Let's Watch Terminator: The Sarah Connor Chronicles

Introduction

For all I know, this could the plot of that Sarah Connor Chronicles show that nobody watched, it might be about that. Everybody forgot about that.
Jay Bauman, Red Letter Media (Half in the Bag: Terminator: Dark Fate review)


Terminator: The Sarah Connor Chronicles is a bit of a red-headed stepchild of the Terminator franchise. This series seems to have pulled pretty decent numbers during its original run in 2008-2009 (at least in the beginning) and there is a lot of glowing praise for it in certain corners of the Internet. Nevertheless, TSCC only lasted two seasons and then basically disappeared in the mists of time.

The Terminator is not very successful franchise. For most of its history, creators have tried to restart and revitalize it, trying to either bank on or move away from classic Terminator and Terminator 2 roots. Depending on who you ask, most (and maybe even all) subsequent films were failures to a certain degree. But when I see articles or videos about the Terminator franchise, people usually don't forget the films. They may only mention this or that installment to rag on its poor quality, but the films are remembered. No such luck for TSCC. The creators behind subsequent installments never saw it fit to adopt any elements of the series. And for wider public, Jay Bauman's quote seems to be very apt in principle, if not in wording. Millions of people have watched TSCC, but barely anyone seems to remember it.

So... what gives? Let's find out.
 
barely anyone seems to remember it.
I do!
I mostly watched season 2 (I don't actually remember when I found it, but I don't think I saw it during its original run), and from what I remember, I quite liked what I saw. I particularly remember fondly the episode with a human collaborator sent back in time, the episode with a Terminator that wound up in the 1920s, and the finale.

Looking forward to this!
 
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Episode 1: The Pilot

The Plot

It's 1999. After the events of Terminator 2 and destruction of Cyberdyne, Sarah and John Connor are keeping low profile and hiding from the law as Sarah and John Reese. They stay with Sarah's current boyfriend Charlie, who seems like a stand up guy. They have put the whole terrible future nightmare behind them... or so it would seem, as a dream sequence shows us Sarah's fears of machines, nuclear war, John's death coming up again despite T2's victorious ending. Spooked either by the bout of paranoia or Charlie's wish for an actual marriage, Sarah and (very miffed) John hit the road yet again. Meanwhile Johnny Law is still onto them, represented by FBI agent James Ellison - who hunts the Connors, dangerous murderous crackpots with crazy conspiracy theories. Also, someone with red eyes is spying on FBI's efforts to find Connors.

In a new school, John's budding friendship with a girl named Cameron Phillips ends up cut short. New substitute teacher Cromartie is a terminator! Fortunately for us, Cromartie can't kill his mark even after two minutes of a one-sided gunfight against unarmed John. This allows Cameron Phillips (who is also a terminator) to run him over with a car and save John in the process. Cameron informs Sarah and John that she was sent from 2027 to protect John. It seems T2 ending has created a new future, in which Skynet and Judgement day still happen, only in 2011. John understands that they are pulling him back in and he is not handling these news very well. Driven by her son's fear and confusion, Sarah allows herself to be strung along by Cameron into an anti-Skynet adventure.

The trio visit Mr. Dyson's late wife, desperately trying to find any info about someone else who could have built Skynet. Two more embarrassing showings for Cromartie and one Resistance time machine later, our heroes appear in 2007 – butt naked, in the middle of the road and filmed for all the world to see for good measure. Ready to fight whoever built Skynet in 2007.

"This is going to be one hell of a dogfight" – Sarah, being right about everything.

Thoughts and Questions

* This is a setup: unsurprisingly for a pilot, a lot of time is devoted to setting things up that would play major role later. Sarah/John dynamic, John's reluctance to dive into the whole "Future savior" rabbit hole again, Charlie and his relationship with Connors, Agent Ellison and his hunt for Connors, Cameron's shiftiness and Skynet's rebirth from the ashes of Cyberdine Industries.

* Time travel: this is not a topic accentuated by the episode, but it provides some food for thought. Sarah, who still remembers T1 Kyle Reese (from the future where J-Day happened in 1997), meets Cameron (from the future where J-Day happened in 2011). Despite the fact that the future has been radically altered, T1 Kyle does not disappear, nor is he re-written to accommodate new future. Sarah still remembers him and his tale of original (pre-T1) future. This seemingly dispenses with the idea of "time loops", shifting towards a more iterative model with persistent time travellers. Once T1 Kyle Reese had traveled back in time, his naked ass remains immutable despite his previous life being radically re-written. It seems like there is no causality between time traveller's life before and after the time jump. So by the pilot's logic, concurrent Kyle can be killed, or remain a tunnel rat, or do whatever - John Connor will not magically dissipate in the air without him because T1!Kyle Reese will always appear back in the 80s.

That's an interesting way to write time travel. Let's see how long it lasts.

* Time travel, part 2: the entire premise of the movies about two warriors traveling across time to do battle is completely abandoned. Humans and machines send people back in time, to build TDEs in the past so they can travel back in time while traveling back in time. It's raining time travelers, hallelujah, it's raining men, oh yeah! This creates new story opportunities, but also upsets the whole setup franchise was built upon.

* Aunt Cameron with agenda: TSCC follows the classic formula, which demands a protector figure from the future who helps our heroes out and explains the plot. However Cameron is established as something completely different from Kyle Reese and Uncle Bob (and arguably even deceitful T-800 from T3). She is obviously not telling the whole truth and has some agenda of her own. The whole "I'm gonna put you in a closed bank vault with no way out, then offer a time jump" bit does not paint her as a team player.

* Aunt Cameron and her people skills: Terminators are generally portrayed as somewhat inept in terms of social skills. Cameron is quite… strange in the pilot, but seemingly functional. While she isn't shown interacting much with non-Connors, there are implications... Enrolling into school would require things like paper trail, someone to pose as parent(s) and a lot of other things - all pointing to highly efficient infiltrator. Without spoiling too much, the idea that Cameron was able to accomplish any of that by herself will look more and more ludicrous as the series progresses.

