The Original Issue/Lone Rabbit and Child
Location
United States of America
Pronouns
He/Him/His
Due to how slow things are lately for me, and how some media gems either go unnoticed or aren't appreciated, especially on their own wikias, I figured doing a Let's Read of Usagi Yojimbo would be a good idea. I can always do a (re)watch of the 1987 Teenage Mutant Ninja Turtles later on when I feel comfortable. Some good advice from @Rojixus (who has done some similar work on Transformers) was most appreciated, too.

Usagi Yojimbo, by Stan Sakai, is something many TMNT fans like myself learned about from the 2003 and 2012 animated series, but the real comic where Miyamoto Usagi calls home is not something most people may know of. I myself had only a scant level about it until I started buying the hardcover special edition and the following nine Usagi Yojimbo Saga, plus Legends, omnibuses online from wherever I could. It's a pretty good series, although, I suppose I can understand why its not given enough attention compared to more animated media and such.

Because of how big the comic series is, though, I think reading them by omnibus would be easier to keep track of compared to by publisher, or even altogether. I figured it would keep me out of trouble for making a large thread as well.

Anyway, let's get started with...

Usagi Yojimbo

(The Original Issue)

The story begins in a wintry setting (even when it's black and white, you can tell), where a certain fellow is approaching an old-looking shelter that is home to a just as old cat woman (at least she looks like a cat, anyway), who welcomes the cloaked samurai as her honored guest (talk about trusting).

The samurai rabbit in-question introduces himself as Miyamoto Usagi, and while he's addressing his hostess as "Grandmother" (I guess it's nicer than calling her "Granny"), Usagi is told that her husband was a casualty of the Battle of Adachigahara which was fought not so far where they're at.

Usagi reveals that he was a veteran of that same battle and that it was strange for his wanderings to have brought him back. Flashbacks follow as Usagi narrates that the forces he was a part of were close to winning until General Toda betrayed their lord's trust to side with the opposing Lord Hikiji (not a very wise move as the betrayed lord would agree). When Usagi, as his lord's personal bodyguard, ultimately failed to protect his master, he decapitated his body to prevent a public disgrace and fled with the head through the hills surrounding Adachigahara Plain, where he buried it in a secret place. Nonetheless, Usagi had become a masterless samurai with the battle lost.

Moving past the grim topic, Usagi asks why the Grandmother is not worried of the rumored goblin (might mean something different in Japanese, but what can you do?) living in the mountains, but she dismisses the idea of being killed by goblins as her karma, and offers a futon bed for Usagi to sleep on.

As Usagi sleeps, however, a very grotesque, boney rhino with sharp fingernails (weird, I know, but animal people) approaches the hut to attack Usagi in his Futon!

Only for the goblin to realize he just attacked a pile of firewood underneath the futon instead (you thought fast, rabbit), prompting him to threaten the nearby samurai that he'll die horribly for the trick, but Usagi is quick to attack the goblin with his long sword, bringing them both outside where the rabbit delivers the fatal blow. His hostess's reaction throws him in a loop, however, as she cries out to the slain goblin as her husband.

In her grief, the Grandmother bows down to Usagi and reveals herself to be the recent widow of Buichi Toda (what goes around comes around). Having been beaten, banished, and unallowed to commit seppuku to regain his honor by the ungrateful Lord Hikiji, Toda eventually demanded that he and his wife were to live in the aforementioned hut out of his self-torment before eventually becoming a wrathful goblin.

You have avenged your lord. Now kill me, samurai, for my deceit.

No. Call a priest, old woman, and have him perform the segaki service for the repose of your husband's soul.

Having said his piece, Usagi then leaves through the snow.

The End

As far as comic beginnings go, it's a decent one in giving a brief, yet tangible, look into Usagi's past and personality. I suppose some samurai would have just killed the old lady, and rubbed in the wounds even more so while doing it, but Usagi? He's far too kind to do that. While he doesn't refer to his onetime hostess as "Grandmother," he chooses to go in peace and merely tells her to find a holy man to make sure Toda can rest easier.

All the same, the only real criticism I have is that Sakai made the "Toda goblin" so one-dimensional then in the 1980s.

Edit: I really do hate double-posting, @Bernkastel and @IfIhadaHammer, so I'd be really happy to see some responses.

Anyway,

Lone Rabbit and Child

The issue begins with a small procession of samurai being struck down while a lone, long-haired swordswoman retreats with a small panda boy in her arms, with their attackers not far behind while three straw-hatted locals are apparently singing a song bemoaning their living as peasants (Don't make me quote Yzma from The Emperor's New Groove or Sonic Boom's Lady Walrus, people).

Finding a hut with a straw roof, the runaway swordswoman and her charge enter only for the latter to attack the current occupant (not counting the stray dog that is there for some reason), Usagi himself, out of shock, but the latter quickly defends himself with his quick reflexes, prompting the kid panda, Noriyuki, to plead for his "vassal's" life.

With Usagi having no desire to harm either of them, the vassal, Tomoe Ame, apologizes for her brashness and explains the situation while Noriyuki bonds with the dog (aww). Noriyuki's father, who headed the Geishu Clan, had recently died and as the sole heir, Noriyuki and his escorts were traveling to the capital of Edo for the Shogun to officially establish the kid as the new clan leader.

Unfortunately, on the whole trip, they had been attacked thrice (three times of suffering attackers is just insane, if I might add), which has rendered only Noriyuki and Tomoe as the survivors of their party, and if the Geishu Clan loses its heir, it would be abolished with all its holdings distributed. A scenario that would benefit the likely culprit to these assassination attempts, Lord Hikiji, much to Usagi's shock of hearing the man's name.

Before Tomoe could question if Usagi's shock was because he's a Hikiji supporter, the rabbit hears the arrival of newer, more hostile swordsman demanding "the boy." Usagi attempts to turn them away by claiming to in a bad mood from haven waken up (which probably isn't far off), but the swordsmen lose their patience and attack, only to be slain by Usagi and Tomoe.

Although Noriyuki initially wants to depart without intruding on Usagi any further, the latter offers to accompany them in case there are more assassins, prompting Tomoe to suggest his hiring as a bodyguard (which is where the Yojimbo part comes from).

Later in the evening, Usagi and his new companions take shelter in an inn while a storm is brewing with the intent to ferry over a river in the morning (I'd say Tomoe was wiser than Usagi in this part of choosing slow and steady, rather than risk life and limb during a storm).

With this breather, Tomoe formally introduces herself to Usagi as the daughter and student of Tatsutaro, founder of the Falling Rain School of Swordsmanship, and that three years ago, she became a retainer to the Geishu Clan out of familiar loyalty that has lasted ten generations (a nice enough summary, even though there's really more to it than that).

Returning the introduction, Usagi mentions his late sword-master as Katsuichi, who developed his own techniques in defiance of the Eight Kyoto Styles and lived as a mountain hermit when Usagi became his disciple (even when formal, its nice to see Usagi and Tomoe offer a friendly duel to gauge their skills). After his sensei's death, Usagi then became the retainer to a northern clan that fell in battle to Lord Hikiji (as was told in the previous issue), leaving Tomoe surprised in understanding the reason of Usagi's earlier reaction.

The next morning, the older samurai agree to avoid the main highway to Edo by taking the mountain path from Ubagami to Gombei Pass (am I really supposed to know what those places are, though?), which would allow them to arrive in a few days. However, the previous storm made the river too dangerous, and a new force of assassins arrive to attack Usagi, Tomoe, and Noriyuki, forcing the first former to hold them off while the others (including the dog) escape to the boat on the dock.

Unfortunately, the warthog ferryman is revealed to be as assassin himself and he successfully slashes at Tomoe's left arm, who falls into the current, leaving Noriyuki defenseless. At least until Usagi, having already felled his opponents, races over to decapitate the hog (if he did that in any of the available TMNT shows, they would be rendered as PG), saving Noriyuki, whose first concern is Tomoe's safety, but Usagi convinces him to search the bank with hope she made it to shore.

Hours later, the other party members are horrified to find Tomoe feverish and unconscious, and even with Usagi warming a fire near some small dinosaur-like creatures (wow), he notes that without proper help that would best be found in a town, she won't last long. With a somewhat taunting speech, the bodyguard declares it is for Lord Noriyuki to decide whether to face danger for the sake of his retainer or not (no pressure there, rabbit).

Skipping to the town of Narai, we then find Usagi and the dog (he really needs a name at some point) watching over Tomoe, who awakes in a startled manner and fears that Noriyuki had been killed until the young lord himself shows up (in different clothes no less). In a frenzy, Tomoe demands that they leave immediately for her lord's sake, but the panda boy says his own piece.

Tomoe Ame! I am Noriyuki, lord of the Geishu Clan! Do not presume to tell me what I must or must not do! You will stay and recuperate in this inn until I summon you… Usagi will escort me to the capital!

But… Yes, my lord!

Now, tell me what you think of these clothes! Usagi thought it would be best if we were disguised as a wandering ronin and his son!


The next morning has Usagi, Noriyuki, and the still unnamed canine venturing to Edo (with Usagi mentally calling some obscure character an "ugly barbarian" just as the barbarian thinks "stupid samurai") until they arrive at a bridge, where they are attacked by the black-cloaked cats of the Neko Ninja Clan, who face Usagi with all kinds of ninja weapons before they all die at his blade (talk about a lot of blood spilled out).

