In The Dust Of The Earth (Quest, Apocalypse)

x.9
[] You're stronger than she ever thought you could be. Fuck her, and fuck this. Wake up.

You wake a bit at a time. Your limbs don't want to respond; they've got that pins-and-needles feel that makes you mutedly wonder how long you've been lying down.

Speaking of lying down, you're no longer on the floor.

"Wise?" Something on your forehead gets taken away, then the cool weight of cloth replaces it. You sigh a little in relief. You hadn't realized you were overheated until you felt it.

Fingers feel at your wrist, taking your pulse. You didn't know Sammy knew how to do that.

Wait. Sammy?

Your pry your eyes open. Sammy's kneeling at your side, mouthing a count for your heartbeat as he checks it, face set in lines of concern. Candlelight highlights his features, smoothing them the way only fire can do. In that moment, you realize:

[] you're in love with him.
[] he doesn't look sick at all.
[] he's in love with you.​

A thick, hacking cough breaks your concentration, and you sit up all at once. You wish you hadn't; your head spins, and you realize how empty your stomach feels.

"Hungry?" Sammy asks carefully, letting your wrist go so you can cover your mouth as you cough.

You nod. You're not sure what, exactly, you want, but you want a lot of it. You can't remember being this hungry before.

"I want something..." you trail off, one last cough punctuating your sentence.

"Meaty?" He guesses, and your hunger rises fiercely at that word.

"Yes," you say, a little off-balance by your own desire. You want meat right now, need it.

Sammy stands and crosses the room. It's your room, now that you're looking, and you've been lying in your bed. The last thing you remember is... that fucked up dream... but before that, you were on the floor of Sammy's room.

"You brought me up here?" You ask, slowly moving so your legs are hanging off of the side of your bed.

"I thought it would be safer," he says, picking up a can of beef stew. There's a pile on your nightstand; it looks like he grabbed all the non-perishables out of your kitchen and stacked them in your room. "There are... people outside."

"People," you repeat, remembering the screaming, then moaning from outside.

"Yeah," he says quietly, pouring the can of stew into a bowl.

You notice, then, that he's got your tomahawk hanging at his back, and your pistol is on your nightstand. Neither one of them look like they've seen use, but for Sammy to feel like they're necessary, something must have happened.

He hands you the bowl, and you hold it to your lips, greedily downing the stew. It fills the void of hunger, and your eyes close. You needed that.

"People have been screaming and banging around outside for the past two days," Sammy tells you, leaning against your nightstand.

Two days? You've been out of it for two days?

"You were sick," he says, "you... said some things, but mostly just asked for food." He gestures to a case of water bottles at the foot of your bed. "It's a good thing you bought those last week, because the water went off yesterday."

"Is the power still on?" You ask, settling the bowl in your lap. You don't think you're quite ready to get up.

"Yeah. The internet was on for a little while, and I printed out some things I think we might need." He takes a deep breath. "I'm just... I hope my parents are okay."

Your parents are gone, but you had some connections here. You wonder to yourself about:

[] Anna, your girlfriend.
[] Karl, your not-quite-boyfriend.
[] Your aunt and uncle.
[] Your coworkers.
[] Wormwood. Where is that cat?​

-

For both choices, pick as many as apply.

Since you took care of Sammy, he's survived and is now one of your companions. I'd be much obliged if someone could find a good picture for him. He's a person of color, with blue eyes, and isn't heavily muscled.
 
[X] he doesn't look sick at all.

[X] Your coworkers.
[X] Wormwood. Where is that cat?

Here's hoping that both we and our co-workers are secretly wizards or something. Barring that, I'd settle for them being security guards, because I can't see where our job was specified, and it makes sense that that's where a former Officer could go for a job. In any case, a professional relationship could help us get ahead without taking us too far back emotionally if they die.
 
If we go too long without eating, we'll probably become just as bad as those things outside.

[X] you're in love with him.
[X] he's in love with you.

[X] Anna, your girlfriend.
[X] Wormwood. Where is that cat?
 
[X] he doesn't look sick at all.
I prefer our relationship with Sammy stays platonic.

[X] Anna, your girlfriend.
[X] Karl, your not-quite-boyfriend.
[X] Wormwood. Where is that cat?

We like them both.
 
[X] he doesn't look sick at all.