* T-Cromartie: as the supposed main antagonist, Cromartie is sold painfully short. It becomes especially jarring if you watch the first Terminator beforehand. The original film dedicates significant effort to follow T-800 and show how he gets things done. We see him getting new clothes, we see him finding transportation, we see him "buying" weapons, we see him searching the phone book and then methodically killing Sarahs one by one. In T2, T-1000 is also shown going through the motions of his search and destroy routine - getting a new set of wheels, waving his quaint little photo of John Connor in front of little girls… All those scenes help to sell the Terminator as an implacable menace which may lack finer points of social finesse, but compensates with brutal cunning, ruthlessness and absolute refusal to quit or be impeded.
Cromartie on the other hand merely appears where the script needs him to be. The only excuse for his magical tracking skill is wiretapping of Ellison's/FBI's computer – without any explanation how that came to be. Not that FBI bug may explain how Cromartie made a gigantic leap from "John Connor is using alias John Reese" to finding particular John Reese in a particular town and a particular school in very short period of time. He then loses Connors, but catches up at Dysons' home (how would he even know that Sarah would go there?) and yet again at the bank (where he is on site almost as fast as the cops, who have no objections about some guy marching in).
Even Cromartie's plan to hide a gun in his leg is confusing. He already has access to the school (don't ask me how, he probably has shown the script to the principal), so why would he need to reveal his nature to all those kids? And his "Class dismissed" is embarrassing. When Arnold made his way through Tech Noir to shoot Sarah, he didn't stop to spout catch phrases to the patrons. John Connor is running away, he is right there, just shoot him out of the window! But no, Cromartie has to spout nonsense to children and flash his robot leg again, as if to completely blow his cover.
It would all work in a generic evil robot show, but TSCC obviously tries to emulate classic Terminator movies. And there is a reason why the franchise is named after brutal antagonist.

Conclusion
Looking back at it with the benefit of hindsight, this pilot is a surprisingly similar to the rest of the series. Things like Connor family moments will continue being the highlight till the end. Cameron will continue to be shifty till the end. Antagonists will continue operating by drama-first rules till the end. A lot of things will remain the same till the end.
For all the problems with production, writers' strike and shifting visions, The Sarah Connor Chronicles has remained remarkably consistent.

Trivia
* Dream Sequence Time: 4:30
* Successful Missions by Future John: 0 out of 0
* Meanwhile, on Skynet's Secret War in the Past:
- 1 school shooting
- 2 counts of public robo-bits exposure
- 2 shootouts in residential areas
- 1 assault on the bank
None of this is likely to attract any kind of unwanted attention or impede Skynet's operation in the past in any way.
 
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I watched this show back when it aired. It was pretty damn good for its time, and being cut off with a cliffhanger at the end of Season 2 was pretty disappointing.


That's an interesting way to write time travel. Let's see how long it lasts.
It's a pretty standard "many worlds" approach to time travel, where altering the past creates branching timelines. It has the advantage of negating any risk of paradox and allowing the future to actually be changed, as opposed to the "stable time loop" approach seen in some works, where the future is immutable.
 
Episode 2: Gnothi Seauton

The Plot:

It's 2007. While Sarah is monologuing, the camera shows Cromartie's metal head traveling together with our heroes (the body was left behind in 1997) and ending up in the hands of some random guy. Over the course of the episode, Cromartie's inert head establishes contact with his body and eventually re-assembles itself as a shiny metal skeleton.

Our heroes need to settle in, as this means (among other things) new IDs. Sarah, although in no particular hurry to get fake papers, deals with cranky John who is sick of being locked up in their new home. Cameron suddenly reveals that Future John has sent a group of four future fighters to help John in 2007, but what is supposed to be a meeting turns into an ambush by a roving Terminator – who flees. Sarah is thoroughly unimpressed by the results of the time jump, but Cameron reveals that she's supposed to die in 2005 of cancer. And apparently 2007 is teeming with Terminators sent to do various jobs for Skynet.

Sarah and Cameron visit Enrique, an old friend criminal of Sarah's, who imparts some wisdom and sends her to his forger nephew Carlos. Carlos is a fun gangster who tells Sarah about 9/11 and not so subtly implies that Enrique is dirty. Cameron, who stands outside, immediately rouses passing cop's suspicions, but poor man is saved from murder by Sarah playing angry stepmom. Meanwhile John, tired of sitting at home, goes to the mall and enjoys mobile HD TV future, while also finding info about his not quite stepfather Charlie, who has married another woman and generally moved on with his life. John then does a little B&E in Charlie's home, but stumbles upon the man himself. When Charlie attempts to get closer to John, he ends up on the floor.

The trio visits Resistance hideout again to get money and diamonds and are almost ambushed by the same Terminator. Back home Cameron asks Sarah why diamonds are girl's best friend and reveals that Future John misses Sarah reading him Wizard of Oz in Spanish. Sarah sneaks out alone to confront Enrique about him being a rat. Cameron sneaks after her and when Sarah seems unwilling to shoot Enrique, she does. Sarah is less than pleased.

In the end, Sarah goes to the doctor to get some cancer tests, John goes to school, Agent Allison searches the murder scene since Enrique has given him a call beforehand and Cromartie hides among hobos as fully clothed man in a sky mask.

"Just move the food around and the turkey will reveal itself to you" – Sarah, dispensing invaluable insight about the art of locating turkey in one's fridge.

Thoughts and Questions

* Meet New Sarah Connor: Lena Heidi portrays a very different take on Sarah Connor compared to Linda Hamilton. However this is not meant as a criticism, since it's entirely appropriate for the show. T1 Sarah Connor is an everywoman stuck in an impossible situation. T2 Sarah Connor is more than a little crazy survivalist fresh out of mental asylum. What Lena Heidi portrays is was what Sarah Connor was supposed to be between the films. After all, she has spent years on the run, living on the fringe, making deals and taking care of herself and her son. T1 Sarah is too soft for that and T2 Sarah is too dysfunctional. So Lena Heidi portrays a person who can realistically hold her own in any situation – not just a fighter or survivalist, but also a conwoman who can bluff her way in and out of situation as needed. It's something film Sarah Connor doesn't need much, but also something that she would logically have to learn to survive. It's very nice take.

* Meet New Sarah Connor, part 2: the years that have passed since T2 have dulled Sarah's emotional edge somewhat, but she still feels like a coil ready to spring. Sarah can control herself most of the time, but she still regularly starts shouting, grabbing, pushing and generally gets handsy. Perhaps Sarah's newly found reluctance to kill is derived from her understanding that she is not particularly stable as it is and going off the deep end might not end well for her.

* Our Boy John: John is great. Him being fidgety and rebellious teen, his trip to see how the tech has changed, him lying to mom and his fear when his not quite stepfather Charlie tried to get closer... John is just perfect in his imperfection, very believable portrayal of a teenage boy on an adventure with dim prospects. And Sarah's every moment with John is adorable. Mother knows, John.

* Aunt Cameron: resident Terminator protector continues being her uncooperative self, keeping mum about allied ID forgers/helpers for three days until Sarah declares forged ID day. As far as I can tell, there is no particular reason or advantage to this. If it wasn't for Cameron's strange priorities, our heroes might have met Resistance fighters before their unfortunate demise. Furthermore, Cameron implies that she has met four fighters before. And yet Cameron can't tell that the fourth body is the wrong one (and also not human) until it starts punching her in the face. In the context of the episode, it's easy to miss. But on consideration, it's quite baffling.