After the intense fight scene, only one ninja, who addresses himself as Hanzo, remains and he quickly blinds Usagi with some kind of dust that gets in his eyes. Although the rabbit is able to dodge the first attack, he tumbles down from being tripped by a ninja's body and is close to death until Noriyuki surprises Hanzo with a sword through the cat's back (kids can be resilient creatures as Sameen Shaw from Person of Interest had said).

Almost immediately after, retainers from the Geishu Clan's Edo mansion, having been on the look since the schedule fell apart, arrive to get their lord and his companions to their destination (seriously, though, did the greeter at the mansion have to ask if Noriyuki had a "pleasant journey?").

One week passes, and a recovered Tomoe returns to Noriyuki (who apparently has the dog as his new pet), who tells her that Usagi disappeared soon after they arrived despite the young man's plan to make him his retainer. Tomoe then hops on a horse, and as night has fallen, mentally thanks Usagi for her lord's life, which skips to Usagi smiling at the moon (black and white, though, you'd think he was on the moon looking at the Earth).

As the issue reaches its epilogue, a literally large snake of a counselor, Hebi, is summoned by his liege, Lord Hikiji, who demands a report from Noriyuki's meeting with the Shogun. Fortunately for these schemers, Hebi had taken steps to ensure Hikiji's involvement with the assassination attempts would not be revealed and Hikiji himself states that a Counselor Nerai, who was in charge of the operation, was ordered to perform seppuku (bushido or not, that sounds rotten).

Despite how things had turned out, Hikiji is curious how Noriyuki was able to survive the assassins and wonders if his surviving escort was really that strong. Hebi, though, reveals that Noriyuki's savior was in fact a ronin named Miyamoto Usagi as the issue ends overlooking the solemn, very Human-looking face of Hikiji himself (like what?).

The End

And there you have it! That's how Usagi met two of his closest allies in the whole series (that even appeared in a season three episode of 2003 TMNT no less), and we got the dialogue and even face of his fallen lord's slayer, with his oversized "face man" appearing as well.

I admit, it was pretty off to see blood spilling out from the Neko Ninja in this issue, even more so when the dog just came from nowhere and hadn't been named yet, and I'm really forced to wonder why Hikiji has to be the only Human so far in a world of animal people. Sakai said in his author's notes he made the latter because having Usagi be the only rabbit samurai in a Human world was weird, but what about the reversal.

All in all, though, it was amazing to see a panda boy like Noriyuki slowly, yet surely, show himself as someone who would not only be responsible for others, but be willing to fight for them, too, while still having moments where he's still a good kid. And while Tomoe and Usagi's introductions were a bit rough cut, they had indeed developed some mutual respect by the end of this issue.

Next time: The Confession
 
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IIRC, the barbarian was a character from similar era indie sensation sergio argonnes. Hope you're enjoying Usagi still!
 
I adore the entire Usagi Yojimbo run. I hope you have a lot of fun with it. The Grasscutter arc, when you get to it, is widely regarded as one of the best in the whole run.
 
The Confession/Bounty Hunter/Horse Thief/Village of Fear/A Quiet Meal/Blind Swords-pig/Homecoming/Bounty Hunter II/Samurai
IIRC, the barbarian was a character from similar era indie sensation sergio argonnes. Hope you're enjoying Usagi still!

So I understand.

I adore the entire Usagi Yojimbo run. I hope you have a lot of fun with it. The Grasscutter arc, when you get to it, is widely regarded as one of the best in the whole run.

I actually am caught up to the very recent issue, and even wrapped up watching all of Samurai Rabbit: The Usagi Chronicles a couple of weeks ago, I only started this thread on here and SpaceBattles to give Usagi Yojimbo some well-deserved attention, especially on the wiki.

In the meantime, I'd appreciate some further comments to keep this thread up to pace with the one on SpaceBattles.

The Confession

The issue begins with a surprised Usagi noticing a horse galloping behind him while its cat or dog (it's really hard to tell sometimes) rider is hanging on by the reins, having been shot with three arrows in his torso and left arm. With a flash of his blade, Usagi cuts the reins and tends to the dying rider while his horse moves along.

As he breathes his last, the samurai identifies himself as Nekohana, retainer to the late Lord Nerai, who was counselor to Lord Hikiji and was involved in the failed plot to assassinate Lord Noriyuki (as seen in Lone Rabbit and Child). Before Nerai died and lost his family fortune to Hikiji (that scum), though, he wrote a letter of full confession that would implicate even Hikiji and gave Nekohana the letter for the Shogun to see as an act of postmortem atonement before Nekohana was set upon by Hikiji's agents. Nekohana's final words were a plea for Usagi to finish his task.

Unfortunately, Nekohana's attackers, six Neko Ninja archers, arrived at that time demanding Usagi to drop the message and depart, but Usagi is already honor bound to carry out the man's last request. The Neko Ninja respond that their clan rarely give one warning and never two before aiming to kill Usagi next, but Usagi artfully dodges the first arrow shots (with one piercing the neck of one of those small dinosaurs) and then flees to the woods.

Surprisingly, many Neko swordsmen are already waiting for him, forcing Usagi to use both of his swords to fight them while also slashing more arrows. At least until a kunai is thrown into his left shoulder. As the ninjas have Usagi surrounded, however, their attention is drawn to a furious Tomoe Ame charging them on horseback (hurray for Tomoe Ame!).

Although the archers successfully wound Tomoe's horse (yikes), the swordswoman is able to have them slain before aiding Usagi with his own attackers, explaining that she was searching for him to personally thank him "on behalf of her lord" (yeah, right), and had saw the earlier attack on Nekohana when she was higher up the mountain. Soon enough, only Usagi and Tomoe remain standing, and the latter sees the confession letter, followed by declaring that they needed to show it to Noriyuki.

Later on, Usagi and Tomoe are in fancier clothes while in the same room as Lord Noriyuki (hey, the pooch is back!), who remarks that the former's injuries are healing quickly and his intention to present the incriminating proof to the Shogun in the afternoon. While Usagi is not in Noriyuki's employ, it doesn't stop him, Tomoe, and apparently the dog (such a sweet canine) from exchanging kampai with the one they call a friend.

Upon their arrival to the Shogun's impressive castle, Usagi and friends are welcomed, not by the Shogun himself (Why was he indisposed at this time? Come on!), but his chief counselor, Lord Okii Ashiyubi, who barks that Noriyuki will deal with the Shogun's "most trusted advisor" or no one when the young lord requests to speak with the Shogun directly. Yet he is willing to brush off the "incident" on Noriyuki's youth and inexperience with a small chuckle.

Upon being granted the confession, Lord Okii announces that the Shogunate will take appropriate steps, but until the Shogun acts, no one is to speak of the audience as it concludes (totally not suspicious). As it begins raining over Edo, the chief counselor stands over a balcony all by himself until…

"Lord Okii…"

"Oh, it's you, Hebi."



Despite their heated interaction, Lord Okii hands over Nerai's confession to the oversized snake and receives a counterfeit to present to the Shogun, a political strategy that will surely discredit the Geishu Clan. Lord Hebi then adds that Hikiji wishes for the entire matter to be settled quickly and quietly before his ambitions are noted by the other clans, cryptically stating that he already has future plans for Noriyuki (What's that supposed to mean, King Hiss?).

Understanding the request, Lord Okii vows to advise the Shogun that the Geishus are innocent of the forgery, and that his following, discreet investigation will soon be dropped without fanfare. Hebi finally smiles as he says that Hikiji appreciates the man's loyalty (Loyalty my butt!)

Two weeks pass, and at the Geishu manor, Usagi is about to depart and is telling Tomoe goodbye since he had already done the same with Noriyuki. Nonetheless, the two confirm that they will meet again and duel one another, and the issue ends with the both of them riding on horses together in a pretty joyful way (so romantic).

The End

It's a pretty good follow up from the previous issue, even though there could've been build up of Nekohana's horse approaching Usagi at such a quick pace in my eyes. All the same, it's amazing how Hikiji has contacts in the Shogun's inner circle already. I'm almost forced to wonder why the guy doesn't opt to just influence the Shogun as he already speaks for the Emperor of Japan instead of becoming Shogun himself.

Bounty Hunter

In the middle of a strong wind blowing over a pretty rundown town, Usagi enters an inn for food and drink from the innkeeper. Another customer at a nearby table, a gruff-looking rhino with a sword, comments on Usagi's status as a ronin and deduces his skill by the smell of blood on his blade (Sounds like a bloodthirsty brute, huh?).

Usagi's reply that "more blood can be added" as well as his admitting to being a bodyguard for hire (he is trying to eat after all) both amuse the rhino who introduces himself as Gennosuke the bounty hunter, unaware that the innkeeper is getting concerned of a potential fight in his own establishment (a fair worry).

"I have no price on my head! Go away!"

"Thank you! I will join you!"


At Usagi's table, Gennosuke offers the rabbit the opportunity to make fifty ryo off of (Where do they come up with these epithets?) "One-eye Ichiro," a murderous thief wanted in three provinces that the rhino described as skilled with a sword and cunning like a fox. Gennosuke slew eight out of Ichiro's twenty-five bandits when he last caught up with him, but fell in an open sewer during the fight (Did he meet the TMNT's forefathers?) and his climbing skills required a full hour to get himself out (Usagi says that happened to him before).

