and explain that this - and the theater - are actually in her territory, and that she's the most skilled Magus we're aware of.
- [X] If she has any questions about Witches, answer them as safely as we can.
- [X] Explain Puella Magi to her, and the two main varieties (nice ones like Mami, ones who are ... less nice like ourself and Kyouko).
- [X] *After Dinner* If she's calm, Walpurgisnacht.
[X] Don't tell her ...
- [X] Too much about ourselves and our motivations; Magi often have secrets they don't like telling anyone.
[X] Ask her ...
- [X] How she got here.
- [X] If she needs help with anything / How she's holding up.
No. of Votes: 1
Entropy Judge

Total No. of Voters: 3

You'll presently be following the plan in Green.






I will attempt to use whichever plan is put forward...but I would like to remind you of two things and teach you a third.:

1) Wordsmithing's value is greatly diminished if you write in precise dialogue...if what you write is superior to the results Wordsmithing would give, that's great, but you'll suffer the consequences if you don't work hard on the dialogue you do write in. This is not a statement as to the quality of either of the above plans (or their proposed explanations), only a reminder that doing so is taking a risk.

2) Remember, detailed actions limit Homura's ability to react in real time to changes in context, while general actions might miss out on certain important details you wish to include. Finding a balance of the two is important to constructing good plans.

3) The below structure might be a good option when creating complex or lengthy votes.

[] Set Parameters (Tone, Battle Attitude, Activate Abilities and Traits, etcetera.) Ex: (Tone = Polite. Activate Akemi Madness. Speak in English when addressing Mami.)
[Note: Some of these have primacy...Akemi Madness overrides any Tone that conflicts with it, or else twists it into something appropriate. A general rule is that Abilities > Traits > Normal Instructions, when they conflict.]

[] Set Objective (What are you trying to accomplish this update?) Ex: Explain things to Nanoha while maintaining her goodwill.
[Note: Homura will take this into consideration when performing General Actions. Detailed Actions will override her intuition (unless she forces an Ego roll), as I will assume that you know what you're doing if you're being that specific.]

-[] General Action (A phase of your plan for achieving your Objective.) Ex: Create a casual atmosphere to engender empathy. Make her view your group as people, not just problems to be solved.
[Note: You should always have General Action at this tier, with Detailed Subactions subordinate to it if need be. This way, Homura knows what to do if you veer off your expected course.]

--[] General/Detailed subaction. (Ex: Scold Kyouko for stealing your biscuits./"Don't steal my biscuits, Kyouko!")
[Note: Detailed Subactions can override Parameters, Interfere with Skills, and make Homura ignore her intuition. This can be good when Homura doesn't know what she's doing. General Subactions offer guidance and place faith in Homura to work out the details.]

---[] General/Detailed 2nd Tier Subaction. (Ex: Use dog training commands./"Bad Kyouko! My Biscuit!"
[If you've got a Detailed Subaction, you probably don't need this section at all, as it will already be handled by its predecessor. If you have a General Subaction, this can help refine Homura's methods, although it does still limit her agency somewhat.)


--[] General Contingency (If X happens, take Action Y. Ex: If Kyouko steals your biscuits, Time Stop and take the back.)
[There's no reason to not include Contingencies, but they're especially important if you want to do something contrary to common sense/Homura's instincts. Running from a Witch upon sight, for example, rather than trying to kill it, would require a written Contingency in most situations.

---[] General/Detailed Subaction of Contingency. (Ex: Don't let anyone spot you transforming./Use a flashbang to blind everyone, in order to conceal your transformation.)
[Note: The same deal as a Subaction, applied to a Contingency.]



You don't have to use the above structure...but it will probably make it easier to keep things coherent. Also, the explanation should also give you some insight into how I decide what happens with your votes.
 
Last edited:
Well, no update tonight, because 3 votes simply isn't enough to represent the the player-base, and I want to give everyone some extra time to process the above advice, in case you decide to adjust something. See you tomorrow.