* Not Quite Tantalizing Reveal: following a run-in with hostile Terminator and Cameron's revelation about cancer, Sarah accuses Cameron of duplicity. Cameron insists that Skynet's destruction in 2007 is in fact the mission and claims that Future John considers Sarah the best fighter he's ever met, hence the need for her to make a jump. Given what we have seen so far, it can be interpreted in three ways:
- Cameron is buttering up hostile Sarah. Not impossible, but way too smooth for the level of social awareness Cameron demonstrates in the episode.
- Self-trained, middle-aged Sarah Connor is really just that good. Or the Resistance fighters are just that bad. Maybe, John's boys certainly did not impress in this episode.
- Future John is not very good at this whole "planning" thing. As series progresses, this hypothesis becomes more and more plausible.

* I Am the Law: our heroes have flashed their mugs, in decent resolution, on evening news as highway nudists. Yet Agent Ellison only appears when his old informant Enrique gives him a personal call about Sarah Connor. And at no point in the series does anyone look at our heroes and says – hey, those are three naked assholes from the news! Also, I may lack some details on Californian real estate market, but wouldn't our heroes need valid IDs to buy/rent a house – the house they reside in while discussing urgent need for new IDs?

* A Cunning Scheme: 2007 Terminator kills three members of Resistance team and plays possum in the same room. It makes for reasonable action setpiece, but what was the idea? To wait for the fourth fighter – while pretending to be the fourth fighter? Or did he plan to wait for the cops to pick him up?

* Where is Cromartie: a separated head will have at least one exposed metal surface, so by Terminator rules it's not going anywhere in time. But even stranger is the fate of his body. Apparently after an investigation of bank robbery/bombing, nobody found it strange or suspicious that a headless metal robot was left at the ground zero. Also, nobody cared to claim it or study it, opting to just leave this strange and obviously high-tech gizmo in a car dump for ten years. Okay.

* Who is Cromartie: the resident implacable robot reunites with his head. His body manages to walk around, dress itself and fight despite being absolutely blind. He chooses the most suspicious hobo getup one can conceive of and flashes red eyes like an asshole. I'm dying to see more of this character.

* Why is Cromatie: I don't know. Cromartie did not wow me in the plot. He has no presence like Arnold, he has no gimmick like T-1000, he has no character of note. And the pilot actor is not returning. There are other Terminators in 2007 which can take his role as semi-ineffectual robot mook. So why is he still here?

Conclusion
The episode is a workable set up for the future. Our characters settle in, the issues like ever-present shadow of the law, John's schools and Skynet presence in 2007 are established.

Trivia
* Dream Sequence Time: 4:30
* Successful Missions by Future John: 0 out of 1
* Meanwhile, on Skynet's Secret War In The Past:
- 1 school shooting
- 2 counts of public robo-bits exposure
- 1 count of robo-blood exposure to the FBI
- 2 shootouts in residential areas
- 1 assault on the bank
- 5 murders
But none of this is likely to attract any kind of attention or impede Skynet's operation in the past in any way.
 
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It's a pretty standard "many worlds" approach to time travel, where altering the past creates branching timelines. It has the advantage of negating any risk of paradox and allowing the future to actually be changed, as opposed to the "stable time loop" approach seen in some works, where the future is immutable.
I doubt Skynet would bother with time travel if it only benefits some kind of parallel/branching timeline version of himself.
 
I doubt Skynet would bother with time travel if it only benefits some kind of parallel/branching timeline version of himself.
But isn't that already kind of a given? Skynet sends a Terminator back in time to kill Sarah Connor and prevent the birth of John Connor. If it's a stable time loop (as seems to be implied by T1 with going back in time causing John Connor to be born), then it's impossible to change the past and the effort was always futile. If the future can be changed (as seems to be implied in T2 with Sarah destroying Cyberdyne to keep them from reverse-engineering the Terminator), then the new future has to be a different timeline than the one that the time traveler came from, because things no longer happen the way that the time traveler remembered it and if no impetus exists for the time traveler to go back in time, then it is a paradox. Any character who sends someone else back in time to change the past does so knowing that they won't get to see the results themselves, one way or another. Maybe Skynet is just satisfied to know that some version of itself would still triumph. Or maybe, if it can create its ideal timeline, it will download itself onto a flash drive and go back in time to experience it. Skynet's thought process has always been a bit opaque.
 
* Aunt Cameron and her people skills: Terminators are generally portrayed as somewhat inept in terms of social skills. Cameron is quite… strange in the pilot, but seemingly functional. While she isn't shown interacting much with non-Connors, there are implications... Enrolling into school would require things like paper trail, someone to pose as parent(s) and a lot of other things - all pointing to highly efficient infiltrator. Without spoiling too much, the idea that Cameron was able to accomplish any of that by herself will look more and more ludicrous as the series progresses.

My take is that Cameron at several points shows that she is capable of emulating human emotion very well.

She mostly doesn't, because she doesn't like it. She will, on rare ocassion, turn the emulation up and come across like a real girl (quite possibly she has a mindscan/fork of the actual Allison from Palmdale in her files), but she mostly doesn't do it because she finds it uncomfortable.

This is my headcanon, but it does fit everything we see on the screen.

Also, I think the actor for post-plastic surgery cromartie did an amazing job.
 
My take is that Cameron at several points shows that she is capable of emulating human emotion very well.

She mostly doesn't, because she doesn't like it. She will, on rare ocassion, turn the emulation up and come across like a real girl (quite possibly she has a mindscan/fork of the actual Allison from Palmdale in her files), but she mostly doesn't do it because she finds it uncomfortable.

It is against her nature. She doesn't have human emotions. She can emulate them. But she doesn't actually experience them... so if there's no pressing need to emulate humans, she doesn't bother.

I miss this show. It's biggest problem was that it was too smart and unfortunately the average network TV Joe isn't the sharpest knife in the drawer.
 
She mostly doesn't, because she doesn't like it. She will, on rare ocassion, turn the emulation up and come across like a real girl (quite possibly she has a mindscan/fork of the actual Allison from Palmdale in her files), but she mostly doesn't do it because she finds it uncomfortable.

The mind scan is popular in fanfics, but it never made sense to me. If they could do that then why all the questioning? Putting Allison under a variety of emotional situations to try to get the ability to emulate her through observation fits better.

The Baum scene is really interesting because it sets up Sarah's persistent worry about Cameron replacing her as John's protector and confidant. It also highlights that Cameron is not just a Terminator John reprogrammed - she's also someone John has had long and intimate conversations with and someone whose judgment he apparently trusts more than his own past self. Which, after the T2 shenanigans, is fair.
 