Gennosuke knows where Ichiro is hiding, but he's joined forces with his "just as deadly" brother, Kenichi. If Usagi teams up with Gennosuke, he'll get the bounties off of the two brothers' lackeys, while Gennosuke profits from the brothers themselves. Usagi retorts that he's no bounty hunter, but then the rhino offers (Do you have to say it while munching, though?!) to him as his bodyguard, which surprises the rabbit before he then laughs.

On the next day, Gennosuke leads Usagi to the hiding spot, a temple where the priest is being held hostage to keep the townspeople in line (I prefer being atheist, but given the time and place Usagi lives in, the bandits are being pretty dicky). After a quick exchange of banter, the two swordsmen fight the bandits in a flash before Usagi begins holding them off for Gennosuke to find their brotherly bosses.

Inside the priest's quarters, Gennosuke finds Ichiro (who is indeed lacking a left eye with a scar over where it would be) holding the priest at swordpoint at the same time Usagi's fight with the last bandit outside causes him to find another priest unconscious (or probably dead), tied up, and hanging from the ceiling (Totally not a foreshadowing!), prompting Usagi to find Gen, who gets Ichiro to push his hostage aside for a fight, with the rhino unaware that the "priest" has a weapon of his own to attack from behind.

Although Gen quickly backhands the false priest, really Kenichi, Ichiro wounds him unconscious just as he suffers a mortal wound. Kenichi has no time to mourn for his brother, however, when Usagi finally arrives and slays him, who then takes his time healing Gen's wound (That was the second time he fell for the fake priest trick, too!) Gen remarks on Usagi's foolishness on not taking the entire reward should he have died, but Usagi reminds him that Gen hired him as his bodyguard, prompting a laugh.

Weeks later, Gen gives Usagi the fifty ryo he owes him, and jokes that should they meet again, it will be when he's after Usagi's head. The ronin thinks to himself that Gen isn't really a bad guy and is looking forward to eating more than cheap noodles before the nearby innkeeper tells him that "the other samurai" said Usagi would footing his bill, which amounts to almost the full bounty money (That's a really good prank, to be honest!).

The End

And there you have it! Gen the rhinoceros samurai, who made almost as many appearances as Usagi did in the 2003 TMNT series, has made his debut, and he's as cynical as he's hilarious. A pretty straightforward introduction, but that's the 1980s for you.

Horse Thief

Walking on a trail, Usagi witnesses a bandit attack occurring that he intervenes for the sake of a big reward (Considering the events with Gen, I can't say I blame him). Unfortunately, while Usagi does slay some of the bandits, they had already obtained the gold and killed the guards and porters carrying it. The bandit leader (who's apparently a rabbit himself) declares that Usagi will be taken care of later before he then announces a retreat before reinforcements arrive.

Although disgruntled that he lost his chance for a reward, Usagi does see the opportunity to sell one of the horses that the bandits used (Is that ethical and/or legal?). Going into town with it, Usagi first stops at an inn and overhears the local magistrate complain that he lost his "impressive steed." Believing he found a good buyer, Usagi offers "his own fine horse that he wouldn't sell unless he needed the money" for cheap which gets the magistrate interested (despite his "need for a fierce war steed with a noble lineage").

Introducing his "years-long" steed to the curious magistrate, Usagi quickly finds himself in a pickle with the latter's following words.

"Liar! This is my horse! It was stolen from me by bandits!"

Failing to get the magistrate to quiet down from calling the police, Usagi flees on horseback as the magistrate screams death threats (Really shouldn't have done an impromptu sales pitch, Usagi, but is that Gen watching you escape, though?). Seeing that he can't outrun them, Usagi decides to attempt losing them on the mountain trails, and an hour passes before he sees what he believes is a horse-trading stable (Wouldn't they be closer to town, though, Usagi?).

Thinking that he can now trade his mount for a fresh one with a softer saddle, Usagi enters the hut to find out it's occupied by the same bandits from earlier who are still mad at him. As Usagi has his hands full with them, the magistrate is then seen leading his guards outside and he's surprised that "he" stole all the horses outside. Once inside and seeing that the bandits (who were still fighting Usagi) had stolen their lord's gold shipment, the guards proceed to fight the bandits even as the heads of both sides complain of the "horse thief scum/ronin maggot" causing the fight (Would it be bad if I hoped they ultimately killed each other?).

Usagi, however, escapes on horseback once again, even as he complains that the horse has caused him nothing but trouble (despite the fact he tried to sell the beast in the first place). Later on, Usagi finds his path blocked by a married couple of woodcutters (who are either cartoonish Humans or monkeys in their early stages) and their cart full of wood, and the wife explains that their honest living became harder when a magistrate confiscated their pack horse (This is my vindication for earlier here, just so you know)

Instantaneously, Usagi dismounts, gives the horse to the woodcutters, and walks away laughing to himself while the married couple look confused (You are sounding kinda crazy there, rabbit).

The End

If the previous comics offered a look into Usagi himself and three of his oldest companions, this one was a comedy that was ridiculously funny.

Village of Fear
The story begins with Usagi playing a tune on his flute as he walks down a path before chancing upon one of the small dinosaurs being preyed upon by an oversized, beastly cat creature (With two other dinosaurs not letting the meat go to waste. Ugh.). With his sword drawn out, Usagi defends himself against the beast, which leaps over him before disappearing, leaving only a faint of blood on Usagi's katana as proof it wasn't an illusion. The ronin then continues on his way, non-concerned that the dead little dino had been reduced to bones (yeesh) and unaware that the cat beast is watching him still.

Arriving outside a nearly deserted village, Usagi sees a frenzied dog placing carvings of his dead comrades that were felled by "the beast," but the latter ignores him, leading to Usagi venturing into the village, where he gets the idea of ridding the "mangy villagers" of their menace in exchange for payment (Sensitive much, rabbit?), but the townspeople flee at his proclamation. A month-long inhabitant named Ocho (who looks very Human), however, greets the samurai and makes rice for him as she explains that the beast holds the village captive with no one allowed to leave alive.

Usagi notes that Ocho's left hand is bandaged, but she claims it was a small cut from sharpening chopsticks. She then explains that two dozen men tried to hunt the creature, but only one of them, Gon from earlier, returned alive and was maddened by fear. At night, one person disappears with their remains found the next morning, but Usagi declares that he'll hunt down the monster even without the villagers' help.

While unsheathing his sword as part of his declaration, though, Usagi sees Ocho's reflection as the beast from earlier, revealing to Usagi that she's a shape-changer. Following her outside at night, Usagi sees Ocho as the monster she truly is, and she wounds him. Unseen by the both of them, though, Gon, laughing to himself as he holds a spear, then pierces Ocho with his weapon, exclaiming that "it ends tonight" as Ocho strikes him down (first time we see the skull and crossbone thing that comes with the dead in this comic), which gives Usagi the chance to fatally decapitate Ocho.

In the next morning, Usagi, holding a statue carving himself, tells the villagers to come and honor a hero from among them. Upon joining the statue with others from earlier and saying that Gon died well, Usagi leaves, leaving two of the villagers to have the following conversation.

"What did he say?"

"I dunno. Something about "Gon with the wind.' "

(Seriously?)

The End

One of the shorter issues, the kind of monster Ocho was wasn't exactly identified, and the ending was kinda too comedic for the dead's sake, but it wasn't too bad.

A Quiet Meal

It starts with Usagi walking through a meadow wearing a straw hat while some dragonflies flew around. Upon finding an inn, Usagi wordlessly calls for a table for himself before laying on a mat to eat. Unfortunately, six rowdier customers, consisting of a pig, a bear, a dog, a goat, two cats, pop over demanding,

Ha! Ha! Ha! Innkeeper! Put out a table for us! We struck it rich! We want service!

(Talk about rude, right?)

While Usagi remains seated and quiet, the rougher animal men call for sake to celebrate their recent success as gamblers, alarming another customer while the innkeeper nervously obliges their demand. (These guys acted like children in waiting for their beverage, let alone getting it) When the innkeeper requests for the noise to be kept down, though, the outraged gamblers throw him out of his own place of business for laughs (you can just see a three-headed, two-tailed dragon outside when it happens, too. Godzilla reference, I think?)

Literally drunk with power as much as alcohol, the gamblers then do the same to the other, non-Usagi customer before the goat notices Usagi himself (who kept eating his food while those thugs were making trouble), prompting the group to try intimidating the samurai to leave, but he just keeps eating instead, which makes them believe he's too scared to move and instead threaten him to dance as their entertainment. When Usagi still refuses to move, the leading pig decides to throw him out, but is surprised when the rabbit swings his sword around him, even though he notices no scratches on him.

Before the pig could take charge again, his friends then point out that Usagi was really aiming at all the flies hanging around the pig and succeeded in cutting them in half. Scared out of their minds, the gamblers flee while the innkeeper and other customer look on in surprise at Usagi, who keeps on drinking his drink without a care in the world or any words at all.

The End

Blind Swords-pig

The issue starts, not with Usagi or Tomoe, but on a wandering pig, who relies on his nose to tell where he's going due to his blindness. This pig finds his way to a village thinking to himself that he'll "finally find peace" among simple farmers, only for the villagers to tremble in fear at the wanted outlaw known as "Blind Ino" to the point that one of the locals tries to get another into killing Ino for him (very brave, dude).