[X] Anna, your girlfriend.
[X] Wormwood. Where is that cat?

Man, how are you going to tally this vote, fall? It's going to be messy as hell.
 
[X] you're in love with him.
[X] he's in love with you.

[X] Anna, your girlfriend.
[X] Wormwood. Where is that cat?
 
[X] he doesn't look sick at all.

[X] Anna, your girlfriend.
[X] Wormwood. Where is that cat?
 
Just a question, if the Anna-the-Girlfriend vote wins, are we still being as androgynous as possible? To the point where not even our girlfriend knows our gender and wonders whether or not dating us makes her gay? Because that'd be a wonderful way of extending the gag.
 
[X] he doesn't look sick at all.

[X] Your aunt and uncle.
[X] Wormwood. Where is that cat?
 
[X] you're in love with him.
[X] he doesn't look sick at all.

[X] Your coworkers.
[X] Anna, your girlfriend.
[X] Wormwood. Where is that cat?
 
[x] he doesn't look sick at all.
No romance unless if it's with at least one person of each gender.
[x] Wormwood. Where is that cat?
Kitty cat.
*checks for invisitext*
Of course, now that we look for it the QM will never use it again.
 
Just a question, if the Anna-the-Girlfriend vote wins, are we still being as androgynous as possible? To the point where not even our girlfriend knows our gender and wonders whether or not dating us makes her gay? Because that'd be a wonderful way of extending the gag.

Sure, I can go with that. I certainly have enough experience with that situation to write it.
 
x.end
[] he doesn't look sick at all.

[] Anna, your girlfriend.
[] Wormwood. Where is that cat?

"Anna," you murmur to yourself, hoping against hope that she's alright. If there's any justice in the world, she's away from this. Maybe at work, and therefore safe.

(You learned a long time ago that justice is rare, precious, and impossible to force.)

Sammy physically shakes himself. "Anyway. I printed out some things before the internet went dark. People were compiling a list of hotspots, where the... disturbances... seemed worst. Places that lost power first, where the screaming was loudest, that kind of thing."

He pulls out a piece of paper, placing it on your bed. It shows:

[] your village. (smallest, most spread out, least people, least supplies.)
[] your town. (the median for people, amenities, and buildings.)
[] your city. (largest, dense, lots of people.)​

It's in full-color, with landmarks and larger buildings labelled. Sammy's circled your house in pencil. There are numbers on areas, and it looks like they're using shades of red to show where the worst of things are. Your house is on the fringes, but the armory, where Anna works--

"Shit," you say, and Sammy nods. The armory isn't the worst, but it's pretty dark.

He taps one part of the map, a place you recognize as his work. He's the night maintenance guy at a decent hotel, a hotel that happens to be the darkest red on the entire map.

"Around here, people think it started at my hotel," he says, subdued, "and... I think that's why I was so sick. People say their friends, family members, got sick just like you and I did, feverish and thrashing and hungry. Some of them got better, like we did, and some... some started screaming and attacking people, trying to eat them." You look up, and your eyes meet. "Whatever this sickness is, I think we have it."

You suck in a breath. This... this sounds like... You shake your head, letting out a shaky laugh. "It's like we're in a zombie movie."

"You're not the only one who thinks so," Sammy says, "people on the internet say the only way to stop the hungry people is to take off their heads."

At that, you go silent. You can't imagine having to try beheading Sammy. It never really hit home, before, how people in the movies could be so conflicted about killing zombies. If it were Anna--

"This is so shitty," you whisper. Neither of you say anything for a few minutes, recognizing that truth.

"I don't think we're going to be like them," Sammy says finally. "I get hungry a lot more often now, and it's always for meat, but I can't imagine eating someone. I think if we were going to be like them, we already would be."

It's a nice thought.

He shakes his head. "Alright, Wise, what now?" You blink, and look to him. He continues, "we can't stay here. I don't know how smart they are, but we've got all those windows on the ground floor, and the staircase is too wide to really barricade. Even if they're dumb, all it would take is one human looter with a gun, and we're screwed."

You take a deep breath, and stand, moving slowly to compensate for your still-weak body. "You're right. We need to find somewhere else." You look toward the window, through which you can just barely make out the setting sun. "In the morning, we leave."

End Arc 0, The First Resurrection
 
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