Episode 3: The Turk

The Plot
The episode begins with Sarah and her very subtle dream sequence. Sarah guns down fathers of American nuclear bomb before they turn into Terminators and gun down her. Sarah analyzes the documents found in Reistance hideout and concludes that the team was a "Skynet hunting party". She meets Dyson's wife to help her narrow down the amount of potential Skynet creators, who points to Andy Goode and not so subtly inquires whether Goode is marked for death as well.

Meanwhile, on "Hunting Connors": agent Ellison visits the place where three Resistance guys were murdered. His colleague writes them off as drug dealers, while Ellison is unconvinced. He visits the fake paper guy, he has Resistance guys' fingers checked… and discovers that one of them is in the FBI database, cunningly disguised as a four-year-old boy from another side of the country.
Ellison's mechanical counterpart Cromartie begins his day by robbing a clinic in broad daylight and casually strolling off the scene with a big medical box. Eventually his master plan is revealed: he forces a clever scientist to regrow his organic skin with future skin formula. Scientist is later found dead by the FBI.

Meanwhile Cameron goes to school with John. Despite John's wise warning against being a freak, Cameron is a freak in every scene. Thankfully John is there to bail here out at worst moments. The school day concludes with a bang, as a suicidal girl decides to make a public roof jump. John wants to help, but Cameron demands John does not help the girl and removes him from the scene. This leads to an argument between John and Sarah/Cameron at home whether it was worth it to let the girl kill herself to preserve John's anonymity.

Sarah remains the best girl, slowly working Andy Goode under the guise of dates. She finds out that Andy has build an artificial intelligence called "The Turk" in his basement. Cameron expectedly insists that Andy Goode must be killed. Unwilling to murder Andy, Sarah sneakily burns Andy's home instead, eliminating the AI.

"Don't you kiss me. Or anyone else!" - Sarah providing valuable pointers to Cameron

Thoughts and Questions

* Connor. Sarah Connor: Sarah continues being a highlight of the series. She is the one who gets the job done by trying to figure out who the Resistance fighters were looking for, she is the one who finds Andy, she is the one who susses out his basement AI project and she is the one who sets it up in flames. The moral dilemma of killing someone for something that might happen in the future is explored with all the subtelty of a drunken elephant, but the point is made and Sarah's final decision to spare Andy rings true to her character. And her attempts to justify Cameron's decision about suicidal girl to John at the end of the episode are convincingly unconvincing. It is in moments such as these that the series earns its title.

* Our Founder, Uncle Bob: T2 Arnie reference! On one hand, it's always good when a sequel doesn't wallow in preceding titles, so I don't fault the show for leaving that ghost well enough alone. On the other hand, T2 Arnie is basically 95% of Sarah's and John's frame of reference on Terminators, especially friendly ones, so you would think he'd come up more than once.

* Andy Da Vinci: It's charmingly quaint that of all the people who worked in Cyberdine, it's a washed out ex-intern/phone salesman who ends up building an AI. Andy is likeable geek (which is the point of Sarah's dilemma) who is struck by inspiration and so he follows it to his doom.

* The Hidden John: This is not a John-centric episode, but between him trying to make Cameron act normal and him trying to save suicidal girl, John continues being a normal person trying to deal with all the crazy. I like his normalcy, especially when juxtaposed between Sarah (who struggles to keep herself under control) and Cameron (who is just out of control). That being said, the final discussion about suicidal girl falls somewhat flat, though it's not John's or the actor's fault. Cameron and Sarah try to justify letting her die by the need to keep a low profile. But the entire passe has made evening news on TV as highway nudists two episodes ago! Then Sarah has put John into a public school. And to top it all off, Cameron spends her every scene in school convincingly disguised as someone very conspicuously mentally impaired. It's very strange how they pick this moment to suddenly remember the need for low profile.

* Let's Not Flesh Out Cromartie: I understand that in terms of plot mechanics Cromartie needs to re-grow his skin in order to haunt Connors later. But his scenes have all the depth of a one-note fetch quest. He can just casually walk into a clinic, rob the place and casually walk out with no effort or logical consequence like the police hunting him. And there is one NPC scientist who can do everything Cromartie needs him to without any issue whatsoever. A Terminator antagonist is supposed to be cool and/or clever, but there is nothing cool or clever in this plotline. It's all pure bloat which could be cut with no loss of quality if the writers were not so strangely insistent on keeping Cromartie. A random Terminator from 2007 could fulfill the same role in less time and spawning less plot holes.

* Aunt Cameron, the Mistress of Disguise: oh boy. This episode's showing was a disaster. Cameron, who is supposed to be an infiltration model with two months of life in the past and some time with the Resistance, is horrifically inept at blending in. T2 Arnie beats her by a mile despite having only a couple of days among humans under his belt. For now her only (and I mean one and only) saving grace as an infiltrator is the fact that she is modeled after a cute young girl. If she was modeled after a teenager of John's age, people would be trying to shove Cameron's head in the toilet before the school day was over. That's assuming the cop wouldn't try to shoot a suspected gang member in a hoodie in the previous episode. And as if to rub in her failure, Cameron defends her (glaring lack of) infiltration skills by insisting that she has "fooled you [John/Sarah]" without a slightest hint of self-awareness.

* Hoover's Finest: my enjoyment of Ellison's plotline suffers from the same problem as my enjoyment of Cromartie's plotline. Patrick and Schwarznegger have taught me that a Terminator must do cool stuff, Cromartie doesn't do cool stuff, I don't like Cromartie. My preference for procedurals has taught me that an investigator must find clues, dispell wrong theories, grill suspects and dig up the truth. Ellison doesn't do that, so I don't like Ellison. On an intellectual level I understand that Ellison's role in the series is not as an investigator, but as a believer. He is to appear whenever the script summons him, behold yet another mischief time travelers have left behind, ask seemingly strange questions, be refuted by colleagues and then slink away into the next episode with just a little bit more faith in Sarah's prophecy.

But on emotional level I find his attitude very unsatisfying because Ellison doesn't act like a man who wants to actually solve crime – which is what he is supposed to do as an FBI investigator. For example when his colleague tries to write off Resistance fighters as drug dealers, why doesn't Ellison push back? Why doesn't he ask: "Where any trace of drugs is at, genius?" Why doesn't he question an obvious mistake that has happened with fingerprints? A hound must chase the prey, not be dragged by the collar.

Conclusion

Cromartie and Ellison aside, it is quite decent episode with Sarah doing some spywork, John dealing with Cameron's inability to infiltrate and final discussion on the morality of it all.