Hours later, Usagi finds himself at the same village now totally wrecked. Questioning a peasant trying to get water for his burning house, Usagi is told that Ino destroyed the village without any provocation (yeah, right) and is prompted to avenge the people.

"Ino's irrational attack reminds me of another mindless barbarian I've heard about! Nah!"

(Another Groo reference, I guess?)

More hours pass, and Usagi is on the trail talking to himself about the description the villagers gave him about Ino which are clearly exaggerated until he then finds Ino himself stuck in a hole in the ground. Helping him out, Usagi is told by the pig that he is a wandering zato (blind masseur, apparently), who only seeks a place where he can live in peace and harmony.

Unaware that the outlaw he's seeking is the same person he's talking too, Usagi offers his companionship to Ino while they're on the same road, which he accepts and explains how he travels with his nose when his eyes don't work, even making a joke that amuses the rabbit. More hours pass, and the unlikely duo find themselves stopping near a river to camp for the night. While surrounding a fire, Ino asks Usagi where he's going, and he answers that he wishes to visit the northern village he was born at. Ino's nose catches something, but he dismisses it when Usagi asks about it.

In the morning, Usagi finds that the zato has already left, and later on, finds him surrounded by a trio of bounty hunters, who he disposes effortlessly with the sword hidden in his walking stick. Seeing the bounty poster that the bull bounty hunter was carrying, Usagi realizes that the friendly zato is in fact Ino the Outlaw, who retorts that the "innocent villagers" from earlier attacked him first. Having been picked on all his life due to his blindness, Ino says that his learning swordsmanship only made things worse for him.

Although sympathetic, Usagi nonetheless says that Zato-Ino must be brought to justice, prompting the pig to scorn the ronin's "self-righteousness" and that he kills what he hates. Usagi speaks that they saw each other as friends and that he doesn't want to kill Ino, but Ino derides friendship as just another burden and that he won't be turned over to the authorities. The two then run at each other with their swords, with Usagi successfully cutting off Ino's nose, leaving him blind (a lot of blood, by the way).

Usagi says that without Ino's nose, he can't fight with a sword anymore, but offers to take him to a doctor and then his home village. Ino, however, outraged by his fate worse than death, rejects Usagi's offer and swears to hunt him down somehow.

Two months later, Ino (how is he still alive without his nose?) deals with a woodcarver to work on a prosthetic nose for himself. Once it's completed, Ino puts it on his face and with his renewed sense of smell, cuts off the head and neck of the woodcarver's pet mini-dinosaur with two strikes (I don't blame the carver for being angry, but I'd do more than charge extra if it was my pet). Empowered, Zato-Ino is eager to confront Usagi again, even as he wonders why everything is pine-scented (weird).

The End

To the point, but not too bad. I'm not sure about the "massage culture" in Feudal Japan, but I guess Stan Sakai made a note for that after the stories themselves are done.

Homecoming

The issue begins with Usagi walking through a snowy road (there may be sleet involved, too, from the looks of it) until he comes across a whimpering rabbit boy held in the grip of a group of mole ninjas carrying provisions. Although Usagi introduces himself as "just a traveler," one of the ninjas concludes that he's really one of the villagers they warned and jumps to attack, but is cut down dead, and the young hostage makes his escape to hide behind the older rabbit.

Before the ninjas can kill the both of them, though, they hear a group of villagers approaching, prompting them to drop the provisions, deploy a smoke bomb, and escape. The villagers soon arrive, relieved that the food stolen by the Mogura Ninja as well as the boy, Jotaro, are safe. More interestingly, one of the villagers, a black-haired rabbit woman, instantly recognizes Usagi in surprise just as he recognizes her as Mariko.

A quick flashback is shown of Usagi and Mariko on a picnic engaging in romantic mischief that quickly pops when Jotaro runs to his mother, Mariko, who asks how she and her rabbit husband, Kenichi, can repay Usagi for rescuing their son. (Awkward!)

At Mariko and Kenichi's residence, Usagi notes how the former married his old playmate (but not friend), with the married couple saying the following.

"Yes, Usagi. It's a pity you two never got along as children. But feelings can change as one grows older."

"Sometimes it gets more intense, Mariko."

Hearing that Kenichi is now the village magistrate, Usagi comments that he'll be as good a magistrate as his father was, which unnerves the former while Mariko sympathizes with Usagi over the death of his father, an event Usagi himself only heard rumors of at the time he was preparing for battle against Lord Hikiji with Lord Mifune.

Another flashback occurs in which we see Hikiji and his troops demanding provisions from the villagers just before he would embark on his victory against Lord Mifune. The elder Miyamoto, as the local magistrate, retorted that they had a poor harvest and an even more severe winter was approaching, so they had no food to spare before demanding Hikiji to leave for the battlefield against his lord. (This guy had a lot of guts)

Hikiji, however, beheaded the scowling Miyamoto (you can just see his eyes under his helmet as it happens) and told Kenichi, as the new magistrate, to start loading supplies on his carts. Mariko is about to go into detail on the harsh winter that followed, but Kenichi interrupts the conversation, saying that he did all he could regardless and demands to know why Usagi is there.

Usagi retorts that he wants to pay his respects to his deceased father and Kenichi affirms that he's welcome for the night for saving Jotaro, but that he must leave in the morning. (I get there are reasons, but come on, Kenichi!)

As soon as Kenichi leaves, Mariko and Usagi exchange apologies for the less than harmonious reunion (five years is a long time), and the latter asks about the Mogura Ninja, stating that he still considers himself a part of the village he was born in.

Inclined to answer, Mariko tells Usagi that they came a few days prior demanding food and supplies, but Kenichi refused them to prevent anyone starving to death, even though they are almost entirely cut off from help. The Mogura had previously burrowed into the storehouse to take the food as well as Jotaro, who was there at the time, as a hostage to prevent followers.

At the same time Mariko is explaining the situation, however, a lone Mogura is shown digging his way into a room with a posted guard, followed by a scream being heard from Jotaro's room. Usagi is the first to arrive while Kenichi is shown grabbing a sword of his own, followed by the issue ending on a cliffhanger as the ninja holds a frightened Jotaro at claw point while the guard at the back bleeds out.

To Be Continued

It's quite the start of a coming home story. The Mogura Ninja are indeed a welcome addition to the world of Usagi Yojimbo, and it's good to know some chronology, if not much.

Homecoming Part II

Continuing from where the last issue left off at, Kenichi blames Usagi for his earlier interference (Yeah, "most appropriate time" for that debate, Magistrate), while the Mogura Ninja holding Jotaro hostage brags that his fellows are already raiding the village storehouse, and if they're stopped the kid will die. But his talking gives Jotaro the opening to bite into his right hand, which gives Usagi the opportunity to slay the mole.

"You're a brave child, Jotaro."

"Thank you, Usagi-san."

Unfortunately, a bear villager reports that the village supplies have already been stolen, but Usagi notices the dead ninja is covered in red clay and figures that the others are at the Eastern Mountain. For the sake of his people, Kenichi welcomes Usagi into a group of warriors as they go after the Mogura.

As the search party journeys the mountain, Usagi thinks back on his earlier childhood there with Kenichi, when their competitiveness led to the latter getting chased by a pack of Tokage (the first time those mini-dinosaurs are named, I believe), followed by him chasing after a laughing Usagi declaring that they were enemies for life. The older Usagi notes that there were many incidents after the Tokage chase, none of which they ever forgiven each other for.

Soon enough, Usagi and the search party arrive at the Tokage cave from the flashback, where the supplies are successfully founded, even as a Mogura surprise attack from underground follows. A battle erupts which slays ninja and warrior alike, until a falling lantern from the search party hits the floor and traps everyone with a fire, and also blinds the remaining Mogura due to them living underground for so long.

As the Mogura become desperate in trying to escape, Usagi and Kenichi save each other from individual ninja attacks (with a mutual smirk at each other for good measure), and what's left of the search party gather the supplies before they're caught on fire, too.

The next day, Mariko leads Usagi through the graveyard to pay respects to the latter's father, talking about Usagi leaving in the morning and his grim disposition nowadays (but he's still capable of smiling as depicted). The conversation then changes to Mariko's current happiness (she notes that her husband is good all around, though), how Kenichi and Usagi saved each other's life earlier, and that Bushido binds them both in terms of loyalty and honor (Asking a mother if she'd leave her husband is an awkward question, Usagi).

Shortly thereafter, Usagi notes the tree where, in their youth, Usagi cutted off a lock of Mariko's hair as a memento while leaving the knife he used with her. Upon arriving at the latter's home, the two bid their goodbyes and go to separate rooms, with the issue ending as Mariko unfolds the knife from the flashback and Usagi unveils his topknot to reveal the lock of black hair (drama).

]The End

A good wrap up to a two part story, and I can imagine a lot of readers in the old were glad to see the Tokage named as such. Jotaro is showing himself as a fighter in the making, and the unlike duo of Usagi and Kenichi do have a kind of teamwork that makes present day readers think of Roronoa Zoro and Vinsmoke Sanji from One Piece.

I'm not sure what to think of Mariko and Usagi's obvious forlorn feelings for each other, though. I don't usually remind the concept of a guy or gal still holding a certain love interest to their heart, yet more than happy to let them be with whoever they chose, but those aren't always reciprocated, so to speak. Depending on what Stan Sakai has in mind for Mariko and Kenichi's final fates, I hope it's nothing too tragic.