Also, I'll probably be posting an Omake for this after you finish lunch, just because there's a scene I want to write, so look forward to that.
 
Well, no update tonight, because 3 votes simply isn't enough to represent the the player-base, and I want to give everyone some extra time to process the above advice, in case you decide to adjust something. See you tomorrow.

Also, I'll probably be posting an Omake for this after you finish lunch, just because there's a scene I want to write, so look forward to that.
Yeah, conversation write ins are not the strong suit of most of us.

Are there any previous omakes that haven't had bonuses offered yet? If so, those might be nice to see in lieu of an update................
 
There are...but Morpheus has already arrived. Maybe I'll try to reward a couple during the day tomorrow.
 
OK, doing a rewrite of mine, with Higure's layout configuration in mind.

[x] Tone: Polite
[x] Objective 1: Explain things to Nanoha while maintaining goodwill
[x] Objective 2: Bring Mami into current context while not tripping any "bad end" flags


[x] Phase 1: Ordering
-[x] Goal: Reinforce the "humanness" of the interactions, to get Nanoha and Mami seeing everyone more as "people" than "problems" or "enemies".
-[x] Greet and include Nanoha at the table.
--[x] If she's stubborn: "We're not doing any serious talking until the food gets here."
-[x] Apologize for overreaction last night.
-[x] Introduce Nanoha to Mami.
--[x] Note Mami as the most skilled magus we are aware of.
-[x] Shift conversation to ordering dinner for the time being.
--[x] "Order anything you like; I'm paying."
--[x] "Kyouko, a cheesecake is not a proper meal."
--[x] Order extra biscuits. Make sure Kyouko can't steal them.
[x] Phase 2: Dinner
-[x] Goal: Bring Nanoha up to speed on Puella Magi, while keeping everyone 'on par' in relative status.
-[x] Goal: Confirm our story with Kyouko's, to help Mami's perception that we're telling the truth
-[x] Introduce the different groups of magical girl types.
--[x] Allow Sayaka to introduce herself.
-[x] Review the events of last night, and actions taken by different people.
-[x] Including the confrontation over the confusion regarding the nature of witches, Lost Logia, etc.
-[x] Provide the "official" version of propaganda for Puella Magi.
--[x] Be sure to phrase it more as "this is what people say", rather than "this is the truth".
--[x] Is a hint to Kyouko that we don't want to be discussing the 'real' secrets of Puella Magi right now.
-[x] Detail the basic consequences of living as a Puella Magi: The duty and need to hunt witches, grief seeds, and similar matters.
-[x] Explain that grief seeds are not Lost Logia. Provide details and analogies, as needed.
-[x] Demonstrate the use of a grief seed on your own soul gem.
--[x] If Kyouko overreacts, direct her (via telepathy) to ask Sayaka about it later, but assure her that it had nothing to do with SAO.
-[x] Allow dinner to proceed, either in a lighter tone, or answering questions, as needed.
[x] Phase 3: Late dinner/Dessert
-[x] Goal: Get a handle on Walpurgisnacht and related implications.
-[x] Secondary goal: Try to nudge Mami into inviting Nanoha to stay with her.
-[x] Review mention of Walpurgisnacht.
-[x] Discuss appearance of anomalies, including Nanoha.
-[x] This isn't Nanoha's universe.
--[x] "Ah, speaking of which, you are holding up OK, right? You mentioned you hadn't been able to contact your friends."
-[x] Reassure Mami that it is possible to defeat Walpurgisnacht, but there are always risks involved.
--[x] The trick is not sacrificing something important in order to win.
--[x] It's something I'm always working on.
-[x] Move to lighter topics, but try to gain the implicit acceptance of meeting together again in the future.
 
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OK, doing a rewrite of mine, with Higure's layout configuration in mind.