Trivia
* Dream Sequence Time: 5:55
* Successful Missions by Future John: 0 out of 1
* Meanwhile, on Skynet's Secret War In The Past:
- 2 counts of physical assault
- 1 clinic robbery
- 2 shootouts in residential areas
- 1 assault on the bank
- 1 school shooting
- 6 murders
- 2 counts of public robo-bits exposure
- 1 count of robo-blood exposure to the FBI
- 1 count of exposing future skin formula to the law enforcement
It is highly unlikely that this would attract any kind of unwanted attention or impede Skynet's operation in the past in any way.
 
But isn't that already kind of a given?
Not in Terminator franchise. There is no "kill your granddad in the past" paradox in Terminator because time travel is acausal. A time traveler is not dependent on his past remaining in place once he emerges from the bubble. Skynet and Resistance constantly re-write the same 30-50 years of late 20th/early 21st century by sending people in time, so there is only one timeline. The catch is that all the time travelers still pepper constantly re-written timeline because they are no longer depend on their past existing after time jump. Their history post-time travel is constantly re-written as well.
This leads to situations like Kyle in Genysis: due to people re-writing prior history, his entire mission which he was supposed to perform in T1 has been rendered obsolete. Theoretically, Skynet could send a Terminator with a nuclear bomb, destroy LA in 1983 - and Kyle would still emerge in 1984, completely confused why the city is a giant crater and why he is dying of radiation poisoning. It's pretty great horror material, if you think about it: dozens if not hundreds of people traveling back in time only to find out that their entire picture of time war is hopelessly obsolete and they have no idea what to do or whom to trust.
She mostly doesn't, because she doesn't like it.
Cameron jeopardizing her mission on the grounds of "I don't wanna" should be absolutely ridiculous. But given what the series has shown about Resistance, Future John and Cameron, it sounds disturbingly plausible.
It's biggest problem was that it was too smart and unfortunately the average network TV Joe isn't the sharpest knife in the drawer.
I can certainly say that the show has made an attempt to be smart.
she's also someone John has had long and intimate conversations with and someone whose judgment he apparently trusts more than his own past self
I think this is the impression the writers were aiming for.
 
Cameron's inconsistent infiltration abilities are likely down to Whedon really enjoying weird girls in his works.

In-universe you could probably put it down to her being able to pull off a rehearsed scene but struggling with improvisation.
 
I watched this show just last year. Ended up liking quite a bit of it but yeah these first few episodes are pretty rough.

That scene in the pilot with Cromartie pretending to be a substitute teacher and going down the roll call to get to John Conner while he's secretly cutting his leg open to retrieve a hidden pistol was some primo Terminator material. I don't know if it would be physically possible (if the gun would actually fit into the meat around the endoskeleton) but the inhuman body-horror factor was so good I actually didn't care.
 
Huh. I thought I remembered him being in charge of this.

Regardless, I think the weirdness was the right call.
Whedon was running dollhouse, the show that TSCC was cancelled in favor of.

Edit: more specifically the network decided they would only keep 1 scifi show and they kept Whedon's because they remembered the furor over firefly.
 
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Episode 4: Heavy Metal

The Plot

John struggles over the death of suicidal girl in school and still blames Cameron for letting her die. But Cameron has important news: she has detected sabotage in LA docks which would reroute a shipment of coltan. This led her to suspect Cromartie was still around, so she went searching for their highway nudist footage. Fortunately, the footage is still available and lo and behold, our heroes see Cromartie's head coming through. This causes Sarah a minor freakout, but John persuades her to stay and fight Cromartie by ambushing him at the docks.

Unfortunately it's another Terminator, Carter, who steals coltan with his henchmen. Sarah wants to retreat and formulate a new plan; but frustrated John just dives in and ends up trapped in a speeding truck, carried away to wherever Carter wants to go. After some hiccups and henchman interrogation, Sarah and Cameron find out where: abandoned Depot 37 in a military gunnery range. Carter plans to seal the doors and wait out the Judgement day in the depot, netting Skynet a neat little package of very valuable coltan. He executes his henchmen and deactivates, leaving John alone in a sealed depot with a pile of coltan. John picks up rotating phone, contacts Sarah and Cameron and together they re-open the doors and escape, leaving Carter behind closing doors inside the bunker. Our heroes send a truck full of coltan to the bottom of nearby lake and set off home. Sarah waxes poetically. John hides his shaky hands. Cameron produces a coltan brick she has secretly stolen from the truck.

Meanwhile in the B-plot, Cromartie forces a lonely plastic surgeon to turn him from a burn victim into Owain Yeoman a struggling actor named Lazlo. He then kills the surgeon and leaves, picked up by the security camera… before and after the transformation. Since he also left some of his robo-blood on the scene, Ellison soon appears to investigate, but his FBI peers just point and laugh at him. Cromartie kills and replaces struggling actor named Lazlo, his scheme to create a new cover for infiltrating human society finally complete.

"You just seem down… downer than usual" – Sarah Connor, the morale officer

Thoughts and Questions

Plans are for people in control of their own lives: John is terribly frustrated by previous episode's events, angry at Cameron and feels helpless. This contributes to his insistence on proactive approach with Cromartie and to his decision to take a mad dive which nearly costs him his life. Nevertheless, he thinks on his feet, does a couple of neat tricks, talks his way out of being shot by angry henchman and generally holds himself really good. He even puts up a brave face in the end for his mother. Our boy John is going to be a hero yet.
Also, John is ten years out of practice, but still a hacker!

Gracchus, something more cheerful: The melody has actually contributed a lot to the scene in Depot 37. It's strange that music becomes noticeable so far into the series (it's Bear McCreary's after all), but it's a welcome change nonetheless.

Terminator is a pretty cool guy: This week's terminator is Carter, who has infiltrated US military and runs his own gang of thieves on a gunnery range. I like him. Maybe there is something natural about a Terminator running around in military uniform, ordering his own little unit. Carter is not perfect, but the actor does a great job in his bit part. He is cool, he is menacing, he falls on his fists like a boss, he does not spout catchphrases before securing his target… can we ditch Cromartie and keep this one? He doesn't even need a plastic surgery, just a bandaid for his scar.