Bounty Hunter II
Starting in an inn, Usagi wraps up his "excellent" meal and calls for his check from the innkeeper, who answers that an acquaintance of Usagi's said he'd pay his bill. His suspicion drawn, Usagi turns his attention to the same acquaintance on arrival, Gennosuke the Bounty Hunter, much to the former's anger.

Despite Usagi's continuing frustration at Gen's "joke" from their previous encounter (which makes sense to me), he hears the latter's current job of being hired to retrieve a stolen gold statuette of the Mercy Goddess, Kwannon, back to the local temple from the ransoming thieves (in this day and age, I'd probably just find a buyer for it). The ronin ultimately agrees, provided he gets half the reward, and hears the disgruntled rhino's plan.

According to Gen, the thieves are hiding out in the deep woods, and he intends for him and Usagi to approach the hideout in separate directions with the latter recovering the statue after Gen makes his diversion. They would meet back at the inn later.

Once Usagi is at his position and sees Gen on the other side with the thieves playing dice in-between, the rabbit thinks how simple things are going and that Gen is an honorable samurai despite his profession. Unfortunately, a green persimmon (he's words on what color it is) unexpectedly hits his head (and the head of a nearby tokage), and Usagi gets the thieves' attention as a result, leaving him no choice but to defend himself. As the ronin fights on, Gen is shown grabbing the stolen treasure and shouts that he'll meet Usagi at the inn (Yikes, Gen. What the Heck?).

Returning to the inn in a bruised huff, Usagi is so furious, that he scares the innkeeper into hiding under one of his tables.

"Gen! You dirty, untrustworthy, lying, cheating, son of a dog of a pig of a rat! I ought to mince you up into mulch!"

"What's mulch? Besides, what are you so mad about? I'm the one who should be upset!"

"What?!"

Gen retorts that Usagi ruined his carefully laid out plans through alerting their targets the way he did after spending on hours figuring it out (Even if that's true, you shouldn't demand an apology so soon, manchild). The rabbit, however, notes that he was under a pine tree, while the nearest permission tree was right on Gen's side of the clearing (and the rhino looks guilty, too), and when Gen rhetorically asks if he would endanger a friend, Usagi chases him out on a field with his sword in hand. (Dang, that bunny was mad)

A week later, Gen grants a cooled, if no less scowling, Usagi the fifty ryo he's owed and bids him goodbye as he leaves. The rhino then requests a new bottle of sake and his bill before leaving, which the innkeeper relents as he reveals that the "other samurai" said that Gen would continue to pay his tab, owing him fifty ryo. Outraged, Gen grumbles to himself as Usagi is shown laughing to himself outside. (Is that a unicorn, by the way?)

The End

A pretty funny way of bringing Gen back. For a piece of work, the events that happened does show that he'll be a frequent character moving forward.

Samurai Part I

The issue begins with Usagi confronting a warthog in samurai garb with only some small animals as witnesses. Unsheathing their swords, Usagi and the warthog run at each other, and after they pass one another, a dramatic moment stretches on until the warthog falls down dead with a plop (and a certain tokage and frog run away at the sight of it all).

After cleaning his blade of blood, an irate Usagi is approached by Gen, who witnessed the duel with enjoyment and claimed to have "forgiven" the former for leaving him stuck with his bill the last time they saw each other. Gen then asks why Usagi slew the warthog as well as his identity, and the rabbit declares his killing was a debt of honor (even though Gen says he'll relate to money compared to honor) as the recently slain Gunichi betrayed his Lord Mifune.

A flashback commences as Usagi delves unto the day his father sent him and Kenichi as young boys to the Dogora Fencing School in the city of Sendai to learn of their "samurai souls" (which is a fancy way of saying "you boys are going to become samurai"). On the third day of the road, however (Why couldn't someone chaperone those kids to their destination on a potentially dangerous trip?), Kenichi and Usagi began to fight over who would be the better samurai between them, when they then saw a traveling lion being harassed by four swordsmen.

"You! Katsuichi! You have insulted the Dogora Fencing School! Such insults can only be purged with blood!"

"Beg forgiveness, old man, and we may let you live!"

"Go home, children."

With the students affronted by Katsuichi's tough attitude, it is revealed that the latter had his own fencing school which he chose to leave out of disdain for idiotic students like the former. The group of four then charge Katsuichi with their swords, but are quickly slain by the lion in a way that leaves the rabbit boys impressed.

When Katsuichi departs after telling the kids they were too young to witness such violence, Usagi says that he wants Katsuichi to be his teacher, and quickly runs after him after a brief argument with Kenichi (I don't know if I should be disappointed in Kenichi for dismissing Katsuichi just because his rival wanted to learn under him, or for letting that same playmate leave his side).

Catching up with his "sensei," Usagi is told to go home by the lion, but follows him outside his home, and stays put outside the whole night through the rains in defiance (You had guts for braving the rain, little Usagi). In the morning, Katsuichi sees that the "weevil" is still around and after looking at Usagi in the eyes and calling him a fool, tells the shugyosha (student warrior) to fetch some firewood, which a joyful rabbit obeys.

To be continued

I gotta admit that Katsuichi sure made a good introduction, even if it is a flashback.

Samurai Part II
In the six months that followed, little Usagi's life went into a routine of daily chores with his sensei hardly speaking to him.

"Six months and I had yet to even grasp the bokken (wooden practice sword) or hear my teacher's theories on swordsmanship. At first, I attributed such a delay as a test of my patience and tenacity but after so long a time, I was more than a little disheartened."

Then out of the blue, Katsuichi began to bonk Usagi on the head with a bamboo stick at unexpected times (Even when he's asleep!). As soon as Usagi's sense of caution became second nature to him (almost, anyway), though, did Katsuichi began to speak philosophy to his pupil, saying that a samurai must know not only martial arts, but the literary and spiritual ones as well. In addition, he said that if Usagi reached out with his spirit, he wouldn't be caught unawares (before burying the kit under snow from a tree branch).

Over the following ten months, when Usagi finally felt hidden dangers coming at him, Katsuichi passed him a bokken and began to teach him in earnest (with some depictions of him performing archery and calligraphy as well). Then after more than two years with the old lion, Usagi struck his first blow, which left Katsuichi very proud of his student.

Back in present time, Usagi decides to take a break after all his storytelling, despite Gen's curiosity of where Gunichi fits in the story. Nonetheless, the rhino jokes that Usagi should use his training to fetch some water and firewood for the both of them.

To be continued

Remember the first Kung Fu Panda movie, or that episode of Grim Adventures that had Billy indirectly learn how to slay dragons? This is kinda like those, but different.

Next Time: Samurai Part III (Naturally)​

Expect the next issue on the 16th of May.
 
Samurai Part III
Samurai Part III (seems to be listed as II, though, which is weird)

Usagi suggests that he and Gen head into town to report the duel, wishing to see Gunichi properly buried. The rhino, however, thinks of it as a bother as he wouldn't have done the same for Usagi (Who can say, though?). Nonetheless, while Gen is picking out a persimmon from a tree, he tells the rabbit to continue his story, which Usagi obliges by telling Gen of how Katsuichi taught him restraint.

The flashback begins with little Usagi and his sensei walking through the mountains with the former getting distracted playing with his bokken (typical kid), while Katsuichi speaks philosophically that a true samurai does not look for a fight, but tries to avoid it.

"The best souls are those which are kept in their scabbards."


The two then find themselves set upon by five cutthroats that Usagi remembers his father running out of his home village. Despite Usagi's faith in Katsuichi's skills, the young rabbit is surprised to see his sensei offer up their lunch to the crooks in exchange for going away. Although the criminals help themselves to the food, their one-eyed leader is quick to remind the two that they're outnumbered.

Intrigued by Usagi's confidence in his teacher, the boss then uses a pickled plum from the food and sticks it to Usagi's nose with tree sap, daring Katsuichi to cut the plum in half or he'll slit the boy's throat. Although the lion notes that it's an almost impossible task and demands for Usagi's release, the sweaty, maybe even panicking, boss demands for the plum to be cut,

Drawing out his sword, Katsuichi slays the boss in such a quick manner that three of the bandits flee for their lives, while the last one faints and is left behind (Ha!). Although Usagi wonders about letting those same bandits escape, his sensei points out that they're harmless without their leader. When the rabbit jokes that he learned that there are some things even his teacher can't do, the older lion quicks slice the plum off of Usagi's nose in such a way that leaves him shaking.

Back in the present, the older Usagi is eating persimmons alongside Gen, when the latter makes a joke of slicing the former's nose as a way of demonstrating his skill compared to Katsuichi's. And he quickly gets hit on the back of his head with a persimmon for that (Ha, again!).

To be continued

Feels kinda like a midquel, but not bad.

Next time: Samurai Part IV
 
I'm not sure about the "massage culture" in Feudal Japan, but I guess Stan Sakai made a note for that after the stories themselves are done.
What little I know is that being a masseuse was one of the few careers that the blind were allowed to have, and that Zato-Ino the Blind Swordspig is an homage to Zatoichi the Blind Swordsman, a recurring character from samurai fiction
 
Samurai Part IV
What little I know is that being a masseuse was one of the few careers that the blind were allowed to have,

Very curious.