[x] Tone: Polite
[x] Objective 1: Explain things to Nanoha while maintaining goodwill
[x] Objective 2: Bring Mami into current context while not tripping any "bad end" flags
[x] Caveat: If any general craziness occurs in the restaurant that is not directly life-threatening, ignore it, but keep the food safe.
-[x] If ignoring it is impractical, have Sayaka or Kyouko deal with it, depending on the exact nature of the problem.

[x] Phase 1: Ordering
-[x] Goal: Reinforce the "humanness" of the interactions, to get Nanoha and Mami seeing everyone more as "people" than "problems" or "enemies".
-[x] Greet and include Nanoha at the table.
--[x] If she's stubborn: "We're not doing any serious talking until the food gets here."
-[x] Apologize for overreaction last night.
-[x] Introduce Nanoha to Mami.
--[x] Note Mami as the most skilled magus we are aware of.
-[x] Shift conversation to ordering dinner for the time being.
--[x] "Order anything you like; I'm paying."
--[x] "Kyouko, a cheesecake is not a proper meal."
--[x] Order extra biscuits. Make sure Kyouko can't steal them.
[x] Phase 2: Dinner
-[x] Goal: Bring Nanoha up to speed on Puella Magi, while keeping everyone 'on par' in relative status.
-[x] Goal: Confirm our story with Kyouko's, to help Mami's perception that we're telling the truth
-[x] Introduce the different groups of magical girl types.
--[x] Allow Sayaka to introduce herself.
-[x] Review the events of last night, and actions taken by different people.
-[x] Including the confrontation over the confusion regarding the nature of witches, Lost Logia, etc.
-[x] Provide the "official" version of propaganda for Puella Magi.
--[x] Is a hint to Kyouko that we don't want to be discussing the 'real' secrets of Puella Magi right now.
-[x] Detail the basic consequences of living as a Puella Magi: The duty and need to hunt witches, grief seeds, and similar matters.
-[x] Explain that grief seeds are not Lost Logia. Provide details and analogies, as needed.
-[x] Demonstrate the use of a grief seed on your own soul gem.
--[x] If Kyouko overreacts, direct her (via telepathy) to ask Sayaka about it later, but assure her that it had nothing to do with SAO.
-[x] Allow dinner to proceed, either in a lighter tone, or answering questions, as needed.
[x] Phase 3: Late dinner/Dessert
-[x] Goal: Get a handle on Walpurgisnacht and related implications.
-[x] Secondary goal: Try to nudge Mami into inviting Nanoha to stay with her.
-[x] Review mention of Walpurgisnacht.
-[x] Discuss appearance of anomalies, including Nanoha.
-[x] This isn't Nanoha's universe.
--[x] "Ah, speaking of which, you are holding up OK, right? You mentioned you hadn't been able to contact your friends."
-[x] Reassure Mami that it is possible to defeat Walpurgisnacht, but there are always risks involved.
--[x] The trick is not sacrificing something important in order to win.
--[x] It's something I'm always working on.
-[x] Move to lighter topics, but try to gain the implicit acceptance of meeting together again in the future.
This seems workable, but also wordy, and easy to break apart, still there is a lot of stuff we can use here.
 
It would be fairly easy to break it apart at the different phases, if things are shifting beyond expectations (and needs a new vote), or it just gets too long. I actually wouldn't mind breaking it up that way regardless.

This vote covers pretty much everything we want to discuss over dinner, which sort of means we want it all in one place to make sure things don't get all jumbled and scattered when trying to make smaller vote sections. It's much easier to make sure you're not forgetting something, or duplicating what you already did, if it all gets laid out together.
 
Yeah, wordy is an understatement, and the plan seems far longer than it has any right to be.
It is, however, a very comprehensive and well thought out plan that deals with everything we want to talk about in this meeting.
I'd prefer something shorter, that would spread the conversation over multiple updates instead of everything in just one so we can deal with situations as they come up, but this works well enough so I'm throwing in my support.

[X] Kinematics
 
It may get broken into sections anyway, based on character reactions...that's always possible with a really long vote.

You did really well cleaning it up and streamlining it though. Good job.
 
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