A cunning scheme: so, it is time for clever ideas. I believe that TSCC pioneers the idea of Skynet Terminator doing something other than terminating. In this case, Mr. Carter secures valuable materials for his metal boss to use after the Judgement day. It's a neat idea, since breakdown of global economy would mean that Skynet is unlikely to receive shipment of anything from anywhere unless Skynet makes the arrangements himself.
Granted, it's a cunning scheme with certain glaring issues. I'll allow for a decommissioned depot which has lights, automatic doors and plugged in phone, maybe it's different in US. But Carter has four henchmen, none of whom got paid. Two were shot immediately but Carter made no effort to locate and eliminate the other two before going into standby inside the depot with coltan shipment. Which leaves at least two people who (as far as Carter knows) could reveal his scheme, willingly or otherwise. And one of them did. Furthermore, the depot may be out of commission, but the range where it is located isn't and Carter works there. So even if our heroes didn't come to ruin Carter's day, there is a high chance that the army or police would do so later.

Face off: behold! Cromartie has finally achieved his goal and attained what he needed to follow Connors: a nice human face. Of course, Cromartie is a silly robot, so he allowed his new face to be immediately recorded leaving the murder scene and robo blood was left behind to make the connection just a little bit more obvious. What was the point of killing and replacing Lazlo if Lazlo immediately ended up on FBI's radar? At very least Cromartie's proto-face of burn victim was anonymous.
That being said, the scene with Cromartie grabbing Lazlo and copying his agonized expression in the mirror was pretty neat. Small steps, I guess.

Thank you for (not) explaining: Cameron finds out that Cromartie is, canon and common sense be damned, still around. Her method is less of a deduction and more of an insane leap of logic. If coltan shipment was rerouted, this must surely be Cromartie repairing himself!
Of course, this is not how anything works. Even if Cromartie actually has the knowledge how to create new arms/legs/whatever, he would still need specialized tools and facilities to turn coltan (and presumably other materials) into future tech for which there is currently no industrial base. A pile of metal does not Abrams tank make.
But this logical leap has prompted Cameron to check TV footage of them three flashing the highway in the pilot. A question arises why Cameron has not done so sooner – this widely distributed footage is the best lead any enemy might have on Connors in 2007. One would think Cameron would want to know how badly they are compromised. I would say very badly, but between FBI, police, nosy neighbors, hostile Terminators and Greys, Charlie the Not-Quite-Stepdad is literally the only person in the world who cares.

To bait with a brick: yes, I'm terribly intrigued why Cameron has kept a piece of coltan for herself while hiding this fact from Sarah and John. I'm sure there is a clever pay off to this down the line.

A modern day Sherlock Holmes: Even as Cameron hits the bullseye while firing in the wrong direction, Ellison and FBI can't hit a broad side of the Great Wall with a shovel. They have a recording of Cromartie entering the building, spending a weekend inside with the surgeon and then leaving, his new face recorded neatly on camera. Cromartie was sloppy again, since the police find roboblood on the scene of murder. It does not take a genius to put two and two together and understand that Cromartie has had his new Lazlo face done on the weekend and then killed the surgeon. But FBI dismisses Ellison's theory since… "the job like that, four, five hours under the knife" would require anesthesia and according to the records, none was used.
But FBI has cleared real Lazlo's blood, meaning it was no Lazlo on the footage. So unless Lazlo has an evil twin who likes to stick around plastic surgeon's office on weekends, it's a given that fake Lazlo/Cromartie had a Lazlo facejob done. Given that the surgery was done off the books, with no appointment, in off hours and ended in murder, lack of official record for anesthesia is hardly surprising - both the doctor and fake Lazlo could bring some off the books stuff for what was clearly a shady job. Finally, Cromartie might not have needed anesthesia, but he would still need everything else. Pieces of tissue, stents, dermal adhesives, the list goes on, there should be all sorts of things lying around or missing from the office proving that someone has indeed been put under the knife.
Can we assign this case to Agent Frawley?

Conclusion

The season is picking up steam! John pushes back against his pilot fears, asserting himself. Sarah leaves a man to die a terrible death alone in the mine field because John really is her world. Our heroes actually strike back against Skynet operation. A proper antagonist of the week, a daring raid and a narrow escape, what's not to like? Cromartie/FBI B-plot, of course, but it's mercifully short, so what the heck.

Trivia
* Dream Sequence Time: 5:55
* Successful Missions by Future John: 0
* Meanwhile, on Skynet's Secret War In The Past:
- 1 theft
- 1 identity theft
- 2 counts of physical assault
- 1 assault on the clinic
- 1 arson
- 11 murders
- 2 shootouts in residential areas
- 1 assault on the bank
- 1 school shooting
- 2 counts of public robo-bits exposure
- 2 counts of robo-blood exposure to the FBI
- 1 exposure of future skin formula to the law enforcement
Thankfully the matter was cleared up in this episode. Nobody cares.
 
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I had to stop watching partway through season 2 for scheduling reasons I don't recall, but I really enjoyed this show
 
Given that the surgery was done off the books, with no appointment, in off hours and ended in murder, lack of official record for anesthesia is hardly surprising - both the doctor and fake Lazlo could bring some off the books stuff for what was clearly a shady job.
When this first aired, I remember being annoyed that when the young agent (played by the star of Nickelodeon's "The Famous Jett Jackson") insisted that the perp couldn't have surgery because no anesthesia was used, Ellison didn't even suggest that the perp could have brought his own drugs. Like, that seemed like the obvious response to me, if one does not believe in Terminators. But Ellison can't have good comebacks because, I guess, we need to see that his star is falling at the Bureau.
 
Episode 5: Queen's Gambit

The Plot
Cromartie visits Charlie the Not Quite Stepdad as FBI agent Kester and asks some questions about Sarah. Meanwhile, John explains sadness over suicidal girl notes to Cameron at school. Cameron attracts the attention of the school counselor by behaving as a reasonably unhinged lunatic.

Sarah brings John and Cameron to a chess tournament, where Andy's Turk is playing against other AIs. The military wants to use the winning AI for their purposes, Andy and his business partner Dimitry want to win and the team wants to find out whether the Turk 2 is the Skynet material.

Unfortunately, everything goes wrong. The Turk loses the final match. Sarah finds Andy murdered in his room, the Turk stolen by parties unknown. She chases the man she thinks to be a killer, but it's actually Derek Reese, the fourth member of the late Resistance team. He is immediately arrested for murder by the cops.

Ellison finally catches up to Derek due to his connection to killed "drug dealers". But so does another Terminator, "Vick", who lands himself in jail to hunt Derek. Sarah pretends to be a spook, steals a card and has an illuminating conversation with Derek in prison. Someone stole the Turk before Derek could seize it. She decides to bust Derek out in transit, hijacking prison transport in broad daylight. Derek does not seem all that grateful, judging by his attempt to murder Cameron.

Vick appears to complicate matters, shoots Derek and eventually is disabled by Cameron. In the end, John summons Charlie to the safehouse since someone has to save bleeding Derek.

"You can't be absent [from school]. Absent gets you on their radar." - Sarah Connor, explaining what gets John on Skynet radar. Unlike all three of them ending up on evening news, Skynet radar has a blind spot there.