Samurai Part IV


Continuing their walk through the woods, Gen asks if Usagi will continue his story and how Gunichi fits into it, which Usagi answers that the recently slain samurai was a bodyguard to Lord Mifune like himself before dialing back to his first meeting with him, which happened almost four years into Usagi's training under Katsuichi. Having heard of a swordsmanship tournament hosted by the Dogora Fencing School, Usagi and his teacher left the mountains so that the former could compete in it as a sort of rite of passage.


Although Katsuichi, due to having no official school, is immediately confronted by the Dogora Instructor Jimbei, the head of the school, Genjiro, permits Usagi to compete. When Genjiro and his head instructor, Higashimori, are alone, though, the former admits that he expects Usagi to crippeled from the tournament as Katsuichi's punishment for "boldly striding in" with only one student. (talk about fragile egos)


While Usagi is seated down, he catches sight of Mifune the tiger, Lord of the Northern Province, with a still alive Gunichi standing behind Mifune. The referee than announces that the winner will receive a daisho (two matching swords) crafted by the swordsmith, Koetsu, and that the first match will be between Usagi and a Dogora student named Oshiro. Before the match begins, Usagi briefly recounts his lessons to Katsuichi, especially that winning is unimportant.

"Good! And if you don't win?"

"You'll beat me into pulp!"

"Ha! Excellent you've learned well!"


As the tournament moved on, both Usagi, and his rival in the Dogora School, Kenichi, had beaten every last one of their opponents until only they remained. Higashimori reminds Kenichi that as their school's last hope of beating Usagi, he will leave in disgrace if he loses. (Ouch!) And sadly for Kenichi, he lost to Usagi.

In congratulation to Usagi's victory, Lord Mifune says that he would be welcome in his court, and then bestows the wakizashi (short sword) Aoyagi (Young Willow) and the katana (long sword) Yagi no Eda (Willow Branch) to the gracious rabbit.

To be continued

It has some humor and serves as a good origin to Usagi getting his swords. Of course, Genjiro and his sycophants are too egotistical for my taste. Wouldn't you agree?

Next time Samurai Part V
 
Samurai Part V
Overly prideful and corrupt school heads aren't as common a foe for Usagi as bandits or youma but I'd say he fights them about as much as he fights Hijiki's ninjas.

Sounds about right.

Samurai Part V

Usagi narrates that, following Katsuichi's advice, he secluded himself in the mountains for a time to get better acquainted with his swords before becoming an official samurai. After another two months, Usagi finally left his sensei (with a bucket of water and stack of firewood no less).

Back in the flashback, Usagi tests his swords by slicing a bug, which he notes as being lighter than the bokken he had used previously, but he is then confronted by a cloaked and hatted figure who remarks that Katsuichi taught Usagi well, but the rabbit is unyielding compared to his instructor.

"The maker of your blades knew the mistake of being too strong so he named them after the bending willow! You, too, should learn to bend!"

The stranger demonstrates his controlled swordsmanship by allowed a different bug to touch it without being sliced and then calls for a match to test the uncertain Usagi's skills as he reveals himself as Gunichi. The warthog offers Usagi to duel with either bokken or the blades, but Usagi decides to use his swords in a rather self-confident way.

The two then sling their swords at each other until Usagi finds assassins from the Dogora School (who are still pissed that Usagi humiliated them in the tournament) hiding nearby. Although Gunichi is disgusted by their weasley tactics, he allows Usagi to attempt talking them down and then do the fighting when they still attack.

The rabbit quickly prevails over the Dogora School swordsmen and the only survivor runs away like crazy. Gunichi is impressed that Usagi is learning to understand the nature of violence, and calls for a draw, adding that he'll recommend him to Lord Mifune. Usagi bows his head in appreciation, while saying that he hopes that they become true friends.

Back in the present, Gen blurts out in bewilderment how Gunichi could've been Usagi's friend when he just recently killed him, and prompts Usagi's ire when he says that he's the ronin's best friend (Only in your dreams, Gen). The rhino, though, quickly accepts Usagi's "flattery" and says that he'll "let the latter buy him a drink" so that he could listen to the rest of the story non-sober.

To be continued

A nice enough way for Usagi and Gunichi to have a real first interaction, and the ending was pretty funny, too.

Next time Samurai Part VI
 
Samurai Part VI
Samurai Part VI

Stopping at an inn for Gen to get sake for himself, while waiting for Usagi to continue his story (despite Usagi refusing to treat Gen for a drink, period), the ronin hands two ryo to the innkeeper to ensure a nearby dead samurai is taken care of and sternly instructs him not to rob the body. However, Usagi is quickly repulsed when Gen reveals that he already took the purse for himself.

"I'm a realist. Money doesn't want to belong to a corpse! It yearns to be spent!"

(In fairness, it makes sense in a RPG sort of way)

Although unamused by the circumstances (just as Gen finds the wine to have gone bad), Usagi nonetheless, narrates that after a month, he left his mountain solitude to journey for his village before entering the service of Lord Mifune. He was coming closer to home before he stopped at an inn along the road (where he's nicely shown feeding tokage), until he learned that a drunk had been staying in the back room causing all kinds of trouble, but had injured nine men who attempted to throw him out.

Seeing what the hubbub was about, Usagi looks into the backroom and finds Kenichi of all people drinking his previous humiliation away (With some equally drunk, feline hooker, I guess?), and he quickly falls unconscious and wakes up later to attack Usagi before his headache kicks in (He was taking care of you, man!). Learning from Kenichi that the Dogoro School forced him to leave after losing the tournament after he arrogantly vowed to win it, Usagi decides to make sure his old playmate gets hot food to eat, but the innkeeper has bad news.

A band of brigands who cut off the innkeeper's supplies are now heading to Usagi and Kenichi's village (what a crazy coincidence). Following Usagi's thoughts of the people in danger, especially Mariko, Kenichi calls for his swords as he and Usagi leave to confront the bandits.

To be continued

Kenichi's drunken ridiculousness aside, I gotta admit that some parts were funny and the issue itself makes a good build up for what comes next.

Next time Samurai Part VII
 
Samurai Part VII
Samurai Part VII

The issue begins with a group of bandits on horseback galloping straight to a village, where the local headman, the elder Miyamoto, is already awaiting to refuse their demands with a frown. When one of the bandits moves to kill him, the old rabbit knocks him back with his wooden staff, prompting further aggression from the bandits as Mariko begs them not to kill the magistrate.

When the leading bandit takes an interest in Mariko (Ugh! At least he's polite enough to ask for her name, but come on!), the poor girl is forced to be by his side while his men gather the food and supplies (with the older Miyamoto grumbling that his people will still die without their essentials).

Thankfully, Usagi appears at the village entrance to confront them, which gives Kenichi the chance to shoot arrows at some bandits on a rooftop, and both of the Miyamotos fight against more as they reunite in a subdued manner (which makes sense they're in the middle of a battle).

Not liking his odds, the bandit leader than tries to escape with Mariko as his hostage, but a quick shot from Kenichi kills his horse, and despite her terror at the time, Mariko is able to acquire a sword to kill her captor before he could kill her (even if she fainted soon after).

Shortly after Mariko recovers from that ordeal, she, Usagi, and Kenichi discuss what they'll be doing moving forward. Usagi himself will stay with his father for a few weeks before entering Lord Mifune's service (My knowledge of Feudal Japanese history may be lacking, but can't that be a line of work by choice, or is he ordered to do it?), and Kenichi, after an awkward moment, says that he'll stay home.

In present time, Gen interjects about what became of Mariko, and Usagi solemnly answers that she and Kenichi are together with a son.

"Jotaro, eh? Women! Huh! Innkeeper! Another bottle of sake!"

"Make that two bottles, innkeeper."

(Wow)

To be continued

The lack of attention on Usagi's father aside, can I just say how oddly nice it is of Gen to support his "best friend" in his youthful love life?

Next time Samurai Part VIII
 
Yeah, usually when offered sake, he'll ask for tea instead. It's one of his little quirks that makes him different from other samurai that we see: he prefers to be sober.
 
Samurai Part VIII
Pretty rare to see Usagi drinking sake. Recounting this story really did put him in a bad mood.

Between the whole Gunichi thing, Gen stealing the purse, and how Usagi "lost the girl," I can see why.

Yeah, usually when offered sake, he'll ask for tea instead. It's one of his little quirks that makes him different from other samurai that we see: he prefers to be sober.

Very out of character in his case.

Samurai Part VIII

Usagi's story being almost over (just as Gen points out that they're almost out of sake), he delves to "the Great War."

At the time, he had been servicing Lord Mifune for three years, and between his skill and Gunichi's recommendation, Usagi quickly rose to be among his lord's personal bodyguards, and was often allowed in the inner court to watch over Mifune, his wife, Lady Kazumi, and their son, Prince Tsuruichi (Prince is probably an honorable title in this context, though, huh?).

One night, however, the Neko Clan Ninja are seen sneaking into Mifune's castle as Usagi narrates the following sentiment:

"The Shogun had not yet firmly established his rule, and those who yearned for power reached for it. This was a time of impending war, of political upheavals, of intrigue, and assassination!"

(Not a bad quote if I do say so myself)

As Lady Kazumi is about to put her son to bed, the both of them are surprised to see the Neko Ninja intrude in the latter's room in a threatening way, prompting Kazumi to scream of there being ninja in the castle. With Gunichi leading Usagi to tend to Lord Mifune first (As their duty indicates, apparently), the bodyguards and their lord are able to slay the Neko Ninja attacking the latter before they head to the Prince's chambers to the previous reinforcements dead alongside Mifune's family (Poor people).

