NonSequtur
a body
There's basically no place for discussion of live performance stuff or non-visual recorded media, so this is probably the best spot for this thread.
So, Hamilton. As in, Alexander Hamilton. Founding Father, man on the United States' 10 dollar bill, First Secretary of the Treasury, most famous for getting killed in a duel with the vice-president in 1804.
Well, until this past February, when the eponymous musical Hamilton debuted at the Public Theatre in New York to critical acclaim, sold-out theatres and attendances from A-list celebrities and the First Family. With a soundtrack that doubles as a script heavily influenced by hip-hop and r&b and a multi-racial cast portraying America's most famous collection of dead white men, Hamilton is on track to sweep a number of award ceremonies and bring one of the less famous Founding Fathers back into the popular consciousness.
Wait, what?
Let's rewind. Hamilton started when Lin-Manuel Miranda, still involved in his Tony Award winning musical In The Heights, picked up Rob Chernow's biography of Alexander Hamilton on a whim. On reading, he decided that Hamilton - immigrant, orphan, word-drunk prodigy - very much embodied hip-hop. So he decided to make a concept album about the life of Alexander Hamilton.
Yes, yes, President Obama laughed too.
Anyway, after enlisting the help of Rob Chernow to fact-check, The Hamilton Mixtapes evolved from an album into a musical focused on Hamilton's meteoric career and rocky personal life, narrated by his counterpart and eventual killer, Aaron Burr. Portraying the First Secretary of the Treasury as a man who quite literally wrote himself into history and then wrote himself back out with little more than a keen mind, a talent with words and a destructive, prideful drive, Hamilton's thematic focus is legacies - the people who chase them, the people who pass them down, and the people caught in their wake.
Most people won't see it anytime soon; it's sold out until July, and booked solidly for quite a ways after. But for those not in the United States, or who are willing to spend some money on a Broadway cast album, you can get the majority of the auditory experience without having to trade away a kidney for tickets.
And you really should. Clear the next two and a half hours and put on your headphones. Link to the Youtube playlist here, and lyrics here.
tl;dr: I've listened to this album three times and bawled my eyes out quite a few times more.
![](http://cdn-images.playbill.com/ee_assets/Aiken/hamlogo.jpg)
So, Hamilton. As in, Alexander Hamilton. Founding Father, man on the United States' 10 dollar bill, First Secretary of the Treasury, most famous for getting killed in a duel with the vice-president in 1804.
Well, until this past February, when the eponymous musical Hamilton debuted at the Public Theatre in New York to critical acclaim, sold-out theatres and attendances from A-list celebrities and the First Family. With a soundtrack that doubles as a script heavily influenced by hip-hop and r&b and a multi-racial cast portraying America's most famous collection of dead white men, Hamilton is on track to sweep a number of award ceremonies and bring one of the less famous Founding Fathers back into the popular consciousness.
Wait, what?
Let's rewind. Hamilton started when Lin-Manuel Miranda, still involved in his Tony Award winning musical In The Heights, picked up Rob Chernow's biography of Alexander Hamilton on a whim. On reading, he decided that Hamilton - immigrant, orphan, word-drunk prodigy - very much embodied hip-hop. So he decided to make a concept album about the life of Alexander Hamilton.
Yes, yes, President Obama laughed too.
Anyway, after enlisting the help of Rob Chernow to fact-check, The Hamilton Mixtapes evolved from an album into a musical focused on Hamilton's meteoric career and rocky personal life, narrated by his counterpart and eventual killer, Aaron Burr. Portraying the First Secretary of the Treasury as a man who quite literally wrote himself into history and then wrote himself back out with little more than a keen mind, a talent with words and a destructive, prideful drive, Hamilton's thematic focus is legacies - the people who chase them, the people who pass them down, and the people caught in their wake.
Most people won't see it anytime soon; it's sold out until July, and booked solidly for quite a ways after. But for those not in the United States, or who are willing to spend some money on a Broadway cast album, you can get the majority of the auditory experience without having to trade away a kidney for tickets.
And you really should. Clear the next two and a half hours and put on your headphones. Link to the Youtube playlist here, and lyrics here.
tl;dr: I've listened to this album three times and bawled my eyes out quite a few times more.