Conclusion:
The episode returns us to the main arc and the plot thickens. We are introduced to Derek, who is another delightfully dysfunctional character to join the team. Brian Austin Green really sells the "I'm somewhat crazy soldier from the future" bit. Charlie returns as an active part of the plot. A lot of things happen, but they mostly happen to set up other things happening in later episodes.

Thoughts and Questions:

Do you know who that is in there? Usually the introduction of a major character's previously unmentioned brother feels like fanfic-level writing, but Derek's inclusion does not. Perhaps this is because they are sufficiently spaced out plot- and time-wise, perhaps because Kyle was only present in one movie, perhaps because Derek ultimately is his own character. Probably the greatest sign in his favor is that Derek clicks as a character. Unlike Cameron, he has an obvious personality which he sticks to till the end.

The Law and the Outlaws: as usual, Agent Ellison fails to impress in the interrogation room, losing control over the conversation almost immediately. But I have harped on long enough about Ellison, so let's talk about TSCC's handling of the law and the people who run from it.
In T1 and T2 the law served three functions in the narrative. First, the police have added an element of realism and grounding: one would expect the cops to show up soon enough once Terminator-related chaos occurs, and so they do. Second, the cops tested the protagonists, both in terms of morality and skills. Finally, the cops built up the Terminator as a credible and scary force which could dispatch armed and trained officers with ease.
Obviously, TSCC can't replicate the film approach since having constant run-ins with the police would get expensive and repetitive. This could be mitigated by writing: maybe by having heroes and villains keeping up one step ahead of the law, covering their tracks. Or by just leaving the question of the police out of focus.
Instead the series settles for constant self-contradiction. Law enforcement is constantly present through the series, but the writers can't decide what kind of threat it poses to characters and how characters themselves view this threat. Sarah takes off on a hunch in the pilot, grills John for days so that he learns his "Baum" cover story by heart, procures new IDs through criminal contacts… but in the same series our heroes get featured on evening news on TV and not only it doesn't cause any problems, it is not even considered an issue by the characters. Cromartie's clumsy rampage provokes no response from the law, yet Derek Reese can't be as much as near a scene of quiet murder without being almost immediately apprehended by cops. Sarah visits a man in prison before his breakout, then leads a three-person assault on prison transport, then has a gun battle with Vick, yet none of this matters. So… what is it? Do the cops want to watch the world burn - or are they active agents in the world? Can our heroes run around flashing their mugs to all and sundry - or are they outlaws who need to conceal themselves and keep a low profile? Are our heroes mindful of the police - or they just don't care at all?
It's hard to be invested in a struggle where the stakes go from "life in prison, possibly murder inside prison" to "GTA without cops" in the same episode.

The many faces of Aunt Cameron: the central Terminator figure of the story suffers from similar issues. I have already pointed to her widely fluctuating social skills, but this by itself is not a problem. This is not competence problem. Cameron can be incompetent and still be a compelling character.
The problem is, Cameron has featured prominently in all five episodes so far and each time she feels like a different character. Like someone has hired five writers, put them in five separate rooms, given them a five-word character concept and left each of the five to write their own Cameron Phillips.
Social skills aside, in the first two episodes Cameron is established as someone who is interested in preserving John's life and also fully autonomous, not obliged to follow others' orders. In fact, she is so autonomous she can kill people without permission. Very well, this can work for the character and for the plot. But in episode four Sarah and Cameron are chasing John who has disappeared in a hostile terminator's truck. Literally any second John can be discovered and murdered on the spot. They must get to the abandoned depot ASAP to either rescue John or find wherever he was moved next.
At this moment Sarah decides to leave an interrogated henchman inside the minefield using Cameron. It's a bit of a strange turn for Sarah who is reluctant to murder in previous and subsequent episodes, opposed to Cameron's blunt insistence on killing. But for some reason Cameron decides to forget that John's safety is her priority and waste valuable time putting a henchman inside the minefield purely because Sarah says so. She does not object, or kill the henchman to spare time, or break his legs and leave him in county-sized gunnery range… She just does what Sarah tells her, because it's episode 4 Cameron and you can't expect her to remember episode 1 Cameron's or episode 2 Cameron's motivations.
Or compare episode 4 Cameron and episode 5 Cameron fighting a hostile Terminator. Episode 4 Cameron does the expected Terminator-on-Terminator action, when both parties just bash and throw each other around, as if stumped by the idea that they aren't fighting squishy meatbags anymore. Episode 5 Cameron demonstrates some cool robot kung fu, disabling the enemy with a pipe and then cleverly exploiting his temporary weakness by removing his chip.
This will continue in the next episode, when episode 6 Cameron suddenly reveals another of her standing directives. She is to completely destroy hostile Terminators' remains (with some caveats) so that unaccounted for components do not influence technological progress and hasten the arrival of Judgement Day. Of course, Cameron has a different character each episode, so she completely ignores the issue of decapitated Cromartie in episodes 1 to 4, making no effort to find, recover and destroy his remains.
Cameron's lack of coherent characterization, goals and methods is jarring, makes it hard to invest in the character and, by the virtue of prominence, degrades the rest of the story.
 
Episode 6: Dungeons and Dragons

The Plot
Derek is shot and lies bleeding on Connors' table. Sarah, John and Charlie try to save him. While out of it, Derek dreams of his past in the future: Kyle, patrols, imprisonment, return to Resistance, Cameron, malfunctioning Terminator and time jump. Turns out in the future Andy Goode has confessed to Derek. Andy has created Skynet (at least according to Future Andy, who seemed pretty out of it).

Sarah is obviously invested enough in keeping Derek alive to accept John dragging Charlie into this. But not enough to let Derek know about family connection. She also gives Charlie the Talk. Cameron states that all future tech must be disposed of, chops up Vick's body and burns his exoskeleton, much to Sarah's approval. Now it seems only a lost robot hand is the problem, but Cameron secretly keeps Vick's chip...

It is revealed in the end that Andy Goode was not killed by the thief who took the Turk 2 computer. Derek did so himself with a silenced pistol.

"You took hell of a chance and it worked out" - Sarah Connor being an actual morale officer and making John smile

Conclusion
What feels like half of this episode is dedicated to Derek's memories about future war which ultimately go nowhere. The rest is richly peppered with Charlie/Sarah dynamic, so your enjoyment will largely depend on how invested you are in those two elements.