While Gunichi and Usagi try to quietly figure out who's controlling the Neko Ninja Clan outside of their grieving lordship's earsight, Mifune nonetheless answers their question with a seething name: Hikiji.

To be continued

A sad ending for Mifune's wife and son, but I can tell it won't be the last time an innocent kid dies in the greater comic.

Next time Samurai Part IX
 
Samurai Part IX
Samurai Part IX

As Past!Usagi stands by Lord Mifune and Gunicihi among many armored samurai, Present!Usagi narrates that back then, Hikiji was the minor lord of a neighboring province who desired Mifune's holdings and power for himself. Six months had passed, and a full scale war was on, with the final battle taking place at Adachigahara Plain.

As the battle goes well for Mifune's forces, and he receives word that his second brigade was in position, he signals them to charge in Hoshi (Arrowhead) Formation. Although Gunichi worries of the danger Mifune would place himself in by going into battle, the latter retorts that he refuses to gain victory behind the backs of his own men (I know there's a good Code Geass quote in mind for this line of thinking), and calls the former to protect his left flank while Usagi guards his right.

As the three battle Hikiji's forces on horseback, Mifune sees that his enemies are retreating and calls for General Toda and his reserves to attack their left flank, only to be outraged when he learns that Toda and his warriors have betrayed them all to Hikiji, whose own forces have trapped Mifune's in a pincer attack.

Meanwhile, Gunichi figures that the battle is lost, but offers Usagi the chance to escape with him, even if it means abandoning Mifune, but Usagi angrily refuses and is left behind as Gunichi flees (I can understand that you freaked out, Not!Bepop, but really?). Although torn by the betrayal, Usagi regroups with Mifune only saying that Gunichi had "fallen" (which makes sense), until a barrage of arrows finally kills Mifune in the back, and Usagi opts to flee with his dead lord's head into the mountains as his own horse finally gives into his mortal wounds.

Upon burying the head and realizing his ronin status, Usagi notes that the battle had ended with Hikiji's men hunting down any survivors, forcing him to hide in the mud for a week, and thrive on rain water and grubs (Ew!), which was two years ago at the present time. (I guess that would make Usagi twenty-one years old and Jotaro five, right? How daring!)

Although Gen notes that Usagi avenged Mifune by killing the traitor, Gunichi, Usagi founds it to be a hollow victory due to his past friendship with the man. With the sake all gone and the story finished, Gen has his own choices words on the tale.

"The saddest day of a samurai's life is the day he becomes a ronin."

Saying that he'll someday relate his own masterless origin, Gen is about to head out to hunt an escaped criminal in the next town, but Usagi declines to join him, even as he says that they will most likely meet again, which Gen agrees with. The rhino offers to finally pay for the drink, but Usagi does it instead, as he finds it bad luck to pay with a dead person's money, especially if they were a friend. And that's exactly what Usagi prefers to remember Gunichi as.

The End

A nice conclusion to Usagi's origin story. Somewhat tragic, but also bittersweet as well. Even more so in how Gen can relate to the experience.

Next time Kappa (Any guesses?)
 
Kappa
Usagi fighting a tengu?

Aw. And I thought someone was going to ask about the TMNT.

Kappa

The issue begins as Usagi walks through a marsh until he spots wild cucumbers that he notes will make a fine meal for himself, even if seeing them late in the year is unusual. While the rabbit ronin is busily munching on one as he walks, a kappa emerges from the water, demanding a toll if Usagi wants to cross his marsh (might as well be a toll troll), and the former begrudgingly hands the kappa his collected cucumbers (Which kappa might as well view as candy, but okay, Larry Boy).

As Usagi briskly moves along, while internally noting the weaknesses of dangerous kappa and how coincidental it was that he found the cucumbers to bribe that turtle demon with, he finds a house whose old owner kindly welcomes inside her home. Upon being fed, Usagi engages in small talk with the old woman over the kappa, but she then wails when learning that Usagi picked the cucumbers to placate the kappa and that her arriving son will be at that monster's mercy. (Yikes!)

Emboldened by the old woman's plea to protect her son, Usagi races to find the kappa brainwashing another samurai (I have no idea who he serves, though) to drown himself in the marsh, so that the monster can suck his prey dry. With the kappa refusing to release his victim, Usagi faces the former in battle, and nearly comes close to losing his life as much as the other samurai's before he causes the water from the kappa's forehead to spill, which he knows will kill the kappa as a result.

Left at Usagi's mercy, the kappa is forced to hear the former's demands to release his victim and vow not to harm any more travelers.

"You kappa live by a strict code of honor so you can be trusted to keep your promise!"

(I might have my doubts, Usagi, but I'll take your word for it)

With no choice, the kappa agrees and returns to his marsh as the other samurai emerges with gratitude for Usagi. Usagi, however, says that it was fortunate that his mother told the ronin about his arrival. The would-be victim reacts in surprise, though, as he says that his mother died to the kappa a full year prior to that day, and that he was pilgriming to her grave not too far away.

(And Usagi's out of whack facial expression is to laugh!)

The End

A brief look on monsters and such after the long Samurai story arc, but decent enough.

Next Time Zylla (Care to guess the namesake?)
 
Zylla/Silk Fair

I had no idea that was a thing until recently, but okay.

Zylla

The "prologue" starts with the two monkey woodcutters trailing about (while singing a singing how a peasant's life is a hard lot) until they find a lone egg as big as they are. The wife of the pair then suggests taking it to the nearby hot springs to hardboil it for their meal (That would be a bad idea if the probable parent found out, wouldn't it? And did your husband have to lose the stacks of fire wood on his back, too?).

At an inn in the nighttime, Usagi receives his meal and internally thinks how he still has some of the reward money he took with Gen way back (Wow, lucky), even as he's unaware that some unscrupulous characters nearby are eying his money with opportunistic eyes. After eating, Usagi receives a suggestion from the innkeeper to soak himself in the nearby hot springs, which the rabbit accepts with some rice balls to have along the way. And minutes later, the drunk thugs leave the unpaid innkeeper to sneak up on Usagi unarmed.

Meanwhile at the hot springs, the woodcutters, having kept the egg in hot water for a long time, are surprised when it finally hatches something that scares the couple screaming for their lives (Karma, anyone?). Minutes pass, and Usagi arrives to be surprised by the rustling bushes until he calms down in the belief that a tokage lizard is hiding there, and he kindly gives the hungry creature two rice balls before he soaks. Naming the strange creature "Zylla" from the noise it makes.

While Usagi soaks, though, the five troublemakers from the inn show up, and Usagi is forced to kill one of them named Tojiro. Before the remaining four gang up on Usagi, they are all surprised when the angry Zylla reveals his big reptilian self from the bushes. And then, when the would-be killers dismiss Zylla as a frog, Usagi is surprised to see his new friend breathe enough fire to kill the four jerks.

"What are you? You look like a lizard but you breathe fire! Are you a god, Zylla?"

"Godzylla?"

Later, after getting dressed, Usagi thanks Zylla with his last rice ball and wonders if they'll meet again someday. He even jokes that the big guy should visit the city someday. (What are the consequences, Usagi?!)

The End

A rather cute depiction of Godzilla himself. I actually think the little guy has the right to return before Usagi's story finally concludes.

Next Time Silk Fair

Silk Fair

The issue begins with Usagi, straw hat and all, taking a stroll until he chances upon three "thieving, vermin maggots" beating the crud out of a bucked-tooth old man. When the would-be robbers attack Usagi for witnessing their crime, he quickly slays two and prompts the survivor to flee for his life (What a coward).

Usagi then tends to the old man, who, after affirming that nothing of value was taken from him, introduces himself as Jiro, a worker for Kaiko Silk Works located in a nearby village that is being threatened by a much larger band of bandits. Although Jiro tries to warn Usagi that the bandits may be too tough for him, the rabbit ronin is undaunted by them.

"Well, this might be a good place to sell my services."

"If I can't dissuade, then I can at least escort you into town."

As the two walk, Jiro explains that he was hunting for mushrooms for his family's dinner when the bandits caught him as manufacturing silk is hard work with very little pay. Nonetheless, Usagi (making a weird thing with his right arm not in his sleeve) remarks that their silk quality is beautiful (assuming he wasn't referring to the woman attending her silk with a basket-wearing tokage), and Jiro helps introduce him to his employer, Mr. Kaiko.

Kaiko, however, reprimands Jiro for nearly getting killed and becoming an "unproductive worker" as a result (Talk about a jerk). When Usagi offers his services against the bandits, Kaiko remarks that the former is a "gold digger" compared to his own hired protector Matsutaro, who sips sake while bragging that he's paid only in room and board as well as one ryo, which affronts Usagi.

"A samurai knows his worth!"

"Was that an insult, ronin? I'd kill you for that, but I don't want to get my employer's home messy with your blood!"

Turned down, Usagi is nonetheless offered to spend the night at Jiro's home, where his equally bucktoothed wife and children are waiting for him. As they eat dinner (and Usagi bashfully makes a good impression on Jiro's family from a love struck girl to a boy named Genta), Jiro admits that if he had enough money and there were no brigands in the way, he would take his family and leave to start anew elsewhere, but the stingy Kaiko just doesn't pay them enough.

The next day, Usagi approaches Matsutaro for a drink (he's got sake again, but probably for a plan), and during their "small talk," the former brings up the silk fair coming tomorrow, which unnerves the latter just as the brigands are heard coming into town. Matsutaro then runs away, telling the "riff-raff" to take care fo himself.

Kaiko shortly arrives to demand Matsutaro, and once realizing he departed with haste, begs Usagi to repel the brigands, who Usagi notes won't harm the poor, but the rich merchants (meaning Kaiko). While Usagi climbs the local tower to watch the impending massacre, Kaiko is prompted to follow him when he hears that thirty ryo won't be enough for Usagi (like wow), but instead, the ronin wants Kaiko's workers to be paid two hundred ryo (talk about aggressive negotiations) despite it being four times what Kaiko pays them.

Ultimately, however, Kaiko is finally persuaded at the thought of blood, which leads to Usagi confronting the bandits, including the guy who ran away earlier (claiming to have actually fought Usagi, no less), and Usagi makes short work of some of them in a crowded space. And when others try to circle around the path, sewing needles pierce their waraji sandals (Ouch!), but not through Usagi's wooden geta. Usagi then successfully leads the bandits into a trap where they're tangled by silk streamers thanks to Jiro, which allows Usagi and his fan, Genta, to coerce the bandits to surrender.

A few days later, Usagi is giving Genta a piggyback ride, as he notes that the silk fair was a big success with Jiro agreeing, especially in that the authorities are there to take care of the criminals. Although Matsutaro slipped out completely, Jiro and his fellow workers have decided to pull their money together to build their own silk mill, noting that with their knowhow, they'll out-produce Kaiko before the next silk fair, prompting a laugh out of Usagi.

The End

I would've liked for Matsutaro to get his what for, but I do like how this shows Usagi is good with kids and such.

Next Time The Tower (On your own)

Long story short, I've finally lost my patience with these forum websites, so, instead of causing a scene, I'm just going to log out and block them on all my electronics so I can never come back. I hate to do this, but I hate the fact that I've never gotten enough commenters, Patreon patrons, and overall respect the whole time I've used SpaceBattles and Sufficient Velocity.

So as Miyamoto Usagi and his fellow residents of the world of Usagi Yojimbo would say, Abayo.
 
Sorry to hear that things here on the forum aren't working out for you. Best of luck in your endeavors going forward.
 
The Tower
Sorry to hear that things here on the forum aren't working out for you. Best of luck in your endeavors going forward.

It was mostly SpaceBattles, but thanks for being considerate.

I guess a break from the forum websites was all I needed to calm down my mind, but I held back a while until I was ready to get back into summarizing Usagi Yojimbo. So, here we are with…

The Tower

The issue begins with a lone tokage slowly waking up from his nap (while performing some gestures that remind me of cats), and upon noticing his rumbling stomach, the miniature dino tries to get food from a nearby noodle stand before the salesman kicks him away, followed by a boy bear who wraps up eating a fish (and tossing the bones on the ground like a litterer).

Although discouraged with a noticeable sigh, the tokage makes his way to an inn and, after a brief checking of his surroundings, tries to nab some food before the pig innkeeper, having dealt with the tokage before, angrily chases him with a kitchen tool in hand to the local watchtower, yelling that the tokage will have to come down eventually. (One could argue he'd be waiting a long time for that to happen, though, huh?)

Usagi notices the commotion, and asks the woodcutters (They're back!) what's going. The husband of the couple explains the situation and how some people taking bets when the tokage will fall to his death from the wind, which is a fate Usagi finds very cruel (which I can agree with). However, the angry innkeeper tries to hold Usagi back before the ronin hits him in the gut to go up the watchtower.

The innkeeper, though (having a very high opinion of himself), uses his chopper to break half the rungs to leave Usagi and the tokage trapped up there (I'm amazed no one balked at him for doing that). When the latter reacts to Usagi with guarded hostility, the rabbit notes that it's starting to snow and lays down a rice ball for the tokage, who is later seen eating it as Usagi brushes off some snow (which coincidentally hits the bitter innkeeper with a Sesame Street kid seemingly in attendance).

At last, the wind arrives to sway the tower much to some onlookers' concern (except the bully of a pig), prompting Usagi to get the tea in his bamboo filler to help warm the tokage, but the wind slips it from his hands. Causing both the tea and filler to fall on the innkeeper, who finally demands the ax from the husband woodcutter to chop the tower down (Where's the local magistrate and his guards when you need them?).

Calling for the tokage to jump in his arms, Usagi holds onto the little guy tight as the tower falls on the pig's very own inn (Now if only that jerk took responsibility for it). With Usagi knocked out from the fall, it falls on the tokage to round up on the innkeeper before the latter gets any ideas. By the time Usagi regains consciousness, the innkeeper is screaming in a panic (Makes me wish tokage are velociraptor-sized) until Usagi tells his new companion to stop, who eagerly follows him.

The issue ends with the pig moaning his roof, shop, and head, while the monkey requests for his ax back, and Usagi saying this:

"Come along, er… Spot. Let's get out of this town!"


The End

If you didn't already know that Usagi is a friend to any and all unlikely creatures, look no father than here. If it wasn't for this issue, Yuichi Usagi in the Netflix show, Samurai Rabbit: The Usagi Chronicles, wouldn't have his own tokage pet of the same name.

Next time: A Mother's Love (Warning: A Sad Tale)
 
A Mother's Love

I was trying to make a kind of "aliens" thing, but that works, too. They really travel a lot.

Anyway, I figured I'd get this next issue out in case I have my mind on something else the First of August.

A Mother's Love

The issue begins with Usagi and Spot sharing a meal with an old woman, who was more than happy to supply the food and is bashful at Usagi's offer to carry her to her village as he and Spot were already heading there. The two even share a joke as Spot carries the lunch box with his mouth. On the way, the old woman says that she was returning from a pilgrimage which involved her praying for her son, Atsuo, and she can only shed a tear when Usagi asks if something was the matter with him.

They later arrive at the village to see a brute of a bear, Bunjiro, beating a villager named Ume in front of his sobbing wife and son out of retribution for the latter being late with his payments to Bunjiro's boss, which terrifies the other villagers as well. Although the old woman Usagi met demands an explanation for Bunjiro's harsh acts, the bear gruffly tells her and Usagi to stay out of it before walking away like a bully. The woman tells Usagi that Bunjiro works for her money-lending son who practically owns the whole town, but the other villagers rebuff her "false sympathy" and tell her to "beat it." (Like, yikes)

Leading Usagi and Spot to her home, the old woman tries to get Bunjiro to stand down, but only a quick confrontation with Spot and Usagi's sword gets that jerk to stand down. Shortly inside, though, Usagi, Spot, and the woman are confronted by Atsuo himself, who demands the "two-bit ronin and dirty animal" to leave and actually strikes his own mother for contradicting him, while his guards keep Usagi at sword point. When Atsuo then threatens his mother to have her beaten for interring the next time, a quick stare down with Usagi forces him to apologize and then leave.

The next morning, Usagi affectionately refers to Atsuo's mother as "Mother" himself (which is sweet and I'm forced to wonder if he didn't know his own mother himself), who gratefully asks if they could share a walk before he goes. Ignoring the nasty looks everyone is giving them (Those Leaf Village rip-offs could at least pretend the two aren't there!), the old woman explains that she grew up in the town, that she loves it and its people, and that her deceased husband was a gracious man to the needy and only asked payment if they could afford it (With a guy like that, who needs organized crime?).

But when Atsuo took over, he began to strangle his own home with his higher prices and thugs alike, and it breaks his mother's heart of how debased he became from the innocent kid she sang a lullaby to. While Usagi and Spot try to comfort her, the old woman then requests Usagi to kill her son and his thugs to save the town, knowing how skilled Usagi is and that Atsuo bribes the officials so the law won't touch him. But Usagi immediately rejects the dishonorable idea of becoming a paid assassin.

Although in tears at first, the mother offers to have a meal with Usagi for the night before he goes, saying that she'll arrange things with her son, which Usagi ultimately accepts. In the evening, while Usagi questions the wisdom of going back, he and Spot are quickly attacked by Atsuo's employees, forcing the two to lethally defend themselves. (Spot himself actually squeezes Bunjiro's neck with his tail!) Getting the idea that Atsuo is harming his mother, Usagi and Spot search the place all over until finding the latter holding her dead son in her arms.

The mother regretfully reveals that she lied to Atsuo that Usagi was hired by the townsfolk to him, which forced his men to be sent out in response and gave her the opportunity to stab Atsuo herself. Now a heartbroken mess, and not having the spirit to take her own life, she begs a reluctant Usagi to slay her. Although Usagi does not desire to do it, the poor old girl's state gets to him, and while she is singing a lullaby to Atsuo's corpse, it is strongly implied that Usagi killed her offscreen in the middle of her song.

As a remorseful Usagi and Spot leave the residence, the former says the following words.

"I do pray the gods will be merciful… Mother."

As Usagi walks away, Spot can only howl his own despair as if he was a wolf in grief.

The End

A tragic story to say the least. Usagi does lose friends as much as he gains them, but this is the first time he ever referred to someone as if they were a parental figure. The fact we only know so much about his father, which isn't much, makes it even worse.

Next time: The Return of the Blind Swordspig (Guess who's back!)
 
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