Thoughts and Questions

Connor does not talk to anybody: but it's time to talk about him, for Future John has bigger problems than Skynet. Specifically, his role as a mastermind and plot instigator. His plan to fight Skynet in the past relies on his teenage self, his mom and Cameron, supported by a crack team of four Resistance fighters… but they get themselves exterminated immediately, save for Derek.
So now we have four hand-picked members of the team. Of course half of the team allows their technophobia to get in the way of Skynet hunting. And Derek immediately goes off the reservation, kills Andy and tries to kill Cameron. And Cameron is so bad at infiltrating she literally can't take a seat in class without help. Sarah being "the best" now seems less like a praise and more like condemnation of the Resistance. Future John may be a savior of mankind - the master of HR he is not.
For all the excitement of the chase after Turk 2, our heroes never actually find any real evidence that Turk 2 is the AI they are looking for - and not, say, its Japanese rival in chess competition. Or any other AI developed in 2007. Why? Because these four have neither the skills, nor cohesion, nor resources to find who builds Skynet and where.
Season 2 adds another part to Future John's plan, but without delving into details, it is just as insane as the first one. Arguably even more so: successful Skynet hunt in 2007 is merely implausible, while the other part is actively self-contradictory.
Now all of this nonsense could exist quietly in the background, since our heroes never seem to notice. But the writers insist on dragging Future John into the spotlight to fill another role in the narrative. He is a man our John may or may not aspire to be, and it's all destiny and family and loyalty and sacrifice…
"You're ahead of schedule"
"With what?"
"What you need to learn… about mastering your grasp of the Idiot Ball."
You can't milk Future John for aspirational points while also making him do nonsensical things for cheap drama and contrived conflict.

Sometimes they go bad. Nobody knows why: TSCC is a series which revolves around artificial intelligence. Our heroes have their own AI ally, they fight hostile AIs, they search for their AI archnemesis by sifting through primitive 2007 AIs… And yet the series has nothing to say about any of them. Not philosophical or scientific, not even something practical about how to fight them or how they think.
And our heroes do not care to find out anything either, despite life and death stakes. I can understand why Sarah and Derek do not want to do things like trying to find out anything from hostile Terminators' chips. They are, after all, psychologically unsuited for the mission. But it is curious how John is (and will remain) stubbornly uninterested as well, even though it's one of the few things he knows for a fact Future John will be doing.
Then again, Future John puts reprogrammed Terminators in his bases even though they "sometimes go bad" and massacre everyone in sight. He either does not care or is very, very bored.

You are a scary robot: Cameron and Charlie have a scene in the shed where Cameron burns up Vick's endoskeleton. Charlie's "You are scary robot" would feel much more impactful if it wasn't for the fact that they both stand in a wooden shed and Cameron dramatically poses over melting Terminator. I'm pretty sure the temperatures required would result in the shed immediately catching fire, Cameron losing all flesh on her arm and Charlie going down with heavy burns.
It also feels very tryhard and desperate. Arnold did not need someone walking up to him and telling the audience that he is in fact a scary robot. Neither did Patrick. Because unlike Cameron, they both were scary robots.
 
Episode 7: The Demon Hand

The Plot
Cameron infiltrates the police archive and finds out that Vick's robot hand is now in FBI custody. Sarah cons the FBI by making a phone call as a cop, but Ellison removes the hand from the premises. He then watches Sarah's asylum tapes, visits her old cell and goes to visit Sarah's old doctor who handled her case in the asylum.

Sarah breaks into Ellison's home and steals the tapes of herself, but when she returns home, John gains access to them and sees his mom surrendering her parental rights over him, which leaves John quite discontent. When offered to go on a weekly adventure, John blows Sarah off and leaves her and Cameron to deal with it.

Cameron investigates the lost Turk 2 computer by learning ballet with Dimitry's (Andy's business partner) sister. Turns out Dimitry is in debt to the Russian mafia and so thugs harass his sister. In the end, Cameron entices Dimitry to reveal the truth about Turk by showing him a diamond. Dimitry has sabotaged the tournament, stolen Turk 2 to sell it for cash. He gives Cameron buyer's name. But Cameron has no interest in paying Dimitry or saving him and his sister, so she just leaves even as Russian mafiosos enter the scene and gun both of them down.

Ellison's visit to the doc doesn't go well: the doc believes Ellison about robots, but tries to kill him because his T2 experience left him nuts. Fortunately, Sarah Connor comes to the rescue - and steals Vick's robot hand to be destroyed.

"I know. It's what they do" - Sarah Connor on Terminators' ability to track people down. No comment, this season speaks for itself.

Conclusion:
And yet another episode in which much happens without much happening. Main plot barely advances, Ellison's plot advances but not really… But if you like Ellison and cookie cutter Bible quotes, this is an episode for you.

Thoughts and Questions:

Come next week, we need to develop your flexibility and your imagination: Silly ballet teacher, what you are proposing would imply seeing actual exploration or evolution of Cameron. What do you think this is, some kind of long-form TV? We can't have that. Don't you understand that she needs a new personality each week to drive the plot?

He is a liability: Uncle Derek is delightful in his lack of self-awareness. He is obviously more than a little crazy, he went off the reservation, his entire unit got killed, he is a heat bait (not that this is a problem in TSCC) - yet it's an invaluable medic Charlie who is a liability. At least the writers don't pretend that Derek's brand of crazy is somehow logical and makes sense and John is obviously cognizant of the issue.

I can help your brother: Cameron has to carry out investigation of Turk 2's whereabouts alone, ingratiating herself with Dimitry's sister during ballet lessons. Fortunately, this week Cameron has another personality shift. No longer is she an unblinking weirdo who can't take a seat in school! This week she is an unblinking weirdo who can somewhat competently exploit desperate people. I dare say her pumping Dimitry and his sister for info and then leaving them to die was a pretty cool moment - dampened by the understanding that this cool iteration of Cameron will only last till end credits.

I knew I couldn't live with it: Sarah and John work, in part because their mini-plot is practically divorced from the main plot. John is once again a moody teenager with a whole pack of insecurities, while Sarah is still a loving mother, all her crazy be damned. Also, Sarah knows where the original Kyle is buried, because of course she does.

Kidnapping an FBI agent is a federal offense: humiliation of Ellison continues with a crazy doctor. Thankfully Sarah saves him, but damn, he is captured, tortured, nearly burned alive and loses the robot hand to boot. Overall this story seems like a religious-tinted filler since it doesn't really go anywhere for Ellison or the doctor. I can't even say we find out something new about Sarah: it's pretty obvious that she had a bad time in the asylum and that she loves John. I suspect that this plotline was added for the benefit of those who either have not seen crazy animal Sarah Connor in T2 or have forgotten her since then. Or maybe it was just so Ellison could talk Bible a bit more.

Thank you for your cooperation: Cromartie graces this otherwise filler episode with his absence. How very nice of him.
 
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